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Hi, my name is Chris, and I'm here to
explain some things.
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These are from October 1989, when my
unbridled romantic worldview was
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permanently shattered.
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This is from September 1982, when I
underwent a catastrophic loss of my
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ability to organize my finances in any
meaningful way.
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But before all that...
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I took on a paralyzing, self -defeating,
all -pervading dread of personal
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failure. October 1963.
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Age 2.
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But I'm getting off the subject here,
I'm afraid.
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This story is about Ryan.
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I live in Toronto, a city in Canada
where I see way too many shades of gray
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my own good health.
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A few years ago, however, I became
friends with a splash of color in the
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a slight, fragile gentleman from
Montreal named Ryan Larkin.
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Hello, Ryan.
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Hello, Victor.
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Like me, Ryan is a filmmaker and
animator.
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Three decades ago, he was a rising star
in the world of animation.
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He's the creator of several short films,
two of which have secured his place in
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the history of animated filmmaking.
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You want me to confess?
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Today I asked Ryan if I could record our
conversations.
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He replied by telling me about a simple
inspiration he had back in 1968.
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So I said, you know, what I really want
to do is make a film just with figures
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walking.
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Walking figures.
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Oh, wow, you got something.
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Oh, wow, you got one of the original
drawings. Ryan's looking at artwork he
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created 35 years ago. This is the first
time he's seen this drawing since he
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created it. This is amazing.
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Oh, wow.
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35 years ago, Ryan created thousands of
drawings like this one and then put them
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together one after the other after the
other.
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I meet people that say that my films had
influenced a whole generation of
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animation filmmakers, which is probably
true.
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It was fabulous. It's a great honor to
be nominated.
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But then everybody gets nominated for
Academy Award eventually.
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See, I didn't actually win the Academy
Award.
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Walt Disney won the award that year.
That's how we looked for the Academy
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and that's how we looked. This is what
you wore to the Academy Awards? Yeah.
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You must have stood out like big -time
rock stars.
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Now I look at this, I think maybe
perhaps I would disqualify because of my
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costume.
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Who is that young woman?
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Felicity was the love of my life for a
long time.
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Ryan was always a little close to the
edge.
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He was an emotionally fragile person.
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You know, his father had been violent
when they were young, and I'm sure you
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know about the tragedy of his brother's
death, and that affected him enormously.
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We should have had children.
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Guess it wasn't meant to be, eh?
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Oh, I still love you.
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In 1971, three years after the success
of walking, Ryan was struck by another
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very simple inspiration, himself.
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I was always moving my body around.
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in front of mirrors and stuff, and
making drawings from my body, you know,
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flashes.
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And sometimes I even used a camera to
record how I was moving because it
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to me that I was moving in a very
particular way that other people weren't
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moving.
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That's somebody you know, right? Derek
Lamb.
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He was my executive producer.
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And he was a very nice, a very beautiful
man.
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Here was a guy that had been bursting
with life five or six years earlier. You
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know, he could hardly contain the flow
of drawings in his cubicle at the film
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board. And now here's a guy, you know,
who...
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Is living out every artist worth fear?
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Losing.
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And hangry.
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The first loss of addiction
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produced some amazing work.
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A life can be spent.
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really trying to get that moment back.
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I really do hope that you get back into
some serious creative work. That was
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one thing I wanted to say.
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The other thing that I wanted to say,
I'm going to say one thing, one concern
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that I have about you, which is your
alcohol.
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Which is what? Your alcohol.
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My alcohol?
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Yes, your alcohol.
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Your alcoholic consumption is, as you
know, pretty high.
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I want you to consider...
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Beating alcohol in the same way that you
beat cocaine.
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What?
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There's nothing I enjoy more than a good
glass of cold beer.
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Am I supposed to give that out for,
like, tea or something?
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No, can't do that.
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I personally want to see you around, and
I personally want to see you thrive,
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Brian.
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Fry? Not fried.
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I want to see you thrive.
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Why? Who's going to buy my creations?
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What's in it for me?
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I don't create because I've been ripped
off so fucking much, I decided to stop
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creating.
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Creativity, what do you think I can do,
you know? I cannot do anything.
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I've been deprived.
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Deprivation is the most devastating
thing.
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I will surely, you know, be right on
deck. I'll give up booze and give up
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cigarettes and be right on deck. If
somebody gives me some fucking money,
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cannot do anything, anything at all,
without the power of money.
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I got like about, you know, $10 in my
pocket, which is, to me, like a really
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happy experience.
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But to most people, they spend $10 every
15 minutes.
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I can't believe it, man.
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What possessed me to bring that subject
up?
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I look at you, and I see a lot of things
about my mom.
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You're the brilliant woman.
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I look at you, and I see a lot of things
about my mom.
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I see the way that she went downhill,
and I see
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the way that you've come to this point.
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Failure. We see things.
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I thought that if I was silent, there's
nothing for them to steal anymore if I
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present myself as being just a jerk on
the street.
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But I'm still acquiring and enjoying
human behavior and putting
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it back into my work.
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Let's pray a little change.
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Hey, thanks, man.
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Let's sit down.
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Let's do it. Let's pray a little change.
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Spirit change.
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Thank you, sir.
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Spirit change, sir.
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Thank you, sir. Spirit change, sir.
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Spirit change, sir.
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Thank you, sir.
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You're very kind.
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Thank you.
9964
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