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Eߣ�B��B��B�B�B��matroskaB��B��S�g w�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��9M��S��T�gS��vx�O� I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v95.0 ('Goodbye Stranger') 64-bitD��AU�T� Da�
k�U {��The.Human.Stain.2003.720p.BluRay.x264-x0rs��g-Z0!�&Z�~�&�T�k���ׁsňP�<)k�x����� ��S_TEXT/UTF8"���en�D C�u@��F֠ġ�� You mean to tell me you're
President of the United States��g�ȡ� and you're banging some
22 year-old intern in the White House��
�C�u@��]������ and you ask her to keep her mouth shut,��
�ԡ` and you really think she's gonna do it?
I mean, come on, give me a break!��
��ҡ́c Clinton. He should count himself lucky
she didn't go straight to Oprah.���C�u@��}��ˡŁ Come on, she was overwhelmed by
Starr's team in that hotel room.��V������ No, poor thing.
Eleven guys hitting on her?���C�u@�������� - That's a gang-bang.
- Oh, right.��7������ That's why she's talking to Linda Tripp.��ޠ����� She's talking to everybody.��C�����' She's part of that whole dopey culture.
Yak yak yak.��OC�u@��������� Oh, look, if Clinton couldn't
figure Monica Lewinsky,�� ������
then he shouldn't
have been president.�������� That's grounds for
impeachment right there.���C�u@���+����� - That's true.
- You're right.��<������ I'm telling you,
if he'd just fucked her.��㠭��� � That's the way you
create loyalty.��
�����' - Yeah.
- That's the way.��fC�u@����ơ�� But you know what Kennedy would
have done to her? Or Nixon?��
��š��= They would have told her,
Not only are you not gonna work,��QC�u@�����ԡ you're not gonna work ever again.
And your father's gonna be out of work.��
렫���> And your mother. And your brother��&C�u��Πȡ Everybody in your family is
not gonna make one more thin dime��������
unless you keep your mouth shut.���C�u@����סс Well, but Clinton plays it like a lawyer.
That's why he didn't want to come.��������� Hey, when he came,
he was finished.��+�����: Evidence.
Smoking come.��
�C�u@��7͠���� Nineteen ninety-eight was
the summer of sanctimony.��J�ˡŁ� After the fall of Communism and
before the horrors of terrorism,��cC�u��\K�֡Ё there was a brief interlude when
the nation was preoccupied by cocksucking.���C�u@��q͠ӡ́ This is Coleman Silk, powerful Dean
of Faculty and professor of Classics��t������ at Athena College in western Massachusetts.��
C�u����� Educated at NYU and Oxford��
�ˡŁ
m Coleman taught in England before
returning to the U.S. To become���C�u���V�סс One of the first Jews to teach in
a Classics department anywhere in America.���C�u��������� When he was appointed Dean of Athena,��,����� Coleman took the poulky
sleepy-hollow type college���C�u@����Сʁ and dragged it, kicking and screaming,
from mediocrity to excellence.��i�¡��� Of course, in the process,
he made a good many enemies.��VC�u@��������� Sing, O Gods,
of the wrath of Achilles����ȡP And finally, "the persecuting spirit"
caught up with Coleman.���C�u��ݠԡ All of European literature springs
from a fight, a barroom brawl, really.��0C�u��2������ And what was Achilles
so angry about?���š��d Well, he and King Agamemnon
were quarrelling over a woman,��?C�u��YP����� a young girl and her body��
렮���h and the delights of sexual rapacity.��VC�u��sb����� Achilles, the most hypersensitive
fighting machine��E������ in the history of warfare.���C�u@����̡Ɓ Achilles, who, because of his rage
at having to give up the girl,�������? isolates himself defiantly
outside the very society���C�u@���X�� whose protector he is and
whose need of him is enormous.��b�ơ��� Achilles, has to give up the girl.
He has to give her back.���C�u@��ᅠ͡ǁ And that is how the great imaginative
literature of Europe begins,��������P and that is why
three thousand years later,��C�u��������� we are going to
begin there today.���C�u�������� Miss Cummings, Tracy Cummings,
can you tell us��4C�u��-������ Still not here. Okay.
Mr. Thomas, William Thomas.�������d Is he here?�� �C�u��M6����� We're five weeks into the semester�� 𠶡��
C and I haven't even laid eyes on these folks.�� C�u��`à���� Can anyone tell me, do these people exist?��������z Or are they spooks?��C�u��w������ Were you aware, Professor Silk,���ȡ1 that Tracy Cummings and William Thomas
are African-Americans?��JC�u��������� How could I be?
I've never seen them.����ġ�� I But you are aware of
the connotation of the word "spook."��4C�u��������� Ghost Professor Roux. Ghost.��
�����
\ I was referring to
their ectoplasmic character.��QC�u���Ǡ���� Here is the, uh, first definition
of the word. I quote���C�u���,����� Spook, Informal
Ghost, Spectre���C�u�� �š�� But, Dean Silk, let me remind you
of the second definition�������� Negro.���C�u���Ρȁ I'd never laid eyes on them.
How could I know they were black? Hmm?���C�u@��+������ All I did know was
that they were invisible.��������+ Nevertheless,
they have lodged a complaint.�� ������ Miss Cummings was devastated.
Now the issue here�� �C�u@��F������ These students have
never attended a single class.�� ��¡�� � Do they exist or are they spooks?
Consider the context.���C�u��`������ - But, Dean Silk
- I've not finished!��
٠����� The only issue is the nonattendance
of these students,��
�C�u��~^�ơ�� their inexcusable neglect of work
and their sheer chutzpah.���C�u@�����ơ�� Oh, Miss Cummings is devastated.
Give me a break, will you?��
������
� To charge me with racism
is not only false,��
C�u��������� it is spectacularly false!
And you know it!��?C�u������� Thanks a lot, Herb.���C�u@���q����� - Well, I've quit.
- What?��+�����~ I've resigned from
that half-assed college.��y�����! Where's that last year's phone book?���C�u@����� Wait a minute.
Wait a minute. What happened?��
��ʡā
� - I've been accused of a racist epithet.
- What racist epithet?��
C�u@���ˡŁ I used the word "spooks," which
fifty years ago was just a slang��堧���b I know what it was slang for.��7�á�� Where's that phone book?
We'll sue these wimpy bastards.��~C�u@��&-�ϡɁ - I want that lawyer, Alfred or whatever
- Wait, did you remind them����ġ��� - that when you were dean you...
- Yeah, I reminded them.��ؠ����� No, you hired Herb Keble,
the first black...���C�u@��EK����� - Please, "African-American," please.
- Okay��a�ȡ� - African-American, ever on the faculty.
- Where's that book?��
�����" Isn't Herb on the same committee?��~C�u@��]h����� - But wait, wait, just tell me
- Yes, he is.��頳���= And they're our friends,
for God's sake!��~�����b - Did Herb even open his mouth?
- Yes, yes.��
mC�u@��t��š�� I'm sorry, Coleman, I can't be
with you on this. Bullshit.��
�����
D Fine, fine. They want to fight?��f������ I'll give them a fight
that they'll never forget!���C�u���<�� This is absolute lunacy!
After 35 years of your devotion���C�u@���F�ȡ Now you know what we're going to do?
We're going to organize.���̡ƁU We're going to get them to sign
a petition. That's what we'll do.��
�סсi No. You know what we're going to do?
We're going to do a two-pronged attack.��
�C�u@��������� We're going to attack
We're going to get lawyers,��1������ because I know some...
Okay. I know. Which is why��
�C�u�������� - Coly?
- What?���ġ��� - Something's wrong.
- I know there is. What do you mean?��KC�u��ﶠ���� - Coly
- What's the matter?��,����� - Coly
- Hey, come on, sit down.��VC�u�� '����� What's the matter?
Come on.�������� - Come on.
- I'm sorry.��
�C�u�� m����� It's all right.��U�����K I'm sorry��
�C�u�� �8�ġ�� Iris Silk died several hours later
in her husband's arms.��^C�u@�� ������� Six months after that,
Coleman came into my life.��
��ҡ́W I had been living alone in a small cabin
by a lake not far from Athena.��9C�u@�� �Ǡ���� Including questions
about my private life...����� questions no American citizen
would ever want to answer.��@C�u�� 팠���� Still, I must take
complete responsibility��%�����y for all my actions
both public and private.��bC�u��
������ And that is why I am
speaking to you tonight.��+������ - As you know, in a deposition in January
- Hello?��yC�u��
A����� I was asked questions
about my relationship���C�u��
,��� - Are you Mr. Zuckerman?
- Yeah.��8������ - Are you Nathan Zuckerman?
- Yeah.���C�u��
J砻��� You're the Zuckerman
that's the writer, correct?��������� - Yeah, but
- We've got to talk. May I come in?���C�u@��
h������ Thanks. Your last book won
some sort of prize, right?����ϡɁ� - It was short-listed for the
- That was 5 years ago. What happened?��zC�u@��
������� You're blocked, right?
You're blocked!�������� You're worried you don't
have another story in you.��&�����z Well, I can fix that.
I'm the answer to your prayers.�� JC�u@��
������� - You know who I am?
- Dean Silk?�������� Dean Coleman Silk.
That's right.����ǡ��� The late, retired and now resigned
and unlamented Dean Silk,���C�u��
�w����� following the murder
you clock that?��
D�����
� Following the murder of my wife.���C�u@��
۔����� How's that grab you, Zuckerman?��������� That good enough to
get your juices flowing?��נ����
I'm not sure I understand.��������? Those sons of bitches
killed my wife, Nathan.��
C�u@��
�A�ԡ They killed my wife as if they'd taken
a gun and fired it into her heart.�������V Yeah. Who would've thought
Iris couldn't take it��^C�u��r����� as strong as she was,
brave as she was? But, uh��?C�u��/|�١Ӂ yeah, their kind of stupidity was too
much even for a juggernaut like my Iris.��4C�u��DV����� Massive embolism.��7�����a Pow! I got her to the hospital,
but it was too late.��VC�u@��X��ǡ�� The point is they meant to kill me
but they got her instead.�������� All in the name of
political correctness.��C�u@��w������ There's an oxymoron
if ever I heard one.��������y So, there's your book, Nathan.�� ������i You mind if I call you Nathan?��1C�u@���頪��� - Look, Dean...
- Just Coleman.��7������ All my other titles
I have given away.����ѡˁ� Coleman. Look, I'm sorry but I write
fiction, and at the moment I'm...��LC�u@����ɡÁ Believe me this thing will read
like The Manchurian Candidate.��������8 They murdered the wrong person,
for Christ's sakes!��
�C�u���a����� For one word! Spooks!��������! Spooks! It's unbelievable.���C�u���?����� Let me tell you something, Nathan.��
������� My father was a
saloonkeeper in New Jersey.��C�u@���ġ�� Yeah, he was the only Jewish
saloonkeeper in East Orange.��
������
� He only got as far as
the seventh grade.��PC�u@��*������ But he insisted on
the precision of words.��
٠ơ��� And I have kept faith with him.
I have kept faith with him.���C�u��O����� If you don't mind a suggestion��[������ maybe you ought to write
this book yourself.���C�u��b젏��� Yeah.��T�����
� Maybe I ought to.�� �C�u���"����� Yeah.��������! I guess I ought to go.
Let me ask you something���C�u@���Ϡá�� Why are you hiding out here,
in the middle of the woods?��Ƞ����� - Hiding out?
- Yeah. Isn't that what you're doing?��tC�u@���c����� What's the moment
called in Greek tragedy,��h�աρ� you know, the one where the hero
learns that everything he knows is wrong?���C�u���:����� It's called peripeteio or peripetia.
Take your choice.��?����� Yeah. That's me.��
�C�u��
����� Hey. You by any chance
play gin rummy?��C�u@��
5��¡�� And this was how my friendship
with Coleman Silk began.�������� And how I came out from
my reclusive life,��
�C�u��
RA����� living alone in
a cabin by a lake.��Q������ You're divorced, huh?��
�C�u��
nq����� Does it show?��ݠġ��Z Yeah, you have the look about
you of a man at loose ends.��
\C�u��
�"����� Takes one to know one.�� ����� � Why did your wife leave you?��Ҡ����i Which one?���C�u��
�Ӡ���� The first or the second?��������O Several years ago,��㠵���
� I had been diagnosed
with prostate cancer.��
�C�u��
�C����� Although the treatment
was successful,��O������ I had nevertheless withdrawn
to my cabin in the woods,��'C�u@��
�`�ǡ�� away from the expectations and
entanglements of modern life.�������� In the year that
followed my meeting Coleman,��
�C�u��
愠���� the time it took him
to write his book,�� Ơ����
C we had dinner together
several times a week.��>C�u@��
������� Sometimes playing penny
a point gin rummy,��8�ءҁ� sometimes listening to music that came
from a small FM station in Springfield��cC�u��B�¡�� that played big band hits from
the forties and fifties.�������� It was during that time���C�u��3@�ϡɁ that Coleman dragged me back to life,
much as he had Athena College.���C�u��S/����� - What's with the book?
- The book has come and gone.��
������
� - Meaning?
- Meaning it's worthless.���C�u��s����� Yeah.��ؠ����� You can't make a college
without breaking eggheads,���C�u���
����� and, I couldn't write
a book called Spooks�������� that didn't sound like
the ravings of a lunatic.���C�u���頤��� So... all this is useless.���C�u����Ρȁ Unless you count the dubious thrill
of re-reading old love letters.��C�u���堙��� Who's the girl?�� s�����> - That's Steena Paulsson.
- Very pretty.��
�C�u��7����� - Yeah.
- This you?��̠���� s Yeah, that's me.��Ҡ����� I met her
when I was at N.Y.U.��C�u��~�Сʁ And, it was in 1948 and I was on
the GI Bill with the Navy behind me.��C�u��8��ġ�� At that time I used to live
in the Village in those days,�� 𠬡��
C and I used to go into the library.���C�u��O�աρ It was just like fishing. I'd go into
the stacks and come out with a girl.���C�u��d堷��� Steena Paulsson.
Yeah, I almost married her.���C�u���͠���� Hi.�������� Hi.��gC�u@��������� This book will
change your life, I promise.��~������ I can't stay long.�� Ơ����� Come on in. Just take me
a minute to find it.��C�u@���x����� Oh, this is beautiful.
I have two roommates��
\�١Ӂ
� and we live in this dungeon at the bottom
of an air shaft on West 26th Street.���C�u@��ﵠ̡Ɓ - Would you like some coffee?
- No. Thank you. I should get back.��8������ It's just one cup.
That's all, I promise.�� sC�u������� And the, uh, the library
stays open until ten.��
�����
m - Sure. Why not?
- Good.���C�u������ - How do you take it?
- Black is fine, thanks.���C�u��2X�¡�� - So "Steena Paulsson." That's,
- what is that Swedish?���C�u��G ����� Close.
It's Danish and Icelandic.��8�����
- So you're not from New York?
- How could you tell?���C�u��d\����� Fergus Falls, Minnesota.������� Well Miss Steena Paulsson
from Fergus Falls, Minnesota���C�u���-����� this is my gift for you.��y������ Tender is the Night.
F. Scott Fitzgerald.��
DC�u���㠥��� He's from the Midwest, too.��Ҡ����y Thank you.��������� You're welcome.���C�u��������� The coffee?�� s�����> Coffee.��>C�u��ܙ����� What happened?��f������ - To what?
- The cut over your eye.��O�����
� Oh uh, boxing.
It's just a hobby.��VC�u@��������� You like that sort of thing?�������� Yes, I do.����š��P I mean, don't get the wrong idea.
It's not about strength.�� C�u��b����� It's really all about
how smart you are.��������� Are you smart. Miss Paulsson?���C�u��-������ What do you think, Mr. Silk?�� Ơ����a I think you'd make a great boxer.���C�u��H������ Good answer.�� Ǡ����> Well, come on.
Let's see.���C�u��b����� - See what?
- Show me.��O������ - Show you what?
- Show me how good you are.��
nC�u@��u������ Okay.�������� - Okay. You're right-handed?
- Yes.����š�� All right. Put your left leg forward,
your right leg back.�� �C�u@��������� Bend at the knees.��1������ Okay?
Two fists.��
�ǡ��� Bring your right one back by
your chin. Keep it cocked here.��
�C�u@�����ȡ Left one comes out in front of you.
That's what you jab with.�������� All right. And your thumbs
are on the outside,��8C�u��������� yeah? Okay. It's like this��
3�����
� - Jab. Jab. Jab.
- Jab. Jab. Jab.��xC�u@������ That's pretty good for starters.�������U Um, your right hand,
throw that in once in a while.��
D������ Just to mix the other guy up.��yC�u�� Z����� It's a right cross. Like this��������y - Jab. Jab right.
- Jab. Jab right.���C�u��%`����� - That's good.
- Jab. Jab right.��
������> - All right. The hands.
- Okay. I'm getting hot.���C�u@��>$����� Jab. Jab right.
Jab. Jab right.��
꠲���> Nice. Keep the right
back by your chin.��~����� Okay. Jab. Jab right.
Jab. Jab right.��
�C�u@��^㠼��� - Watch the hands.
- Stop moving! Jab. Jab right.��
�����
� - Jab. Jab right.
- That's good.��[�����E Jab. Jab right.
Jab. Jab right!���C�u���b����� Did I hurt you?��y����� I No.��aC�u���@����� Your heart's beating fast.��C�u��I����� I can't believe this.��������� Me neither.���C�u��`������ I guess we do things
a little differently back home.��Ӡ����� Yes, I can imagine.��
�C�u���8�ϡɁ First, first we'd be eyeing each
other in church, on Sundays, right?��MC�u@�����ȡ And then as fall slipped into winter
and the air turned cold,��Ƞ���� there'd be sleigh rides
skating on frozen lakes��/C�u���+����� singing carols around
the yuletide.��
٠����: You forgot logrolling
and dunking for apples.��.C�u@�������� Go on, then.
Give me the straight dope.��
��١Ӂ - Tell me about real American courtship.
- You're American. Jews are American.���C�u��rX����� Now listen.��O�����
� That's Irving Berlin.�� sC�u����̡Ɓ I hear that and everything in me
just sort of unclenches, and the��.C�u���렝��� the wish not to die��
m�����V never to die
becomes almost too great to bear.��.C�u@��C
����� Come on, dance with me.��Ҡ����% Come on, dance with me!��������
2 - I'm not making a pass at you. Come on.
- No-No-No.���C�u��X;����� Loosen up. Live a little!�������
\ Take it easy. Come on,
loosen up, relax!���C�u��o
����� Just don't sing in my ear,
all right?�� �����P - All right, all right.
- Come on.��[C�u���Ƞ���� This is good.
It's good for you.��������z Turn around. Beautiful.�� sC�u��ף����� Good. A little spin.��=C�u���z����� Away!���C�u��V������ Get away!��ޠ����
� Really good. You're really good!��bC�u���C����� I'm having an affair, Nathan.��̠����> I'm having an affair with
a thirty-four year-old woman��OC�u���M����� and I can't tell you
what it's done to me.��U�����E I think I have
a pretty good idea.��
�C�u��������� When this stuff comes back
so late in life��,������ completely unexpected
completely unwanted��C�u���Z����� it comes back
with such force�������u there's nothing
you can do about it.��%C�u���q����� There's nothing
to dilute it.��U������ And when
she's thirty-four?��>C�u�� R����� And ignitable, Nathan.��
������a Ignitable.�� C�u��P����� Ever hear of something
called Viagra?��
������ Well, without Viagra�� �C�u��+U����� I could continue into
my declining years��
\�����, and still draw profound
philosophical conclusions��VC�u@��HU�� and still have a steadying
moral influence on the young.��
C�����
� Without Viagra����ġ��� I would not be doing something
that makes no sense at all��zC�u��k٠���� something that
is ill-considered��������i and potentially disastrous
for all concerned.���C�u�������� Just where exactly did you
find this astounding woman?��
C�u@��������� - We're closing.
- Two minutes, that's all I need.��
������> - I said we're closing.
- Two minutes, I promise.��WC�u���h����� It's okay. Thank you.��̠����n Couldn't wait until tomorrow, huh?���C�u���+����� No, it's my sister's birthday.��C�u��������� Good. Thank you.��
�C�u��7����� Hi, Phil.��OC�u@��E0����� Are you telling me, Mr. Starr,����ġ�� you believe the President of
the United States was lying?��
�����u You know as a witness
when you take an oath,���C�u@��]������ it's a sacred obligation
if you are a believer,��
��ϡɁ
� that you're going to tell the truth,
and you say, "So help me, God."���C�u��{��� I mean, this is
very serious business.��zC�u���5����� - You got car trouble?
- Every other day.��,C�u��������� Can I give you a lift?��������� - Where can I drop you?
- Uh, Nickerson's.��>C�u���C����� - That's the dairy farm.
- Yeah.��Ԡ����? - You mind if I smoke?
- No. Go ahead.��
�C�u��ڗ����� Yeah, two dykes run it.�� Ơ����
� They give me a room in exchange
for doing the milking.��PC�u���\����� So you work at the post office
and the dairy farm?��
������> And the college.��%C�u�������� Faunia Farley
custodial staff.��������� It says so on my name tag.��
�C�u��)���� Like to keep busy, huh?��������% Action is the enemy of thought.��
nC�u��>�� Who said that?���C�u��x�� - Thanks for the lift.
- Okay.���C�u���J����� Want to come in?��yC�u��:����� - You mean now?
- Mm-hm.��������� I haven't been
this close to a woman for��+C�u�������� Since your wife died.
I know.���C�u��>j����� Listen, um, we should
get something straight.��C�u��b��ʡā If you're looking for sympathy,
you've come to the wrong place.��/C�u���C����� I'm...��ˠ���� I don't do sympathy.��>�����K Uh-huh.�� �C�u��������� Hey...
Whatever.��|C�u���𠴡�� - Thanks for the ride.
- Okay. Take care.��oC�u��*S����� Oh, God.��
�C�u��F������ - Hi.
- Hi.���C�u��]F����� It's nothing personal, but,
uh, you got to go.��C�u��z������ I just...��Ҡǡ��' I don't want to wake up
in the morning and have you here, so��
nC�u���<����� - Like I said, it's nothing personal.
- Okay.���C�u��� ����� Will I see you again?���C�u��-����� You can't much miss me.��
2C�u��;����� What's that?��1������ The question is
will I see you again?���C�u��[9����� What are you thinking?���C�u��tP����� - I'm thinking you're going to ruin it.
- No, I'm not.��
렭���> Yes, you are.
Just leave it alone.��bC�u���m����� Don't try and get inside my head.��
������� Why do we have to talk?��
C�u��������� All right. All right,
have it your way.���C�u������ - I was thinking I'm a crow.
- A crow, why a crow?���C�u���b����� - Mm-mm.
- Your turn.��C�u@����¡�� - I was wondering what it's like making love
- Fucking.��������b All right. What's it like
fucking an old man?���C�u��$ ���� It's perfect.
No surprises.���C�u��I������ What's it like
being out of a job?��
�����a It's lonely.
Like you, I guess.��
�C�u��d������ My turn, huh?�� s�ҡ́
� Aside from that wreck of a car,
you don't seem to have any possessions.��zC�u��X����� No books, no pictures��
������� Action is the enemy of thought.���C�u���{����� All right. My life story.
Is that what you want?���C�u���Ԡ���� Fine.���C�u���,����� I grew up with a lot of possessions.��
\����� My father was rich.
Real rich. Lots of servants.���C�u��
����� The whole nine yards.��
�C�u�� $������ Don't you believe me?���ǡ��~ - Mm-hm, yeah, I believe you.
- Then my parents got divorced��
3C�u�� 9������ and my mother remarried.��-�����i The thing is, this one
couldn't keep his hands off me.���C�u�� X��ءҁ Bedtime stories were his specialty.
Hey, sweetheart, let me read you a story.��C�u�� n����� Next thing you know,
fingers in me.��-�����V - You don't have to tell me this
- Hey, you asked.��
�C�u�� �z�š�� Told my mother. She didn't believe me.
Nobody believed me.��C�u�� ������� When I was fourteen,
he tried to fuck me.�������� That's when I split.
I went to Florida.���C�u�� �N����� Did a little of this and that.��C�u�� � ����� I don't know. You know,
girl like me always get by.���C�u�� �6����� No possessions.
Travel light.���C�u��!=D����� - Yeah.
- Yeah.��
m������ Real nice.��+C�u��!�Ӡȡ - Did you hear something?
- Hear what? I don't hear anything.���C�u��!������ - What is it? What
- No-No-No, shh.��,������ - What could it be?
- Shhh!��
�C�u��!�]����� - It's Les.
- Who's Les?��ߠ����u Oh, shit!���C�u��!�(����� He's my ex-husband.�� I�����
� Huh?��gC�u@��" �ʡā He follows me around. I can feel him.
He's out there somewhere.��8������ I can handle him.
I used to be a pretty good boxer.��
�C�u@��"%o����� Listen to me. I'm not kidding.��g�ѡˁ
� He's out of his fucking mind.
He was in Nam. He did two tours of duty.���C�u��"Z������ He used to beat me up.�� �C�u��"r�� One time it was so bad
he put me in a coma for two days.��zC�u��"������� Hey. There's nobody there.��
n�����
� Did you ever kill anyone
in Vietnam, Mr. Farley?�� sC�u@��"������� - Did I kill anyone?
- Uh-huh.�������� Isn't that
what I was supposed to do��7�¡�� when I was sent to fucking Vietnam?
Fucking kill gooks?��
C�u��"�ʠ���� They said, "Everything goes,"
so everything went.���C�u��"ֈ�á�� Look, let's get something
straight right from the start.��������� - I never hurt her. Okay?
- Mm-hm.��
�C�u��"������� Never.��������� And I never hurt the kids.
That was all lies.��WC�u@��#������ That blue-blooded whore����ءҁ� Her parents are rich and she wouldn't
ask for a dime to help me with the kids���C�u��#?Ǡ���� She never cared about
anybody but herself.��
3������ I should have never let her
go off with the kids.��8C�u��#r����� - You sure it's all right if I smoke?
- Yeah.��bC�u@��#�ʠ���� She waited until I was in rehab.��O������ That's why she wanted me
in re-hab to start with,�� s�����@ so she could take the kids.�� �C�u��#���ġ�� She used the whole thing against me
to get the kids away.��Ƞ���� She had no right to steal my kids.��
�C�u��#�Z����� Now she's fucking this old Jew.���C�u@��#������ I should have killed her back then.��%����� � This is nice.��[�Сʁ� I'm sorry, madam. Smoking is prohibited
in the restaurant. Thank you.��C�u��$������ - Sorry.
- Thank you.��������
- I'm sorry about that.
- Oh, no, that's fine.���C�u��$������ They seem to have banned
smoking everywhere now.�� Ơ����� Is this okay for you?��C�u��$6r����� Sure.���C�u��$U������ Coleman?��ݠ���� I don't know if this is
such a good idea, you know.��
�C�u@��$i������ It's fine
It's a fine restaurant.��+����� They specialize in
fish and all that stuff.��
������ - Sorry I'm late.
- Oh, hi. Hi, Nathan.��bC�u@��$������ This is, uh, this is Faunia.��+�����~ Uh, this is my friend
Nathan Zuckerman.��U�����&