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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gw�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��9M��S��T�gS��vx�O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v95.0 ('Goodbye Stranger') 64-bitD��AU�T�Da� k�U{��The.Human.Stain.2003.720p.BluRay.x264-x0rs��g-Z0!�&Z�~�&›�T�k���ׁsňP�<)k�x�������S_TEXT/UTF8"���en�DC�u@��F֠ġ��You mean to tell me you're President of the United States�� g�ȡ �and you're banging some 22 year-old intern in the White House�� �C�u@��]������and you ask her to keep her mouth shut,�� �ԡ΁`and you really think she's gonna do it? I mean, come on, give me a break!�� ��ҡ́cClinton. He should count himself lucky she didn't go straight to Oprah.�� �C�u@��}��ˡŁCome on, she was overwhelmed by Starr's team in that hotel room.��V������No, poor thing. Eleven guys hitting on her?���C�u@��������- That's a gang-bang. - Oh, right.��7������That's why she's talking to Linda Tripp.��ޠ���� �She's talking to everybody.��C�����'She's part of that whole dopey culture. Yak yak yak.��OC�u@���������Oh, look, if Clinton couldn't figure Monica Lewinsky,�� ������ then he shouldn't have been president.��������That's grounds for impeachment right there.���C�u@���+�����- That's true. - You're right.��<������I'm telling you, if he'd just fucked her.��㠭��� �That's the way you create loyalty.�� �����'- Yeah. - That's the way.��fC�u@��� �ơ��But you know what Kennedy would have done to her? Or Nixon?�� ��š�� =They would have told her, Not only are you not gonna work,��QC�u@�����ԡ΁you're not gonna work ever again. And your father's gonna be out of work.�� 렫��� >And your mother. And your brother��&C�u��ΠȡEverybody in your family is not gonna make one more thin dime�� ������ unless you keep your mouth shut.���C�u@����סсWell, but Clinton plays it like a lawyer. That's why he didn't want to come.�� ������ �Hey, when he came, he was finished.��+�����:Evidence. Smoking come.�� �C�u@��7͠����Nineteen ninety-eight was the summer of sanctimony.��J�ˡŁ�After the fall of Communism and before the horrors of terrorism,��cC�u��\K�֡Ёthere was a brief interlude when the nation was preoccupied by cocksucking.���C�u@��q͠ӡ́This is Coleman Silk, powerful Dean of Faculty and professor of Classics��t������at Athena College in western Massachusetts.�� C�u���񠤡��Educated at NYU and Oxford�� �ˡŁ mColeman taught in England before returning to the U.S. To become���C�u���V�סсOne of the first Jews to teach in a Classics department anywhere in America.���C�u���������When he was appointed Dean of Athena,��,�����Coleman took the poulky sleepy-hollow type college�� �C�u@����Сʁand dragged it, kicking and screaming, from mediocrity to excellence.��i�¡���Of course, in the process, he made a good many enemies.��VC�u@���������Sing, O Gods, of the wrath of Achilles����ȡPAnd finally, "the persecuting spirit" caught up with Coleman.���C�u��ݠԡ΁All of European literature springs from a fight, a barroom brawl, really.��0C�u��2������And what was Achilles so angry about?���š��dWell, he and King Agamemnon were quarrelling over a woman,��?C�u��YP�����a young girl and her body�� 렮��� hand the delights of sexual rapacity.��VC�u��sb�����Achilles, the most hypersensitive fighting machine��E������in the history of warfare.���C�u@����̡ƁAchilles, who, because of his rage at having to give up the girl,�������?isolates himself defiantly outside the very society���C�u@���X�á��whose protector he is and whose need of him is enormous.�� b�ơ�� �Achilles, has to give up the girl. He has to give her back.���C�u@��ᅠ͡ǁAnd that is how the great imaginative literature of Europe begins,��������Pand that is why three thousand years later,�� C�u���������we are going to begin there today.���C�u��������Miss Cummings, Tracy Cummings, can you tell us��4C�u��-������Still not here. Okay. Mr. Thomas, William Thomas.�������dIs he here?�� �C�u��M6�����We're five weeks into the semester�� 𠶡�� Cand I haven't even laid eyes on these folks.�� C�u��`à����Can anyone tell me, do these people exist?��������zOr are they spooks?��C�u��w������Were you aware, Professor Silk,���ȡ1that Tracy Cummings and William Thomas are African-Americans?��JC�u���������How could I be? I've never seen them.����ġ�� IBut you are aware of the connotation of the word "spook."��4C�u���������Ghost Professor Roux. Ghost.�� ����� \I was referring to their ectoplasmic character.��QC�u���Ǡ����Here is the, uh, first definition of the word. I quote���C�u���,�����Spook, Informal Ghost, Spectre���C�u���š��But, Dean Silk, let me remind you of the second definition��������Negro.���C�u���ΡȁI'd never laid eyes on them. How could I know they were black? Hmm?���C�u@��+������All I did know was that they were invisible.��������+Nevertheless, they have lodged a complaint.�� ������Miss Cummings was devastated. Now the issue here�� �C�u@��F������These students have never attended a single class.�� ��¡�� �Do they exist or are they spooks? Consider the context.���C�u��`������- But, Dean Silk - I've not finished!�� ٠�����The only issue is the nonattendance of these students,�� �C�u��~^�ơ��their inexcusable neglect of work and their sheer chutzpah.���C�u@�����ơ��Oh, Miss Cummings is devastated. Give me a break, will you?�� ������ �To charge me with racism is not only false,�� C�u���������it is spectacularly false! And you know it!��?C�u��Ü�����Thanks a lot, Herb.�� �C�u@���q�����- Well, I've quit. - What?��+�����~I've resigned from that half-assed college.��y�����!Where's that last year's phone book?���C�u@��󬠷���Wait a minute. Wait a minute. What happened?�� ��ʡā �- I've been accused of a racist epithet. - What racist epithet?�� C�u@�� �ˡŁI used the word "spooks," which fifty years ago was just a slang�� 堧��� bI know what it was slang for.��7�á��Where's that phone book? We'll sue these wimpy bastards.��~C�u@��&-�ϡɁ- I want that lawyer, Alfred or whatever - Wait, did you remind them����ġ���- that when you were dean you... - Yeah, I reminded them.��ؠ�����No, you hired Herb Keble, the first black...���C�u@��EK�����- Please, "African-American," please. - Okay��a�ȡ�- African-American, ever on the faculty. - Where's that book?�� �����"Isn't Herb on the same committee?��~C�u@��]h�����- But wait, wait, just tell me - Yes, he is.��頳���=And they're our friends, for God's sake!��~����� b- Did Herb even open his mouth? - Yes, yes.�� mC�u@��t��š��I'm sorry, Coleman, I can't be with you on this. Bullshit.�� ����� DFine, fine. They want to fight?��f������I'll give them a fight that they'll never forget!���C�u���<�á��This is absolute lunacy! After 35 years of your devotion���C�u@���F�ȡNow you know what we're going to do? We're going to organize.���̡ƁUWe're going to get them to sign a petition. That's what we'll do.�� �סсiNo. You know what we're going to do? We're going to do a two-pronged attack.�� �C�u@���������We're going to attack We're going to get lawyers,��1������because I know some... Okay. I know. Which is why�� �C�u��������- Coly? - What?�� �ġ�� �- Something's wrong. - I know there is. What do you mean?��KC�u��ﶠ����- Coly - What's the matter?��,�����- Coly - Hey, come on, sit down.��VC�u�� '�����What's the matter? Come on.�� ����� �- Come on. - I'm sorry.�� �C�u�� m�����It's all right.��U�����KI'm sorry�� �C�u�� �8�ġ��Iris Silk died several hours later in her husband's arms.��^C�u@�� �������Six months after that, Coleman came into my life.�� ��ҡ́WI had been living alone in a small cabin by a lake not far from Athena.��9C�u@�� �Ǡ����Including questions about my private life...�� �á�� �questions no American citizen would ever want to answer.��@C�u�� 팠����Still, I must take complete responsibility��%�����yfor all my actions both public and private.�� bC�u�� ������And that is why I am speaking to you tonight.��+����� �- As you know, in a deposition in January - Hello?��yC�u�� A�����I was asked questions about my relationship���C�u�� ,à����- Are you Mr. Zuckerman? - Yeah.�� 8����� �- Are you Nathan Zuckerman? - Yeah.���C�u�� J砻���You're the Zuckerman that's the writer, correct?�� ������ �- Yeah, but - We've got to talk. May I come in?���C�u@�� h������Thanks. Your last book won some sort of prize, right?����ϡɁ�- It was short-listed for the - That was 5 years ago. What happened?��zC�u@�� �������You're blocked, right? You're blocked!��������You're worried you don't have another story in you.��&�����zWell, I can fix that. I'm the answer to your prayers.�� JC�u@�� �������- You know who I am? - Dean Silk?��������Dean Coleman Silk. That's right.����ǡ���The late, retired and now resigned and unlamented Dean Silk,���C�u�� �w�����following the murder you clock that?�� D����� �Following the murder of my wife.�� �C�u@�� ۔�����How's that grab you, Zuckerman?���������That good enough to get your juices flowing?��נ���� I'm not sure I understand.��������?Those sons of bitches killed my wife, Nathan.�� C�u@�� �A�ԡ΁They killed my wife as if they'd taken a gun and fired it into her heart.�������VYeah. Who would've thought Iris couldn't take it��^C�u�� r�����as strong as she was, brave as she was? But, uh��?C�u�� /|�١Ӂyeah, their kind of stupidity was too much even for a juggernaut like my Iris.��4C�u�� DV�����Massive embolism.��7�����aPow! I got her to the hospital, but it was too late.��VC�u@�� X��ǡ��The point is they meant to kill me but they got her instead.��������All in the name of political correctness.��C�u@�� w������There's an oxymoron if ever I heard one.��������ySo, there's your book, Nathan.�� ������iYou mind if I call you Nathan?��1C�u@�� �頪���- Look, Dean... - Just Coleman.��7������All my other titles I have given away.����ѡˁ �Coleman. Look, I'm sorry but I write fiction, and at the moment I'm...��LC�u@�� ��ɡÁBelieve me this thing will read like The Manchurian Candidate.�� ������ 8They murdered the wrong person, for Christ's sakes!�� �C�u�� �a�����For one word! Spooks!��������!Spooks! It's unbelievable.���C�u�� �?�����Let me tell you something, Nathan.�� �������My father was a saloonkeeper in New Jersey.��C�u@�� �ġ��Yeah, he was the only Jewish saloonkeeper in East Orange.�� ������ �He only got as far as the seventh grade.��PC�u@�� *������But he insisted on the precision of words.�� ٠ơ���And I have kept faith with him. I have kept faith with him.���C�u�� O �����If you don't mind a suggestion��[������maybe you ought to write this book yourself.�� �C�u�� b젏���Yeah.��T����� �Maybe I ought to.�� �C�u�� �"�����Yeah.�� ������!I guess I ought to go. Let me ask you something�� �C�u@�� �Ϡá��Why are you hiding out here, in the middle of the woods?��Ƞ�����- Hiding out? - Yeah. Isn't that what you're doing?��tC�u@�� �c�����What's the moment called in Greek tragedy,�� h�աρ �you know, the one where the hero learns that everything he knows is wrong?���C�u�� �:�����It's called peripeteio or peripetia. Take your choice.��?�����Yeah. That's me.�� �C�u�� �����Hey. You by any chance play gin rummy?��C�u@�� 5��¡��And this was how my friendship with Coleman Silk began.��������And how I came out from my reclusive life,�� �C�u�� RA�����living alone in a cabin by a lake.��Q������You're divorced, huh?�� �C�u�� nq�����Does it show?��ݠġ��ZYeah, you have the look about you of a man at loose ends.�� \C�u�� �"�����Takes one to know one.�� ����� �Why did your wife leave you?��Ҡ����iWhich one?���C�u�� �Ӡ����The first or the second?��������OSeveral years ago,��㠵��� �I had been diagnosed with prostate cancer.�� �C�u�� �C�����Although the treatment was successful,��O������I had nevertheless withdrawn to my cabin in the woods,��'C�u@�� �`�ǡ��away from the expectations and entanglements of modern life.��������In the year that followed my meeting Coleman,�� �C�u�� 愠����the time it took him to write his book,�� Ơ���� Cwe had dinner together several times a week.�� >C�u@�� �������Sometimes playing penny a point gin rummy,�� 8�ءҁ �sometimes listening to music that came from a small FM station in Springfield��cC�u��B�¡��that played big band hits from the forties and fifties.��������It was during that time���C�u��3@�ϡɁthat Coleman dragged me back to life, much as he had Athena College.���C�u��S/�����- What's with the book? - The book has come and gone.�� ������ �- Meaning? - Meaning it's worthless.���C�u��s�����Yeah.��ؠ�����You can't make a college without breaking eggheads,���C�u��� �����and, I couldn't write a book called Spooks�� ����� �that didn't sound like the ravings of a lunatic.���C�u���頤���So... all this is useless.���C�u����ΡȁUnless you count the dubious thrill of re-reading old love letters.��C�u���堙���Who's the girl?�� s����� >- That's Steena Paulsson. - Very pretty.�� �C�u��7�����- Yeah. - This you?��̠���� sYeah, that's me.��Ҡ�����I met her when I was at N.Y.U.��C�u��~�СʁAnd, it was in 1948 and I was on the GI Bill with the Navy behind me.��C�u��8��ġ��At that time I used to live in the Village in those days,�� 𠬡�� Cand I used to go into the library.�� �C�u��O�աρIt was just like fishing. I'd go into the stacks and come out with a girl.���C�u��d堷���Steena Paulsson. Yeah, I almost married her.���C�u���͠����Hi.��������Hi.��gC�u@���������This book will change your life, I promise.��~������I can't stay long.�� Ơ�����Come on in. Just take me a minute to find it.�� C�u@���x�����Oh, this is beautiful. I have two roommates�� \�١Ӂ �and we live in this dungeon at the bottom of an air shaft on West 26th Street.���C�u@��ﵠ̡Ɓ- Would you like some coffee? - No. Thank you. I should get back.�� 8����� �It's just one cup. That's all, I promise.�� sC�u�������And the, uh, the library stays open until ten.�� ����� m- Sure. Why not? - Good.�� �C�u��Р����- How do you take it? - Black is fine, thanks.���C�u��2X�¡��- So "Steena Paulsson." That's, - what is that Swedish?���C�u��G �����Close. It's Danish and Icelandic.�� 8����� - So you're not from New York? - How could you tell?���C�u��d\�����Fergus Falls, Minnesota.�������Well Miss Steena Paulsson from Fergus Falls, Minnesota���C�u���-�����this is my gift for you.��y������Tender is the Night. F. Scott Fitzgerald.�� DC�u���㠥���He's from the Midwest, too.��Ҡ����yThank you.���������You're welcome.���C�u���������The coffee?�� s����� >Coffee.�� >C�u��ܙ�����What happened?��f������- To what? - The cut over your eye.��O����� �Oh uh, boxing. It's just a hobby.��VC�u@���������You like that sort of thing?��������Yes, I do.����š��PI mean, don't get the wrong idea. It's not about strength.�� C�u��b�����It's really all about how smart you are.�� �������Are you smart. Miss Paulsson?�� �C�u��-������What do you think, Mr. Silk?�� Ơ���� aI think you'd make a great boxer.�� �C�u��H������Good answer.�� Ǡ���� >Well, come on. Let's see.�� �C�u��b�����- See what? - Show me.��O������- Show you what? - Show me how good you are.�� nC�u@��u������Okay.��������- Okay. You're right-handed? - Yes.����š��All right. Put your left leg forward, your right leg back.�� �C�u@���������Bend at the knees.��1������Okay? Two fists.�� �ǡ���Bring your right one back by your chin. Keep it cocked here.�� �C�u@�����ȡLeft one comes out in front of you. That's what you jab with.�� ����� �All right. And your thumbs are on the outside,�� 8C�u���������yeah? Okay. It's like this�� 3����� �- Jab. Jab. Jab. - Jab. Jab. Jab.��xC�u@������That's pretty good for starters.�������UUm, your right hand, throw that in once in a while.�� D������Just to mix the other guy up.��yC�u�� Z�����It's a right cross. Like this��������y- Jab. Jab right. - Jab. Jab right.���C�u��%`�����- That's good. - Jab. Jab right.�� ������ >- All right. The hands. - Okay. I'm getting hot.�� �C�u@��>$�����Jab. Jab right. Jab. Jab right.�� ꠲��� >Nice. Keep the right back by your chin.��~�����Okay. Jab. Jab right. Jab. Jab right.�� �C�u@��^㠼���- Watch the hands. - Stop moving! Jab. Jab right.�� ����� �- Jab. Jab right. - That's good.��[�����EJab. Jab right. Jab. Jab right!�� �C�u���b�����Did I hurt you?��y����� INo.��aC�u���@�����Your heart's beating fast.�� C�u��I�����I can't believe this.�� ������ �Me neither.���C�u��`������I guess we do things a little differently back home.��Ӡ�����Yes, I can imagine.�� �C�u���8�ϡɁFirst, first we'd be eyeing each other in church, on Sundays, right?��MC�u@�����ȡAnd then as fall slipped into winter and the air turned cold,��Ƞ����there'd be sleigh rides skating on frozen lakes��/C�u���+�����singing carols around the yuletide.�� ٠����:You forgot logrolling and dunking for apples.��.C�u@��������Go on, then. Give me the straight dope.�� ��١Ӂ- Tell me about real American courtship. - You're American. Jews are American.���C�u��rX�����Now listen.��O����� �That's Irving Berlin.�� sC�u����̡ƁI hear that and everything in me just sort of unclenches, and the��.C�u���렝���the wish not to die�� m�����Vnever to die becomes almost too great to bear.��.C�u@��C �����Come on, dance with me.��Ҡ����%Come on, dance with me!�������� 2- I'm not making a pass at you. Come on. - No-No-No.���C�u��X;�����Loosen up. Live a little!�� ����� \Take it easy. Come on, loosen up, relax!���C�u��o �����Just don't sing in my ear, all right?�� �����P- All right, all right. - Come on.��[C�u���Ƞ����This is good. It's good for you.��������zTurn around. Beautiful.�� sC�u��ף�����Good. A little spin.�� =C�u���z�����Away!���C�u��V������Get away!��ޠ���� �Really good. You're really good!�� bC�u���C�����I'm having an affair, Nathan.��̠���� >I'm having an affair with a thirty-four year-old woman��OC�u���M�����and I can't tell you what it's done to me.��U�����EI think I have a pretty good idea.�� �C�u���������When this stuff comes back so late in life��,������completely unexpected completely unwanted��C�u���Z�����it comes back with such force�� �����uthere's nothing you can do about it.��%C�u���q�����There's nothing to dilute it.��U������And when she's thirty-four?�� >C�u��R�����And ignitable, Nathan.�� ������ aIgnitable.�� C�u��P�����Ever hear of something called Viagra?�� ������ Well, without Viagra�� �C�u��+U�����I could continue into my declining years�� \�����,and still draw profound philosophical conclusions��VC�u@��HU�á��and still have a steadying moral influence on the young.�� C����� �Without Viagra����ġ���I would not be doing something that makes no sense at all��zC�u��k٠����something that is ill-considered�� ������iand potentially disastrous for all concerned.���C�u��������Just where exactly did you find this astounding woman?�� C�u@���������- We're closing. - Two minutes, that's all I need.�� ������ >- I said we're closing. - Two minutes, I promise.��WC�u���h�����It's okay. Thank you.��̠����nCouldn't wait until tomorrow, huh?���C�u���+�����No, it's my sister's birthday.�� C�u���������Good. Thank you.�� �C�u��7�����Hi, Phil.��OC�u@��E0�����Are you telling me, Mr. Starr,����ġ��you believe the President of the United States was lying?�� �����uYou know as a witness when you take an oath,���C�u@��]������it's a sacred obligation if you are a believer,�� ��ϡɁ �that you're going to tell the truth, and you say, "So help me, God."���C�u��{���I mean, this is very serious business.��zC�u���5�����- You got car trouble? - Every other day.��,C�u���������Can I give you a lift?���������- Where can I drop you? - Uh, Nickerson's.�� >C�u���C�����- That's the dairy farm. - Yeah.��Ԡ����?- You mind if I smoke? - No. Go ahead.�� �C�u��ڗ�����Yeah, two dykes run it.�� Ơ���� �They give me a room in exchange for doing the milking.��PC�u���\�����So you work at the post office and the dairy farm?�� ������ >And the college.��%C�u��������Faunia Farley custodial staff.�� �������It says so on my name tag.�� �C�u��)Š����Like to keep busy, huh?��������%Action is the enemy of thought.�� nC�u��>󠘡��Who said that?���C�u��x󠩡��- Thanks for the lift. - Okay.���C�u���J�����Want to come in?��yC�u��:�����- You mean now? - Mm-hm.�� ������ �I haven't been this close to a woman for��+C�u��������Since your wife died. I know.���C�u��>j�����Listen, um, we should get something straight.��C�u��b��ʡāIf you're looking for sympathy, you've come to the wrong place.��/C�u���C�����I'm...��ˠ����I don't do sympathy.�� >�����KUh-huh.�� �C�u���������Hey... Whatever.��|C�u���𠴡��- Thanks for the ride. - Okay. Take care.��oC�u��*S�����Oh, God.�� �C�u��F������- Hi. - Hi.���C�u��]F�����It's nothing personal, but, uh, you got to go.�� C�u��z������I just...��Ҡǡ��'I don't want to wake up in the morning and have you here, so�� nC�u���<�����- Like I said, it's nothing personal. - Okay.���C�u��� �����Will I see you again?�� �C�u��-�����You can't much miss me.�� 2C�u��;�����What's that?��1������The question is will I see you again?���C�u��[9�����What are you thinking?���C�u��tP�����- I'm thinking you're going to ruin it. - No, I'm not.�� 렭��� >Yes, you are. Just leave it alone.�� bC�u���m�����Don't try and get inside my head.�� �������Why do we have to talk?�� C�u���������All right. All right, have it your way.���C�u��б�����- I was thinking I'm a crow. - A crow, why a crow?���C�u���b�����- Mm-mm. - Your turn.��C�u@����¡��- I was wondering what it's like making love - Fucking.�� ������ bAll right. What's it like fucking an old man?�� �C�u��$ ����It's perfect. No surprises.���C�u��I������What's it like being out of a job?�� ����� aIt's lonely. Like you, I guess.�� �C�u��d������My turn, huh?�� s�ҡ́ �Aside from that wreck of a car, you don't seem to have any possessions.��zC�u��X�����No books, no pictures�� �������Action is the enemy of thought.�� �C�u���{�����All right. My life story. Is that what you want?���C�u���Ԡ����Fine.���C�u���,�����I grew up with a lot of possessions.�� \�����My father was rich. Real rich. Lots of servants.���C�u�� �����The whole nine yards.�� �C�u�� $������Don't you believe me?���ǡ��~- Mm-hm, yeah, I believe you. - Then my parents got divorced�� 3C�u�� 9������and my mother remarried.��-�����iThe thing is, this one couldn't keep his hands off me.�� �C�u�� X��ءҁBedtime stories were his specialty. Hey, sweetheart, let me read you a story.��C�u�� n�����Next thing you know, fingers in me.��-�����V- You don't have to tell me this - Hey, you asked.�� �C�u�� �z�š��Told my mother. She didn't believe me. Nobody believed me.��C�u�� �������When I was fourteen, he tried to fuck me.��������That's when I split. I went to Florida.�� �C�u�� �N�����Did a little of this and that.�� C�u�� ������I don't know. You know, girl like me always get by.���C�u�� �6�����No possessions. Travel light.���C�u��!=D�����- Yeah. - Yeah.�� m������Real nice.��+C�u��!�Ӡȡ- Did you hear something? - Hear what? I don't hear anything.���C�u��!������- What is it? What - No-No-No, shh.��,������- What could it be? - Shhh!�� �C�u��!�]�����- It's Les. - Who's Les?�� ߠ����uOh, shit!���C�u��!�(�����He's my ex-husband.�� I����� �Huh?��gC�u@��" �ʡāHe follows me around. I can feel him. He's out there somewhere.�� 8������I can handle him. I used to be a pretty good boxer.�� �C�u@��"%o�����Listen to me. I'm not kidding.�� g�ѡˁ �He's out of his fucking mind. He was in Nam. He did two tours of duty.���C�u��"Z������He used to beat me up.�� �C�u��"r�á��One time it was so bad he put me in a coma for two days.��zC�u��"�������Hey. There's nobody there.�� n����� �Did you ever kill anyone in Vietnam, Mr. Farley?�� sC�u@��"�������- Did I kill anyone? - Uh-huh.�� ����� �Isn't that what I was supposed to do��7�¡��when I was sent to fucking Vietnam? Fucking kill gooks?�� C�u��"�ʠ����They said, "Everything goes," so everything went.���C�u��"ֈ�á��Look, let's get something straight right from the start.�� ������ �- I never hurt her. Okay? - Mm-hm.�� �C�u��"�������Never.���������And I never hurt the kids. That was all lies.��WC�u@��#������That blue-blooded whore����ءҁ�Her parents are rich and she wouldn't ask for a dime to help me with the kids���C�u��#?Ǡ����She never cared about anybody but herself.�� 3������I should have never let her go off with the kids.�� 8C�u��#r�����- You sure it's all right if I smoke? - Yeah.�� bC�u@��#�ʠ����She waited until I was in rehab.��O������That's why she wanted me in re-hab to start with,�� s�����@so she could take the kids.�� �C�u��#���ġ��She used the whole thing against me to get the kids away.��Ƞ����She had no right to steal my kids.�� �C�u��#�Z�����Now she's fucking this old Jew.�� �C�u@��#������I should have killed her back then.��%����� �This is nice.��[�Сʁ�I'm sorry, madam. Smoking is prohibited in the restaurant. Thank you.��C�u��$������- Sorry. - Thank you.�������� - I'm sorry about that. - Oh, no, that's fine.���C�u��$������They seem to have banned smoking everywhere now.�� Ơ���� �Is this okay for you?��C�u��$6r�����Sure.���C�u��$U������Coleman?��ݠ����I don't know if this is such a good idea, you know.�� �C�u@��$i������It's fine It's a fine restaurant.��+�����They specialize in fish and all that stuff.�� ����� �- Sorry I'm late. - Oh, hi. Hi, Nathan.�� bC�u@��$������This is, uh, this is Faunia.��+�����~Uh, this is my friend Nathan Zuckerman.��U�����&- Hi. - Nathan is a writer��&C�u��$�Π����a good writer,�������Band uh What was that prize you almost won?�� Ǡ���� \Oh, never mind, never mind.��yC�u@��$���ˡŁI've been, uh, I've been teaching Coleman how to play gin rummy.�� ����� \You're full of surprises, aren't you?���C�u��$�>�����Okay? I just wanted you to meet a friend of mine,��vC�u��$腠����So, Coleman's told me so much about you.�� ߠ���� �Really? He hasn't told me shit about you.��yC�u@�$�*�����What did he tell you?�������CThat he's fucking a cleaning lady?�� ������Why are you doing this to me?��C�u��%q�����- Doing what? - Why are you doing this?��ؠ����You know exactly what you're doing.�� C�u��%,u�����You want somebody to talk to?��������You have a good time. I'm out of here.�� >C�u��%M������I'm sorry about that.�������� m- Coleman. - Later. Excuse me.���C�u@��%���ȡWell, you've really come down in the world, haven't you? Huh?�������iDean of the college, professor of Classics�� 8C�u��%�������Look what you ended up with.�� >�����So what did you tell him about me?���C�u��%�������Nathan's my friend, that's all. Just my friend.�� ������-Did you tell him I was your little whore?�� �C�u��%�]�����The thing is, you can't handle fucking someone�� t����� �that you can't take to a fancy restaurant.��'C�u��&�����Let's just end it, you know?�� ������Just end it, end it right now.�� �C�u��&;f�����Hey.��[C�u��&O���You don't get it, do you?�� �C�u��&kM�����I can't.��~����� �I simply can't.��OC�u��'.Ϡ����Turn off the fucking light!�� ����� �It's Les.��=�����,Don't worry, I already called the cops.�� C�u@��'G������They'll be here any minute.�� ������ �They know how to deal with him, all right?��U������We just have to wait.�� IC�u@�'t`�����What the fuck are you doing?��[�����You can't go out there. He's fucking crazy.��+������Yeah, so am I.���C�u��'������Hey, Farley!��7������What do you want Farley?��`����� �Come on out of there, you murdering bitch!�� hC�u@��'�������- Did she tell you? Did she? - What?��Ҡ����ODid she tell you she was giving some guy a blowjob��������Ewhile her kids were catching on fire, did she?���C�u@��'�.�����Did she tell you that?�������� Get away from here or I'll brain you!��ؠ���� 8- Get away! - Put that fucking thing down�� ������before I ram it through your fucking skull!���C�u��'�'�����That's my wife you're fucking in there!��Ҡ����OI want to talk to her.��������VLes!���C�u��'�Ԡ����Hi, baby.�� s�����V- Hi, sweetheart. - Go home. Come on.���C�u��(�����It's all right. I can...��㠫���7Come on, go home. You hear that?���C�u@��(3��¡��- I had to call the cops. - Ah, what'd you do that for?�� �ǡ��`You're always fucking doing that. I just want to talk to you��'C�u@��(I������you murdering fucking cunt.��&����� �Come on, darling, there's enough time��ݠ�����What are you fucking this old guy for anyhow?���C�u@�(b������Get away from her.��������[Come on. We'll go for a ride.��[����� ]I'll bring you right back, I promise.�� C�u@��(}t�����Fuck 'em.��������- Come on. - No.��䠺��� �They know me. They're not going to do anything.�� J�����cI'll bring you right back, I swear to God.���C�u��(�Ӡ����I don't want to talk to you.��6������Come on Get your fucking hands off of me!�� >C�u@��(�I�����Fuck!��㠱���6This is payback for what I did in Nam.��,�ġ�� �This is what I fucking get for saving my fucking country!�� �C�u@��(�Z�����All the shit I went through.��[������I come home to some murdering bitch���������treats me like garbage!�� sC�u��(㛠����Please no more of this!�� 8����� \No more!�� �C�u��)̠����You wanted to know why I didn't have any possessions.�� bC�u��)lL�����This is what's left of my kids.�� �������This.��OC�u��)�i�����It was an accident, and he knows.��z�����uHe knows the truth.�� �C�u��)�.�����There was a... There was a heater��-C�u��)�u�����and it...��y����� \it tipped over, and the place...�� CC�u��)�۠����the place caught fire.�� �C�u��*��á��You know, I can't figure out what I should do with them.��z�����uI don't know, do I keep them?�� CC�u��*5������Do I bury them?�� C�u��*J������I don't know.��,C�u��*f������What are you looking at?��Ҡ�����Huh? Is this all too trailer trash for you?�� C�u��*�������Just get out of here.�� t����� �Go on, just leave.��&C�u��*�/�����You don't want to be a part of this.�� DC�u��+�����Don't stay.��%C�u��+?㠔���Please go.���C�u��+Ue�����Please go.��������9I can't.��aC�u��+߷�����Please go. Go.��LC�u��,��ʡāEveryone knows you're exploiting an abused woman half your age.��C�u@��,,J�����Well, if this doesn't take the cake.��`�����What's more, I know damn well who wrote this.������� �- Who? - Delphine Roux.�� �C�u@��,F�����Professor of Languages and Literature.���������I hired her, for Christ's sakes. I hired all of them.�� I������Why would she send you something like this?�� C�u��,\0�ơ��I've no idea. How the hell should I know? You're my lawyer.�� Ǡ���� Send her a letter. Warn her off.�� C�u@��,q^�����- She'll just deny that she ever - That's her writing.�������,Any handwriting expert will confirm that.��������Coleman, Listen, forget about the letter.�� tC�u@��,�������What are you going to do about Lester Farley?�� I����� �I'll get an injunction.��������cA restraining order. I don't know.���C�u@��,��ġ��Have you any idea what you're getting into here, Coleman?�� I�¡�� �You want me to fight a legal war for you on two fronts.�� JC�u@��,���ҡ́One of them with a phantom correspondent, and the other with a lunatic.��V������I can get you a handwriting expert.���C�u@��,�q�����I can get you a bulletproof vest.��Ҡơ��OBut what I can't provide is what you're never going to know�� Ǡ����ias long as you're involved with this woman��C�u��,欠����A scandal-free life. Is she HIV-negative, by the way?��{�����"Did you have her tested, Coleman?�� sC�u@��-;�����Did you use a condom, Coleman?��������+And if you don't use protection does she?����ڡԁzHow do you know she doesn't want to use you to make up for all that she's lost?���C�u��- �����Do I represent you in a paternity suit, Coleman?�� \������Give up the girl, Achilles.�� �C�u@��-;;�ϡɁI took your Intro to European Lit umpteen years ago as an undergrad.��������'Give her up, and your troubles go away.�� C�u@��-X�͡ǁFaunia Farley is not in your league and she's not from your world.��@������Last night, you got a good look at her world.�� CC�u��-u������The fact is... she ain't worth it.��oC�u��-���ġ��Achilles on Viagra. How much sense does that make anyway?��4C�u��-�E�����Ah, Nelson.��͠�����I'm sorry, have you quite finished?���C�u��-�񠎡��Yes.��1�����Nelson, you're a genuine vocal master.���C�u@��-�������And so rich with contempt for every last human problem�� 堣��� 8you've never had to face.��������E- Listen, I was only - No, you listen.���C�u��-�N�ȡI never again want to hear that self-admiring voice of yours,���C�u��.������or see your smug, lily-white face.�� �C�u��./Ǡ����Good! Good-Good-Good! Yeah.�� �������- Get out of the corner - Finish it off, finish it off�� 8C�u@��.N?�����That's enough. That's enough.�� m����� �Next week, West Point.�������Oh, come on, Doc. That guy's got five pounds on me.�� C�u@��.i!�����But he's slow. You can take him easy.�� �Ρȁ Besides, the coach of Pitt is gonna be there. He's a buddy of mine.�� �C�u@��.�٠����I want him to see you fight.��ؠ����U- So? - So?����ʡā�Once he sees your stuff, and once I tell him about your grades,�� �C�u@��.�'�����I'm pretty sure he'll offer you a scholarship.�� C�¡�� �I can't go to Pitt! My father wants me to go to Howard.�� �C�u��.�������- He's an optician, your dad? - Used to be.�� b����� �He lost his business in the Depression.��%C�u��.�Ơ����Well, look, Coleman. Just box for the guy, that's all.��'�����{- Then we'll see what happens. - Okay�� �C�u��.�٠����One thing.����Сʁ �When you meet the guy from Pitt, don't tell him you're colored, okay?���C�u@��/Π����- Don't tell him? - Don't bring it up.�� ��ѡˁ You're neither one thing nor the other. You're Silky Silk, that's all.���C�u@��/2W�����- He won't know? - How's he going to know?�� g�Ρȁ �Here's the top kid from East Orange High and he's with Doc Chizner.���C�u��/M8�����He's going to think you're Jewish.��PC�u��/�������- You're late! - I know.��O�¡���- Walter's home on leave. - Hide this for me, will you?�� 8C�u��/�Ơ����Sorry I'm late.�� ������Hey, Mom.��������t- Walt. - Cole.��C�u��/�נ����- How are you? - Fine.�� ��š�� bSo what's this I hear about you being class valedictorian?�� �C�u@��/�w�����It's all true.��B�ԡ΁�Hey, with the only 4.0 grade average, who else were they going to choose?�� �������Yes, we're very proud of Coleman.�� C�u��/����- May I inquire how you did, Cole? - How I did?�� 2����� �Today in the boxing ring.�� �C�u��0�����I'm asking whether you won or lost your bout.�� \�����W- Did you tell him? - Kindly answer my question.���C�u��0&�����I won.��U������How many fights have you won?�� C�u��0A������Eleven.��ݠ�����And how many have you lost?�� �C�u��0X������- None. - So far.�� 2C�u@��0x�����Just when were you planning on turning professional?��Ҡġ��O- Dad, I don't think - This does not concern you, Walter.�� \C�u��0�\�����I asked you a question, young man.�������� �Doc says I could get an athletic scholarship.�� ]C�u��0�y�����Maybe to Pitt.��������VLike Walter, you will go to Howard.���C�u@��0Ч�¡��And after Howard, should you choose to become a doctor,��̠���� Iyou will not be doing your hands any good��������Ppummeling them in a boxing ring, will you?�� C�u@��0���ۡՁYou know, Coleman, if I were your father, do you know what I would tell you now?���������- You are my father. - I'm not at all sure.�� >C�u��1Ԡ����I was thinking Doc Chizner was your father.�� ����� �He's my coach. That's all.�� �C�u@��1; �����He teaches me how to fight. You're my father.�� ǠΡȁ DWell, if I were your father, do you know what I would tell you now?�� bC�u��1SQ�����I would say, "You won today. Good.�� �������Now you can retire undefeated."�� >C�u��1xM�����You're retired.��OC�u��1�)�š��If you'll excuse me, I don't wish to be late for my train.��zC�u��2������Boy!��ݠ�����Yes, sir?��頢��� �This fish is overcooked.�� �C�u��2J�����Very sorry. I will attend to it right away, sir.���C�u��2BS�����Cowards die many times before their death.�� �������The valiant only taste death but once.�� �C�u��2[������Of all the rumors that I yet have heard,�� ������ it seems to me most strange that men should fear�� hC�u��2r������seeing that death, a necessary end,��������zwill come when it will come.�� JC�u��2�K�¡��Clarence Silk knew well these words from Julius Caesar.��o�����He was a man of great intellect,�� �C�u@��2�Π����unflinching courage, and an uncompromising honor.��K������But above all else, he was devoted to his family.���C�u��2�X�����His wife, Dorothy, his sons, Walter and Coleman,��4C�u��2ఠ����and his pride and joy, young Ernestine.�� ������ �Clarence Silk was the finest man I've ever met.��iC�u��2�������Coleman?���C�u��3R堣���You're on duty? Tonight?��{C�u��3l͠����It's better this way. For me, anyway.�� �C�u��3�J�����I never knew him, Mom.�� �������Not really.���C�u��3�g�����I didn't have any idea what he went through�� ������ �day after day after day.�� C�u��3�������I don't believe he wanted you to know, dear.�� ������ 2He couldn't see the point.���C�u@��3�_�����The point is��ݠ�����if you're colored����ˡŁ�it doesn't matter how much you know. You work in the dining car.��|C�u��3�m�����He did that so you wouldn't have to.�� 8����� �Coleman, you don't have to worry.���C�u��4������Your father's insurance and your academic record�� �������will see to it that you get into Howard.�� �C�u��4,㠮���I heard all about Howard from Walt.�� D����� �He said they're always talking about the Negro people���C�u@��4HB�����about "we, the Negro people."�� ��СʁKI'm not a political person, Mom. I don't understand who this "we" is.��EC�u��4j������Who do you think you are?�� �¡�� �- I know who I am. - You need to be proud of your race.���C�u��4�m�����What about me?��&����� tWhat about just being proud of being me?�� \C�u@��4�������It's my life. Or don't I get any say in the matter?��򠼡���Coleman, I'm not clever enough to argue with you.�� hC�u��4�ޠ����Then don't. Don't let's argue.�� 2C�u��4�N�����I love you, Mom. But don't ask me to go there.���C�u��4������Coleman, you're barely eighteen years old.��렣���iWhat are you going to do?���C�u��5`�����Have a seat.���C�u��5"j�����You have a registration card?�� ������ �Yes.��1C�u��5�������Welcome to the Navy, young man.�� ������uSo what did the lawyer say?���C�u��5�%�����He was more worried about Lester Farley?��ؠ����UYeah. I don't want to talk about Lester Farley.�� C�u@��5������Anyway, I can handle him.���ʡāfColeman, you yourself told me that Lester Farley is a psychotic�� b�͡ǁwho's been locked up in the mental ward at the VA hospital. Twice!�� �C�u@��5�������Let me ask you something.��������What do you think would have happened last night�� ����� >if the police hadn't shown up when they had?��ޠҡ́oLester Farley is not going to just disappear off the face of the earth.�� \C�u@��6�����This kind of thing is going to happen again,��[�š���and when it does, next time uh, you might not be so lucky.���C�u@��6'�ʡāSo... I just throw her to the wolves. It's just like that, huh?�� ������I'm not thinking about her. I'm thinking about you.��OC�u@��6>c�ӡ́Nathan. She's waiting for that. To her, sex and betrayal are synonymous.����ҡ́Coleman, every mistake a man can make usually has a sexual accelerator.��KC�u��6`���The things that restore you can also destroy you.��,������Yeah, I know that.���C�u@��6w格���And I'll tell you something. I don't give a damn.�������UThese things don't come without a cost.������� �Look-Look what's happening here.��`�����dPeople are saying that you got her pregnant���C�u@�6�i�����and she had an abortion and tried to kill herself.��&�����yUh-huh. And what else are they saying, Nathan?�� bC�u��6�렱���Hm? What else are they saying, Nathan?���C�u@��6�ˠ����Don't you look at me like that.�������[I know this is bullshit. I'm your friend, remember?�� m�����EThen act like a friend!��C�u��6Օ�����Stop judging me, and stop judging her!�� ������ mJesus Christ!�� DC�u@��7𠨡��So what do you want me to say?��������~I just want you to acknowledge that����ɡÁ 2something important is taking place between me and this woman.�� �C�u��70+�����Something that's worthy of respect.�� �¡�� �I guess you were right. This really is about great sex.�� 3C�u��7K �����Oh, fuck you, too.�������Coleman! Coleman.�� �C�u��7u������Okay.���Ρȁ �Granted, she's not my first love. Granted, she's not my great love.���C�u��7�{�����But she sure as hell is my last love.��{�����dDoesn't that count for something?���C�u��7�࠭���Enough to risk getting killed for?�� ����� \I'm not afraid of dying, Nathan.�� �C�u��7�9�ǡ��I'm not the one who ran off to a cabin in the woods to hide.��"C�u��84ؠ����Dance for me.�� ����� �One dance, for me.�� sC�u��8J������Sure. Why not?�� �C�u��8c�����Why not?�� C�u@��8������Don't fall in love with me, Coleman.�� �ѡˁ �We're just a man and a woman, in a room, alone, right here, right now.��cC�u��8�g�����Nothing else matters. Don't fuck it up.���C�u��8������This is more than sex.�������� No, it's not. You just forgot what sex is.��LC�u��9������Did I?��C�u��9(������Dance for me. Come on.��,C�u��9z]�����You're way too young for me.�� h�ȡ I need a man much older than you. Someone at least a hundred.��FC�u��9�������You know anyone in a wheelchair?��yC�u��9�������I will do whatever you want.���C�u��9؉�����How many times�� I����� �have you heard a woman say that and really mean it?�� 3C�u��::J�����I see you, Coleman.��O������You want to know what I see?��+�����?I see anger.�� C�u��:]Q�����And I see shame.��U����� �- I see everything. - Is that a fact?��zC�u��:{u�ġ��- You imagine you kept secrets from me? - You never know.��KC�u��:�������Thank you.���C�u��:�&�����- Mr. Wilson, can you watch the register? - Yeah.�� C�u��:�(�����Can I help you?�� s�����Yes. Um...���C�u@��:�.�̡ƁI was looking for Rachmaninoff's Third Piano Concerto, the, uh...�� ������ 8- The Horowitz recording? - Yes, that's right.�� �C�u��;�����Right this way.��ؠ����!Did you go to East Orange High School?�� �C�u��;"K�����Yes. Yes, I did.���ǡ��~I thought you looked familiar. Charley Hamilton's my cousin.���C�u@��;:������I haven't seen him in a while. How's he been?�� I�ȡ �He's good. He's good. Actually, I think he's getting married.�� hC�u��;Q7�����Good for him. Now the Rachmaninoff please.��񠢡���Is that your girlfriend?��+C�u��;w-�����Yes. Yes it is. Look,�� \�����&maybe I should come back some other time�� �C�u��;�-�����- and then we can talk, okay? - Fine. Here.���C�u��;� �����That'll do the trick a lot better than Rachmaninoff.�� >C�u��;˒�����Dance for me.�� C�u��=�^�����That has got to be the single most sexy dance���C�u��=�W�����ever danced by a girl from Fergus Falls�� ����� �in the history of the world.��ؠ����9I love you.��aC�u��=�������I love you. I love you. I love you. I love you.�� ����I love you. I love you.�� 8C�u��=������I want to spend my life with you.��OC�u��>������What are you doing Sunday?��ޠ���� �Nothing. Why?�� ������On Sunday��C�u��>ݠ����we're taking the train to New Jersey���C�u��>-�����to have dinner with my mother.�� a�����nOkay.���C�u��>EԠ����Okay?��f������I'd like that.��1C�u��>l���Oh, I hope she likes me.��&�����{I hope the chocolates are okay.��C�u@��>�d�����Chocolates'll be fine.��������[Maybe I should have gotten flowers.��`����� There was a place back at the station I could get��������Chocolates will be fine. And you'll be fine.�� C�u@��>�������Okay.�����CYou know, this is my old paper route.��~�ǡ�� �That's where I crashed my bike into Mr. Harris' front porch.�� DC�u��>�ڠ����Which one?����¡��aRight over there. My father made me pay for the damage.���C�u��>Ά�����To the bike and the porch.�� C�u��>������Uh... I'm scared.�� ������'I love you.���C�u��?7�����You know that, don't you?��1������I love you, too.��6C�u��?������Hi.��Z����� Sorry we're late.��������Mother, this is Steena Paulsson.��%C�u��?6N�����Steena, this is my mother.�� ����� �How lovely. Please come in.�� �C�u@��?S������It's quite a beautiful city, Fergus Falls.���¡��&It's quite unusual, because we have the Otter Tail Lake�� �������and the Otter Tail River very close to each other.�� �C�u��?yn�̡ƁMy father owns a small hardware supply store, a lumberyard there.���C�u@��?�N�����He's the disorganized one.��`������He cuts himself and doesn't even bother to wash it.�� �����They're tough, those Icelanders.��%C�u@��?���ϡɁI actually didn't even know they were called Icelanders, growing up.�� ������My mother, she's a Rasmussen. She's the opposite.�� 8C�u@��?��ǡ��Sets the table for Saturday dinner at five the night before.�� 2�ǡ���I guess I was sort of caught between the two extremes and so���C�u��?���͡ǁI decided to get away for college out of their reach, so to speak.��?C�u��@������And that's how I came to New York.��a�ġ��I've never been to the Midwest, but I'm sure I'd like it.�� C�u@��@������Coleman, wouldn't you like to see the Midwest?��̠ȡ �New York City. Final destination Penn Station, New York City.���C�u��@T<�����Steena?��ݠ����!Honey, we're almost there.��C�u��@�Z�����Honey.���C�u��@�X�����I can't do this, Coleman.���C�u��@猪����I love you.���C�u��Ay�����I love you, but I can't.�� �C�u��AZ �סсGood evening, ladies and gentlemen, and welcome to the Saint Nicholas Arena.��dC�u@��Ank�ǡ��Tonight, in our opening battle, from East Orange, New Jersey���ɡÁ�weighing a hundred and sixty-two pounds, Coleman "Silky" Silk!���C�u@�A�1�����A record five wins and no losses!�� �ˡŁ �From Rochester, New York, weighing a hundred and seventy pounds,���C�u��A�=�����Sugar "Pete" Cunningham!��y������A record six wins, one loss.��̠����iTake it easy with the guy, okay?��`C�u@��Aȭ�����Let's give the people their money's worth.��[�ġ��Dance him around for three, four rounds, then go to work.�� �C�u��B�p�����Hey, kid. Hey!�������� �I asked you nicely to give folks their money's worth.�� C�u@��B�Ƞǡ��You could have stopped the forth round instead of the first.���ʡā~I'm a hundred and sixty-two pounds. He's a hundred and seventy.�� n�����?I'm supposed to let him hit me in the head���C�u��B�h�����five, ten, extra times to put on a show?�� s����� �I ain't holding up no nigger.��~C�u��CÈ�����It's beautiful, isn't it?��C�u��C�������I have to go.���C�u��D ������Stay tonight.��ޠ����Mm-mm.��fC�u��D.栛���No. I never stay.�� �C�u��DH������Just this once.��1C�u��D�B�����Hi. Good morning.��������uWould you like some breakfast?��%C�u��D������Uh... Eggs Benedict and ham?�� �C�u��D�7�����Sit down. Please.��+C�u��D�נ����Coffee?�� �����+No milk, huh?��`C�u��E������There you go. Okay.�� >C�u@��E�����Looks like Monica Lewinsky isn't going to���������get a job in New York for the time being.���������Can't you avoid the fucking seminar?���C�u��EAl�����I don't give a fuck if Monica can't find a job.�� nC�u��EX<�աρDoes fucking Monica care if my back hurts from milking those fucking cows?���C�u@��Ep/�̡ƁDoes she fucking care that I have to clean up other people's shit��Ҡ����%in the fucking post office?���������You think losing your fucking job��C�u@��E�L�ӡ́when you're about to retire is a big deal, don't you, Coleman? I mean...�� g�����'No... I hate to tell you, but it ain't!��C�u@��E�ܠҡ́Having your stepfather put his fingers in your cunt, that's a big deal.�� 8�á���Having your husband come up behind you with an iron pipe�� 8C�u��E�d�ǡ��and hit you in the fucking head, that is a fucking big deal!�� �C�u��E������Having your two kids suffocating and dying!�� ����� �That is a big fucking deal!��OC�u��E������Don't you ever fucking talk to me about that.�� m����� hBecause you don't fucking know!��ZC�u��F�����I knew I shouldn't have stayed.������� �I knew I shouldn't have stayed. It was a mistake.���C�u@��F4������It was a big mistake.��頮����Even whores know better. They know.�� �ѡˁ�Men don't pay you to sleep with them. They pay you to fucking go home.�� �C�u��F� ����Hey, there. Hey, Prince.���C�u��F�&�����Yeah, it's me.��Ҡ�����You remember me, don't you? It's Faunia.�� C�u��F�r�����Did you forget me?���������I wanted to come and see you, but I couldn't.�� �C�u��F�M�����Hi.��ݠá���I haven't seen you in... it must be three, four, months.���C�u@��F�"�����Prince missed you. He got out the other day.�� C�¡�� The other birds attacked him. They would've killed him.�� �C�u��GP�����He doesn't have the right voice.��������It's because he's hand-raised.���C�u��G4L�����He's been hanging around people like us all his life.�� 8C�u��GJ �����A crow that doesn't know how to be a crow.�� JC�u��Gi�¡��The first time I tried, it was a month after they died.��cC�u��G�Ǡ����I got all dressed up.�� Ǡ���� �Even my mother would have been proud.��yC�u��G�������You know I called her?��O����� I did.��+������Called her to tell her my kids were dead.�� nC�u��G�C�����Mom, it's Faunia.�� 렲��� \Twenty years. No call for twenty years.��C�u��G�V�ɡÁShe said, "Oh, I don't know anybody by that name" and hung up.���C�u��G�������Bitch.���������Why did they have to break the door down?�� �C�u��H^�ȡEven the nurse said-she said later, There wasn't a heartbeat.���C�u��H-������Not when they first showed up. Not a heartbeat.��{C�u��HH������Why couldn't they let me die?�� Ơ����!Couldn't even get that right, could I?�� IC�u��Hdy�����No.��C�u��H�@�����I think I made a mistake this morning.�� C�u��I m�����Faunia Farley, custodial staff, you know?�� 8������Just, uh... just doing my thing.��'C�u��IL������So where were you?�� C�u��Ifa�ϡɁ- I was starting to get worried. - I walked around. Went to a movie.��"C�u��I{f�����Listen, I'm...���������I'm sorry.�� C�u@��I�֠¡��Everything that I said, and everything that I did, I...�� ����� �You were right. What happened to me is nothing.�� �C�u��I��ʡāNo. You lost everything. You lost your wife, you lost your job.���C�u@��IÓ�ΡȁThey took your life away from you over a stupid, pissy little word.�� >����� �- That's not nothing. - Maybe.��C�u��I������I don't think you can measure sorrow.�� D����� 8Yeah��lC�u��I�������I brought you these. They're doughnuts.�� ������uThey're from the... from the doughnut store. Jelly.���C�u��J-̠ȡListen, if you don't want me, If you want me to go, you know,��4C�u��JD�����then I understand that because...�� �C�u��J]������I understand and I won't blame you.�� C�u��Jt/�����- What are you smiling at? - Just so happy to see you.���C�u��J�4�����Same here. I'm happy, too.���C�u��K������Listen, there's something I need to tell you.�� �C�u��L�������It seemed impossible to me�� Ơ���� �that someone as vital as Coleman���C�u��L�͠����could have been killed in what the police called,��y����� a freak accident.���C�u@��L�%�ǡ��The more I thought I about it, the more I began to feel that�� I�ǡ�� �Coleman and Faunia could not have died without the presence,�� �C�u��L�}�á��somewhere nearby, of Lester Farley and his pickup truck.��EC�u��M3�����At what point did you get in your truck that morning?�� h����� �Before sunup.��C�u��M������- Why did you get in your truck? - To get him.�� ������ �- To get who? - The Jew professor.�� �C�u��M-������- Why were you going to get him? - Because I had to.�� 堥���VYou were going to kill him?���C�u@��MDw�����Oh, yes. All of us.��ؠ���� �That was the plan.��������{- There was planning, then. - There was no planning.�� =C�u��Md�����- Uh, but you knew what you were doing. - Yes.�� ����� CBut you didn't plan it?��C�u��Mw������No.����¡�� 8- Did you think you were back in Vietnam? - No Vietnam.�� �C�u��M�:�����Were you thinking about the kids? Was this payback?�� 8����� �No payback.��7C�u��M��ơ��Weren't you trying to get revenge to take revenge for that?�� I����� �No. No revenge���C�u��M�+�����- Were you depressed? - No. No depression.��u������- Angry? - No more anger.�� �C�u��Mᆠ����But you drove your truck into their car.�� Ǡ���� DI didn't kill them.���C�u��M�h�����I didn't kill them.�������� sThey killed themselves.���C�u@��N'������- What do you think? - I checked with the police and�� �������there are no skid marks at the site of the accident,��PC�u��N@/�����no sign of a collision.���C�u��NVW�����I think Lester Farley is delusional.�� C�u��No ����Completely delusional.��0������My name is Herbert Keble.�� �C�u��N�=�ǡ��And I am among those who failed to rise to Coleman's defense���C�u��N�%�����when he was accused of racism.�� m�����zColeman, I can't be with you on this.��!C�u��N������That is what I said to my everlasting shame.��uC�u��N׳�š��I should have spoken up to say then what I want to say now��eC�u��N�U�����in the presence of his former colleagues�� ������ 8that the alleged misconduct never took place.���C�u��O!�����Coleman Silk and his wife, Iris,��Ӡ�����were betrayed by the moral stupidity��-C�u��O;栲���of a censorious and coercive community.���C�u��OR������And I was a part of that community.�� ������9We all were.��[C�u��O�#�����Mrs. Keble.��7�ġ��OMy name is Nathan Zuckerman. I was a friend of Coleman's.���C�u��P X�ơ��- I thought your husband's speech was - I'm not Mrs. Keble.�� �C�u��PAd�����Are you?�������%I'm Coleman Silk's sister.���C�u��PX������Iris. Nice name. And when is the happy day?��t������June 14th.���C�u��Ps栜���Have you told her?���C�u��P�࠘���When will you?���C�u��P�������You plan on bringing her home for dinner?�� �����I told her my parents are dead.���C�u��P�L�����Dead?���C�u��P�P�����You have no brother? You have no sister?��'�����iThere's no Ernestine? There's no Walter?�� �C�u��Q��ɡÁI don't want to be Coleman Silk, the Negro Classics professor.���C�u��Q������And that's how it would always come out, Mom.�� s����� You know it, and I know it.�� �C�u��Q9 �����Funny, I never thought of you as black or white.�� gC�u��QM=�����Gold. You were my golden child.�� �C�u��Qh�����Look, Mom...���C�u��Q�������I haven't figured the whole thing out yet.�� ����� hWill you have children?���C�u��Q�������Yes, I suppose so.������� You aren't going to let them see me, are you?���C�u��Q�������My grandchildren.��+C�u��Q�䠝���Mom, you'll tell me���������sit in the waiting room in Penn Station at 11:15 a.m.�� �C�u��Q������I'll walk by with my kids in their Sunday best.���C�u��RC�����That'll be my birthday present five years from now.�� C�u��R6������And you know I'll be there.��������But aren't you taking a risk having children?���C�u��Ra������The suspense will be unbearable.����¡��,Suppose they don't pop out of her womb as white as you?�� �C�u��R������Won't you have some explaining to do?�� �C�u��R�������Will you accuse her of adultery with a Negro?�� C�u��R�j�����I have to go now, Mom.��ؠ���� DColeman��7C�u��R�젥���you think like a prisoner.��UC�u��R�h�����You're white as snow and you think like a slave.��nC�u��S�P�����Murderer.��%C�u��Sۉ�����- Is that the doorbell? - I'll get it.�� �C�u��TA3�����Don't you ever come near Mom again.�� D������You don't call, you don't write, you don't nothing.�� C�u��T^ �����I never want to see your lily-white face again.�� mC�u��T�N�����And your mother obeyed Walter.�� s�ǡ�� aAll the Silk men, from my father on down, are very decisive.��/C�u��T�̠����Yes, she did it. But I didn't.�� ��ǡ��EI was trying to reach him two days ago. It was his birthday.���C�u��T�Ƞ����The day after he was killed.��%�ơ��-I don't blame Walter. He was only trying to protect Mother.��C�u��T�#�����And was he successful?���������Just before she died, she was delirious.��uC�u��U0�����She kept saying, "Oh, nurse, get me to the train.��XC�u��U/�����I've got a sick baby at home."�� �C�u��UE��á��Did you know why your brother resigned from the college?�� 3����� �I gather he was accused of racism.�� �C�u��Uf������That beats it all, doesn't it?��͠���� \For using the word "spooks."�� JC�u��U�)�ΡȁSounds like from what I heard today, almost anything goes nowadays.�� C�u��U�������People are just getting dumber�� 8�����but more opinionated.���C�u��U�������You know what's sad, Mr. Zuckerman?��Z�����~Nowadays, it's hard to imagine�� �C�u��UŜ�����that anyone would do what Coleman felt he had to do.���C�u@��U�w�����Constructing his whole life around a lie.�� ��ǡ��QColeman could have stopped that racism charge in its tracks,��cC�u��V������if he'd only told the truth.��y����� �But that's the one thing he couldn't do.��yC�u��Vݠ����Do you think he ever told anyone?��yC�u��V8̠����Maybe.��㠘��� �Maybe someone.��������?So finally, I guess my mother was right.�� �C�u��VY������I wanted to be free, but I became a prisoner instead.�� C�u��Vx������And you never told anyone?�������� 2Not even my wife. She...�� C�u��V�c�á��I have not said a word about it to anyone until tonight.�� ������iI haven't told anyone until... you.��WC�u��V�堫���Why me? Why did you tell me now?��oC�u��W�������It was during my conversation with Ernestine�� m����� that I decided to write this book.�� �C�u��W�������A book that Coleman couldn't write himself.��Ӡ����The story of his mother and father,�� sC�u��W�������of Walter and Ernestine,�������� �of Steena Paulsson��+C�u��W�젟���and of Faunia Farley.��T����� mWho ran from a world of privilage�� sC�u��W�s�����just as Coleman had run from a world bound by race���C�u��W�Р����And finally, there was one thing I had to do.���C�u��X�������Beautiful spot.���C�u��X�������It's peaceful.�������� sLong as I can keep it secret.�� sC�u��X� �����Only now I know.��1C�u��X�]�����- You're the writer, aren't you? - That I am.�� I����� �Any luck?��1������Not much.�� sC�u@��X�)�ȡWhat do you think about out here when the fish aren't biting?�� \�СʁI was thinking if I had a son, he'd be out here with me now, fishing.���C�u��Y��š��That's what I was thinking about when you walked out here.��KC�u��Y0������What kind of books you write?������� I write about people like you.��%C�u��YJ砙���Their problems.��ݠ����UYou live at Mike Dumouchel's place, right?�� ������The cabin on the lake.���C�u��Ym�����What's the name of one of your books?��y����� The Human Stain.��~C�u��Y�{�����- Can I get it? - It's not finished.�� n����� I'll send you a copy.��OC�u��Y�������You know, I started ice fishing after my wife left me.�� 8C�u��Yƹ�����All you need is warm clothes and the right equipment.���C�u@��Yރ�����Like this auger.��+����� �You drill a hole through the ice.���������This'll cut through just about anything.��%C�u@��Y���ɡÁThen you drop your line with your favorite lure right through.�� ��ơ�� �Any flash down there, fish are attracted, even in the dark.���C�u��Z������And it's way dark down there.��OC�u��Z.ՠ����And if I had a son�������� hlittle Les, a son of my own,��zC�u��ZP�š��I reckon I'd be telling him all this stuff instead of you.�� 2C�u��Zg۠����- It's cold out here. - You better believe it.�� ������zI should be going.��fC�u��Z|�����Yeah, well, you know your ice fishing now, don't you?�� Ơ���� �- You can put it in your book. - I will.�� C�u��Z�D�����And you know my secret place.�� 𠽡���You know everything now, don't you, Mr. Zuckerman?�� C�u��Z������But you won't tell, will you?���C�u��Zܬ�����And, hey!���������The book. Send me one.�� �C�u��[������It's in the mail.��+S�k h8����Fַ�������� g����R��������K�� �����]����������� ����c��������8�� �����q����������� �����}�����������V��������������R�����������������7�������������4��޻������������h��C�����+����������O���������������� ���������������G�������$��������z��������+����������<����ƻ��������0��㻕����������f�� �����R�����������f����� �����h���� ������I�����h��M��Q��������������� 뻕���+�������[��&����η��������� �����ַ�������O����������������� �����$i�������^��+����+跎�������� �����7ͷ���������J����Hk��������E��c����\K�����`����ۻ���qͷ���������t��������������Z�� ���������Y���� �����^�����Y��+��������V����������������������9����,����������9��6�� ����������������i��������������W��V�����������T�������������T��8�������ݷ���������0����2������ <����컕��F����� <��7��?����YP����� ����� 뻕��d������ ���*��V����sb�����!����E�����������!��D�������������!����������Y�����!���S��������X�����"&���� b����� �����"&��J�������ᅷ����"�����������շ����"���T�� 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