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The American army joins South Vietnam to fight against the North and the Eastern Bloc.

Only twenty minutes of flight and we're home.

We're still in a war zone, so stay alert.

I hate flying by night,

can't see anything with this mist.

Follow the moon, Jackson.

Well... Heading for the moon!

Charlie, you alright?

Just staring at your watch?

The air above the Chinese Sea howls with violent fury.

They're here!

Get ready!

How many are there?

Three fighters!

They are following us.

The base, now!

Two hunters after you Leader,

I've got them!

No!

Move out!

To the base, now!

That's an order!

Leader?

Do you copy?

Jackson, are you here?

Hunter behind you!

Moving on!

Leader, do you copy?

Leader?

Answer!

What are you doing, Charlie?

We don't need anyone.

Behind you!

Charlie, you're burning!

Eject, Charlie!

Eject!

Do you copy?

I repeat!

Eject!

Eject, Charlie!

Eject!

Do you copy?

I repeat!

Eject!

NOW!

Thank you.

Good evening.

David Walter, director of "Creation".

Next year I'm going to New York Film School.

I was lucky enough to be selected for a Master's degree there

and I want to continue to get my Phd.

I want to be a film director.

Evening, my name is Sideny Cohen and I directed "Homeless".

I am also doing a Master's degree in a Film School in Los Angeles

for which I have just been awarded a scholarship

and I also want to be a film director.

Thank you.

Evening.

My name is George Wyatt

and I am the director of the short film "PILOT".

I won't be doing a Master's degree.

I'm happy to see that you liked the short film

because I plan to write and direct the next part as a feature film.

It will be my first feature.

I will write it

and I intend to have it produced.

I am George Wyatt.

and I'm going to be film director.

A table for ten, do we serve?

We do. Come on everybody, hurry up!

George! Move on, we need dishes!

Are you coming tonight?

Not tonight, I have to work.

The end.

End.

This time it's the right one! When do you send it?

Do it or die trying!

It's available! We can visit it Tuesday at 2pm. Right by my work, but the deposit is 2500 euros...

Ten more... We're nearly there!

At 26 years old, young River Dallas directed his first film "MADNESS".

If you have a dream, if you want to achieve something, do it or die trying.

- It's good, isn't it? - It's not bad!

Small bun...

I'll take it...

Hello?

Yes...

It's me...

- Who is it? - Hallen Films.

OK...

OK, yes.

When?

Tuesday 2pm.

It's OK, go! go! go!

Tuesday 2pm is good for me!

OK...

It's good for me.

Perfect.

Thank you so much.

Bye.

Hallen Films.

They read the screenplay and want to meet me.

Really?

I am so happy!

- You deserve it! - Holy sh...

What are you going to do about the visit?

Don't worry, I'll be going with my parents, take some photos...

Can you imagine?

- It has to work. - It will work.

To celebrate!

Let's go!

A small bun!

So good!

I love that!

Well.

The short, have you submit it to film festivals?

No...

It's a shame, we could have used it to showcase the feature.

If you direct a film with us, we will submit it to a lot of festivals.

Just...

Look...

It's the press kit of our last one.

There is a list of all festivals we've submitted it to.

Keep it, it can be useful.

Thank you.

So... What are you doing for now?

I work in a restaurant...

Washing dishes...

To survive.

It's not easy at the beginning.

Listen, I liked your screenplay, but it's highly ambitious for a first film.

- Where do you want to shoot? - In Vietnam.

I've located an island in the south of the country that matches perfectly with what I want.

OK... And I suppose that you thought of all

the difficulties involved for this kind of shooting?

The heat...

Isolation...

Lack of comfort...

Wetness!

Yes but that's what I’m looking for!

Something which is immersive!

The problem with this kind of shooting

is that it turn down all possibility of France territory grant.

Shooting in English can also close some doors.

But it's possible?

We'll have to come up with some solid arguments to convince investors.

It will take time...

You will have to keep writing.

But, yes...

It's possible.

And what can I do to convince them?

For now, I will make my associates read your first draft.

If they're interested, we'll get you into development.

Which means?

Which means no more dish washing.

We pay you...

to write your screenplay.

Would that be great to you?

Sure!

Beware! I'm not promising anything!

Give me some time...

Keep writing

and wait for my phone call... Alright?

"It's not the drinks on the house?

I know the boss very well, call him!"

Sir, I also know him you know...

Then, the guy comes back and ask for an amaretto.

I bring it to him... He calls me back!

"Young man there is a problem, it's too sweet."

Dude, it's almond liqueur, of curse it's sweet you dumb!

"I'll tell you! I was at your competitor's bar yesterday and it was not so sweet!"

So get back to it!

I don't give a shi...

Are you alright?

What's wrong?

No answer...

We are going to make your film, OK?

If I have to work here for ten years to produce it, I will.

Well.

I'm off now...

It's good for you?

Try to not kill anyone.

See you tomorrow.

Good luck!

Hey! Where are you going?

I'm going home, I finished.

No. Clean the kitchen counter then help the others.

What?

That's how it works here, George.

We work as a team.

Are you kidding me?

They never help me.

I have stuff to do at home, I'm leaving.

No. You have stuff to do here and it's more important.

It's over.

I'm done.

But, what will you doing?

I found producers.

I'm gonna make my film.

Dad calling.

Message from dad.

Happy birthday George. Mom.

At 26 years old, young River Dallas directed his first film "MADNESS".

If you have a dream, if you want to achieve something, do it or die trying.

Hello.

Yes.

Hello...

It's George...

George Wyatt.

I had a meeting with Steve Hallen...

A month ago...

And...

He was supposed to give me some news about the screenplay

but I never received a call.

OK...

No problem, I’m waiting.

Yes!

Hello??

Maybe…

I could send a new version of the screenplay…

OK...

I understand...

No... Don't worry...

Thank you.

Thank you.

Bye.

I called Hallen this morning… He said that the screenplay is rejected.

Never mind, there will be some others!

Listen...

I'm tired of waiting.

I've took a decision.

I will produce Mayday.

I just have to save a bit of money.

By producing you mean...

You will shoot it?

Yes!

- In Vietnam? - Yes.

And then where do you show it?

Then I submit it to film festivals and we’ll see...

Everything can happen!

OK... But...

Why not to wait… That was the first call…

No, I don't need any authorization.

I don't need producers.

I can do it myself.

OK.

OK.

Have you talked about it with Boon and Laurence?

Not yet, but... I am sure they will follow me.

Boon, for sure…

Laurence... Not so sure...

Laurence didn’t have so many opportunities...

And who is going to offer her a role like this one?

Yes but she has an agent so she needs to be paid.

I know! That’s why I have to talk to her.

Yes, but it would be better to check with her beforehand.

I took my decision anyway so If they want to follow me it’s now or never.

OK...

You seem confident.

So, go ahead!

It will be awesome.

I know it.

The more I think about It, the more I’m sure it’s the best way...

So, what about you?

What you want to tell?

It’s about the apartment!

The one I visited is already rented…

But I found another one and we have to move in!

It is available just before I start my job…

The rent is a little bit more expensive that what we hoped but…

Between the two of us It should be fine!

And we can visit it tomorrow!

Jade...

What?

I gonna need money to make the film…

I know!

I get it...

Hello George, it's me...

Just to tell you that I took my stuff and I left the key in the mailbox...

And…

That's it...

See you...

That's it.

Laurence.

I received a call from Steve Hallen.

They agree.

They produce the film.

George.

Boon.

Laurence.

George...

Boon...

Laurence.

My name is Lao.

Do you speak English?

I had a job in Saigon

where I had to speak in English,

So...

I can read it,

write it...

And speak it!

OK, very good!

And... Are you...

an Actor?

No...

Not really... But...

I love movies!

I've always watched a lot of movies!

And I'm looking for new experiences.

I saw that you were traveling to Con Dao.

Which I know very well.

I have a house on the island.

And I have to go.

OK, OK Lao, great.

But...

Have you ever played...

In... anything?

Short film... Maybe?

No... but I play guitar

and the ukulele!

And...

I can learn really quick!

And did you see on the casting

call that we are going to spend

three weeks on the island?

Oh yes! No problem!

I quit my job!

So...

I was spend time on Con Dao anyway.

George?

George, he's not an actor.

I know, but he knows the island

and we can teach him.

We start shooting in few days, we'll never be ready...

If you want my opinion, he just wants to travel for free.

Do we have any other choice?

You can call Steve Hallen and ask him to find an actor for you.

OK, Lao!

Let's rehearse!

So!

You both want to take the machete.

But she jumps on it so you push her!

OK?

don't think about the camera.

I will follow you.

We have to be quick So...

Please don't look at the camera!

- OK? - OK!

And when do you stop the camera?

I think I'm gonna make it in one long take.

You play until I say:

"Cut!"

Alright.

Please follow Boon,

we show you something.

Yeah!

Come with me.

You OK?

Yes!

All good!

OK.

This is going to be fun!

So, Lao...

We are shooting with 16mm film.

Do you know how it works?

I've shot with 8mm when I was a child.

Perfect! It's similar!

We have a limited amount of those rolls.

So we have to be good OK?

Each reel can shoot up to 4 minutes.

When the roll is over

we have to change it.

When we change it,

George puts the used one in this bag

and take a new one in this bag.

George shoots the image with his camera...

I record the sound with my microphone.

We use...

The clapper board...

To synchronize

Sound and picture.

OK?

So we write the number of the roll,

Scene and take

every time we start a take

we need to change this number OK?

But...

Don't worry about the number OK?

George will do it.

You just put this in front of the camera

and when he says "Clap"

Bam!

You clap the board.

Oops...

Here,

It's my old one, it's normal.

OK!

It's going to fine OK?

You all good?

Yes.

- OK - Amazing let's go!

Stand by to shoot! Get ready!

Laurence, ready?

Ready!

- Boon, ready? - Ready!

Rolling?

Sound rolling.

One on two, first!

And...

Action!

Eject! Do you copy? Eject!

Eject!

NOW!

So.

We are here.

The beach you want is here, OK?

It's a long journey.

And I have never been there by myself.

I can't tell you exactly, but...

I think we can go there in...

Six days!

More, if you want to shoot every day.

It's a very long trip, George.

Have you ever traveled in the jungle?

No.

But...

I want my film to be...

as realistic as possible.

That's why I'm here...

That's why I cast you so...

Every detail counts.

We can't run out.

OK.

George.

George, can I talk to you?

Is it urgent?

Yes.

What's happening?

I had my agent on the phone

and she asked if you could send her the contracts.

She need it because...

It's OK, give me her mail address.

OK...

Thanks...

That's not all...

I've just been offered an important role in a TV show.

There is a huge cast.

I...

Auditioned before your call, I was not their first choice...

But the problem is...

Their shooting starts in two weeks.

I just received a copy of the screenplay by e-mail.

I... I don't get it...

Listen...

I think coming here for three weeks was more than enough. You said it yourself.

If we are quick maybe we can shoot everything... No?

No.

No... They predicted rain for the next week...

It will delay us.

Not to mention that the screenplay is not even finished.

What do you mean, not finished?

I don't like the ending. I'm rewriting it.

You rewrite.

Did the producers agree?

Don't worry about the producers.

I can't believe you accepted a role while...

You committed yourself to me.

You say you want a role in a feature film and

now you are leaving me for a fucking TV show.

I haven't even accepted yet!

I said to my agent that I was in shooting...

She said she wanted to talk to Steve Hallen

you just have to give my his phone number and she will do the rest.

It's very important to me. This role can change my whole career!

I'm ready to pay my flight ticket if I have to...

We will find a solution.

Did she call Steve Hallen?

No.

No, I told her I would talk to you first.

but she can if we need it.

Tell her not to call.

We'll figure it out.

Are you sure?

We loose one week of shooting...

So we have to start tomorrow.

Thank you.

My name,

Qwan.

Charlie.

Qwan...

Your plane...

You know?

Plane?

Ah! Bye bye.

Your plane.

Five days!

You OK?

- Yes yes... - George!

No, I'm OK!

I just need-

We have to drink.

Thanks.

Thanks.

Are you writing a film?

No!

Yes.

But... It's just...

Notes...

For now.

So you want to be a filmmaker?

I'm trying to write...

But it's not-

But,

you would like to?

Yes.

So?

What is the story you write?

It's not ready yet.

So I prefer...

Keep it to myself.

Oh OK.

Charlie!

No! No! No!

Poison!

Cut!

Boon, the boom!

What's wrong?

I don't know... Something with my ear...

Sorry.

It's OK...

We move on.

Sorry.

Sound rolling.

And...

Action!

It moved!

It's moving!

No no!

- It moves! - Stop!

I can feel it!

Flashlight!

No, no, no!

Help me!

Sit down!

Look!

Turn your head.

Turn your head!

What is it?

- What is it? - There is a black thing.

- I have tweezers! - Me too.

No, no!

Don't leave me!

Get that thing out of there!

Calm down.

Don't worry.

It's OK!

What did he say?

- Lao what did you say? - Stop moving!

Gently or you will push it deeper!

Let me try!

It's impossible!

The thing must grip with its legs

With his claws!

George, let me try!

Light me up!

Stop!

Move!

Stay like this!

Mummy...

Alcohol.

Welcome to the jungle!

Let's pack up.

It's too dark to continue.

I hope it didn’t bite me.

Or laid eggs!

Think of the speech you are gonna make at the premiere!

"So, Mister Boon, how was it to shoot in the jungle?"

Listen, if we ignore the spiders who lay eggs in your ear,

mosquito bites,

infections...

Traveller's diarrhea!

It's a very warm and cosy place to live.

Steve Hallen who worried about about the heat...

"George, do we absolutely have to shoot on this beach at the other side of the island?"

"Yes, for sure. We'll try to reach this beach, or we will die trying."

"OK, George. Your wish is my command"

I hope he doesn't regret letting me play because he seemed to care about his headliner.

He made you a headliner because you will impress them.

Here is, Charlie Marshall.

Mayday... Mayday...

here is Charlie Marshall.

I'm alive.

I repeat.

I'm alive.

Stop.

My turn.

We have to leave the jungle.

We have to reach the coastline.

Beach...

Oh yes.

Sky...

OK.

Qwan.

Let's go.

This way.

No, no!

This way.

Home.

This way.

This way,

your home.

This way,

my home.

This way,

one day walk!

Yes...

But...

- This- - Shh!

Quick! Quick!

OK...

Stop!

My turn!

My turn!

Mayday!

Mayday!

here's Charlie Marshall.

Do you copy?

Mayday!

Here's Charlie Marshall...

It this is an SOS

I need help!

This is Starfight C1242

- Yes! - I can hear you.

I am...

I am... Charlie Marshall

Starfight B.4.8.2.3.

This is an SOS!

I need help!

This is Donald Fox, I'm can hear you.

Where are you?

I don't know...

I crashed my plane 10 days go

over the Chinese Sea

close to your location.

There are a lot of islands here,

do you know which one?

I don't.

OK Charlie, I've transferred your SOS.

Stay alive.

Reach the coast.

Go to the West.

I repeat...

Go to the West...

We are saved.

We are saved!

West!

We have to head West!

Come on!

My home!

Qwan!

They're coming for us!

Do you understand?

They will save me and you!

Please.

Trust me.

This way.

Now!

Come on.

OK... Then?

For the next part you'll have to wait tomorrow.

George, I need the ending to understand the character.

I know...

I have some ideas for the ending... I will...

You have to make a choice.

What I read here doesn’t match what we shot yesterday or what we're going to shoot tomorrow.

I know, but I changed my mind.

I'm sorry but I'm not following you... There will be a lot of incoherences!

Erm... George?

I have...

I glanced at...

your notebook...

What?

I mean...

I thought...

I could help you sort it out

Together we could do it faster...

I know what I'm doing, OK?

You asked me what we will shoot tomorrow.

Here it is.

Hello George, it's me...

Just to tell you that I took my stuff and I left the key in the mailbox…

And…

That's it...

The shooting does not go as planned.

He passes his nights scribbling in his notebook.

He's scared.

He hesitates a lot and...

He doesn't dare confide to his friends and ends up isolating himself.

Everyone is starting to doubt his project.

Here is Charlie Marshall...

Do you copy?

Well hello Charlie this is Jackson!

Can you hear me?

Yes!

Yes!

OK Charlie I'm on the base.

I can't believe you're alive!

Where are you?

On an island

Close to the attack location.

I flew with a parachute for a few minutes

Wind in front.

Copy that Charlie.

The problem is that there are a lot of islands on this area.

And we don't know where you are.

Could you signal your position?

My plane crashed into the sea...

I only have the survival box with...

A signal mirror.

And how did you get the radio?

There is...

Another...

Castaway on the island.

Repeat?

There is another man.

A castaway.

We are using his radio.

What's his name?

Which squadron?

Jackson...

Please just listen...

This man...

he saved my life OK?

Charlie... Who is he?

His name is...

Hung Van Qwan...

He is a Vietnamese fighter.

OK, Charlie...

this is a very different situation now...

OK please.

Listen...

Contact the Colonel

and tell him I want special protection for him.

OK?

His name is...

Hung Van Qwan...

Charlie, I can't!

This is war!

We don't save our enemies and you know that.

If he boards the plane

he will be interrogated for information...

And made a prisoner.

You know that.

He'll be tortured.

So what?

You would just leave us here?

If we come on the Island,

if he resists,

if he tries to fight us,

he will die.

We are both dead if we stay here.

Jackson, please just listen.

I want special protection for him.

Please promise me!

I cannot promise that Charlie.

I can't leave this place without him.

Charlie, are you here?

I'm here.

I can't promise the protection...

Move to the west coast.

A plane will fly around the zone tomorrow at 5pm.

Be on the coast and use the mirror.

OK?

Repeat.

Jackson, what about him?

5pm on the beach.

West...

The mirror.

Repeat.

5pm,

West,

The mirror.

I get it!

Jackson, I will not board on the plane without him.

We don't leave anyone behind.

It's OK.

Don't worry.

We're back home.

Me...

Prisoner!

Prisoner!

Not home!

No! No!

No, no!

Listen!

Qwan...

Not prisoner!

You go home!

I promise!

Qwan!

Qwan!

You go home I promise.

Me... Prisoner!

No...

No a prisoner.

You go home.

I promise!

So...

Is your screenplay going well?

Not really.

Not really.

When do we go back to the hotel?

We will arrive at the beach tomorrow.

Cool.

Finally!

I'm losing it!

I have to tell you something.

You have to promise me not to say anything to the others.

Neither Lao,

Nor Laurence.

OK, what's happening?

OK I promise not to say anything to Laurence and Lao…

What's happening?

Do you remember that I've sent the screenplay to a lot of production company?

Yes... I remember it.

They all answered "No".

Not all of them...

They all answered "No".

But...

Not all of them...

Hallen didn't say "No".

He did.

I called him on my birthday.

He told me the screenplay has been rejected.

That's ridiculous.

So, who produces the film?

It's me.

It's my money that pays for all of this.

What?

Yes.

Hallen gave me a list of Film Festivals where I could submit the film.

Can you imagine?

We land...

Two guys from nowhere...

With a film like this one!

The story we are going to tell!

Yes, but...

Why didn’t you say anything?

Because no one would have followed me.

You know well that I would have followed you whatever you decided.

Yes...

That’s why I'm telling you now.

You know that...

You'll have to tell everything to Laurence.

No...

We are getting closer to the end.

Everybody is on the edge.

I’m afraid it will blow at any moment.

It will be the same for Laurence since we will be in Festivals.

I promise to tell her the truth later...

We are close to the goal, Boon.

You have to trust me.

Come on.

We have to finish this film.

Here we go?

I'm coming.

OK, Laurence...

It's a very emotional sequence.

You write a goodbye letter to your husband.

To your son.

Is it before or after the call?

After.

After, but...

She doesn't know how it will turn out on the plane.

So she remains prepared...

For any situation...

Ready?

We can try.

Action.

Come on.

I want emotion.

More emotion.

In the eyes.

Cut. I'm not in it.

Why?

Because we’ve been awake for thirty minutes!

I can't be in it just like that.

- But you understand what she is feeling, no? - Yes, but that's not so easy!

I can't cry on command...

It's your job, isn't it?

George, don't play this game.

If you had explained to me this scene yesterday I could have work all evening.

Not at the breakfast with you yelling at me.

I yell because we are not moving on!

We are not going to spend fifteen years on a scene like this one!

George.

Let her two minutes...

One minute.

Into positions.

Action.

Come on, Laurence!

She's already a nervous wreck.

She only wants to go home.

She misses her family.

She's hungry.

She's thirsty.

She has the feeling it’s never going to end.

Fuck...

You really don't have a heart.

Enough.

Maybe we can shoot this scene tonight, close to the beach.

No.

Tonight we'll have other things to shoot.

How do you know that?

You imagined this scene yesterday

You are not going to make us believe that you know what we'll do tonight!

I would have had more time to write if I hadn’t wasted a week because of you.

I know, I proposed you to fix this,

You insisted on leaving anyway!

When we could have easily found a solution!

I found the solution!

I will find the ending.

But for now we have to move on!

So, now, let's shoot this fucking scene!

No.

I am the director!

You?

Your not a director.

Your just a kid, with a camera.

Well.

Are you OK?

Take your bag.

Do you have some water?

I'm sorry.

Don't worry, it happened to me the other day too.

Go on. I'll follow you.

Hang in there.

It’s almost over.

George!

Come!

We must film this!

Yes! Thank you Lao!

Do you have your costume?

Yes!

OK.

Let me take a shot of you.

What are you doing?

walk on the path, Lao is over here.

Boon, did you have the film stock bag?

No.

What?

I have the sound gear.

Film stocks is your stuff.

So no one took this fucking bag?

George, it's your responsibility!

I'm going.

It's bad idea.

It’s almost dark and there is a risk of rain.

Maybe we can buy some new ones, no?

When?

We can't shoot at all for now.

Lao said that there is boat on the beach.

We just have to go back and forth.

No.

I don't have money to buy the film.

Go on the beach, I'll join you.

That's completely absurd, call the production team,

they'll arrange a transfer for you.

It would be good for us to sleep in a real bed.

We all need that.

There are no producers.

What?

I am the producer.

I’m the one producing the film.

What do you mean?

It's my money!

The film stock has been paid with my money and I'm broke now!

I'm telling you, that way...

you'll stop dreaming of glamorous premieres!

There are no producers.

It's over..I quit.

George it's... It's ridiculous!

You can go.

I don't care.

I'm going home.

I'm going to the beach and I'm taking the first boat!

Lao, come with me!

George.

You did well.

I have to get the film bag.

George!

No!

Night is coming

It’s several hours walk away!

Find the others, I'll get the film.

Laurence!

I have to tell you something.

What are we doing?

Look!

It's OK?

It's OK!

You OK?

It's over!

Bring back some water!

Are you OK?

It's OK.

George, I'm sorry... I left the bag in the jungle...

I shouldn’t have…

It's alright.

You were right.

Laurence...

I'm sorry.

What are we doing now?

We go back.

We take a shower.

And we eat!

It's over.

George!

It was my grandfather's one.

You can take it.

Thank you Lao.

Thank you for everything.

You are a free man now...

Not yet my friend.

So?

We shot two thirds of the film.

We have about forty minutes of usable footage...

And... If you edit it...

You can make a short film?

Yes.

But there is no ending...

Here are your tickets.

We’re leaving tomorrow night.

Are you sure?

Yes.

It's time to go home.

I found the ending.

I love it!

Me too!

We have to shoot this!

I left all the film stock in the jungle.

Lao can find some film?

We’ll spend tomorrow on this island anyway.

All the money I had went into the tickets.

I’ve got nothing left.

And with my leg...

If Lao find some film I'm ready to pay for it!

It's really kind...

But...

It's expensive.

especially this one.

Especially here.

I do have a bit of money, I can pay a part of it!

Together we can easily pay for one film roll!

You're really kind but...

Listen! We have an entire day to spend on the island!

We're not going to spend it sunbathing on the beach!

We'll finish your film.

Lao!

Where can we find film like this?

There is nothing like this on the island.

OK and on the land?

On the and there is one photo center.

If you give me the box

I can take it with me and ask them.

How long to go there and come back?

If I take the first boat tomorrow morning...

I can come back...

Before sunset, I think!

It's perfect!

George!

We can do it at the sunset!

Only one roll of four minutes.

While the sun goes down.

Only one try.

It's crazy.

George!

It doesn’t seem so crazy to us anymore.

Let’s do it!

We can do it!

How is your screenplay going?

Yes... It's OK...

I think I found my story and my main character.

George.

Why...

Why did you lie about the producers?

I was ashamed.

And when...

When I said to Jade That I was going to produce the film she said it was crazy.

It’s going to be complicated tomorrow.

It’s not getting better?

No, I can't walk without the cane.

Impressed by the film, a production company offered to finance a feature-length adaptation of George's film,

provided that he replaces Laurence with a better-known actress.

George refused.

I don't now but it's too early!

I can feel that it's to early!

Yes but yesterday you said that you were going to tell him today!

Yes but...

It’s not just about me!

I told you I want to tell him but...

I’m also scared to tell him but we are not going to hide it forever…

I didn't say forever, I mean...

Do we have secrets with each others?

How are you?

I'm good.

How did the return go?

Yes, nothing new.

So.

What is the secret?

The secret... No there is no secret...

We where just...

Writing a post card to Lao...

And you are just on time because it’s your turn.

So...

Dear Lao...

Boon... And Laurence...

are hiding something from me…

I don't know what it is...

But I will find out very soon.

See you soon. George.

OK. You want to know the secret...

It's about Laurence.

She...

You landed a role in a film!

She landed a role in a film!

Congrats!

Yes, so...

Someone sent me a screenplay

and offered me the leading role!

OK...

If you...

If you have some time...

I would like you to read this.