Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,920 --> 00:00:16,160
That's your trouble. You don't want to
2
00:00:16,160 --> 00:00:17,680
hear anything you don't think you
3
00:00:17,680 --> 00:00:19,279
already know. Well, I'll tell you
4
00:00:19,279 --> 00:00:20,720
something, Cinderella. Your prince
5
00:00:20,720 --> 00:00:23,279
charming has already come. Wake up
6
00:00:23,279 --> 00:00:27,720
before another thousand years go by.
7
00:00:28,080 --> 00:00:30,320
Don't throw me away like some gum
8
00:00:30,320 --> 00:00:31,599
wrapper because you think there's
9
00:00:31,599 --> 00:00:34,640
something about me you may not like.
10
00:00:34,640 --> 00:00:36,239
I have what it takes to give you
11
00:00:36,239 --> 00:00:39,760
anything and everything you want. That
12
00:00:39,760 --> 00:00:45,200
maybe not up here or here, but here.
13
00:00:45,200 --> 00:00:48,960
And that would please me enormously. And
14
00:00:48,960 --> 00:00:52,320
all I ask is that you use your capacity
15
00:00:52,320 --> 00:00:57,239
to be everyone and everything for me.
16
00:00:57,600 --> 00:01:00,079
It's within you.
17
00:01:00,079 --> 00:01:02,000
If we could do that for each other, we
18
00:01:02,000 --> 00:01:04,559
give our kids the universe. They'd be
19
00:01:04,559 --> 00:01:06,640
Shakespeare and and the most beautiful
20
00:01:06,640 --> 00:01:09,680
music ever written and a saint maybe or
21
00:01:09,680 --> 00:01:11,680
or a champion athlete or a president all
22
00:01:11,680 --> 00:01:14,960
rolled into one. Terrific kids. How
23
00:01:14,960 --> 00:01:18,520
could they not be?
24
00:01:19,520 --> 00:01:22,640
We have a chance to make everything turn
25
00:01:22,640 --> 00:01:25,280
out all right again. turn our backs on
26
00:01:25,280 --> 00:01:28,240
everything that went wrong. We can do it
27
00:01:28,240 --> 00:01:31,439
right now and all over again. But we
28
00:01:31,439 --> 00:01:33,759
have to do it right now. This minute,
29
00:01:33,759 --> 00:01:38,159
this room and us.
30
00:01:38,159 --> 00:01:42,200
I know this thing, Frankie.
31
00:01:44,960 --> 00:01:45,680
Thank you.
32
00:01:45,680 --> 00:01:46,159
Thank you.
33
00:01:46,159 --> 00:01:50,200
Give him a round. Come on.
34
00:01:52,720 --> 00:01:55,680
couple of interesting things. Um, and
35
00:01:55,680 --> 00:01:58,000
you all will sort of probably face this
36
00:01:58,000 --> 00:02:00,479
in terms of, oh [ __ ] now I'm in the
37
00:02:00,479 --> 00:02:02,799
round and I've been playing this thing
38
00:02:02,799 --> 00:02:04,240
to a person
39
00:02:04,240 --> 00:02:07,600
who's in one space. It's [ __ ] there.
40
00:02:07,600 --> 00:02:11,039
So, the first challenge in this
41
00:02:11,039 --> 00:02:12,640
particular configuration, and we'll
42
00:02:12,640 --> 00:02:13,840
we'll talk about intentions and other
43
00:02:13,840 --> 00:02:15,280
things in a second, but the first
44
00:02:15,280 --> 00:02:17,680
challenge is, all right, so you've been
45
00:02:17,680 --> 00:02:19,680
doing this monologue. When did you first
46
00:02:19,680 --> 00:02:20,720
start doing this monologue?
47
00:02:20,720 --> 00:02:22,080
Um, a few weeks ago, I did.
48
00:02:22,080 --> 00:02:23,360
Few weeks ago. Okay.
49
00:02:23,360 --> 00:02:24,879
So, you've rehearsed it. You've, you
50
00:02:24,879 --> 00:02:26,080
know, cuz you were going to do it.
51
00:02:26,080 --> 00:02:28,000
You're going to come to a space and they
52
00:02:28,000 --> 00:02:29,520
were behind a table, right? That's the
53
00:02:29,520 --> 00:02:30,400
whole thing, right?
54
00:02:30,400 --> 00:02:31,360
[ __ ] those people.
55
00:02:31,360 --> 00:02:32,000
Okay.
56
00:02:32,000 --> 00:02:35,200
And so, you've been playing it that way,
57
00:02:35,200 --> 00:02:35,599
right?
58
00:02:35,599 --> 00:02:37,680
Now, suddenly you're in a space where
59
00:02:37,680 --> 00:02:39,200
your audience is everywhere.
60
00:02:39,200 --> 00:02:39,599
Yeah.
61
00:02:39,599 --> 00:02:41,280
All right. But you didn't acknowledge
62
00:02:41,280 --> 00:02:41,680
that,
63
00:02:41,680 --> 00:02:42,080
right?
64
00:02:42,080 --> 00:02:44,879
Okay. So what it means is you have to
65
00:02:44,879 --> 00:02:47,920
sometimes in a situation
66
00:02:47,920 --> 00:02:49,680
you have to be willing to absolutely
67
00:02:49,680 --> 00:02:51,519
throw out what you've been doing, what
68
00:02:51,519 --> 00:02:52,720
you how you've been working on something
69
00:02:52,720 --> 00:02:54,080
because the circumstance will be
70
00:02:54,080 --> 00:02:54,560
different.
71
00:02:54,560 --> 00:02:54,959
Okay?
72
00:02:54,959 --> 00:02:57,440
Or a director may say, you know what,
73
00:02:57,440 --> 00:02:59,040
it's very interesting that you um that
74
00:02:59,040 --> 00:03:00,879
you open that piece this way, but I'd
75
00:03:00,879 --> 00:03:02,560
like you to do it like this.
76
00:03:02,560 --> 00:03:05,760
And you have to try as much as you can
77
00:03:05,760 --> 00:03:08,080
to not think that this is a criticism,
78
00:03:08,080 --> 00:03:10,319
okay? but actually go, "Oh, someone
79
00:03:10,319 --> 00:03:11,760
wants me to attack something in a
80
00:03:11,760 --> 00:03:15,440
different way." And very often it's
81
00:03:15,440 --> 00:03:17,280
about exploring. It's about discovery.
82
00:03:17,280 --> 00:03:18,480
It's about all kinds of things. But
83
00:03:18,480 --> 00:03:19,840
sometimes it's just the literally the
84
00:03:19,840 --> 00:03:21,280
physical space is different from what
85
00:03:21,280 --> 00:03:22,159
you thought it was going to be.
86
00:03:22,159 --> 00:03:23,040
Sure.
87
00:03:23,040 --> 00:03:25,599
So, I would make two suggestions. What
88
00:03:25,599 --> 00:03:28,080
is the
89
00:03:28,080 --> 00:03:31,120
main problem that this character is
90
00:03:31,120 --> 00:03:32,720
dealing with with this character that
91
00:03:32,720 --> 00:03:34,720
you're talking to? What is What is the
92
00:03:34,720 --> 00:03:37,720
issue?
93
00:03:38,319 --> 00:03:41,760
Well, we're
94
00:03:41,760 --> 00:03:45,599
romantic partners. Um,
95
00:03:45,599 --> 00:03:46,159
and
96
00:03:46,159 --> 00:03:46,959
so you're [ __ ]
97
00:03:46,959 --> 00:03:47,840
We are [ __ ] Yes.
98
00:03:47,840 --> 00:03:52,000
Got it. Okay. Um, but you but you think
99
00:03:52,000 --> 00:03:52,799
there's something
100
00:03:52,799 --> 00:03:54,159
I think there's something more. And she
101
00:03:54,159 --> 00:03:54,400
doesn't
102
00:03:54,400 --> 00:03:56,640
And she thinks it's just whatever it is,
103
00:03:56,640 --> 00:03:58,000
but you're convinced there's something
104
00:03:58,000 --> 00:03:58,720
more. Right.
105
00:03:58,720 --> 00:04:00,400
So, it sounds to me like there's a sense
106
00:04:00,400 --> 00:04:03,200
that she's trying to move away from you.
107
00:04:03,200 --> 00:04:04,159
Yes.
108
00:04:04,159 --> 00:04:06,560
like not not be close to you.
109
00:04:06,560 --> 00:04:06,959
Yeah.
110
00:04:06,959 --> 00:04:10,159
So, what if you in your then discovery
111
00:04:10,159 --> 00:04:13,120
of how to try to do this in a new space,
112
00:04:13,120 --> 00:04:15,200
you actually made that happen.
113
00:04:15,200 --> 00:04:15,519
Yeah.
114
00:04:15,519 --> 00:04:17,600
That she's moving away from you, that
115
00:04:17,600 --> 00:04:20,400
she's constantly trying to get away.
116
00:04:20,400 --> 00:04:20,959
Okay.
117
00:04:20,959 --> 00:04:24,720
So that you are then practically but
118
00:04:24,720 --> 00:04:28,400
also forced to take in this whole room.
119
00:04:28,400 --> 00:04:33,120
Yeah. Secondly, I would say um
120
00:04:33,120 --> 00:04:35,120
how convinced are you that this is
121
00:04:35,120 --> 00:04:36,880
right?
122
00:04:36,880 --> 00:04:38,560
Pretty convinced.
123
00:04:38,560 --> 00:04:40,160
Then I don't then I don't think you have
124
00:04:40,160 --> 00:04:41,199
to try so hard.
125
00:04:41,199 --> 00:04:42,800
Okay.
126
00:04:42,800 --> 00:04:45,440
If you know
127
00:04:45,440 --> 00:04:47,600
that this is the woman for you and you
128
00:04:47,600 --> 00:04:50,240
are the man for her,
129
00:04:50,240 --> 00:04:52,240
then know that.
130
00:04:52,240 --> 00:04:53,840
Okay?
131
00:04:53,840 --> 00:04:57,600
Because if all you're doing is selling,
132
00:04:57,600 --> 00:05:01,560
that's why she's not buying.
133
00:05:02,000 --> 00:05:04,560
That's the trouble with you. You don't
134
00:05:04,560 --> 00:05:05,759
want to hear anything you don't think
135
00:05:05,759 --> 00:05:08,320
you already know. Well, I'll tell you
136
00:05:08,320 --> 00:05:10,160
something, Cinderella. Your prince
137
00:05:10,160 --> 00:05:12,400
charming has already come. Wake up
138
00:05:12,400 --> 00:05:16,000
before another thousand years go by. But
139
00:05:16,000 --> 00:05:18,240
don't just throw me away like some gum
140
00:05:18,240 --> 00:05:19,440
rapper because you think there's
141
00:05:19,440 --> 00:05:22,000
something about me you may not like.
142
00:05:22,000 --> 00:05:23,840
I have what it takes to give you
143
00:05:23,840 --> 00:05:27,280
anything and everything you want. Maybe
144
00:05:27,280 --> 00:05:30,720
not up here or here,
145
00:05:30,720 --> 00:05:34,039
but here.
146
00:05:36,000 --> 00:05:38,080
And all I ask is that you use your
147
00:05:38,080 --> 00:05:40,960
capacity to be everyone and everything
148
00:05:40,960 --> 00:05:43,039
for me.
149
00:05:43,039 --> 00:05:45,600
It's within you.
150
00:05:45,600 --> 00:05:47,120
If we could do that for each other, we
151
00:05:47,120 --> 00:05:49,280
give our kids the universe. They great.
152
00:05:49,280 --> 00:05:50,880
Now, let's stop for just a second. Do we
153
00:05:50,880 --> 00:05:53,039
have a chair? Can I have a chair,
154
00:05:53,039 --> 00:05:54,880
please?
155
00:05:54,880 --> 00:05:55,600
No chair.
156
00:05:55,600 --> 00:05:58,560
It doesn't matter. Just a chair. Um, I'm
157
00:05:58,560 --> 00:06:01,600
not prejudiced about chairs.
158
00:06:01,600 --> 00:06:03,199
Just whatever [ __ ] chair you have.
159
00:06:03,199 --> 00:06:05,759
Bring it out here.
160
00:06:05,759 --> 00:06:08,479
Uh, oh, a stool.
161
00:06:08,479 --> 00:06:09,840
Chair. Thank you. Chair is much better.
162
00:06:09,840 --> 00:06:13,160
Yes. Thank you.
163
00:06:14,319 --> 00:06:14,880
Sit down.
164
00:06:14,880 --> 00:06:15,360
Okay.
165
00:06:15,360 --> 00:06:16,720
All right. So, here's another little
166
00:06:16,720 --> 00:06:18,639
thing that I'll do occasionally as as
167
00:06:18,639 --> 00:06:23,440
the day goes on. You seem to be somebody
168
00:06:23,440 --> 00:06:27,440
who feels that you need to saw the air
169
00:06:27,440 --> 00:06:31,840
with everything you have to say so that
170
00:06:31,840 --> 00:06:33,120
we understand it.
171
00:06:33,120 --> 00:06:33,600
Okay?
172
00:06:33,600 --> 00:06:37,759
And I want you to sit on your hands
173
00:06:37,759 --> 00:06:41,360
and I want you to just trust the words.
174
00:06:41,360 --> 00:06:42,319
Okay?
175
00:06:42,319 --> 00:06:45,360
Too often we think that the words aren't
176
00:06:45,360 --> 00:06:48,080
enough. And actually when you just start
177
00:06:48,080 --> 00:06:50,880
with the words, trust the words, you
178
00:06:50,880 --> 00:06:54,160
will discover the moments that you need
179
00:06:54,160 --> 00:06:57,360
to actually emphasize something or reach
180
00:06:57,360 --> 00:07:00,400
for somebody in a physical way. Very
181
00:07:00,400 --> 00:07:02,000
often in auditions, we see it all the
182
00:07:02,000 --> 00:07:04,240
time. People are doing so much goddamn
183
00:07:04,240 --> 00:07:07,520
work. Just like [ __ ] Jesus, sit down.
184
00:07:07,520 --> 00:07:11,360
Calm down. Trust the material.
185
00:07:11,360 --> 00:07:13,280
So do it again and stop [ __ ] moving.
186
00:07:13,280 --> 00:07:16,280
Okay.
187
00:07:17,840 --> 00:07:19,759
Back to your trouble. You don't want to
188
00:07:19,759 --> 00:07:21,280
hear anything you don't think you
189
00:07:21,280 --> 00:07:23,599
already know. Well, I'll tell you
190
00:07:23,599 --> 00:07:25,280
something, Cinderella. Your prince
191
00:07:25,280 --> 00:07:28,319
charming has already come. Wake up
192
00:07:28,319 --> 00:07:32,160
before another thousand years go by.
193
00:07:32,160 --> 00:07:34,960
Don't just throw me away like some gum
194
00:07:34,960 --> 00:07:36,319
rapper because you think there's
195
00:07:36,319 --> 00:07:39,520
something about me you may not like. I
196
00:07:39,520 --> 00:07:42,080
have what it takes to give you anything
197
00:07:42,080 --> 00:07:44,880
and everything you want.
198
00:07:44,880 --> 00:07:49,440
Maybe not up here or here,
199
00:07:49,440 --> 00:07:51,280
but here.
200
00:07:51,280 --> 00:07:55,919
And that would please me enormously.
201
00:07:55,919 --> 00:07:58,160
And all I ask is that you use your
202
00:07:58,160 --> 00:08:00,479
capacity to be everyone and everything
203
00:08:00,479 --> 00:08:03,120
for me.
204
00:08:03,120 --> 00:08:05,599
It's within you.
205
00:08:05,599 --> 00:08:07,360
And if we could do that for each other,
206
00:08:07,360 --> 00:08:10,720
we give our kids the universe. They'd be
207
00:08:10,720 --> 00:08:13,199
Shakespeare and the most beautiful music
208
00:08:13,199 --> 00:08:14,319
ever written.
209
00:08:14,319 --> 00:08:17,680
and a saint maybe or a champion athlete
210
00:08:17,680 --> 00:08:20,400
or a president rolled all rolled into
211
00:08:20,400 --> 00:08:22,879
one terrific kids. I mean, how could
212
00:08:22,879 --> 00:08:25,199
they not be?
213
00:08:25,199 --> 00:08:28,000
We have a chance to make everything turn
214
00:08:28,000 --> 00:08:30,240
out all right again. Turn our backs on
215
00:08:30,240 --> 00:08:32,719
everything that went wrong. We can do it
216
00:08:32,719 --> 00:08:36,000
right now and all over again. But only
217
00:08:36,000 --> 00:08:40,000
if we do it right now. This minute,
218
00:08:40,000 --> 00:08:43,599
this room and us.
219
00:08:43,599 --> 00:08:45,440
I know this thing, Frankie.
220
00:08:45,440 --> 00:08:47,279
Very nice. You see the difference?
221
00:08:47,279 --> 00:08:50,080
Very nice. Sit down. Thank you. Thank
222
00:08:50,080 --> 00:08:53,360
you. Thank you.15261
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof