Original subtitles

(gentle music)

- [Amelia] I'm home.

- [Kathryn] Hey.

- Hey.

How's your day?

- Great, I've been dying for you to get home.

I wanna read you this article.

- Okay.

- "Director Dominic D'Andrea has announced plans

"for a remake for 'Roman Holiday' starring Jonathan Lyman."

(Amelia gasps)

- Oh, I love Jonathan Lyman.

- So do I, but this isn't about Jonathan Lyman.

- I don't get it.

- Just listen, "'Roman Holiday'

"famously introduced audience to Audrey Hepburn,

"and in keeping with the spirit of the original,

"producers of the remake are conducting a worldwide search

"for an unknown actress to play the lead."

- That's cool.

- You just download the script pages and submit a video.

- Could you imagine the thousands of people

that are gonna audition for that?

- Yeah, so you should change your clothes.

- What, why?

- Why not?

- Because I'm not an actress.

- But you did "Barefoot in the Park" last year.

- That's community theater,

and that was maybe for like 200 people.

- So, this would be an improvement.

- This is crazy.

- Amelia, you majored in theater in college.

You did that web series.

You wanted to be an actress.

- And then life took me in a different direction.

- Well, what if life is taking you in another direction now?

- Look, community theater in Bend, Oregon is one thing.

A movie audition, I could humiliate myself.

- Or you could be brilliant.

Come on, let's find out.

It's 10 minutes out of your day.

What have you really got to lose?

- (sighs) You're not gonna give this up, are you?

- No, I'm not.

- Fine, fine.

(gentle music)

(Amelia sighs)

Stop.

I can't believe I let you talk me into this.

- Relax, okay?

Just have fun with it.

- Okay, okay, let's just do this.

- [Kathryn] And go.

- Hi, I'm Amelia Tate, and I'm submitting for Princess Anna.

(church bell ringing)

- That!

Do you see it, hmm?

She's wise but demure.

Regal but without pretension.

Bellissima.

- Yes, Dominic, we watched it four times now.

- Mm, bring her in, she is the one.

- I shall fly her to Los Angeles for a screen test.

- I like it.

- Amelia Tate, got it, on the list.

- My instincts are never wrong, right Sophia?

Mm, mark my words, this will be our princess.

(gentle music)

- Can you pass me the wrench?

(phone ringing)

Thank you.

- Hello.

- Hello, I'm trying to reach Amelia Tate.

- Um, she's kinda busy right, can I take a message?

- Yes, this is Sophia Lombardi

from Pinnacolo Productions in Rome.

- Hold on.

Amelia, you're gonna wanna take this.

(Amelia groans)

- Okay.

Hello.

(peaceful music)

- Is this your first time in Italy, Signorina Tate?

- Yes, it is.

- And what brings you?

- I'm here to film a movie.

- Wow, really nice.

(tense music)

- I can come back late--

- Shh, shh, shh.

Mm, well, Philip, this is fabulous.

Your description of the cuisine,

the atmosphere, all the details.

(chuckles) Makes me want to close up shop for the day

and tour these cafes immediately.

- Well, thank you, Vivian.

- Yeah, I can run it on a long line edition.

That pays 100 euros.

- 100?

I spent more money on the food.

- Well then, you must have had a simply marvelous meal.

- To be honest with you, uh,

money's a little tight right now.

- Isn't it just?

Look darling, you know I adore your writing,

but there is simply no room in my budget

for travel logs and short stories.

- Then give me an assignment.

I'll take anything.

- Have you seen "Roman Holiday"?

Audrey Hepburn and Gregory Peck?

- No.

- Oh, well then, first of all, you absolutely must.

Dominic D'Andrea is directing a remake with Jonathan Lyman

and some mysterious new discovery.

Now, they're keeping her under wraps

until the big reveal next week at the press conference.

You find me that actress, secure her first interview,

and you might just have a cover story.

- So, a movie star profile?

That's not really Vistoso's thing, is it?

- Correct, and that is why we're losing readers,

and Celebrita magazine is picking them up.

So, we adapt.

Don't think of it as a celebrity profile, no, no, no.

Think of it more as investigative reporting.

- Invest, I really wouldn't even know where to start

with something like that.

- Well, you already have an in.

I mean, all of Dominic's stars stay at the Hassler Hotel.

Isn't that where you're bartending these days?

- I'm a porter, a waiter when they're short staffed.

- Well, fabulous, use your connections at the hotel.

Go find me that actress.

(gentle music)

- Amelia Tate, Sophia Lombardi, associate producer.

We met at your audition in Los Angeles.

- Right, yes, I remember it.

It's so nice to see you again.

(speaking in foreign language)

- Oh, she speaks Italian.

- (speaks in foreign language) I spent the last three months

trying to learn as much as I could.

- Mm, Dominic sends his regrets.

There were obligations at the studio.

- Okay.

- Let's get you settled, yes?

- Yes.

(gentle music)

- So, you have dinner with Dominic tonight at eight,

here in the hotel at Imago.

And I left the remainder of the day free for you

to recover from the flight.

- (sighs) I probably should,

but I need to do some sightseeing.

- What would you like to see?

- Everything.

- I must stress the importance of keeping a low profile.

No social media, no conversations about the film.

- Of course.

- Till you're introduced at the press conference

with Dominic and Mr. Lyman.

(Amelia chuckling)

- I'm doing a movie with Jonathan Lyman.

- Yes, you are, and you will be fantastic.

(loud knocking)

Oh, perfect timing.

(gentle music)

(Amelia sighs) - Buongiorno, Sophia.

- Buongiorno.

This is Signor Petruzzi, your personal butler.

- Hi.

- A pleasure, Signorina.

- This can't all be for me.

- The Hassler Hotel wanted to extend a proper welcome.

Filippo, (speaking in foreign language).

- Si, Signore.

- Signor Petruzzi will be on hand for anything your require.

- Sounds like you're a good person to know.

- Ah, I certainly try to be.

- I guess I'm gonna just get washed up and head out.

- Shall I draw you a bath, Signorina?

- Oh, wow, thank you, but I'm usually pretty good

at doing that myself, but thank you.

- Of course, just ring the front desk

if I can be of assistance, yes?

- I will, thank you.

- And I'll see you

for Vespa driving lesson tomorrow afternoon.

- Yes, thank you again for everything.

- Filippo, come.

- Ah.

Scusi.

(speaking in foreign language)

(Amelia sighs)

(gentle music) (Amelia laughing)

(Amelia laughs)

(phone ringing)

- Kathryn, you're not gonna believe this room.

- Amelia, it's 5:30 in the morning.

- I know, I'm sorry, but I have to play it cool here,

so you're the only person that I can freak out and call.

You have to let me a little bit.

I have a butler, a butler.

Hold on, look at this view.

- Have you unpacked yet?

- [Amelia] Mm-mm.

- [Kathryn] Right side pocket of your suitcase.

- What's this?

- It's a map of Roman landmarks,

sort of like a photo scavenger hunt.

That way, it'll be like we're experiencing them together.

- This is so sweet.

I'm gonna do this right after I take a bath.

(gasps) You have to see the bathtub, it's Italian marble.

- Okay, show me the tub.

- He's just there.

- Oh, Enzo, I was looking for you.

- Filippo, I thought you were off today.

- I'm just covering for a few hours.

- How was your meeting?

Did you sell your story?

- Yeah, no, not really.

Look, Dominic D'Andrea, the director,

would you know him if you saw him?

- Of course.

(light music)

- Mm.

Mm.

Okay.

No.

You.

(Amelia gasps)

The tub!

Mm-mm, mm-mm, mm-mm.

Can I please have Signor Petruzzi?

- Enzo, Filippo, a guest on the fifth floor

has locked herself out with the bathtub running.

- Race you upstairs.

(Amelia sighs)

(Philip sighs)

Signorina, it was a pleasure drawing your bath today.

- Hmm, please don't make this any more embarrassing

than it already is.

- Now, if you plan on leaving your room again today,

I would suggest turning off all faucets before you go.

- Thank you.

Hey wait, are you American?

- I am, but let's keep that between you and me.

- [Paolo] Enzo, Filippo, that will be all, thank you.

- Signorina.

- Grazie. - Thank you.

Thank you.

- Signorina. - Thank you.

- In the future, I would be very happy

to draw your bath for you.

- I promise you, despite all evidence to the contrary,

I got it.

I'm sorry, thank you.

- Good evening.

(Amelia sighs)

(light music)

(Amelia laughs)

- Filippo.

- Ciao, Signora Richichi.

- Buongiorno, beautiful day, isn't it?

- It is.

(peaceful music)

Ciao, Dante.

(Dante purrs)

Yeah, good boy.

(Philip mimics air whooshing)

(Philip chuckles)

Well, Dante, that's more interesting

than anything I came up with today.

- Filippo.

I hate to interrupt a genius at work,

but if you have some tea, I made some fresh biscuits.

- Oh, that's perfect.

This genius needs a break.

- Good, we'll have it in the garden.

(Philip chuckles)

- Hey, Dante.

(gentle music)

Be good.

(Dante meows)

I don't know, Signora, I think I'm just frustrated.

I've been in Italy for about a year now,

and I figured I'd have more to show for it.

- But you're upstairs all the time writing your novel.

- I'm hopelessly blocked.

I haven't made any real progress on my novel in months.

And the only real writing assignment that I've had lately

is some pointless piece of an actress

that no one's ever heard of.

Signora, I'm starting to consider

it might be time to pack up and go home.

- You want me to tell you want I think?

- Please.

- Try waking up in the morning smiling

and say, "Oh, I wonder what the day will bring."

Think of all the possibilities there are out there in life

and about that story. (chuckles)

You know it's gonna be a nice story

because you're writing it, and you're my favorite writer.

- That's very kind, Signora.

But one thing, you've never read anything that I've written.

(both laughing)

- I know.

- (sighs) Oh, come on.

(patrons chattering)

(gentle music)

- Buona sera.

(cell phone buzzing)

- Pronto.

- [Enzo] Filippe.

- Grazie mille.

- Right now would be a very good time

to stop by the restaurant.

- Thank you, Enzo.

Excuse me, Signora, I have to go meet

with a famous film director.

- Ah.

(peaceful music)

- The European adapters don't work in Italy.

Why?

Because we Italians must always do things

in our own unique manner.

(Amelia chuckles)

- Thank you.

- You're welcome.

Do you require anything else?

- No, that's it.

- Okay.

- I think it's just nerves mostly.

You know, the thing they don't tell you

about getting the opportunity of a lifetime

is that you are so afraid you're gonna make a mistake

because chances like this, they don't come twice.

- Signorina, I know nothing of making films,

but Dominic D'Andrea does.

Now, he has excellent taste.

I mean, if he believes

you're the perfect actress for this role,

what do you lose in presuming he's right?

- Why not assume everything is wonderful?

- Precisely.

- You, sir, would get along very well with my sister.

- She must be very wise.

- She would say so.

(Amelia chuckles)

Thank you.

- You're welcome.

(gentle music)

- Buona sera, Signor D'Andrea, my name is Philip Hamilton.

I'm a writer for Vistoso magazine,

Italy's largest English-language publication.

- I am familiar.

- Right, of course you are. (laughs)

Do you mind if I sit down, sir?

- I do.

- Okay, I'm more than happy to stand.

I am very interested in writing a profile

introducing your leading lady

of "Roman Holiday" to the world.

Now, I've been living in Rome for about a year now,

and I feel that a writer who has--

(speaks in foreign language)

Grazie.

I'd very much appreciate the consideration on this.

I would be more than happy to supply you

with any writing samples if--

- Do not negotiate past a closed deal.

I was with Vivian this afternoon,

and we are giving the exclusive to Vistoso,

and, from what I've been told, to you.

- Really?

Well, (laughs) that's great news.

- My actress, Amelia Tate, she's an American like yourself.

Vivian suggested you could help put her at ease.

She's never faced the press before.

- I will certainly do my best, sir.

- Ah, here is my discovery now.

Amelia.

- Hi.

Hi.

- Hi.

Hi.

Miss Tate, Philip Hamilton, Vistoso magazine.

- Ah, so you're a porter and a reporter?

(Philip laughs)

- And of you promise not to mention that,

I promise not to mention the whole bathtub story.

- Deal.

- Cool.

- Ah, look at this, you're hitting it off already.

(Philip and Amelia chuckling)

(peaceful music)

- So, my introduction to this reporter

was as a woman who locked herself out of her room

and then tried to flood the hotel.

- [Kathryn] Mm-hmm.

- Dominic and Sophia'll be here any minute

to give me a crash course on how to deal with the press.

And speaking of crash,

this afternoon, I get to learn how to ride a Vespa.

- Neat.

- (sighs) Are you even listening?

- Amelia, it's nearly midnight here.

You really need to start considering time zones.

- You're right, I'm sorry.

Get some sleep, I miss you.

- I miss you too.

You're gonna do great tomorrow, just be yourself.

- Thank you, love you.

- Love you too.

(doorbell ringing)

- Buongiorno, Amelia.

- [Amelia] Hi!

- Don't you look lovely.

- Thank you, can I get you guys anything?

Juice, espresso?

- No, no, no, no, no, no.

No, we can only stay for a moment.

- [Amelia] Okay.

- So, today is your first interview.

- Mm-hmm.

(light music)

- Now remember, anything that you say

about yourself or your friends or your family

will be read by the entire world.

So, you must exercise care.

- Mm, okay. - Without appearing

to be guarded.

- 'Cause otherwise, he may think you're hiding something.

(all chuckling)

- Just be your own natural, delightful self.

- But also vigilant and charming.

- And prepared.

- But not over-rehearsed.

- No.

- And you'll be great.

- Okay.

- Perfetto.

- Let's go.

- Filippo.

(Philip laughs)

- Vincent, ciao.

- Celebrita magazine send me.

I'm supposed to find Dominic D'Andrea's new leading lady?

- Ah, that's interesting.

- Do you mind?

So, are you on assignment?

- Me?

Oh no, I'm just making some notes on my novel.

Worked the overnight shift, about to head home.

You know, I did see Dominic earlier with a beautiful woman,

I think the caught a car to Tiberino Restaurante.

- On Tiber Island?

- That's the one.

- The traffic would be impossible at this hour.

- Mm, well, the you better hurry.

- Yes, thank you, Filippo.

- Prego.

(light music)

(Philip sighs)

- Mr. Hamilton.

- Please, call me Philip.

- Amelia, officially.

So, I know that we are doing this interview,

but I really, really, really wanna do a little sightseeing.

Is there any way that we could both?

- Sure. - Is that okay?

- No, it's fine.

- Not unprofessional?

- No, no, let's go.

(gentle music)

Gelato for breakfast, I like your style.

- It's a special occasion.

My first big interview.

Actually no, that's a lie, the local paper in Bend

interviewed me when our softball team won regionals.

- Well then, I am honored to land your second big interview.

So, you're originally from Oregon?

- Yes, I was born in North Bend,

and then we moved to Bend,

which, fun fact, is north of North Bend.

- And what do your parents do?

- My dad was in the Coast Guard,

and my mom was in Human Resources.

- Is that what they still do?

- If it's all right, I'd like to keep my family

out of the story as much as possible

to maintain their privacy.

- I see.

- Do you really pretend not to speak English

when you're working at the hotel?

- Only around Americans.

- Why?

- Well, I'm a collector of stories,

and you would be amazed what people will say in front of you

if they think that you don't understand.

- Hmm.

Clever.

How did you end up here?

- Same as you, I guess.

Took a chance, got on a plane.

What about you, do you travel a lot?

- Not really.

(light music)

- [Philip] So, you performed

with a community theater back in Oregon?

- [Amelia] I did, I do.

- Any favorite roles?

- Five years ago, I played Meg in Little Women.

- Okay.

- I always wanted to play Jo though.

She's the scrappy one who craves adventure,

but I think all Megs secretly want to be Jos.

- Look at you now, you found your adventure.

- It appears I have.

It's kind of what I'm hoping to bring

to Princess Anna in Roman Holiday.

Do you have a favorite scene?

- Yeah, the scene where Princess Anna,

she runs away from home and she meets the journalist

and then they go on that brief holiday in Rome.

- You haven't seen it, have you?

- I have not, no, but I do intend to.

(light music)

- [Amelia] Wow, no wonder Shakespeare loved Italy.

- Did you ever do any Shakespeare?

- I did, in college, we did The Merchant of Venice,

and I played the Prince of Morocco.

We were short on guys.

- So, you have experience playing royalty.

- Yes, I suppose I do.

(Philip laughs)

- And you were in college for three years, is that correct?

- That sounds about right.

(sullen music)

- Okay look, if you don't want to do the interview,

I wish you would just say so.

- What?

- You're dodging and evading.

You haven't given me a straight answer on anything

besides the roles that you've played on stage.

- I don't think that's true.

- Now, you're being evasive about being evasive.

- Philip, I've been cast in a movie,

shouldn't the conversation

be about my prior work experience?

- Actually no, no, this is a fluff piece about an actress

where you talk abut how proud her mom and dad are,

and then she throws in some happy

little unexpected detail about your stamp collection.

- Well, I'm not talking about my parents,

and I don't collect stamps.

- Well then, I don't know

what I'm supposed to be doing here.

- It doesn't sound like you wanna be here very much

doing a fluff piece about an actress.

- Well, that might be so,

but you still don't have to treat me like the enemy.

- They told me you were.

- Who did?

- Oh, Dominic and Sophia this morning.

They didn't say that exactly like that.

I just, I'm new at this.

I don't know how to be careful but unguarded and vigilant

and delightful all at the same time.

- Yeah, that would be challenging for anyone.

(Amelia groaning) (gentle music)

(Philip sighs)

- I'm sorry, I just.

What I mean is that I have a life and people back in Oregon,

and I booked this movie, not them,

so I'm just trying not to disrupt their life

any more than absolutely necessary,

and I just, can you appreciate that?

- I can.

- I want this to be a good interview, I do, I just--

- Okay, look, how 'bout this?

You promise to be candid and honest with me.

I'll write the story, and before I turn it in, (sighs)

I'll let you read it.

Anything you're uncomfortable with, we can discuss.

- You can do that?

(birds chirping)

- You know, sooner than you'd like,

you're gonna have very little control

over what people write about you.

I'm here to help you introduce yourself to the world.

If you'll allow me.

- Okay.

- Okay? - Okay.

- And for the past eight years,

I've been happy just managing a coffee shop

and doing community theater in my hometown.

I've forgotten what it feels like to reach for something--

- Something more?

- Not something more, something unfamiliar.

It's scary.

- Maybe now it's time.

- Maybe.

Time, time, what time is it?

- One o'clock.

- We have to go, I'm gonna be so late for my lesson.

Come on.

- What lesson?

- [Instructor] Let's try one more time.

- Okay. - Okay?

Be gentle on the throttle, just, that's right.

- [Amelia] Okay.

Steady. - Step by step, okay?

Slowly, slowly. - Okay.

- Let's go.

- Okay, yup.

- All right. - Okay.

(gentle music)

- That's good.

That's good.

Brava! (Amelia laughing)

- Quite the discovery, isn't she?

- Yes, she is.

- This way.

Okay.

That's really good.

That's good.

(Amelia laughing)

And that is it.

- I did it.

- That's good. - You did it.

- So, shall we try it with someone else?

(light music)

- Hop on.

- Ah, no, take her.

- Oh, oh no, you go.

- Come on, trust me.

(instructor laughs)

- Okay.

- Cute.

- [Philip] Is it?

(Amelia laughing)

- You're so heavy.

Okay. - Same thing.

- [Amelia] Wee, ooh!

(cheerful music)

- Wait, where are you going?

Amelia, what do you do instead?

(both laughing)

(cheerful music)

(Philip laughing)

- You were perfectly safe the whole time.

I don't know why you freaked out.

- Well sure, you say that now,

but you didn't know at the time.

I thought you weren't much of a risk-taker.

- Well, I didn't think I was.

- [Vincent] Filippo.

- Oh brother, just follow my lead.

- Okay.

- I spent all day searching for Dominic

and this mystery woman.

No luck, you haven't seen him, have you?

- No, sorry, I've been out most of the day.

I've got a friend visiting from college.

Vincent Viverito of Celebrita magazine,

this is my dear friend, Jo March.

- Jo March from Massachusetts.

- A pleasure to meet you, Signorina March.

Welcome to Rome.

- Thank you.

- Filippo, you see Dominic, you call me, okay?

- Will do.

- Okay, thank you.

- Jo March, really?

- You're not a Meg, you're a Jo.

(Amelia chuckles) See you tomorrow?

- Mm-hmm.

(gentle music)

I don't know what came over me.

I just felt like I wanted to keep driving,

so I kept driving. (laughs)

- [Kathryn] Such a daredevil.

- Oh, you should've seen Philip's face.

I thought he was gonna have a heart attack.

Philip's the reporter.

- I know.

- Anyway, tomorrow, I meet my stylist.

- [Kathryn] You're getting a stylist?

- Of course, I'm getting a stylist.

Have you seen my wardrobe?

Oh hey, did you remember to register for fall classes?

It's due Friday.

- Amelia, stop.

This is the beginning of a new chapter for the both of us.

You're on this grand adventure,

and I'm finally gonna be treated like an adult.

- I'm sorry, old habits.

- Get some sleep, and say hi to that cute reporter for me.

- I never, I don't think I ever said that he, cute.

(gentle music)

- Survived by her daughters, Amelia and Kathryn.

(sullen music)

- And then I received a call

from the editor of Celebrita magazine

furious Vistoso landed the interview.

(both laughing)

It really was quite satisfying.

- I bet.

- So, I hope you can assure me

that she's a compelling interview.

- She is.

- Great.

Come on, tell me something exciting.

- Exciting?

Exciting's not the right word.

She's engaging.

She's intriguing.

- Yes well, these really aren't words

that sell newspapers, Philip, you know?

Give me some drama, foes vanquished,

heartache, that sort of thing.

- I think that's all there.

I just, I still need to earn her trust, she's new at this.

- Hmm, well I am not,

and I need something more than intrigue.

(light music)

(speaking in foreign language)

- The blue dress was perfect, I think.

Would you, right?

Oh. - Buongiorno.

- Buongiorno. - Ah, our American reporter.

You're just in time for the big reveal.

- Everything running smoothly?

(speaking in foreign language)

The script is exquisite, the production will be favoloso.

But do you know what the secret ingredient is?

The one element that truly determines a classic?

- No, what is it?

- Casting.

It all comes down

(peaceful music)

to casting.

Bellissima.

- [Amelia] It's incredible.

- Yeah, it is.

- Is that the line to get in?

- That's it.

You'd think for a half a building it'd be half the wait.

(Amelia chuckling)

- Wow.

- You know, there's a park nearby if you don't mind walking.

- No.

Thank you.

(Amelia chuckles)

- [Philip] I did some research on you last night.

- [Amelia] Oh, what'd you find?

- Rave reviews on your performance

in "The Man Who Came to Dinner."

- Oh, yeah, well hey, that was one of my triumphs.

(Philip chuckles)

- Also, I read about your mother.

(sullen music)

- Right.

- You were 20?

- 21.

I took a semester off to help.

You know, take Mom to radiation, take Kat to school.

When it was clear that I needed to stay, I stayed.

- And that's why you never pursued a career in acting.

(Amelia sighs)

- I had a 13-year-old sister who lost both parents,

I needed to be there.

I'm not sure how much of that I want in the story.

If that's okay?

- We don't have to decide today.

Is that?

(speaking in foreign language)

Signor Petruzzi!

- Ah, Filippe, Signorina Tate!

What a lovely surprise.

I'm sorry, scusi, this is my wife, Tina.

- A pleasure.

- Amelia.

- [Paolo] Where are you headed?

- Back to the hotel, I have a script to study.

- Ah.

(speaking in foreign language)

- Ah, si, si, yes.

Have you eaten?

- No. - No?

Well then, you must come to the house.

We're having a small gathering and--

- [Philip] Oh, no, no,

we wouldn't want to impose. - No, it's just family.

No, no really.

- It's not imposition if you're invited.

Come on, insist.

- Yeah.

- Yeah, sure, thanks, can I help you?

(speaking in foreign language)

Thank you very much.

- So, where have you been?

- [Amelia] Oh god, I've been everywhere.

(family chattering) (cheerful music)

- Oh no, I don't know.

- Yeah!

Filippo, bravo, 'Lippo!

(speaking in foreign language)

(Amelia laughing)

- So wait.

- Mamma, my, my!

- Grazie, grazie.

- What do you say we go play a quick game?

Let's go play a game.

Come on, let's go.

You come too.

- Sure, okay.

(family chattering)

- What?

High five!

Try it?

- No. - All right.

- I mean-- - You wanna try it again?

- Don't they make a lovely couple?

- Oh! (Amelia laughing)

- The worst game I've ever seen.

- I know.

Thank you for another fine day.

- I feel like we didn't get much work done.

- I picked up a few things.

- Will I see you tomorrow?

- No, no, you are off the hook.

- Cool.

- Yeah, I have to work my other job at the restaurant.

- Well, I have dance rehearsal,

so all day I'm learning to waltz.

- Ah, well, good luck.

- Thank you.

Goodnight, I guess.

(peaceful music)

- Goodnight.

(Amelia chuckles)

(Philip chuckles)

(upbeat music)

(keys clacking)

Buongiorno, Signora!

I'm a writer, I've written!

- Good boy, Filippo.

(Philip laughing)

(gentle music)

- I don't know what came over me, Signora.

I just spent the entire night writing.

I haven't done anything like that in years.

I just suddenly saw these new details so clearly.

It just, these twists and these turns.

It was thrilling, Signora.

I can't stop shaking though.

I think I might've had too much espresso.

(Betty laughing)

- I'm very proud of you, Filippo.

And what brought on the change?

- I don't know.

I had a really good day.

- Good! - You know what?

I need a shower and a nap, but before I go,

Signora, what is the most appropriate flower

for wishing someone good luck?

- Ah, Filippo, let me think on that for a second.

Daffodil, definitely daffodil.

It announces a new beginning.

- New beginnings, that's it, grazie mille.

- Okay, ciao.

(people chattering)

(peaceful music)

(speaking in foreign language)

- [Choreographer] It's right.

Amelia, thank you.

Around.

Around.

(waltz music)

Around.

- Philip, hi.

I'm sorry.

- I was just on my way to work the lunch shift,

and I thought I'd stop by and say hi.

- Oh, well, let's see what you got.

- Okay.

- Nice flowers.

- Thank you.

They're for you, daffodils, new beginnings.

- Thank you.

- They were supposed to be for luck,

but it doesn't look like you need any.

- Well, for that, you can credit

Darla Smith's Dance Academy in Bend, Oregon.

I'm sure she'll appreciate the free advertising.

- Well, I will make note.

- You're not so bad yourself.

- Thank you, my grandmother made me take lessons

because she wanted a proper dance partner

for my sister's wedding.

- You learned to waltz for your grandma?

- I did.

- That's the cutest thing I've ever heard.

- That is exactly how she sold it to me too.

She said the girls would love it.

(Amelia chuckles)

By the way, I think you're leading.

- You're welcome.

(both chuckling)

Sorry, sorry.

I'll see you later?

- Yeah, I'll let you get back to it.

- [Amelia] Okay.

- See you. - Bye.

- [Choreographer] Again.

(Amelia chuckles)

Thank you.

- So, Philip says the story will run on Tuesday,

and other outlets should pick it up pretty quickly.

- This is exciting.

- Ah, yes and no.

You know, that means four more days of privacy only.

I tried to keep your name

out of the story as much as possible, but I don't know,

you might have to deal with some reporters.

- Amelia, will you chill out?

If people wanna find out more about you, why shouldn't they?

You're a fascinating person.

Stop worrying so much.

And it seems like that Philip character you always mention

is looking out for you.

- Yeah, I think he is.

And I do not constantly mention him.

He just happens to be around all the time working.

(Kathryn chuckles)

Stop laughing.

Kat, (groans) goodbye.

(gentle music)

(light music)

(Amelia clears throat)

(speaking in foreign language)

- Sit, please.

- Thank you.

- So, I was told that you were

as a graceful as a swan in today's rehearsal.

- I had a very patient choreographer,

but I appreciate you saying so.

- That's humble, I like it.

(Amelia chuckles) My friend here

will take the almond granita.

That is delicious, you will love it.

- Okay. (chuckles)

Signore D'Andrea, I--

- Dominic, please.

- Dominic, I just wanted to thank you again

for this opportunity.

I intend to make you very proud.

- It was an unexpected benefit from a delicate situation.

- What do you mean?

- We brought many names,

established names to Jonathan Lyman,

but he would approve none as his co-star.

"Roman Holiday" is more Joe's story than the princess, no?

Why, you're asleep on the sofa for 1/4 of the film. (laughs)

- Hmm.

Right.

- But the audience, they will adore you.

Everyone loves a princess, no?

(sullen music)

And you'll be beautiful on screen.

(phone ringing)

- Hi, Vivian.

- Your story goes live in four days

immediately after the press conference.

- Mm-hmm, I'm aware.

- [Vivian] And I have yet to see one single word.

- Well, I'm still sorting out

what I can include and what I can't.

- What do you mean, what we can't?

- Oh, what I mean is what would make

for the most interesting story.

- Philip, you're not giving her approval, are you?

- Of course not.

- Because we don't do that.

- Right.

- If I found out that one of my writers did that, I would--

- I understand.

- No, no, no, let me finish, please.

Fire him, hmm?

I would fire that writer.

- Of course.

- So, a draft tomorrow.

- Not tomorrow, I still need

to interview Dominic this afternoon.

- Then you will bring me your notes.

You know, I need some proof

that I will have a story ready to run on Monday.

(tense music)

(Philip sighs)

- Well, Dante, looks like we're in a bit of a mess.

(Dante purrs)

(gentle music)

- You again.

You following me?

(Philip chuckles)

- Hi. (Amelia chuckles)

No, I'm interviewing Dominic and Sophia.

What about you?

- I'm here to get fitted

for a special outfit for the press conference.

- Ah.

By the way, my copy of the original

"Roman Holiday" came in today.

I'm thinking about watching it tonight.

- Well, I'm excited to see your reaction.

- Well, we can watch it together if, I mean, if you wanted.

- That could be fun for the story.

- So good for the story.

- Okay, sure.

Leave address with the front desk,

and I'll see you at seven?

- Seven's great, sure.

I'll just go to the market after I'm done here

and pick up a few things to, you know, feed you.

- You don't have to do that.

- No, it's fine, it's easy.

I'll just throw a couple things together.

- If you're sure.

- Nothing.

- Yeah, okay, all right.

Well, I'll see you then.

- See you.

Bye.

- Ah, there you are.

Did you get everything on the list?

- Si, Signora.

- Chianti?

- Si, Signora.

- Ah, fresh basil?

- Si, Signora.

- Look, if it's not fresh,

you're gonna go right back to the market.

- It's fresh, it's fresh.

- Okay.

(peaceful music)

- Can I try?

- Okay, of course, yeah, go.

- That's good? - Good, yeah, right.

Good, good, good, good.

You're getting the hang of it.

A little bit more.

Okay, now these are little pieces that we have cut.

- Okay. - Okay?

Remember that you rolled out?

We take little things like this.

- Uh-huh. - Just the right amount,

and you roll it like that.

- I see.

- See? - Okay.

You go ahead. - Okay.

- Now, not too big.

Two.

Three.

Roll it over, good, good, good, good, good.

There you go.

You get the air come out, perfect.

Not too close, okay?

They have to be squares and not rectangles.

Yeah, good.

- Ah! - Perfect.

- Look at that. - There you go!

Good.

Ah, Filippo, remember to open the Chianti.

It needs to breathe.

- Yeah, it's open.

(Philips sighs)

Oh, she's gonna be here any minute.

Hey, Dante.

- Come here, kitty, come here. (chuckles)

- Mm.

I think this is the best ravioli I've ever had.

- Really? - Mm-hmm.

- I'm glad you like it.

- It's the fresh tomatoes.

(Dante meows)

- Hey, Dante.

- [Amelia] Where'd you find Dante?

- When I first moved into this place,

I heard some meowing outside, so I opened the door to check

and Dante just walked right in and made himself at home.

I put posters up all over the neighborhood,

but no one claimed him.

- Because he claimed you.

- I guess you're right.

(Betty laughs)

- So Amelia, tell me, I understand your father was a sailor.

- Sort of, he was in the Coast Guard.

- Ah.

My first big love was a sailor, mm.

- I thought your husband was a butcher.

- Mr. Richichi was my third big love, my third husband,

and if there's a fourth, you never know.

(all chuckling)

- What about your second?

- That's another story. (laughs)

(bowl clangs)

- So, what'd you think?

- Oh, it was good.

I thought it was a good movie.

- Are you crying?

- No, I'm not crying.

Anyway, can I make you an espresso?

I'd offer you a cappuccino,

but I have no idea how to make one of those.

- Oh well, luckily, you know a professional.

New froth.

(gentle music)

And then, you have

cappuccino.

Ecco.

- Mm.

- [Amelia] So, I'm still waiting

for your review of "Roman Holiday."

- Ah. (laughs)

Okay, I liked it, I loved it.

It was a great movie.

I just, I didn't expect such a downer ending.

- What?

But that's, that's the whole reason

that Anna's holiday is rare and special.

They couldn't ever actually be together.

It was never meant to last.

- Yeah, I get that.

It's just, it was kind of a downer.

(Amelia scoffs)

- Actually, you know, the movie that we're doing,

originally, Dominic wanted to change it.

He wanted to surprise the audience with a happy ending.

Thank God we are sticking to the original.

- So, that's your preference?

- Yeah.

Just because it ends doesn't mean it's not a love story.

- That's true.

- Does your book have romance?

- Maybe.

- Mm, does it end happily?

- Time will tell.

(gentle music)

Until lately, I've been pretty stuck.

- Stuck on what?

- I don't know.

Well, there has been marked improvement lately.

- What changed?

- I sort of just gave myself permission

to see what the day would bring,

to just be open to new possibilities,

and then things just started happening, you know?

Apparently, it's not always a bad idea

to divert from the path.

- Mm, I know what you mean.

Before I graduated,

I was accepted into a performing arts program in London,

and that's the exact path

I would've chosen for myself, 100%,

but then everything that happened happened,

and I spent so long, years just wondering, "What if?"

You know, and I don't know,

everything would've been so different.

I wouldn't have the amazing relationship

that I have with my sister,

and you know, I wouldn't be here right now.

- And are you happy right now?

- Yeah, I'm pretty happy right now.

(gentle music)

So,

can I read your book?

(Philip sighing)

(Amelia chuckles) - Yeah, yeah.

Hold on.

- Okay, okay, okay.

- The first 73 pages.

Now, you're its first audience, so you need to be forgiving.

- I know the feeling.

Huh?

"Rome in Love."

- Working title.

- I like it.

(gentle music)

- Good evening, gentlemen.

- Do you need a car, Signore.

- No, thank you.

Do you work for the hotel?

- No sir, all private companies.

- Ah.

So, you collect your own fares?

- Yeah.

- Have any of you recently had a fare

that was charged to Pinnacolo Productions?

- Yes, sir, an American woman.

- So, tell me everything you remember.

- Okay.

- Okay.

(peaceful music)

(Philip sighing)

(keys clacking)

(light music)

(phone rings)

(phone ringing)

- Pronto.

- [Kathryn] Wow, wow, wow, the infamous Philip.

This is Kathryn Tate.

- Well, that was fast.

- I know, I'm up way too late.

So, you're looking for some Amelia stories.

Well, my friend, you've come to the right place.

- Tito knew he should answer the knock.

The life he prayed for was waiting on his doorstep.

All he had to do was open the door, and yet.

- Hmm, and yet what?

- That's all he wrote.

- No, no, no, does Tito open the door?

- I don't know!

- Get Filippo on the phone, ask him.

- (sighs) Do you see why I got no sleep last night?

- Filippo must finish this book.

- I know he-- - You will see him today?

- No, tomorrow.

Today, I have a photo shoot.

I'm gonna see myself as a princess.

- Ah, you are beautiful.

- Yeah, that's what they've been telling me.

(light music)

- Okay, so when she had to leave school

and forgo the move to Europe.

- [Kathryn] I don't know what you mean.

- The training program in London.

- Amelia was accepted to school in London?

- You know what, I might have my details mixed up.

- No.

I don't think you do.

(Philip sighs)

(tense music)

- I'm seeing a bit of tension in your jaw.

Can you relax your face a bit.

Okay, wonderful.

(camera clicking)

Your face, over here.

Number four.

(camera clicks)

- Getting her to take a few pictures.

Let's try to loosen up the face a bit.

Okay.

- Could we stop for a moment?

- Okay.

(Amelia sighs)

- So, how were we today?

- I'm okay, bit of a headache, but I'll be fine.

- Mm.

And what else?

- Nerves probably.

- And what else?

- Nothing.

- I see.

(Amelia sighs)

- I don't think he meant anything by it, but--

- What did Dominic say?

(tense music)

Signor D'Andrea.

- Excuse me.

Si. - A word.

Grazie.

Amelia. (Amelia sighs)

- Signor, I've been thinking

about what you said the other day,

and I was afraid to say anything

because I didn't want you thinking

that I was just another actor with a big ego.

- Not at all-- - Please.

We're telling a love story,

and from what I understand, a love story involves two people

standing on equal footing.

- I agree. - Right.

But Princess Anna is the heart of this story,

and I want to do that justice.

I'm sorry if you think that I shouldn't be

or I'm stepping out of line, but I just, I needed--

- I appreciate your candor, Signorina Tate.

Shall we get back to work?

- Yeah.

Sure.

(tense music)

- Amelia, we do not apologize

for insisting that our work be respected, okay?

(Amelia sighs)

(Kathryn sighs)

(sullen music)

- Ah, be still my beating heart. (chuckles)

Word count?

- Just shy of 1,600 words.

- Sourced.

- Her sister, two co-workers, a college classmate,

and her high school drama teacher,

and there's already a digital copy in your inbox.

- Oh, fabulous.

For goodness sake, Philip, it's not a sacred relic.

- I have one more appointment with her tomorrow

to do some last-minute fact checking.

If you wouldn't mind just holding off

on the final edit until I do that.

- Is it awful?

- What?

No.

- Because your behavior suggests

that it was really quite terrible.

- It's a very good piece of writing, if I do say so.

- Then why so morose?

- It's just that I know how much she values her privacy,

and I can't help but feel

like we're the people putting an end to it.

- (scoffs) Oh no, no, no, no, dear boy.

We are the people helping

to promote a major theatrical release

in which she chose to take a starring role.

- You're right.

- But news sensitivity is encouraging.

- That's very kind of you to say, Vivian.

- Oh, no, it's the truth.

I do not give unearned praise, I'm British.

(gentle music)

So, final draft at 6:00 p.m.

- Amelia.

- Signore D'Andrea.

Did we have an appointment?

- We did not.

Please.

- [Vincent] Hey.

- You see, when a man has been a fool,

it is best to let him face it.

Amelia, I fear that I have led you to believe

that I think your performance, your abilities, your craft

are less than essential.

Forgive me.

We need you in this, this film, we need you.

- Thank you.

(gentle music)

- [Vincent] Her?

- [Driver] Si, Signor.

- The star of "Roman Holiday" is Jo March.

(phone ringing)

- Good morning, Vivian.

- [Vivian] Well, it's fantastic.

- What is?

- Well, the Amelia Tate story, of course.

You have crafted a hero's journey,

no, no, better than that, a heroine's journey.

You were right about her.

She is intriguing, exciting.

I mean, giving everything up for her sister.

All that stuff about her serving coffee

just to make ends meet.

- Yeah, she's something else, isn't she?

- I'll get an intern to fact check.

- No.

What I mean is that's not necessary

because I already have an appointment

with her in a few hours.

- Enjoy your Sunday, hmm?

Celebrate your success.

(Philip sighs)

- Don't you look at me like that.

I'm gonna show it to her tonight.

She's gonna read it, she's gonna understand.

She's gonna sign off on the whole thing.

(sullen music)

(Philip sighs)

- Good morning.

- Good morning.

That's an adorable car.

- It's a rental.

I figured it would be nice

to get out of the city for the day.

- Where are we going?

- First stop, best view in Rome.

(cheerful music)

- [Amelia] Okay.

- So, I'm hesitant to ask--

- What took you so long?

I thought you were gonna bring it up in the car.

- I'm not gonna bring it up if you don't bring it up.

- Philip, your book is amazing.

I read it all in one sitting,

and then I reread my favorite parts to Petruzzi,

which I realized I did not ask permission for,

and for that, I apologize.

- No, that's fine, I'm just surprised.

I didn't think you'd like it that much.

- I did, I loved it, and so did he.

- Wow.

Wow.

(peaceful music)

Do you mind if we talk about the story for a minute?

- Your story about me?

- Yeah.

- Can we wait until we get back to the city?

It's so nice just to be checked out

with a friend for a minute.

- Sure.

(gentle music)

You ready for the next stop?

- Sure.

(cheerful music)

- Signora Daniels.

- Vincent Viverito, mm, I thought I smelled cheap cologne.

- Amelia Tate, works in a little coffee shop,

does amateur theater.

- Oh, well, well, well.

Someone's learned to google.

- Your story runs Tuesday.

Mine will be online in the next hour.

- Just look at you.

- Enjoy your desert.

- One moment.

Dominic, hi, it's Vivian Daniels.

Listen, if you want our exclusive to remain exclusive,

we have to run right away.

(tense music)

- [Amelia] Do you have any service?

- [Philip] No, no, not even a bar.

We probably won't have any until we get back in the city.

- [Amelia] That is fine.

Oh, thank you.

- Grazie.

(speaking in foreign language) (gentle music)

- So, there aren't any menus?

- No menus, whatever the family makes for dinner

is what we're eating.

- Hmm, how'd you find this place?

- Well, when I first moved to Italy,

I would travel to these little villages,

and I would just ask people

to show me their favorite place to eat.

- Smart.

- Every travel piece that I have ever written

can be summed up as, ask a local.

- That is so true.

If you ever come to Bend, I'm gonna take you to this place

that serves peanut butter tacos.

They're a lot better than they sound.

- I'll defer to the local on that one.

(Amelia laughing)

So, do you see yourself going back to Oregon?

- As opposed to what?

- Um, Hollywood.

That's where all the movie stars live.

Oh, did they not tell you that?

(Amelia laughing)

- Shut up.

What about you?

Think you'll stay in Rome

once your novel becomes a best-seller?

- That's a good question.

This whole idea of just seeing what they day will bring,

I think I'm gonna keep rolling with that for a while.

It's given me a lot to be grateful for.

- Sweet.

- Listen, Amelia, when you read the article--

- No, please, we have the whole ride

back to the city for that.

This is so perfect, please.

- Okay.

- Thank you.

- Have you practiced your waltz today?

- Mm-mm.

No. - Come on.

(Amelia laughing)

Come on.

Are you gonna let me lead this time?

- Hmm, this isn't a waltz.

- Oh.

I think you might be right.

(Amelia laughs)

(Amelia speaking softly)

(Philip laughs)

- [Amelia] So, am I gonna see you

once the story's published?

- I hope so.

I know how busy you're gonna be,

but you're more than welcome to stop by

and make me a perfect cappuccino whenever you want.

- Oh, can I?

(Philip laughs)

(Amelia chuckles)

- Well, now that we're back,

I did bring a copy of the story for you to read.

- (sighs) Should I be worried?

- No.

No, it's just, in the same way

that you find out about the best restaurants

by talking to a local, you find out about--

- What's going on at the hotel?

- Uh, I don't know.

- [Amelia] Oh, you know what,

I bet Jonathan Lyman just arrived.

- Ah, yeah, that could be it.

(Amelia chuckles)

- But why don't I drive around back just to be safe?

- No, no, I'll get out here, I'll get us a table.

You get a parking spot, and then we'll go over the story.

- Are you sure?

It'll just take a second.

- Yeah, it's not like they're waiting for me.

- It won't take long.

- It's fine. - Are you sure?

- [Amelia] Yeah, I'm already here.

(speaking in foreign language)

(tense music)

(speaking in foreign language)

- Rome.

- Signorina Tate! - Miss Tate!

- [Paparazzi] Signorina Tate!

(speaking in foreign language)

Signorina Tate!

(speaking in foreign language)

Signorina Tate!

- Mm, thank you, but I'm okay.

I was just startled.

I don't know how that happened.

- Celebrita magazine, it had to be them.

They were offering bribes to the hotel staff.

- Oh, is this what it's gonna be like?

- The best thing you can do is just refuse to engage them.

- Well, Filippo, your story

certainly found an enthusiastic audience,

but next time, a little bit more warning, yes?

I mean, there are protocols here.

- Oh no, Signor, my article doesn't run until Tuesday.

- No, I read it a few hours ago.

It's actually very good.

(tense music)

- You released your story.

- No, no, no, I was with you.

I have no idea what's happening.

- You said that I could read it first

and that we would discuss it.

- Yeah, I--

- You said I could trust you.

- You could and you can.

- What did you say?

What did I say?

All of the, how could you do this?

- Amelia, I am so sorry, but I--

- You knew I had a sister.

I gotta go.

- Wait.

- You know, Signorina, forgive me, but you know,

he truly captured your essence in this profile.

It is written with admiration and affection.

- Thank you.

It's not the point.

We were supposed to agree

on what information would be shared.

I trusted him more than I should,

more than I meant to.

I just feel so betrayed, you know?

- Understood.

Can I get you anything else?

- No, thank you, you're very kind.

(light guitar music)

Oh, come on, Kathryn.

(loud knocking)

- Door is open.

(speaks in foreign language)

- Filippo, Filippo.

Oh, I didn't know.

- Signora, what's wrong?

(Betty sighs)

- Your words, her life, so much beauty,

so much tragedy, so much love.

- You read the article.

- Yes, I did, and I was overwhelmed.

- Thank you.

But I betrayed her trust.

- But Filippo, there were so many things

that happened beyond your control.

- They were never in my control,

and I should've told her so.

- She will forgive you.

- And if she can't?

- I saw the look and the gestures

between the two of you at dinner, hmm?

If a man ever looked at me like that,

I think I will have found my love number four. (laughs)

Amelia's heart is hurting, but hearts can be mended.

- So, give her time.

- No, give her flowers.

Give her hyacinths and lily of the valley.

- Noted.

(gentle music)

- [Kathryn] Your butler's kinda cute.

- Oh!

(Kathryn laughing)

Kathryn!

What, how did, what is going on?

- You should know I could only afford a one-way ticket.

- Oh my.

- I have no idea how I'm getting home.

- I missed you.

What are you doing here?

- I answered questions for Philip's profile,

and it all seemed a little intense,

so I thought I'd be here to support you.

But then the story dropped early,

and when I got off a 15-hour flight,

you were internet famous.

(Amelia laughs) My taxi driver

said you were an inspiration.

- Hold on, Philip contacted you?

- I'm pretty easy to find, Facebook, Insta, Twitter.

- He didn't ask my permission to do that.

- Amelia, I wanted to talk about you,

about our family, our relationship.

I'm proud of our story.

Aren't you?

- Of course, I am.

Why would you even ask me that?

- Why didn't you tell me

you got the chance to study in London?

(Amelia sighs) (gentle music)

- I never wanted you to feel

like I gave something up to come home.

- Of course you did, you gave up everything.

- No, I didn't.

None of that stuff was meant to happen.

Being there for you and growing up with you,

that's the most important thing I've ever done in my life.

There's nothing, not one thing,

that would have been better or would have made me happier.

- God, I'm gonna cry.

- Please don't cry, no, no, no, no.

If you cry, then I'm gonna cry,

and I think I have to be ready in like two hours

for this press conference.

- Before you do, I need you to hear this.

What you did for me, it's extraordinary.

And there are so many people

who have to be there for their families

when the worst happens,

and they're not celebrated like they should be.

When they read this story,

the one that you're super mad about right now,

they're gonna feel seen,

and they're gonna know that wonderful things

can happen for them too.

That's why I wanted everyone to hear about you.

- When did you get so wise?

(Amelia chuckling)

- [Betty] Now, you be a good boy and behave, okay?

(Dante meows)

- You know that there's no guarantee

that she'll even talk to me.

- There's no such thing as guarantee in life,

what a silly thing to ask for.

- Hmm, that's true.

- Now, you go to her and you tell her that she's beautiful.

- Okay.

- No, no, wait a minute.

Tell her that she's magnificent.

And then tell her the three words

that every woman hopes a man will say to her.

- And those would be?

- "I was wrong."

(gentle music)

He's a good boy.

(light knocking)

- I ordered room service while you were in the shower.

- Okay.

- Buongiorno, Amelia.

- Sophia, hi.

Hello, come in.

- Your gown squad has arrived.

- [Amelia] Huh, cool.

- Buongiorno.

- Hi. - Buongiorno.

- Buongiorno. - Buongiorno.

- Hi, hi, come in.

(light music)

- Oh my god, this is so cool.

- This is Sophia Lombardi.

She's one of our associate producers on the film.

This is my sister Kat, she flew in to surprise me.

- Kathryn, your comments

about Amelia in Vistoso, so heartfelt.

- Thank you.

- I should probably read it.

- You still haven't read it?

- Ah, Amelia darling,

we really must get you into makeup now.

- Okay, sure.

(Kathryn sighs)

(loud knocking)

- I'll get it.

(light music)

- Hi, I'm looking for Amelia Tate.

- Who is it?

- I'm sorry, my manners, I'm Jonathan Lyman.

Hey.

- Jonathon, hi, it's so nice to see you again.

- It's good to see you too.

Seems a lot has changed since our screen test.

- That's an understatement.

- I've just been reading all about you.

- Yeah, well, I'm getting that a lot today.

(gentle music)

- See, now I understand what people mean

when they say they feel like they know me already.

(Amelia laughs)

And don't get me wrong,

I know that I have so much more to learn about you,

but wow, the Vistoso story was such a great preview.

- Thank you, I am flattered.

- Okay, I need to know the truth.

Did you really steal the Vespa from your training

and take it on a joy ride?

- I didn't steal it so much

as expanded the training course a little bit.

- You see, Sophia?

This is exactly why I told Dominic

that I wanted my co-star to be an undiscovered talent.

Because I want the audiences to feel the same way they did

seeing Audrey Hepburn for the first time,

just witnessing that raw emotion,

witnessing the arrival of somebody new and amazing.

- And that's you, Amelia.

(gentle music)

- I have been fielding emails

and phone calls since last night.

They're quite complimentary.

- That's nice.

- Is she speaking to you yet?

- Like you said, it's not important.

- Of course, I said that.

Now, now, I'm invested.

- [Philip Signora Richichi, what are you doing here?

- I had to find out how it ended.

- How did you get in?

- Pure charm.

(Philip sighs)

- I'm nervous.

- Amelia, I know all of this is a lot,

it is, trust me, I was here years ago.

And the trick, if there is one,

is just continue to surround yourself

with people who see through everything,

past it all to who you are and who you've always been.

That's what real, that's what matters.

I mean, the rest of all this, this is just playing pretend.

(peaceful music)

Okay, you ready?

- I'm actually gonna do one final check,

and I'll meet you down there.

- Okay.

- Okay, thank you.

That man is ridiculously charming.

- Right.

- Okay.

(light music)

Kathryn!

Kat, I think there's something wrong with the door.

- You're going to get asked questions

about the article at the press conference.

I've left a copy of it by the sink,

and I'm not opening the door until you've read it.

- Kathryn, this isn't a joke.

I need to be down there.

- If you're going to insist on being mad at him,

then you should at least know what you're so mad about.

(audience murmuring)

- Oh no, they're coming right now.

Good afternoon, ladies and gentlemen.

Thank you for joining us for today's event.

We will be welcoming

the creative team momentarily, thank you.

(Amelia sighs)

- Did you finish?

- I finished.

- And you get it?

- I get it.

- Good 'cause they've sent your butler to retrieve you.

(gentle music)

- Are you ready, Signorina?

- Yeah.

(Amelia sighs)

- What drew me to "Roman Holiday"?

I love that it's unabashedly romantic.

Those are the movies that I grew up with,

and they taught me how to be a gentleman,

the rituals of courtship,

and I still think that those stories have a place today.

- Centro.

- Jennifer Leeds for Sunrise USA.

Amelia, what's been your favorite thing about Rome so far?

- Well, the food, for one.

(audience laughing)

The people.

The people I've met in Rome

are some of the kindest that I've ever met.

So, do as the Romans do because they are doing it right.

- [Jennifer] Thank you.

- Good answer.

Back row.

- Philip Hamilton, Vistoso.

- Ciao, Filippo.

- Dominic, I was wondering if there's any truth

to the rumor that you'd considered changing the ending?

Let the couple stay together?

- No, no, no, no, no, no, no, we would never.

- If I could add to that?

This story that we're telling in this film

is about two people who meet in extraordinary circumstances,

and they feel the spark of something wonderful,

and they bring out the best in each other,

(peaceful music)

but ultimately, it's not meant to be.

- Thank you.

- Okay, we have time for one more.

Si.

- So, you're the writer.

(tense music)

How would you change the ending?

- Well, this journalist character,

it sounds like he made some promises that he couldn't keep.

So, we should probably begin with an apology.

- It's a good start.

- Amelia, I just wanted the world

to see you the way that I do,

to know how remarkable you are,

and the sacrifices that you have made.

I think you are so brave and stunning and funny and kind,

and yeah, I agree that there's some beauty

in a story about two people

that aren't meant to be together, but in life,

I wanna fight for a happy ending.

I wanna be the happy ending that you deserve,

and you are magnificent.

And I was wrong.

- How were you wrong?

- I'm not entirely sure,

but I was specifically advised to tell you that.

(Amelia sighs)

- It wasn't your fault.

You didn't know the story was running,

and you did your best to protect me.

(cheerful music)

It was a beautiful story.

- It was easy.

You inspired me,

and I got to introduce the world to Amelia Tate.

Sorry, these are for you.

- Thank you.

Look, Philip, this feels like a once-in-a-lifetime chance,

and I don't know how it happened.

I mean, I can't believe it,

and I don't really know what I'm doing.

- Amelia, you are going to be amazing in this movie.

(Amelia sighs)

- I'm not talking about the movie.

♪ Then every moment that we had stolen was a feeling ♪

♪ 'Cause it never mattered where we were ♪

♪ 'Cause we were falling in love ♪

♪ 'Cause your heart is my home ♪

♪ Your heart is my home ♪

♪ Your heart is my home ♪

♪ And I'm not letting go ♪

♪ 'Cause your heart is my home ♪

♪ Your heart is my home ♪

♪ Your heart is my home ♪

♪ And I'm not letting go ♪

♪ But any single moment you can change ♪

♪ 'Cause it never mattered where we were ♪

♪ 'Cause we were falling in love ♪

♪ 'Cause your heart is my home ♪

♪ Your heart is my home ♪

♪ Your heart is my home ♪

♪ And I'm not letting go ♪

♪ But any single moment you can change ♪

♪ 'Cause I been gone so long ♪

♪ And I can feel you slip away ♪

(dramatic music)