All language subtitles for The 98th Annual Academy Awards 2026

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,000 --> 00:00:04,560 All right, CONAN. 2 00:00:04,560 --> 00:00:05,440 You look great. 3 00:00:05,440 --> 00:00:08,440 And the show's about to start, so time to hit the stage. 4 00:00:08,520 --> 00:00:11,520 I feel like something's a little off. 5 00:00:11,880 --> 00:00:12,560 Really? 6 00:00:12,560 --> 00:00:13,840 Yeah. 7 00:00:13,840 --> 00:00:16,480 Don't you think it's 8 00:00:16,480 --> 00:00:19,480 a bit much? 9 00:00:19,960 --> 00:00:21,120 No, I don't think so. 10 00:00:21,120 --> 00:00:23,480 You look fine. So. Break a leg. 11 00:00:23,480 --> 00:00:25,440 No, no. I think you used way too much weight. 12 00:00:25,440 --> 00:00:28,440 Oh, sweetie, I didn't use any white. 13 00:00:28,760 --> 00:00:29,880 That's just you. 14 00:00:29,880 --> 00:00:32,320 Okay, you got to wash this off. We start again. 15 00:00:32,320 --> 00:00:34,080 CONAN That would take, like, 2 hours. 16 00:00:34,440 --> 00:00:35,960 Delroy Lindo is seated. 17 00:00:35,960 --> 00:00:38,560 Delroy Lindo can wait. 18 00:00:38,560 --> 00:00:39,640 I can't look like this. 19 00:00:39,640 --> 00:00:41,400 You look fine. Go. 20 00:00:41,400 --> 00:00:43,520 I look like Betty Davis with lupus. 21 00:00:43,520 --> 00:00:46,000 CONAN Go. I won't do it. 22 00:00:46,000 --> 00:00:49,000 I said go. 23 00:00:50,560 --> 00:00:53,560 Oh, no. 24 00:01:34,000 --> 00:01:37,000 What the hell is that? 25 00:02:06,320 --> 00:02:08,639 But two months dead. 26 00:02:08,639 --> 00:02:11,360 Hey, not so much. Not to so 27 00:02:19,200 --> 00:02:20,480 to the of 28 00:02:20,480 --> 00:02:23,480 these kids who 29 00:02:23,640 --> 00:02:26,640 came through being honest. 30 00:02:28,320 --> 00:02:29,400 What's the plan? 31 00:02:29,400 --> 00:02:31,240 I'm going to turn this gas station. 32 00:02:31,240 --> 00:02:33,080 I'm going to slow down. 33 00:02:33,080 --> 00:02:34,960 You just roll. He's talking about a head. 34 00:02:34,960 --> 00:02:36,320 Both hips replaced. 35 00:02:36,320 --> 00:02:38,880 No. Sure. Hey, 36 00:02:38,880 --> 00:02:41,880 hey, yo. 37 00:02:42,040 --> 00:02:42,720 Okay. 38 00:02:42,720 --> 00:02:45,880 Jumbo for his from the get go. No. 39 00:02:50,080 --> 00:02:51,040 What's your point? 40 00:02:51,040 --> 00:02:54,040 We can get back to the important stuff like the fans. 41 00:02:56,760 --> 00:03:12,120 Cool guy. 42 00:03:12,120 --> 00:03:14,760 Feels as if the wealth of knowledge that I goombas get club with. 43 00:03:14,760 --> 00:03:16,720 There's got to be failure. 44 00:03:16,720 --> 00:03:19,720 We deliver literally, 45 00:03:19,920 --> 00:03:23,560 because the system was just the food was telling me ever to reach for. 46 00:03:23,680 --> 00:03:27,720 I could get a lot better when I mean a here wants to learn it was done 47 00:03:27,720 --> 00:03:31,320 it was a buffet you could show this to food stick my 48 00:03:31,840 --> 00:03:35,800 some cool air for a dilemma Lyndal that 49 00:03:38,720 --> 00:03:41,680 is I mean you know the idea pop up 50 00:03:41,680 --> 00:03:43,560 called me and 51 00:03:43,560 --> 00:03:46,560 ten cooking LA may nurse for the ten. 52 00:03:52,080 --> 00:03:54,880 Oh wow. 53 00:03:54,880 --> 00:03:57,320 Hey, listen. 54 00:03:57,320 --> 00:03:57,960 Yeah. 55 00:03:57,960 --> 00:03:59,880 Get his kids chasing me. 56 00:03:59,880 --> 00:04:01,560 Can I just come in and hide? 57 00:04:01,560 --> 00:04:02,880 And I believe you. 58 00:04:02,880 --> 00:04:05,280 But this here juke joint blues music. 59 00:04:05,280 --> 00:04:08,280 Juke joint and created music. 60 00:04:08,280 --> 00:04:13,920 Oh, down he All the pipes, The pipes are falling. 61 00:04:13,920 --> 00:04:16,920 Yeah, This guy likes it. 62 00:04:40,760 --> 00:04:42,360 Please welcome your host, 63 00:04:42,360 --> 00:04:45,360 CONAN O'Brien, 64 00:05:00,480 --> 00:05:03,200 back here. 65 00:05:03,200 --> 00:05:06,200 Back here. 66 00:05:11,280 --> 00:05:13,280 Thank you very much. 67 00:05:13,280 --> 00:05:14,160 Big thanks. 68 00:05:14,160 --> 00:05:16,160 Big thanks to Amy Madigan for the wig. 69 00:05:16,160 --> 00:05:19,160 Thank you so much, Amy. Thank you for that. 70 00:05:19,720 --> 00:05:22,080 Hey, I am CONAN O'Brien. 71 00:05:22,080 --> 00:05:25,240 And I am honored to be the last human 72 00:05:25,240 --> 00:05:29,160 host of the Academy Award. Yes. 73 00:05:30,240 --> 00:05:31,760 Yeah. 74 00:05:31,760 --> 00:05:34,080 Next year, it's going to be a rainbow in a tux. 75 00:05:34,080 --> 00:05:35,720 So check that out. 76 00:05:35,720 --> 00:05:40,000 No, it's great to be back hosting the Oscars last year when I hosted. 77 00:05:40,640 --> 00:05:43,040 Los Angeles was on fire. 78 00:05:43,040 --> 00:05:45,800 But this year, everything's going great. 79 00:05:53,400 --> 00:05:54,720 Oh, you applaud that. 80 00:05:54,720 --> 00:05:55,920 That's weird. 81 00:05:55,920 --> 00:05:57,240 That's weird. 82 00:05:57,240 --> 00:05:59,640 Security is extremely tight tonight. 83 00:05:59,640 --> 00:06:00,480 I just got to mention that. 84 00:06:00,480 --> 00:06:01,320 Yeah. 85 00:06:01,320 --> 00:06:04,080 I'm told there's concerns about attacks from both the opera 86 00:06:04,080 --> 00:06:07,080 and ballet communities. 87 00:06:15,160 --> 00:06:15,760 They're just mad 88 00:06:15,760 --> 00:06:18,760 you left out jazz. 89 00:06:21,640 --> 00:06:24,640 I should warn you, tonight could get political. 90 00:06:25,440 --> 00:06:27,360 And if that makes you uncomfortable, 91 00:06:27,360 --> 00:06:30,360 there's an alternate Oscars being hosted by Kid Rock. 92 00:06:30,960 --> 00:06:33,960 Yeah, it's at the Dave and Buster's down the street. 93 00:06:35,040 --> 00:06:37,120 A lot of tickets for that. 94 00:06:37,120 --> 00:06:38,440 Netflix. This is exciting. 95 00:06:38,440 --> 00:06:41,120 A lot of cool people are here and some of them behind the scenes. 96 00:06:41,120 --> 00:06:44,080 Netflix CEO Ted Sarandos is here. 97 00:06:44,080 --> 00:06:45,800 And this is exciting. 98 00:06:45,800 --> 00:06:48,800 It's his first time in a theater. 99 00:06:52,200 --> 00:06:55,200 This is what they're talking about. 100 00:06:55,680 --> 00:06:58,680 Why are they all together enjoying themselves? 101 00:06:59,840 --> 00:07:01,240 It should be home alone 102 00:07:02,520 --> 00:07:05,520 where I can monetize that. 103 00:07:10,040 --> 00:07:13,040 Yeah, I'm going to 104 00:07:17,760 --> 00:07:19,680 so many so many great films this year. 105 00:07:19,680 --> 00:07:21,920 Just what an incredible year for film, wasn't it? 106 00:07:21,920 --> 00:07:24,840 Absolutely stunning. 107 00:07:24,840 --> 00:07:27,640 Yeah, 108 00:07:27,640 --> 00:07:30,640 I said that last year, but I was lying. 109 00:07:30,640 --> 00:07:32,320 No, this year is stunning. 110 00:07:32,320 --> 00:07:33,400 I love Hamnet. 111 00:07:33,400 --> 00:07:34,760 I love begonia. 112 00:07:34,760 --> 00:07:37,760 Yeah. What the amazing. 113 00:07:37,760 --> 00:07:39,120 Yeah. 114 00:07:39,120 --> 00:07:40,520 Yeah. Between Hamlet, Begonia. 115 00:07:40,520 --> 00:07:43,520 It's been a big year for movies that sound like off brand lunchmeat. 116 00:07:43,800 --> 00:07:46,800 So that's 117 00:07:47,320 --> 00:07:49,280 had a little begonia around ten. 118 00:07:49,280 --> 00:07:52,280 That's not sitting too well 119 00:07:52,600 --> 00:07:53,320 on the ride home. 120 00:07:53,320 --> 00:07:56,320 You'll appreciate it at the 121 00:07:56,880 --> 00:08:00,440 at the beginning of Hamnet, a message comes on the screen 122 00:08:00,440 --> 00:08:05,080 explaining that the names Hamnet and Hamlet were used interchangeably. 123 00:08:05,920 --> 00:08:08,200 Yeah, that's when I knew 124 00:08:08,200 --> 00:08:11,200 I'd better buckle up. 125 00:08:12,920 --> 00:08:15,360 Rollercoaster In Hamnet William, 126 00:08:15,360 --> 00:08:18,480 Shakespeare's wife, Agnes, gives birth by herself in the woods. 127 00:08:19,200 --> 00:08:21,960 Whereas we call that here in America a affordable health care. 128 00:08:24,400 --> 00:08:27,360 No. Two real for you, huh? 129 00:08:27,360 --> 00:08:29,920 All right, 130 00:08:29,920 --> 00:08:31,040 everyone. I loved everyone. 131 00:08:31,040 --> 00:08:32,520 A popcorn movie was great. 132 00:08:32,520 --> 00:08:35,400 That one was terrific. 133 00:08:35,400 --> 00:08:37,080 Yeah, 134 00:08:37,080 --> 00:08:38,640 that's one is up for best picture. 135 00:08:38,640 --> 00:08:43,280 It's the story of a racecar driver who finally wins after deciding to go faster. 136 00:08:49,200 --> 00:08:49,880 Yeah. 137 00:08:49,880 --> 00:08:51,960 Yeah. 138 00:08:51,960 --> 00:08:54,120 F1 received four nominations. 139 00:08:54,120 --> 00:08:55,200 F1 did so well. 140 00:08:55,200 --> 00:08:56,200 They're making a sequel. 141 00:08:56,200 --> 00:08:59,200 Caps lock. 142 00:09:03,920 --> 00:09:06,920 Some of these I do for myself. 143 00:09:08,120 --> 00:09:10,440 And ladies and gentlemen, let's hear it for sinners. 144 00:09:10,440 --> 00:09:13,440 Let's hear. 145 00:09:13,760 --> 00:09:16,760 Yeah. 146 00:09:22,680 --> 00:09:25,000 Yeah. 147 00:09:25,000 --> 00:09:25,560 Sinners. 148 00:09:25,560 --> 00:09:30,120 Director Ryan Coogler said he declined to become a voting member of the Academy 149 00:09:30,600 --> 00:09:33,600 because he doesn't like judging his fellow artist's work. 150 00:09:34,360 --> 00:09:35,600 Yeah. Yeah. 151 00:09:35,600 --> 00:09:38,800 But the rest of you pricks seem to love it. 152 00:09:46,200 --> 00:09:47,280 One battle after another. 153 00:09:47,280 --> 00:09:48,560 I love that film. 154 00:09:48,560 --> 00:09:50,840 What a great film. Amazing film. 155 00:09:54,840 --> 00:09:57,360 Lots of memorable scenes from one battle after another. 156 00:09:57,360 --> 00:10:01,440 Best supporting actor nominee Sean Penn, of course, got an erection at gunpoint. 157 00:10:03,480 --> 00:10:07,600 And then Paul Thomas Anderson said, Hey, let's put that in the film, huh? 158 00:10:11,520 --> 00:10:12,720 I was in a movie this year. 159 00:10:12,720 --> 00:10:15,720 Yeah, I was in a movie with 160 00:10:15,720 --> 00:10:18,720 the lovely Rose Byrne. 161 00:10:21,920 --> 00:10:24,640 My costar Rose Byrne is nominated for Best Actress. 162 00:10:24,640 --> 00:10:27,160 And if I had legs, I'd kick you. 163 00:10:27,160 --> 00:10:28,680 Yeah. 164 00:10:28,680 --> 00:10:30,800 Yeah. 165 00:10:30,800 --> 00:10:34,080 It's hard to act in a scene with someone you've always had a massive crush on. 166 00:10:34,520 --> 00:10:37,520 But, Rose, you did a fantastic job. 167 00:10:39,120 --> 00:10:41,760 Admirable restraint. 168 00:10:41,760 --> 00:10:44,200 This year we've added a new category to the Oscars. 169 00:10:44,200 --> 00:10:45,720 Best Casting. 170 00:10:45,720 --> 00:10:46,520 I have a big task. 171 00:10:46,520 --> 00:10:48,040 Help! 172 00:10:48,040 --> 00:10:50,520 Yeah. 173 00:10:50,520 --> 00:10:51,960 Which means tonight. 174 00:10:51,960 --> 00:10:54,520 One casting director will win an Oscar. 175 00:10:54,520 --> 00:10:57,920 And for the rest of you, we've decided to go in another direction. 176 00:11:00,400 --> 00:11:01,360 Their dream killers. 177 00:11:01,360 --> 00:11:03,480 They are 178 00:11:03,480 --> 00:11:05,240 a lot of lesser known categories. 179 00:11:05,240 --> 00:11:09,600 Tonight, of course, will be honoring the best documentary, short films or. 180 00:11:10,080 --> 00:11:11,800 Yeah, best documentary. 181 00:11:11,800 --> 00:11:14,800 Short films, 182 00:11:14,800 --> 00:11:17,960 or as I like to call them. 183 00:11:32,440 --> 00:11:35,440 What the hell is that all about? 184 00:11:37,200 --> 00:11:38,600 Best documentary, short films, 185 00:11:38,600 --> 00:11:41,600 or as I like to call them, little fads. 186 00:11:43,080 --> 00:11:43,760 It's you watching. 187 00:11:43,760 --> 00:11:44,800 I Did it make you sad? 188 00:11:44,800 --> 00:11:47,800 Little bit. 189 00:11:48,680 --> 00:11:49,760 Amazon Studios 190 00:11:49,760 --> 00:11:52,760 didn't receive any nominations this year. 191 00:11:52,800 --> 00:11:53,640 Yeah. 192 00:11:53,640 --> 00:11:57,640 Also shut out Wal Mart, Alibaba and Chewy. 193 00:11:59,400 --> 00:12:01,600 Why isn't the website I order toilet paper 194 00:12:01,600 --> 00:12:04,600 from winning more Oscars? 195 00:12:10,200 --> 00:12:13,200 It's the first time since 2012. 196 00:12:13,520 --> 00:12:17,280 First time since 2012 that there are no British actors 197 00:12:17,280 --> 00:12:20,320 nominated for best actor or best actress. 198 00:12:21,360 --> 00:12:23,320 Yeah, British spokesperson said. 199 00:12:23,320 --> 00:12:26,320 Yeah, well, at least we arrest our pedophiles. 200 00:12:26,480 --> 00:12:27,960 So you got that going. 201 00:12:40,680 --> 00:12:41,880 By the way, I have to say 202 00:12:41,880 --> 00:12:46,120 again, Michael B Jordan, you were incredible, incredible playing 203 00:12:46,840 --> 00:12:50,640 identical twin brother Smoke and stack and Center is just amazing. 204 00:12:51,040 --> 00:12:53,160 I cannot get enough of this man. 205 00:12:53,160 --> 00:12:54,800 So it's a special treat. 206 00:12:54,800 --> 00:12:58,720 Every seat filler at tonight's Oscars will be Michael B Jordan. 207 00:12:58,720 --> 00:13:01,720 Check it out. 208 00:13:03,440 --> 00:13:05,640 Yeah. 209 00:13:05,640 --> 00:13:06,960 By the way, how am I looking tonight? 210 00:13:06,960 --> 00:13:09,960 Michael B Jordan's. 211 00:13:11,360 --> 00:13:13,120 Well, 212 00:13:13,120 --> 00:13:14,920 Leonardo DiCaprio is here, sir. 213 00:13:14,920 --> 00:13:15,720 Good to see you. 214 00:13:15,720 --> 00:13:18,720 I bought you. 215 00:13:19,080 --> 00:13:22,280 He's the star of so many movies and the King of means. 216 00:13:22,280 --> 00:13:25,280 He's the king of means, this guy. 217 00:13:25,840 --> 00:13:28,840 Let's make a new meme with Leo right now. 218 00:13:29,760 --> 00:13:32,760 That feeling when you didn't agree to this. 219 00:13:41,000 --> 00:13:44,000 They'll pull that up in editing 220 00:13:44,280 --> 00:13:44,840 live. 221 00:13:44,840 --> 00:13:48,520 Okay, We'll talk later. 222 00:13:48,520 --> 00:13:51,760 Tonight's Oscars are being watched by more 223 00:13:51,760 --> 00:13:54,760 than a billion people around the world. 224 00:13:54,800 --> 00:13:56,040 Yeah, let's 225 00:13:57,000 --> 00:13:58,880 let's say hi to some of them. 226 00:13:58,880 --> 00:14:01,800 If you're watching from Spain 227 00:14:01,800 --> 00:14:03,720 or as I call Ryanair superstar 228 00:14:03,720 --> 00:14:06,720 Darlene Love, the company that all of our viewers, 229 00:14:06,840 --> 00:14:10,520 if you're seeing us in Argentina or LA. 230 00:14:10,680 --> 00:14:12,000 So I cyclone hear Brian. 231 00:14:12,000 --> 00:14:15,000 Yes And plus our Darlene Love you and Benita all of us first 232 00:14:15,640 --> 00:14:18,440 and to our friends in Los Angeles. 233 00:14:18,440 --> 00:14:20,120 Hola. So I call her Brian. 234 00:14:20,120 --> 00:14:20,760 That's impressive. 235 00:14:20,760 --> 00:14:23,760 Darlene Love will be that. 236 00:14:31,480 --> 00:14:34,120 Yes. Tonight is an international event. 237 00:14:34,120 --> 00:14:38,360 If I can be serious for just a moment, everyone watching right now 238 00:14:38,760 --> 00:14:42,320 around the world is all too aware that these are very chaotic, 239 00:14:42,840 --> 00:14:45,400 frightening times. 240 00:14:45,400 --> 00:14:48,400 It's at moments like these that I believe 241 00:14:49,440 --> 00:14:52,000 that the Oscars are particularly resonant. 242 00:14:52,000 --> 00:14:53,160 Check it out. 243 00:14:53,160 --> 00:14:58,160 31 countries across six continents are represented this evening. 244 00:14:58,880 --> 00:15:01,640 And every film. Every film. 245 00:15:03,400 --> 00:15:07,400 Every film we salute is the product of thousands of people 246 00:15:07,400 --> 00:15:10,920 speaking different languages, working hard to make something of beauty. 247 00:15:11,840 --> 00:15:14,840 We pay tribute tonight not just to film, 248 00:15:15,240 --> 00:15:18,240 but to the ideals of global artistry, 249 00:15:18,840 --> 00:15:22,520 collaboration, patience, resilience 250 00:15:23,160 --> 00:15:26,560 and that rarest of qualities today, optimism. 251 00:15:27,680 --> 00:15:30,680 So let us please celebrate. 252 00:15:30,960 --> 00:15:33,960 Let us celebrate. 253 00:15:35,240 --> 00:15:36,840 Let us celebrate. 254 00:15:36,840 --> 00:15:39,240 Not because we think all is well, but 255 00:15:39,240 --> 00:15:42,480 because we work and hope for better days ahead. 256 00:15:43,040 --> 00:15:49,200 Now we're about to start handing out awards. 257 00:15:49,240 --> 00:15:52,920 I just want to say this in the spirit of optimism 258 00:15:54,120 --> 00:15:54,800 and joy. 259 00:15:54,800 --> 00:15:57,040 I've seen a lot of these ceremonies. 260 00:15:57,040 --> 00:15:59,520 I'm always so impressed by 261 00:15:59,520 --> 00:16:02,520 how gracious the winners are, really. 262 00:16:02,840 --> 00:16:08,040 When you guys win, you share your glory with your co nominees, 263 00:16:08,280 --> 00:16:11,280 with your team, with your spouse. 264 00:16:12,000 --> 00:16:16,400 It's refreshing to see all this modesty and genuine humility. 265 00:16:21,760 --> 00:16:23,480 But honestly, 266 00:16:23,480 --> 00:16:25,720 I don't know if I could do that. 267 00:16:25,720 --> 00:16:27,600 If it were me 268 00:16:27,600 --> 00:16:30,440 and I was up for an Oscar. 269 00:16:30,440 --> 00:16:32,680 The nominees for best Achievement 270 00:16:32,680 --> 00:16:35,920 are Antonio Banderas. 271 00:16:36,720 --> 00:16:38,520 Renee Zellweger. 272 00:16:38,520 --> 00:16:40,440 Denzel Washington. 273 00:16:40,440 --> 00:16:42,040 Glenn Close. 274 00:16:42,040 --> 00:16:45,000 And CONAN O'Brien. 275 00:16:45,000 --> 00:16:48,960 And the winner is CONAN O'Brien. 276 00:17:12,319 --> 00:17:15,319 His Oscar win has been feted. 277 00:17:15,440 --> 00:17:18,560 My God, he is the greatest. 278 00:17:18,720 --> 00:17:22,880 Just check out the record in this himself. 279 00:17:22,880 --> 00:17:25,880 And he's grateful to none. 280 00:17:25,960 --> 00:17:28,520 Even the haters can't hate. 281 00:17:28,520 --> 00:17:35,240 Number one, he promised my agent my highest fees yet. 282 00:17:35,760 --> 00:17:38,960 And all the money this 283 00:17:45,720 --> 00:17:48,720 Cicero 284 00:17:50,160 --> 00:17:51,160 come to me 285 00:17:51,160 --> 00:17:55,880 to try to come to me. 286 00:17:56,400 --> 00:17:59,400 Yeah. 287 00:18:00,240 --> 00:18:09,320 Oh, this is how all answers will be handed out tonight. 288 00:18:09,640 --> 00:18:12,760 Josh Groban, everybody give it up for him. 289 00:18:14,040 --> 00:18:16,320 Here to present our first award, 290 00:18:16,320 --> 00:18:19,600 fellow Oscar winner Zoe Saldana. 291 00:18:36,480 --> 00:18:39,480 Ladies, ladies, ladies, ladies. 292 00:18:41,680 --> 00:18:44,880 What I loved about every single performance nominated 293 00:18:44,880 --> 00:18:49,840 for supporting actress was the sheer scope of contrast contained. 294 00:18:50,160 --> 00:18:53,280 And each one there was vulnerability 295 00:18:53,280 --> 00:18:56,280 and fearlessness, 296 00:18:56,400 --> 00:18:58,440 fierce physicality and quiet 297 00:18:58,440 --> 00:19:02,600 emotion, both subtlety and a balls 298 00:19:02,600 --> 00:19:06,840 to the wall commitment to what each one of you put on screen. 299 00:19:08,000 --> 00:19:09,360 You all allowed. 300 00:19:09,360 --> 00:19:12,360 What makes the art of acting so exhilarating? 301 00:19:16,920 --> 00:19:19,680 Elle Fanning Sentimental value. 302 00:19:19,680 --> 00:19:22,680 I can't tell you. 303 00:19:23,760 --> 00:19:26,400 Oh, what? Oh, 304 00:19:26,400 --> 00:19:28,360 well, 305 00:19:28,360 --> 00:19:30,840 Inga, Eve's daughter lust sentimental 306 00:19:30,840 --> 00:19:34,040 that if you think of her as losing your best 307 00:19:35,320 --> 00:19:38,320 dancer in this hall, I would prefer it more than it is. 308 00:19:39,560 --> 00:19:41,480 Amy Madigan Weapons. 309 00:19:41,480 --> 00:19:44,080 I had realized far too late. 310 00:19:44,080 --> 00:19:46,560 And I was standing on the wrong corner. 311 00:19:46,560 --> 00:19:48,440 And by the time I put that together. 312 00:19:48,440 --> 00:19:50,840 Oh, I'd missed it entirely. 313 00:19:50,840 --> 00:19:54,840 So I had to walk all the way across town to get here. 314 00:19:55,800 --> 00:19:58,360 When we massacre singers 315 00:19:58,360 --> 00:20:01,760 away from our work, everyone who 316 00:20:01,800 --> 00:20:05,320 my grandmother taught me to keep you and that crazy brother, you're safe. 317 00:20:05,680 --> 00:20:08,680 Every day since you've been gone. 318 00:20:08,760 --> 00:20:10,320 Teyana Taylor one barrel of 319 00:20:10,320 --> 00:20:14,120 After an emotional meta series in 2000. 320 00:20:14,120 --> 00:20:17,120 While you 321 00:20:17,880 --> 00:20:20,480 and your crumbling ego would never do this revolution. 322 00:20:20,480 --> 00:20:23,480 Make me. 323 00:20:27,200 --> 00:20:30,200 And the Oscar goes to 324 00:20:30,600 --> 00:20:33,600 Amy Madigan. 325 00:20:37,200 --> 00:20:38,600 This is the first Oscar winner 326 00:20:38,600 --> 00:20:41,600 and second nomination for not. 327 00:21:10,600 --> 00:21:13,600 This is great. 328 00:21:14,520 --> 00:21:17,400 Everybody is asking me and the press and all is well. 329 00:21:17,400 --> 00:21:19,120 It's been 40 years. 330 00:21:19,120 --> 00:21:22,520 And you know what's different about this time is different 331 00:21:22,520 --> 00:21:25,520 is you got this little old guy. So, 332 00:21:26,400 --> 00:21:29,400 I mean, I was in the shower last night trying to think of 333 00:21:30,160 --> 00:21:34,520 something to say as I was shaving my legs and I went, I got pants on. 334 00:21:34,520 --> 00:21:36,400 I don't have to worry about that. 335 00:21:36,400 --> 00:21:38,240 I'm sorry. And, 336 00:21:39,240 --> 00:21:41,880 you know, we were kind of advised that, 337 00:21:41,880 --> 00:21:44,840 you know, don't say all these names because nobody knows 338 00:21:44,840 --> 00:21:48,000 who the hell these people are, but you're not rattling them off. 339 00:21:48,000 --> 00:21:51,400 They're people that mean something to you that you couldn't be here 340 00:21:51,720 --> 00:21:54,720 without them. 341 00:21:57,440 --> 00:22:00,400 That first and foremost, I just have to 342 00:22:00,400 --> 00:22:03,400 thank Zack Krieger, a writer and director. 343 00:22:05,040 --> 00:22:08,040 He just wrote He just wrote a dream part in one eye. 344 00:22:08,120 --> 00:22:12,840 Let me just grab it by the throat and we ball. 345 00:22:14,360 --> 00:22:15,840 You know, I want to thank Mary, 346 00:22:15,840 --> 00:22:19,160 You know who's on set all the time, our producer. 347 00:22:19,600 --> 00:22:24,320 And of course, you know Warner Brothers in New Line and Pam and Mike. 348 00:22:24,320 --> 00:22:28,520 But, you know, it's all the people who helped me get here. 349 00:22:28,560 --> 00:22:29,440 You know, you're just 350 00:22:30,400 --> 00:22:33,320 as you can tell, I'm a little flummoxed, you know. 351 00:22:33,320 --> 00:22:38,360 I mean, I also want to just give some tribute to Al and Inga 352 00:22:38,680 --> 00:22:40,600 and Wunmi and Teyana. 353 00:22:40,600 --> 00:22:47,760 I met 354 00:22:47,760 --> 00:22:50,760 oh, my legs are shaking 355 00:22:50,800 --> 00:22:54,720 because when I was doing all the weapons stuff, I was kind of traveling on my own. 356 00:22:55,000 --> 00:22:59,160 And people from one battle and people from sinners 357 00:22:59,160 --> 00:23:02,160 and all the films, they just kind of 358 00:23:02,160 --> 00:23:06,000 gave me a hug and said, Yeah, come on in and let us know you and you can know us. 359 00:23:06,000 --> 00:23:09,880 So I think that but most of all, I want to thank my beautiful daughter, 360 00:23:09,880 --> 00:23:12,880 Lily, her husband, Sean, 361 00:23:13,360 --> 00:23:15,360 and of course, all the dogs. 362 00:23:15,360 --> 00:23:18,680 But the most important is my beloved Ed, 363 00:23:23,560 --> 00:23:26,560 who's been with me for ever. 364 00:23:26,920 --> 00:23:29,040 And that's the longest time. 365 00:23:29,040 --> 00:23:33,440 And none of this would mean anything if he wasn't by my side. 366 00:23:33,640 --> 00:23:35,880 So thank you very much. I'm very overwhelmed. 367 00:23:53,080 --> 00:23:54,840 Coming up next, will 368 00:23:54,840 --> 00:23:59,400 Channing Tatum celebrate music from sinners here on the Oscars? 369 00:23:59,400 --> 00:24:02,400 From Adobe Theater at Ovation Hall. 370 00:24:10,359 --> 00:24:11,679 Fighting with Timothy right now. 371 00:24:11,679 --> 00:24:13,679 We're fighting, right? 372 00:24:13,679 --> 00:24:16,039 He doesn't think so. All right. 373 00:24:16,039 --> 00:24:16,919 Welcome back. 374 00:24:16,919 --> 00:24:20,279 We're coming to you live from the has a small penis theater. 375 00:24:21,879 --> 00:24:24,879 Let's see him put his name in front of that. 376 00:24:35,119 --> 00:24:36,879 Starting in 2029. 377 00:24:36,879 --> 00:24:37,479 Did you know this? 378 00:24:37,479 --> 00:24:41,959 Instead of ABC, the Oscars are going to air solely on YouTube. 379 00:24:42,399 --> 00:24:45,399 Yeah, It's the future. Yes, Big change. 380 00:24:45,639 --> 00:24:48,839 Some people are worried this will change how the Oscars are viewed. 381 00:24:49,479 --> 00:24:53,719 But I've been assured that they will know pretty much for a feed from hundred 382 00:24:54,039 --> 00:24:57,439 2500 moments of brightness, conveniently perfect to have 383 00:24:58,959 --> 00:25:02,039 the same flashlight that killed bin Laden. 384 00:25:07,479 --> 00:25:08,319 Sorry about that. 385 00:25:08,319 --> 00:25:11,319 But like I said, I don't think this is going to change the Oscars at all. 386 00:25:11,439 --> 00:25:12,879 I think this is a joke. 387 00:25:12,879 --> 00:25:15,759 Have you been injured in the tactical flashlight related incident? 388 00:25:15,759 --> 00:25:17,679 You may be eligible for compensation. 389 00:25:17,679 --> 00:25:21,439 Don't let big tactical flashlight get the better of you. 390 00:25:26,559 --> 00:25:29,559 For Jane Lynch, 391 00:25:29,639 --> 00:25:30,879 our next presenters 392 00:25:30,879 --> 00:25:33,919 are the two most aggressive alpha males in my book club. 393 00:25:33,919 --> 00:25:36,919 Please welcome Will Arnett and Channing Tatum. 394 00:25:47,239 --> 00:25:50,239 we are here to celebrate excellence in animation. 395 00:25:50,439 --> 00:25:51,159 That is right. 396 00:25:51,159 --> 00:25:54,359 And yeah, it is right. That's right. 397 00:25:54,679 --> 00:25:57,639 And we'll add that such a big fan of your work 398 00:25:57,639 --> 00:26:01,159 in animation, BoJack Horseman, Genius, your Lego Batman. 399 00:26:01,159 --> 00:26:03,559 And maybe my favorite of all the Batman. Oh, thank you. 400 00:26:03,559 --> 00:26:05,199 You were also in Batman. 401 00:26:05,199 --> 00:26:07,279 But no, no, I'm serious. I'm serious. You're so good. 402 00:26:07,719 --> 00:26:10,719 Have you ever considered, you know, trying to act in front of the camera? 403 00:26:12,479 --> 00:26:14,239 Yeah, I. 404 00:26:14,239 --> 00:26:16,359 In fact, I did this year. 405 00:26:16,359 --> 00:26:17,839 I mean, I made the movie with Bradley Cooper. 406 00:26:17,839 --> 00:26:19,199 What? 407 00:26:19,199 --> 00:26:21,519 Really? I love that guy. 408 00:26:21,519 --> 00:26:22,559 He's so good. 409 00:26:22,559 --> 00:26:25,559 He, like, just takes so many risks on, like, non-actors. 410 00:26:25,799 --> 00:26:26,719 He just pulls, like. 411 00:26:26,719 --> 00:26:29,799 Like, you know, like really, really amazing performances out of them. 412 00:26:29,799 --> 00:26:32,199 Lady Gaga, You. I'm assuming 413 00:26:33,519 --> 00:26:35,679 it's not really like he's like a miracle worker. 414 00:26:35,679 --> 00:26:37,719 He's like he's like, just has a magic wand. 415 00:26:37,719 --> 00:26:39,159 He gets everybody nominated. 416 00:26:39,159 --> 00:26:39,919 I'm sure you got nominated. 417 00:26:39,919 --> 00:26:42,879 I did not get it. 418 00:26:42,879 --> 00:26:43,959 Oh, that's okay. 419 00:26:43,959 --> 00:26:44,999 That's okay. Me neither. 420 00:26:44,999 --> 00:26:47,679 So I guess we're both available for voiceover work. Yeah. Yeah. 421 00:26:47,679 --> 00:26:48,279 All right. 422 00:26:48,279 --> 00:26:51,279 Your nominees for Best Animated feature are 423 00:26:55,119 --> 00:26:57,239 Argo, Hugo Bienvenu, 424 00:26:57,239 --> 00:27:00,439 Felix Diaz, Jeffrey, Sophie Mars, and Natalie Portman. 425 00:27:02,279 --> 00:27:05,319 Helio, Madeleine's Russian dummy sheep. 426 00:27:05,679 --> 00:27:08,679 Adrian Molina and Mary Alice Drumm. 427 00:27:10,239 --> 00:27:11,759 K-Pop Demon Hunters. 428 00:27:11,759 --> 00:27:12,879 Maggie Kane. 429 00:27:12,879 --> 00:27:14,119 Chris Evans. 430 00:27:14,119 --> 00:27:16,999 And Michelle Alden. While 431 00:27:16,999 --> 00:27:19,759 Little Emily or the character of Dream, 432 00:27:19,759 --> 00:27:22,999 Miley's villain LeAnn Shogun Media. 433 00:27:22,999 --> 00:27:25,999 Santiago and Andre Magalong. 434 00:27:26,599 --> 00:27:27,879 Zootopia, too. 435 00:27:27,879 --> 00:27:28,999 Jared Bush. 436 00:27:28,999 --> 00:27:30,679 Byron Howard and Event. 437 00:27:30,679 --> 00:27:33,679 Marina. 438 00:27:36,879 --> 00:27:39,879 And the Oscar goes to 439 00:27:40,799 --> 00:27:43,799 K-Pop Demon Hunter. 440 00:27:48,679 --> 00:27:50,399 This is the first Oscar 441 00:27:50,399 --> 00:27:54,719 nominations that Maggie can Criss Angel hands and the show. 442 00:27:54,759 --> 00:27:55,599 Helen the God. 443 00:28:28,959 --> 00:28:31,599 Oh, oh, 444 00:28:31,599 --> 00:28:34,599 oh, gosh. 445 00:28:35,919 --> 00:28:38,679 You think you. 446 00:28:38,999 --> 00:28:42,999 To the academy and to all the fans who got us here. 447 00:28:43,879 --> 00:28:47,159 And for those of you who look like me, I am so sorry 448 00:28:47,159 --> 00:28:50,199 that it took us so long to see us in a movie like this. 449 00:28:51,399 --> 00:28:54,399 But it is here. 450 00:28:54,439 --> 00:28:57,439 And that means that the next generations don't have to go long. 451 00:28:57,799 --> 00:29:00,799 This is for Korea and for Koreans everywhere. 452 00:29:07,759 --> 00:29:10,279 Music and stories have this power 453 00:29:10,279 --> 00:29:14,159 to connect us as humans across cultures and borders. 454 00:29:14,919 --> 00:29:18,719 So I just want to take a moment to say to all the young filmmakers, 455 00:29:19,119 --> 00:29:22,119 artists, musicians in all corners of the globe, 456 00:29:22,839 --> 00:29:23,719 tell your story. 457 00:29:23,719 --> 00:29:25,279 Sing in your voice. 458 00:29:25,279 --> 00:29:28,279 I promise you, the world is waiting. 459 00:29:29,439 --> 00:29:32,119 Thank you to our partners at Netflix. Oh. 460 00:29:36,119 --> 00:29:39,239 to our partners at Netflix who made all of this possible 461 00:29:39,239 --> 00:29:43,079 and of course, to our crews at Sony Pictures Animation Image 462 00:29:43,079 --> 00:29:46,079 Works and Sony Pictures Music 463 00:29:47,199 --> 00:29:49,719 for Your Excellence in Making Films. 464 00:29:49,719 --> 00:29:51,879 And Love to our spouses. 465 00:29:51,879 --> 00:29:54,879 Eric Rad and Marine for all of your support. 466 00:29:54,959 --> 00:29:57,959 Mom, this is for you. 467 00:30:12,799 --> 00:30:14,079 And now the award for Best 468 00:30:14,079 --> 00:30:17,439 Animated Short and the creative people who bring these animated stories to life. 469 00:30:17,799 --> 00:30:18,519 That's right. 470 00:30:18,519 --> 00:30:24,519 Tonight, we are celebrating people, not A.I., because animation. 471 00:30:24,519 --> 00:30:27,039 Yeah, it's more than a product. 472 00:30:27,039 --> 00:30:29,399 It's an art form and it needs to be protected. 473 00:30:29,399 --> 00:30:32,399 AM I right? Oh, my. Right. 474 00:30:33,119 --> 00:30:36,119 Yeah, yeah, yeah. 475 00:30:36,199 --> 00:30:38,039 I feel that way, too. 476 00:30:38,039 --> 00:30:40,039 That too late. I already won this presenting segment. 477 00:30:40,039 --> 00:30:41,559 I didn't really realize it was a competition, but. 478 00:30:41,559 --> 00:30:44,079 Yeah, well, that's why you came in second. All right. 479 00:30:44,079 --> 00:30:45,399 The nominees are 480 00:30:49,559 --> 00:30:52,839 Butterfly, the Horse Media, Enron, Dyas 481 00:30:54,119 --> 00:30:57,239 for Evergreen, Nathan Engelhart and Jeremy Spears, 482 00:30:58,839 --> 00:31:00,599 the girl Who Cried Pearls. 483 00:31:00,599 --> 00:31:03,599 Chris Davis in March. Aisha Boesky 484 00:31:03,999 --> 00:31:05,199 Retirement Plan. 485 00:31:05,199 --> 00:31:08,199 John Kelly. Andrew Friedman, 486 00:31:08,439 --> 00:31:09,719 The Three Sisters. 487 00:31:09,719 --> 00:31:12,719 Constantine Bronze, Eat. 488 00:31:16,079 --> 00:31:18,599 And the Oscar Goes to the girl 489 00:31:18,599 --> 00:31:21,599 who Cried Pearls. 490 00:31:23,279 --> 00:31:26,199 This is the first Oscar winning an Oscar nomination 491 00:31:26,199 --> 00:31:29,199 for a march actually 492 00:31:29,719 --> 00:31:32,479 previously nominated for the animated short 493 00:31:32,479 --> 00:31:35,479 Madam Tutti Frutti. 494 00:31:40,359 --> 00:31:41,559 Oh, boy. 495 00:31:41,559 --> 00:31:43,879 We really are that nervous. 496 00:31:43,879 --> 00:31:46,559 I guess people think it takes patients 497 00:31:46,559 --> 00:31:49,559 to take five years to make a puppet film. 498 00:31:50,319 --> 00:31:53,359 It actually takes patience to live with someone 499 00:31:53,439 --> 00:31:56,439 who takes five years to make a puppet film. 500 00:31:56,439 --> 00:31:58,719 So I'd like to thank my wife, 501 00:31:58,719 --> 00:32:01,719 Maya, my daughter Julie, 502 00:32:02,239 --> 00:32:04,879 Stephanie, and our beautiful Mila. 503 00:32:04,879 --> 00:32:09,399 We'd like to thank the National Film Board, our amazing producers, Julie Lau, 504 00:32:10,039 --> 00:32:14,239 Mark Bertram and Christine Noel, our wonderful collaborators, 505 00:32:15,039 --> 00:32:18,039 Bridget Henry, Patrick Watson, 506 00:32:18,039 --> 00:32:20,839 Colm Feore, James Heineman. 507 00:32:20,839 --> 00:32:25,679 And to get off quick, we just really want to thank our amazing neighborhood 508 00:32:26,399 --> 00:32:29,279 and the amazingly talented community of artists 509 00:32:29,279 --> 00:32:32,279 that we have had the superb luck to work with. 510 00:32:33,559 --> 00:32:36,039 The fantastic city of Montreal. 511 00:32:36,039 --> 00:32:37,359 Thank you. Canada. Canada. 512 00:32:53,879 --> 00:32:56,079 There are legends of people 513 00:32:56,079 --> 00:33:00,879 making music so true it can pierce the way 514 00:33:02,959 --> 00:33:05,959 between life and death. 515 00:33:07,119 --> 00:33:09,239 The Delta Blues is a form of healing, 516 00:33:09,239 --> 00:33:12,679 the affirmation of the existence of people who dream. 517 00:33:13,599 --> 00:33:16,599 To those who fall in love, 518 00:33:17,319 --> 00:33:20,079 it is both sacred and profane, 519 00:33:20,079 --> 00:33:22,239 simple yet complex, 520 00:33:22,239 --> 00:33:26,199 both human and divine is powerful magic. 521 00:33:26,199 --> 00:33:29,079 There is a global culture in its image. 522 00:33:29,079 --> 00:33:31,399 Our movie was about that power 523 00:33:31,399 --> 00:33:34,399 in a song about those people 524 00:33:41,679 --> 00:33:44,679 you keep dancing with the devil. 525 00:33:45,399 --> 00:33:48,399 One day he's going to follow you home 526 00:33:51,759 --> 00:33:54,759 to preach on Speak your word. 527 00:33:56,039 --> 00:33:58,959 I know that you've heard. 528 00:33:58,959 --> 00:34:01,959 So I lie to you. 529 00:34:02,519 --> 00:34:05,359 So I'm going to tell 530 00:34:05,359 --> 00:34:07,560 you one time 531 00:34:07,559 --> 00:34:09,560 I didn't mind you 532 00:34:09,559 --> 00:34:11,919 hope you don't lose my mind. 533 00:34:11,919 --> 00:34:12,959 Well, I was just 534 00:34:13,959 --> 00:34:16,879 now eight years old. 535 00:34:16,879 --> 00:34:19,519 You threw me a baboon moment. 536 00:34:19,519 --> 00:34:20,079 This is sick. 537 00:34:20,079 --> 00:34:21,719 You see. 538 00:34:21,719 --> 00:34:23,879 I love you, Papa. 539 00:34:23,879 --> 00:34:26,319 You did all you can do. 540 00:34:26,319 --> 00:34:28,839 They say so. 541 00:34:28,839 --> 00:34:32,079 I lied to you and yes, I lied to you. 542 00:34:33,719 --> 00:34:36,719 Oh, the blues 543 00:34:36,839 --> 00:34:55,679 and somebody 544 00:34:55,679 --> 00:34:59,279 take me in here. 545 00:34:59,399 --> 00:35:02,399 Oh, tonight. 546 00:35:04,159 --> 00:35:08,399 Somebody take me here. 547 00:35:08,439 --> 00:35:11,439 You're almost ten. 548 00:35:13,799 --> 00:35:16,799 Somebody take me, 549 00:35:24,239 --> 00:35:27,239 take me 550 00:35:28,639 --> 00:35:36,119 to stampede. 551 00:35:36,159 --> 00:35:40,999 Oh, preach it all 552 00:35:41,919 --> 00:35:44,919 to you. 553 00:35:48,759 --> 00:35:49,559 Well, 554 00:35:49,559 --> 00:36:10,679 I mean, yes. 555 00:36:28,679 --> 00:36:31,599 To take me 556 00:36:31,599 --> 00:36:34,599 with you 557 00:36:35,959 --> 00:36:38,959 to know 558 00:36:56,199 --> 00:36:59,199 you're. 559 00:37:00,519 --> 00:37:03,519 Oh, yeah. 560 00:37:04,359 --> 00:37:07,959 To show 561 00:37:30,758 --> 00:37:32,318 I'm on a new level. 562 00:37:32,318 --> 00:37:35,158 I have a purpose. 563 00:37:35,157 --> 00:37:36,718 And if you think that some sort of blessing is not, 564 00:37:36,718 --> 00:37:40,357 it puts me at a huge disadvantage right now. 565 00:37:41,437 --> 00:37:43,078 It means I have an obligation. 566 00:37:43,078 --> 00:37:46,078 I see a very specific thing through. 567 00:37:48,157 --> 00:37:50,038 And with that obligation comes sacrifice. 568 00:37:52,318 --> 00:37:54,838 What do you plan to do if this whole dream of yours doesn't work? 569 00:37:54,838 --> 00:37:57,398 That doesn't even enter my consciousness. 570 00:37:57,397 --> 00:38:00,397 I'm on a new level. 571 00:38:01,437 --> 00:38:04,437 Well, 572 00:38:05,958 --> 00:38:06,597 before we go 573 00:38:06,597 --> 00:38:09,677 any further, how about a hand for our brilliant conductor, 574 00:38:09,677 --> 00:38:12,917 Michael Bearden, and the Incredible Academy Orchestra? 575 00:38:13,677 --> 00:38:16,677 It's true. 576 00:38:16,758 --> 00:38:19,197 And concert master Charlie Fisher. 577 00:38:19,197 --> 00:38:22,197 Right, sir, We salute you. 578 00:38:24,437 --> 00:38:27,758 And for those of you who are fans of Mighty Supreme, you'll love 579 00:38:27,758 --> 00:38:30,958 the orchestra's newest instrument, the Timothy Shalom, a boom 580 00:38:30,958 --> 00:38:33,958 drum. 581 00:38:43,278 --> 00:38:46,038 Tonight, we're here to celebrate this year's films. 582 00:38:46,038 --> 00:38:47,437 But I need to stress this. 583 00:38:47,437 --> 00:38:51,518 We also care deeply about preserving, preserving film history. 584 00:38:51,518 --> 00:38:53,197 It must be preserved. 585 00:38:53,197 --> 00:38:56,558 I wanted to highlight one studio committed to doing just that 586 00:38:56,877 --> 00:38:59,877 for the smartphone generation 587 00:39:00,677 --> 00:39:04,157 A Crossroads Labs is a group of film preservationists 588 00:39:04,157 --> 00:39:09,478 committed to one simple goal making movies very tall and very skinny. 589 00:39:09,718 --> 00:39:13,078 As more people depend on their personal devices for entertainment 590 00:39:13,078 --> 00:39:17,558 venture, A Crossroads is meeting this need by updating yesterday's classics 591 00:39:17,758 --> 00:39:21,677 for today's movie audiences Using sophisticated A.I. 592 00:39:21,677 --> 00:39:25,958 software, Ventura Crossroads preserves only the most visually 593 00:39:25,958 --> 00:39:27,278 interesting parts of the frame. 594 00:39:27,278 --> 00:39:29,558 Yes, Yes. Yes. 595 00:39:29,558 --> 00:39:35,238 So now future audiences can enjoy re-imagined classics like Two Angry Men. 596 00:39:35,758 --> 00:39:40,478 And on Fat II, Hollywood's biggest movies made smaller 597 00:39:40,718 --> 00:39:44,238 and taller, all thanks to Ventura Crossroads. 598 00:39:44,478 --> 00:39:47,758 Oh, and one more thing to Lalani Century. 599 00:39:52,958 --> 00:39:54,518 Important work. 600 00:39:54,518 --> 00:39:56,238 Important work. 601 00:39:56,238 --> 00:39:58,718 It's time to introduce the next presenter. 602 00:39:58,718 --> 00:40:00,038 But let's make this special. 603 00:40:00,038 --> 00:40:01,038 Can we have a boom? 604 00:40:01,038 --> 00:40:04,038 Drum roll, please? 605 00:40:06,117 --> 00:40:07,117 Why Konan? Why? 606 00:40:07,117 --> 00:40:10,038 At one point in my life, I've had both of their haircuts. 607 00:40:10,038 --> 00:40:13,078 Please welcome Oscar winner Anne Hathaway and Dame 608 00:40:13,078 --> 00:40:16,278 Anna Wintour, who? 609 00:40:36,637 --> 00:40:38,197 Whether it's two distinct 610 00:40:38,197 --> 00:40:41,558 jewel toned hats, a meticulously crafted headdress, 611 00:40:41,958 --> 00:40:44,798 a simple pair of semi rimless eyeglasses, 612 00:40:44,798 --> 00:40:48,798 complex and dramatic pieces that bring to life a gothic classic 613 00:40:49,197 --> 00:40:53,798 or watching Red Turn rust in 16th century England, 614 00:40:54,397 --> 00:40:57,397 the character's costume is key to telling a story. 615 00:40:57,958 --> 00:41:01,117 One could argue that one's wardrobe in real life is also, 616 00:41:02,478 --> 00:41:05,758 does it make one appear elegant and attractive 617 00:41:05,758 --> 00:41:07,878 on, say, the most important night in Hollywood 618 00:41:07,877 --> 00:41:11,397 when, say, the most important people in fashion will be judging how one looks? 619 00:41:11,758 --> 00:41:16,278 Anna, I'm just curious what 620 00:41:18,998 --> 00:41:21,998 what do you think of my dress tonight? 621 00:41:23,078 --> 00:41:26,078 And the nominees are 622 00:41:35,038 --> 00:41:35,798 Avatar, 623 00:41:35,798 --> 00:41:39,158 Fire and Ash Costume Design by Deborah L. 624 00:41:39,197 --> 00:41:40,838 Scott 625 00:41:40,838 --> 00:41:44,478 Frankenstein Costume Design by Kate Collins. 626 00:41:46,558 --> 00:41:49,318 Prominent Costume Design by Mal Gershon. 627 00:41:49,318 --> 00:41:51,718 Artisan Stuff. 628 00:41:51,718 --> 00:41:53,478 Margie Supreme Costume 629 00:41:53,478 --> 00:41:56,478 Design by Miyako Billingsley 630 00:41:57,197 --> 00:42:00,518 Sinas Costume Design by Ruth E Thomson 631 00:42:04,838 --> 00:42:05,998 and the Oscar 632 00:42:05,998 --> 00:42:08,998 for Best Costume Design Goes to 633 00:42:09,838 --> 00:42:11,558 Frankenstein. 634 00:42:11,558 --> 00:42:14,558 Kate, Holly. 635 00:42:18,437 --> 00:42:21,437 This is the first Oscar nomination for Okay. 636 00:42:21,758 --> 00:42:24,677 She's an acclaimed New Zealand born costume designer, 637 00:42:24,677 --> 00:42:27,518 renowned for her work in fantasy and sci fi. 638 00:42:27,518 --> 00:42:50,238 Since I'm 639 00:42:53,677 --> 00:42:55,478 on behalf of myself 640 00:42:55,478 --> 00:43:00,758 and the amazing team that I work with, the artisans, the alchemists, 641 00:43:01,117 --> 00:43:05,838 the Dream Weavers, we're so grateful to the Academy for recognizing our craft, 642 00:43:06,278 --> 00:43:11,677 and it's been such a privilege to stand alongside Ruth Carter, Miyako, Beletsky, 643 00:43:13,518 --> 00:43:15,798 Mogo Chef, and Dave Scott. 644 00:43:15,798 --> 00:43:18,478 I just it's been amazing, you all. 645 00:43:18,478 --> 00:43:21,078 And Guillermo, I'm not going to cry. 646 00:43:21,078 --> 00:43:26,158 And thank you for the vision and for taking us on your journey. 647 00:43:26,157 --> 00:43:28,677 It's been a great privilege to be part of it all. 648 00:43:28,677 --> 00:43:31,478 Our nominations are your nominations. 649 00:43:31,478 --> 00:43:32,998 We share this with you. 650 00:43:32,998 --> 00:43:38,197 A big shout out to our fantastic cast and an extra one to Dan Alexander 651 00:43:38,197 --> 00:43:41,197 and Dennis and my family, 652 00:43:41,238 --> 00:43:44,238 who've put up with a lot of shit over the years. 653 00:43:44,558 --> 00:43:48,958 My darling daughter, who's my little eight to my Big Edie, and just 654 00:43:50,078 --> 00:43:52,598 everybody who supported us along the way, 655 00:43:52,597 --> 00:43:55,597 the Netflix family, Scott Miles, 656 00:43:57,038 --> 00:43:57,958 I don't know any more. 657 00:43:57,958 --> 00:44:00,758 I've lost it, but I'm so, so grateful. 658 00:44:00,758 --> 00:44:03,038 And thank you very much for recognizing that craft 659 00:44:21,397 --> 00:44:24,397 makeup choices can make a performance come alive. 660 00:44:24,437 --> 00:44:28,357 These artists delicately balance being bold yet transparent, 661 00:44:28,718 --> 00:44:32,558 constantly asking themselves, Do I pull back or do I go for broke? 662 00:44:33,238 --> 00:44:35,998 These five nominated films are stunning examples 663 00:44:35,998 --> 00:44:38,998 of vision, art and craft. 664 00:44:39,038 --> 00:44:40,958 Anna, would you like to read the nominees? 665 00:44:40,958 --> 00:44:43,958 Thank you, Emily. 666 00:44:44,238 --> 00:44:47,238 And the nominees are 667 00:44:50,318 --> 00:44:52,478 Frankenstein, Michael 668 00:44:52,478 --> 00:44:56,318 Jordan, Samuel and Cliona Fury, Kikuyu. 669 00:44:56,397 --> 00:45:02,558 Kyoko Toya Koa, Naomi Corvino and Tadashi and Ishimatsu Sinha's. 670 00:45:02,558 --> 00:45:07,558 Kenya's My Crunching and Sunidhi Kothari The Smashing Machine. 671 00:45:07,637 --> 00:45:08,917 Kazu Hiro. 672 00:45:08,917 --> 00:45:10,518 Glen Griffin and Beyond. 673 00:45:10,518 --> 00:45:13,038 Ray Divine, the Ugly Stepsister. 674 00:45:13,038 --> 00:45:16,038 Thomas Go back and and country and about. 675 00:45:20,518 --> 00:45:23,518 And the Oscar goes to 676 00:45:23,917 --> 00:45:26,798 Michael Jordan, Samuel and Fiona 677 00:45:26,798 --> 00:45:29,798 for Frankenstein. 678 00:45:30,038 --> 00:45:31,758 This is the first Oscar 679 00:45:31,758 --> 00:45:35,478 nomination for Michael Jordan singing and cleaning this year. 680 00:45:39,397 --> 00:45:42,357 The creature's transformation took up to 11 hours. 681 00:45:42,357 --> 00:45:45,397 Each day is a 42 individually 682 00:45:45,397 --> 00:45:48,397 prosthetic piece. 683 00:45:57,718 --> 00:46:00,718 Oh, fantastic. 684 00:46:01,478 --> 00:46:04,117 Old school 685 00:46:04,117 --> 00:46:06,877 shit. 686 00:46:06,877 --> 00:46:09,877 Oh, no. 687 00:46:11,318 --> 00:46:11,998 Okay. 688 00:46:11,998 --> 00:46:12,877 Such an odyssey. 689 00:46:12,877 --> 00:46:14,758 Thank you so much. 690 00:46:14,758 --> 00:46:16,958 Crikey. 691 00:46:16,958 --> 00:46:18,558 While we're making this film. 692 00:46:18,998 --> 00:46:21,998 The sense we're part of something very special, and tonight really confirms that. 693 00:46:21,998 --> 00:46:24,998 So thanks to special thanks to the Academy. 694 00:46:25,518 --> 00:46:27,718 Deepest thanks to our film nominees. 695 00:46:27,718 --> 00:46:31,157 Thank you to Netflix producers Miles and Scott. 696 00:46:31,917 --> 00:46:35,157 Thanks to Oscar, Isaac and most beautiful Mia Gough. 697 00:46:35,558 --> 00:46:39,638 And, of course, my mate Jacob Elordi, who set sat a 400 hours 698 00:46:40,238 --> 00:46:43,238 in their makeup chair during filming. 699 00:46:44,958 --> 00:46:46,397 A personal thank you to my dear 700 00:46:46,397 --> 00:46:49,478 Maggie and to our friend Guillermo del Toro. 701 00:46:50,157 --> 00:46:51,397 You did it, man. 702 00:46:51,397 --> 00:46:54,038 You brought our beloved Frankenstein back. 703 00:46:54,038 --> 00:46:56,318 And we want to thank you for allowing us to help 704 00:46:56,318 --> 00:46:59,238 make your dream project become our dream project. 705 00:46:59,238 --> 00:46:59,917 Thank you, sir. 706 00:47:02,038 --> 00:47:03,078 We want to thank 707 00:47:03,078 --> 00:47:06,718 all the prosthetic makeup and hair people for all the hard work they did. 708 00:47:06,758 --> 00:47:09,758 It's shown on the screen, and we're indebted to you forever. 709 00:47:31,718 --> 00:47:32,318 Coming up, 710 00:47:32,318 --> 00:47:36,758 an all star presentation for the first ever Oscar for casting 711 00:47:36,958 --> 00:47:39,958 only at the Oscars here on ABC. 712 00:47:49,238 --> 00:47:49,917 You touch Me. 713 00:47:49,917 --> 00:47:52,637 And what did you see? 714 00:47:52,637 --> 00:47:54,998 I saw a landscape 715 00:47:54,998 --> 00:47:58,278 space, this undiscovered country. 716 00:47:59,157 --> 00:48:02,157 The film is about hope. 717 00:48:02,437 --> 00:48:04,197 Empathy, 718 00:48:04,197 --> 00:48:05,998 grief 719 00:48:05,998 --> 00:48:08,598 and love. 720 00:48:08,597 --> 00:48:09,877 We have the power 721 00:48:09,877 --> 00:48:13,318 of transforming these feelings into art. 722 00:48:14,197 --> 00:48:17,197 What do you see? 723 00:48:17,437 --> 00:48:19,038 Loves doesn't die, 724 00:48:19,038 --> 00:48:22,038 just transforms. 725 00:48:25,518 --> 00:48:28,157 Please welcome Paul Moscone. 726 00:48:28,157 --> 00:48:29,437 Gwyneth Paltrow. 727 00:48:29,437 --> 00:48:30,318 Che Simpson. 728 00:48:30,318 --> 00:48:33,238 And to fuck them all down. 729 00:48:33,238 --> 00:48:36,238 Why Linda? 730 00:48:52,718 --> 00:48:55,478 The five of us on this stage are truly honored 731 00:48:55,478 --> 00:48:59,397 to be presenting the first ever Oscar for achievement in casting, 732 00:49:05,038 --> 00:49:05,998 a great casting 733 00:49:05,998 --> 00:49:08,998 director identifies the soul of a story. 734 00:49:09,117 --> 00:49:12,798 And Nina, you found the soul of happiness in William Agnew's 735 00:49:12,798 --> 00:49:15,798 This Family. 736 00:49:17,078 --> 00:49:18,398 They were the heart of the film. 737 00:49:18,397 --> 00:49:19,998 And seeing you work with Chloe Zhao 738 00:49:19,998 --> 00:49:22,998 to bring together the perfect emotional connection 739 00:49:22,998 --> 00:49:26,157 between the children and Jesse and I, It was incredible to watch. 740 00:49:26,157 --> 00:49:29,157 So thank you. 741 00:49:33,877 --> 00:49:36,637 Being a part of Marty Supreme meant stepping 742 00:49:36,637 --> 00:49:40,117 into a cast that felt incredibly alive from the first day. 743 00:49:40,718 --> 00:49:43,197 And that comes from the brilliance of Jennifer 744 00:49:43,197 --> 00:49:46,197 and Eddie. Wow. 745 00:49:48,877 --> 00:49:49,437 Jennifer, 746 00:49:49,437 --> 00:49:53,318 you have this rare ability to see people as they truly are 747 00:49:53,597 --> 00:49:56,798 and understand exactly how they belong inside a story. 748 00:49:57,518 --> 00:50:00,157 With your background in documentaries, you know the true 749 00:50:00,157 --> 00:50:02,357 value of lived experience. 750 00:50:02,357 --> 00:50:03,357 It can't be things 751 00:50:04,518 --> 00:50:05,677 in your eyes. 752 00:50:05,677 --> 00:50:08,357 Everyone has a character with a story to tell. 753 00:50:08,357 --> 00:50:10,718 And as someone lucky enough to be among them, 754 00:50:10,718 --> 00:50:13,718 I felt that care every day on set. 755 00:50:14,197 --> 00:50:18,038 Tonight, we're celebrating the invisible, exquisite architecture 756 00:50:18,038 --> 00:50:21,158 you built beneath every moment of Marty Supreme. 757 00:50:29,078 --> 00:50:33,278 I'm standing here tonight because of a casting director, Cassandra Culliton. 758 00:50:33,278 --> 00:50:36,278 This. 759 00:50:38,958 --> 00:50:40,877 She spent years searching for Willa, 760 00:50:40,877 --> 00:50:43,877 and she saw something in me that I didn't even know was there. 761 00:50:43,877 --> 00:50:46,478 Her belief in me helped me believe in myself. 762 00:50:46,478 --> 00:50:49,598 And thanks to her determination, imagination and instincts, 763 00:50:49,877 --> 00:50:52,958 I was cast in my first feature film, One Battle after Another, 764 00:50:53,197 --> 00:50:56,197 which has 13 Oscar nominations next. 765 00:51:00,597 --> 00:51:03,357 Three casting directors like Cassandra 766 00:51:03,357 --> 00:51:06,637 know how to bring together actors we love with new faces 767 00:51:06,838 --> 00:51:09,998 and make a film feel unexpected and completely original. 768 00:51:18,758 --> 00:51:21,758 The secret agent. 769 00:51:25,758 --> 00:51:26,318 The Secret 770 00:51:26,318 --> 00:51:30,238 agent is set in Brazil in the late 1970s. 771 00:51:31,157 --> 00:51:33,637 Gabrielle Dominguez 772 00:51:33,637 --> 00:51:36,637 had to populate 773 00:51:36,838 --> 00:51:39,518 She had to populate this film with people 774 00:51:39,518 --> 00:51:43,397 who had faces that looked like they belonged to that time. 775 00:51:44,677 --> 00:51:47,758 Gabrielle You achieved that goal. 776 00:51:51,197 --> 00:51:54,597 You found those faces 777 00:51:56,078 --> 00:51:59,798 and you did it by taking as much care and attention 778 00:51:59,798 --> 00:52:04,158 with the smallest parts as you did with the biggest parts. 779 00:52:04,917 --> 00:52:07,838 And the life it gave to our film 780 00:52:07,838 --> 00:52:10,838 is immeasurable. 781 00:52:11,478 --> 00:52:12,998 You, Gabrielle, 782 00:52:12,998 --> 00:52:16,197 use your technique to shape an entire world 783 00:52:16,518 --> 00:52:19,518 in the secret agent. 784 00:52:25,838 --> 00:52:28,838 And for that I say, but a bench. 785 00:52:33,038 --> 00:52:36,038 Francine Metzler. 786 00:52:41,478 --> 00:52:44,478 We look back at the cast as sinners. 787 00:52:44,518 --> 00:52:48,878 It's apparent to everyone you know how to discover new talent. 788 00:52:50,117 --> 00:52:53,197 Very grateful personally to you that you made room for 789 00:52:54,238 --> 00:52:57,238 one who's been doing this a little while 790 00:52:58,758 --> 00:52:59,798 in centers. 791 00:52:59,798 --> 00:53:03,118 Every character feels singular, distinct, 792 00:53:04,238 --> 00:53:08,038 fully lived in Francine, and yet together 793 00:53:08,038 --> 00:53:12,518 they formed something much larger a living, breathing world. 794 00:53:13,877 --> 00:53:15,998 It didn't happen by accident. 795 00:53:15,998 --> 00:53:19,238 That happened because you, Francine, you understood 796 00:53:19,798 --> 00:53:22,677 that identity is cultural, 797 00:53:22,677 --> 00:53:24,998 is generational. 798 00:53:24,998 --> 00:53:27,998 It's communal. 799 00:53:35,637 --> 00:53:37,197 And the very first Oscar 800 00:53:37,197 --> 00:53:40,437 for casting goes to Cassandra for the 801 00:53:48,078 --> 00:53:48,638 Cassandra 802 00:53:48,637 --> 00:53:53,877 Curtis wins the inaugural Best Casting Oscar, the first new competitive Academy 803 00:53:53,877 --> 00:53:56,877 Award in 24 years. 804 00:54:10,958 --> 00:54:11,677 Yeah, I said that. 805 00:54:11,677 --> 00:54:12,958 Okay. 806 00:54:12,958 --> 00:54:13,798 Wow. Wah, wah, wah, wah. 807 00:54:14,117 --> 00:54:17,357 I have to obviously thank the Academy for even adding this category 808 00:54:17,357 --> 00:54:18,597 and for the casting directors 809 00:54:18,597 --> 00:54:22,637 that fought tirelessly to make it happen despite everything in their way. 810 00:54:23,197 --> 00:54:25,078 I dedicate this to you 811 00:54:25,078 --> 00:54:28,718 and to the casting directors who never got a chance to get out of here. 812 00:54:29,197 --> 00:54:31,958 Who didn't even get a chance to get their name on the movie. 813 00:54:31,958 --> 00:54:34,758 So better for you guys. 814 00:54:34,758 --> 00:54:36,758 When Paul Thomas Anderson calls you. 815 00:54:36,758 --> 00:54:39,758 You enter the witness protection program and you 816 00:54:40,117 --> 00:54:41,758 literally don't talk to your friends and your family 817 00:54:41,758 --> 00:54:43,958 unless they have somebody that's right for the movie. 818 00:54:45,157 --> 00:54:46,357 And I put them all to 819 00:54:46,357 --> 00:54:49,357 work and I get more out of them when they haven't provided. 820 00:54:50,238 --> 00:54:53,558 And I have to thank all the crew who I'm in all of your departments, 821 00:54:53,558 --> 00:54:57,197 whether you like me or not, whether it's locations, who really gave me 822 00:54:57,318 --> 00:55:00,558 stance, product production, design or art directors. 823 00:55:00,558 --> 00:55:02,998 Yeah, everyone and editors, obviously. 824 00:55:02,998 --> 00:55:04,157 Thank you. 825 00:55:04,157 --> 00:55:10,197 But like, this is a thing and I just thank you for I mean, ten movies. 826 00:55:10,197 --> 00:55:12,038 We've done this for over 30 years. 827 00:55:12,038 --> 00:55:13,358 Like, we grew up together, I guess. 828 00:55:13,357 --> 00:55:14,838 And this is frickin insane. 829 00:55:14,838 --> 00:55:18,118 And I have one before you, which is also crazy high. 830 00:55:18,758 --> 00:55:21,397 So, yeah, I hope you get one tonight. Yeah. 831 00:55:21,397 --> 00:55:22,718 Thank you very much, everybody. 832 00:55:22,718 --> 00:55:25,718 Yeah. 833 00:55:54,409 --> 00:55:55,649 Why didn't you want to do the role? 834 00:55:57,009 --> 00:55:59,529 We wanted you to do it. 835 00:55:59,529 --> 00:56:02,089 I can't work with him. 836 00:56:02,089 --> 00:56:05,089 We can't really talk. 837 00:56:05,129 --> 00:56:08,129 Because only if I made it not liable. 838 00:56:09,329 --> 00:56:11,169 I try to understand people in the movies. 839 00:56:11,169 --> 00:56:13,689 I make 840 00:56:13,689 --> 00:56:17,289 cinematic language somehow gets us closer to people 841 00:56:17,289 --> 00:56:20,289 than we can in our everyday life. 842 00:56:21,409 --> 00:56:24,409 We're allowed to really look at others, 843 00:56:44,249 --> 00:56:47,289 not the Oscars 844 00:56:49,889 --> 00:56:51,889 are an international event. 845 00:56:51,889 --> 00:56:55,009 In that spirit, please welcome live from London, 846 00:56:55,329 --> 00:56:58,329 our announcer, Matt Berry. 847 00:56:58,649 --> 00:57:00,329 Thank you, country. 848 00:57:00,329 --> 00:57:03,089 It's a huge honor and a thrill to be here tonight. 849 00:57:03,089 --> 00:57:05,929 Well, we're thrilled to have you, Matt. 850 00:57:05,929 --> 00:57:08,329 Who are you excited to see tonight? 851 00:57:08,329 --> 00:57:13,049 Well, I've always been a fan of Benicio Del Toro, Sigourney Weaver, 852 00:57:13,609 --> 00:57:16,609 and, of course, Basil Rathbone. 853 00:57:18,009 --> 00:57:21,449 Sorry to tell you that Basil Rathbone died almost 60 years ago. 854 00:57:23,049 --> 00:57:25,249 Is that right? 855 00:57:25,249 --> 00:57:28,209 Well, that's live TV for you. 856 00:57:28,209 --> 00:57:30,049 No, it's not. 857 00:57:30,049 --> 00:57:31,889 Anyway, Matt Berry, I salute you. 858 00:57:31,889 --> 00:57:33,409 And thank you very much for doing this. 859 00:57:33,409 --> 00:57:36,409 I thank you. Yeah. Bless you. 860 00:57:36,769 --> 00:57:38,609 Here to present our next award 861 00:57:38,609 --> 00:57:41,729 is the man who has the body of a marvel Comics hero 862 00:57:41,849 --> 00:57:44,729 and the voice of a marvel Comics collector. 863 00:57:44,729 --> 00:57:47,729 Oscar nominee Kumail Nanjiani 864 00:58:00,489 --> 00:58:04,089 says it hurts because it's true. 865 00:58:08,129 --> 00:58:10,969 I got no warning that was going to happen. 866 00:58:10,969 --> 00:58:14,649 I am here to present the Oscar for Best Live-Action short film. 867 00:58:15,049 --> 00:58:18,889 There is real art to making a short film to tell a story 868 00:58:18,889 --> 00:58:22,889 that efficiently takes vision, creativity and discipline. 869 00:58:22,889 --> 00:58:23,929 And I'll say it. 870 00:58:23,929 --> 00:58:27,489 I think many full length movies would work just as well, if not better, 871 00:58:27,769 --> 00:58:28,889 as short films. 872 00:58:30,369 --> 00:58:31,569 You know what? 873 00:58:31,569 --> 00:58:35,049 We should take some of these feature films, remake them in shorts, 874 00:58:35,489 --> 00:58:36,489 save us some time. 875 00:58:36,489 --> 00:58:39,049 We have so much going on. 876 00:58:39,049 --> 00:58:42,569 Instead of It's a Wonderful Life, how about It's a wonderful month? 877 00:58:43,929 --> 00:58:46,929 West Side Anecdote. 878 00:58:46,929 --> 00:58:49,609 The King's Tweet. 879 00:58:49,609 --> 00:58:52,609 Some of that jazz. 880 00:58:53,929 --> 00:58:56,929 Call me by your nickname. 881 00:58:57,129 --> 00:59:00,129 No Country for Old Man. 882 00:59:00,809 --> 00:59:03,809 One Battle. 883 00:59:05,009 --> 00:59:06,649 That's it. 884 00:59:06,649 --> 00:59:08,529 You got one. 885 00:59:08,529 --> 00:59:11,529 Choose wisely, Paul. 886 00:59:11,529 --> 00:59:14,529 Schindler's posted. 887 00:59:15,049 --> 00:59:18,049 The nominees are. 888 00:59:21,169 --> 00:59:22,209 Put your stay. 889 00:59:22,209 --> 00:59:25,209 Meyer, Levinson, Blunt and Lauren Caspi, 890 00:59:26,049 --> 00:59:29,129 a friend of Dorothy Lee Knight and James Dean. 891 00:59:30,609 --> 00:59:32,649 Jane Austin's period drama 892 00:59:32,649 --> 00:59:35,649 Julia AX and Steve Pinder. 893 00:59:35,889 --> 00:59:39,089 The singers Fannie Davis and Jack hire 894 00:59:40,209 --> 00:59:42,369 two people, exchanging saliva. 895 00:59:42,369 --> 00:59:45,369 Alexandra saying, And that Lima Theater 896 00:59:50,529 --> 00:59:53,529 and the Oscar goes to. 897 00:59:54,129 --> 00:59:55,049 It's a tie. 898 00:59:55,049 --> 00:59:56,169 I'm not joking. 899 00:59:56,169 --> 00:59:57,809 It's actually a tie. 900 00:59:57,809 --> 00:59:59,049 So everyone come down. 901 00:59:59,049 --> 01:00:01,329 We're going to get through this. Focus up. 902 01:00:01,329 --> 01:00:03,529 I'm calm down to remain calm. 903 01:00:03,529 --> 01:00:05,649 I'm going to name one winner. 904 01:00:05,649 --> 01:00:07,129 They'll Come up, accept their award, 905 01:00:07,129 --> 01:00:09,129 and then I'll come back and name another winner. 906 01:00:09,129 --> 01:00:10,249 And then they'll accept their award. 907 01:00:10,249 --> 01:00:12,609 Okay, here we go. 908 01:00:12,609 --> 01:00:15,289 One Oscar goes to the singers. 909 01:00:22,969 --> 01:00:25,969 first Oscar win a nomination for Jack Pine. 910 01:00:26,249 --> 01:00:28,969 The first win and second nomination to Sunday. 911 01:00:28,969 --> 01:00:31,969 Davis, 912 01:00:33,689 --> 01:00:36,689 the tie. Wow. 913 01:00:37,169 --> 01:00:38,049 I didn't know that was. 914 01:00:38,049 --> 01:00:40,529 I don't know. That was the thing. A tie. 915 01:00:40,529 --> 01:00:41,489 But we're happy to be up here. 916 01:00:41,489 --> 01:00:45,169 First, I want to thank my my parents who convinced the kid from Pottsville, 917 01:00:45,169 --> 01:00:48,609 Michigan, that this was a viable career avenue. 918 01:00:49,049 --> 01:00:52,689 Thank you, mom and dad to our entire crew, but especially to these guys 919 01:00:52,689 --> 01:00:53,569 standing behind me. 920 01:00:53,569 --> 01:00:56,569 They Robichaux and Jack Piatt, my producers. 921 01:00:56,769 --> 01:00:58,849 Who will this thing into existence? 922 01:00:58,849 --> 01:01:01,209 To our incredible cast of first timers. 923 01:01:01,209 --> 01:01:04,609 People who had never acted before and never really imagined themselves 924 01:01:04,609 --> 01:01:05,649 on the big screen. 925 01:01:05,649 --> 01:01:10,049 Mike Young is here, New York City Subway Busker as you may have seen him, 926 01:01:11,729 --> 01:01:14,729 thank you to Netflix, to my girlfriend Paris, 927 01:01:14,769 --> 01:01:18,289 to the La Habra Moose Lodge and of course, to the Academy. 928 01:01:18,329 --> 01:01:20,049 Crazy sentence, I know. 929 01:01:20,049 --> 01:01:23,529 And finally, the singers is a simple story about the power of music 930 01:01:23,529 --> 01:01:25,489 and art to bring us together in a moment 931 01:01:25,489 --> 01:01:28,529 when we live in an increasingly isolated world. 932 01:01:28,929 --> 01:01:31,929 May we keep looking for beauty in unexpected places? 933 01:01:32,369 --> 01:01:34,689 May we all be brave enough to keep on singing? 934 01:01:34,689 --> 01:01:37,689 Thank you. 935 01:01:46,049 --> 01:01:48,009 Ironic that the short film Oscar 936 01:01:48,009 --> 01:01:51,009 is going to take twice as long, 937 01:01:53,649 --> 01:01:55,449 and the second Oscar goes 938 01:01:55,449 --> 01:01:58,449 to two people exchanging saliva. 939 01:02:02,209 --> 01:02:05,809 This is the first Oscar win and nomination for Alexandra Sui 940 01:02:06,169 --> 01:02:09,169 and Natalie Muschietti. 941 01:02:18,249 --> 01:02:18,849 I believe 942 01:02:18,849 --> 01:02:22,329 this is only happened three times in history before 943 01:02:22,569 --> 01:02:27,129 and we are so happy to be sharing this Oscar with the singers we love. 944 01:02:27,329 --> 01:02:29,449 All of our fellow nominees. 945 01:02:29,449 --> 01:02:33,649 And we're so, so grateful to everyone who has supported our film 946 01:02:33,649 --> 01:02:34,929 and who made this film. 947 01:02:34,929 --> 01:02:38,689 Our crew, the Gallery, Lafayette, The New Yorker, 948 01:02:38,849 --> 01:02:44,369 our EP's, Julianne Moore and Isabelle Huppert, our family, our friends. 949 01:02:44,649 --> 01:02:48,609 Souvenir and our little girl Sophia sing 950 01:02:49,129 --> 01:02:53,369 and thank you to the Academy for for, for, for supporting a film 951 01:02:53,369 --> 01:02:56,369 that is weird and that is queer and that is 952 01:02:57,129 --> 01:03:00,169 made by a majority of women in 953 01:03:04,009 --> 01:03:10,489 and among all 954 01:03:17,409 --> 01:03:18,769 so and 955 01:03:18,769 --> 01:03:23,089 for having rewarded a French film made by a Franco Indian Brits, 956 01:03:23,409 --> 01:03:27,249 a Romanian American, an Argentinean and an Italian 957 01:03:27,249 --> 01:03:30,969 with actresses Aurélie Buika, Vicky Krieps from Luxembourg, 958 01:03:31,849 --> 01:03:34,489 and Pastrami from Kosovo, and Zaw Amir 959 01:03:34,489 --> 01:03:37,489 from Iran, who cannot be here tonight. 960 01:03:38,089 --> 01:03:41,329 She just had a baby girl two days ago. 961 01:03:41,649 --> 01:03:45,489 Nyla Jane, you are the hope in a world 962 01:03:45,489 --> 01:03:49,569 that is dark and absurd and ridiculous and horrifying. 963 01:03:50,169 --> 01:03:53,649 But that is why we make films, is not because we believe that art 964 01:03:53,849 --> 01:03:55,449 can change people's souls. 965 01:03:55,449 --> 01:03:58,729 Maybe it takes ten years time, but we can change society through art, 966 01:03:58,729 --> 01:04:01,729 through creativity, through theater and ballet, and. 967 01:04:06,009 --> 01:04:07,249 And also cinema. 968 01:04:07,249 --> 01:04:08,049 Thank you so much. 969 01:04:08,049 --> 01:04:11,049 Thank you. 970 01:04:19,489 --> 01:04:22,249 I just want to say congratulations to both winners. 971 01:04:22,249 --> 01:04:25,569 You just ruined 22 million Oscar pools. 972 01:04:29,129 --> 01:04:30,289 And I know we're tight, but 973 01:04:30,289 --> 01:04:33,289 to retract a microphone on a man 974 01:04:33,409 --> 01:04:36,009 as he speaking is hilarious. 975 01:04:36,009 --> 01:04:39,009 Next up, 976 01:04:41,169 --> 01:04:43,889 next step is a really, really fine fellow. 977 01:04:43,889 --> 01:04:46,889 And Oscar winner for best Supporting actor. 978 01:04:47,009 --> 01:04:47,569 Please welcome. 979 01:04:47,569 --> 01:04:50,569 I love this guy, Kieran Culkin, 980 01:04:58,449 --> 01:05:06,249 who I have been given the honor 981 01:05:06,249 --> 01:05:09,249 to introduce the nominees for actor in a supporting role. 982 01:05:10,809 --> 01:05:14,049 Gentlemen, you gave us performances we will always remember. 983 01:05:14,649 --> 01:05:18,449 And now it is my genuine pleasure to give one of you a moment 984 01:05:18,449 --> 01:05:21,449 I hope you will never forget. 985 01:05:24,489 --> 01:05:25,689 Benicio Del Toro. 986 01:05:25,689 --> 01:05:27,769 One battle after another. 987 01:05:27,769 --> 01:05:30,529 Whether you talk out of the vehicle back there, 988 01:05:30,529 --> 01:05:32,809 crash. You sure about that? 989 01:05:32,809 --> 01:05:35,409 Yes, ma'am. You've been drinking today? 990 01:05:35,409 --> 01:05:37,849 I've had a few. A few what? 991 01:05:37,849 --> 01:05:39,649 Small beers. 992 01:05:39,649 --> 01:05:41,409 Jacob Elordi, Frankenstein. 993 01:05:44,929 --> 01:05:46,209 Sean Shaw. 994 01:05:46,209 --> 01:05:47,969 The House 995 01:05:47,969 --> 01:05:50,729 of Correction. 996 01:05:50,729 --> 01:05:53,729 A symbol from the discarded dead 997 01:05:54,889 --> 01:05:57,249 Delroy Lindo centers 998 01:05:57,249 --> 01:06:00,049 around the amount of booze belong to white folks. 999 01:06:00,049 --> 01:06:01,449 Here at the blues is fine. 1000 01:06:01,449 --> 01:06:04,449 They just don't like the people who make you 1001 01:06:04,969 --> 01:06:05,969 Sean Penn. 1002 01:06:05,969 --> 01:06:08,809 One battle after another is doesn't line 1003 01:06:08,809 --> 01:06:11,809 up the big screen. 1004 01:06:13,569 --> 01:06:15,289 But if it does line up, 1005 01:06:15,289 --> 01:06:18,249 if it's a straight line, 1006 01:06:18,249 --> 01:06:20,769 you got probably 1007 01:06:20,769 --> 01:06:23,529 Stellan Skarsgard sentimental value. 1008 01:06:23,529 --> 01:06:26,449 He should give us the best actors of a generation. 1009 01:06:26,449 --> 01:06:27,849 The Lucky, as you see here. 1010 01:06:27,849 --> 01:06:30,849 You should be grateful. 1011 01:06:34,049 --> 01:06:36,849 And the Oscar goes to 1012 01:06:36,849 --> 01:06:37,929 Sean Penn. 1013 01:06:37,929 --> 01:06:40,929 One battle after another. 1014 01:06:46,609 --> 01:06:49,809 Sean Penn couldn't be here this evening or didn't want to. 1015 01:06:49,849 --> 01:06:52,849 So I'll be accepting the award on his behalf 1016 01:07:00,809 --> 01:07:03,649 and still 1017 01:07:03,649 --> 01:07:06,649 to come, the awards for adapted and original screenplay. 1018 01:07:06,889 --> 01:07:08,449 As we celebrate more movies. 1019 01:07:08,449 --> 01:07:13,129 We love being on the Oscars from the Dolby Theater at Ovation, Hollywood 1020 01:07:31,316 --> 01:07:32,826 and I know who you are. 1021 01:07:33,345 --> 01:07:34,865 I know what you are. 1022 01:07:34,865 --> 01:07:36,545 You know I'm not an alien. 1023 01:07:36,545 --> 01:07:39,545 Like I said afterwards, 1024 01:07:39,666 --> 01:07:43,585 I find fascinating that people are willing to question 1025 01:07:43,585 --> 01:07:47,585 what reality is and try and find their own truth. 1026 01:07:49,545 --> 01:07:52,545 It all starts with something 1027 01:07:53,265 --> 01:08:02,345 magnificent, like 1028 01:08:06,345 --> 01:08:08,385 we're like we're barely into this show. 1029 01:08:08,385 --> 01:08:10,666 We already have a tie, right? 1030 01:08:10,666 --> 01:08:13,465 And we have a no show in in Sean Penn. 1031 01:08:13,465 --> 01:08:14,666 This thing's a humdinger. 1032 01:08:14,666 --> 01:08:17,666 You got to stay tuned. 1033 01:08:19,386 --> 01:08:21,426 It's been widely reported 1034 01:08:21,426 --> 01:08:26,066 that some studios are now insisting filmmakers repeat information 1035 01:08:26,267 --> 01:08:30,987 and restate the plot several times in their movies in order to accommodate 1036 01:08:31,267 --> 01:08:33,026 the modern movie viewer 1037 01:08:33,026 --> 01:08:36,066 who's half watching because they're distracted by their phones. 1038 01:08:36,666 --> 01:08:39,307 Some are upset about this. 1039 01:08:39,307 --> 01:08:41,106 I don't think it's a big deal. 1040 01:08:41,106 --> 01:08:44,626 Please enjoy this scene from an updated Hollywood classic 1041 01:08:47,747 --> 01:08:49,626 Casablanca with CONAN 1042 01:08:49,626 --> 01:08:52,626 O'Brien and Sterling K Brown. 1043 01:08:56,787 --> 01:08:58,507 Of all the gin joints 1044 01:08:58,506 --> 01:09:01,827 and all the towns in all the world, she walks into mine, 1045 01:09:02,386 --> 01:09:05,386 she being Ilsa right? 1046 01:09:06,827 --> 01:09:08,827 Yeah, That's her name. 1047 01:09:08,827 --> 01:09:09,387 Yeah. 1048 01:09:09,386 --> 01:09:13,986 That's got to be tough because she ghosted you at that train station in Paris. 1049 01:09:15,747 --> 01:09:18,867 It definitely contributed to my overall cynicism, 1050 01:09:18,867 --> 01:09:21,867 what with this being World War Two and all 1051 01:09:22,986 --> 01:09:25,506 World War Two. 1052 01:09:25,506 --> 01:09:28,506 That's the Hitler one, right? 1053 01:09:29,347 --> 01:09:32,347 Sure is, Sam. Oh, 1054 01:09:33,066 --> 01:09:36,187 and, Rick, to reiterate, you're just now realizing 1055 01:09:36,187 --> 01:09:39,787 that you're still in love with Ilsa, even though she's married. 1056 01:09:41,146 --> 01:09:42,787 That's right, Sam. 1057 01:09:42,787 --> 01:09:45,947 I'm in a love train during World War Two. 1058 01:09:46,986 --> 01:09:48,707 Crazy 1059 01:09:48,707 --> 01:09:50,626 Thank you very much, Sterling K 1060 01:09:50,626 --> 01:09:53,626 Brown, everybody. 1061 01:09:53,946 --> 01:09:56,267 And now, 1062 01:09:56,267 --> 01:09:59,106 now to present the awards for screenwriting. 1063 01:09:59,106 --> 01:10:02,867 And to be clear, the award we're talking about is the draft. 1064 01:10:02,906 --> 01:10:03,906 That's correct. 1065 01:10:06,827 --> 01:10:10,387 Please welcome Chris Evans and Oscar winner 1066 01:10:10,506 --> 01:10:13,506 Robert Downey Jr. 1067 01:10:24,546 --> 01:10:27,787 Wow. The script, right? 1068 01:10:28,146 --> 01:10:30,347 It's the driving force of any film. 1069 01:10:30,347 --> 01:10:34,267 And this has truly been a banner year for screenwriters to say that. 1070 01:10:34,347 --> 01:10:35,827 Yeah, 1071 01:10:35,827 --> 01:10:38,666 but you gave me for our anniversary. 1072 01:10:38,666 --> 01:10:40,307 Dude, hold on. I'm just. I'm doing. 1073 01:10:40,307 --> 01:10:43,867 It's the 14th year anniversary of our first Avengers movie. 1074 01:10:43,867 --> 01:10:45,427 I got you. Yeah. 1075 01:10:45,426 --> 01:10:48,946 A signed copy of the original script signed by the whole cast. 1076 01:10:48,946 --> 01:10:51,146 It's backstage. Okay. I really thought this through. 1077 01:10:51,146 --> 01:10:52,586 Yeah, 1078 01:10:52,586 --> 01:10:54,426 Yeah, it's not backstage. 1079 01:10:54,426 --> 01:10:55,267 Mine's backstage. 1080 01:10:55,267 --> 01:10:56,947 You didn't get the course. 1081 01:10:56,946 --> 01:10:58,707 I did. Yes, I know you did, bro. I got. 1082 01:10:58,707 --> 01:11:00,267 I got it. 1083 01:11:00,267 --> 01:11:01,427 I got me. 1084 01:11:01,426 --> 01:11:02,106 Look. 1085 01:11:02,106 --> 01:11:05,106 Saw you. 1086 01:11:05,546 --> 01:11:08,546 This is your valet parking ticket. 1087 01:11:08,787 --> 01:11:09,707 You self drove? 1088 01:11:09,707 --> 01:11:11,106 I did. I'm a man of the people, 1089 01:11:12,747 --> 01:11:13,907 but I didn't really think that through. 1090 01:11:13,906 --> 01:11:14,827 I'm going to need it back. 1091 01:11:14,827 --> 01:11:17,827 Sorry. 1092 01:11:18,666 --> 01:11:21,666 The nominees for Best Adapted Screenplay are 1093 01:11:24,747 --> 01:11:27,747 Begonia Screenplay by Will Tracy. 1094 01:11:27,827 --> 01:11:31,067 And I'm supposed to believe you're a 45 year old woman, 1095 01:11:32,227 --> 01:11:34,026 human woman. 1096 01:11:34,026 --> 01:11:37,586 I mean, I follow a very strict reverse aging diet and therapy program. 1097 01:11:39,506 --> 01:11:42,506 Frankenstein written for the screen by Gamo del Toro. 1098 01:11:42,946 --> 01:11:46,267 If this is not to be construed 1099 01:11:46,386 --> 01:11:49,386 this my son, Wherever you are, 1100 01:11:50,666 --> 01:11:54,747 what recourse do you have to leave him? 1101 01:11:54,747 --> 01:11:57,867 The screenplay by Chloe Zhao and Maggie Wilson. 1102 01:11:58,906 --> 01:12:00,066 I must be hand Foster to you. 1103 01:12:00,066 --> 01:12:01,586 No one else will do. 1104 01:12:01,586 --> 01:12:03,666 I will speak with your stepmother and your brother. 1105 01:12:03,666 --> 01:12:06,666 And of course they will not agree. But 1106 01:12:08,026 --> 01:12:10,626 I don't care because I have no talent for waiting 1107 01:12:12,946 --> 01:12:14,506 one battle after another. 1108 01:12:14,506 --> 01:12:16,867 Written by Paul Thomas Anderson. 1109 01:12:16,867 --> 01:12:18,187 How many women? 1110 01:12:18,187 --> 01:12:19,546 I don't know. A bunch. 1111 01:12:19,546 --> 01:12:22,466 Ten or 20 1112 01:12:22,466 --> 01:12:24,307 weapons. 1113 01:12:24,307 --> 01:12:27,307 I think they're vegetarian. 1114 01:12:27,867 --> 01:12:29,067 Train Dreams 1115 01:12:29,066 --> 01:12:31,867 Screenplay by Clint Bentley and Greg Brain. 1116 01:12:31,867 --> 01:12:35,267 You worry more and more as something terrible was following them. 1117 01:12:36,267 --> 01:12:39,267 The deaths I would find him out here 1118 01:12:39,307 --> 01:12:42,307 far away from the only place he really wanted to be. 1119 01:12:49,026 --> 01:12:51,666 And the Oscar goes to 1120 01:12:51,666 --> 01:12:52,946 one battle after another. 1121 01:12:52,946 --> 01:12:55,946 Paul Thomas Anderson. 1122 01:12:57,747 --> 01:12:59,427 This is the first Oscar win 1123 01:12:59,426 --> 01:13:02,466 and 14th nomination for Paul Thomas fans, 1124 01:13:03,187 --> 01:13:05,867 including his nominations this year for directing 1125 01:13:05,867 --> 01:13:08,867 Best Picture 1126 01:13:10,267 --> 01:13:25,307 and thank you. 1127 01:13:26,586 --> 01:13:29,347 Thank you very, very much. 1128 01:13:29,347 --> 01:13:32,347 I'm incredibly honored to be part of this history. 1129 01:13:34,707 --> 01:13:35,586 This is an adaption. 1130 01:13:35,586 --> 01:13:39,146 So I owe a huge debt of of of admiration 1131 01:13:39,146 --> 01:13:42,146 and love to Thomas Pynchon 1132 01:13:42,426 --> 01:13:45,426 and he writer knows that you're 1133 01:13:46,066 --> 01:13:48,466 you either beg for forgiveness or your special thanks 1134 01:13:48,466 --> 01:13:51,666 is really to your family and the people that you share a roof with 1135 01:13:51,906 --> 01:13:54,906 who put up with what it means to live with a writer. 1136 01:13:55,586 --> 01:13:56,227 To Maya. 1137 01:13:57,747 --> 01:14:00,187 Yeah. 1138 01:14:00,187 --> 01:14:03,187 Rainer, Sylvia Gu, Uncle Paul, Jojo. 1139 01:14:03,307 --> 01:14:06,146 I wrote this movie for my kids 1140 01:14:06,146 --> 01:14:08,946 to say sorry for the. 1141 01:14:08,946 --> 01:14:11,187 The housekeeping mess that we left in this world. 1142 01:14:11,187 --> 01:14:14,907 We're handing off to them, but also with the encouragement 1143 01:14:15,787 --> 01:14:18,187 that they will be the generation that 1144 01:14:18,187 --> 01:14:21,146 hopefully brings us some common sense and decency. 1145 01:14:21,146 --> 01:14:24,546 My poor Lucy, Jack and Ida, I love you. 1146 01:14:24,546 --> 01:14:25,626 Thank you very much. 1147 01:14:25,626 --> 01:14:26,586 Thank you very much. 1148 01:14:26,586 --> 01:14:29,586 Thank you. 1149 01:14:47,146 --> 01:14:50,787 No doubt he is very gay. 1150 01:14:52,267 --> 01:14:56,707 Speaking of anniversaries, it was 50 years ago that Frank Pearson won 1151 01:14:56,707 --> 01:15:01,106 for Best Original screenplay for Dog Day after news. 1152 01:15:02,106 --> 01:15:03,146 I was just Josh. 1153 01:15:03,146 --> 01:15:05,426 Oh, of course I got you. 1154 01:15:05,426 --> 01:15:07,386 I got you. 1155 01:15:07,386 --> 01:15:09,187 The official 1156 01:15:09,187 --> 01:15:12,026 tanning Chatham thong for Magic Mike. 1157 01:15:12,026 --> 01:15:13,146 It's Sequin, right? 1158 01:15:13,146 --> 01:15:16,347 It's got like a mirror mirror ball effect, light usage. 1159 01:15:19,026 --> 01:15:20,787 I have no words. 1160 01:15:20,787 --> 01:15:23,787 I haven't need that back, though. 1161 01:15:26,227 --> 01:15:28,707 For what? 1162 01:15:28,707 --> 01:15:30,907 I got to work later room. 1163 01:15:30,906 --> 01:15:33,747 TOTENBERG The nominees for best 1164 01:15:33,747 --> 01:15:36,747 Original Screenplay are 1165 01:15:37,946 --> 01:15:40,946 Blue Moon, written by Robert Kaplan. 1166 01:15:41,146 --> 01:15:44,506 They should put my picture on that by the whiskey 1167 01:15:44,707 --> 01:15:47,707 that made Lawrence Hart unemployable. 1168 01:15:48,347 --> 01:15:49,947 It was just an accident. 1169 01:15:49,946 --> 01:15:53,347 Written by Jafar Panahi, script collaborators. 1170 01:15:53,466 --> 01:15:54,546 No, dear. Sorry. 1171 01:15:54,546 --> 01:16:00,227 Bars, Shot Mirror Rothstein, Medhi Mahmoud Young anymore wanted me around 1172 01:16:00,227 --> 01:16:04,427 dismissal notion, but apparently Scooter will be Kenny Monaco. 1173 01:16:04,506 --> 01:16:07,026 Additional candor are getting caught accountable. 1174 01:16:07,026 --> 01:16:08,946 She and he could have had only a small spatula. 1175 01:16:08,946 --> 01:16:10,506 Candy 1176 01:16:10,506 --> 01:16:13,867 Marty Supreme written by Ronald Brownstein and Josh Safdie 1177 01:16:15,066 --> 01:16:16,626 do the job. 1178 01:16:16,626 --> 01:16:18,787 No, I mean, table tennis, my job. 1179 01:16:18,787 --> 01:16:20,427 How do you live where I live? 1180 01:16:20,426 --> 01:16:22,026 With the confidence of I believe in myself. 1181 01:16:22,026 --> 01:16:22,747 The money will follow. 1182 01:16:22,747 --> 01:16:25,267 Ultimately, my struggle isn't even about money. 1183 01:16:25,267 --> 01:16:27,307 How do you pay rent? I don't. 1184 01:16:28,626 --> 01:16:29,187 Sentimental 1185 01:16:29,187 --> 01:16:32,427 value written by skill, food and joking truth. 1186 01:16:32,626 --> 01:16:33,666 And here goes. 1187 01:16:33,666 --> 01:16:35,907 Tonight was done. 1188 01:16:35,906 --> 01:16:37,946 It was a buffet. Yeah. 1189 01:16:37,946 --> 01:16:40,946 Thank you for Barnaba 1190 01:16:41,066 --> 01:16:44,066 Sinners written by Ryan Cooper. 1191 01:16:44,747 --> 01:16:47,227 You guys were in the studio 1192 01:16:47,227 --> 01:16:48,947 and think Would you sit up tonight? 1193 01:16:48,946 --> 01:16:49,827 Open up next week? 1194 01:16:49,827 --> 01:16:52,267 You know that it's got to be tonight. 1195 01:16:52,267 --> 01:16:54,187 Grand opening started with a bang. 1196 01:16:54,187 --> 01:16:56,946 Well, we start with a misfire. 1197 01:16:56,946 --> 01:16:59,386 Alaska. 1198 01:16:59,386 --> 01:17:02,386 That's a modified way to be free. Any 1199 01:17:08,146 --> 01:17:11,146 and the Oscar goes to 1200 01:17:12,267 --> 01:17:15,267 Ryan Coogler. 1201 01:17:16,747 --> 01:17:19,987 Ryan Coogler is three nominations this year 1202 01:17:19,986 --> 01:17:23,187 and this is his first Oscar win with five nominations 1203 01:17:23,187 --> 01:17:26,187 overall. 1204 01:17:42,707 --> 01:17:45,707 I was struck 1205 01:17:46,146 --> 01:17:48,827 to see 1206 01:17:48,827 --> 01:17:51,187 three, three, three. 1207 01:17:51,187 --> 01:17:53,466 Hey, I 1208 01:17:53,466 --> 01:17:56,227 please, please, please sit out because because I'm very nervous 1209 01:17:56,227 --> 01:17:57,066 and I got to play me off. 1210 01:17:58,227 --> 01:18:00,307 I'm from I grew up in Oakland, Richmond, California. 1211 01:18:00,307 --> 01:18:01,387 We can talk a lot. 1212 01:18:01,386 --> 01:18:05,026 So so I'm I want to thank the Academy 1213 01:18:05,026 --> 01:18:07,666 for thinking of our movie that came out almost a year ago. 1214 01:18:07,666 --> 01:18:08,707 It is an incredible honor. 1215 01:18:08,707 --> 01:18:11,347 I want to thank my fellow nominees, you guys. 1216 01:18:11,347 --> 01:18:12,827 I want to thank you all for the gifts that your movie 1217 01:18:12,827 --> 01:18:14,666 is wearing for your friendship over the past years. 1218 01:18:14,666 --> 01:18:15,946 And once 1219 01:18:15,946 --> 01:18:17,827 I want to thank everybody that was involved with this movie, 1220 01:18:17,827 --> 01:18:20,827 starting with Warner Brothers, my companion here, David here somewhere, 1221 01:18:20,827 --> 01:18:23,267 everybody on my cast and crew, please stand up. 1222 01:18:23,267 --> 01:18:26,267 You guys are amazing. You guys are amazing. 1223 01:18:26,506 --> 01:18:27,787 You guys, guys. 1224 01:18:27,787 --> 01:18:28,747 Oh, my God. 1225 01:18:28,747 --> 01:18:30,947 You guys, you guys, 1226 01:18:30,946 --> 01:18:32,506 you all, you all that. 1227 01:18:32,506 --> 01:18:35,267 You all are winners in my book. Y'all are winners in my book. 1228 01:18:35,267 --> 01:18:38,106 So what several high end is, is equal guys are the best movies in the world. 1229 01:18:38,106 --> 01:18:39,946 Zazie the best wife and mom in the world. 1230 01:18:39,946 --> 01:18:42,946 Every day I look at this movie, which was better than, the one that came before it. 1231 01:18:43,466 --> 01:18:45,187 It's my parents who are here. 1232 01:18:45,187 --> 01:18:46,146 Thank you all for all your memories. 1233 01:18:46,146 --> 01:18:47,787 Thank you all for making me believe in myself 1234 01:18:47,787 --> 01:18:49,707 and to my babies that are all home watching. 1235 01:18:49,707 --> 01:18:52,227 I apologize for all the time away that loves you. 1236 01:18:52,227 --> 01:18:54,546 Memories, all we have. I hope I gave you some great ones. 1237 01:18:54,546 --> 01:18:56,707 And when you are blessed to live a long life 1238 01:18:56,707 --> 01:18:59,187 and that becomes just a memory, I want you all. I remember this one thing. 1239 01:18:59,187 --> 01:19:00,666 I love you all more than anything. Thank you. 1240 01:19:12,106 --> 01:19:12,626 Still to 1241 01:19:12,626 --> 01:19:15,707 come, more stars, more envelopes, more excitement. 1242 01:19:15,707 --> 01:19:20,827 Then later, a celebrity version of the global sensation K-Pop demon Hunters. 1243 01:19:21,026 --> 01:19:24,026 Here on the Oscars 1244 01:19:37,817 --> 01:19:39,377 every year. 1245 01:19:39,377 --> 01:19:41,017 Thank you. 1246 01:19:41,017 --> 01:19:45,417 Every year we acknowledge the loss of great artists in our industry. 1247 01:19:45,657 --> 01:19:48,697 And sadly, tonight, we are faced with the passing 1248 01:19:48,697 --> 01:19:51,697 of some extraordinary giants and film. 1249 01:19:51,937 --> 01:19:56,337 Here to speak about a good friend and amazing talent is Mr. 1250 01:19:56,337 --> 01:19:59,337 Billy Crystal. 1251 01:20:11,377 --> 01:20:13,017 Thank you so much. 1252 01:20:13,017 --> 01:20:18,017 I first met Rob Reiner in 1975 when I was cast as his best friend 1253 01:20:18,017 --> 01:20:21,697 in an episode of All in the Family and it went so well, Rob said. 1254 01:20:21,697 --> 01:20:23,337 You know, it was fun playing your best friend. 1255 01:20:23,337 --> 01:20:25,297 Why don't we keep it going? 1256 01:20:25,297 --> 01:20:27,697 And it was a thrill to see him evolve from a great comic 1257 01:20:27,697 --> 01:20:30,697 actor to a master storyteller. 1258 01:20:30,977 --> 01:20:33,457 His first film is This is Spinal Tap. 1259 01:20:34,537 --> 01:20:38,417 Yes, you could stop right there. 1260 01:20:39,337 --> 01:20:43,537 The hilarious and brilliant mockumentary with a comedy was turned up to 11. 1261 01:20:44,497 --> 01:20:47,617 Then John Cusack and Daphne Zuniga and the Pursuit of Love. 1262 01:20:47,617 --> 01:20:50,617 And the sure thing. 1263 01:20:50,617 --> 01:20:53,137 And then he beautifully portrays 1264 01:20:53,137 --> 01:20:56,217 the pain of boys about to become men and stand by me. 1265 01:21:00,097 --> 01:21:03,697 Next, the inconceivable tale of true 1266 01:21:03,697 --> 01:21:06,697 love and rodents of unusual size, 1267 01:21:06,817 --> 01:21:10,057 revenge, a gentle giant sword fights 1268 01:21:10,297 --> 01:21:13,297 and an old miracle man and his wife in The Princess Bride. 1269 01:21:13,657 --> 01:21:16,657 Then with an Oscar nominated Nora Ephron script. 1270 01:21:17,057 --> 01:21:20,057 Bruno Kirby, Carrie Fisher, Meg Ryan, 1271 01:21:20,497 --> 01:21:23,497 and myself. 1272 01:21:23,817 --> 01:21:25,337 Then it was New York in the fall. 1273 01:21:25,337 --> 01:21:26,417 Katz's Deli. 1274 01:21:26,417 --> 01:21:30,497 I'll have what she's having Baby fish, mouth pecan pie. 1275 01:21:31,377 --> 01:21:34,537 And Harry telling Sally when, You realize you want to spend the rest of your life 1276 01:21:34,537 --> 01:21:35,057 with somebody. 1277 01:21:35,057 --> 01:21:38,057 You want the rest of your life to start as soon as possible. 1278 01:21:38,177 --> 01:21:41,617 Audiences then lined up to see his funny, charming films. 1279 01:21:41,857 --> 01:21:43,977 So he gave them misery, 1280 01:21:46,297 --> 01:21:47,377 a psychodrama 1281 01:21:47,377 --> 01:21:50,857 and an Oscar for Kathy Bates playing the psycho in that drama. 1282 01:21:51,337 --> 01:21:56,337 Aaron Sorkin's courtroom thriller A Best Picture nominee with Moore, 1283 01:21:56,337 --> 01:22:00,577 Kevin Pollak and a few good men named Tom Cruise and Jack Nicholson, 1284 01:22:01,097 --> 01:22:04,097 who warned us, You can't handle the truth, 1285 01:22:04,137 --> 01:22:07,137 which is simply what we want today. 1286 01:22:07,177 --> 01:22:09,937 Then into the Oval Office, an American president wrestling 1287 01:22:09,937 --> 01:22:12,937 with a new love and his own morality. 1288 01:22:14,017 --> 01:22:17,297 My friends, Rob's movies will last for lifetimes 1289 01:22:17,617 --> 01:22:23,697 because they were about what makes us laugh and cry and what we aspire to be. 1290 01:22:24,417 --> 01:22:27,417 Far in his eyes, far kinder, 1291 01:22:27,417 --> 01:22:30,417 far funnier and far more human. 1292 01:22:30,617 --> 01:22:34,017 And when Michelle Singer entered his life, they were unstoppable. 1293 01:22:34,537 --> 01:22:37,537 A gifted photographer, she not only produced films with Rob, 1294 01:22:37,777 --> 01:22:40,777 but it was her energy that had them working tirelessly 1295 01:22:40,937 --> 01:22:44,137 to fight social injustice in the country that they both loved. 1296 01:22:45,097 --> 01:22:46,217 Now, Robin, Michelle, 1297 01:22:48,537 --> 01:22:49,257 Robin, Michelle 1298 01:22:49,257 --> 01:22:52,257 Reiner became the driving force in the landmark decision 1299 01:22:52,257 --> 01:22:55,257 for marriage equality across the United States, 1300 01:23:03,457 --> 01:23:06,017 and their loss is immeasurable. 1301 01:23:06,017 --> 01:23:07,977 And to the millions who have enjoyed his films 1302 01:23:07,977 --> 01:23:11,417 all these years, I want you to know here and around the world 1303 01:23:11,417 --> 01:23:14,697 how many times Rob told me that it meant everything to him, 1304 01:23:14,977 --> 01:23:19,057 that his work meant something to you and for us, 1305 01:23:19,657 --> 01:23:24,217 who had the privilege of working with and knowing him and loving him. 1306 01:23:24,897 --> 01:23:27,897 All we can say is, Buddy, 1307 01:23:28,057 --> 01:23:31,057 what fun we had storming the castle 1308 01:24:00,257 --> 01:24:36,057 and I haven't been able 1309 01:24:36,057 --> 01:24:39,057 to stop thinking about you since I first met you. 1310 01:25:05,057 --> 01:25:08,057 I hope you'll come back someday. 1311 01:25:49,937 --> 01:25:51,217 Man type things. 1312 01:25:51,217 --> 01:25:52,897 Women tapping. 1313 01:25:52,897 --> 01:25:55,177 What is the creative force behind the universe? 1314 01:25:55,177 --> 01:25:56,857 Care about such foolishness? 1315 01:25:59,497 --> 01:26:00,577 This past year, 1316 01:26:00,577 --> 01:26:03,617 we lost so many artists, including actresses 1317 01:26:03,617 --> 01:26:07,057 whose talent and originality widened the world for all of us. 1318 01:26:07,537 --> 01:26:10,777 Women like Claudia Cardinale, whose six decade career 1319 01:26:10,777 --> 01:26:13,777 helped bring European cinema to America. 1320 01:26:13,817 --> 01:26:16,337 Three time Oscar nominee Diane Ladd, 1321 01:26:16,337 --> 01:26:19,497 who brought fierce humanity and wit to every role. 1322 01:26:20,257 --> 01:26:22,897 Comedic genius and scene stealer. 1323 01:26:22,897 --> 01:26:25,897 Our mighty winds, 1324 01:26:29,257 --> 01:26:32,337 and my fellow Canadian, Catherine O'Hara. 1325 01:26:33,057 --> 01:26:36,057 She made us laugh until we cried. 1326 01:26:36,457 --> 01:26:39,457 And the icon Diane Keaton, 1327 01:26:44,737 --> 01:26:47,737 Annie Hall, the Godfather, Reds. 1328 01:26:48,337 --> 01:26:50,857 And that's just her first decade 1329 01:26:50,857 --> 01:26:55,017 for over 50 years, luminous on screen and indelible in life. 1330 01:26:55,657 --> 01:26:59,137 Believe me when I say there isn't an actress of my generation 1331 01:26:59,417 --> 01:27:03,817 who was not inspired by and enthralled with her absolute singularity. 1332 01:27:04,857 --> 01:27:07,657 She wore so many hats, 1333 01:27:07,657 --> 01:27:09,457 literally 1334 01:27:09,457 --> 01:27:11,417 and figuratively. 1335 01:27:11,417 --> 01:27:14,577 Actress, artist, author, activist. 1336 01:27:15,457 --> 01:27:19,857 But no hat more important to her than being a mother to her two children. 1337 01:27:21,297 --> 01:27:24,297 She meant so much to so many of us. 1338 01:27:24,697 --> 01:27:28,417 I remember she used to sing this old Girl Scout song on set, 1339 01:27:28,857 --> 01:27:31,857 which is just so her 1340 01:27:31,937 --> 01:27:35,737 make new friends, but keep the old one in silver 1341 01:27:35,937 --> 01:27:39,097 and the other is called A circle is round. 1342 01:27:39,497 --> 01:27:41,377 It has no end. 1343 01:27:41,377 --> 01:27:44,377 That's how long I'll be your friend. 1344 01:27:45,097 --> 01:27:48,097 And so to our friend Diane Keaton, 1345 01:27:48,217 --> 01:27:51,217 celebrating a life in silver and gold, 1346 01:27:53,217 --> 01:27:56,217 a legend with no end 1347 01:28:06,537 --> 01:28:08,377 attached, 1348 01:28:08,377 --> 01:28:10,737 The audience was there waiting for it. 1349 01:28:10,737 --> 01:28:14,297 And you get caught up in a heat of the moment and you just, 1350 01:28:14,457 --> 01:28:17,617 you know, you want to give them anything they want and, 1351 01:28:57,817 --> 01:29:17,137 oh, you think 1352 01:29:17,137 --> 01:29:20,137 if a man sincerely depends on what they've done wrong, 1353 01:29:20,777 --> 01:29:23,817 they might get to go back to the time that was happiest for him. 1354 01:29:28,297 --> 01:29:30,577 It's just that, 1355 01:29:30,577 --> 01:29:33,417 again, often 1356 01:29:33,417 --> 01:29:37,217 and sometimes things may or may not be true, 1357 01:29:38,017 --> 01:29:41,017 but the things I've managed to believe in the most. 1358 01:29:41,257 --> 01:29:44,257 But people are basically good. 1359 01:29:45,457 --> 01:29:47,217 Honor, 1360 01:29:47,217 --> 01:29:50,217 courage and virtue in everything. 1361 01:29:51,417 --> 01:29:52,577 But I just think of myself 1362 01:29:52,577 --> 01:29:55,577 thinking, you know, what would you even problem? 1363 01:29:55,577 --> 01:29:58,097 The answer is yes, that I know exactly where 1364 01:29:58,097 --> 01:30:01,097 I'm supposed to be. 1365 01:30:21,657 --> 01:30:22,577 After I wrote 1366 01:30:22,577 --> 01:30:25,577 the first script of the way where 1367 01:30:26,897 --> 01:30:29,897 I could only imagine one man 1368 01:30:30,777 --> 01:30:33,217 in the role of Hubble. 1369 01:30:33,217 --> 01:30:36,217 And that was Robert Redford. 1370 01:30:36,537 --> 01:30:39,537 But he turned it down because he said character 1371 01:30:40,257 --> 01:30:42,697 had no backbone. 1372 01:30:42,697 --> 01:30:45,057 He doesn't stand for anything. 1373 01:30:45,057 --> 01:30:47,297 And he was right. 1374 01:30:47,297 --> 01:30:50,017 So many drafts later, 1375 01:30:50,017 --> 01:30:53,017 Bob finally agreed to do it. 1376 01:30:53,897 --> 01:30:57,457 He was a brilliant, subtle actor, 1377 01:30:58,537 --> 01:31:01,177 and we had a wonderful time playing off each other 1378 01:31:01,177 --> 01:31:06,097 because we never quite knew what the other one was going to do and see. 1379 01:31:07,777 --> 01:31:10,777 And I'm thrilled that the way we were is now 1380 01:31:11,737 --> 01:31:15,057 considered a classic love story. 1381 01:31:15,937 --> 01:31:19,257 But it's also about a dark time in our history. 1382 01:31:20,177 --> 01:31:23,137 The late forties and early fifties 1383 01:31:23,137 --> 01:31:26,137 when people were informing on each other 1384 01:31:26,977 --> 01:31:29,977 and subject to loyalty oaths. 1385 01:31:30,977 --> 01:31:34,657 Now Bob had real backbone 1386 01:31:35,857 --> 01:31:38,097 on off the screen. 1387 01:31:38,097 --> 01:31:40,737 He spoke up to defend 1388 01:31:40,737 --> 01:31:44,137 freedom of the press, protect the environment, 1389 01:31:44,497 --> 01:31:48,897 and encouraged new voices at his Sundance Institute, 1390 01:31:49,457 --> 01:31:52,457 and some of whom 1391 01:31:54,577 --> 01:31:55,497 some of whom 1392 01:31:55,497 --> 01:31:58,497 are up for Oscars tonight, which is so great. 1393 01:31:59,537 --> 01:32:01,697 He was 1394 01:32:01,697 --> 01:32:02,817 he was thoughtful. 1395 01:32:02,817 --> 01:32:05,817 And bold. 1396 01:32:06,377 --> 01:32:09,377 I call him the intellectual cowboy 1397 01:32:09,817 --> 01:32:12,577 who blazed his own trail 1398 01:32:12,577 --> 01:32:15,577 and won the Academy Award for best director. 1399 01:32:16,377 --> 01:32:19,377 And I miss him now more than ever. 1400 01:32:20,217 --> 01:32:22,737 Even though he loved teasing me, 1401 01:32:23,857 --> 01:32:25,297 he called me. 1402 01:32:25,297 --> 01:32:27,377 He called me Babs. 1403 01:32:27,377 --> 01:32:31,617 And I said, Bob, you know, do I look like a bad brother? 1404 01:32:31,617 --> 01:32:33,857 Babs? You know? 1405 01:32:33,857 --> 01:32:37,777 But the way he said it made me laugh. 1406 01:32:39,097 --> 01:32:42,097 And many years later, we were 1407 01:32:42,297 --> 01:32:47,177 we were chatting on the phone about the usual politics 1408 01:32:47,617 --> 01:32:50,617 or modern Johnny, our favorite. 1409 01:32:51,857 --> 01:32:54,857 And as we were hanging up, he said, Babs, 1410 01:32:56,617 --> 01:32:59,617 I love you dearly 1411 01:32:59,737 --> 01:33:02,737 and I always will. 1412 01:33:02,737 --> 01:33:05,897 And in the last note I ever wrote to Bob, 1413 01:33:07,177 --> 01:33:10,377 I ended it with, I love you, too. 1414 01:33:11,737 --> 01:33:14,737 And I signed it. 1415 01:33:14,977 --> 01:33:17,977 Babs. 1416 01:33:28,537 --> 01:33:33,537 So it's laughter. 1417 01:33:35,497 --> 01:33:40,177 The laughter will remember. 1418 01:33:42,337 --> 01:33:47,897 Oh, my. Oh, 1419 01:33:50,097 --> 01:33:53,097 the way we would. 1420 01:33:55,897 --> 01:33:57,937 Oh, yes. 1421 01:33:57,937 --> 01:34:01,017 Who would we. 1422 01:34:02,617 --> 01:34:13,457 Oh! Ooh, Oh, 1423 01:34:24,937 --> 01:34:28,057 thank you so much. Be. 1424 01:34:36,072 --> 01:34:39,072 Forgive me, my son. 1425 01:34:41,032 --> 01:34:43,432 My maker 1426 01:34:43,432 --> 01:34:44,751 told his tale. 1427 01:34:46,392 --> 01:34:49,912 And will tend to mine 1428 01:34:51,352 --> 01:34:53,632 the. The backbone of it all is the idea 1429 01:34:53,632 --> 01:34:56,632 of loving a character that is imperfect. 1430 01:34:56,952 --> 01:35:00,592 And for giving those imperfections, I can die. 1431 01:35:01,152 --> 01:35:02,432 And I cannot. 1432 01:35:02,432 --> 01:35:05,432 If I love. 1433 01:35:14,352 --> 01:35:15,992 Welcome back. 1434 01:35:15,992 --> 01:35:18,592 Of course, we here at the Oscars are always trying 1435 01:35:18,592 --> 01:35:21,592 to figure out ways to reach a younger demographic. 1436 01:35:21,952 --> 01:35:25,271 And I've been assured this next segment will do just that. 1437 01:35:26,992 --> 01:35:29,912 When your host matching the Oscars and genuinely 1438 01:35:29,912 --> 01:35:32,992 trying to rise up the younger demographic by going brain run mode. 1439 01:35:33,271 --> 01:35:35,992 And even though you're uncoated, it is a bunch of fame filled. 1440 01:35:35,992 --> 01:35:40,192 And because you're still is to your level or a farming six seven. 1441 01:35:42,231 --> 01:35:43,512 Well, 1442 01:35:43,512 --> 01:35:46,432 that's the message that the young people will definitely see. 1443 01:35:46,432 --> 01:35:49,432 Watching broadcast television, 1444 01:35:54,032 --> 01:35:58,952 she's appeared in 74 movies and he appeared in 74 movies last year. 1445 01:35:59,271 --> 01:36:02,952 Please welcome Oscar nominee Sigourney Weaver and Pedro Pascal 1446 01:36:08,872 --> 01:36:18,472 and the 1447 01:36:21,992 --> 01:36:24,072 production designers possess 1448 01:36:24,072 --> 01:36:28,952 a special kind of movie, Magic that happens long before the cameras roll. 1449 01:36:29,552 --> 01:36:33,512 It begins with a sketch, a texture, a doorway, 1450 01:36:33,952 --> 01:36:37,791 and suddenly an entire world exists Cities, 1451 01:36:38,231 --> 01:36:41,512 palaces, entire galaxies, 1452 01:36:41,512 --> 01:36:45,312 sometimes even alien worlds, so that our characters live in. 1453 01:36:47,432 --> 01:36:50,432 You've had some experience with those? 1454 01:36:50,512 --> 01:36:52,192 A little. 1455 01:36:52,191 --> 01:36:55,191 The good, the bad. 1456 01:36:55,312 --> 01:36:58,312 And The downright adorable. 1457 01:37:04,072 --> 01:37:07,072 Get away from him, you bitch. 1458 01:37:10,312 --> 01:37:12,711 Wow. Good character recall. 1459 01:37:12,711 --> 01:37:15,632 I peed myself a little. 1460 01:37:15,632 --> 01:37:18,632 It's my soft maternal instinct. 1461 01:37:20,912 --> 01:37:23,912 Kate. Kate. 1462 01:37:24,352 --> 01:37:27,352 I stand by it. 1463 01:37:28,432 --> 01:37:30,032 And now 1464 01:37:30,032 --> 01:37:33,512 the artists and world builders who are nominated tonight 1465 01:37:33,751 --> 01:37:36,751 for achievement in production design are 1466 01:37:46,152 --> 01:37:49,272 Frankenstein Production Design by Tamara Devereux. 1467 01:37:49,512 --> 01:37:52,432 Set decoration by Shane Vere, 1468 01:37:52,432 --> 01:37:55,672 Pam Hamnett Production Design by Fiona Crombie. 1469 01:37:55,872 --> 01:37:58,832 Set Decoration by Alice Felton. 1470 01:37:58,832 --> 01:38:00,952 Marty Supreme Production Design 1471 01:38:00,952 --> 01:38:04,512 by Jackson's set by Adam Willis. 1472 01:38:05,432 --> 01:38:09,432 One Battle after Another Production Design by Florencia Martin. 1473 01:38:09,592 --> 01:38:14,032 Set Decoration by Anthony Carlino Sinner's Production 1474 01:38:14,032 --> 01:38:18,232 Design by Hanafi Blue Set Decoration by Monique Champagne. 1475 01:38:22,791 --> 01:38:25,791 And the Oscar goes to 1476 01:38:27,072 --> 01:38:28,672 Tamara Devereaux 1477 01:38:28,672 --> 01:38:31,672 and Shane Bell for Frankenstein. 1478 01:38:34,032 --> 01:38:36,912 This is the first Oscar win and second nomination 1479 01:38:36,912 --> 01:38:41,512 for Tamara deserves a second Oscar win and fourth nomination. 1480 01:38:41,751 --> 01:38:44,751 Pushing the 1481 01:39:07,152 --> 01:39:09,752 Who Thank you to the Academy 1482 01:39:09,751 --> 01:39:13,312 and to all the other nominees for your inspired work. Wow. 1483 01:39:14,191 --> 01:39:16,072 Guillermo, where are you? 1484 01:39:16,072 --> 01:39:19,072 Thank you for your humanity and your artistry. 1485 01:39:19,312 --> 01:39:21,592 You are truly a master storyteller. 1486 01:39:21,592 --> 01:39:25,912 It was an honor for us to help steer your fantastic operatic ship, 1487 01:39:26,992 --> 01:39:30,672 huge two Miles Dale to Scott Stewart and the entire Netflix team 1488 01:39:30,672 --> 01:39:33,672 for supporting and uplifting this creative journey. 1489 01:39:34,152 --> 01:39:37,152 We share this with an amazing crew in Toronto, in the UK, U.K., 1490 01:39:37,592 --> 01:39:41,272 our scenic paint and construction, the Mod Squad. 1491 01:39:41,512 --> 01:39:43,992 So many talented hands. 1492 01:39:43,992 --> 01:39:47,512 A shout out to Guy Davis, our concept artist, and our superb 1493 01:39:48,312 --> 01:39:50,632 art director, Brant Gordon, who are here tonight. 1494 01:39:50,632 --> 01:39:53,752 First of all, thanks to our families and friends, to our moms and dads, 1495 01:39:54,112 --> 01:39:57,472 to my husband, Kenny, our kids, Rachel and David for their love and support. 1496 01:39:57,711 --> 01:40:00,472 And finally, thank you, Mary Shelley, for the story. 1497 01:40:21,632 --> 01:40:23,432 It's time to pay tribute to 1498 01:40:23,432 --> 01:40:28,032 those who pushed the boundaries of what we ever thought possible in cinema. 1499 01:40:28,232 --> 01:40:31,632 The artists who blend the virtual with the real 1500 01:40:31,872 --> 01:40:36,432 to create cinematic effects that inspire all wonder and excitement. 1501 01:40:37,992 --> 01:40:40,752 Here are this year's nominees for Achievement 1502 01:40:40,752 --> 01:40:43,752 in visual effects. 1503 01:40:45,552 --> 01:40:48,312 Avatar, Fire and Ash, Julia Terry, 1504 01:40:48,312 --> 01:40:51,312 Richard Beynon, Eric Saindon and Daniel Barratt, 1505 01:40:52,632 --> 01:40:54,792 F1, Brian Todd Hope, 1506 01:40:54,792 --> 01:40:58,352 Nicholas Chevalier, Robert Harrington and Keith Dawson. 1507 01:40:58,952 --> 01:41:01,752 Jurassic World Rebirth. David Vicary. 1508 01:41:01,752 --> 01:41:02,792 Steven Aplin. 1509 01:41:02,792 --> 01:41:05,792 Charmaine Chan and Neil Corvo. 1510 01:41:06,032 --> 01:41:08,472 The Lost Bus, Charlie Noble, 1511 01:41:08,472 --> 01:41:12,072 David's already Russell Bowen and Brandon MacLaughlin 1512 01:41:12,792 --> 01:41:15,792 sinners, Russell Aspinall, 1513 01:41:16,112 --> 01:41:19,112 Cato Walton and Donald Dean 1514 01:41:22,272 --> 01:41:23,472 And the winner. 1515 01:41:23,472 --> 01:41:26,472 And the Oscar goes to 1516 01:41:28,552 --> 01:41:31,552 Avatar Fire. 1517 01:41:34,992 --> 01:41:37,752 This is the sixth Oscar win in 12 nominations, 1518 01:41:37,752 --> 01:41:41,752 which led to a third win and third nomination for Richard being 1519 01:41:42,272 --> 01:41:45,672 the second winner and fourth time nominee Alexandre. 1520 01:41:46,152 --> 01:41:48,312 Five time nominee Daniel Patrick. 1521 01:42:13,712 --> 01:42:16,712 foremost, I think thank you to our families. 1522 01:42:17,192 --> 01:42:22,032 Honestly, the love support our wives, our partners. 1523 01:42:22,272 --> 01:42:24,192 It's like there's 2200 artists. 1524 01:42:24,192 --> 01:42:27,232 This is a massive, massive collaboration on the VFX side. 1525 01:42:27,552 --> 01:42:30,552 We also overlap with everybody on the on the movie. 1526 01:42:30,752 --> 01:42:35,592 So to all our families, it's like, this is everything. 1527 01:42:36,032 --> 01:42:38,592 Again, truly truly everything. 1528 01:42:38,592 --> 01:42:41,592 Jim Cameron Gaugamela Maha got the, 1529 01:42:42,232 --> 01:42:45,072 you know, he literally informs every frame of the movie 1530 01:42:45,072 --> 01:42:48,632 and I think has a big part of the effects to race and Cheney. 1531 01:42:49,112 --> 01:42:52,112 Everyone effects industrial light magic. 1532 01:42:52,392 --> 01:42:53,312 Thank you. 1533 01:42:53,312 --> 01:42:56,472 And to the one we're missing up here tonight, Jon Landau. 1534 01:42:56,872 --> 01:42:58,632 We miss you. 1535 01:42:58,632 --> 01:43:01,152 You're still the heart and soul of this movie. 1536 01:43:01,152 --> 01:43:03,672 Thank you. Thank you. 1537 01:43:03,672 --> 01:43:06,672 Our cast. 1538 01:43:18,313 --> 01:43:19,034 I'm sorry. 1539 01:43:19,033 --> 01:43:22,033 I was just backstage and I noticed something. 1540 01:43:22,193 --> 01:43:25,073 They cut to grow goo in the audience, 1541 01:43:25,073 --> 01:43:27,833 and I realized grow goo can't clap or 1542 01:43:29,354 --> 01:43:30,994 try to clap for you. Try. 1543 01:43:30,993 --> 01:43:32,033 Try to clap. 1544 01:43:32,033 --> 01:43:35,033 No, no. What a cruel thing to do. 1545 01:43:35,033 --> 01:43:38,033 To bring a creature who can't clap to an award show. 1546 01:43:38,113 --> 01:43:40,394 Is there no bottom to these people? 1547 01:43:40,394 --> 01:43:43,074 We'll be right back with more Oscars clad crow who? 1548 01:43:43,073 --> 01:43:46,993 Quack, quack, quack, quack. 1549 01:43:59,354 --> 01:44:02,354 His world is intricately stitched together. 1550 01:44:04,513 --> 01:44:05,633 Every thread we pull, 1551 01:44:05,633 --> 01:44:08,633 we know not how it affects the design of things. 1552 01:44:09,673 --> 01:44:12,673 This story really explores how we navigate love 1553 01:44:14,433 --> 01:44:17,433 and loss 1554 01:44:17,673 --> 01:44:20,593 as the world transforms around us. 1555 01:44:20,593 --> 01:44:22,833 Beautiful in it. 1556 01:44:22,833 --> 01:44:25,833 What is it? 1557 01:44:28,033 --> 01:44:31,033 Evan, 1558 01:44:34,273 --> 01:44:37,553 Please welcome Jimmy Kimmel and 1559 01:44:50,263 --> 01:44:51,638 Jimmy Kimmel, 1560 01:44:51,638 --> 01:44:54,718 and welcome to the 98th Annual Academy 1561 01:44:54,718 --> 01:44:57,718 Awards. 1562 01:44:58,118 --> 01:45:00,078 Wait, am I not hosting the show? 1563 01:45:00,078 --> 01:45:02,479 Oh, well, this is embarrass. 1564 01:45:02,479 --> 01:45:04,918 Actually, CONAN went outside to get some air. 1565 01:45:04,918 --> 01:45:09,438 I inadvertently exposed his face to the sun and was incinerated. So 1566 01:45:10,758 --> 01:45:13,158 I will be finishing out the rest of the program. 1567 01:45:13,158 --> 01:45:16,479 I am here to present the Oscars for documentary films, 1568 01:45:16,958 --> 01:45:19,958 and we hear a lot about 1569 01:45:22,878 --> 01:45:25,878 we hear a great deal. 1570 01:45:31,838 --> 01:45:33,479 They're going to cut down on your tickets 1571 01:45:33,479 --> 01:45:36,479 for next year. 1572 01:45:36,479 --> 01:45:38,838 We hear a lot about courage at shows like this, 1573 01:45:38,838 --> 01:45:43,598 but telling a story that could get you killed for telling it is real courage. 1574 01:45:43,918 --> 01:45:47,838 As you know, there are some countries whose leaders don't support free speech. 1575 01:45:48,598 --> 01:45:51,598 I'm not at liberty to say where. 1576 01:45:51,918 --> 01:45:54,918 Let's just leave it at North Korea and CBS. 1577 01:45:55,198 --> 01:45:58,198 Fortunately Fortunately, 1578 01:46:02,918 --> 01:46:06,838 fortunately for all of us, there is an international community of filmmakers 1579 01:46:06,838 --> 01:46:11,398 dedicated to telling the truth, oftentimes at great risk to make films. 1580 01:46:11,558 --> 01:46:15,479 Teach us that call out injustice, then inspire us to take action. 1581 01:46:15,998 --> 01:46:19,518 And there are also documentaries where you walk around the White House 1582 01:46:19,518 --> 01:46:21,118 trying on shoes. 1583 01:46:21,118 --> 01:46:24,958 Here are the nominees for documentary short film, 1584 01:46:30,318 --> 01:46:33,318 Empty Rooms, Joshua Seftel and Connell Jones. 1585 01:46:34,198 --> 01:46:35,598 Armed only with a camera. 1586 01:46:35,598 --> 01:46:39,998 The Life and Death of Brett Renaud, Craig Renaud and Juan Arredondo. 1587 01:46:40,278 --> 01:46:42,838 Children No more were and are gone. 1588 01:46:42,838 --> 01:46:45,838 De La Maddalena and Sheila Nevins. 1589 01:46:46,438 --> 01:46:47,718 The devil is busy. 1590 01:46:47,718 --> 01:46:50,718 Krystal and Hampton and Geeta are going to be 1591 01:46:51,558 --> 01:46:53,038 perfectly a strangeness. 1592 01:46:53,038 --> 01:46:56,038 Alison McAlpin 1593 01:46:59,838 --> 01:47:01,039 All right. 1594 01:47:01,038 --> 01:47:03,558 And the Oscar for documentary short 1595 01:47:03,558 --> 01:47:06,638 film goes to all the empty Rooms 1596 01:47:08,238 --> 01:47:11,238 and Joan, 1597 01:47:11,638 --> 01:47:12,838 this is the first Oscar 1598 01:47:12,838 --> 01:47:15,878 win and second nomination for Joshua Seftel 1599 01:47:16,038 --> 01:47:19,038 and Colonel Jones. 1600 01:47:36,758 --> 01:47:38,638 To the Academy, 1601 01:47:38,638 --> 01:47:41,638 to the amazing Steve Hartman, 1602 01:47:44,838 --> 01:47:47,838 both, to Netflix, Ted, Adam and Chloe, 1603 01:47:48,638 --> 01:47:51,638 and to our incredibly compassionate filmmaking team. 1604 01:47:52,158 --> 01:47:55,638 The empty rooms in our film belong belong to four young 1605 01:47:55,638 --> 01:47:58,758 children who were all killed in school shootings. 1606 01:48:00,198 --> 01:48:03,278 Holly, Gracie, Dominick and Jackie. 1607 01:48:05,558 --> 01:48:07,518 My daughter Jackie was nine 1608 01:48:07,518 --> 01:48:10,518 years old when she was killed in Uvalde. 1609 01:48:11,278 --> 01:48:14,638 Since that day, her bedroom has been frozen in time. 1610 01:48:15,598 --> 01:48:18,479 Jackie is more than just a headline. 1611 01:48:18,479 --> 01:48:21,079 She is our light and our life. 1612 01:48:21,078 --> 01:48:24,678 Gun violence is now the number one cause of death in kids and teens. 1613 01:48:25,398 --> 01:48:28,758 We believe that if the world could see their empty bedrooms, 1614 01:48:29,158 --> 01:48:30,958 would it be a different America? 1615 01:48:30,958 --> 01:48:33,958 Thank you. 1616 01:48:53,438 --> 01:48:56,438 The next Oscar is for documentary feature film, 1617 01:48:56,479 --> 01:48:59,479 which is like a documentary short film, 1618 01:49:00,438 --> 01:49:01,958 but longer. 1619 01:49:01,958 --> 01:49:04,958 Here are the nominees. 1620 01:49:08,038 --> 01:49:08,678 The Alabama 1621 01:49:08,678 --> 01:49:11,678 Solution, Andrew Direct and Charlie Kaufman. 1622 01:49:12,958 --> 01:49:14,559 Come See Me in the Good Life. 1623 01:49:14,558 --> 01:49:18,078 Ryan White, Jessica Hargrave, Tig Notaro and Stef Willard. 1624 01:49:20,038 --> 01:49:21,078 Cutting Through Rocks. 1625 01:49:21,078 --> 01:49:23,598 Sara, Kathy and Mohammad Reza. Amy. 1626 01:49:25,558 --> 01:49:27,558 Mr.. Nobody against Putin. 1627 01:49:27,558 --> 01:49:28,838 David Bornstein. 1628 01:49:28,838 --> 01:49:32,878 Paul To Lefebvre and better Caracalla 1629 01:49:34,758 --> 01:49:36,318 the perfect neighbor. 1630 01:49:36,318 --> 01:49:39,918 Either come to the release of pain me come from two 1631 01:49:40,198 --> 01:49:43,198 and Sam Bisbee. 1632 01:49:46,798 --> 01:49:48,238 Oh man, is he going to be mad? 1633 01:49:48,238 --> 01:49:51,238 His wife was nominated for this. 1634 01:49:55,238 --> 01:49:56,238 And the Oscar 1635 01:49:56,238 --> 01:49:59,958 for documentary feature film goes to Mr. 1636 01:49:59,958 --> 01:50:05,758 Nobody Against David Born to Travel to Lincoln, Alabama 1637 01:50:05,758 --> 01:50:08,758 and How to Better Kill Escobar. 1638 01:50:09,718 --> 01:50:10,878 This is the first Oscar 1639 01:50:10,878 --> 01:50:13,878 win and nomination for David Bernstein. 1640 01:50:13,998 --> 01:50:16,998 How about tons of elevating 1641 01:50:17,358 --> 01:50:20,358 angles, better covers? 1642 01:50:38,238 --> 01:50:39,838 Thank you to the academy. 1643 01:50:39,838 --> 01:50:41,079 Thank you to our family. 1644 01:50:41,078 --> 01:50:42,438 Thank you to our friends. 1645 01:50:42,438 --> 01:50:43,838 And thank you to the other 1646 01:50:43,838 --> 01:50:46,838 documentary nominees who have become such good friends of ours. 1647 01:50:47,198 --> 01:50:51,678 Mr.. Nobody against Putin is about how you lose your country 1648 01:50:52,158 --> 01:50:55,598 and what we saw when working with this footage that you it's that 1649 01:50:55,598 --> 01:50:59,598 you lose it through countless small little acts of complicity. 1650 01:51:00,158 --> 01:51:04,998 When we act complicit, when a government murders people on the streets 1651 01:51:04,998 --> 01:51:09,318 of our major cities, when we don't say anything, when the oligarchs 1652 01:51:09,558 --> 01:51:14,558 take over the media and control how we could produce it and consume it, 1653 01:51:21,078 --> 01:51:23,838 we all face a moral choice. 1654 01:51:23,838 --> 01:51:28,638 But luckily, even a nobody is more powerful than you think. 1655 01:51:28,998 --> 01:51:31,998 And here's part to Long and the main character of our film. 1656 01:51:35,078 --> 01:51:36,798 Thank you both. 1657 01:51:36,798 --> 01:51:38,598 As each theory go, there was more to him. 1658 01:51:38,598 --> 01:51:40,558 That's because Narnia is a god. 1659 01:51:40,558 --> 01:51:41,878 The were some of us. 1660 01:51:41,878 --> 01:51:44,119 Nasrallah for four years. 1661 01:51:44,118 --> 01:51:48,238 We look at the sky for a shooting stars to make a very important wish 1662 01:51:50,718 --> 01:51:53,718 nor yes training yes 1663 01:51:54,398 --> 01:51:57,519 is just the right to drone. 1664 01:51:58,038 --> 01:52:01,518 But there are countries where instead of shooting stars, 1665 01:52:01,638 --> 01:52:04,638 they have shooting bombs and shooting drones. 1666 01:52:05,118 --> 01:52:07,878 Viremia Nash of a bullish Ava via 1667 01:52:07,878 --> 01:52:11,838 Jay Aston TVG See Avoiding seashells 1668 01:52:12,438 --> 01:52:16,159 in the name of our future In the name of all of our children. 1669 01:52:16,438 --> 01:52:19,039 Stop all of these wars now 1670 01:52:20,438 --> 01:52:23,438 by C-Band 1671 01:52:43,998 --> 01:52:45,238 There's this moment 1672 01:52:45,238 --> 01:52:48,318 in the car where everything goes quiet. 1673 01:52:49,518 --> 01:52:51,798 My heartbeat slows 1674 01:52:51,798 --> 01:52:54,278 and I can see everything 1675 01:52:54,278 --> 01:52:57,278 is flying. 1676 01:53:00,158 --> 01:53:03,158 The last thing I do is drive that car. 1677 01:53:03,398 --> 01:53:06,398 I will take that life. 1678 01:53:06,718 --> 01:53:09,718 If you win, 1679 01:53:10,238 --> 01:53:13,238 you are the absolute best in the world. 1680 01:53:22,878 --> 01:53:24,318 Such a fun movie. 1681 01:53:24,318 --> 01:53:25,598 Hey, another quick, fun fact. 1682 01:53:25,598 --> 01:53:28,598 Brad Pitt and I are the exact same age. 1683 01:53:28,998 --> 01:53:29,918 True. 1684 01:53:29,918 --> 01:53:33,278 I was told this by my wife with tears streaming 1685 01:53:33,278 --> 01:53:36,278 down her face. 1686 01:53:38,838 --> 01:53:41,519 These next presenters are the only reason the phrase 1687 01:53:41,518 --> 01:53:45,278 wedding dress street diarrhea is in my search history. 1688 01:53:45,798 --> 01:53:51,039 The only reason here to celebrate the 15th anniversary of Bridesmaids, please 1689 01:53:51,038 --> 01:53:54,958 welcome Maya Rudolph, Kristen Wiig, Rose Byrne, Liz McCarthy and Ellie 1690 01:53:54,958 --> 01:53:57,958 Kemper. 1691 01:54:18,479 --> 01:54:21,159 Oh, thank you. 1692 01:54:21,158 --> 01:54:25,198 We are so happy to all be here together tonight. 1693 01:54:25,198 --> 01:54:28,518 I cannot believe that it's been 15 years now. 1694 01:54:28,518 --> 01:54:32,518 We are not good with numbers, but we figured out backstage 1695 01:54:32,518 --> 01:54:35,758 that means shot this movie in 1883. 1696 01:54:37,158 --> 01:54:37,758 Yeah. 1697 01:54:37,758 --> 01:54:40,758 And we are so happy to be back here 1698 01:54:40,798 --> 01:54:43,798 to present the Oscar for Best Score. 1699 01:54:43,878 --> 01:54:47,398 Now, a film score helps us to feel 1700 01:54:47,678 --> 01:54:50,558 it invites us into a world. 1701 01:54:50,558 --> 01:54:53,558 Oh, sorry. What's happening? 1702 01:54:53,558 --> 01:54:55,038 Oh, what are these? 1703 01:54:55,038 --> 01:54:58,038 Are these notes 1704 01:54:58,479 --> 01:54:59,798 people on the audience? 1705 01:54:59,798 --> 01:55:03,838 Oh, here I a this is strange. 1706 01:55:03,878 --> 01:55:09,878 Okay, well, mine says, first of all, you ladies look extremely beautiful tonight. 1707 01:55:09,918 --> 01:55:12,918 Oh, nine star. Thank you. 1708 01:55:13,278 --> 01:55:16,278 You're all aging well, 1709 01:55:16,678 --> 01:55:19,678 so signed Stellan Skarsgard star. 1710 01:55:26,918 --> 01:55:29,918 Oh, this one's for me. 1711 01:55:30,118 --> 01:55:32,758 Rose, can you please stop looking at me? 1712 01:55:32,758 --> 01:55:34,638 The eye contact is too much. 1713 01:55:34,638 --> 01:55:36,918 I'm thinking of leaving very uncomfortable. 1714 01:55:36,918 --> 01:55:39,918 Sincerely, Leonardo DiCaprio. 1715 01:55:44,038 --> 01:55:47,278 Oh, I apologize. 1716 01:55:47,278 --> 01:55:49,158 I have been staring at you. 1717 01:55:49,158 --> 01:55:51,838 I thought you were somebody else. 1718 01:55:51,838 --> 01:55:52,519 It happens. 1719 01:55:52,518 --> 01:55:54,198 It happens to him a lot. 1720 01:55:54,198 --> 01:55:57,198 Oh, this is a must. See. 1721 01:55:57,558 --> 01:56:00,198 I have to say mine is almost impossible to read. 1722 01:56:00,198 --> 01:56:02,598 The handwriting is really pretty terrible. 1723 01:56:02,598 --> 01:56:03,278 Says Hi. 1724 01:56:03,278 --> 01:56:06,398 I'm with Stellan Skarsgard writing my own separate note. 1725 01:56:06,398 --> 01:56:09,398 I also agree. You ladies look radiant. 1726 01:56:09,398 --> 01:56:13,438 All The things you've done to your faces are very tasteful. 1727 01:56:14,838 --> 01:56:17,838 Yours truly, Elle Fanning. 1728 01:56:17,998 --> 01:56:21,398 Oh, okay. 1729 01:56:22,078 --> 01:56:23,718 Wait, wait. There's more. 1730 01:56:23,718 --> 01:56:25,518 It says, Just kidding. 1731 01:56:25,518 --> 01:56:26,479 It's me again. 1732 01:56:26,479 --> 01:56:29,479 Stellan Skarsgard. Oh. 1733 01:56:29,678 --> 01:56:32,678 Oh, sorry. 1734 01:56:32,958 --> 01:56:33,798 Okay. All right. 1735 01:56:33,798 --> 01:56:36,798 Well, mine's kind of short. 1736 01:56:37,078 --> 01:56:39,678 You guys have been talking for a long time. 1737 01:56:39,678 --> 01:56:42,318 This bit could have been a lot shorter. 1738 01:56:42,318 --> 01:56:44,479 This is really going on and on. 1739 01:56:44,479 --> 01:56:47,838 You aren't even talking about score, that's all. 1740 01:56:48,078 --> 01:56:49,398 Love you lots. 1741 01:56:49,398 --> 01:56:52,039 Benicio Del Toro. 1742 01:56:52,038 --> 01:56:55,198 Or for those of you who refuse to learn Spanish, 1743 01:56:55,198 --> 01:56:58,918 it's Benedict of the Rings. 1744 01:57:01,398 --> 01:57:02,918 Give it up. 1745 01:57:02,918 --> 01:57:05,159 Okay, 1746 01:57:05,158 --> 01:57:05,998 I think that's me up. 1747 01:57:05,998 --> 01:57:09,358 Here we go. Well, this last one is quick. 1748 01:57:09,358 --> 01:57:12,559 It just says I'm tired and I want to go home. 1749 01:57:13,038 --> 01:57:16,038 This show is very long and there's no pizza. 1750 01:57:16,158 --> 01:57:19,158 Sign the kid from Hamlet. 1751 01:57:25,518 --> 01:57:26,358 We'll get to it. 1752 01:57:26,358 --> 01:57:29,358 The nominees for best score are 1753 01:57:33,798 --> 01:57:35,798 Frankenstein by Alexandra. 1754 01:57:35,798 --> 01:57:38,798 This pop 1755 01:57:39,958 --> 01:57:44,039 in one battle 1756 01:57:44,038 --> 01:57:47,038 after another by Jonny Greenwood, 1757 01:57:54,918 --> 01:57:57,918 Begonia by deerskin bench drinks, 1758 01:58:03,558 --> 01:58:06,558 Hamnet by Max Richter 1759 01:58:11,838 --> 01:58:14,838 Sinners by Ludvig Goransson. 1760 01:58:30,798 --> 01:58:35,118 And the Oscar goes to sinners. 1761 01:58:40,718 --> 01:58:43,718 This is the third Oscar win for Little Begotten Son, 1762 01:58:43,758 --> 01:58:46,758 who previously won in this category for Black Panther 1763 01:58:46,878 --> 01:58:49,878 and Oppenheimer. 1764 01:58:59,838 --> 01:59:02,838 Wow. Um, 1765 01:59:02,878 --> 01:59:05,238 my dad bought his first blues 1766 01:59:05,238 --> 01:59:08,238 album in Sweden 1964. 1767 01:59:08,598 --> 01:59:11,838 It was a John Lee Hooker album, and even though 1768 01:59:12,198 --> 01:59:14,238 it was on the other side of the world from the place, 1769 01:59:14,238 --> 01:59:17,238 my dad never been in the place, could not relate to. 1770 01:59:17,398 --> 01:59:20,639 The music was so powerful that it changed my dad's life and 1771 01:59:20,638 --> 01:59:22,998 he devoted his whole life to the music. 1772 01:59:22,998 --> 01:59:25,598 And when I was about seven years old, a little, 1773 01:59:26,838 --> 01:59:28,398 he put a guitar in my 1774 01:59:28,398 --> 01:59:32,918 arms and I loved the guitar and became everything to me. 1775 01:59:32,918 --> 01:59:34,198 And it was the guitar 1776 01:59:34,198 --> 01:59:37,518 that opened up a lot of doors for me, and it was the guitar that brought me 1777 01:59:37,518 --> 01:59:41,558 over to the States, and it was the guitar that eventually led me 1778 01:59:41,558 --> 01:59:44,558 to one of the greatest storytellers of our time, Ryan Coogler. 1779 01:59:48,558 --> 01:59:50,318 Ryan, 1780 01:59:50,318 --> 01:59:52,278 thank you for your vision 1781 01:59:52,278 --> 01:59:55,278 and making a movie that resonated with the world. 1782 01:59:55,438 --> 01:59:58,438 Thank you 1783 02:00:07,758 --> 02:00:13,198 so we are also here 1784 02:00:13,198 --> 02:00:16,198 to present the Oscar for Achievement in Sound. 1785 02:00:16,718 --> 02:00:20,878 You know, earlier today when I was counting my money, I asked myself, 1786 02:00:22,438 --> 02:00:24,878 What is sound, really? 1787 02:00:24,878 --> 02:00:26,158 Am I right? 1788 02:00:26,158 --> 02:00:28,718 Well, it's a mystery, Maya. 1789 02:00:28,718 --> 02:00:31,598 I mean, the best scientists, the best in the world, 1790 02:00:31,598 --> 02:00:34,798 including Steven Spielberg, and even he doesn't know. 1791 02:00:34,798 --> 02:00:38,118 So once again, I find myself disappointed with you, Steven. 1792 02:00:41,118 --> 02:00:43,638 You know, I actually think I can help out here. 1793 02:00:43,638 --> 02:00:47,678 I was just talking about this with a woman I met on a roller coaster, 1794 02:00:48,038 --> 02:00:51,078 and she said that without sound, 1795 02:00:52,438 --> 02:00:54,599 we wouldn't hear anything. 1796 02:00:54,598 --> 02:00:55,678 What? 1797 02:00:55,678 --> 02:00:56,198 Yeah. 1798 02:00:56,198 --> 02:00:57,838 Yeah, that's right, Kristen. 1799 02:00:57,838 --> 02:01:00,598 And it's especially important in film. 1800 02:01:00,598 --> 02:01:03,598 I tried watching models to frame with the volume down. 1801 02:01:03,878 --> 02:01:06,878 No idea what anybody was playing. No. 1802 02:01:08,678 --> 02:01:10,838 Curating these sounds is an art. 1803 02:01:10,838 --> 02:01:15,438 It's how directors throughout history have created the classics, their own style. 1804 02:01:15,438 --> 02:01:20,278 I mean, when we think of Martin Scorsese, we all think of his go to favorite 1805 02:01:20,598 --> 02:01:23,598 of all 1806 02:01:23,958 --> 02:01:26,958 Marty classic Marty Marty 1807 02:01:27,558 --> 02:01:29,758 and the nominees for achievement 1808 02:01:29,758 --> 02:01:32,758 in sound are 1809 02:01:35,998 --> 02:01:38,358 F1, Gareth, John, 1810 02:01:38,358 --> 02:01:40,999 Al Nelson, Gwendolyn Yates, 1811 02:01:40,998 --> 02:01:43,758 Gary Rizzo and Juan. 1812 02:01:43,758 --> 02:01:45,638 There's still a way to go in this race. 1813 02:01:46,798 --> 02:01:48,118 Frankenstein. 1814 02:01:48,118 --> 02:01:49,318 Greg Chapman. 1815 02:01:49,318 --> 02:01:51,958 Nathan Bogota. Nelson Ferrero. 1816 02:01:51,958 --> 02:01:54,958 Christian Cooke and Brad Thorn. 1817 02:01:57,758 --> 02:01:59,598 One battle after another. 1818 02:01:59,598 --> 02:02:02,878 Jose Antonio Garcia, Christopher Starr Beauchamp 1819 02:02:02,958 --> 02:02:05,958 and Tony Villa, Florida in 1820 02:02:07,238 --> 02:02:08,198 centers. 1821 02:02:08,198 --> 02:02:13,038 Chris Logan, Benjamin Abbott, Felipe Pacheco, Brendan Proctor 1822 02:02:13,158 --> 02:02:16,158 and Steve Bo Tucker. 1823 02:02:16,958 --> 02:02:19,958 See, right, Amanda, I love you. 1824 02:02:20,518 --> 02:02:23,598 Maya Casanovas and Yasmina Haidara. 1825 02:02:30,438 --> 02:02:33,679 And the Oscar goes to F1 1826 02:02:37,598 --> 02:02:40,598 for the track. 1827 02:02:42,998 --> 02:02:46,678 This is the first Oscar win and for full time nominee Gwendolyn 1828 02:02:46,678 --> 02:02:49,958 Yates, Whitaker and first time nominee Juan Peralta, 1829 02:02:50,678 --> 02:02:54,638 the second win and second nomination for Gareth, John and Al Nelson 1830 02:02:55,158 --> 02:02:57,958 and the third win an eighth nomination for Gary. 1831 02:02:57,958 --> 02:03:00,958 I was a 1832 02:03:15,798 --> 02:03:18,798 thank you to the Academy. 1833 02:03:19,598 --> 02:03:21,838 I want to thank Joe Kosinski. 1834 02:03:21,838 --> 02:03:23,358 You're a genius. 1835 02:03:23,358 --> 02:03:26,358 Jerry Bruckheimer, Brad Pitt, Plan B, 1836 02:03:27,038 --> 02:03:29,758 Lewis Hamilton, Formula One, and everyone at Apple for supporting 1837 02:03:29,758 --> 02:03:31,758 such a fun cinematic experience. 1838 02:03:31,758 --> 02:03:33,758 This award is for the whole production sound team. 1839 02:03:33,758 --> 02:03:35,999 Everyone at Skywalker Sound, thanks to Hans Zimmer 1840 02:03:35,998 --> 02:03:38,998 and a big shout out to our amazing first lady, Toby Pfefferman. 1841 02:03:39,038 --> 02:03:41,838 It's for our partners, our parents, our children 1842 02:03:43,278 --> 02:03:45,278 that. 1843 02:03:45,278 --> 02:03:47,798 Excuse me. 1844 02:03:47,798 --> 02:03:50,039 Sorry, sorry, sorry, sir. 1845 02:03:50,038 --> 02:03:52,638 Our gratitude goes to our partners, our parents, 1846 02:03:52,638 --> 02:03:54,238 our children and grandchildren. 1847 02:03:54,238 --> 02:03:57,238 Movies are made for you. Go see the block. 1848 02:03:57,558 --> 02:03:58,998 Go see the blockbusters. 1849 02:03:58,998 --> 02:04:00,638 Go see the Independent. 1850 02:04:00,638 --> 02:04:02,238 Be inspired. Go with a friend. 1851 02:04:02,238 --> 02:04:04,118 Get a fresh point of view. 1852 02:04:04,118 --> 02:04:07,118 Thank You 1853 02:04:13,038 --> 02:04:16,238 please welcome the president of the Academy of Motion 1854 02:04:16,238 --> 02:04:19,758 Picture Arts and Sciences, Leonard Taylor. 1855 02:04:30,598 --> 02:04:32,118 For 98 years 1856 02:04:32,118 --> 02:04:35,278 you have heard the words Thank you to the Academy. 1857 02:04:36,038 --> 02:04:39,038 But have you ever wondered who is the Academy? 1858 02:04:39,198 --> 02:04:42,718 The Academy of Motion Picture Arts and Sciences is over 1859 02:04:42,718 --> 02:04:46,198 11,000 storytellers from all over the world. 1860 02:04:46,678 --> 02:04:50,598 And yes, we are most known for giving out awards on this night. 1861 02:04:50,918 --> 02:04:54,039 But the Academy's work extends far beyond this stage. 1862 02:04:54,878 --> 02:04:57,878 Last year at the scientific and technical Awards, 1863 02:04:57,918 --> 02:05:02,039 we honored 14 innovations that pushed filmmaking forward, 1864 02:05:02,358 --> 02:05:05,878 and we awarded an Oscar to the community that created 1865 02:05:05,878 --> 02:05:11,438 and supports captioning accepted by the trailblazing Marlee Matlin 1866 02:05:18,518 --> 02:05:20,118 at the Student Academy Awards. 1867 02:05:20,118 --> 02:05:24,318 We champion the next generation of filmmakers and celebrate extraordinary 1868 02:05:24,318 --> 02:05:27,878 lifetime contributions to cinema at the annual Governors awards 1869 02:05:28,118 --> 02:05:32,718 where last year Tom Cruise, Debbie Allen when Thomas and Dolly 1870 02:05:32,718 --> 02:05:35,718 parton were honored. 1871 02:05:39,438 --> 02:05:40,639 We also preserve, 1872 02:05:40,638 --> 02:05:43,678 curate and program our global film history 1873 02:05:43,958 --> 02:05:47,238 through the 52 million items in our Academy collection 1874 02:05:47,398 --> 02:05:50,599 and our spectacular Academy Museum of Motion Pictures. 1875 02:05:56,438 --> 02:05:58,398 Growing up in Liverpool, England, 1876 02:05:58,398 --> 02:06:01,639 it was the movies that connected me to the rest of the world. 1877 02:06:02,318 --> 02:06:05,318 We all need the joy and entertainment of cinema. 1878 02:06:05,878 --> 02:06:10,158 Films that shine a light on truth, illuminate our complicated history 1879 02:06:10,438 --> 02:06:13,718 and connect us through our diverse experiences. 1880 02:06:14,158 --> 02:06:16,878 Movies can change perspectives. 1881 02:06:16,878 --> 02:06:20,599 So tonight, I would like to say thank you to the Academy, 1882 02:06:20,998 --> 02:06:25,398 because I don't know where any of us would be without our storytellers. 1883 02:06:28,718 --> 02:06:30,358 She wasn't just a movie star. 1884 02:06:30,358 --> 02:06:31,878 She was iconic. 1885 02:06:31,878 --> 02:06:33,958 Marilyn Monroe, Hollywood Icon. 1886 02:06:33,958 --> 02:06:38,918 The new exhibition opening May 31st at the Museum of Motion Pictures 1887 02:06:38,918 --> 02:06:43,119 in Los Angeles, featuring a stunning array of original objects, 1888 02:06:43,118 --> 02:06:46,398 an extensive showcase of Marilyn's movie costumes. 1889 02:06:46,758 --> 02:06:49,918 Tickets are on sale now at Academy Museum Doors 1890 02:07:02,054 --> 02:07:04,294 in two key 1891 02:07:04,293 --> 02:07:06,333 features for the school night. 1892 02:07:06,333 --> 02:07:07,494 Jessica comes to us from Peter. 1893 02:07:07,494 --> 02:07:12,293 But I didn't really to make a film about the dictatorship. 1894 02:07:13,374 --> 02:07:16,374 I wanted to rebuild a sense of time 1895 02:07:16,773 --> 02:07:18,934 in very difficult situations, 1896 02:07:18,934 --> 02:07:21,934 and people get together, and they protect each other. 1897 02:07:22,374 --> 02:07:24,974 To view 1898 02:07:24,974 --> 02:07:27,974 the two for two 1899 02:07:28,133 --> 02:07:31,133 can of event, 1900 02:07:37,454 --> 02:07:38,534 please welcome Bill 1901 02:07:38,534 --> 02:07:41,534 Pullman and Louis Pullman. 1902 02:07:50,894 --> 02:07:52,173 Yeah. 1903 02:07:52,173 --> 02:07:53,454 Film editing. 1904 02:07:53,454 --> 02:07:57,374 It's sometimes it can seem almost like it's an invisible art form. 1905 02:07:57,733 --> 02:07:58,534 You know? 1906 02:07:58,534 --> 02:07:59,293 It's right. Yeah. 1907 02:07:59,293 --> 02:08:02,293 The better the editing, the less it stands out. 1908 02:08:02,374 --> 02:08:06,414 But behind the scenes, editors are always shaping the story. 1909 02:08:07,014 --> 02:08:08,333 Yeah, kind of like 1910 02:08:10,133 --> 02:08:13,133 growing up with the famous dad. 1911 02:08:14,374 --> 02:08:15,374 Yeah. 1912 02:08:15,374 --> 02:08:17,333 Yeah, a little bit. 1913 02:08:17,333 --> 02:08:19,813 Yeah. 1914 02:08:19,813 --> 02:08:24,614 But I didn't really shape anything, you know, I stayed behind the scenes, and 1915 02:08:24,653 --> 02:08:29,293 I did think that there would be a place for you in livestock management, right? 1916 02:08:29,293 --> 02:08:29,854 That's right. 1917 02:08:29,854 --> 02:08:32,293 Yeah, but that didn't really work out. 1918 02:08:32,293 --> 02:08:33,054 Yeah, Yeah. 1919 02:08:33,054 --> 02:08:34,534 Big disappointment there. But. 1920 02:08:34,534 --> 02:08:37,454 Yeah, but you know, you all on your own. 1921 02:08:37,454 --> 02:08:40,454 You did just fine. 1922 02:08:40,454 --> 02:08:43,054 Thank you for saying that. 1923 02:08:43,054 --> 02:08:44,054 We're lucky. 1924 02:08:44,054 --> 02:08:48,134 Turns out audiences don't always, you know, mine, the sequel. 1925 02:08:49,054 --> 02:08:54,934 I hope that they like the sequel even more than the original, but a little more. 1926 02:08:55,014 --> 02:08:58,014 Well, jury's still out. Yeah, 1927 02:08:58,574 --> 02:09:00,454 but tonight we're lucky 1928 02:09:00,454 --> 02:09:04,253 because we get to celebrate the artists who make the final cut. 1929 02:09:05,213 --> 02:09:07,133 The editors 1930 02:09:07,133 --> 02:09:08,094 here are the nominees. 1931 02:09:12,894 --> 02:09:15,454 F1 Steven Marion. 1932 02:09:15,454 --> 02:09:18,454 I hear my name through 1933 02:09:18,934 --> 02:09:19,454 worse. 1934 02:09:19,454 --> 02:09:22,454 My bad, 1935 02:09:22,494 --> 02:09:23,813 Marty Supreme, 1936 02:09:23,813 --> 02:09:26,813 Ronald Bronstein and Josh Safdie. 1937 02:09:28,854 --> 02:09:32,253 Just one battle after another. 1938 02:09:32,414 --> 02:09:35,414 Andy Jurgensen 1939 02:09:40,693 --> 02:09:41,974 Sentimental Value. 1940 02:09:41,974 --> 02:09:44,974 Olivia Booga Cutie 1941 02:09:49,054 --> 02:09:49,813 Sinners. 1942 02:09:49,813 --> 02:09:52,813 Michael Piece of 1943 02:10:06,173 --> 02:10:08,974 And the winner is 1944 02:10:08,974 --> 02:10:12,134 one battle after another and knee 1945 02:10:12,173 --> 02:10:15,173 jerk action 1946 02:10:16,054 --> 02:10:17,813 This is the first Oscar win I'm 1947 02:10:17,813 --> 02:10:20,813 nomination for Andy Jurgensen 1948 02:10:29,213 --> 02:10:33,494 Well well thank you very much. 1949 02:10:35,133 --> 02:10:37,333 First off, I want to give a shout out to all my friends 1950 02:10:37,333 --> 02:10:40,333 who are at a bar right now watching me so 1951 02:10:40,733 --> 02:10:43,733 you can order shots now 1952 02:10:44,414 --> 02:10:47,454 I want to give a special thank you to my editorial crew 1953 02:10:48,054 --> 02:10:50,934 who worked their butts off behind the scenes. 1954 02:10:50,934 --> 02:10:52,534 You guys are amazing. 1955 02:10:52,534 --> 02:10:53,374 Thank you to Paul. 1956 02:10:53,374 --> 02:10:56,974 Thank you for taking me on this journey and our collaboration. 1957 02:10:57,974 --> 02:11:00,974 Thank you to the wonderful cast and crew. 1958 02:11:01,773 --> 02:11:05,574 Loved to my parents and sisters who are up in the balcony somewhere, 1959 02:11:05,813 --> 02:11:10,094 and to my partner Bill, who brings so much joy to my life every day. 1960 02:11:10,894 --> 02:11:13,854 And lastly, I would like to dedicate this to my Aunt 1961 02:11:13,854 --> 02:11:18,414 Barbara Hall, who was a film archivist for the Academy for over 25 years. 1962 02:11:19,733 --> 02:11:21,894 She loved her job and she loved 1963 02:11:21,894 --> 02:11:25,094 showing me old and teaching me about film history. 1964 02:11:25,333 --> 02:11:26,974 And I miss her every day. 1965 02:11:26,974 --> 02:11:29,694 And I would not be up here if it wasn't for her and my Uncle Val. 1966 02:11:29,693 --> 02:11:31,813 So thank you very much. 1967 02:11:31,813 --> 02:11:34,813 Thank you. 1968 02:11:42,494 --> 02:11:45,773 Please welcome Oscar nominee Demi Moore. 1969 02:12:01,133 --> 02:12:02,614 Cinematography 1970 02:12:02,614 --> 02:12:05,614 is the language of light and movement. 1971 02:12:05,974 --> 02:12:09,534 It's how a film breathes, how a moment becomes. 1972 02:12:11,173 --> 02:12:12,773 It's what makes us feel. 1973 02:12:12,773 --> 02:12:16,894 Turning images into emotion and moments into memory. 1974 02:12:17,374 --> 02:12:21,293 Tonight, we honor the storytellers who shaped the way we see a film. 1975 02:12:21,733 --> 02:12:24,733 Here are the nominees for achievement in cinematography. 1976 02:12:29,374 --> 02:12:32,374 Frankenstein, Dan Lutz and 1977 02:12:33,374 --> 02:12:36,374 Marty Supreme Country. 1978 02:12:37,614 --> 02:12:39,174 One Battle after Another. 1979 02:12:39,173 --> 02:12:42,173 Michael Baumann. 1980 02:12:42,253 --> 02:12:43,054 Sinners. 1981 02:12:43,054 --> 02:12:46,054 Adam Duvall. 1982 02:12:46,733 --> 02:12:48,213 Train Dreams. 1983 02:12:48,213 --> 02:12:51,213 A Doctor was amazing. 1984 02:12:55,253 --> 02:12:58,253 And the Oscar goes to 1985 02:12:59,414 --> 02:13:02,414 sinners. Adam 1986 02:13:06,773 --> 02:13:08,374 This is the first Oscar winner 1987 02:13:08,374 --> 02:13:11,374 and nomination for all time dwelling Occupy 1988 02:14:00,974 --> 02:14:05,654 oh eight And 1989 02:14:06,173 --> 02:14:09,173 where are you at? 1990 02:14:12,454 --> 02:14:15,454 Well, um, 1991 02:14:15,773 --> 02:14:18,094 whenever I say thank you to Ryan, 1992 02:14:18,094 --> 02:14:20,934 he replies and says, No, thank you. 1993 02:14:20,934 --> 02:14:24,494 Thank you for believing in me and thank you for trusting me. 1994 02:14:24,534 --> 02:14:27,374 And that's the kind guy that I get to make films with. 1995 02:14:27,374 --> 02:14:30,173 Um, it's a very, 1996 02:14:30,173 --> 02:14:32,293 very honorable person. 1997 02:14:32,293 --> 02:14:35,693 Um, and he means it, and he really truly means it. 1998 02:14:35,693 --> 02:14:39,253 And I feel like I had to meet him. 1999 02:14:39,253 --> 02:14:42,854 Like this little girl that their mother who's over 2000 02:14:42,854 --> 02:14:45,974 there told them that they could do anything, had to meet Ryan. 2001 02:14:46,773 --> 02:14:49,614 That girl also had to look up Ellen Cross's 2002 02:14:49,614 --> 02:14:52,774 name, who's also in this room today. Um, 2003 02:14:54,173 --> 02:14:55,333 and that girl also 2004 02:14:55,333 --> 02:14:58,333 had to meet Rachel Morrison. 2005 02:14:59,494 --> 02:15:00,333 Um, I'm 2006 02:15:00,333 --> 02:15:04,173 so honored to be here, and I really want all the women in the room to stand up 2007 02:15:04,934 --> 02:15:07,534 because I feel like I don't get here 2008 02:15:07,534 --> 02:15:10,534 without you guys. 2009 02:15:24,173 --> 02:15:27,173 I really, really, truly mean that. 2010 02:15:27,773 --> 02:15:31,333 Um, I have felt so much love from all the women 2011 02:15:31,454 --> 02:15:35,293 on this whole campaign and gotten to meet so many people. 2012 02:15:35,614 --> 02:15:38,694 And I just feel like moments like this happened because of you guys. 2013 02:15:38,693 --> 02:15:41,534 And I want to thank you for that. I want to thank Warner Brothers. 2014 02:15:41,534 --> 02:15:44,293 Lindsey serve my whole crew. 2015 02:15:44,293 --> 02:15:49,653 Ethan, Brian, McGill, Dre, Josh, all people that work their hearts out. 2016 02:15:49,974 --> 02:15:51,614 And my cast. 2017 02:15:51,614 --> 02:15:54,894 Michael, Delroy, Rumi, Miles, 2018 02:15:54,894 --> 02:15:57,894 Jamie, Omar, Lily, 2019 02:15:58,653 --> 02:16:01,653 Jack, Hailey. 2020 02:16:01,813 --> 02:16:03,293 These are so beautiful. 2021 02:16:03,293 --> 02:16:04,614 These people are so beautiful. 2022 02:16:04,614 --> 02:16:07,174 And I'm honored to be there photographing them. 2023 02:16:07,173 --> 02:16:10,574 And my husband and my son, Aiden, and my parents back there. 2024 02:16:10,934 --> 02:16:13,934 Thank you so much. This is this is an honor. 2025 02:16:14,253 --> 02:16:14,773 Thank you. 2026 02:16:43,973 --> 02:16:46,973 Demons have always been terrible, 2027 02:16:47,093 --> 02:16:49,133 stealing our souls and channeling 2028 02:16:49,133 --> 02:16:52,133 strength back to their 2029 02:16:53,053 --> 02:16:56,053 until humans arose to defend us. 2030 02:16:57,173 --> 02:17:00,253 Born with voices that could drive back the darkness 2031 02:17:01,293 --> 02:17:03,534 our music ignites soul and brings 2032 02:17:03,534 --> 02:17:06,534 people together. 2033 02:17:18,173 --> 02:17:22,374 With this connection, the first hunters created a shield to protect. 2034 02:17:22,374 --> 02:17:27,854 Oh, I know that To be false, to view 2035 02:17:28,854 --> 02:17:29,574 the world. 2036 02:17:29,574 --> 02:17:31,614 Who knew you as pop stars? 2037 02:17:31,614 --> 02:17:34,253 But you be much more than God. 2038 02:17:34,253 --> 02:17:37,253 You will be centers. 2039 02:17:53,093 --> 02:17:54,173 I was a girl. 2040 02:17:54,173 --> 02:17:55,333 I was alone. 2041 02:17:55,333 --> 02:17:58,093 Who told you 2042 02:17:58,374 --> 02:18:00,933 I'm gay 2043 02:18:00,933 --> 02:18:01,933 in the throng. 2044 02:18:01,933 --> 02:18:04,933 I didn't know who to believe. 2045 02:18:05,093 --> 02:18:06,654 I was a queen. 2046 02:18:06,654 --> 02:18:11,454 Determined to be to Nigerian people side. 2047 02:18:12,173 --> 02:18:18,574 I tell to 2048 02:18:20,454 --> 02:18:23,694 tell the state 2049 02:18:24,293 --> 02:18:29,213 that anyone should become but 2050 02:18:31,093 --> 02:18:33,013 be dreaming. 2051 02:18:33,013 --> 02:18:35,414 Making sure 2052 02:18:35,414 --> 02:18:38,734 whoever we 2053 02:18:39,854 --> 02:18:44,534 go, go. 2054 02:18:47,253 --> 02:18:50,173 Yeah. 2055 02:18:50,173 --> 02:18:52,093 You're 2056 02:18:52,093 --> 02:18:55,093 gonna be 2057 02:18:57,173 --> 02:18:59,013 outside 2058 02:18:59,013 --> 02:19:04,614 like no, 2059 02:19:06,614 --> 02:19:09,614 that's right. 2060 02:19:10,973 --> 02:19:13,973 You know, 2061 02:19:18,293 --> 02:19:23,814 like these guys 2062 02:19:50,213 --> 02:19:53,213 coming off the award for Best Original song. 2063 02:19:53,213 --> 02:19:55,933 To hear all of tonight's original song nominees. 2064 02:19:55,933 --> 02:19:58,933 Scan the QR code on your screen. Now. 2065 02:20:14,539 --> 02:20:15,939 Guess this is the end of the line. 2066 02:20:15,939 --> 02:20:18,939 N ot for you 2067 02:20:20,298 --> 02:20:22,659 Revolution begins by any means. 2068 02:20:22,659 --> 02:20:24,139 I need to find my daughter. 2069 02:20:24,138 --> 02:20:27,258 I've been holding on to something for a while now. 2070 02:20:28,659 --> 02:20:30,659 I wanted to protect you. 2071 02:20:30,659 --> 02:20:33,659 I cannot remember the answer to your question. 2072 02:20:33,739 --> 02:20:34,819 I understand. 2073 02:20:34,819 --> 02:20:37,819 And the question is 2074 02:20:51,258 --> 02:20:52,779 this is a historic night. 2075 02:20:52,779 --> 02:20:56,259 I believe Autumn Durand, aka Power, was the first woman to win 2076 02:20:56,258 --> 02:20:59,338 Best Cinematography, The amazing, 2077 02:21:00,819 --> 02:21:03,819 incredible, really. 2078 02:21:05,418 --> 02:21:07,499 I love that. 2079 02:21:07,499 --> 02:21:10,739 One of our next presenters is married to one of the Jonas Brothers. 2080 02:21:10,739 --> 02:21:13,059 The other pronounces them Jonas Brothers. 2081 02:21:13,058 --> 02:21:17,138 Please welcome Priyanka Jonas and Oscar winner Honey are Bardem 2082 02:21:34,819 --> 02:21:37,259 not to walk 2083 02:21:37,258 --> 02:21:40,258 on free Palestine. 2084 02:21:46,418 --> 02:21:47,098 My love 2085 02:21:47,098 --> 02:21:50,098 for cinema comes from his unique ability 2086 02:21:50,338 --> 02:21:53,338 to connect the human experience across cultures. 2087 02:21:53,819 --> 02:21:57,579 The nominees for international feature film brings us stories 2088 02:21:57,579 --> 02:21:58,859 from around the world. 2089 02:21:58,859 --> 02:22:02,739 It's rooted in forces that are deeply familiar to us all, 2090 02:22:04,539 --> 02:22:06,579 visceral and engrossing. 2091 02:22:06,579 --> 02:22:10,859 They remind us that international is never truly far away 2092 02:22:11,418 --> 02:22:14,019 because every story sends a ripple 2093 02:22:14,019 --> 02:22:16,859 far beyond where it begins. 2094 02:22:16,859 --> 02:22:20,019 Here are the nominees for Best International feature film 2095 02:22:24,218 --> 02:22:25,178 from Brazil. 2096 02:22:25,178 --> 02:22:28,619 The secret agent broke the bones of film 2097 02:22:30,218 --> 02:22:31,138 from France. 2098 02:22:31,138 --> 02:22:34,539 It was just an action and directed by Jennifer McCarthy 2099 02:22:36,178 --> 02:22:36,979 from Norway. 2100 02:22:36,979 --> 02:22:40,099 Sentimental Value, directed by Yong Kim, created 2101 02:22:41,378 --> 02:22:43,258 from Spain, 2102 02:22:43,258 --> 02:22:46,258 directed by Oliver Lussier 2103 02:22:46,258 --> 02:22:51,298 from Tunisia, the voice of King Raja, directed by Countach, Ben Kano. 2104 02:22:55,699 --> 02:23:00,779 Hey, and the Oscar goes to Sentimental Value 2105 02:23:00,939 --> 02:23:03,939 movie was here. 2106 02:23:08,939 --> 02:23:12,458 This is the first Oscar win and seventh nomination for Norway. 2107 02:23:12,739 --> 02:23:15,939 Sentimental Value has nine nominations, including 2108 02:23:15,939 --> 02:23:18,939 Best Picture. 2109 02:23:38,298 --> 02:23:41,298 Oh, it's. 2110 02:23:42,819 --> 02:23:44,059 Thank you. 2111 02:23:44,058 --> 02:23:46,058 Oh, my goodness. 2112 02:23:46,058 --> 02:23:48,178 Thank you so much. 2113 02:23:48,178 --> 02:23:49,779 I'm just a film nerd from Norway. 2114 02:23:49,779 --> 02:23:50,539 Thank you so much. 2115 02:23:50,539 --> 02:23:51,619 Honestly, the work. 2116 02:23:51,619 --> 02:23:56,019 Many thanks to the academy and and thanks to Neon, 2117 02:23:56,019 --> 02:23:59,019 who brought our film over here to help us 2118 02:23:59,619 --> 02:24:02,258 with this film. 2119 02:24:02,258 --> 02:24:05,499 It's about a very dysfunctional family, and it's the opposite of what I felt 2120 02:24:05,499 --> 02:24:07,659 with this beautiful group behind me. 2121 02:24:07,659 --> 02:24:11,739 I think I make films to feel at home with people and I've really felt at home 2122 02:24:11,739 --> 02:24:12,779 with the crew. 2123 02:24:12,779 --> 02:24:16,259 There's 1072 people on these credits and I love them all, 2124 02:24:16,258 --> 02:24:17,499 and I share this with them. 2125 02:24:17,499 --> 02:24:19,819 The cast behind me, I've never been so proud. 2126 02:24:19,819 --> 02:24:20,378 Thanks for 2127 02:24:21,619 --> 02:24:23,819 wanting to work with me, 2128 02:24:23,819 --> 02:24:27,219 my real family, my mom and dad for showing me movies, 2129 02:24:27,539 --> 02:24:32,258 my wife Hella for, you know, it's not so easy to be with filmmakers. 2130 02:24:32,258 --> 02:24:35,178 I love you, my kids. 2131 02:24:35,178 --> 02:24:39,418 It might be a good idea and I want to 2132 02:24:39,819 --> 02:24:43,139 because I'm in this category and I feel I represent global filmmakers. 2133 02:24:43,138 --> 02:24:46,819 And in a moment like this, I just want to recognize the wonderful films 2134 02:24:47,859 --> 02:24:51,659 we were nominated together with important, beautiful film 2135 02:24:51,659 --> 02:24:55,539 that reflect our present crisis and the crisis of the past. 2136 02:24:55,779 --> 02:25:00,579 And I want to end by quoting or not actually quoting, paraphrasing, rather, 2137 02:25:00,819 --> 02:25:03,819 the wonderful American writer James Baldwin, 2138 02:25:03,939 --> 02:25:06,339 who makes us remember that 2139 02:25:06,338 --> 02:25:11,499 all adults are responsible, all children, and let's not vote 2140 02:25:11,499 --> 02:25:14,499 for a politician who does not take this seriously into account. 2141 02:25:15,178 --> 02:25:16,098 Okay. Thank you. 2142 02:25:40,739 --> 02:25:43,859 Please welcome Oscar winner Lionel Richie. 2143 02:25:58,979 --> 02:26:10,379 Oh, all right, All right. 2144 02:26:10,579 --> 02:26:13,579 Okay. All right, 2145 02:26:13,899 --> 02:26:15,299 all right. I'm back. 2146 02:26:15,298 --> 02:26:17,739 I'm back, I'm back. 2147 02:26:17,739 --> 02:26:20,298 Wow. Let me just tell you, all 40 years ago, 2148 02:26:20,298 --> 02:26:24,619 I was lucky enough to stand on this stage and win an Oscar for 2149 02:26:24,619 --> 02:26:27,619 say you say me from the movie White Knights. 2150 02:26:31,058 --> 02:26:33,138 Did I just say 40 years ago? 2151 02:26:33,138 --> 02:26:36,138 That's. That's ridiculous. 2152 02:26:36,418 --> 02:26:38,579 And now I'm tortured with the idea 2153 02:26:38,579 --> 02:26:41,579 that my birthday comes every Thursday. 2154 02:26:41,659 --> 02:26:43,859 It's getting worse by the minute. 2155 02:26:43,859 --> 02:26:46,859 Stories cannot be told without music. 2156 02:26:46,859 --> 02:26:49,619 And let me tell you, writing a song for a movie 2157 02:26:49,619 --> 02:26:52,619 is not as easy as you may think. 2158 02:26:52,899 --> 02:26:58,019 You're asked to capture the heart and soul of a story in just a few minutes. 2159 02:26:58,739 --> 02:27:01,859 Tonight, we're going to celebrate these writers. 2160 02:27:02,378 --> 02:27:06,539 Here are the nominees for Best Original Song 2161 02:27:11,019 --> 02:27:12,819 Dear Me from Diane Warren, 2162 02:27:12,819 --> 02:27:15,819 Relentless Music and Lyrics by Diane Warren. 2163 02:27:17,499 --> 02:27:19,859 Gonna be all right. 2164 02:27:19,859 --> 02:27:22,859 All right. 2165 02:27:23,258 --> 02:27:25,539 Pass me on. 2166 02:27:25,539 --> 02:27:30,579 The pain is All Gonna See You Train Dreams 2167 02:27:30,699 --> 02:27:36,218 From Train Dreams Music by Nick and Bryce Dessner Lyrics by Nick Cave. 2168 02:27:36,258 --> 02:27:41,019 Lately I've been dreaming these crazy dreams. 2169 02:27:41,019 --> 02:27:47,299 I can't explain a woman standing in a few flowers and screaming 2170 02:27:47,298 --> 02:27:52,178 and a locomotive dreaming crazy dreams that go on for 2171 02:27:53,178 --> 02:27:55,979 sweet dreams of joy From Viva Verdi 2172 02:27:55,979 --> 02:28:04,219 Music and Lyrics by Nicholas Pike Oh, 2173 02:28:07,539 --> 02:28:12,939 so I Lied to You from Sinners, 2174 02:28:13,178 --> 02:28:16,699 Music and Lyrics by Raphael Saadiq and new Dancing 2175 02:28:17,739 --> 02:28:22,338 Golden from K-Pop Demon Hunter's Music and Lyrics by D.J. 2176 02:28:22,539 --> 02:28:24,579 Mark Sunday, June two. 2177 02:28:24,579 --> 02:28:28,539 What you Honey Key to Mom, Chunky, 2178 02:28:28,579 --> 02:28:31,579 Soft and Teddy Pop. 2179 02:28:36,178 --> 02:28:38,298 And the Oscar goes to 2180 02:28:42,579 --> 02:28:45,579 Golden 2181 02:28:49,539 --> 02:28:52,779 Goose and K-Pop Demon Hunter has just made Academy 2182 02:28:52,779 --> 02:28:57,579 Awards history becoming first K-Pop song to win Best Original Song. 2183 02:28:58,378 --> 02:29:00,699 This is the first Oscar nomination 2184 02:29:00,699 --> 02:29:03,699 for each of the songwriting team. 2185 02:29:11,178 --> 02:29:14,178 Thank Like you. 2186 02:29:16,298 --> 02:29:19,298 so much to the Academy State Awards. 2187 02:29:19,539 --> 02:29:22,539 We got three 2188 02:29:22,899 --> 02:29:23,779 oh going up. 2189 02:29:23,779 --> 02:29:26,259 You know, people make fun of me, like in K-Pop, 2190 02:29:26,258 --> 02:29:30,739 but now they're everyone's singing our song and all the lyrics. 2191 02:29:30,739 --> 02:29:32,378 I'm so proud. 2192 02:29:32,378 --> 02:29:34,619 And I realized, like the song 2193 02:29:34,619 --> 02:29:37,859 this award is about, not about success, it's about resilience. 2194 02:29:38,499 --> 02:29:42,019 And I'm just so grateful to our team and. 2195 02:29:42,699 --> 02:29:46,019 I just want to thank my mom or dad, my brother, 2196 02:29:46,019 --> 02:29:49,339 my fiance, my manager, of course, for always staying with me. 2197 02:29:49,338 --> 02:29:53,458 And I also want to think, of course, the resilience has kept you and Hunter's. 2198 02:29:53,458 --> 02:29:55,659 Thank you so much to Maggie King and to Chris 2199 02:29:55,659 --> 02:29:59,378 Hawes, that our producer, Michelle Ward, thank you so much for this film. 2200 02:29:59,418 --> 02:30:02,019 Thank you to Netflix. Thank you. Sony Animation. 2201 02:30:02,019 --> 02:30:05,500 Thank you for Eisendrath and Spring Casper's. And 2202 02:30:07,258 --> 02:30:10,258 I do like to. 2203 02:30:21,739 --> 02:30:24,739 come, the awards for best director and best actor. 2204 02:30:25,019 --> 02:30:28,019 Here on the Oscars from the Dolby Theater at a function 2205 02:30:28,058 --> 02:30:31,058 in Hollywood. 2206 02:30:37,714 --> 02:30:39,315 We're back at the Oscars. 2207 02:30:39,315 --> 02:30:42,435 Please welcome Zendaya and Robert Pattinson. 2208 02:30:56,794 --> 02:30:59,315 Directing is a rare kind of vision. 2209 02:30:59,315 --> 02:31:02,435 It's the ability to see a whole world for anyone else can 2210 02:31:02,834 --> 02:31:06,075 and then invite hundreds of people to help bring it to life. 2211 02:31:06,554 --> 02:31:11,235 Actors, designers, cinematographers, editors, all guided by their voice. 2212 02:31:12,235 --> 02:31:14,995 The five filmmakers we celebrate tonight, each created 2213 02:31:14,995 --> 02:31:18,875 something unforgettable stories that moved us, surprised us, 2214 02:31:19,155 --> 02:31:22,155 and reminded us why we love going to the movies. 2215 02:31:22,674 --> 02:31:25,674 Here are the nominees for achievement in directing 2216 02:31:29,474 --> 02:31:32,474 Chloe Zhao and 2217 02:31:33,754 --> 02:31:36,754 Josh Safdie, Matthew suffering, 2218 02:31:37,834 --> 02:31:40,834 Paul Thomas Anderson, One Battle after another. 2219 02:31:41,794 --> 02:31:44,195 Yong Kim Trip Sentimental not for 2220 02:31:45,514 --> 02:31:46,754 Ryan Coogler. 2221 02:31:46,754 --> 02:31:49,754 Since 2222 02:31:54,995 --> 02:31:57,995 and the Oscar goes to 2223 02:31:58,594 --> 02:32:00,075 one battle after another. 2224 02:32:00,075 --> 02:32:03,075 Paul Thomas Anderson 2225 02:32:04,955 --> 02:32:06,554 This is the second Oscar win 2226 02:32:06,554 --> 02:32:09,875 tonight and 14th nomination for Paul Thomas. 2227 02:32:09,875 --> 02:32:12,875 Anderson, 2228 02:32:35,834 --> 02:32:37,754 thank you very much. 2229 02:32:37,754 --> 02:32:39,155 Thank you very, very, very much. 2230 02:32:39,155 --> 02:32:40,915 You make a guy work for one of these. 2231 02:32:40,915 --> 02:32:43,915 I really appreciate it. 2232 02:32:45,594 --> 02:32:47,115 I share this 2233 02:32:47,115 --> 02:32:50,115 with a friend of mine on the other side of the shadows 2234 02:32:50,434 --> 02:32:53,434 who name Adam Sumner, who's up at a 2235 02:32:55,195 --> 02:32:57,875 is it up in a really big bar up in the sky right now? 2236 02:32:57,875 --> 02:33:00,915 And he's having a gin and tonic and he is so happy for me 2237 02:33:01,355 --> 02:33:04,355 and our crew. 2238 02:33:04,754 --> 02:33:06,115 I want to thank the Academy 2239 02:33:06,115 --> 02:33:09,115 for finding my work worthy of this highest honor. 2240 02:33:11,794 --> 02:33:14,275 And my classmates, Chloe 2241 02:33:14,275 --> 02:33:17,275 Ryan Jochem 2242 02:33:17,634 --> 02:33:18,514 and Josh, 2243 02:33:19,955 --> 02:33:22,955 I couldn't ask for a better class. 2244 02:33:23,794 --> 02:33:24,634 It's an honor 2245 02:33:24,634 --> 02:33:27,634 to be counted amongst you guys. 2246 02:33:28,235 --> 02:33:29,915 There will always be some, 2247 02:33:29,915 --> 02:33:32,915 some doubt in your heart that you deserve it. 2248 02:33:32,915 --> 02:33:36,155 But is there is no question that the pleasure of having it 2249 02:33:36,155 --> 02:33:39,155 for myself, 2250 02:33:45,195 --> 02:33:48,195 I'm here because of people's faith in me. 2251 02:33:48,474 --> 02:33:51,474 They give me their faith in their time. 2252 02:33:52,594 --> 02:33:53,434 And that's the best part 2253 02:33:53,434 --> 02:33:56,434 about being on a film crew is being with people. 2254 02:33:56,915 --> 02:33:58,955 So we need each other. 2255 02:33:58,955 --> 02:34:01,955 This is a wonderful gift and I'm so happy to call the movies home. 2256 02:34:01,955 --> 02:34:03,915 This is really terrific. 2257 02:34:03,915 --> 02:34:05,355 Thank you. From the bottom of my heart. 2258 02:34:05,355 --> 02:34:05,955 I love it. 2259 02:34:05,955 --> 02:34:06,594 Thank you, guys. 2260 02:34:06,594 --> 02:34:09,594 Thank you very much. 2261 02:34:23,235 --> 02:34:24,475 Our next presenter 2262 02:34:24,474 --> 02:34:28,355 heroically saved last year's Oscars from running short. 2263 02:34:28,915 --> 02:34:31,714 Please welcome Oscar winner Brody. 2264 02:34:42,315 --> 02:34:45,315 Good evening. 2265 02:34:45,794 --> 02:34:49,355 Know all you did. 2266 02:34:54,995 --> 02:34:57,995 I know this has been a long night, 2267 02:34:59,794 --> 02:35:01,955 but, uh. 2268 02:35:01,955 --> 02:35:05,235 But I just one thing here to. 2269 02:35:12,315 --> 02:35:12,834 All right, all right. 2270 02:35:13,115 --> 02:35:14,794 Stop, stop, stop. 2271 02:35:14,794 --> 02:35:17,794 Hold on. Hold the music, please. 2272 02:35:17,794 --> 02:35:20,794 I do have something very important to say. 2273 02:35:22,754 --> 02:35:25,955 And the nominees for lead actor are 2274 02:35:30,554 --> 02:35:31,674 Ethan Hawke. 2275 02:35:31,674 --> 02:35:32,514 Blue Moon. 2276 02:35:32,514 --> 02:35:35,355 You tell me Heart is Drunk. 2277 02:35:35,355 --> 02:35:37,555 This beauty 2278 02:35:37,554 --> 02:35:39,875 tells us the word drunk. 2279 02:35:40,235 --> 02:35:43,235 No more The secret agent. No, 2280 02:35:43,794 --> 02:35:46,794 no film. 2281 02:35:48,754 --> 02:35:50,834 I just kind of 2282 02:35:50,834 --> 02:35:53,395 do my stuff on my pillow. 2283 02:35:53,395 --> 02:35:56,395 Michael B Jordan Since 2284 02:36:00,275 --> 02:36:02,955 the war, we're all fine 2285 02:36:02,955 --> 02:36:06,714 until it is Timothy Charlemagne, the Supreme. 2286 02:36:07,474 --> 02:36:08,834 Because nothing sentimental. 2287 02:36:08,834 --> 02:36:09,514 Settle down now. 2288 02:36:09,514 --> 02:36:10,315 Keep it out of your mind. 2289 02:36:10,315 --> 02:36:13,155 I will not settle down right now. Okay. 2290 02:36:13,155 --> 02:36:15,754 Leonardo DiCaprio after. 2291 02:36:22,155 --> 02:36:23,195 Thank you. 2292 02:36:23,195 --> 02:36:25,555 Hey. Thank you, Sensei. 2293 02:36:25,554 --> 02:36:26,235 Thank you so much, sir. 2294 02:36:26,235 --> 02:36:29,235 Thank you. 2295 02:36:38,794 --> 02:36:41,794 And the Oscar goes to 2296 02:36:43,275 --> 02:36:46,275 Michael B Jordan. 2297 02:36:55,115 --> 02:36:56,555 This is the first Oscar win 2298 02:36:56,554 --> 02:36:59,554 and nomination for Michael Jordan. 2299 02:37:41,634 --> 02:37:45,754 Man. God is good. 2300 02:37:46,474 --> 02:37:48,235 God is good. 2301 02:37:48,235 --> 02:37:52,355 And your mama was up. 2302 02:37:55,155 --> 02:37:57,834 Y'all know how I feel about my mother and my father. 2303 02:37:58,235 --> 02:38:01,115 Were you at my dad? 2304 02:38:01,115 --> 02:38:02,395 My dad came in from Ghana. 2305 02:38:02,395 --> 02:38:04,595 He flew in from Ghana to be here. 2306 02:38:04,594 --> 02:38:06,075 My brother, my sister's here. 2307 02:38:06,075 --> 02:38:07,674 My family. 2308 02:38:07,674 --> 02:38:08,275 I want to think. 2309 02:38:08,275 --> 02:38:10,315 I want to think. I want to thank Warner brothers. 2310 02:38:10,315 --> 02:38:14,875 I think Mike and Pam for believing in this this dream, this vision of Ryan Coogler, 2311 02:38:15,115 --> 02:38:18,995 embedded on a culture, embedded on original ideas and original artistry. 2312 02:38:19,594 --> 02:38:21,995 And you're an amazing, amazing person. 2313 02:38:21,995 --> 02:38:26,075 I'm so honored to call you a collaborator and a friend, and you gave me 2314 02:38:26,075 --> 02:38:29,195 an opportunity and space for me to too, to be seen 2315 02:38:29,754 --> 02:38:32,594 and allow you to lead the deaf. 2316 02:38:32,594 --> 02:38:33,594 I would like to thank 2317 02:38:34,794 --> 02:38:36,674 who my incredible cast. 2318 02:38:36,674 --> 02:38:40,275 I want to thank you so much for giving smoke opportunity to be him. 2319 02:38:40,834 --> 02:38:42,115 Haley at home. 2320 02:38:42,115 --> 02:38:43,915 You know, just, you know. Do you really have a baby right now? 2321 02:38:43,915 --> 02:38:47,434 Thank you so much for being the other of the other half of stack 2322 02:38:49,594 --> 02:38:54,395 Delroy, Jamie, everybody, Lily, Omar, the entire cast. 2323 02:38:54,434 --> 02:38:56,554 Thank you guys for for support me through this. 2324 02:38:56,554 --> 02:38:59,315 My team, Phil Sutton, Greg Stewart, 2325 02:38:59,315 --> 02:39:02,315 Lindsey Gallant 2326 02:39:03,514 --> 02:39:06,514 who may go 2327 02:39:08,955 --> 02:39:10,915 as I stand here 2328 02:39:10,915 --> 02:39:13,915 for because of the people that came before me. 2329 02:39:13,955 --> 02:39:16,955 Sidney Poitier, Denzel Washington, Halle Berry, 2330 02:39:17,075 --> 02:39:20,075 Jamie Foxx, Forest Whitaker, Will Smith. 2331 02:39:20,474 --> 02:39:25,275 And to be amongst those giants, amongst those great greats, amongst my ancestors, 2332 02:39:25,275 --> 02:39:26,195 amongst my 2333 02:39:26,195 --> 02:39:27,834 Thank you, everybody in this room 2334 02:39:27,834 --> 02:39:30,315 and everybody at home for supporting me over my career. 2335 02:39:30,315 --> 02:39:31,275 I feel it. 2336 02:39:31,275 --> 02:39:34,955 I know you guys want me to do well and and I want to do that 2337 02:39:35,195 --> 02:39:36,555 because you guys bet on me. 2338 02:39:36,554 --> 02:39:39,355 So thank you for keep up, but keep betting on me 2339 02:39:40,834 --> 02:39:44,554 gonna keep stepping up and I'm keep being the best version of myself I could be. 2340 02:39:44,554 --> 02:39:45,155 So I just want 2341 02:39:45,155 --> 02:39:47,754 say thank you for everybody in this room to have something to do with my success. 2342 02:39:47,754 --> 02:39:49,875 I love you guys and everybody at home 2343 02:39:49,875 --> 02:39:51,634 who supported centers, who went to go see the movie 2344 02:39:51,634 --> 02:39:53,955 once, twice, three or four or five times. Thank you. 2345 02:39:53,955 --> 02:39:55,195 Because you guys made this movie. 2346 02:39:55,195 --> 02:39:56,235 It is. I love you. 2347 02:39:56,674 --> 02:39:59,674 I love. 2348 02:40:20,434 --> 02:40:23,434 to come, the awards for best actress and best picture 2349 02:40:23,794 --> 02:40:26,794 only at the Oscars here on ABC. 2350 02:40:45,900 --> 02:40:48,900 I know what that was about. 2351 02:40:50,060 --> 02:40:50,940 Get there. 2352 02:40:50,940 --> 02:40:52,860 We're almost there. 2353 02:40:52,860 --> 02:40:55,180 Almost. They're 2354 02:40:55,180 --> 02:40:56,820 almost there. 2355 02:40:56,820 --> 02:40:59,820 And they go 2356 02:41:04,100 --> 02:41:07,100 that you never know 2357 02:41:08,140 --> 02:41:10,940 that this next presenter may bring back 2358 02:41:10,940 --> 02:41:14,621 painful memories of accidentally watching a Nora with your parents. 2359 02:41:14,700 --> 02:41:15,340 Please welcome 2360 02:41:16,980 --> 02:41:19,980 I did Oscar winner Maggie Madison 2361 02:41:22,660 --> 02:41:37,180 and as artists, 2362 02:41:37,180 --> 02:41:40,661 we're always learning how to listen to our instincts, 2363 02:41:41,020 --> 02:41:45,180 to one another and to the fundamental truths inside a story. 2364 02:41:46,180 --> 02:41:51,060 Jessie Rose, Kate, Renata and Emma. 2365 02:41:51,700 --> 02:41:54,460 You left me, all of us, and are 2366 02:41:54,460 --> 02:41:57,460 with your performances. 2367 02:42:00,140 --> 02:42:03,140 Jessie Buckley, Hamnet and 2368 02:42:04,500 --> 02:42:07,941 I left on the ground for what I know. 2369 02:42:07,980 --> 02:42:10,140 I don't know. 2370 02:42:10,140 --> 02:42:10,860 Rose Byrne. 2371 02:42:10,860 --> 02:42:13,860 If I had legs, I keep you not 2372 02:42:14,260 --> 02:42:15,340 none. 2373 02:42:15,340 --> 02:42:17,701 This isn't going to be what it's like. This, isn't it? 2374 02:42:17,700 --> 02:42:19,780 This can't be it. 2375 02:42:19,780 --> 02:42:24,860 Kate Hudson songs and the bad things happen over and over and 2376 02:42:24,860 --> 02:42:27,860 I just want to sing and I want to shine 2377 02:42:28,020 --> 02:42:30,420 before another car runs into me. 2378 02:42:30,420 --> 02:42:34,300 Renata rains that sentimental times shift on 2379 02:42:38,060 --> 02:42:39,980 talking about. 2380 02:42:39,980 --> 02:42:40,860 But she would talk a lot 2381 02:42:41,900 --> 02:42:42,740 that I knew her last. 2382 02:42:42,740 --> 02:42:47,460 Tomorrow was Emma Stone, Begonia You killed her. 2383 02:42:49,020 --> 02:42:50,581 I figured you'd be apprehended feeding 2384 02:42:50,581 --> 02:42:53,581 antifreeze to a coma patient, and then I'd be freed. 2385 02:42:53,581 --> 02:42:55,021 I could return to my work. 2386 02:42:55,020 --> 02:42:58,420 But you actually got away with it, you sick ape. 2387 02:43:04,140 --> 02:43:07,140 And the Oscar goes to 2388 02:43:07,140 --> 02:43:10,140 Jessie Buckley. 2389 02:43:11,740 --> 02:43:12,940 This is the first Oscar 2390 02:43:12,940 --> 02:43:15,940 winner and second nomination for Jessie Buckley. 2391 02:43:15,980 --> 02:43:18,621 Previously, she was nominated for a supporting role 2392 02:43:18,621 --> 02:43:21,621 in the Lost Daughter. 2393 02:43:45,581 --> 02:43:53,741 Yeah. Wow. 2394 02:43:56,140 --> 02:43:59,140 Thank you so much. 2395 02:43:59,260 --> 02:44:02,260 This is 2396 02:44:04,380 --> 02:44:07,260 really something. 2397 02:44:07,260 --> 02:44:11,460 Thank you to the incredible women that I stand beside. 2398 02:44:11,700 --> 02:44:14,541 Am inspired by your art and your heart. 2399 02:44:14,541 --> 02:44:17,541 And I want to work with every single one of you. 2400 02:44:17,541 --> 02:44:22,581 And to the producers who created this ship for us to stand in. 2401 02:44:23,100 --> 02:44:25,780 And my shipmates for Life, Hilda, 2402 02:44:25,780 --> 02:44:30,020 Jessica, Lindsay, Zach None of this is possible without you. 2403 02:44:30,860 --> 02:44:33,860 My family, my Irish family, they're all here. 2404 02:44:34,140 --> 02:44:36,860 Ireland bought them flight. Where are you 2405 02:44:38,621 --> 02:44:41,101 now? Where can you just fly up? 2406 02:44:41,100 --> 02:44:45,020 Mom? Dad, thank you for teaching us to dream and to never be defined 2407 02:44:45,020 --> 02:44:48,180 by expectation, but to carve from your own passion. 2408 02:44:50,380 --> 02:44:52,980 You. Fred. 2409 02:44:52,980 --> 02:44:55,100 I love you, man. 2410 02:44:55,100 --> 02:44:55,780 I love you. 2411 02:44:55,780 --> 02:44:58,260 You're the most incredible dad. You're my best friend. 2412 02:44:58,260 --> 02:45:00,581 And I want to have 20,000 more babies with you. 2413 02:45:00,581 --> 02:45:03,581 I tell you I do. 2414 02:45:03,581 --> 02:45:06,420 And I love my little girl who is eight months, 2415 02:45:06,420 --> 02:45:10,020 who has absolutely no idea what's going on and is probably dreaming milk. 2416 02:45:10,581 --> 02:45:13,140 This is kind of a big deal. 2417 02:45:13,140 --> 02:45:14,940 And I love you and I love being your mom. 2418 02:45:14,940 --> 02:45:17,860 And I can't wait to discover life beside you. 2419 02:45:17,860 --> 02:45:20,820 Chloe and Maggie 2420 02:45:20,820 --> 02:45:24,180 you two get to know 2421 02:45:25,380 --> 02:45:29,060 this incandescent woman and journey to 2422 02:45:30,260 --> 02:45:32,701 understand the capacity of a mother's 2423 02:45:32,700 --> 02:45:35,940 love is the greatest collision of my life. 2424 02:45:37,260 --> 02:45:38,940 It's. 2425 02:45:38,940 --> 02:45:41,940 It's day in the UK today, 2426 02:45:46,140 --> 02:45:48,900 so I would like to dedicate this 2427 02:45:48,900 --> 02:45:51,900 to the beautiful chaos of a mother's heart. 2428 02:45:56,420 --> 02:45:58,741 We and we all come from 2429 02:45:58,740 --> 02:46:01,940 a lineage of women who continue to create, against all odds. 2430 02:46:02,780 --> 02:46:05,060 Thank you for recognizing me in this role. 2431 02:46:05,060 --> 02:46:06,420 This is the greatest honor. 2432 02:46:06,420 --> 02:46:07,980 I can't even believe it. 2433 02:46:07,980 --> 02:46:08,700 Gert. Mm. 2434 02:46:08,700 --> 02:46:11,700 My Sloane. 2435 02:46:23,541 --> 02:46:26,581 Please welcome Ewan McGregor and Oscar winner 2436 02:46:26,860 --> 02:46:29,860 Nicole Kidman. 2437 02:46:45,621 --> 02:46:46,981 So I have to say, 2438 02:46:46,980 --> 02:46:49,980 I adored all of the films this year. 2439 02:46:50,660 --> 02:46:52,500 Adored? 2440 02:46:52,500 --> 02:46:55,500 Would you say you loved them? 2441 02:46:56,660 --> 02:46:57,780 What? Love? 2442 02:46:57,780 --> 02:47:01,060 You know, like love is like oxygen. 2443 02:47:02,060 --> 02:47:06,820 Oh, love is a many splendid thing. 2444 02:47:06,820 --> 02:47:09,820 Love lifts us up where we belong. 2445 02:47:12,260 --> 02:47:15,420 say, Nicole, even though it's been 25 years. 2446 02:47:15,541 --> 02:47:18,861 Oh, every time I hear the word love, I still imagine someone's 2447 02:47:18,860 --> 02:47:21,860 going to lure a chandelier and cue the orchestra. 2448 02:47:21,860 --> 02:47:23,260 Oh, don't tempt me. 2449 02:47:24,900 --> 02:47:27,300 But I have to say, these nominees 2450 02:47:27,300 --> 02:47:30,300 remind us why we fell in love with the movies in the first. 2451 02:47:31,700 --> 02:47:34,860 Because all you need is love. 2452 02:47:35,700 --> 02:47:38,140 All you need is love her. 2453 02:47:38,140 --> 02:47:41,660 Her love is all you need. 2454 02:47:45,900 --> 02:47:48,220 And here are the nominations 2455 02:47:48,220 --> 02:47:51,220 for Best picture. 2456 02:47:55,860 --> 02:47:58,780 Agony in Agony and Andrew Moment. 2457 02:47:58,780 --> 02:48:02,140 Yorgos Lanthimos, Emma Stone and Lesbianism. 2458 02:48:03,020 --> 02:48:03,940 If one. 2459 02:48:03,940 --> 02:48:07,621 Chad Owen, Brad Pitt, Judy Gardner, Jeremy 2460 02:48:07,621 --> 02:48:11,061 Kleiner, Joseph Kosinski and Jerry Bruckheimer. 2461 02:48:11,900 --> 02:48:14,660 Frankenstein. Guillermo del Toro, J. 2462 02:48:14,660 --> 02:48:17,900 Miles Dale and Scott Stuber Hamnet. 2463 02:48:18,100 --> 02:48:21,820 Liza Marshall, Pippa Harris, Nicolas Gonda, Steven 2464 02:48:21,820 --> 02:48:25,500 Spielberg and Sam Mendes Marry Supreme. 2465 02:48:25,940 --> 02:48:26,740 Eli Bush. 2466 02:48:26,740 --> 02:48:30,180 Roma Bernstein, Josh Safdie, Anthony Cattaraugus. 2467 02:48:30,380 --> 02:48:32,821 Timothee Chalamet. 2468 02:48:32,820 --> 02:48:34,500 One Battle after Another. 2469 02:48:34,500 --> 02:48:37,741 Adam Song Not So Murphy and Paul Thomas Anderson, 2470 02:48:38,780 --> 02:48:39,900 The Secret Agent. 2471 02:48:39,900 --> 02:48:43,020 Emily Lasky, Sentimental Value, 2472 02:48:43,140 --> 02:48:46,060 Maria Alcohol and Andre a Balanced and Organic 2473 02:48:47,500 --> 02:48:49,621 Simmons Zindzi Coupon 2474 02:48:49,621 --> 02:48:52,621 Ceremony and Ryan Coogler 2475 02:48:53,581 --> 02:48:56,821 train dreams in and Teddy Schwarzman 2476 02:48:57,220 --> 02:48:59,940 will generate Ashley Schaefer 2477 02:48:59,940 --> 02:49:02,940 and Michael Heineman. 2478 02:49:07,780 --> 02:49:11,541 The Oscar goes to one battle 2479 02:49:11,541 --> 02:49:14,541 after another another. 2480 02:49:18,660 --> 02:49:21,660 Frank Darabont Norman 2481 02:49:22,500 --> 02:49:25,140 Academy Awards, One battle after another won 2482 02:49:25,140 --> 02:49:30,500 six Oscars tonight for casting actor in a supporting role, adapted screenplay, 2483 02:49:30,700 --> 02:49:33,700 film editing, directing and Best Picture. 2484 02:50:09,260 --> 02:50:12,260 Occupy. 2485 02:50:12,660 --> 02:50:14,500 Thank you. 2486 02:50:14,500 --> 02:50:17,060 Uh, getting to make this film 2487 02:50:17,060 --> 02:50:20,060 with this cast and this crew, 2488 02:50:20,140 --> 02:50:23,140 Paul has already been the 2489 02:50:23,660 --> 02:50:27,260 greatest filmmaking experience I can fathom, so receiving this award is 2490 02:50:28,541 --> 02:50:32,021 just beyond my heart is exploding with gratitude. 2491 02:50:32,420 --> 02:50:36,661 You Thank you to Mike, Mike and Pammy at Warner Brothers. 2492 02:50:36,980 --> 02:50:39,980 Thank you, Brian. Lord, 2493 02:50:40,260 --> 02:50:42,541 thank you to my producing partners, Adam Sumner, 2494 02:50:42,541 --> 02:50:45,420 Bill Wise, Erica Frome and I share this with you. 2495 02:50:46,541 --> 02:50:48,781 Thank you to my family 2496 02:50:48,780 --> 02:50:52,660 of four of my parents, my beautiful brothers, Fannie, 2497 02:50:53,820 --> 02:50:55,780 Josh, Ryan, I love you. 2498 02:50:55,780 --> 02:50:58,260 I'm grateful for you. Polly Okay? 2499 02:50:58,260 --> 02:51:01,260 I just want to say that in 1975, 2500 02:51:01,500 --> 02:51:05,500 the Oscar nominees for Best Picture were Dog Day, Afternoon, One 2501 02:51:05,500 --> 02:51:10,260 Flew Over the Cuckoo's Nest, Jaws, Nashville, and Barry Lyndon. 2502 02:51:10,700 --> 02:51:13,140 There is no best among them. 2503 02:51:13,140 --> 02:51:16,140 There is just what that mood might be that day, 2504 02:51:16,740 --> 02:51:19,140 but we're happy to be part of this. 2505 02:51:19,140 --> 02:51:21,940 A wonderful, wonderful journey with our fellow nominees. 2506 02:51:21,940 --> 02:51:24,940 Our fellow filmmakers are film filmmakers that even weren't 2507 02:51:25,380 --> 02:51:26,701 recognized by the Academy. 2508 02:51:26,700 --> 02:51:30,980 There's so many great films this and I really blew it when I won a Best 2509 02:51:30,980 --> 02:51:33,980 Director award and I forgot to thank my cast 2510 02:51:35,340 --> 02:51:37,741 with Leo, Benicio, Tiana, Sean, 2511 02:51:39,020 --> 02:51:42,420 Regina, and especially Chase My American Girl. 2512 02:51:42,420 --> 02:51:46,140 Chase, you are the heart of this movie, this entire team. 2513 02:51:46,740 --> 02:51:49,020 What a night you guys, let's have a martini. 2514 02:51:49,020 --> 02:51:51,940 This is pretty amazing heights. Cheers. Thank you very much. 2515 02:51:51,940 --> 02:51:54,060 Thank you. Thank you. 2516 02:51:54,541 --> 02:51:57,541 Thank 2517 02:52:03,060 --> 02:52:05,820 an honor and a joy, everybody. 2518 02:52:05,820 --> 02:52:08,820 Marty Short tonight. 2519 02:52:23,140 --> 02:52:23,820 Great show. 2520 02:52:23,820 --> 02:52:26,500 CONAN. Just terrific. 2521 02:52:26,500 --> 02:52:28,180 Gee, thanks. 2522 02:52:28,180 --> 02:52:32,180 In fact, we liked it so much we've decided to make you 2523 02:52:32,860 --> 02:52:35,860 Oscars Host for life. 2524 02:52:35,860 --> 02:52:38,860 Host for Life. That's right. 2525 02:52:38,860 --> 02:52:40,740 I don't know what to say. 2526 02:52:40,740 --> 02:52:42,740 Let's go see your new office. 2527 02:52:42,740 --> 02:52:45,060 I'd like that very much. 2528 02:52:45,060 --> 02:52:48,020 Your efforts have pleased the Academy greatly. 2529 02:52:48,020 --> 02:52:51,220 Wow. People have not stopped talking about your performance. 2530 02:52:52,060 --> 02:52:53,820 It was really something. 2531 02:52:53,820 --> 02:52:56,820 Well, coming from the academy, that's a real honor, sir. 2532 02:52:57,020 --> 02:52:57,900 An honor you've earned. 2533 02:52:59,100 --> 02:53:00,660 And here we 2534 02:53:00,660 --> 02:53:03,541 suite 55. 2535 02:53:03,541 --> 02:53:05,300 All this for me. 2536 02:53:05,300 --> 02:53:08,300 That's your name, isn't it? 2537 02:53:08,940 --> 02:53:11,940 Going get settled. 2538 02:53:13,420 --> 02:53:16,020 This view is 2539 02:53:16,020 --> 02:53:19,020 incredible. 2540 02:53:20,340 --> 02:53:21,821 Damn it. 2541 02:53:21,820 --> 02:53:22,980 I forgot your keys. 2542 02:53:22,980 --> 02:53:25,980 I'll be right back. 2543 02:53:36,100 --> 02:53:39,100 Host for lie. 2544 02:57:11,220 --> 02:57:11,980 All eligible 2545 02:57:11,980 --> 02:57:15,581 Academy members participate in Oscars for best picture. 2546 02:57:15,581 --> 02:57:19,661 Nominations are determined by all eligible members in other categories, 2547 02:57:19,660 --> 02:57:23,020 the nominations are determined by members of a specific branch 2548 02:57:23,020 --> 02:57:26,581 of voters who meet the categories eligibility requirements. 2549 02:57:26,660 --> 02:57:30,740 All rounds of Oscars voting are done by secret ballot that is tabulated 2550 02:57:30,740 --> 02:57:34,740 by the independent accounting firm of PricewaterhouseCoopers. 2551 02:57:34,820 --> 02:57:38,820 The results of the final round of secret voting are known only to done. 2552 02:57:38,820 --> 02:57:41,780 Please see, until the sealed envelopes are opened on the. 180327

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