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All language subtitles for All In The Family S05E17 The Jeffersons Move on Up.DVDRip.NonHI.cc.en.SNY

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These are the user uploaded subtitles that are being translated: 1 00:00:03,103 --> 00:00:05,904 ♪ BOY, THE WAY GLENN MILLER PLAYED ♪ 2 00:00:05,973 --> 00:00:09,508 ♪ SONGS THAT MADE THE HIT PARADE ♪ 3 00:00:09,577 --> 00:00:13,211 ♪ GUYS LIKE US, WE HAD IT MADE ♪ 4 00:00:13,280 --> 00:00:16,482 ♪ THOSE WERE THE DAYS ♪ 5 00:00:16,550 --> 00:00:20,185 ♪ AND YOU KNEW WHERE YOU WERE THEN ♪ 6 00:00:20,254 --> 00:00:24,056 ♪ GIRLS WERE GIRLS AND MEN WERE MEN ♪ 7 00:00:24,125 --> 00:00:26,324 ♪ MISTER, WE COULD USE A MAN ♪ 8 00:00:26,393 --> 00:00:30,395 ♪ LIKE HERBERT HOOVER AGAIN ♪ 9 00:00:30,464 --> 00:00:33,431 ♪ DIDN'T NEED NO WELFARE STATES ♪ 10 00:00:33,500 --> 00:00:36,701 ♪ EVERYBODY PULLED HIS WEIGHT ♪ 11 00:00:36,771 --> 00:00:41,039 ♪ GEE, OUR OLD LASALLE RAN GREAT ♪ 12 00:00:41,108 --> 00:00:42,274 ♪ THOSE WERE ♪ 13 00:00:42,342 --> 00:00:46,478 ♪ THE DAYS ♪ 14 00:01:01,228 --> 00:01:02,460 HI, LOUISE. 15 00:01:02,529 --> 00:01:04,329 OH, HI, EDITH. 16 00:01:04,397 --> 00:01:07,398 I JUST CAME OVER TO SAY GOOD-BYE. 17 00:01:07,467 --> 00:01:09,445 OH, THAT'S SO SWEET OF YOU, EDITH. 18 00:01:09,469 --> 00:01:12,429 YOU KNOW THIS IS THE 4th TIME THIS MORNING. 19 00:01:12,473 --> 00:01:15,307 OH, YEAH. I KNOW. 20 00:01:15,375 --> 00:01:18,677 I GUESS IT'S GOT SOMETHING TO DO WITH... 21 00:01:18,745 --> 00:01:21,246 I HATE TO SEE YOU GO. 22 00:01:21,314 --> 00:01:23,515 I'M GONNA MISS YOU, EDITH. 23 00:01:23,584 --> 00:01:26,017 I THINK I'M EVEN GONNA MISS ARCHIE. 24 00:01:28,522 --> 00:01:33,024 YOU KNOW, I THINK ARCHIE IS GONNA MISS GEORGE, TOO. 25 00:01:33,093 --> 00:01:34,593 HE WILL? 26 00:01:34,661 --> 00:01:36,761 OH, YEAH. 27 00:01:36,830 --> 00:01:41,433 I DIDN'T THINK ARCHIE WOULD WANNA GIVE LAST NIGHT'S FAREWELL PARTY. 28 00:01:41,502 --> 00:01:42,701 BUT WHEN I ASKED HIM, 29 00:01:42,770 --> 00:01:45,537 HE SAID, "SURE, I'D LOVE TO SAY GOOD-BYE 30 00:01:45,606 --> 00:01:47,439 TO GEORGE JEFFERSON." 31 00:01:49,610 --> 00:01:52,210 ISN'T THAT INTERESTING? 32 00:01:52,279 --> 00:01:56,247 GEORGE SAID THE SAME THING ABOUT ARCHIE. 33 00:01:56,316 --> 00:01:58,016 LOUISE, I JUS... OH, HI, AGAIN, EDITH. 34 00:01:58,084 --> 00:01:59,095 OH, HI. 35 00:01:59,119 --> 00:02:00,479 HAVEN'T YOU FINISHED PACKING YET? 36 00:02:00,521 --> 00:02:02,954 I'D BE FINISHED A LOT QUICKER, IF YOU'D HELP ME. 37 00:02:03,023 --> 00:02:05,268 WHY? YOU'RE THE ONE THAT'S GONNA BE DOIN' THE UNPACKIN'. 38 00:02:05,292 --> 00:02:06,602 NOW IF I WAS TO DO THE PACKIN', 39 00:02:06,626 --> 00:02:08,071 YOU WOULDN'T KNOW WHERE ANYTHING WAS. 40 00:02:08,095 --> 00:02:12,131 SO, ACTUALLY, I AM HELPING YOU BY NOT HELPING. 41 00:02:12,199 --> 00:02:14,399 OH, WELL, MAYBE I'M IN THE WAY. 42 00:02:14,468 --> 00:02:17,902 I'LL COME BACK LATER AND SAY GOOD-BYE. 43 00:02:17,971 --> 00:02:19,048 OH, GOOD-BYE. 44 00:02:19,072 --> 00:02:20,752 GOOD-BYE. GOOD-BYE. 45 00:02:22,676 --> 00:02:24,821 UH, GEORGE, I'VE BEEN THINKING, 46 00:02:24,845 --> 00:02:27,146 MAYBE WE'RE NOT DOIN' THE RIGHT THING BY MOVING. 47 00:02:27,214 --> 00:02:28,294 YOU KNOW SOMETHING LOUISE? 48 00:02:28,349 --> 00:02:29,892 I'VE BEEN DOIN' A LOT OF THINKIN', TOO. 49 00:02:29,916 --> 00:02:31,094 YOU HAVE? MMM-HMM. 50 00:02:31,118 --> 00:02:32,629 AND I'VE BEEN THINKIN', "WHY THE HELL 51 00:02:32,653 --> 00:02:35,954 DON'T YOU LEAVE THE THINKIN' UP TO ME?" 52 00:02:36,022 --> 00:02:39,758 BECAUSE AT YOUR AGE IT'S TOO LATE TO START SOMETHING NEW. 53 00:02:42,262 --> 00:02:43,862 WATCH IT. 54 00:02:43,931 --> 00:02:46,798 GEORGE, MOVING TO EAST SIDE MANHATTAN, 55 00:02:46,867 --> 00:02:48,545 WITH ALL THOSE FANCY FOLKS. 56 00:02:48,569 --> 00:02:50,179 MONEY IS WHAT MAKES THEM FANCY. 57 00:02:50,203 --> 00:02:51,803 NOW, WE'RE GONNA BE FANCY, TOO. LOOK. 58 00:02:51,872 --> 00:02:54,039 TOMORROW I'M OPENIN' MY 3rd CLEANING STORE 59 00:02:54,107 --> 00:02:56,141 AND THERE'LL BE A 4th, 5th AND 6th. 60 00:02:56,209 --> 00:02:58,610 WE'RE ON OUR WAY UP. WHAT ARE YOU WORRIED ABOUT? 61 00:02:58,679 --> 00:03:01,512 I'M AFRAID OF GOING WHERE I DON'T BELONG. 62 00:03:01,581 --> 00:03:04,649 LOOK, WHEN YOU GOT THE MONEY, BABY, YOU BELONG. 63 00:03:05,819 --> 00:03:06,985 GEORGE, 64 00:03:07,053 --> 00:03:08,853 WE ARE JUST PLAIN FOLKS. 65 00:03:08,923 --> 00:03:10,189 NO. NOT ANYMORE. 66 00:03:10,257 --> 00:03:13,758 SEE, WE WAS PLAIN FOLKS $47,000.50 AGO. 67 00:03:22,770 --> 00:03:24,936 BUT, GEORGE, EAST SIDE MANHATTAN? 68 00:03:25,005 --> 00:03:26,871 THOSE ARE NOT MY KIND OF PEOPLE. 69 00:03:26,940 --> 00:03:30,475 SO, IF YOU GET LONELY, WE'LL BUS IN SOME OF YOUR FRIENDS. 70 00:03:34,180 --> 00:03:36,314 EXCEPT FOR HONKY NEXT DOOR. 71 00:03:37,550 --> 00:03:40,018 WHY IS IT MY WHITE FRIENDS ARE "HONKY" 72 00:03:40,087 --> 00:03:42,098 AND YOUR WHITE FRIENDS ARE "MISTER"? 73 00:03:42,122 --> 00:03:43,454 WHAT WHITE FRIENDS? 74 00:03:43,524 --> 00:03:45,701 THOSE GUYS YOU'VE BEEN TAKING TO LUNCH ALL WEEK. 75 00:03:45,725 --> 00:03:48,159 IF THEY ARE BLACK, I AM DORIS DAY. 76 00:03:49,630 --> 00:03:52,130 LOOK, THOSE GUYS WORK AT WHITTENDALE NATIONAL BANK 77 00:03:52,199 --> 00:03:53,931 AND BANKERS AIN'T NOBODY'S FRIENDS. 78 00:03:54,000 --> 00:03:55,400 LOOK, I WANT THEM TO GET ME IN 79 00:03:55,469 --> 00:03:57,402 TO SEE OLD MAN WHITTENDALE HIMSELF. 80 00:03:57,471 --> 00:03:59,837 SO I CAN HIT ON HIM FOR MY BUSINESS LOAN. 81 00:03:59,906 --> 00:04:01,146 I DON'T GET IT. 82 00:04:01,208 --> 00:04:03,353 IF WE'RE SUPPOSED TO BE SO RICH, 83 00:04:03,377 --> 00:04:04,954 WHY DO WE NEED TO BORROW MONEY? 84 00:04:04,978 --> 00:04:07,045 BECAUSE THAT'S THE WAY RICH PEOPLE OPERATE. 85 00:04:07,114 --> 00:04:09,592 LOOK, BANKS DON'T MAKE LOANS TO PEOPLE WHO NEED MONEY. 86 00:04:09,616 --> 00:04:11,883 THAT'S WHAT PAWN SHOPS ARE FOR. 87 00:04:18,058 --> 00:04:22,093 LOUISE, I BOUGHT YOU SOME FRUIT FOR YOUR TRIP. 88 00:04:24,130 --> 00:04:26,765 WE'RE ONLY GOING TO MANHATTAN. 89 00:04:26,833 --> 00:04:30,301 WELL, SUBWAYS BREAK DOWN SOMETIMES. 90 00:04:33,907 --> 00:04:35,507 WELL, EDITH, 91 00:04:35,576 --> 00:04:38,176 I GUESS THIS IS REALLY GOOD-BYE. 92 00:04:40,180 --> 00:04:42,280 I KNOW. 93 00:04:42,349 --> 00:04:44,949 WELL, I'LL JUST SAY, SO LONG. 94 00:04:45,752 --> 00:04:47,285 SO LONG, EDITH. 95 00:04:49,356 --> 00:04:50,688 LOUISE. 96 00:04:52,926 --> 00:04:54,659 DID I EVER TELL YOU 97 00:04:55,562 --> 00:04:57,028 I LOVE YOU? 98 00:04:58,164 --> 00:05:00,565 EVERY MINUTE WE'VE SPENT TOGETHER. 99 00:05:07,140 --> 00:05:09,574 YOU'D BETTER GO NOW. 100 00:05:09,642 --> 00:05:12,143 BEFORE THE BOTH OF US GET AWFUL WET. 101 00:05:13,880 --> 00:05:15,313 BYE, LOUISE. 102 00:05:20,653 --> 00:05:22,820 I MEAN, SO LONG. 103 00:05:30,164 --> 00:05:31,841 WHAT SEEMS TO BE THE HOLDUP IN HERE? 104 00:05:31,865 --> 00:05:33,576 YOU STILL HAVEN'T FINISHED PACKIN' YET? 105 00:05:33,600 --> 00:05:35,366 UH, JUST ONE MORE THING. 106 00:05:35,435 --> 00:05:37,202 YOUR COFFEE MUG. 107 00:05:37,270 --> 00:05:39,537 I WON'T BE DRINKIN' OUT OF MUGS NO MORE. 108 00:05:40,974 --> 00:05:43,575 FROM NOW ON, IT'S CUPS AND SAUCERS ALL THE WAY. 109 00:05:43,643 --> 00:05:46,377 COME ON, LOUISE. THE LIMOUSINE'S WAITING. 110 00:05:49,717 --> 00:05:51,183 LIMOUSINE? 111 00:05:52,119 --> 00:05:53,585 HAVE YOU GONE CRAZY? 112 00:05:53,653 --> 00:05:55,386 WHAT DO WE NEED A LIMOUSINE FOR? 113 00:05:55,455 --> 00:05:58,615 BECAUSE WE'RE GONNA LEAVE BUNKERSVILLE IN STYLE. 114 00:05:59,560 --> 00:06:01,259 COME ON, WEEZY. 115 00:06:01,328 --> 00:06:04,062 THINGS ARE LOOKING GOOD FOR US. LOOK, 116 00:06:04,130 --> 00:06:06,665 YOU DESERVE THE BEST. 117 00:06:06,733 --> 00:06:08,778 AND THAT'S EXACTLY WHAT YOU'RE GOIN' TO GET. 118 00:06:08,802 --> 00:06:10,201 THE BEST. 119 00:06:10,270 --> 00:06:11,302 OK? 120 00:06:12,606 --> 00:06:13,705 HERE. 121 00:06:24,317 --> 00:06:27,785 OH, LIONEL, I LOVE WHAT YOUR FOLKS HAVE DONE WITH THEIR APARTMENT. 122 00:06:27,854 --> 00:06:29,832 YOU LIKE THE FURNITURE, HUH? OH, YES. 123 00:06:29,856 --> 00:06:31,266 AND YOU'RE HAPPY WITH THE VIEW? 124 00:06:31,290 --> 00:06:32,456 YEAH. 125 00:06:32,526 --> 00:06:34,169 SO THEN WE'RE ALL THROUGH WITH THE APARTMENT? 126 00:06:34,193 --> 00:06:36,071 YEAH. GOOD, LET'S FOOL AROUND. 127 00:06:36,095 --> 00:06:37,128 OH! 128 00:06:42,268 --> 00:06:43,534 UH-OH, VICE SQUAD. 129 00:06:43,603 --> 00:06:45,081 HELLO, JENNY. 130 00:06:45,105 --> 00:06:46,282 HI, MRS. JEFFERSON. 131 00:06:46,306 --> 00:06:47,405 RIGHT IN HERE. 132 00:06:47,474 --> 00:06:48,618 WHERE SHALL I PUT THESE? 133 00:06:48,642 --> 00:06:50,341 IN THE KITCHEN. 134 00:06:50,410 --> 00:06:53,255 ALL RIGHT, ALL RIGHT. JUST PUT THEM DOWN, I'LL TAKE CARE OF THEM LATER. 135 00:06:53,279 --> 00:06:54,991 LET HIM HANDLE IT, LOUISE. I'M TIPPING HIM 136 00:06:55,015 --> 00:06:57,849 FOR THE FULL TRIP. IN THE KITCHEN, PLEASE. 137 00:07:00,186 --> 00:07:02,264 WHAT ARE YOU DOIN' HERE? I THOUGHT YOU HAD SCHOOL. 138 00:07:02,288 --> 00:07:03,967 OH, WELL, I WAS JUST SHOWIN' JENNY AROUND. 139 00:07:03,991 --> 00:07:06,224 UH-HUH. WELL, LOOK. I FOUND THE APARTMENT, 140 00:07:06,293 --> 00:07:08,393 I'LL CONDUCT THE TOURS, OK? 141 00:07:09,830 --> 00:07:11,195 HERE YOU GO. 142 00:07:11,264 --> 00:07:13,598 SEE. YOU DO RIGHT BY ME, I'LL DO RIGHT BY YOU. 143 00:07:13,667 --> 00:07:15,812 OH, I'LL DO ALL RIGHT BY YOU, ALL RIGHT. 144 00:07:15,836 --> 00:07:17,335 YES, SIR. SIR. 145 00:07:20,106 --> 00:07:23,875 DID YOU HEAR THAT? YES, SIR! HA, HA! HEY. 146 00:07:23,944 --> 00:07:26,104 THERE'S PLENTY MORE WHERE THAT CAME FROM. 147 00:07:26,146 --> 00:07:28,379 I OWN THE NEW CLEANING STORE DOWNSTAIRS. 148 00:07:28,448 --> 00:07:30,682 YES, SIR, SIR. CERTAINLY, SIR. 149 00:07:34,587 --> 00:07:36,154 ALL RIGHT, EVERYBODY. 150 00:07:36,222 --> 00:07:38,256 STAY RIGHT WHERE YOU ARE. 151 00:07:41,128 --> 00:07:43,094 LOUISE, 152 00:07:43,163 --> 00:07:45,964 REMEMBER THE HARD TIMES WE HAD WHEN WE FIRST GOT MARRIED, 153 00:07:46,032 --> 00:07:48,266 LIVIN' AT 126TH AND LENOX, 154 00:07:48,335 --> 00:07:51,702 AND THERE WERE 4 FAMILIES SHARING ONE JOHN? REMEMBER? 155 00:07:51,771 --> 00:07:53,671 I SURE DO. 156 00:07:53,740 --> 00:07:56,180 WELL, EVERYBODY. NOW, HEAR THIS. 157 00:08:02,082 --> 00:08:03,202 ONE. 158 00:08:10,824 --> 00:08:12,424 2 AND 3. 159 00:08:13,326 --> 00:08:14,825 HIS' AND HERS'. 160 00:08:22,101 --> 00:08:24,803 HOW ABOUT THAT? 4 JOHNS. NO WAITING. 161 00:08:34,781 --> 00:08:36,781 LIONEL, LET'S FACE IT. 162 00:08:36,850 --> 00:08:39,584 YOUR MOTHER MARRIED A 4-FLUSHER. 163 00:08:44,123 --> 00:08:46,283 COME ON, JENNY, LET ME SHOW YOU AROUND. 164 00:08:46,326 --> 00:08:49,205 FIRST WE'LL STOP AT THE COMMODIOUS SLEEPING QUARTERS. 165 00:08:49,229 --> 00:08:52,163 YOU THINK POP WILL EVER GET AROUND TO LIKING JENNY'S PARENTS? 166 00:08:52,231 --> 00:08:53,598 OH, SURE, HE WILL. 167 00:08:53,667 --> 00:08:56,200 THE DAY HER WHITE FATHER TURNS BLACK. 168 00:08:57,804 --> 00:08:59,682 AND THIS HERE IS THE LIVING AREA, 169 00:08:59,706 --> 00:09:01,005 WHERE WE DOES OUR LIVING. 170 00:09:01,074 --> 00:09:02,774 AND HERE WE HAVE THE DINING AREA 171 00:09:02,843 --> 00:09:04,353 WHERE WE DOES OUR DINING. 172 00:09:04,377 --> 00:09:06,310 AND THROUGH THIS DOOR IS THE KITCHEN AREA... 173 00:09:06,379 --> 00:09:08,580 WHERE WE DOES OUR KITCHENING. 174 00:09:11,150 --> 00:09:13,062 OH, YEAH, JENNY, LET ME SHOW YOU THE TERRACE. 175 00:09:13,086 --> 00:09:16,006 WE KEEP IT HANGIN' RIGHT OUTSIDE. OH. 176 00:09:17,524 --> 00:09:19,602 YEAH, YOU GONNA LOVE IT HERE, LOUISEY. 177 00:09:19,626 --> 00:09:21,259 I LOVE IT THERE. 178 00:09:21,328 --> 00:09:23,072 WITH ALL THOSE NOSEY NEIGHBORS? NOW, SEE, 179 00:09:23,096 --> 00:09:24,656 HERE YOUR NEIGHBORS KNOW HOW TO ACT. 180 00:09:24,698 --> 00:09:26,798 LIKE PERFECT STRANGERS, YOU SEE. 181 00:09:26,867 --> 00:09:28,833 YOU DON'T HAVE TO SAY HELLO TO NOBODY. 182 00:09:28,902 --> 00:09:31,135 AND NOBODY SAYS HELLO TO YOU. 183 00:09:31,204 --> 00:09:34,205 RIGHT. NO PUSHY NEIGHBORS RINGIN' THE DOORBELL EVERY 5 MINUTES. 184 00:09:37,477 --> 00:09:39,121 GEORGE, DO YOU HEAR THE DOORBELL, 185 00:09:39,145 --> 00:09:42,113 OR DO WE LIVE NEXT DOOR TO A CHURCH? 186 00:09:42,181 --> 00:09:43,581 THAT'S NOT NICE. 187 00:09:43,650 --> 00:09:44,650 COMING. 188 00:09:48,154 --> 00:09:49,253 HELLO. 189 00:09:49,322 --> 00:09:52,690 I'M YOUR NEXT-DOOR NEIGHBOR, ACTUALLY. 190 00:09:52,759 --> 00:09:54,892 LOUISE, IT'S MR. ACTUALLY. 191 00:09:56,363 --> 00:09:57,895 THAT'S JOLLY GOOD. 192 00:09:57,964 --> 00:09:59,397 NO, I'M HARRY BENTLEY. 193 00:09:59,466 --> 00:10:01,999 HI. WE'RE THE JEFFERSONS. COME IN, MR. BENTLEY. 194 00:10:02,068 --> 00:10:03,334 HOW DO YOU DO? 195 00:10:03,402 --> 00:10:05,402 A LOVELY APARTMENT, THIS. 196 00:10:05,471 --> 00:10:07,372 GEORGE, MOVE. 197 00:10:07,441 --> 00:10:08,839 LET ME GUESS, MR. JEFFERSON, 198 00:10:08,908 --> 00:10:10,241 YOU MUST BE 199 00:10:10,309 --> 00:10:11,676 10 STONE. 200 00:10:11,745 --> 00:10:13,711 DID HE SAY I WAS STONED? 201 00:10:16,483 --> 00:10:17,982 I DON'T THINK SO. 202 00:10:18,051 --> 00:10:21,586 I... I AM SORRY. I KEEP FORGETTING TO SPEAK AMERICAN. 203 00:10:21,654 --> 00:10:23,587 THAT'S IT. YOU'RE ENGLISH, AREN'T YOU? 204 00:10:23,657 --> 00:10:24,856 YES, I'M AFRAID SO. 205 00:10:24,925 --> 00:10:27,024 ACTUALLY, I WAS TRYING TO GUESS YOUR WEIGHT. 206 00:10:27,093 --> 00:10:29,327 10 STONE IS 140 POUNDS. 207 00:10:29,396 --> 00:10:31,329 WELL, I WEIGH 145. 208 00:10:31,398 --> 00:10:33,264 SMASHING. IT COULDN'T BE BETTER. 209 00:10:33,333 --> 00:10:34,977 DO ME A LITTLE FAVOR, WILL YOU? 210 00:10:35,001 --> 00:10:36,634 WHAT KIND OF FAVOR? 211 00:10:36,702 --> 00:10:39,703 TAKE A LITTLE WALK DOWN THE SMALL OF MY BACK, WOULD YOU? 212 00:10:40,273 --> 00:10:41,439 SAY WHAT? 213 00:10:42,709 --> 00:10:44,742 AND, UH, PLEASE, UH, TAKE YOUR SHOES OFF FIRST. 214 00:10:44,811 --> 00:10:47,044 THERE'S A GOOD FELLOW. 215 00:10:47,113 --> 00:10:50,748 WELL, YOU WANTED TO MOVE UP TO THE EAST SIDE. TAKE A WALK. 216 00:11:01,094 --> 00:11:03,160 THAT'S IT. YEAH. OH, YES. 217 00:11:03,230 --> 00:11:04,696 NOW, THAT'S IT. DO YOU HEAR THAT? 218 00:11:04,764 --> 00:11:06,030 OH, THAT'S HEAVEN. 219 00:11:06,099 --> 00:11:08,732 ANY PARTICULAR REASON WHY WE'RE DOIN' THIS? 220 00:11:08,801 --> 00:11:11,869 IT'S THE ONLY THING THAT SEEMS TO HELP MY BACK. 221 00:11:11,938 --> 00:11:13,705 OH, MARVELOUS. 222 00:11:13,773 --> 00:11:15,807 IT'S WORKING, IT'S WORKING. 223 00:11:17,877 --> 00:11:19,210 IT WORKED. 224 00:11:19,278 --> 00:11:22,680 THANK YOU, MR. JEFFERSON. YOU HAVE KIND FEET. 225 00:11:22,749 --> 00:11:26,017 WELL, ANYTHING I CAN DO FOR YOU, DON'T HESITATE TO 226 00:11:26,086 --> 00:11:27,719 RING MY BELL. 227 00:11:27,787 --> 00:11:29,020 BYE-BYE. 228 00:11:35,862 --> 00:11:38,463 WHAT THE HELL WAS THAT? 229 00:11:38,532 --> 00:11:41,666 GEORGE, I BELIEVE YOU WERE RIGHT ABOUT THIS PLACE AFTER ALL. 230 00:11:41,734 --> 00:11:44,268 IMAGINE, AN ENGLISH NEIGHBOR. 231 00:11:45,905 --> 00:11:47,805 GOOD GOD. YOU'RE BLACK. 232 00:11:53,913 --> 00:11:55,313 SOMETHIN' WRONG WITH THAT? 233 00:11:55,382 --> 00:11:58,883 OH, NO, NO. I JUST DIDN'T NOTICE BEFORE. 234 00:11:58,951 --> 00:12:00,685 WELL, JAMBO! 235 00:12:00,753 --> 00:12:02,420 DID YOU SAY SAMBO? 236 00:12:03,656 --> 00:12:05,957 JAMBO, IT'S SWAHILI. 237 00:12:06,026 --> 00:12:07,725 ACTUALLY, IT MEANS HELLO, 238 00:12:07,794 --> 00:12:10,661 I NEVER CAN REMEMBER THE WORD FOR GOOD-BYE. 239 00:12:22,942 --> 00:12:24,976 LOUISE, 240 00:12:25,045 --> 00:12:27,578 FIND OUT THE WORD FOR GOOD-BYE IN SWAHILI. 241 00:12:27,647 --> 00:12:29,346 THE NEXT TIME 242 00:12:29,415 --> 00:12:32,535 HE OR ANYBODY ELSE RINGS THAT DOORBELL, USE IT. 243 00:12:33,386 --> 00:12:35,119 OH, LIONEL. 244 00:12:35,188 --> 00:12:37,233 AND WHILE YOU'RE AT IT, TEACH IT TO LIONEL. 245 00:12:37,257 --> 00:12:39,302 SO HE CAN USE IT ON HIS GIRLFRIEND AND HER PARENTS, 246 00:12:39,326 --> 00:12:41,292 MR. DAY AND MRS. NIGHT. 247 00:12:45,332 --> 00:12:47,932 GEORGE, THE WILLIS' ARE FINE PEOPLE. 248 00:12:48,001 --> 00:12:50,335 NOW, JUST BECAUSE HE HAPPENED TO BE WHITE... 249 00:12:50,403 --> 00:12:53,538 IT AIN'T JUST THAT. I WOULDN'T LIKE HIM EVEN IF HE WAS BLACK. 250 00:12:53,607 --> 00:12:56,841 WHICH I'M GLAD HE AIN'T, SINCE I DON'T LIKE HIM. 251 00:12:56,909 --> 00:12:57,909 WHY? 252 00:12:57,944 --> 00:12:59,310 'CAUSE HE'S TOO FRIENDLY. 253 00:12:59,379 --> 00:13:01,156 HE'S ONE OF 'EM, TOUCHY-FEELY GUYS. 254 00:13:01,180 --> 00:13:02,758 LIKE A GREAT BIG, WHITE POLAR BEAR 255 00:13:02,782 --> 00:13:05,416 ALWAYS GRABBIN', HUGGIN' AND SQUEEZIN'. 256 00:13:05,484 --> 00:13:07,719 WELL, I THINK THE WILLIS' ARE WARM, 257 00:13:07,787 --> 00:13:09,721 LOVELY PEOPLE, AND I LIKE THEM. 258 00:13:09,789 --> 00:13:11,089 THEN DO IT LONG DISTANCE, 259 00:13:11,157 --> 00:13:12,957 'CAUSE I DON'T WANT THEM IN HERE. 260 00:13:13,025 --> 00:13:14,391 HEY, UH, MR. JEFFERSON. 261 00:13:14,461 --> 00:13:16,605 THANKS A LOT FOR SHOWING ME THIS APARTMENT. 262 00:13:16,629 --> 00:13:17,740 AND I GOTTA BE GOIN'. 263 00:13:17,764 --> 00:13:18,863 OH, WHAT A SHAME. 264 00:13:20,633 --> 00:13:22,366 UH, LOUISE, IF THAT'S MR. SWAHILI AGAIN, 265 00:13:22,435 --> 00:13:23,879 YOU WALK ON HIS BACK THIS TIME. 266 00:13:23,903 --> 00:13:26,303 I KNOW HE WON'T BE READY FOR THAT. 267 00:13:30,043 --> 00:13:32,810 HERE THEY ARE, TOM. I TOLD YOU THEY'D ARRIVED. 268 00:13:32,879 --> 00:13:34,212 SURPRISE, EVERYBODY! 269 00:13:34,281 --> 00:13:36,247 LOUISE. 270 00:13:36,316 --> 00:13:38,749 UH, LOOK, GEORGE. THE WILLIS'. 271 00:13:38,818 --> 00:13:40,729 WHAT'RE YOU 2 DOIN' IN THIS NEIGHBORHOOD? 272 00:13:40,753 --> 00:13:41,897 WE LIVE HERE. YEAH. 273 00:13:41,921 --> 00:13:42,954 LIVE WHERE? 274 00:13:43,022 --> 00:13:45,056 RIGHT UPSTAIRS. 20TH FLOOR. 275 00:13:45,125 --> 00:13:46,491 SAY WHAT? 276 00:13:46,559 --> 00:13:49,126 I SAID, WE'RE GOING TO BE NEIGHBORS. 277 00:13:49,195 --> 00:13:50,495 HI, NEIGHBOR. 278 00:13:50,563 --> 00:13:51,929 HERE IT COMES. 279 00:13:51,998 --> 00:13:55,199 TOUCHY-FEELY, TOUCHY-FEELY, TOUCHY-FEELY. 280 00:14:02,475 --> 00:14:04,219 IMAGINE, ALL OF US 281 00:14:04,243 --> 00:14:06,155 LIVING IN THE SAME BUILDING. 282 00:14:06,179 --> 00:14:08,123 ISN'T IT A SMALL WORLD? 283 00:14:08,147 --> 00:14:12,116 TOO SMALL. LIONEL, I WANT TO SPEAK TO YOU IN THE KITCHEN. NOW. 284 00:14:12,185 --> 00:14:15,753 EXCUSE ME. I THINK SOMETHING'S BOILIN' OVER. 285 00:14:15,822 --> 00:14:18,255 MAYBE I SQUEEZED HIM TOO HARD, HUH? 286 00:14:19,426 --> 00:14:21,159 NOT HARD ENOUGH, TOM. 287 00:14:21,227 --> 00:14:23,060 HE'S STILL BREATHING. 288 00:14:24,464 --> 00:14:26,175 WHY DIDN'T YOU TELL ME THEY'RE LIVIN' HERE? 289 00:14:26,199 --> 00:14:27,343 WHY DIDN'T YOU ASK ME? 290 00:14:27,367 --> 00:14:28,844 YOU MEAN TO TELL ME I GOTTA ASK YOU 291 00:14:28,868 --> 00:14:30,646 IF THE SKY IS FALLIN' BEFORE YOU TELL ME. 292 00:14:30,670 --> 00:14:33,249 GEORGE, YOU KEEP YOUR VOICE DOWN. WE HAVE GOT GUESTS. 293 00:14:33,273 --> 00:14:36,473 NO, WE DON'T. WE GOT TRESPASSERS. 294 00:14:36,542 --> 00:14:38,353 DID YOU HEAR THAT, TOM? MOM. 295 00:14:38,377 --> 00:14:40,455 COME ON, GIVE MR. JEFFERSON A CHANCE. 296 00:14:40,479 --> 00:14:42,814 WELL, AFTER ALL, YOU DID COME HERE WITHOUT WARNING. 297 00:14:42,882 --> 00:14:44,148 HE JUST WASN'T PREPARED. 298 00:14:44,217 --> 00:14:45,394 HIS MOUTH WAS. 299 00:14:45,418 --> 00:14:48,052 I'VE NEVER SEEN SUCH A PREPARED MOUTH. 300 00:14:49,355 --> 00:14:51,889 NOW, HELEN, YOU'VE GOT TO BE MORE TOLERANT. 301 00:14:51,958 --> 00:14:53,869 JUST SAY TO YOURSELF, "THE MAN'S AN IDIOT 302 00:14:53,893 --> 00:14:56,127 AND WE HAVE TO MAKE ALLOWANCES." 303 00:15:00,433 --> 00:15:03,133 GEORGE, COME BACK HERE! 304 00:15:03,936 --> 00:15:05,370 NOW, LOOK. 305 00:15:05,438 --> 00:15:07,282 WE CAME DOWN HERE IN THE SPIRIT OF FRIENDSHIP. 306 00:15:07,306 --> 00:15:09,084 THEN THAT'S A GOOD WAY FOR YOU TO LEAVE. 307 00:15:09,108 --> 00:15:10,475 IN THE SPIRIT OF FRIENDSHIP. 308 00:15:10,543 --> 00:15:12,477 NOW, LOOK HERE, SHORTY. 309 00:15:13,680 --> 00:15:15,546 WHO YOU CALLIN' SHORTY? 310 00:15:17,283 --> 00:15:18,950 SHE DON'T MEAN ME. 311 00:15:21,587 --> 00:15:22,787 I'M WARNING YOU, LOUISE, 312 00:15:22,855 --> 00:15:24,822 THERE'S ONLY ONE SIDE MY WIFE CAN BE ON. 313 00:15:24,890 --> 00:15:26,790 THAT'S EITHER MY SIDE OR OUTSIDE. 314 00:15:26,859 --> 00:15:28,904 WHY CAN'T WE ALL BE ON THE SAME SIDE? 315 00:15:28,928 --> 00:15:30,639 RIGHT. YEAH, THAT'S RIGHT, POP. 316 00:15:30,663 --> 00:15:32,341 'CAUSE THEY'RE ALL GONNA BE YOUR IN-LAWS, 317 00:15:32,365 --> 00:15:34,209 SO WHY DON'T YOU TRY GETTIN' ALONG? 318 00:15:34,233 --> 00:15:35,766 OK, SON. 319 00:15:35,834 --> 00:15:37,168 YOU REALLY WANNA GET ALONG? 320 00:15:37,236 --> 00:15:38,803 YOU BET. 321 00:15:38,872 --> 00:15:39,904 OK. 322 00:15:43,376 --> 00:15:45,910 WELL, I TRIED IT AND I DON'T LIKE IT. 323 00:15:52,451 --> 00:15:54,852 SO WHY DON'T YOU JUST MOVE OUT OF THE BUILDING? 324 00:15:54,921 --> 00:15:56,041 WHAT? 325 00:15:56,089 --> 00:15:57,654 SURE, IT'S ONLY FAIR. 326 00:15:57,724 --> 00:16:00,257 DO YOU KNOW HOW MUCH TROUBLE I HAD GETTING INTO THIS BUILDING? 327 00:16:00,326 --> 00:16:01,759 THE ONLY REASON I GOT IN HERE 328 00:16:01,828 --> 00:16:04,862 WAS BECAUSE I HAD ENOUGH GREEN TO COVER MY BLACK. 329 00:16:04,931 --> 00:16:07,531 NOW, SEE, YOU'RE WHITE. YOU CAN GET IN ANY PLACE YOU WANT. 330 00:16:07,600 --> 00:16:09,701 ALL YOU HAVE TO DO IS HIDE YOUR WIFE IN A WOODPILE 331 00:16:09,769 --> 00:16:11,803 UNTIL THE LEASE IS SIGNED. 332 00:16:15,441 --> 00:16:18,342 WELL, HERE'S A MESSAGE FROM THE WOODPILE. 333 00:16:18,411 --> 00:16:21,445 IF ANYBODY'S MOVING, IT'S YOU, SHORTY. 334 00:16:21,514 --> 00:16:22,913 OK. 335 00:16:22,983 --> 00:16:25,161 IF THAT'S THE WAY YOU WANT IT, THAT'S THE WAY IT'S GONNA BE. 336 00:16:25,185 --> 00:16:26,717 WE ARE MOVING. 337 00:16:27,787 --> 00:16:30,054 GEORGE, WHERE ARE YOU GOING? 338 00:16:30,123 --> 00:16:32,023 WHERE YOU CAN'T FOLLOW. 339 00:16:33,159 --> 00:16:34,658 GEORGE, COME OUT OF THERE. 340 00:16:34,727 --> 00:16:36,560 I AIN'T COMIN' OUT TILL THEY LEAVE. 341 00:16:36,629 --> 00:16:38,709 COME ON, LET'S GO. BUT... 342 00:16:42,535 --> 00:16:44,134 WE'LL SEE OURSELVES OUT. 343 00:16:44,203 --> 00:16:46,103 DON'T BOTHER TO GET UP. 344 00:16:50,009 --> 00:16:51,208 LIONEL, 345 00:16:51,277 --> 00:16:52,517 YOU BETTER GO TO YOUR ROOM. 346 00:16:52,545 --> 00:16:55,379 I DON'T WANT YOU TO GET HIT BY YOUR FATHER. 347 00:16:56,683 --> 00:16:58,115 WHY'S HE GONNA HIT ME? 348 00:16:58,183 --> 00:17:01,285 BECAUSE I'M NOT SURE WHERE I'M GONNA THROW HIM. 349 00:17:08,928 --> 00:17:11,228 ALL RIGHT, GEORGE. THEY'VE GONE. 350 00:17:19,638 --> 00:17:22,806 YOU KNOW, I'VE SEEN YOU ACT DUMB BEFORE. 351 00:17:23,509 --> 00:17:25,175 BUT NOW I'M CONVINCED 352 00:17:25,244 --> 00:17:26,911 YOU WASN'T ACTING. 353 00:17:29,482 --> 00:17:31,115 WHATEVER YOU SAY, LOUISE. 354 00:17:31,184 --> 00:17:32,617 WHATEVER YOU SAY. 355 00:17:32,685 --> 00:17:34,352 HUH? 356 00:17:34,420 --> 00:17:36,420 I'M A BEATEN MAN, LOUISE. 357 00:17:36,489 --> 00:17:39,490 YOU WANNA KICK A MAN WHEN HE'S DOWN, GO AHEAD. 358 00:17:39,559 --> 00:17:41,659 WHAT ARE YOU TALKING ABOUT? 359 00:17:41,727 --> 00:17:43,027 IT'S ALL OVER. 360 00:17:43,095 --> 00:17:44,928 ALL MY PLANS, ALL MY DREAMS, 361 00:17:44,997 --> 00:17:46,564 ALL THAT DOUGH, DOWN THE DRAIN. 362 00:17:46,633 --> 00:17:48,166 OH, COME OFF IT, POP. 363 00:17:48,234 --> 00:17:50,000 AND TO THINK MY OWN FAMILY DID IT TO ME. 364 00:17:50,069 --> 00:17:51,502 SEE, THAT'S WHAT HURTS SO BAD. 365 00:17:51,571 --> 00:17:53,837 IT'S NOT JUST THE IDEA OF THOSE PEOPLE LIVING UPSTAIRS, 366 00:17:53,906 --> 00:17:56,373 IT'S THAT NOBODY EVER TOLD ME. 367 00:17:56,442 --> 00:17:57,875 IF YOU'D STUCK A KNIFE IN MY BACK, 368 00:17:57,944 --> 00:17:59,443 YOU COULDN'T HAVE HURT ME MORE. 369 00:17:59,512 --> 00:18:01,879 OH, GEORGE. 370 00:18:01,948 --> 00:18:04,148 THANK YOU VERY MUCH, JEZEBEL. 371 00:18:06,319 --> 00:18:08,085 WHAT IS HE TALKING ABOUT? 372 00:18:08,154 --> 00:18:10,488 LET ME TRY TALKIN' TO HIM, MA. 373 00:18:12,492 --> 00:18:13,524 POP. 374 00:18:13,593 --> 00:18:16,861 WHAT IS IT, JEZEBEL JR.? 375 00:18:16,930 --> 00:18:19,241 LOOK, POP, I'M TRYIN' TO TALK TO YOU. WILL YOU LOOK AT ME? 376 00:18:19,265 --> 00:18:21,833 I SMELL GAS. ONE OF THEM PILOT LIGHTS MUST BE OUT. 377 00:18:21,901 --> 00:18:24,547 HEY, LOOK, MOM DIDN'T KNOW ANYTHING ABOUT THE WILLIS' MOVIN' IN. 378 00:18:24,571 --> 00:18:26,515 IT WAS ALL MY DOIN', ALL RIGHT. 379 00:18:26,539 --> 00:18:29,050 WELL, WE JUST HAVE TO UNDO YOUR DOIN' AND MOVE OUT OF HERE. 380 00:18:29,074 --> 00:18:30,552 HEY, POP, IF YOU'RE TRYING TO BREAK UP 381 00:18:30,576 --> 00:18:31,887 JENNY AND ME, IT'S NOT GONNA WORK. 382 00:18:31,911 --> 00:18:33,088 AND IT'S SILLY TO MOVE OUT 383 00:18:33,112 --> 00:18:34,957 BECAUSE THIS BUILDING IS BIG ENOUGH. 384 00:18:34,981 --> 00:18:36,825 YOU DON'T EVEN HAVE TO SEE THE WILLIS' IF YOU DON'T WANT TO. 385 00:18:36,849 --> 00:18:39,483 I'LL KNOW THEY'RE THERE. I'LL FEEL 'EM. 386 00:18:39,552 --> 00:18:42,486 IT'S JUST LIKE THE PRINCESS THAT STEPPED ON THE PEA. 387 00:18:44,423 --> 00:18:46,456 LIONEL, YOU'VE DONE ME IN. 388 00:18:47,126 --> 00:18:48,493 I GIVE UP. 389 00:18:52,932 --> 00:18:55,166 IS HE ALL RIGHT? WHAT HAPPENED IN THERE? 390 00:18:55,235 --> 00:18:56,995 NOTHIN'. I COULDN'T GET THROUGH TO HIM. 391 00:18:57,036 --> 00:18:59,470 I'VE NEVER SEEN POP SO LOW BEFORE. 392 00:18:59,538 --> 00:19:02,706 OH, LOOK, I'M GOING TO GO UPSTAIRS AND APOLOGIZE TO THE WILLIS'. 393 00:19:08,381 --> 00:19:09,780 OH, HI, GRANDMA. 394 00:19:09,848 --> 00:19:10,848 HELLO. 395 00:19:15,254 --> 00:19:18,322 MOTHER JEFFERSON, WHAT A NICE SURPRISE. 396 00:19:18,391 --> 00:19:19,856 HELLO, LOUISE. 397 00:19:19,925 --> 00:19:22,926 I WAS PASSING BY AND THOUGHT I'D DROP IN. 398 00:19:22,995 --> 00:19:24,995 WELL, I'M SO GLAD YOU DID. 399 00:19:25,064 --> 00:19:28,466 I FIGURED THIS WOULD BE QUICKER THAN WAITING FOR AN INVITATION. 400 00:19:31,571 --> 00:19:34,805 WELL, UH, HOW DO YOU LIKE OUR NEW APARTMENT? 401 00:19:36,676 --> 00:19:39,176 OH, IT'S LOVELY. 402 00:19:39,245 --> 00:19:40,944 JUST BEAUTIFUL. 403 00:19:41,013 --> 00:19:43,513 GEORGE HAS SUCH GOOD TASTE. 404 00:19:44,750 --> 00:19:46,784 IN MOST THINGS. 405 00:19:51,957 --> 00:19:55,259 GEORGE, YOUR MOTHER IS HERE. 406 00:19:59,031 --> 00:20:00,264 GEORGE. 407 00:20:01,568 --> 00:20:03,033 I'LL GET HIM. 408 00:20:05,805 --> 00:20:06,904 GEORGE... 409 00:20:08,107 --> 00:20:09,147 GEORGE! 410 00:20:09,209 --> 00:20:10,474 OH, MY GOD! 411 00:20:10,543 --> 00:20:13,210 GEORGE, I BEG OF YOU, DON'T TAKE YOUR LIFE! 412 00:20:13,279 --> 00:20:14,857 AIN'T NOBODY TAKIN' NOBODY'S LIFE. 413 00:20:14,881 --> 00:20:18,015 I GOT BUSINESS IN THERE. THE PILOT LIGHT IS OUT. 414 00:20:25,958 --> 00:20:29,059 I THOUGHT YOU WAS TRYING TO KILL YOURSELF. 415 00:20:29,128 --> 00:20:33,631 WHAT FOR? I GOT A FAMILY THAT'S ALREADY DOIN' THAT. 416 00:20:33,699 --> 00:20:36,267 WELL, YOU BETTER PULL YOURSELF TOGETHER, GEORGE. 417 00:20:36,335 --> 00:20:37,601 YOU'VE GOT A VISITOR. 418 00:20:37,670 --> 00:20:40,150 WELL, TELL HIM TO GO TO HELL. 419 00:20:41,540 --> 00:20:44,374 WHATEVER YOU SAY, GEORGE. IT'S YOUR MOTHER. 420 00:20:57,490 --> 00:21:01,057 OH, SON, YOU HAVE SUCH A LOVELY APARTMENT. 421 00:21:01,126 --> 00:21:04,161 YEAH, WELL, GET A GOOD LAST LOOK AT IT, MAMA, 'CAUSE WE'RE MOVIN' OUT. 422 00:21:04,229 --> 00:21:05,907 BUT WE'VE GOT A 3-YEAR LEASE. 423 00:21:05,931 --> 00:21:07,231 THAT AIN'T NOTHIN'. 424 00:21:07,299 --> 00:21:08,944 I'M GONNA CALL THE REAL ESTATE AGENT RIGHT NOW. 425 00:21:08,968 --> 00:21:11,146 I KNOW WE'LL HAVE NO TROUBLE SUBLETTIN' THIS APARTMENT. 426 00:21:11,170 --> 00:21:13,738 MAYBE EVEN MAKE A FEW BUCKS ON THE DEAL. 427 00:21:13,806 --> 00:21:15,172 HELLO, AGAIN. 428 00:21:15,241 --> 00:21:16,707 I WAS DOWNSTAIRS IN THE DELI 429 00:21:16,776 --> 00:21:18,409 WHEN IT SUDDENLY OCCURRED TO ME 430 00:21:18,478 --> 00:21:20,756 THAT YOU MIGHT NOT HAVE ANY FOOD IN YET. HOW DO YOU DO? 431 00:21:20,780 --> 00:21:22,992 SO I BROUGHT YOU SOME BANGERS. 432 00:21:23,016 --> 00:21:24,348 BANGERS? 433 00:21:24,417 --> 00:21:26,537 YES. UH, ENGLISH SAUSAGES. 434 00:21:30,756 --> 00:21:33,156 WELL, WHY DO THEY CALL THEM BANGERS? 435 00:21:33,225 --> 00:21:34,959 I REALLY DON'T KNOW. 436 00:21:35,027 --> 00:21:37,707 SOMETHING TO DO WITH THE AFTER EFFECTS, I THINK. 437 00:21:44,237 --> 00:21:47,004 AH! THE FUNNIEST THING JUST HAPPENED TO ME. 438 00:21:47,073 --> 00:21:49,473 I GOT ON THE ELEVATOR WITH MR. AND MRS. WHITTENDALE, 439 00:21:49,542 --> 00:21:51,753 AND I FORGOT TO PUSH THE BUTTON FOR MY FLOOR. 440 00:21:51,777 --> 00:21:52,710 WHITTENDALE? 441 00:21:52,778 --> 00:21:54,356 YES, HENRY AND JANET WHITTENDALE. 442 00:21:54,380 --> 00:21:57,540 THEY LIVE IN THE PENTHOUSE, WHICH IS THE POINT OF THE STORY, YOU SEE. 443 00:21:57,583 --> 00:21:59,728 THERE I AM... HENRY L. WHITTENDALE? 444 00:21:59,752 --> 00:22:01,785 YES, HE'S A CHARMING FELLOW. 445 00:22:01,854 --> 00:22:03,687 SO, AS WE'RE TRAVELING UPWARD, YOU SEE... 446 00:22:03,756 --> 00:22:06,090 WHITTENDALE-BANK WHITTENDALE? 447 00:22:06,158 --> 00:22:09,159 RIGHT. UH, HE'S VERY EASY TO TALK TO. 448 00:22:09,228 --> 00:22:10,939 SO JUST AS WE'RE PASSING MY FLOOR... 449 00:22:13,065 --> 00:22:15,505 BOY, THAT WAS A GREAT STORY. 450 00:22:17,103 --> 00:22:18,702 DID I FINISH IT? 451 00:22:21,140 --> 00:22:23,007 SURE, YOU DID. 452 00:22:23,075 --> 00:22:24,719 IT WAS A GREAT STORY. YOU HEARD HOW HARD I WAS LAUGHIN'. 453 00:22:24,743 --> 00:22:26,521 BOY, YOU'RE REALLY HILARIOUS. 454 00:22:26,545 --> 00:22:29,013 I NEVER LAUGHED SO HARD IN MY ENTIRE LIFE. 455 00:22:29,081 --> 00:22:30,681 THANK YOU. YOU'RE WELCOME. 456 00:22:30,749 --> 00:22:33,450 LOOK, ANYTIME YOU WANT YOUR BACK WALKED ON, JUST BRING IT ON OVER. 457 00:22:33,519 --> 00:22:34,885 YOU KNOW... 458 00:22:36,856 --> 00:22:39,401 WELL, WHAT ARE YOU WAITING FOR, LOUISE? START UNPACKING. 459 00:22:39,425 --> 00:22:40,991 BUT YOU SAID YOU'D NEVER LIVE HERE. 460 00:22:41,060 --> 00:22:42,304 DIDN'T YOU HEAR WHAT HE SAID? 461 00:22:42,328 --> 00:22:44,139 WHITTENDALE LIVES IN THE PENTHOUSE. 462 00:22:44,163 --> 00:22:45,707 WHO? WHITTENDALE. 463 00:22:45,731 --> 00:22:47,709 THE OWNER OF THE BANK I DO BUSINESS WITH. 464 00:22:47,733 --> 00:22:49,600 SO? 465 00:22:49,669 --> 00:22:51,580 SO, WHITTENDALE RIDES THE ELEVATOR. I RIDE THE ELEVATOR. 466 00:22:51,604 --> 00:22:53,971 SOME OF THE BIGGEST DEALS ARE MADE IN ELEVATORS. 467 00:22:54,040 --> 00:22:56,752 THIS IS MY BIG CHANCE TO GET TO KNOW THE PEOPLE UPSTAIRS. 468 00:22:56,776 --> 00:22:59,109 DOORBELL, DEAR. 469 00:23:05,517 --> 00:23:06,884 MAY WE COME IN? 470 00:23:06,953 --> 00:23:09,720 UH. OH, OF COURSE, YOU MAY. 471 00:23:09,789 --> 00:23:13,791 UH-UH-UH, NOW, BEFORE YOU LOCK YOURSELF IN THE JOHN AGAIN, 472 00:23:13,859 --> 00:23:16,772 WE JUST CAME DOWN TO SAY WE THINK YOU'RE WRONG ABOUT MOVING. 473 00:23:16,796 --> 00:23:19,774 BUT FOR THE SAKE OF THE KIDS, AT LEAST, LET'S PART FRIENDS. 474 00:23:19,798 --> 00:23:21,598 OH, BUT WE'RE NOT MOVING. 475 00:23:21,667 --> 00:23:22,699 YOU'RE NOT? 476 00:23:22,768 --> 00:23:24,401 NO. AS A MATTER OF FACT, 477 00:23:24,469 --> 00:23:26,469 GEORGE INSISTED THAT WE STAY. 478 00:23:26,539 --> 00:23:28,005 HE SAID, IT WAS HIS BIG CHANCE 479 00:23:28,073 --> 00:23:30,541 TO GET TO KNOW THE PEOPLE UPSTAIRS. 480 00:23:30,609 --> 00:23:32,609 ISN'T THAT RIGHT, GEORGE? 481 00:23:35,448 --> 00:23:36,947 THAT'S GREAT. 482 00:23:37,016 --> 00:23:38,849 THIS WAS SUPPOSED TO BE A FAREWELL GIFT, 483 00:23:38,918 --> 00:23:40,678 BUT NOW IT WORKS OUT EVEN BETTER. 484 00:23:40,720 --> 00:23:42,063 HERE. WHAT'S THIS FOR? 485 00:23:42,087 --> 00:23:43,932 IT'S FOR DRINKING A LITTLE TOAST. 486 00:23:43,956 --> 00:23:47,190 UNLESS YOU'VE GOT A BATTLESHIP AROUND HERE YOU'D LIKE TO LAUNCH. 487 00:23:47,259 --> 00:23:50,193 YES, AS A MATTER OF FACT, MY MOTHER-IN-LAW. 488 00:23:53,499 --> 00:23:57,801 AH, COME ON NOW, LET'S SEE A SMILE ON THAT OLD KISSER, HUH? 489 00:23:57,870 --> 00:24:00,704 NOW, COME ON, COME ON. OH, HERE IT COMES, FOLKS. 490 00:24:00,773 --> 00:24:03,718 OH, WE'RE GONNA BE SEEING A LOT OF EACH OTHER FROM NOW ON. 491 00:24:03,742 --> 00:24:05,876 TOUCHY-FEELY, TOUCHY-FEELY. 492 00:24:26,766 --> 00:24:29,077 ALL IN THE FAMILY WAS RECORDED ON TAPE 493 00:24:29,101 --> 00:24:30,734 BEFORE A LIVE AUDIENCE. 35346