Original subtitles

[♪]

[♪]

[WATER SPLASHING]

Malone!

[MEN SCREAMING]

[WOOD CREAKING]

[WOOD CREAKING] [LOUD BANGING]

Williams, what is it? What have we hit?

I don't know. There's somethin' in the water.

Clear us now, Williams.

Hold steady, Wayne.

There's somethin' down there!

Clear it away!

I can't see anything!

Unh!

Williams!

[♪]

[FALL OUT BOY'S "SUGAR, WE'RE GOING DOWN" PLAYING]

♪ We're going down, down In an earlier round ♪

♪ And, sugar We're going down swinging ♪

♪ I'll be your number one With a bullet ♪

♪ A loaded God complex Cock it and pull it... ♪

FEMALE DJ [ON RADIO]: Hey, out there.

You've got the one and only Stevie Wayne,

broadcasting from my own little corner of the world,

high in the KAB lighthouse on Antonio Island.

It is perfect weather

for this week's dedication of the new statue

honoring the memory

of Antonio Bay's founding fathers.

So get on down to the town hall

and check out the monument to those four brave men,

one of whom was my great-great-grandfather,

Richard Wayne.

Did I already mention that? [SONG ENDS]

WOMAN: David Williams.

Patrick Malone.

Norman Castle.

Richard Wayne.

It's all wrong. Oh, come on, Kathy.

Who cares which one's holding the telescope?

It's a spyglass, Tom.

Williams is supposed to be holding the spyglass.

He was the visionary.

We've gotta get this right.

The four of them rode out against impossible odds

to defend this island with their lives.

I know, I know. Through the fog.

The Malone family name is on that statue, next to mine.

That's why it has to be historically accurate.

We've got tourists arriving by the boatload on Friday.

What do you wanna do? Send it back?

Fine. We'll have the unveiling tomorrow,

and I'll send it back at the end of the season.

[♪]

Look around you, boys. This is God's country.

Anywhere you go on earth-- Sea of Cortez, Nantucket Sound,

Gulf of Mexico--

you'll never find better fishing

than what we had here today.

Sushi? No. I'm good, thanks.

Nice speech.

And you've been to how many of those places?

Not a one.

My dad used to tell me stories.

He was the traveler.

Sure is a long way out to find a sandbar.

Well, this is where the ocean floor is,

which is where the kelp is, which is where the fish are,

which is why you boys pulled out some big fish today.

Yeah.

Mr. Spooner? Sir.

Let's weigh the anchor, call it a day.

Yes, sir.

Damn. Hey, yo, Nick! We're snagged on somethin'.

Spooner? You all right?

Switch is jammed. I can't shut it off.

NICK: Shut it down! I'm trying to.

MAN: What's goin' on? What's goin' on?

Nick, get up here! Give it some slack!

I'm tryin' to, all right? Switch is stuck.

[GRUNTS]

Hey, I lost all my fish!

We're goin' down! We're not going down! Spooner!

Can't get it! It's not comin' loose!

You guys okay?

[PANTING]

[♪]

Yeah. See? You got a little somethin' there.

Sorry about the mishap, fellas. Come back and see us again.

Yeah, we'll be back.

What? They said they'd be back.

They-- They-- I believe 'em.

I was convinced. When they said, "We'll be back,"

they had the "I'll be back" face.

Hey, yo, Nick!

Yeah, in here.

I don't suppose they left the brother a tip.

Yeah, right.

Hey, you know that wasn't my fault, right?

Don't-- Do that again.

Damn, you sexy as hell when you're mad.

It's incredible.

Where you goin', anyway? We got decks to swab.

I'm going down to Little Ray's to get a new clutch,

for the one you broke today. I-I broke it?

Make sure you end up at Little Ray's.

Don't end up at little Stevie's.

It was a one-time thing. All three times?

Because I remember the lighthouse.

Then there was the time in the field.

Oh, let's not forget about the little church parking lot,

choir boy. Twice. It was twice.

Twice all three times?

Your point is...? Really don't have one.

But she does know Elizabeth. What if she blabs?

Elizabeth...

is 3000 miles away.

And she's been gone for six months.

Distance is not a factor.

Women have testicle telepathy, man.

Just hose down the boat, lock her up,

so we don't go out of business. "We"?

We need to book another charter so we can make money.

I got an idea. Why don't you do some work around here,

and I'll go get the clutch.

'Cause I'm the Skipper, and you're Gilligan.

Like that? After all that "we," now I'm just Gilligan?

I'm by myself, huh?

So that's it, huh?

How much did that cost? A heartfelt tribute

to the founding fathers of Antonio Bay.

Could've used that money down at the marina.

New sea wall. Shore up that pier.

These four men built this town out of nothing.

Without their sacrifice,

there wouldn't be a marina or a pier.

In honoring the past, we celebrate the present.

I never understood that line myself.

And I'm sure you never will, Nicholas.

Mrs. Williams.

Gonna make the unveiling tomorrow?

Your family name is on that statue.

Well, I can't help that, can I?

[METAL DETECTOR BEEPING]

[BEEPING QUICKENS]

[BEEPING STOPS]

[♪]

Huh.

[SEAGULLS CRYING]

[DOG BARKING, GROWLING]

Oh, no.

No. Oh. Oh.

[SOBBING] No.

[BARKING]

STEVIE: --with north-by-northwest swells past the break.

Otherwise, you've got fair winds and flat water.

Oh, and me, your lighthouse keeper, Stevie Wayne...

Voice that launched a thousand ships.

So if you're not in the mood,

you might wanna turn it down, 'cause I'm gonna turn it up,

on 94.5 KAB,

your island alternative to the modern music establishment,

playin' the music I wanna hear.

[PRESSES BUTTON]

[THE BOODA VELVETS' "SALOME'S WISH" PLAYING]

Want a ride?

Wrong direction.

Not anymore.

You're not a freak or anything, are you?

Yeah, actually, I am.

Good. Shit.

[LAUGHS]

So I leave town, and you start picking up

strange girls on the side of the road?

Elizabeth? No, no. I recognized you.

I haven't been gone that long, Nick.

Heh. I knew it was you.

So you're back. No place like home.

Only took you six months to figure that out.

I just needed to come back for a while.

And, Nick?

Next time,

open the door for a lady.

["SALOME'S WISH" CONTINUES PLAYING]

STEVIE: Ahoy, mateys.

Another perfect moonlit eve here on the isle.

And you're listening to Stevie Wayne,

your very own beacon in the night.

Oh, shit!

Oops.

Can't say that on regular radio, but what the hell.

I can say whatever I want. It's my very own station.

Listen up.

Got a low-tide warning in the a.m. for you.

And as I check my lighthouse gauges,

looks like the ol' barometer is on the rise.

So it could be Dan the Weatherman

might just be right for a change.

[PETEY PABLO'S "VIBRATE" PLAYING]

[BOTH YELLING]

Whoo! Yeah!

Hey, yo, Sean.

Get your ass up here and take the helm.

One second, ladies.

Yeah! My turn to play.

Uh...this is my cousin's boat, man.

Well, Nick's not here.

Huh? You see your cousin? Huh?

This sucks, man. Why do I have to drive?

Because I'm the Skipper, and you're Gilligan.

Oh, right.

Ladies, the Spooner wait is over.

[WOMEN WHOOPING] SPOONER: Yeah!

Booty on the Boat, the new reality show.

Ladies and gentlemen, I would like to introduce you

to our guests of honor:

Mandi and Brandi, the twins.

We're not twins.

Dude, my name's Jennifer.

Sean! They're not twins.

And neither are we. So we could do this now.

You swear y'all ain't twins?

Beautiful. You know you girls could model?

I'll have to hook you up. Right after this audition tape.

I just gotta pick up a part for the Seagrass.

It'll just take a second.

And you... Don't go anywhere, all right?

You know the difference between flotsam and jetsam?

Machen. Some get washed up on shore.

Some bob around at sea forever.

You used to be Elizabeth.

I still am.

I have something to show you.

If you touch it, things will change.

[SCOFFS]

[TICKING]

It's still ticking.

Wasn't ticking before.

Where'd you get it?

From the sea. Came back.

Sooner or later, everything does.

Do you have a lighter?

Yeah.

It's a hallmark.

Tells where a piece was made and roughly when.

Looks familiar.

NICK: Elizabeth?

Farewell, Elizabeth.

What was that about?

He found a watch on the beach.

That guy gives me the creeps.

I know it sounds crazy, but I--

I felt like I'd seen it somewhere before.

Where?

I don't know. Let's go.

[PHONE RINGING]

Hey, Andy.

MAN: Hey, darlin'.

Hey, Dan.

You lonely over there without me?

Mm-hm. Remind me why I gave you my cell phone number again?

'Cause I'm 6 feet of burnin' love.

Actually, you're 5'9", Dan.

Now, tell me why you called, or I'm gonna hang up.

Okay. I just thought you might like somethin' to talk about.

Okay, I'm listening.

I got somethin' on my Doppler a minute ago.

Ooh. Sounds kinky.

Yeah, looks like a fog bank about 10 miles out,

and it's movin' straight towards us.

Well, my gauges must be wrong then,

because I'm showin' a wind blowing due west.

Now, what kind of fog moves against the wind?

You got me, but my radar doesn't lie.

Oop. Gotta go. I'm on.

Okay.

It is just before 10 on Spivey Point.

This is Stevie Wayne,

beaming my signal across the sea.

Dan the Weatherman says a fog bank is rollin' in offshore,

so if I were you,

I would lock the doors, throw away the keys

and whip up a pitcher of martinis,

while you listen to another hour of music on KAB.

Servin' up the platters that matter.

[JAMIROQUAI'S "FEELS JUST LIKE IT SHOULD" PLAYING]

There's no fog out there.

Hey, Spooner, you see any fog out there?

SPOONER: There's no fog out here! Ladies, you see any fog?

JENNIFER: I don't see any fog out there.

SPOONER: Any reports about beautiful women?

'Cause that's definitely out here.

Blurring my vision.

[ENGINE SPLUTTERS]

Uh, Spooner, the engine's dead.

Nobody care about that.

You know why? 'Cause we got beer.

And for two, we got beer.

[CHUCKLING] And after that, beer.

[WOMEN LAUGHING]

And we got music too. WOMEN: Beer!

That's all that matter.

Dance over here and have some fun.

[WHOOPING]

Ooh, look at that. My Lord.

Yo. Yeah.

Look at this. Yeah.

Y'all wanna see Spooner get low? Let me get low.

[CLEARS THROAT]

Harbor patrol, this is Seagrass. Do you copy?

[STATIC ON RADIO]

[WOMEN WHOOPING]

Coast Guard, this is Seagrass. Do you copy? Over.

[STATIC ON RADIO]

Damn. Wait a second.

This new radio is... I don't know why it does this.

It's that new song that starts with the static.

It starts with the static.

Then goes to the beat and the music--

Wait-- Wait a second. What are you doing?

No coats.

No, coats, bad. Naked, good.

MANDI: God, it's freezing out there.

What's goin' on?

Hell of a fog bank.

Where'd that come from?

Hey, Spooner, what's goin' on out there, man?

Spooner!

Dude, do you see this?

[PETRACOVICH'S "NIGHTTIME" PLAYING ON RADIO]

NICK: So I guess New York is just like the best thing ever, huh?

I wouldn't say that.

Well, you happy there?

Sometimes.

[ELIZABETH LAUGHS]

I don't know, Nick. What do you want me to say?

I don't know.

I mean, I just wake up one morning and you're gone.

No note. Nothing.

I don't belong on this island, Nick.

The thing I always loved most about you

is you were the one person who understood that.

NICK: The day you left, I bought you something.

What?

A ring.

You bought me a ring?

No. But I thought about it.

[CHUCKLING]

You're such a liar. Aah! Unh!

[TIRES SQUEALING, CAR HORN HONKING]

[PANTING]

Are you okay? I think so.

What the hell was that?

Murderers! Nothing but murderers.

Blood for blood!

Father Malone.

[SIGHS] Nicholas.

Elizabeth.

[FATHER MALONE MUTTERING INDISTINCTLY]

Did you see what happened back there?

I, uh...

Did something hit us?

I-- I didn't see anything.

Look-- Looking for my car.

It's around here... somewhere.

I can't...

[SIGHS] Sure you're all right?

Yeah.

[INSTRUMENTS WHIRRING]

SPOONER: Well, I can't see nothin'.

What's goin' on? Uh, these...

I--

SPOONER: Hell did you do? Nothing, just called for help.

Oh, my God. There's somethin' right in front of us.

Look at that.

[ALL SCREAM]

SPOONER: Stop! Screamin' will get nothin' done.

You all right? Calm down?

SEAN: Just get us out of here, please.

SPOONER: You'll be okay. MANDI: I'm freaking out!

Check the generator. JENNIFER: Any lights anywhere?

Wait one second.

SEAN: You okay?

SPOONER: Hello?

Is somebody out here?

Hello?

[BELL CLANGING]

[♪]

Sean. Sean!

JENNIFER: Does this radio work?

It's-- It's gone. What?

It's gone. It was-- It was-- What is?

There was a big sailin' ship! You ain't seen that ship?

No!

I'm tryin' to tell you...

It was right here.

SEAN: Let's just see what the hell happened to the engine.

[QUIETLY] Jennifer, what are you doing?

[LOUD BANG]

[LOUD BANG]

[LOUD BANG]

[LOUD BANG]

What the hell was that?

I don't know. I don't know.

Dude, let's fix it and get out of here.

[THUD]

[VOICES WHISPERING INDISTINCTLY]

What the hell is that?

Don't know.

[YELLS] [YELLS]

Ugh!

[GASPS]

SPOONER: Somebody in there?

[GROANS]

[SCREAMS]

[♪]

[SPOONER SCREAMS]

NICK: You sure you wanna go in there?

My mom will kill me if I don't.

Call you tomorrow?

Good luck.

WOMAN: Hello?

Who's there?

It's me.

[CHUCKLING] Well...

This is a surprise.

A good one?

Don't see any suitcases.

I guess that means you're not moving back.

I thought you'd be happy I came back at all.

I wish you'd called me. I-- I--

I mean, it's not like I'm running a hotel here.

Good to see you, too, Mom.

[SIGHS]

You waited.

You lasted 30 seconds longer than I thought you would.

[CHUCKLES]

You're learning.

Did you say hello for me?

[CHUCKLES] So where to now?

Let's go to your place.

For some wild and crazy sex?

With a strange hitchhiker? You wish.

[♪]

[LOUD BANGING]

[GASPS]

Elizabeth?

Hey.

Hey, it's-- What is it?

What's wrong?

I...

[SIGHS]

I keep seeing people...

burning.

And they're screaming.

And I'm watching, and then...

And then I'm...

drowning.

It's just a dream.

Just a dream.

[SIGHS]

I've been having them a lot.

It's why I came home.

Come here.

Come on.

[SIGHS]

[♪]

[DRIPPING]

[HEAVY FOOTSTEPS]

[LOUD BANG]

[LOUD BANGING]

[TINKLING]

MAN'S VOICE [WHISPERS]: Elizabeth.

Elizabeth.

[♪]

Elizabeth.

Elizabeth. [GASPS]

You okay?

What are you doing down here? It's freezing.

Come on. Let's go back to bed.

[♪]

Mom.

Mom, wake up. Look what I found.

Mm.

Ugh. Andy, what is that?

I found it on the beach, between some rocks.

It's heavy. Feel.

Oh. Looks like it must've been

somebody's hairbrush once upon a time.

Want me to make you some breakfast?

No, I wanna go back down to the beach.

Fine. Just a half an hour, okay?

I have to go into work early. I have a very busy day.

Can I come to the station with you?

Mm, no. Not today, hon.

I have too much work to do. But maybe later in the week.

[KISSING]

How's that?

Oh, come on. Maybe Aunt Connie will go down to the beach

with you and help you find more stuff.

No.

All she does is eat Ding Dongs

and watch Jeopardy!

I love you.

[IMITATING ANDY] Love you, too, Mom.

[♪]

It's usually after a storm

when anything's washed up on the beach.

Yeah, but we haven't had a storm in months.

KATHY: It's an interesting piece.

WOMAN: Yeah, it is.

We'll let you know. WOMAN: Thanks.

Oh, this is a beautiful piece.

[MUSIC BOX PLAYING]

MAN: If it washes up on the beach, it's ours now, right?

KATHY: Well, technically speaking.

WOMAN: So, what's it worth?

[♪]

STEVIE: Hey, Nick.

Stevie, how you doing?

Great. I hear your girl's back in town.

Yeah, she is. She's back.

Good. She's gonna be here a while?

Who knows?

Yeah, who knows?

[CHUCKLES]

[CELL PHONE RINGING]

Saved by the bell.

Hello? Hey, Uncle Hank.

[♪]

MAN: Elizabeth?

Mr. Latham.

It is you. How are you, dear?

Good. God, we missed you around here.

What are you up to?

Oh, this stamp.

I feel like I've seen it somewhere before.

You recognize it at all?

LATHAM: Mm, no. Can't say I do.

But I know Prince William Island.

It was a big trading post up north.

Gold, seal furs, fox pelts.

They traded with Shanghai for spices and jade.

A lot of people got rich in a hurry.

So then why did they stop production suddenly in 1871?

Nobody lived there after the outbreak.

What outbreak?

Leprosy.

The Chinese brought it over.

Wiped out half the island.

The other half left by ship.

That's as much as I know. They never came back.

[DOOR OPENS]

NICK: Elizabeth.

ELIZABETH: Nick, what's wrong?

[SIGHS] Hank just called.

Spooner took the Seagrass out last night and never came back.

We gotta go.

HANK: Like I said on the phone,

I saw them head out last night around 8:30.

Haven't been heard from since.

And no one's seen her? Not that I've heard.

I gotta call the Coast Guard, Nick.

Hold it. Don't do that just yet.

They, um... They're probably just...

anchored up the channel somewhere.

We'll go find them. Can we use your boat?

Sure.

Thanks.

[♪]

Spooner?

Spooner?

Maybe somebody picked him up.

Let's hope.

Look at this.

The gauges are all smashed.

Got a half a tank of gas.

[ENGINE STARTING]

Engine still works.

[ENGINE RUNNING]

[MACHINE WHIRRING]

Spooner?

Sean?

Sean?

[♪]

[NICK GRUNTS]

Nick? Nick, what's wrong?

Sean, he's-- He's dead. What?

His eyes... He's dead. What?

[MACHINE SPUTTERING]

No!

ELIZABETH: Oh, God. Oh, God.

Go inside. Call for help.

Mayday, mayday!

[METAL CLANKS]

Hello?

[CLINKING]

[CREAKING]

No!

[ELIZABETH SCREAMS]

Let me go! Jennifer!

[AMBULANCE RADIO CHATTER]

He say anything to you two?

Not a word.

Mayor?

Still want me to lock him up?

Lock him up for what?

You saw the bodies.

You think they got that way by accident?

[DOG BARKS]

Tom.

Coast Guard wants you on the radio.

You tell your pal, when he thaws out

he better have a damn good story.

I hid from it.

Hid from what?

It-- It killed them.

The fog killed them.

I hid in the freezer. It couldn't get in the freezer.

All right, Spooner, just relax.

You're not making any sense. You'll be all right.

WOMAN: Okay, guys, we'll take care of him.

Okay, come on. It's gonna be all right.

It's okay.

It's okay.

The fog killed them?

Look. I found this on the boat. Take it. Keep it safe.

It's a piece of evidence.

It might prove that Spooner's innocent.

Just keep it safe.

[HUMMING]

Okay.

Let's see.

Aha.

So you like your gift?

Uh, I think it's more for you than it is for me, Dan.

It's pretty cool though, huh?

If I wanted people to see me,

I wouldn't have gone into radio.

Over and out. You hear about the Seagrass?

Yeah. Yeah, I did.

Well, I-I gotta go.

Call me later, okay? I will.

Somebody please beam me out of here.

[WOMEN LAUGHING]

SPOONER: Look at that.

Beautiful women cavortin' around half-naked--

[TAPE FAST-FORWARDING]

SPOONER: This new radio is... Don't know why it does this.

JENNIFER: I'm going inside.

SPOONER: No. MANDI: It's freezing.

[TAPE FAST-FORWARDING]

[GLASS SMASHING]

[MEN YELLING]

[GASPING]

[SPOONER YELLS]

[BELL RINGING]

[BOARD CREAKING]

Oh!

[♪]

[WATER BUBBLING]

[GRUNTING]

[GASPING]

[GRUNTING]

[GASPS THEN COUGHS]

[BREATHING HEAVILY]

[GRUNTING]

[GASPING]

[OK GO'S "INVINCIBLE" PLAYING]

♪ They finally come To destroy the Earth ♪

♪ They'll have To go through you first ♪

♪ I bet they won't be Expecting that ♪

♪ When they finally come To destroy the Earth... ♪

[MUSIC BOX PLAYING]

[MUTES MUSIC]

[MUSIC BOX CONTINUES PLAYING]

[HISSING]

[ROCK MUSIC BLARES]

[STATIC HISSES]

[THUMP]

[THUMPING]

[WOMAN SCREAMING]

[CRASHING]

[THUMPING]

[HISSING]

[CREAKING]

[GHOSTLY GASP]

[CHILD CRIES]

[♪]

[MOUTHS] What the...

TREBEK: She is the Greek goddess of revenge.

[PHONE RINGS]

I've got it, Aunt Connie.

Hello? STEVIE: Andy.

It's me. I need you to chill out and listen to me, okay?

Okay. Where did you find the brush?

On the beach, down by the big rock.

Andy, I don't want you to go out

and pick up anything else from the beach

unless I'm with you. You understand?

Why? Andy!

Jeez, okay, I promise. Bye.

[WHISPERS] Bye.

What'd your mother want, Andy?

Oh, nothing.

Can I go down to the beach?

Well, just be back before dark, dear.

I will.

[♪]

ELIZABETH: Father Malone?

Father?

[BIRDS CHIRPING]

ELIZABETH: Father Malone?

Elizabeth.

I'm-- I'm sorry. I didn't mean to interrupt you.

No, no, no. It's all right.

What happened? I don't know.

What do the words mean?

Uh, it's-- Ahem.

A phrase from the Bible. It's, uh--

It's the writing on the wall.

What've you got there?

I...

I was wondering if you could help me.

It has your family name in it.

My grandfather told me about this.

Where'd you get it?

In the boathouse, hidden in the wall.

The boathouse? Which one?

Nick's.

Nick Castle.

Of course.

I'm sorry, Elizabeth. I really can't help you.

Something's happening, isn't it, Father?

I'm really very busy right now, Elizabeth.

Maybe you should come back another time.

What's happening, Father?

Look, you really should get off the island.

What? I said, go!

[♪]

TOM: Found this on the Seagrass.

They figure it's the knife that killed Sean.

SPOONER: But that's-- That's my knife.

Nick.

Elizabeth, what happened?

Can we talk outside?

No, um... It's not a good time.

It's important.

No, I-I can't. I can't right now.

Spooner's really in trouble. Just give me a minute.

[♪]

Blood...

for blood.

[SCREAMS]

[SCREAMING]

Elizabeth. No!

TOM: What the hell's going on here?

[CRYING]

What happened? Are you okay?

[CRYING] I don't--

Thanks.

Here, drink this.

It'll help you relax.

I don't wanna relax.

You don't believe me, do you?

Elizabeth, three people were just found dead on my boat.

My family business is pretty much shot,

and I got Malone trying to nail Spooner for murder.

What do you want me to do?

You think I would just make all this up?

I didn't say that.

It's not just me, Nick.

Father Malone's leaving, and Spooner wasn't lying.

He didn't even touch Sean. I saw it on the tape.

Where is the tape? Let me see it.

I lost it. You what?

I know. It fell in the water.

When you were drowning in the seaweed?

I know how this sounds, okay?

It's a really good thing you found this.

Nick, ever since I came home,

horrible things have been happening.

The answers are in here somehow.

Just-- Just look at it.

It describes my dream, Nick.

All of it.

One of the founding fathers wrote it.

Patrick Malone.

"May God forgive my soul.

"I say these words, but in my heart I wonder:

"Can God forgive any man for a sin as great as the one

I'm about to commit?"

Let me see. Let me see this.

"I tell myself this the only means by which our family

"can survive the conditions on this beleaguered island.

"But it does not soothe the horror

I feel for being an accomp--"

Accomplice to what?

[♪]

What is it?

These photographs. The dates.

1867, '69.

Just shacks, huts, cabins.

Then 1871.

NICK: Town springs up.

ELIZABETH: Look at these.

It's the same thing here.

Look how much everything's grown.

Something definitely happened in 1871.

Same date as the journal.

What turned it all around?

MAN: Malone.

Williams.

Castle.

Wayne.

Are we resolved to protect this island?

Aye.

I was outside the door, like you said.

Must've gone out the window.

You think?

Hm.

[♪]

[METAL DETECTOR BEEPING]

[BEEPING QUICKENS]

[METAL DETECTOR HUMMING]

[GRUNTS]

[GRUNTING]

[GRUNTING]

[GRUNTS]

[GASPS]

[GASPING]

[PANTING]

[WHIMPERS]

[BREATHING HEAVILY]

Oh, my.

Hi, Dan. So, what is it this time? A swarm of locusts?

A tornado, maybe?

Ha-ha. No. Just fog.

You're kidding, right?

No, it swallowed us up out here at the station

a couple of minutes ago.

It's movin' your way.

It's kind of cool, actually.

Hang on a sec.

[STATIC HISSING]

Oh, man. All the lights just went out.

Everything's dead.

Everything but your computer, right?

Batteries. Lucky me.

[♪]

[GLASS SMASHES]

Dan, where'd you go?

That's great. Dan?

[THUMPING]

Dan? What is that? What's happening?

Someone's at the door. Dan, listen to me.

Don't open the door. I'm just gonna check this out.

Hang on a second, sweetheart.

[THUMPING]

Yeah, just give me a second here, all right?

Dan, don't open the door.

Don't worry about me, darlin'.

Big Dan's got everything under control.

Dan?

Dan, is everything all right?

Dan?

Is this some kind of joke?

[GHOSTLY GASP]

That's weird.

Dan?

[DAN SCREAMING]

Dan! Dan!

Chris? "Shorts" for 2000.

Swift advocates eating children [PHONE RINGING]

as a way to combat poverty.

Andy?

Please pick up. Please pick up.

Please pick up.

[INDISTINCT PHONE MESSAGE PLAYING]

No. [PHONE RINGING]

Inez. WOMAN: What is...Borneo?

TREBEK: "Necklace" is right.

MAN: "Literary Shorts" for 16.

[PHONE RINGING]

Hello.

Hello. Hello?

[DIALING]

KATHY: All of us living here today owe a debt of gratitude

to these four brave men

who struggled and withstood and sacrificed

in order that this island

might grow and prosper into what it is today.

[INDISTINCT CHATTER]

Oh, God, Andy.

Maybe we should close all the windows.

You better check your bedroom. I'll go check your mother's.

It wants us.

NICK: This is really weird. I'll go get the truck.

KATHY: I think it's just a power outage.

I'm sure it's temporary.

I think it's best that everybody just go home.

I-I don't think it's anything to worry about.

MAN: All right, you heard the mayor. Let's call it a night.

[CROWD TALKING INDISTINCTLY]

MAN: You gonna go with 'em?

MAN 2: No, I think I'll-- WOMAN: See you later.

We'll drive together, okay?

This is an emergency.

There has been a fire at the weather station.

Dan has been killed.

If anybody can hear me, please go check on my son.

The phone lines are down. Please check on my son.

There is something in the fog. I cannot reach him.

He's at 887 White Beach Road.

Mommy's coming, Andy. She's coming.

Elizabeth, get in. What is it?

Stevie's son's in trouble. We gotta go.

I heard her on the radio. Come on.

"April 10th: Met with Blake tonight for the first time.

"He stood in the shadows

to prevent me from seeing his face."

Who's Blake? I don't know.

Nick, listen to this.

"Blake's proposition is simple.

"He wishes to purchase half of the island

"as a new home for his people.

"He and his followers have been traveling down the coast

"in a clipper ship called the Elizabeth Dane."

Spooner said he saw a clipper ship last night in the fog.

[BELL CLANGS]

[TICKING]

[FOOTSTEPS POUNDING]

[JANGLING] [MUSIC BOX PLAYING]

Nick, watch out!

Come on.

[DIALING]

[ERROR SIGNAL BEEPING] Damn it!

[JAZZ MUSIC PLAYING] [HUMMING]

♪ Da-da-da-dum Da-da-dum ♪

[DRAIN SUCKING]

[SCREAMING] [SNARLING]

[SIZZLING]

Oh.

Oh.

Ah.

[SCREAMING]

[ENGINE SPUTTERS, SEIZES]

[ENGINE RASPS]

Come on.

Damn it!

Come on. [RASPS]

Come on.

[ENGINE RASPING]

[WHIMPERS]

Oh, come on.

[ENGINE RASPING]

[GROANS]

[GASPING]

[SCREAMING]

[SCREAMS]

[GASPING]

[SIZZLING]

We're not gonna make it.

It's coming up the coast. We'll go the back way.

[TIRES SCREECHING]

[BREATHING RAPIDLY]

[BANGING]

Turn the truck around. Keep it running.

[BANGING]

Come on! Andy, get out of there!

[SCREAMS]

Get out of there! Come on, grab my hand.

Come on, run.

Let's go. Get in the truck. Come on, get in the truck.

We gotta get out of here. Go, go, go.

Let's go. Elizabeth, let's go.

Come on. Put it in gear. Let's go.

Shit. Go, come on!

It's stuck.

Elizabeth, go. What is that?

Come on, I don't know.

Trade with me.

Slide over.

Nick! Nick, look out!

Ooh. Jeez.

Where are we going?

We need to get to the lighthouse. To your mom.

Then we're getting off this island.

We have to go to the town hall to get my mother.

She was just there. Try the Marina Loop.

Maybe we'll make it through.

[TIRES SCREECHING]

SPOONER: I ain't stickin' around here, waiting to get killed, uh-uh.

I'm the hell off this island.

All packed up, huh?

I don't think the ferry's running tonight, Father.

[SPEAKING IN ARAMAIC]

You been drinkin'?

It means,

"You've been weighed in the balance and found wanting."

I'll take that as a yes.

I need a drink myself.

So I figure one of these keys goes to one of these boats.

[BELL RINGS] We could--

[♪]

Oh, my God.

Come on.

Come on!

[VOICES WHISPERING INDISTINCTLY]

[TIRES SCREECHING]

It's too thick. I can't see through this.

[BANGING]

Our journey's over.

We are almost home.

The contract, Mr. Malone.

A new home.

[COCKS GUN] Where's the rest?

We've come for all of it, Mr. Blake.

You'll give us everything.

And you escape with your wretched lives.

That's not the deal we made, Mr. Malone.

Well, that matters little now, Mr. Blake.

[DOGS BARKING]

[WOLF HOWLS]

[NICK GROANS]

Elizabeth!

Nick!

Elizabeth!

Elizabeth!

Nick!

Where are you?

Stay there! I can see you!

Elizabeth.

[GASPS]

I'm sorry. I-- I don't know what it is.

NICK: Elizabeth?

Nick.

Oh, man. You all right?

You okay?

[DOG WHINES]

Hey, come on, we gotta go.

I can't leave without my dogs, Nick.

No, they'll be fine. We'll be back tomorrow.

Look at me, Nick. Those dogs are all I got.

HANK: Billy.

There's people over there.

HANK: Brutus.

[♪]

We gotta go. Come on.

[DOG BARKING]

[MAN YELLS]

What was that?

[ANDY GASPS]

Andy.

Mom.

Thank God you're okay.

I tried to reach you, but I-I-- I crashed my car.

Oh, God. Thank God. [DOG BARKING]

[CRASH, DOG SQUEALS]

We gotta go. Come on, let's go.

Come on. Come on.

Inside. Hurry up.

[WOMEN SCREAMING]

You miserable bastards!

Ah!

[SCREAMING]

[SCREAMING]

MAN: Help us! Please!

Hurry up!

Ah!

Blood for blood.

[YELLS]

[SCREAMING, MOANING]

[GROANS]

[SCREAMING]

[SCREAMING]

[♪]

[YELLING] No!

NICK: Elizabeth?

Elizabeth?

Come on.

[CRACKLING]

You make a decision.

Elizabeth, are you okay?

[BANGING ON DOOR]

SPOONER: Hello, is anybody in there?

Spooner? Yeah, open the door, man.

Come on. It's crazy out there, man.

Hell is going on.

We gotta lock this place down right now.

Windows, doors, everything. Spooner, come on.

All right.

[♪]

FATHER MALONE: So now you know.

That our forefathers murdered every man, woman and child

on the Elizabeth Dane?

And this town was built on nothing but lies?

And now they've come for their revenge.

[WHISPERING INDISTINCTLY]

They're everywhere.

The land that Blake paid for...

where is it?

We're on it.

The whole town was built on it.

Sins of the fathers are visited on the heads of the children.

SPOONER: The hell are you talkin' about?

The ramblings of a dying old man.

My grandfather knew the truth about his ancestors.

My father was a madman.

We're the children of murderers. All of us.

Wayne, Castle,

Williams, Malone...

But we haven't done anything.

Yeah, keep my father out of this. We from Chicago.

It's time to put an end to this once and for all.

[♪]

[SIZZLING]

[SIZZLING]

[SCREAMS]

[SCREAMS]

[CRYING] No, come on.

[VOICES WHISPERING INDISTINCTLY]

[POUNDING FOOTSTEPS]

[CLATTERING]

[GRUNTS]

Ah!

Ah!

[GROANING]

[POUNDING FOOTSTEPS]

[SCREAMING] No!

No! No!

No!

Malone.

[YELLS]

Ah!

[YELLS]

[GRUNTS]

[GRUNTING]

[♪]

[GRUNTS]

Elizabeth!

[GASPING]

[VOICES WHISPERING INDISTINCTLY]

Elizabeth. Elizabeth, wait.

Please, I've done nothing to deserve this.

That matters little now.

Please.

The contract.

[SCREAMING]

[CONTINUES SCREAMING]

Let's go.

[VOICES WHISPERING INDISTINCTLY]

Elizabeth?

[♪]

No.

Elizabeth?

Elizabeth?

[♪]

[VOICES WHISPERING INDISTINCTLY]

STEVIE: I don't think any of us

can say exactly what happened last night.

But if this...

has been anything more than just a nightmare,

then...why?

Did it come back for revenge?

Or justice?

Or maybe to claim something lost long, long ago.

Maybe we'll never know.

But one thing's for sure.

Something did come back from the sea.

Sooner or later, everything does.

[♪]

[MUSIC BOX TUNE PLAYING]

[♪]