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Ma'am.
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Good morning.
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Be careful, ma'am.
4
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Did you hurt yourself, Mary?
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No, I'm quite all right.
6
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Seems higher than the ones in the East.
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Well, the roads out here have higher bumps in them, ma'am.
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I see.
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Get in, dear.
10
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Is that a soldier's hat?
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Well, it was.
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All right, Son.
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I'm sorry, Katy,
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but between the Reform League and the newspaper,
15
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I got no choice.
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Ed, at least let me get aboard like anyone else.
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All right, Katy, good luck.
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Thanks, Sheriff.
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Hey, Bull, that's Katy Jewel.
20
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Galt, they ain't put the strongbox in.
21
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Maybe it's not traveling with them.
22
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They ain't finished loading.
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Good morning, gents.
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Howdy, ma'am, can I take your baggage?
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I'm obliged, much obliged.
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Anybody can ride as long as their fare is paid
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and they behave theirselves, Mr. Bishop.
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I tell you, I won't have my family
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exposed to a woman like that.
30
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There's another coach tomorrow.
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I've got to make this connection.
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I'm traveling on business.
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I'll sit next to her.
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You can put your son and wife on the other seat.
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Well, that will help, thank you.
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That's the box all right.
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This is working out just like I planned and better.
38
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Giddy-up, giddy-up!
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♪ Johnny Yuma was a rebel ♪
40
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♪ He roamed through the West ♪
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♪ Did Johnny Yuma, the Rebel ♪
42
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♪ He wandered alone ♪
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♪ Johnny Yuma ♪
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Oh, excuse me, did I spoil your writing?
45
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Oh, it doesn't matter.
46
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It's finished anyway.
47
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Folks say this Sweetwater Road
48
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is the worst in the territory.
49
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Glad we'll be on it only for a day.
50
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Um, are you transferring east or west
51
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at the junction, mister?
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Yuma, Johnny Yuma.
53
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Headed for Tucson.
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I'm pleased to know you, Mr. Yuma.
55
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I'm Mrs. Jewel.
56
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Mrs. Catherine Jewel.
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Been a widow six years though.
58
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That's when I came out here, when my husband died.
59
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Are you going back East, Mrs. Jewel?
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Yes, Philadelphia's my home.
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Now that I've saved a nest egg,
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I plan on starting a little business there, a hat shop.
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Well, I hope you make out fine, Mrs. Jewel.
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I guess those Philadelphia ladies
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are mighty interested in hats.
66
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I hope so.
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I got responsibilities.
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There's a mesquite over there behind the barn.
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They won't be able to spot him.
70
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How about the other one?
71
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He put up much of a fight?
72
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Uh huh.
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After they get in,
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there'll be a three hour wait
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before the first transfer stage is due.
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That'll give us plenty of time to get out.
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Can we get out soon, Papa?
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I told you, Son,
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we don't stop until we reach the junction.
80
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Say, I've got something you might like right here.
81
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Might help pass the time.
82
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I collected these for a little boy I know in Philadelphia.
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He's just about your age.
84
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Took a long time to find them.
85
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You have to look for the good ones, you know?
86
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Boy, look how this one shines.
87
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Do you think he'd care if I played with them some?
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That other boy?
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You can play with them all the way to Sweetwater.
90
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This is quite unnecessary.
91
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Mary, give the boy his picture book.
92
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But I've seen every picture, Papa.
93
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Rodney, don't make me punish you.
94
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You're punishing him right now.
95
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It is hard on the boy, Morton.
96
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Oh, all right, all right.
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Boy, look how this one shines.
98
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It's fool gold.
99
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What's that?
100
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It's something that isn't what it pretends to be.
101
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Whoa, hey, hey.
102
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Fred's getting deaf as a post.
103
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Probably in the barn.
104
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Drop it, Reb.
105
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I said drop it.
106
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All right, everybody out.
107
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Well, well, well,
108
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if it ain't the Bishop Engineering Company,
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London, New York, and Boston, in person.
110
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Come on, make it fast.
111
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You're a fancy piece of baggage.
112
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You don't remember me, do you?
113
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What's this?
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Nothing to steal, just a journal.
115
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Well, you fought in the mud just like me, didn't you, Reb?
116
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I said, didn't you?
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Yeah, I guess so.
118
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Only difference is gray dirties
119
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easier than blue, don't it?
120
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Depends on who's wearing it.
121
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Oh, do I smell like a goat to you?
122
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I'm not armed.
123
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You have my word.
124
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Bull here don't understand nothing
125
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about the word of a gentleman, Mr. Bishop.
126
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He didn't fight in the mud, Reb.
127
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I wouldn't know.
128
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None of his kind did.
129
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They bought their way out of the army.
130
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Ain't that right, Bishop?
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Money will buy anything.
132
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Oh no, please.
133
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Don't touch my wife.
134
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Hold it, Reb.
135
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Easy, ma'am.
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Everybody inside.
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Jim, get to work on that strongbox.
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Mommy.
139
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Can't I spare the boy this?
140
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Pick out the prettiest stones,
141
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and put them aside to show me later.
142
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You stay right here till Papa comes for you, you understand?
143
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Yes, sir.
144
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Everything's going to be all right.
145
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You just sit still and be quiet, Mrs. Bishop.
146
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You don't wanna be a widow like me.
147
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Widow, so that's it, huh?
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You wearing them dowdy clothes,
149
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so's you can pretend to big people?
150
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I'm not pretending anything.
151
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What do you get outta tearing people apart?
152
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You wanna look like her?
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Why, she's a crow next to you.
154
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You don't remember me, do you?
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I was just another face at a table, a back table.
156
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I ain't never forgot you.
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You're Katy Jewel, dancing queen of The Nugget Saloon.
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Prettiest thing that ever danced across a stage.
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All dressed up in gold, hair to match, twisting and turning,
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till a man could hardly believe you was real.
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Why don't you take what you came after,
162
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and leave these people alone?
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Now, Bishop here, he'd have been at a front table.
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He wouldn't be just another face like me.
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Well, he could've bought you things and taken you places.
166
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You'd have remembered him, wouldn't you, Katy?
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You got me wrong, mixed up with somebody else.
168
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Leave it go at that, Mister.
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Uh uh, you think Bishop wouldn't like you
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if he saw how you really look, hmm?
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You think he's different?
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You think he's a god or something?
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Well, let's find out.
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Stay put, Reb.
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Take a good look, folks.
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Here's Miss Katy Jewel, dancing queen of The Nugget Saloon.
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Sure, I danced.
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Galt, that strongbox is full of sand, nothing but sand.
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Are you loco?
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I dumped all the baggage.
181
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There's no gold at all.
182
00:13:53,999 --> 00:13:57,640
You still sticking to that story?
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50 men you got working for you in that new mine.
184
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Don't make sense you're traveling without no payroll.
185
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Now, where's that gold?
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Knowing wouldn't do you any good.
187
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It's on the way to the mine under guard.
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Come on, that stage will be here pretty quick.
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All right, Bishop,
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how much is that kid of yours worth to you?
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Now, you listen to me.
192
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About 10 miles away from here
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there's a waterhole known as Shadow Rock.
194
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It ain't hard to find if you're really looking.
195
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I'll give you till tomorrow night to bring that gold.
196
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Oh no, please, no.
197
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You better deliver it alone,
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if you want your kid back alive.
199
00:14:47,125 --> 00:14:48,401
You take the boy, Galt,
200
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and you're never gonna stop running.
201
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You'll chased right into your grave.
202
00:14:53,824 --> 00:14:55,600
I'll give you anything you want.
203
00:14:55,624 --> 00:14:57,067
Just leave my son here.
204
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I want that gold.
205
00:14:58,523 --> 00:15:00,166
It's yours, all of it,
206
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as soon as I can contact the Tucson stage.
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You have my word.
208
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Your word ain't good enough for me, Mr. Bishop.
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Galt.
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Papa.
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You're a smart one, Galt, smooth and smart.
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Women don't meet a man like you everyday.
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A man who remembers all about her,
214
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even though he's just seen her dance,
215
00:15:29,187 --> 00:15:32,462
and wants to buy her things and take her places.
216
00:15:32,486 --> 00:15:34,228
What're you driving at?
217
00:15:34,252 --> 00:15:39,052
You and me, we're two of a kind.
218
00:15:40,986 --> 00:15:42,461
We've just wasted too much time
219
00:15:42,485 --> 00:15:44,485
dancing to somebody else's tune.
220
00:15:46,418 --> 00:15:47,985
I wouldn't mind changing that.
221
00:15:48,985 --> 00:15:52,284
Make things different, you and me.
222
00:15:54,616 --> 00:15:57,283
Me and Katy Jewel.
223
00:15:58,649 --> 00:16:02,349
Sure, but without the kid.
224
00:16:03,983 --> 00:16:06,758
Yuma's right, law will be tracking us
225
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till the end of our lives,
226
00:16:09,482 --> 00:16:11,681
even after the kid's paid for and delivered.
227
00:16:14,048 --> 00:16:15,214
What about that gold?
228
00:16:16,814 --> 00:16:18,514
You can always make another haul
229
00:16:19,846 --> 00:16:21,689
without leaving any back trail.
230
00:16:21,713 --> 00:16:22,789
Are you gonna listen to her?
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You can buy her for a song.
232
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Nevermind, I know what I'm doing.
233
00:16:30,345 --> 00:16:35,345
Well, Bishop, looks like we both got lucky.
234
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I'll leave the kid.
235
00:16:41,344 --> 00:16:45,087
Jim, get everybody inside.
236
00:16:45,111 --> 00:16:46,110
Come on, Katy.
237
00:17:13,141 --> 00:17:14,640
Where you going?
238
00:17:17,107 --> 00:17:18,316
Mr. Bishop, you mean you gotta
239
00:17:18,340 --> 00:17:19,974
make up your mind about something?
240
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The stagecoach will be here in an hour.
241
00:17:22,673 --> 00:17:23,949
In an hour it'll be too dark to track them.
242
00:17:23,973 --> 00:17:25,073
Are you coming or not?
243
00:17:26,273 --> 00:17:28,372
Well, she went with them of her own will.
244
00:17:29,338 --> 00:17:30,548
Well, if you believe that,
245
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you're the only one she fooled, well?
246
00:17:34,737 --> 00:17:36,181
Well, you'll never catch up with them.
247
00:17:36,205 --> 00:17:38,180
They're not gonna ride that far.
248
00:17:38,204 --> 00:17:39,647
You told them yourself,
249
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and I don't think Galt's gonna pass up that Tucson stage.
250
00:17:42,836 --> 00:17:43,713
But we have no weapons.
251
00:17:43,737 --> 00:17:44,971
We don't have a chance.
252
00:17:46,770 --> 00:17:49,270
Maybe, but your son didn't have a chance either,
253
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until Katy gave him one.
254
00:18:12,167 --> 00:18:13,743
I can't leave you and Rodney alone.
255
00:18:13,767 --> 00:18:14,967
It'll be dark soon.
256
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I'm doing what I think is right.
257
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Are you, Morton?
258
00:18:42,964 --> 00:18:45,396
You and me are alike, Galt.
259
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We belong to each other.
260
00:18:51,428 --> 00:18:53,039
You think you had me fooled?
261
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Let me go!
262
00:18:53,997 --> 00:18:56,495
Oh no, you made a bargain.
263
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I'm gonna see you keep it.
264
00:19:08,626 --> 00:19:12,502
Galt, we rolled boulders down on the trail.
265
00:19:12,526 --> 00:19:13,701
The driver of the stage won't see it,
266
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until they're around the bend.
267
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By that time, it'll be too late.
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All right, all right, all right.
269
00:19:18,392 --> 00:19:20,201
Do the rest of it like I told you.
270
00:19:20,225 --> 00:19:22,225
Go on and get back there and keep watch.
271
00:19:23,392 --> 00:19:24,750
What's the matter with you anyhow?
272
00:19:26,458 --> 00:19:28,224
Didn't you hear what the lady said?
273
00:19:29,191 --> 00:19:30,391
We're two of a kind.
274
00:19:33,124 --> 00:19:34,790
We gotta make up for lost time.
275
00:19:36,623 --> 00:19:39,190
No!
276
00:19:44,989 --> 00:19:49,388
What's the matter, huh?
277
00:19:50,455 --> 00:19:51,597
You know it ain't everyday
278
00:19:51,621 --> 00:19:53,288
you get two chances at a big haul.
279
00:19:57,387 --> 00:19:59,955
You're friend Bishop had to shoot his big mouth off
280
00:20:00,820 --> 00:20:02,587
about the Tucson stage.
281
00:20:04,087 --> 00:20:05,987
That all works out for the best, Katy.
282
00:20:07,553 --> 00:20:08,553
Best man wins.
283
00:20:10,519 --> 00:20:14,718
I get the gold, and you and me, we get each other.
284
00:20:16,885 --> 00:20:18,085
It's just like you said.
285
00:20:19,717 --> 00:20:22,294
Now, this calls for a celebration.
286
00:20:22,318 --> 00:20:23,593
Have a drink.
287
00:20:23,617 --> 00:20:24,693
No, I, I!
288
00:20:24,717 --> 00:20:26,384
I said, have a drink!
289
00:20:29,883 --> 00:20:32,559
Now, let's have a Katy Jewel dance, huh?
290
00:20:32,583 --> 00:20:35,926
A Katy Jewel dance, dance!
291
00:20:35,950 --> 00:20:36,759
I won't!
292
00:20:36,783 --> 00:20:37,782
I said dance!
293
00:20:38,916 --> 00:20:40,192
Come on, dance!
294
00:20:40,215 --> 00:20:43,091
♪ Oh, Susanna, don't you cry for me ♪
295
00:20:43,115 --> 00:20:44,724
♪ I come from Alabama
296
00:20:44,748 --> 00:20:48,714
Dance, dance, dance!
297
00:20:50,948 --> 00:20:52,924
Come on, dance!
298
00:20:52,948 --> 00:20:55,357
♪ Oh, Susanna, don't you cry for me ♪
299
00:20:55,380 --> 00:20:56,890
♪ I come from Alabama
300
00:20:56,914 --> 00:21:00,656
Dance, dance!
301
00:21:00,680 --> 00:21:04,679
Dance, dance, dance!
302
00:21:05,947 --> 00:21:07,746
Dance, come on, dance!
303
00:21:09,845 --> 00:21:12,988
♪ Oh, Susanna, don't you cry for me ♪
304
00:21:13,012 --> 00:21:14,587
♪ I come from Alabama
305
00:21:14,611 --> 00:21:18,254
Dance, dance!
306
00:21:18,278 --> 00:21:22,277
Dance, dance, dance!
307
00:22:03,272 --> 00:22:04,605
Drop it!
308
00:22:19,703 --> 00:22:22,203
Never could resist a lost cause, could you, Reb?
309
00:22:25,103 --> 00:22:30,102
Too bad, I always thought you was the best of the bunch.
310
00:23:28,829 --> 00:23:29,962
I never killed man.
311
00:23:40,961 --> 00:23:42,827
I'm glad you started with this one.
312
00:24:07,624 --> 00:24:10,700
If you ever get to Philadelphia, look me up.
313
00:24:10,724 --> 00:24:12,457
I'll do that, sure will.
314
00:24:16,789 --> 00:24:18,732
Give Mrs. Jewel the box, dear.
315
00:24:18,756 --> 00:24:20,698
All right, and thank you
316
00:24:20,722 --> 00:24:22,722
for letting me play with the fools gold.
317
00:24:27,688 --> 00:24:29,188
It's funny about this stuff,
318
00:24:30,621 --> 00:24:32,955
may be worth more than you think, huh, Mr. Bishop?
319
00:24:36,454 --> 00:24:39,130
That's right, Mrs. Jewel.
320
00:24:39,154 --> 00:24:41,720
It can be worth a lot more, thank you.
321
00:24:45,620 --> 00:24:50,086
Giddy-up, giddy, giddy-up, giddy-up!
322
00:25:04,945 --> 00:25:08,317
♪ Johnny Yuma was a rebel ♪
323
00:25:08,341 --> 00:25:12,013
♪ He roamed through the West ♪
324
00:25:12,037 --> 00:25:16,308
♪ Did Johnny Yuma, the Rebel ♪
325
00:25:16,332 --> 00:25:20,703
♪ He wandered alone ♪
326
00:25:20,727 --> 00:25:24,699
♪ He got fightin' mad, this rebel lad ♪
327
00:25:24,723 --> 00:25:26,497
♪ He packed no star as he wandered far ♪
328
00:25:26,521 --> 00:25:28,494
♪ Where the only law was a hook and a draw. ♪
329
00:25:28,518 --> 00:25:30,193
♪ The Rebel ♪
♪ Away ♪
330
00:25:30,217 --> 00:25:32,190
♪ Johnny Yuma ♪
♪ Away rode the Rebel ♪
331
00:25:32,214 --> 00:25:35,786
♪ He searched the land, this restless lad ♪
332
00:25:35,810 --> 00:25:37,984
♪ He was panther quick and leather tough ♪
333
00:25:38,008 --> 00:25:40,181
♪ And he figured that he had been pushed enough ♪
334
00:25:40,205 --> 00:25:41,979
♪ The Rebel ♪
335
00:25:42,003 --> 00:25:44,976
♪ Johnny Yuma ♪
336
00:25:45,000 --> 00:25:47,997
This has been a Mark Goodson-Bill Todman production.
23523
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