All language subtitles for Agatha Raisin (2014) - S01E01 - The Walkers of Dembley (1080p AMZN WEB-DL x265 MONOLITH)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�&M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS�����O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v95.0 ('Goodbye Stranger') 64-bitD��ACҜDa� ��I��s��az3%f�h[R� G�RT�k���ׁsň��Gy�����������S_TEXT/UTF8"���en�DC�u@���:�����AGATHA:��蠬����Of course your charity film night�� ����� �is going to be a success, Charlie boy.���������-Good morning. -Morning.��|C�u@���>�����I have run national events. I´ve run global events.�� T����� TWell, you´ve just need��ؠ����,to make sure it´s all organized at your end.�� �C�u@��"�����Yes, well, there is certainly a buzz around here.�� ������ �Right.��Р����zI would love to, but I am off on a 5-mile hike.�� �C�u��7r�����Bye.��C�u��iT�����Hi!��j�����jGEMMA: Oh, all right.��.������Hi, Hodge.��������Oh, I know.�� rC�u���f�����More stuff for the film night, is it?��Р�����No. I´m going r-r-rambling.�� �C�u��������Rambling?���������That´s what people do in the countryside.��x����� They r-r-ramble.��pC�u���@�����I just want to blend in.���������-Hey, you should come.��������JFancy a walk?��2C�u��ļ�����-Yeah, all right. -Mm.�� �������-No.�� �C�u���L�����It´ll just be Roy with some London P.R. nonsense.�� �����VQuite frankly, I´m done with all that.���C�u��󜠐���And...�� `����� `ta-da!��.����� �How do I look?��蠴���vOh, hello. Who are you trying to impress?�� �C�u��5��ġ��There she is -- the subject of this week´s walk and talk���������and your future home, Mary -- Carsely.���C�u@��U��ǡ��Where I´ve got this feeling I´m gonna be blissfully happy.���������Originally a Saxon settlement, wasn´t it?��zC�u��n������JAMES: You know your history.���ġ��There have been people living here since the 7th century.�� (C�u@���������MARY: And isn´t it true that Carsely��x�ǡ��xis also famous for its cotton, if we´re to believe Pevsner?��������-And lions.��RC�u���|�����All right, not lions.��x�����xBut long-backed Cotswold sheepy things�� n������used to live around here.��C�u@���j�����Much prized throughout Europe, apparently.���������If we´re to believe the beer mats in the pub.��������0Beer mats.��2C�u@���̠����-Oh, you´re funny, Tabitha. -Agatha.�� ����� Are you coming to the film night, James?���������Oh, of course we are.���C�u@���f�ġ��James and I wouldn´t dream of missing your little event.�� Ġ���� �We´re bringing a picnic, aren´t we?��0������-Indeed. -Marvelous.��2C�u@��p�����Sorry, mate, but we ain´t budging.�� b����� bGoing nowhere. Comprende?��࠸���BYou are meant to keep to the public footpaths�� �C�u@��$L�����and have been given repeated warnings��@�����@to stay away from these crops.�������� �-Five...��젠����-Jessica. -...four...��<C�u@��;:�����For once, just leave.��x�ơ��xDefinitely not worth dying for. Come on, Kirsty, let´s go.�� F������Kirsty. You´ll stand by me, won´t you?�� *C�u��X"�����Um...��p�����psorry, Jess.�� (������That´s what´s wrong with you people.��@C�u@��p������You think you own the bloody countryside.���������Actually, I do.��Р����VOr at least this little bit of it, anyway.�� C�u@���Z�����Charlie Fraith.���������Gustav, put the gun down.��"�¡�� �Then, as you well know from our copious correspondence,�� FC�u@���v�����there´s an ancient right-of-way across your field,��Р�����and we intend to use it.��꠽����And as you know from my equally copious responses,�� �C�u@��������my crops have grown over any pathway.�� ����� Tough.��������Couldn´t we -- I mean, if it´s okay with you --�� C�u��Ӓ�����go ´round the edge?���������Great. I have no problem with that.�������� X-Uh... -Deborah.���C�u���⠳���We´ve met once or twice in the village.������Debs.��C�u@��������We are doing this because of capitalists like him�������eroding our basic human rights.���������Remember?���C�u@��������Thought we were doing it ´cause we liked walking.�� �����If we don´t make a stand, where will it all end?���ơ�� �On the other side of the field, if you go ´round the edge.��RC�u��1R�����Patronizing snob.�� `����� `-Two...�� ����"-...one. -Gustav.��.C�u��E������Jess, come on. Now, I really...��&�����&-Come on.�� B�����hCan´t you grow a pair for once?���C�u��]ڠ����I´ll be back!��젞����-Come on. -Get off!��C�u@��xB�����MARY: That was a nice warm-up.�������When do we go on the real walk?������� I can think of another way to warm up.��������MARY:���C�u���~�����AGATHA: Is anybody there?�� (C�u��L�����Did I, uh...�� ����� Have we...���������This is my cottage, isn´t it?��C�u��.,�����-Aah! -Aggie, darling.��&�����&-Oh.��Z����� �You look awful.��L������Why are you here?���C�u��DԠ����I´ve been dumped. I had to get out of London.�� ������ �-Is that my...��^������No.���C�u��`,�����I am, however, a little curious about the, uh...�� ֠���� �elephant in the room.���C�u��tࠥ���Well, not exactly elephant,��"�����"although, um...��Π���� �uh...��ꠔ����Naked man.���C�u@���j�����Sitting in the middle of my living room���������with his chakras all over my designer rug.��l����� fRing any balls? B-Bells. Bells.��4C�u��������ROY: That´s Khusan.��L�����LHe´s a Naked Yoga teacher.��2����� ~Comfort shag.��N������Oh.��ZC�u���*�����Doesn´t say very much, does he?�� ~����� ~And yet he´s clearly not shy.��Р����NWhat´s this?���C�u@���b�����It´s a film event.��^�����^I´ve been helping to publicize it.��R������[ Laughter, Boccherini´s "Minuet" plays ]�� nC�u@���⠜���Oh, I don´t know.��"�����"I can´t even find a man, and yet you...�� ��ȡ�you find yourself a drop-dead gorgeous one hung like a Hoover�� �C�u@��t�����the second you get dumped.��Π�����How is Juicy James, anyway?�������� nAs far as I know, he is fine.��Р����>Who´s that hottie with him?�� C�u@��7̠¡��AGATHA: That´ll be Mary Fortune marking her territory.��V�����VA divorcée.��2������She bakes, gardens, and flirts --���C�u��T �����and not necessarily in that order.�� ����� CHARLES: Agatha.���������-You´re a genius. -Oh. Well.�� C�u��l������Well done. I owe you.��\����� �Charles "Shagger" Fraith. Owns this place.�� `C�u@���������ROY: Seems to like you.��<�ʡā<No, he just likes the fact that I´ve helped make this event --�� �������and therefore him -- popular.��C�u���������There is a difference.��Z�����ZStill. You´re clearly making your mark.�� ~������I´m trying.��zC�u���䠝���I´m really trying.�� ������CHARLES: Ladies, welcome to Barfield House.��\C�u���򠭡��Please help yourselves to a drink.�� `����� Thank you.��lC�u��괠����You look absolutely stunning.��N�����NThat dress is gorgeous.��x����� �This old thing. Don´t be silly.�� �C�u��n�����-Oh. -Cheers.�������Cheers!�� �����You didn´t tell me this was his gaff.��C�u��������-Obviously.�� `�ǡ�� `Ah, I almost didn´t recognize you without your ax to grind.�� �C�u@��66�����Would you like to look around?���������Really? Could I?��Z����� �We´ll have to fumigate the place afterwards.�� �C�u��Y"�����-JESSICA: Hello. -KIRSTY: Hello.��R����� fNow, I am going back walking again tomorrow�� �C�u@��s�����whether you chickens are coming or not.���������It´s a point of principle.�� ����tJust let it go, will you?���C�u���:�ʡāWe want to be able to enjoy our evening without you banging on.���������What about you, Kirsty?���C�u��������You´re much more of a rider on the edge of darkness,�� ������ �aren´t you?���C�u@���������What is it you do again?���������Me? Oh, nothing, really.�������� �Like Jessica and Jeff, I´m just a teacher -- physics.���C�u@���@�����But that´s wonderful.��Z�����ZAh, it´s nothing.��젟��� FCompared to all this.��\�ǡ���Must be amazing to be part of all this history and heritage.��HC�u��*�š��CHARLES: Well, I suppose it does show what can be achieved���������-with a little bit of effort.�� �C�u��Ơ����It can get lonely, though.��z�����,Sir.�� `C�u��2R�����The film.��j�����jIt´s about to start.��NC�u@��NJ�����JAMES: Have you ever seen "The Ladykillers" before?���������MARY: I haven´t.��������JAMES:��\�����X-MARY: Oh. -I have to say,��C�u��c������it´s an interesting choice of Charlie Fraith���������to be showing it at his festival.���C�u��|������CHARLES: Ladies and gentlemen...��@�ġ��@welcome to Barfield and our first charity film screening.���C�u���P�����I hope there will be many more. Enjoy.�� BC�u���ڠ����MARY: Oh, James.��������JAMES: Coming in for a quick one?��C�u��������MARY: I bet you say that to all the girls.��C�u@�� �2�����Victim is Jessica Tartinck.���������Belonged to a group of ramblers from Dembley.�� ������Farm laborer Joe Noakes found her first thing.�� �C�u@�� �Ԡ����One word, Constable -- "alibi."�� ������ �Checking them.��ܠơ��hThat´s why I have a 100% strike rate with solving murders.�� C�u�� �>�����We´ve only had one, which Agatha solved.�� H����� HMr. Noakes.�� $C�u@�� �������Where were you earlier this morning?���������I was home. Then here.��x�ǡ�� And did you see anything or notice anyone acting suspicious?�� �C�u�� X�����Sir Charles. Arguing, like.��l�����l-Her.���������Right old dingdong.��xC�u@�� %Ơ����Shouting and bellowing.��@�����@I left them to it and headed over to the other field,��\������but couldn´t find my spade, so came back,���C�u�� ;B�����and that´s when I found the body.�� ������ �Anything else? Anything at all?�� B������Aye.��C�u�� U2�����I saw Sir Charles on the horizon.���������Running, he was.�� ������Fast.���C�u�� wj�����What did I tell you?��l�����lNo alibi.�������tNo, but he did just place Sir Charles�� �C�u�� �������behaving suspiciously at the scene of the crime�� T����� Taround the time of the murder.�� �C�u@�� �2�����CHARLES: I don´t believe this. It´s ridiculous.���������-Come on. -Look...��N����� �of course I was running.���C�u�� �⠥���-I was out jogging. -Yeah.���������Save it for the judge.��̠���� �-Ow! -Sorry.���C�u@�� =X�����-SARAH: Ah, Agatha.����ġ���This is a friend of mine from the church, Deborah Camden.�� 젛����I need your help.��&C�u�� W �����Okay.�� FC�u@�� tР����I think the police are making a terrible mistake�� Ġ���� �suspecting Charlie.��������It´s much more likely it was that manservant of his.�� :C�u�� �⠛���He threatened us.��꠴����Okay, well, that´s all very interesting,�� ~�����hbut where do I fit in?���C�u@�� �4�����Ah, that´s my fault.��j�����jI might have mentioned that you´re...��"����� �An expert in these matters.��x�����Oh, well, I wouldn´t go that far.��ZC�u@�� �������Oh, but we so appreciated what you did before.��Р�����DEBORAH: Charlie´s only just been released.��|�����LHe´s still a suspect, but it can´t have been him.�� �C�u@�� ֖�����I need you to find out who really killed Jessica.�� ����� I can fill you in on who´s who and what´s what.��.C�u�� �Р����Will you? For Charlie?�� (����� (Please.���������There´s been a murder, Gemma.�� �C�u�� .�����No. No! I have not bumped off Mary.�� Ҡ���� �Just get your tush over here right now.�� �C�u@�� -ڠ����Good morning.������What´s happened?�������� �I´ve got another case,��������Nand you are gonna get me some background info.�� C�u�� I2�����I´ve got to go to work.��蠩����AGATHA: Yes, you do -- for me.��@����� (Where´s Khusan?��C�u�� `�����Oh, no.������� �Oh, God.��������Khusan! Khusan!�� �C�u�� ������-MAN: Oh! -WOMAN: My God.���������Khusan!��������"No, Khusan!���C�u�� ������Put it away!�������� �So, this is Dembley, and according to Deborah,���C�u�� �Z�����victim...��ꠞ��� �...Jessica Tartinck.��RC�u�� �ʠ����-Suspects...��0�����0...Charlie boy��蠵��� and his gun-wielding manservant, Gustav...�� �C�u@�� �������Deborah´s walker mates...��2�����2which includes Jeff, Jessica´s boyfriend;����ġ�� �and two ladies that work at the garden center in Dembley,�� HC�u�� ������Kirsty and Alice.�� ������ �And what about Joe Noakes?��<������´Cause he found the body, didn´t he?�� (C�u�� 'ڠ����Yeah.��D�����D-Joe Noakes.�� �������What? We´re just brainstorming.��2C�u@�� ?ꠢ���It´s what we do in P.R.��ʠ�����We just...kick stuff around...�������� Pthink outside the box...��������throw stuff at the wall, see what sticks.���C�u@�� W������You don´t know where to start, do you?��@�����@No idea. You?��������@Well, in terms of the murder scene, okay,��NC�u@�� o�����there are two ways across the field��Z�����Zto where Jessica was killed --��x����� �one going towards the house there...���������the other one going diagonally across��&C�u@�� ������where the crops are heavier there.��������So the killer could have easily come from the diagonal�� 6����� and been hidden by the crops,��PC�u@�� �r�����which is good news for the salt pot.���������Oh, Sir Charlie. Yeah.�� `����� Means he could be innocent.���C�u@�� �b�����Hey, hey, hey, hey, hey!���¡���Where do you think you´re going? Where´s my research?�� Ġ�����Something of the campaigner, your Jessica.�� :C�u�� �N�����Ancient rights-of-way, road protests, fracking --�� ������ �You name it, she´s banged on about it.��hC�u�� �b�����AGATHA: She must have made a lot of enemies.���C�u��B�ʡāRight, well, we have to speak to Sir Charles as soon as we can.���C�u@��r�����-Roy. -Yes.���������I need you to do a little bit of digging��@����� �on the rest of the ramblers for me -- fast.�� `C�u��0������-Mwah, mwah. -Mwah, mwah.�� �����Bye, Aggie.���������Goodbye, Khusan.���C�u��Il�����Mefiez-vous de l´illusion de la connaissance.��C�u��p ����Mef-- Meffy what, what?�� `C�u���֠����Hello. Remember me? Agatha Raisin.�� ������ �And you are?��x�����Her cleaner.���C�u���@�����That P.R. woman and...�������her cleaner.������AGATHA: Oh, James.��C�u@��:�����What are you doing here?���������I could ask you the same question.��N����� HI asked James to come over.��&C�u@������I´m in a spot of trouble.��@�����@So I gather.��ʠ���� Deborah Camden asked me to investigate the murder.�� �����$Well, what can you find out that the police can´t?�� �C�u�� v�����Well, heel marks for a start.��Р�����Lots of them.��.����� �Now, who would come out here in heels?�� `C�u��!Ԡ����Any women visiting this morning, Charlie boy?�� ֠���� �-No. -Right, well.���C�u@��6������We shall continue with our inquiries, then.�� ������ �How exactly?��ʠ����tBy thinking outside the box, James.�� rC�u@��Pn�ǡ��Throwing our brains against the wall and seeing what sticks.�� ������ �You could always just get a good lawyer.�� nC�u@��f������How about -- a bit of a stupid idea.�� ������ �Okay, how about you two go undercover��p�����to suss out the ramblers?�� (C�u@���d�����We could do.���������Why would we do that?�������� (I mean, you haven´t met them, have you?��ܠ����They don´t know who you are in Dembley.��zC�u@��������So you could get Deborah to introduce you to everyone,���������and then, you know, steam on in, do your biz.�� (������Bob´s your uncle.��jC�u@���������What do you mean by the "biz" exactly?���������-JAMES: The investigating. -Right.�������� *And you´re right -- It´s a terrible idea.��lC�u@��ʔ�����Well, I´ve got to do something, James.��R�����RAnd if it´s any help, I own a cottage in Dembley.�� ������Oh.�� �C�u���ڠ����Oh, thank you, God.��xC�u��Ơ����Here we are.���C�u@��:�����How long are you staying?���������As long as it takes...�� 8������to get Charlie off the hook and find the killer.���C�u�� :�����I´ll...take the spare room.�� pC�u��3������Hi, Aggie. It´s Roy.��Р�����AGATHA: What?�������� �I think I´ve got something for you.�� nC�u��M�����It´s about Jeff Benson.��4�����4Well, I´m all ears.��ؠ���� ROY: Ahh!��C�u��a�����I´ll send it over right away.�� �C�u��������Hiya, Jeff.��ʠ�����Are you still up for meeting later?��ؠ�����It´s okay, Kirsty.��xC�u���2�����I know you saw Jess after the film night.�� ������ �Nothing happened.�� �C�u���N�����Jeff, I promise.���C�u��'������Another word for you -- "stakeout."�� H�����0Perfect view of the garden center at 11:00,�� (C�u��B⠺���where two of our possible suspects are working.�� ������ �And over there at, mm, 3:00, the pub,���C�u��d��ȡwhere the deceased´s boyfriend, Jeff Benson, is hanging out.��̠�����Notice anything?�� C�u��~~�����BILL: He´s smoking a fag.�� ������ �My trained eyes see something different.�� �C�u��������A man in a pub in the middle of the day --�� ����� I´d say that was a sign of a guilty conscience.�� fC�u�����ơ��Or a man lost because his girlfriend´s just been murdered.�� b������Ooh! Ooh! He´s on the move.���C�u��.Ҡ����Deborah Camden is joining them, too.��������They´re all in on it.���C�u��G �����Or meeting for a coffee.�� :C�u��[x�����WILKES: Mm.��^C�u��u"�����Jeff Benson...��࠮����BILL: But what are they doing here?��ZC�u@���x�����Deborah´s going to introduce us as new friends��&�����&that she´s just met.�������� �-As I´ll ever be.����ʡājLook, understated and natural -- That´s how we´re playing it.�� ,C�u��������Low-key is my middle name, James.�� ������ �Come along.���C�u��ͦ�����-DEBORAH: Hi. -Hi.�� 젵��� �Can I, uh, introduce some friends of mine?�� �C�u���\�����This is...���������Mr. and Mrs. Lacey.��������James and Agatha.��&C�u@���"�����Or Aggie and...��"�����"Jay Jay.��^����� �Yeah, we´ve just moved into the area,��h������and there´s nothing we like more than to ramble,�� XC�u@��b�����if you´ll pardon the expression.���������Yes, we´ve heard all about your group --��������the campaigns, the rights-of-way.�� �C�u@��7��ǡ��I think we´re probably finished with all that nonsense now.�� ������ �Maybe we should carry on in Jess´ memory.�� C�u��Np�����The campaigns were led by a friend of ours.�� f����� f-They were her thing. -Not her only thing.�� �C�u��h������Have some respect.��N�ȡ fI don´t think you´ve picked the right moment, to be honest.���C�u���������Our friend, she went out on a walk...���������and was killed.��������B-Oh.���C�u���������AGATHA: Oh. Oh, how awful.�� ����� Why did Jess go out on her own? It just --���C�u@���R�����Well, I´m just wondering, you know,��|�����|with you being a group and all.�� `������Sorry. Can we not do this now?��C�u@���2�����-I´m really not in the mood. -Of course.�� `����� `I-I think it´s best if we leave you to it.�� �ġ��BIf you do decide to go out again, we´d love to join you.��C�u��� �����Aggie.���������Yes?�������� �-Darling.���C�u@� z�����Jay Jay?��@�����@What are you doing saying we´re married?�� ���� HWhat are you doing making us leave?��DC�u@��5�����The boyfriend was about to open up.��꠨����Yeah, and land a punch on you.��2����� And don´t get me started on the lipstick lesbians.�� �C�u@��Mʠ����Alice and Kirsty.��P�����PThey´re gay, and they´re an item.�� Ġ����Alice was wearing a rainbow bracelet,��@C�u@��c�����and she was not at all happy��L�����Labout Kirsty being nice about Jess.��4����� �Not now, Bill.��<������Jeff Benson -- Find out why he resigned from his job.�� �C�u��� ����Where are we going?��l�����lTo wait for our saucy Sapphic sisters.�� �C�u@���������The Laceys seemed nice, didn´t they?��D�����DI don´t know. They seemed a bit odd to me.�������LThere´s something not right.���C�u��*�����I´ll...catch you up.���������Okay.��"C�u@��=������Hello, again.��@�����@I´m sorry if I put my foot in it in the café.�� ⠨���"No. No, it´s not your fault.���C�u��`������Everything´s just a bit raw at the moment.�� ����� I´m sure.��Z�����vWell, I´m a good listener...��@C�u��xX�����if it any help.���C�u���������James.��"�����"What are you doing here?�������� �JAMES: Compost.���������In need of compost.���C�u��ά�����Was that Agatha you were with?���������What? No.��������Well, yes.���C�u���Ҡ����Sort of.���������Oh. Which is it?�� ���� rJust bumped into her.��@������Fancy that.���C�u@���&�����Fancy.��@�����@So, you´ll be free to join me�������� 6for something to eat later, then.�������JWhat? I mean...���C�u�������that would be great.���������That must be hard, though.���C�u��(ʠ����You know -- working together and being a couple.��Z�����ZIs it that obvious?�� �C�u��C������We don´t like to shout about it.��z�����zThe village isn´t that understanding.�� C�u��]������What happened the other night?�� `�ơ�� `We went to a film night, and, uh, it kicked off afterwards.��DC�u��}H�����But not about walking, right?�� ~����� ~No.��<������Jess, she, um...�� �C�u���򠠡��she made a pass at me.���������She used her sexuality as a weapon.�� ������No one was safe.��RC�u���������Anyway, nothing happened, but...�� ����� try telling the others that.�� �C�u���t�����I, um...�� ������ �I should get back.��������N-Okay.��zC�u��?���Come on, pick up.��z�����zJames, it´s me.��^������I´m in the Wendy house.��\C�u��W"�����I think onto something.�� �C�u���J�����Aah!�������Bill!��Z����� nWhat are you doing creeping around?�� ~C�u���6�����Who are you to talk?��<�����<What are you and James Lacey doing in Dembley?���C�u@���������-Posing as a married couple.���������Why didn´t you ask me?��<����� �Oh, Bill. Just tell me about Jeff Benson.���C�u@��Ȉ�����School say he left by mutual consent.��4�á��4Yeah, well, that´s a P.R. phrase if ever there was one.��ޠ����That means he did something bad.��&C�u���Ƞ����Bill.��jC�u�� ⠗���This is cozy.���������Listen, we have got suspects with real motives.���C�u@�^�����Jess made a pass at Kirsty.�������� bI know.���������This place -- It´s a hotbed of seething sexuality.���C�u@��>�����Clearly I´m living in the wrong village.���������Anyway, I don´t suppose that would have pleased�� $�����either of their partners, Jeff or Alice.�� ~C�u��o֠����Ooh.���������Do I need a funny handshake, or can anyone come in?�� �C�u���������Ahh.�� `����� `Ooh. Ooh.���C�u���������Right. What´s going on?�� 䠑��� �-Uh-oh.��ZC�u��ô�����Police business!���C�u��H�����Wow.��Z����� -Deborah. -Agatha, hi.�� (C�u@��z�����I could use a second opinion.���������What do you think of this one -- gorgeous or what?�� ~�����Absolutely fabulous.���C�u@��1x�����Where you going?��2�ơ��2Charlie´s got rid of that horrid Gustav and asked me over.��V������This could be my one-way ticket to becoming somebody.�� TC�u��PT�����Charlie´s managed it. Why can´t I?�� n����� nToday, a physics teacher.��������hTomorrow, Lady Fraith.�� FC�u��k�����Lady Fraith?��0�����0That´s a little bit of a leap, isn´t it?��D�����tNo, no. Tonight´s the night.�� TC�u���ʠ����What? The...��L�����LI think he´s going to propose.�� 6������Huh? What?!��&C�u���r�����Whoa, whoa. Hang on a sec.�� ������ �-I-I hope so.��������It´s -- It´s all been such a whirlwind.�� ~C�u���������See, he´s my first...��N�����Nreal boyfriend and...�� ����Anyway, enough about me.�� �C�u���f�����How´s the investigation going?���������Uh, okay.��������Why don´t you tell me about your friends?���C�u���Ҡ����-Through work.�� ~����� ~I got a job at the same school as Jessica and Jeff.�� �C�u���ꠍ���Mm.���������Did you know she swung both ways?���������-Mm-hmm.�� �C�u��B�����No way.��蠚����I-I had no idea.�� C�u��y4�����Meow.�� ⠐��� �-Meow.�� �C�u���������I...thought I´d check on Hodge.�� ������ �Oh. Well, Aggie asked me to do that.���C�u���Ԡ����Missing Agatha, are you?��N�����NNo.��&�����tWhat´s all this?��"C�u���j�����Yeah, that´s all the suspects at the scene.��R�����ROh. If you include this one.�� �C�u���p�����What´s with the quote?�� ����� Yeah, Aggie thinks that´s a gift from the gods, that.�� pC�u��R�����Thank you.��젟����Wife at home, is she?��z����� fYes. Yes, she is.�� �C�u��Eb�����Did he say something about "wife"?�� F����� FWi-Fi.���C�u��^b�����Ah. Cheers.���C�u��n�����Aah!��<C�u��S������Agatha.��L�����LZip it, stranger.�� 젽���8And what do you think you´re playing at, Jay Jay?�� �C�u@��oF�����I´ve been slaving over a hot stove for hours...�������-Hang on just a second. -...cooking your dinner.���������Would somebody please tell me what´s going on?��xC�u@���Z�����And you can tell this trollop where to get off.��࠸����Oh! I´m not gonna stay here and be insulted!�� 𠜡���AGATHA: Oh, good.���C�u���������Because you´re not welcome.���������You are in the wrong village.�� ⠞����Deborah, it´s Jeff.���C�u@��������[ Answering machine beeps, door slams ]�� ����� I´ve said I´m sorry.��N�����hOkay? And I get that I may have overreacted a little.�� dC�u@���栔���A little?!���������I´m getting my stuff and leaving.��"����� �Don´t be so ridiculous!��l�����>Why would you do that?��C�u@���*�����I never said that I would be here this evening.���������You had no right to assume otherwise.��4������You are not my wife!�� �C�u@��hB�����CHARLES: James. Charlie.��Π�����Agatha is an absolute star.����á�� fI couldn´t get you on the mobile, but just so you know,���C�u@��~@�����the ramblers weren´t sure about you���������until Agatha kicked off in the pub.��"����� Now they´re convinced you´re a married couple.�� C�u���j�����Tell her from me she´s a great actress.�� ����� -Bye.���C�u��� �����-Aggie! Watch out! -Aah!���C�u�������Have I died?���������You had quite a shock.��@C�u@��,2�����Thank you for saving me.���������I owed you.�� ������XFor not realizing that your little stunt in the pub�� �C�u��Hz�����was an act.��젏����Yeah.�������� �You were faking, weren´t you?��pC�u��a������We need to find out who was driving the car.�� 젨���I know who the car belongs to.�� �C�u��������-CHARLES: Come through. -AGATHA: Thank you.���������-It´s Gustav´s day off. -Ah.�� �C�u��������-AGATHA: Lovely.��ꠑ����Thanks.���ơ���You´ve got your feet firmly under the table, haven´t you?�� �C�u���������So, did he go down on one knee, then?�� $����� $Not yet.��蠣��� CHARLES: How can I help?��C�u���t�����I know you drive a Land Rover most of the time.�� r����� rBut do you still have that old Cortina?�� BC�u@���(�����I can´t bear to part with it.��x�����xMm. Did you use it last night?�� ������No. We were here all night.��xC�u@���"�����Why?���������Does anyone else use it?��@����� �Well, the keys are in the kitchen.���������Gustav sometimes takes it out.��C�u�� ������Gustav?��ꠍ���dNo?��|C�u�� -������Hmm.�������zHe usually goes shooting on the road on his days off.�� C�u�� C�����Would you look at that?�� ������ �Heels.��NC�u@�� ]F�����JAMES: That´s right, Bill.���������Shooting range near Barfield House.�� b�����Yes, of course. We´ll leave you to it.�� bC�u�� z������The police are heading over there.��������I just don´t get it.���C�u@�� �������Why would Gustav try and run me over?�� ����� Because you were onto him.���������But that´s just it -- I wasn´t.��^C�u@�� �������Nothing had gone wrong with Gustav´s plan.�� (����� (So why risk breaking cover?��"�����JMaybe he cracked under pressure.���C�u�� �������Doesn´t really look like cracking type.�� ������ �Are you coming or what?���C�u�� �栏���Pull.�� C�u�� �ࠛ���What do you want?�������JEFF: I knew it was you. It had to be.�� (C�u@��!,�����JAMES: Come on, guys.���������Put the guns down.��l����� I want justice for Jessica.��x�����z-We all do. -He threatened us.���C�u��!5������-He warned her. -You were trespassing.��l�����lI said, "Put the guns down."�� �C�u��!VĠǡ��Where were you last night when Sir Charles was with Deborah?��V�����VLeicester.�� `C�u@��!nz�����I promised Sir Charles´ father I would protect him,�� r����� rso I took my car and went to see where Deborah grew up�� C�u��!������to try and understand what she´s up to.�� (����� (Can anyone confirm that you were there?�� C�u��!�:�����Her parents can. They saw me.���������They came out and told me to go away.���C�u@��!�������Well, if he didn´t do it, who did?�������Well, you could have, for starters.�� 8�����@Possibly jealous of Jess´ voracious sexual appetite.�� �C�u@��!�d�����I didn´t give a damn about them.�������It´s a free world.������� Really?��꠺���Well, why did you leave your job under a cloud?���C�u@��!�>�����A pupil heard about Jessica´s bisexuality�� ������ �and mocked her for it.��Z������She didn´t give a damn, but I...�� �C�u��"Π����I lashed out.������� �I made a mistake.��Р�����Defending her honor?���C�u@��"ꠦ���Jess was trouble, all right.�� ����� But she was my trouble.�� 6�����BShe was everything to me, and I loved her.�� �C�u��";�����I didn´t kill her.��0�����0I wouldn´t lay a finger on her.�������vJeff...�� �C�u��"V<�����put the gun down.�� �C�u��"� ����Nobody move!���������Should we go back to bed?���C�u��"������Um, listen...��N�����NI think we´ve had enough of that, don´t you?��C�u��"�r�����It´s time to get serious.�������� �Look, we -- We´ve had our meaningless fun.�� bC�u��"߼�����And now it´s over.�� �C�u��"�R�����I´m sorry.�� �C�u@��#�����BILL: You think someone´s framing Gustav?���������AGATHA: Yes, I do.��ʠ���� �And then Sir Charles�������� fsaid that he leaves his car keys in the kitchen.���C�u@��#2 �¡��So pretty much anyone could have taken them last night.�� `����� `The murderer being who?��x������Alice is our main suspect now.�� 8C�u@��#J�����Jess made a pass at her girlfriend.��N�����NShe knows we´re sniffing around.��2����� �Maybe she stole the car and tried to run Agatha down.�� pC�u@��#d �����We´ll bring her in.���������Oh.�������� HI saw your suspects table.��x������You were one short, by the way.���C�u@��#{������You were missing a monkey.��ܠ�����And I cracked your message from the gods --��ޠ�����"Beware the illusion of knowledge."�� �C�u@��#�2�����AGATHA: What does that mean?���������No idea.��Π���� ~What was Bill on about monkeys?��������0Oh, my suspects table.��^C�u@��#�������He thinks I´ve missed someone out,��Z�����Zbut we just didn´t include Deborah��젾��� Fbecause she´s the one who asked me to investigate.���C�u��#Ҵ�����That´s it!��2�����2Brake like that again, it will be.��C�u��#����-That way.���������-But I´m very happy to walk!�� FC�u@��$b�����AGATHA: Sex, sex.��ؠ�����-It´s all about sex. -Two hands on the wheel, please.�� ��ʡā�Deborah looked stunned when I mentioned Jessica´s bisexuality.�� XC�u@��$#J�á��I thought that it was because she didn´t know about it.����ʡā�But what if it was that she was more horrified that I did know?��C�u@��$�����}���� T����������}��E��ػ��� j�����}��h�� �����"�����%���� �����#̷����%��C��л���+������%��U�� ֻ���7r��������������iT����������j����m�����������.����q췎������6������x���������L�� r�����f�����>����л����6�����>��7�� 仕������������������������������x�����2��������Q��p�����@���������������ط������)����������������K��2����ļ�����~���� �����Ո�����~��(�� Ļ����L���������� ��������������D�������󜷎���8���� 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