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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,080 --> 00:00:02,660 How about it's like someone's in your house and you don't know it yet. 2 00:00:04,280 --> 00:00:06,780 I just heard something in the kitchen. 3 00:00:11,460 --> 00:00:18,360 Hey, what's going on, everybody? For First We Feast, I'm Sean Evans, and 4 00:00:18,360 --> 00:00:21,460 you're watching Hot One. It's the show with hot questions and even hotter 5 00:00:21,900 --> 00:00:23,400 And today we're joined by Luke Combs. 6 00:00:23,680 --> 00:00:26,680 He's an eight -time Grammy Award -nominated artist and mainstay at the 7 00:00:26,680 --> 00:00:28,580 the Billboard country charts for a half decade straight. 8 00:00:28,800 --> 00:00:32,000 He also has a brand -new album on the way as well called The Way I Am, which 9 00:00:32,000 --> 00:00:35,180 scheduled for release on March 20th, followed by the My Kind of Saturday 10 00:00:35,180 --> 00:00:38,400 Tour. Check it out. But first things first, the wings of death, Luke Combs. 11 00:00:38,400 --> 00:00:41,620 Welcome to the show. Thanks for having me. I'm excited to be here. Excited. 12 00:00:42,110 --> 00:00:44,970 What's going through your head as you prepare to take on the Hot Ones 13 00:00:44,990 --> 00:00:49,650 Are you a spicy food fan by chance? I'm a spicy food fan, but I'm not going to 14 00:00:49,650 --> 00:00:54,870 over -promise and under -deliver. So this will be hot. This will destroy me, 15 00:00:54,910 --> 00:00:55,910 there's no doubt. 16 00:00:56,590 --> 00:01:00,610 But I'm at least mentally prepared. I'm not sure about physically, but we're 17 00:01:00,610 --> 00:01:01,790 about to find out, I feel like. 18 00:01:25,160 --> 00:01:27,240 The smell is the first thing you notice. 19 00:01:28,800 --> 00:01:30,420 Oh, boy. Here we go. All right. 20 00:01:34,320 --> 00:01:35,420 That's a good wing. 21 00:01:36,640 --> 00:01:37,640 That's a good wing. 22 00:01:42,200 --> 00:01:43,840 That's good, man. That's a good flavor on that one. 23 00:01:44,680 --> 00:01:50,260 My favorite song on the new album is Daytona 499, which features this funny, 24 00:01:50,280 --> 00:01:54,860 clever metaphor about a relationship falling just one lap short. Out of my 25 00:01:54,860 --> 00:01:57,460 curiosity, can you give me the origin story of that song? 26 00:01:57,800 --> 00:02:03,500 Yeah, so one of my dear friends, Drew Parker, sent me that song, and it was 27 00:02:03,500 --> 00:02:06,740 of like a half -written thing. When he sent it to me, he was like, is there 28 00:02:06,740 --> 00:02:11,880 anything to this? I was like, I love this. I love it. I grew up a NASCAR fan. 29 00:02:11,880 --> 00:02:13,460 grandfather was a courier. 30 00:02:14,160 --> 00:02:18,260 And he would actually deliver paychecks to the drivers like after races. 31 00:02:18,560 --> 00:02:21,280 I spent a lot of Sundays with my grandfather watching races. 32 00:02:21,760 --> 00:02:24,480 Obviously, I gravitated to the idea for that reason. 33 00:02:24,760 --> 00:02:28,400 But then again, I'm a sucker for a good hook, a clever hook. And that one to me, 34 00:02:28,420 --> 00:02:31,620 it like doesn't get more clever than that in the country space. In my 35 00:02:31,720 --> 00:02:37,400 those are like that's like this super niche country music thing of like these 36 00:02:37,400 --> 00:02:39,060 tongue in cheek, like catchy. 37 00:02:40,359 --> 00:02:43,520 Songs that are, I don't know, that just grab people's attention, and that was 38 00:02:43,520 --> 00:02:44,520 one of those for me. 39 00:02:48,820 --> 00:02:50,600 Okay. We got a flat, dude. 40 00:02:50,820 --> 00:02:52,420 Should I do the push here? There you go. 41 00:02:52,820 --> 00:02:55,640 The push going. This guy's been around some wings. Oh, buddy. 42 00:02:56,820 --> 00:03:01,160 I don't think anyone watching this had any thoughts otherwise, I would imagine. 43 00:03:03,540 --> 00:03:04,540 Clean pull? 44 00:03:05,080 --> 00:03:06,080 Damn. 45 00:03:07,100 --> 00:03:09,340 Yeah. Textbook, that's how you do it. 46 00:03:10,320 --> 00:03:14,000 You have an amazing quote where you talk about how you learn to sing from 47 00:03:14,000 --> 00:03:15,380 listening to the Backstreet Boys. 48 00:03:15,720 --> 00:03:19,900 What is an album like Millennium? Like, how is that a masterclass for a young 49 00:03:19,900 --> 00:03:21,520 singer? Like, what did you learn from them? 50 00:03:21,760 --> 00:03:24,820 I mean, obviously, there's, you know, there's five different singers in the 51 00:03:24,820 --> 00:03:29,420 group, right? And they all kind of get turns to showcase their particular 52 00:03:30,020 --> 00:03:33,940 And everybody's kind of got different ranges and different natural tendencies 53 00:03:33,940 --> 00:03:35,440 that they try to use. 54 00:03:35,880 --> 00:03:38,040 And they're incredibly singable. 55 00:03:38,480 --> 00:03:42,960 Verses and choruses, those songs were engineered to be like musical drugs. 56 00:03:43,200 --> 00:03:46,900 Like you hear them and it's just like, I want to hear this again. I need to hear 57 00:03:46,900 --> 00:03:47,900 this again. 58 00:03:48,080 --> 00:03:52,480 And, you know, as you kind of study those things, learn and write songs, you 59 00:03:52,480 --> 00:03:54,020 realize that was done intentionally. 60 00:03:54,280 --> 00:03:58,820 Like there is a science to writing those kind of songs. And there needs to be a 61 00:03:58,820 --> 00:04:02,120 hook every 20 seconds that people remember and moments that people want to 62 00:04:02,120 --> 00:04:03,099 back to. 63 00:04:03,100 --> 00:04:04,520 And you learn that. 64 00:04:04,740 --> 00:04:06,440 You also learn how to do. 65 00:04:07,080 --> 00:04:11,760 the same chorus melody maybe in a different style because if Nick Carter's 66 00:04:11,760 --> 00:04:16,440 singing it and you know Kevin's singing the next one it's like they just have 67 00:04:16,440 --> 00:04:21,399 these little differences and inflections that ultimately matter and lead to the 68 00:04:21,399 --> 00:04:25,700 success of a group like that and help a young singer who's learning to 69 00:04:26,520 --> 00:04:30,600 find their voice and hone their talent, it helps them learn five different 70 00:04:30,600 --> 00:04:34,660 things at one time instead of hearing one singer do something. You get to hear 71 00:04:34,660 --> 00:04:38,580 how five singers would sing the same chorus instead of one. So it's really 72 00:04:38,580 --> 00:04:39,580 interesting. 73 00:04:44,080 --> 00:04:47,540 That's my favorite one so far. 74 00:04:48,240 --> 00:04:50,740 I feel like the lead top, maybe. 75 00:04:51,470 --> 00:04:55,430 I think there's some sweetness. I think the mustard cuts it just a little bit. 76 00:04:55,470 --> 00:04:58,530 There's kind of a lingering hit and a little bit of a cumulative effect that 77 00:04:58,530 --> 00:04:59,530 starting to pick up. 78 00:04:59,750 --> 00:05:02,790 But you're right. There's a sweetness almost to this one. 79 00:05:03,430 --> 00:05:06,930 Vinegar in there probably helps cut the heat a lot, I would imagine. 80 00:05:07,510 --> 00:05:11,030 So I was reading an interesting story about how early on in your career, you 81 00:05:11,030 --> 00:05:12,030 didn't have enough money. 82 00:05:12,390 --> 00:05:17,370 to master an entire six -track EP. So instead, you put your entire budget on 83 00:05:17,370 --> 00:05:19,170 song, which turned out to be Hurricane. 84 00:05:19,490 --> 00:05:23,090 What was it about that song that made it the one that you put all your chips on? 85 00:05:23,530 --> 00:05:28,970 Well, interestingly and luckily enough, it was the only song that was in any 86 00:05:28,970 --> 00:05:31,330 state close enough to putting out. 87 00:05:32,170 --> 00:05:36,330 So it was basically a Hail Mary of like, well, this is all we got. It's either 88 00:05:36,330 --> 00:05:40,070 this or nothing. So I spent the last $200 that I had. 89 00:05:40,540 --> 00:05:45,320 I hadn't done that previously, so I hadn't put that in my budget as an 90 00:05:45,320 --> 00:05:47,000 that I needed to be aware of. 91 00:05:47,780 --> 00:05:50,300 And it comes down. I'm like, well, dude, I don't have enough money to master 92 00:05:50,300 --> 00:05:54,440 these. Like, which one is good enough? And he's like, this one. I'm like, 93 00:05:54,520 --> 00:05:56,000 perfect. Let's do it. Put it out. 94 00:05:56,680 --> 00:06:02,480 Sells 10 ,000 units the first week, which I thought was like, cool, that's 95 00:06:02,480 --> 00:06:05,340 probably what everyone's doing. Or that's less than everyone's doing. 96 00:06:05,600 --> 00:06:06,960 Because, again, I don't know. 97 00:06:07,540 --> 00:06:09,000 And it turns out. 98 00:06:09,870 --> 00:06:13,250 Apparently it wasn't what everyone was doing, and it was a lot more for an 99 00:06:13,250 --> 00:06:17,950 independent kid who's dropped out of college and moved to town and doesn't 100 00:06:17,950 --> 00:06:18,950 anything going on. 101 00:06:18,990 --> 00:06:24,230 And that's kind of what led to a hundred other dominoes falling in my favor. So 102 00:06:24,230 --> 00:06:29,490 I'm very thankful for that moment, and obviously it was supposed to work out 103 00:06:29,490 --> 00:06:30,490 that way. 104 00:06:34,440 --> 00:06:39,080 It just immediately has that, like, taste of, like, this is hotter than all 105 00:06:39,080 --> 00:06:41,560 that. The habanero in particular. 106 00:06:41,840 --> 00:06:45,800 It's a particular. It really announces its presence right up front. You know, 107 00:06:45,820 --> 00:06:48,200 you just get that smokiness. It goes right to the chest. 108 00:06:49,940 --> 00:06:52,620 I feel like that's the one I was smelling when they put the. 109 00:06:53,060 --> 00:06:56,680 When the people came over in the hazmat suits with the wings. 110 00:06:58,160 --> 00:06:59,540 I feel like that's the one you're getting. 111 00:07:00,620 --> 00:07:04,900 As someone who's steeped in the genre and seems intent on making music that 112 00:07:04,900 --> 00:07:09,420 want to hear as a fan, what do you make of phrases like gentleman country or bro 113 00:07:09,420 --> 00:07:11,680 country to define particular subgenres? 114 00:07:12,260 --> 00:07:16,560 There's a huge contingency of people. I'm probably guilty of it at some time 115 00:07:16,560 --> 00:07:21,020 well, but going, well, that's not country or this is too country or that's 116 00:07:21,020 --> 00:07:21,719 or whatever. 117 00:07:21,720 --> 00:07:27,900 It's like I think country music is enjoying a moment of relevancy that it 118 00:07:27,900 --> 00:07:28,900 has never had. 119 00:07:29,180 --> 00:07:35,060 Outside of that early 90s era, the Shania Twain, Garth, Randy Travis, Alan 120 00:07:35,060 --> 00:07:38,600 Jackson, Brooks and Dunn. That was a huge moment, too. 121 00:07:38,940 --> 00:07:44,480 But I feel like we've crossed over into the pop culture zeitgeist. I mean, 122 00:07:44,500 --> 00:07:47,620 there's three country artists selling out multiple nights at stadiums right 123 00:07:48,560 --> 00:07:52,660 That's as many as have ever done it in the history of country music, and it's 124 00:07:52,660 --> 00:07:53,940 all happening at the same time. 125 00:07:54,240 --> 00:08:00,060 So that's really cool to me, to feel like I'm a part of. I think that 126 00:08:00,060 --> 00:08:06,220 conversation is maybe a little unwarranted, but I think ultimately it 127 00:08:06,220 --> 00:08:07,220 the genre. 128 00:08:11,500 --> 00:08:13,760 I'm really worried about the next half. 129 00:08:16,000 --> 00:08:17,140 I don't know that. 130 00:08:18,790 --> 00:08:19,790 It's happening now. 131 00:08:21,930 --> 00:08:24,510 I was just about to say, I think I'm good. 132 00:08:25,010 --> 00:08:26,410 I think it's getting there. 133 00:08:26,970 --> 00:08:27,970 A few drops. 134 00:08:28,510 --> 00:08:31,230 But it's not as bad as the last one to me. 135 00:08:31,770 --> 00:08:35,950 It's not as hot as the last one. The habanero, like we talked about. 136 00:08:36,230 --> 00:08:38,030 It comes out punching, dude. Something different. 137 00:08:38,250 --> 00:08:39,929 It comes out punching, dude. Yeah. 138 00:08:40,289 --> 00:08:41,890 It punches above its weight class. 139 00:08:42,970 --> 00:08:43,970 For sure. 140 00:08:44,250 --> 00:08:47,890 What stands out as the rowdiest room that you've ever had to win over with 141 00:08:47,890 --> 00:08:49,130 a microphone and a guitar? 142 00:08:49,690 --> 00:08:50,690 Oh, gosh. 143 00:08:52,210 --> 00:08:57,350 There was a place we used to play in East Tennessee called the Dew Drop -In. 144 00:08:57,850 --> 00:09:01,650 The guy who I was playing shows with at the time, Adam Kirk, dear friend of 145 00:09:01,650 --> 00:09:04,050 mine. Oh, a ton of my success to him. 146 00:09:04,630 --> 00:09:08,050 And I remember telling his dad he was actually from Boone. He grew up in 147 00:09:08,520 --> 00:09:10,640 I remember telling his dad, he's like, where are y 'all playing tonight? 148 00:09:10,860 --> 00:09:13,260 And I was like, oh, playing the Dew Drop Inn. He goes, oh, the Knife and Gun 149 00:09:13,260 --> 00:09:15,180 Club? He's like, we don't love that place. 150 00:09:15,620 --> 00:09:19,160 So it was like you still smoke in there at that time. 151 00:09:20,020 --> 00:09:22,280 And the stage was about this high. 152 00:09:22,680 --> 00:09:26,940 So you get on stage and it was like a quarter step up onto the stage. 153 00:09:27,540 --> 00:09:29,220 People like dancing in front of you. 154 00:09:29,700 --> 00:09:32,560 But, yeah, I've been in a few rooms like that, you know, middle of nowhere, 155 00:09:32,600 --> 00:09:35,760 South Carolina. And it's a little bit intimidating because people are like. 156 00:09:36,920 --> 00:09:37,920 We can better be good. 157 00:09:37,940 --> 00:09:40,680 You know what I mean? Like, that was the idea. It's like, if I'm in here, I paid 158 00:09:40,680 --> 00:09:42,180 $10 to get in here, better be good. 159 00:09:42,680 --> 00:09:46,300 I have no idea who you are, and I'm going to be pissed if I didn't get my 160 00:09:46,300 --> 00:09:47,300 out of you. Yeah. 161 00:09:47,500 --> 00:09:49,000 So I've had many of those nights. 162 00:09:54,200 --> 00:09:55,079 Homegrown hill. 163 00:09:55,080 --> 00:09:56,080 I like that one. 164 00:09:58,420 --> 00:09:59,420 That's hot, yeah. 165 00:10:00,320 --> 00:10:04,500 And this one a little bit hotter than the white hot mustard, personally 166 00:10:04,500 --> 00:10:05,500 speaking. Definitely. 167 00:10:06,950 --> 00:10:09,810 The White Hot Mustard, that bottle might be walking out the door with me and 168 00:10:09,810 --> 00:10:13,490 everybody. You know what? All the bottles are walking out the door with 169 00:10:13,490 --> 00:10:14,810 today. Even better. 170 00:10:15,390 --> 00:10:17,590 You don't leave here empty -handed. Okay. 171 00:10:18,480 --> 00:10:21,900 So I've interviewed a lot of comedians over the years who will always talk 172 00:10:21,900 --> 00:10:26,640 the importance of doing a thousand shows in a basement club or at an open mic 173 00:10:26,640 --> 00:10:30,480 before ever stepping on stage in front of an arena. Does that at all resonate 174 00:10:30,480 --> 00:10:34,880 with you and your history of playing dive bars to crowds as small as five to 175 00:10:34,880 --> 00:10:38,060 then playing Beaver Stadium in a sold out crowd of 80 ,000 people? 176 00:10:38,320 --> 00:10:41,780 Yeah, there's definitely some disparity there in those shows. 177 00:10:42,620 --> 00:10:46,820 The small shows can be really difficult. If you're having a bad show, it's 178 00:10:46,820 --> 00:10:51,480 amplified by a thousand if there's ten people in there and everyone's kind of 179 00:10:51,480 --> 00:10:52,480 like, ugh. 180 00:10:52,500 --> 00:10:56,300 You can really tell. Feel that energy, yeah. The guy that's sitting two feet 181 00:10:56,300 --> 00:11:01,220 away from you, it's like, man, this guy's pretty rough, huh? You hear that 182 00:11:01,220 --> 00:11:03,360 say that in the small room. You know what I mean? 183 00:11:03,960 --> 00:11:08,700 People don't wear it well when the show's not going well in a room of this 184 00:11:09,260 --> 00:11:14,020 I think in today's social media age, People's careers take off faster and 185 00:11:14,020 --> 00:11:16,340 faster. I don't think that's all bad. 186 00:11:16,780 --> 00:11:20,060 But you welcome in the criticisms of the world. 187 00:11:20,580 --> 00:11:25,620 And if you're a 14 -year -old kid and people online are going, hey, man, 188 00:11:25,620 --> 00:11:27,500 ass. Don't play this anymore. 189 00:11:27,760 --> 00:11:28,880 Don't ever do this. 190 00:11:29,300 --> 00:11:34,140 Well, does that stop the next Bob Dylan from writing songs? 191 00:11:34,780 --> 00:11:38,720 Like, that would be devastating to find out that some kid who's inherently 192 00:11:38,720 --> 00:11:39,720 talented. 193 00:11:40,250 --> 00:11:45,970 And it just hasn't had enough time yet is exposed to the cruelty of the world 194 00:11:45,970 --> 00:11:50,930 the Internet or people's opinion. Yeah. Right. And so that I feel like is the is 195 00:11:50,930 --> 00:11:55,730 the big downside of not going and just playing those little shows and figuring 196 00:11:55,730 --> 00:12:01,710 yourself out on this stage. That's like it's OK to fail or feel like it's OK to 197 00:12:01,710 --> 00:12:05,550 fail. It's still OK to fail. But now you just have to fail in front of millions 198 00:12:05,550 --> 00:12:08,830 of people potentially instead of failing in your. 199 00:12:09,180 --> 00:12:13,140 dive bar in your hometown where there's 10 people and it's not a big deal. 200 00:12:14,460 --> 00:12:15,680 It's an interesting time. 201 00:12:20,500 --> 00:12:21,580 Yeah, it's got some heat. 202 00:12:23,780 --> 00:12:25,820 Yeah, it's hot. Some violence on this one. 203 00:12:27,340 --> 00:12:30,960 This is the gnarliest one since the Habanero one. 204 00:12:31,840 --> 00:12:33,840 First one that has the initial jab. 205 00:12:34,320 --> 00:12:37,360 And we're on the gnarly wave from here on out. 206 00:12:38,700 --> 00:12:43,040 For me, the thing is more like the nose running. It's the thing that drives me 207 00:12:43,040 --> 00:12:46,720 crazy when you have to sniffle and talk. Yeah, it starts to squeeze you like a 208 00:12:46,720 --> 00:12:47,900 sponge the deeper you go. 209 00:12:49,260 --> 00:12:50,720 The milk's making more sense. 210 00:12:52,180 --> 00:12:53,940 There for you. Yeah, that one's hot. 211 00:12:54,740 --> 00:12:58,920 So there's an ad -lib at the end of One Too Many, banger by the way, where you 212 00:12:58,920 --> 00:13:01,080 say, come on, that's a country song. 213 00:13:01,600 --> 00:13:05,500 What does that mean to you exactly that something's a proper tribute to the 214 00:13:05,500 --> 00:13:06,560 genre of country music? 215 00:13:07,150 --> 00:13:11,190 Yeah, I just think, I don't know, because that moment at the end of that 216 00:13:11,190 --> 00:13:15,410 was just truly me in the studio, running it down with the band. 217 00:13:16,530 --> 00:13:17,910 I'm hearing it through the headphones. 218 00:13:18,110 --> 00:13:21,670 They're hearing it through the headphones. I'm singing it full breath, 219 00:13:21,670 --> 00:13:22,670 volume. 220 00:13:23,010 --> 00:13:28,290 You're feeling the vibe of that song come to life for the very first time. 221 00:13:29,380 --> 00:13:32,380 And that was the moment of, like, finishing it, putting it in the frame 222 00:13:32,380 --> 00:13:35,980 going, this is exactly what I wanted this song to be like. Come on, that's a 223 00:13:35,980 --> 00:13:39,580 country song. And it happened. Yeah, for sure. I think I said, I think I'm, 224 00:13:39,600 --> 00:13:42,380 there's an expletive in there that was muted out. 225 00:13:43,400 --> 00:13:46,180 Actually, if you listen to it. Come on, that's a motherfucking country song. 226 00:13:47,020 --> 00:13:48,640 It's literally, that was it. Yeah. 227 00:13:49,700 --> 00:13:56,120 Here we go. The bomb. 228 00:14:01,939 --> 00:14:04,280 I'm not there yet, which is still really freaking me out. 229 00:14:04,800 --> 00:14:06,660 Because I know it's going to be there. 230 00:14:09,320 --> 00:14:11,580 It's like someone's in your house and you don't know it yet. 231 00:14:13,240 --> 00:14:15,720 I just heard something in the kitchen. 232 00:14:17,280 --> 00:14:18,680 Oh, now I'm going to check it out. 233 00:14:21,280 --> 00:14:22,280 There's somebody there. 234 00:14:24,280 --> 00:14:26,700 There's definitely somebody there. And he's masked and armed. 235 00:14:27,950 --> 00:14:28,950 He's not friendly. 236 00:14:29,730 --> 00:14:30,669 Oh, yeah. 237 00:14:30,670 --> 00:14:31,670 Yeah. 238 00:14:32,430 --> 00:14:33,850 Oh, yeah, that sucks, dude. 239 00:14:36,230 --> 00:14:37,230 It's still good, though. 240 00:14:37,550 --> 00:14:38,550 Nice wing. 241 00:14:38,910 --> 00:14:43,510 Not something I would want at the house to, you know, have for dinner. Well, for 242 00:14:43,510 --> 00:14:46,650 better or worse, you will be going, you know, as I promised. 243 00:14:46,850 --> 00:14:48,010 There's a throat. 244 00:14:49,030 --> 00:14:52,250 That's the worst, because then you can't really talk. I'm going milk. Is this 245 00:14:52,250 --> 00:14:53,250 worse to go with milk? 246 00:14:53,340 --> 00:14:56,460 Yeah, yeah, yeah. No, no, no. It's not at all. No. Okay. 247 00:14:56,700 --> 00:14:57,700 Because you said yes. 248 00:14:58,200 --> 00:15:04,060 I know you didn't mean to say yes, but... It's a point of pride now. All 249 00:15:04,140 --> 00:15:06,060 Then I'm right there with you. I'm right there with you. 250 00:15:06,820 --> 00:15:11,940 For the uninitiated, what is cookout, and do you have a go -to tray order and 251 00:15:11,940 --> 00:15:13,120 fancy shake flavor? 252 00:15:13,520 --> 00:15:16,600 When I go to cookout, no one else is allowed to order. 253 00:15:17,900 --> 00:15:21,920 Char -grilled hamburgers, the whole nine. Like, you can get a corndog at the 254 00:15:21,920 --> 00:15:22,920 side. 255 00:15:23,120 --> 00:15:24,119 which is fire. 256 00:15:24,120 --> 00:15:28,820 Quesadillas aside, by the way, you can add a milkshake for like $1 .50. It's 257 00:15:28,820 --> 00:15:29,820 unbelievable. 258 00:15:29,860 --> 00:15:35,160 Imagine Chick -fil -A without all the helpful camp counselors that stand 259 00:15:35,160 --> 00:15:36,160 outside. 260 00:15:36,900 --> 00:15:41,540 And you come up and it's just a guy that's like, he's from the South, but 261 00:15:41,540 --> 00:15:44,580 attitude is giving Philly in the window. 262 00:15:45,400 --> 00:15:47,160 And he's like, cook out, what do you want? 263 00:15:47,520 --> 00:15:53,610 And you're like, um, I think, it's like you can hear him being like, Come on. 264 00:15:53,770 --> 00:15:55,930 Like, you can feel the guy in the thing. 265 00:15:57,670 --> 00:15:59,150 Oh, God. Be careful. 266 00:15:59,810 --> 00:16:03,230 Right when I touched it, I was like, uh -oh. Okay, let's find. 267 00:16:03,470 --> 00:16:07,430 And there's also fresh ones over there. Okay. I was like, I need a safe space. 268 00:16:07,650 --> 00:16:08,650 Yeah. 269 00:16:11,210 --> 00:16:16,990 It's like, big double tray, cheese, bacon, mayo, ketchup, corn dog, Cajun 270 00:16:16,990 --> 00:16:18,170 fries, sweet tea. 271 00:16:18,390 --> 00:16:19,730 Like, I can fire it off like that. 272 00:16:19,990 --> 00:16:21,990 And people hear me order it that quick, and they're like. 273 00:16:22,510 --> 00:16:23,510 What did you just order? 274 00:16:24,170 --> 00:16:28,130 I'm like, I ordered a double cheeseburger with bacon and ketchup. I 275 00:16:28,130 --> 00:16:29,029 really fast. 276 00:16:29,030 --> 00:16:32,970 And the guy is going to know when I pull up to the window. He's like, this guy 277 00:16:32,970 --> 00:16:33,669 knows ball. 278 00:16:33,670 --> 00:16:34,810 He's a veteran, yeah. 279 00:16:35,130 --> 00:16:40,450 This guy has spent 401Ks worth on cooking in his day. 280 00:16:41,810 --> 00:16:44,650 And they're going to be thankful for that. They're going to be thankful. 281 00:16:45,430 --> 00:16:46,550 Oh, man, I'm ready for this. 282 00:16:47,050 --> 00:16:49,370 Here we go. These last two are going to be something, aren't they? 283 00:16:49,870 --> 00:16:51,410 If you're ready. I'm ready, baby. 284 00:16:51,930 --> 00:16:52,930 Bring the pain. 285 00:16:52,950 --> 00:16:58,070 This one is the Smoked Serrano Squash Reaper X. 286 00:16:58,530 --> 00:16:59,489 Oh, man. 287 00:16:59,490 --> 00:17:03,770 It's like your X. Like, it's already bad. That reads like your order from 288 00:17:03,770 --> 00:17:05,849 Cookout, you know? It really does. 289 00:17:06,250 --> 00:17:10,130 I love how they put Serrano in there like it's going to have any flavor at 290 00:17:12,010 --> 00:17:15,089 Butterfly Bakery. Yeah, they make that sound nice, don't they? 291 00:17:22,410 --> 00:17:23,970 This one already has more flavor. 292 00:17:27,390 --> 00:17:28,390 There we go. 293 00:17:28,690 --> 00:17:30,350 It's got some flavor, though. Mm -hmm. 294 00:17:31,470 --> 00:17:32,470 I'm liking that. 295 00:17:33,210 --> 00:17:37,410 So I understand that when you were rejected for the singing competition 296 00:17:37,590 --> 00:17:41,290 The Voice, they gave you a piece of feedback that read, you're a great 297 00:17:41,290 --> 00:17:43,330 but lacking in TV entertainment value. 298 00:17:44,330 --> 00:17:48,070 Athletes are often motivated by perceived slights. I'm curious if it's 299 00:17:48,070 --> 00:17:49,070 for a musician. 300 00:17:49,550 --> 00:17:52,850 In what way did early rejection, what kind of role did it play in your 301 00:17:52,850 --> 00:17:53,890 motivation as an artist? 302 00:17:54,850 --> 00:18:01,310 That situation gave me so much confidence because I'm like, okay, if 303 00:18:01,310 --> 00:18:06,530 this at face value, which I did, it could have very easily been like, well, 304 00:18:06,530 --> 00:18:08,310 can't tell this guy's a terrible singer. 305 00:18:08,610 --> 00:18:09,910 Just tell me he's not interesting. 306 00:18:10,370 --> 00:18:12,470 Maybe that will make him less sad, you know? 307 00:18:13,410 --> 00:18:14,990 Which it did. It worked, by the way. 308 00:18:15,850 --> 00:18:18,750 So I'm like, so you're saying I'm a good singer is what you're saying. You're 309 00:18:18,750 --> 00:18:19,750 saying I'm good. 310 00:18:19,990 --> 00:18:24,830 All I was looking for at that time was some sort of validation, like, hey, I'm 311 00:18:24,830 --> 00:18:27,470 an above average singer. I feel that way in my soul. 312 00:18:27,970 --> 00:18:31,430 So that was a big moment for me. I'm really honestly thankful for that 313 00:18:31,430 --> 00:18:35,350 experience. You have a glass half full perspective on the whole thing, but when 314 00:18:35,350 --> 00:18:38,950 it comes to your actual milk glass, totally full to the brim. Totally full, 315 00:18:39,070 --> 00:18:41,070 baby. I feel like that's about to change. 316 00:18:47,000 --> 00:18:49,320 I'm not going to be the first country thing around to not. 317 00:18:51,280 --> 00:18:52,420 Oh, man. That's scary. 318 00:18:53,200 --> 00:18:54,200 Okay. 319 00:18:54,480 --> 00:18:55,680 I get it all here. 320 00:18:56,180 --> 00:18:57,460 Okay. You got to get it all. 321 00:18:57,960 --> 00:18:58,960 Cheers. Cheers. 322 00:19:01,240 --> 00:19:02,900 Oh, that went right on the tongue, too. 323 00:19:04,220 --> 00:19:05,220 Direct hit. 324 00:19:05,640 --> 00:19:07,440 Yeah. Nowhere to hide. 325 00:19:07,920 --> 00:19:09,560 Target. Target. Engage. 326 00:19:12,860 --> 00:19:13,860 Yeah. Yeah. 327 00:19:15,440 --> 00:19:16,440 Oh. 328 00:19:16,810 --> 00:19:21,170 But the good news is, Luke Combs, we've reached the end of the line. 329 00:19:21,510 --> 00:19:25,330 We're at the summit of Spice Mountain. And as we've learned today, you know, 330 00:19:25,350 --> 00:19:30,730 you're somebody whose music has taken you to Nashville and then around the 331 00:19:30,730 --> 00:19:35,090 and back. But I know at the end of the day, you'll always be a North Carolina 332 00:19:35,090 --> 00:19:40,770 boy. The outdoors, it served like an escape from the blinding lights of fame. 333 00:19:40,830 --> 00:19:45,890 And with that in mind, I was wondering if you could give us. 334 00:19:46,440 --> 00:19:50,140 A turkey call tutorial on Wing 10. 335 00:19:50,440 --> 00:19:51,540 Do you have some mouth calls? 336 00:19:51,820 --> 00:19:55,940 I have some mouth calls. No one ever put these mouth calls in after we put them 337 00:19:55,940 --> 00:19:57,280 in with this hot sauce, by the way. 338 00:19:57,500 --> 00:19:58,500 That's what I'm saying. 339 00:19:58,700 --> 00:20:02,460 We're breaking new ground over here. Where did you find these? I mean, I 340 00:20:02,460 --> 00:20:03,640 you can find anything in New York. 341 00:20:04,380 --> 00:20:08,080 I'm surprised that these are these little guys in here. 342 00:20:08,520 --> 00:20:11,660 It's the New York version of the turkey call over here. 343 00:20:12,500 --> 00:20:15,800 It's like the cool hair clip to wear while you're calling turkeys, you know? 344 00:20:17,580 --> 00:20:21,900 I don't know that I'm going to be the best teacher because it was just years 345 00:20:21,900 --> 00:20:26,320 struggle and annoyance to everyone around me to get any kind of good at 346 00:20:26,440 --> 00:20:31,280 And I'm still not good at all. If you hear a good turkey caller after this, 347 00:20:31,280 --> 00:20:34,620 up good turkey calls. This video is not going to show up, by the way. 348 00:20:35,020 --> 00:20:38,580 I don't want any of the turkey owners out there to think I'm claiming to be 349 00:20:38,580 --> 00:20:40,000 any kind of expert at this. 350 00:20:40,420 --> 00:20:41,840 So you're going to this way front. 351 00:20:43,360 --> 00:20:46,860 reed here like this. The diaphragm is actually going to be in the front of 352 00:20:46,860 --> 00:20:47,860 mouth like this. 353 00:20:49,020 --> 00:20:52,320 So you're going to sit it like in the roof of your mouth up here. 354 00:20:54,160 --> 00:20:57,540 Press your tongue against it and you want to force air between those reeds. 355 00:20:58,980 --> 00:20:59,980 Give it a shot. 356 00:21:00,460 --> 00:21:03,220 Pretty good. 357 00:21:03,480 --> 00:21:04,480 Pretty good. 358 00:21:20,210 --> 00:21:24,090 Yeah. Luke Combs, taking on the wings of death, living to tell the tale. Now 359 00:21:24,090 --> 00:21:26,370 there's nothing left to do but roll out the red carpet for you. 360 00:21:26,610 --> 00:21:29,410 100%. This camera, this camera, this camera. Let the people know what you 361 00:21:29,410 --> 00:21:30,410 going on in your life. 362 00:21:30,570 --> 00:21:32,970 Luke Combs, can't wait for turkey season. 363 00:21:33,370 --> 00:21:35,870 New album season, March 20th, The Way I Am. 364 00:21:36,090 --> 00:21:41,590 This is the only PR thing I've ever wanted to do in, like, my 10 years of 365 00:21:41,590 --> 00:21:44,550 forever. So thank you for having me on. Thanks for letting me be the first 366 00:21:44,550 --> 00:21:46,030 country artist. The wings were insane. 367 00:21:46,670 --> 00:21:48,670 Very good. Hot sauce. Very hot. 368 00:21:49,080 --> 00:21:50,080 Thank you guys so much. 369 00:21:55,760 --> 00:21:56,760 Woo! 370 00:22:00,140 --> 00:22:01,500 I've been dreaming of that, dude. 371 00:22:02,460 --> 00:22:06,180 I remember asking years ago, like, asking Carl, I was like, how do we get 372 00:22:06,180 --> 00:22:08,020 Wheels? He was like, I don't know. Like, I don't know. 373 00:22:08,520 --> 00:22:11,140 Thanks for coming in, man. You did great. 374 00:22:11,420 --> 00:22:13,700 It was fun, dude. Thanks for having us. That was a blast, dude. 375 00:22:14,060 --> 00:22:15,580 Come on, that's a motherfucking country car. 376 00:22:19,180 --> 00:22:22,840 People think Hot Ones is chaos, but this table runs on precision. 377 00:22:23,200 --> 00:22:24,860 Every bottle has a job. 378 00:22:25,140 --> 00:22:29,620 And right now, Los Calientes Verde is missing. 379 00:22:30,440 --> 00:22:32,480 Bill, we have a situation. 380 00:22:34,100 --> 00:22:38,100 Relax, Sean. Hot Ones hot sauces are available in over 10 ,000 grocery stores 381 00:22:38,100 --> 00:22:41,140 nationwide. I have an extra for you. Thanks so much, Bill. 382 00:22:41,740 --> 00:22:42,740 Crisis averted. 383 00:22:43,180 --> 00:22:44,180 Now let's roll. 384 00:22:45,320 --> 00:22:49,120 Find Hot Ones Hot Sauces at major retailers and grocery stores near you. 32958

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