Original subtitles

Downloaded from YTS.BZ

Official YIFY movies site: YTS.BZ

DR. ELBERTSON: Well, Walter, here it is, almost summer again.

I was saying to your mother the other day,

"It hardly seems that winter's over with, let alone spring."

(CHUCKLES)

Busy day?

WALTER: Well, you know...

DR. ELBERTSON: I spoke with Dean Forsyth.

He says he can't do a thing about your college board exams.

So you'll have to take them over

sometime around the end of the year.

Are you listening to me?

WALTER: Mmm-hmm.

DR. ELBERTSON: I don't understand how

you could fall asleep in the middle of your exams.

Have you made any plans for summer?

Well, have you made just any plans?

WALTER: No.

DR. ELBERTSON: Look at your sister.

According to Meyerhoff, she could become quite an oceanographer.

(WHEEZING)

Have you had asthma all day?

It's the cat.

You're not on drugs, are you?

WALTER: Mmm-hmm. It's the cat.

DR. ELBERTSON: What's in your hand? WALTER: Turtle.

And Almond Joy bar.

DR. ELBERTSON: Walter, I just don't understand you.

You carry around all these strange pieces

and yet you read Fortune magazine.

You know, I used to read Fortune magazine.

Thoroughly enjoyed it.

I couldn't tell you now why I canceled the subscription.

What about...

What about going back to Dr. Rosson?

Your mother spoke with him, you know.

It's been agreed you won't have to lie on a couch this time.

I'd rather not.

Well, you're not spending your summer in movie houses.

I won't.

(PHONE RINGING)

Excuse me.

(WHEEZING)

Yes?

Yes, this is Lionel Elbertson.

Oh, good. I'll hold on.

By the way, Walter, did you see The Times today?

The call The Identity of Man a triumphant achievement.

And refer to me as "our great historian."

Hello, Lyle.

(CHUCKLES) Thank you. It was a fair review.

No, not at all. I was just chatting with brother.

Oh, he's perfect. Just perfect.

(LAUGHS)

Well, he's been planning his summer.

Hmm. What?

No, no, he hasn't decided.

(DOOR OPENS)

Why? What's going on in Spain?

(DOOR CLOSES)

Oh, to learn Spanish. Is your boy going?

Lyle, for God's sake! Save a place

on that tour for brother, do you hear me?

Yes, he'd love touring Spain.

(SPEAKING SPANISH)

(CONTINUES SPEAKING SPANISH)

Elbertson!

Elbertson!

Elbertson?

(SPEAKING SPANISH)

Elbertson!

(BLOWS WHISTLE)

Elbertson!

(SPEAKING SPANISH)

926.

(PANTING) 926.

In espanol, Elbertson.

(SPEAKING SPANISH)

(REPEATING)

You've got to try harder, Elbertson.

Uh, I know.

(SPEAKING SPANISH)

(REPEATING)

No, you say...

(BOTH SPEAKING SPANISH)

Elbertson.

(SPEAKING SPANISH)

MAN: Apple orchard.

Apple orchard.

(PEOPLE CHEERING)

(SPEAKING SPANISH)

MAN: It's 3:00 sharp.

Now we are all going to leave this lovely town

and take a scenic ride through

the historical landscape of Castilla la Vieja.

I'm sure you will all enjoy this romantic trip.

Everybody's ready.

Please go back to the seat in the coach.

(SPEAKING SPANISH)

Elbertson?

Elbertson?

(SPEAKING SPANISH)

Elbertson?

(SPEAKING SPANISH)

Elbertson, what are you doing?

(BLOWING WHISTLE)

Don't worry, Carl.

I just can't... I just can't ride anymore, Carl.

Hey, wait a minute, Elbertson!

Hey, wait!

Wait a minute. Come back!

You can't... Hey, wait!

Hey, what about your bicycle?

(PANTING)

(GASPING)

(HUMMING)

(LILA WHISTLING)

(INHALING)

I try...

GUIDE: Mr. and Mrs. Clark?

Colonel Duncan and Mrs. Duncan, please?

Mr. Elbertson?

You're lucky. You have a room for tonight.

Miss Fisher.

Your key.

Miss Fisher? You have a letter.

Mr. and Mrs. Flood?

(SPEAKING SPANISH)

(CLOTHESLINE SQUEAKING)

(WHISTLING)

(WHISTLING)

Starling, you like it?

I'm not too familiar with birds.

I have a fish.

Fish are good,

but they are so quiet.

I will do you one of my favorite.

A very difficult bird.

La alondra de los prados.

(WHISTLING)

Frightfully good.

You would like perhaps, for yourself, a bird?

(IMITATING BIRD)

No, thank you.

No, I... I really ought to be getting back.

You make me to think so much of my Maria.

I'm awfully sorry.

(WHISTLES)

(BELL TOLLING)

LILA: Hello?

Oh... Who is that?

Oh, Mr. Taylor, this is Miss Fisher.

Yes, I'm calling you all the way from Spain.

Would you ask Aunty Vy to come to the phone, please?

I'm sorry...

I didn't hear. What did you find?

Oh, your teeth!

No.

No, I would never have thought of looking in there.

Could you get Aunty Vy for...

She's not?

Oh, well, could you get Aunty Gladys for me?

(STUTTERING)

Ask her to leave Mr. Philips.

No, Mr. Philips can sit up beautifully on his own in the bath.

No. No, not as well as you can,

but he can sit up.

Well...

Yes, well, you go up and hold on to him

and ask Aunty Gladys to come down, please.

Thank you.

Hello?

Oh, hello, Captain Bill. Mmm.

Yes, yes, he told me. He found them.

Yes, in the piano.

Mmm.

Very careless.

No, Captain Bill, you are not going to die.

I promise you.

I can't call you every day and promise you.

I'm in Spain, you see.

Spain!

Yes, I know you have a pain.

We all have a little pain now and then.

I bought you a lovely bottle of brandy.

Mmm.

Yes, is Aunty Gladys there?

Aunty Gladys?

Oh, hello...

Aunty Gladys, this is Lila.

Yes, how are you?

Mmm. Well, I...

I couldn't ring you yesterday.

I just wanted to know if everything is... Is going smoothly.

Oh, nonsense. (SLURRING) Things won't be falling to pieces...

I said...

(SLURRING) I said, things can't be falling to pieces just...

Well, it's a bad line.

It's just a very...

Very... It's just a very...

"How...

"beautifully blue the sky.

"The glass is rising very high.

"Continue fine, I hope it may.

"And yet it rained but yesterday.

"Tomorrow it may rain again.

"I hear the farmers need some rain.

"Yet people say I know not why.

"That we shall have...

"a warm July."

(SIGHS)

(PEOPLE TALKING INDISTINCTLY)

(CLOTHESLINE SQUEAKING)

(KNOCKING ON DOOR)

Hello?

Hello?

Wait a moment.

(GASPS)

Life, it comes like a bird.

And life is good and then the bird flies off.

With all my best compliments, senorita.

I already told you, I don't want a bird.

(WHISTLING)

In my heart, it was so much life.

So much sparrow with Maria.

Really?

(SIGHS) And then it comes to me, the sadness.

Maria Rochas Oliveira has been wrong to me,

but I still love her, no?

And so I got to the soldiers who tooks her from me.

And Maria come between us,

and with a piece of glass, she...

She cuts my heart in two.

No, no, no, no. Don't cry for me, senorita.

And now, senorita,

you are a new sparrow,

who fly into my life from London.

No, Bournemouth, actually.

Bournemouth? Bournemouth!

A new sparrow from Bournemouth who comes and glow on me.

I insist that you leave this room at once.

MAN: But I have only begun. I didn't say nothing yet.

I can do the yellow-headed blackbird.

(WHISTLING)

Who was that one in the balcony?

Por favor, senor.

Will you please take your bird and go?

You don't want me? I don't.

But I am sure somebody does.

(BIRD CHIRPING)

(WHISTLES)

(SIGHS) Oh!

(FLIES BUZZING)

GUIDE: Ladies and gentlemen, I hope you enjoyed your little cup of tea.

And now we are leaving the valley of the olives.

Please, follow me, this way.

Olives, you know, means aceitunas.

By the way, Jesus Christ came here with his disciples,

and here he spent the night of agony

in Nicholas Ray's production King of Kings, starring Jeffrey Hunter.

LILA: Uh, yoo-hoo! Yoo-hoo!

(ENGINE STARTING)

Excuse me?

Por favor.

(SPEAKING SPANISH)

Uh...

Yo! Yes?

Uh, hey, um... There's... Somebody's missing.

Por favor!

Por favor!

WALTER: Miss Fisher?

Yes, I... Oh!

I seem to be locked in.

The bus is... Oh!

Uh...

(DOOR RATTLING)

Yeah.

(SHRIEKING)

(GASPS)

Thank you.

Do you speak any Spanish?

No, absolutely no Spanish. (CHUCKLES)

I'm trying to learn.

I tried and I'm still trying.

Uh, hola...

Um, hola...

Is "hello." Hello.

Hello. Is "hello."

Uh...

Do you understand, um...

(SPEAKING SPANISH)

No, it's, um...

"What is your name?"

Elbertson, Walt...

Walter Elbertson.

I really think we should try to learn some Spanish, don't you?

(SPEAKING SPANISH)

Can you say that?

(SPEAKING SPANISH)

That means it... (SPEAKING SPANISH)

(BOTH SPEAKING SPANISH)

That means, "It's terribly funny."

(CONTINUES SPEAKING SPANISH)

It is getting light.

(SPEAKING SPANISH)

Or if it is getting dark, it is...

(SPEAKING SPANISH)

Can you do that one?

(SPEAKING SPANISH)

(REPEATING)

Very good. Now...

(INDISTINCT)

We can move on to...

Lunch.

(SPEAKING SPANISH)

(CHUCKLES)

A masculine lunch and a feminine lunch.

But to eat lunch is almorzar.

It is also merendar.

There's so many choices. We'll let's try merendar.

Say merendar.

Miss Fisher, I don't want to say merendar.

I beg your pardon?

I don't want to merendar and I don't want to almorzar and I...

I don't want to...

(MUMBLING IN SPANISH)

I don't want to do it anymore.

I really don't want... I don't want to do it anymore.

(WHEEZING)

Very well.

I didn't mean to hurt your feelings.

You didn't.

Look, I, uh...

I seem to make it very uncomfortable for you, Miss Fisher,

so I think, uh...

I could talk to the driver

and he could maybe change my seat.

As you wish.

I mean...

I know I make it uncomfortable for you sometimes.

And you're sort of down,

and I really don't mean to make it uncomfortable...

Down?

In what way am I down?

Well...

Do I act down?

Not exactly.

It's just that, well, you're nervous sometimes and...

Well, I... I think I make it worse for you.

"Worse for me?" What do you mean?

How am I nervous?

Look, I just wanted to say I was sorry if...

If I made you uncomfortable.

You hear me whistle, don't you?

Whistle? No, I don't hear you whistle.

I know I whistle. I am aware of that.

Oh, well...

We all have our ticks.

Like my father sucks on his pipe all the time

and you whistle. And you wheeze.

Little asthma.

You're very observant, aren't you?

I don't mean to pry.

Well, I too am observant.

What I have observed about you, Mr. Elbertson,

is one of your major ticks, which is running away.

Why, only since you've been to Spain,

you've run away from a bicycle tour

and now you're going to run away again.

I was just changing my seat.

I don't think that is necessary.

As far as I am concerned, we are still amigos.

Miss Fisher, I'd like to be an amigo, but I, uh...

Amigo.

Amigo. Amiga!

You are amigo. I am amiga.

Amiga is feminine.

You are masculine.

(SHRIEKS)

(GROANS)

(GRUNTING)

(KNOCKING ON DOOR)

(SPEAKING SPANISH)

It's Walter Elbertson.

Are you all right? Yes.

I just knocked over a lamp.

Oh. Sorry.

Thank you.

That's... That's all right.

I just thought I heard something.

And you know, being in a strange country and all, um...

(DOOR HANDLE CLICKS)

And all, I thought I'd check.

Well, I... I seem to be locked out.

I locked the door.

You'll have to ask the concierge to let you in.

Yeah.

You have to say, "He perdido mi llave."

(REPEATING)

GUIDE: This beautiful castle, ladies and gentlemen,

had started to be built in the 13th century

by the Duke of Infantado as a present to his wife.

Unhappily, they never lived to see it completed.

Please follow me.

Thank you. (GATE CREAKING)

Please, this way.

This place is 1,055 meters high.

Therefore, geographically speaking,

it's very well situated, you see.

You have the mountain, you have the valley, you have the rivers...

WALTER: I wonder if you can get to the top.

LILA: I shouldn't think so.

WALTER: You wanna try?

(LILA CHUCKLES)

LILA: No.

WALTER: I'm gonna try.

Wait.

Here, let me... Let me just...

I'll just check.

Okay.

Miss Fisher?

Yes?

Hey, there's a really great view up here.

Where are you?

Really great view.

(WALTER SPEAKING INDISTINCTLY)

Come on... It goes all the... All the way up to the top.

I'd really like to fly today.

No, don't!

What are you doing?

Oh...

I'm playing a game. Children play it at home.

It's called five stones. Don't you play it in America?

Never heard of it. Ugh.

You have to throw up five stones

and catch them on the back of your hand.

And you pick them up one at a time. (CHUCKLES)

(LAUGHS) I'm not very good at it.

Sometimes it's rather difficult.

(LAUGHS) You're pretty coordinated. (CHUCKLES)

Wow. Having a good day.

I'm having a good day.

I'm having a really good day.

(TALKING INDISTINCTLY)

(LAUGHING)

(SINGING FLAMENCO SONG)

(PLAYING CASTANETS)

(BANGING ON DOOR)

(YELLING INDISTINCTLY)

(BANGING ON DOOR)

(YELLING INDISTINCTLY)

Shh.

(FLOORBOARD CREAKS)

(CREAKING)

(LAUGHING SOFTLY)

Buenas noches.

(SCREAMING)

No. (SCREAMS)

You trod on my...

Stop! You're hurting me.

Please stop.

No, I can't stop. No, I can't stop. Stop!

LILA: Ah, would you, uh...

(MOANING)

What... Please.

(GRUNTING)

(LILA PANTING)

(WHEEZING)

(SIGHS)

(WHIMPERING)

(GASPS)

(SIGHS)

(PLAYING CASTANETS)

(DOOR OPENS)

(BREATHES DEEPLY)

(CRYING)

Shh, Walter, don't.

(WHIMPERING)

Sit down.

(CRYING)

Shh, please.

(SIGHS)

I didn't mean to grab you.

No, I...

I know you didn't.

I mean, I meant to grab you, but...

Shh, please.

Don't let's talk about it.

Give me your hand.

Walter.

(SOBBING)

I don't want you think I go around grabbing people, 'cause I...

(SOBBING) I don't go around grabbing people.

I know you don't.

(SOBBING)

Does it hurt?

Walter.

(SIGHS) You'll have a bruise.

Just thought you're very beautiful.

That's all.

And I think you're a very fine young person.

Hmm. It's just that... (SIGHS)

You and I, Walter, it's sort of so rather...

...inappropriate.

There's a generation gap.

Walter.

I... I do understand.

I...

I...

I think we should go half...

and half on paying for the wall.

(MOANING)

(LILA MOANING)

LILA: Gently.

(WHISPERS) Gently.

(GASPING)

(EXHALES) I think we better stop.

Yes, I...

I think you're quite right.

Ah! (THUD)

(DOOR OPENS AND CLOSES)

Uh, buenos dias. Buenos dias, senora.

Uh, can you help me? I... I wanted to know

if you have a bus tour which is leaving Segovia?

Yes, uh... Yes.

A bus tour of Spain.

Yes, uh, where to, Madam?

I don't really mind. Do you have any brochures?

Yes, we have this one, it goes to Montoro.

And we have another one that goes to Soria.

(SLURRING) What time does it leave tomorrow?

(MUMBLING)

What... What...

No la comprendo, senora. I don't understand you.

(SLURRING) Do you have one...

No.

(SLURRING) No. Not important.

We are leaving now.

(ENGINE REVVING)

Mr. Elbertson.

(SIGHS)

(SNIFFLING)

(SIGHS)

"How beautifully blue the sky, the glass is rising...

"very high,

"continue fine...

"I hope it may, and yet it rained but yesterday.

"Tomorrow it may rain again. I hear the farmers...

"need some rain.

"Yet people say...

"...not why...

"that we shall have a warm...

"July."

(LAUGHING)

(SINGING ALL THINGS BRIGHT AND BEAUTIFUL)

♪♪ All creatures great and small

♪♪ All things wise and wonderful

♪♪ The Lord God made them all

♪♪ Each little flower that opens

(KNOCKING ON DOOR)

♪♪ Each little bird that... ♪♪

Hello?

WALTER: Hello, Miss Fisher?

This is, uh, Walter Elbertson and I'd like to talk to you for a moment.

Would you wait just a moment?

(HUMMING)

I was reading about the Spanish revolution.

I don't mean to interrupt you...

Revolutions always make me cry.

I came back because...

Because I want you to know I don't think you're cheap.

I definitely don't think you're cheap

and if I made you feel cheap, I'm sorry.

I understand how you must feel,

and I want you to know I have a very deep basic respect for you and...

And for the dignified...

kind of woman that I know you are.

Miss Fisher?

(EXHALES)

(GROANING)

(CHURCH BELLS CHIMING)

Mmm...

(GASPS) It's all right, uh...

What's all right? Uh, everything.

What's all right?

Uh, you're... You're all right. You're gonna be all right.

Of course I'm all right.

Oh, oh.

It's all right. Don't worry, it's all right.

Stop... Stop saying that.

All right, I mean, okay.

What are you doing here?

I came back.

How did you get in?

Well, you let me in. But it's all right... I mean, it's okay.

What's okay?

Uh, I don't know.

You passed out.

Hmm? I passed out.

You mustn't get the wrong idea.

Oh, no, I won't. I don't have any idea at all.

We all have our highs and our lows.

Miss Fisher, I understand that, and...

Miss Fisher?

Miss Fisher, I came back because I want you to know that...

That, uh, I do not think you're cheap.

I definitely don't think you're cheap

and if I made you feel cheap, I'm very sorry.

I understand how you must feel.

And I want you to know I have a very deep, basic respect for you

and for the dignified kind of person I know you are.

You came back to tell me that?

Well, to tell you the truth, I was worried about you.

I sat in the bus and I had to come back

because I was worried and I...

(SIGHS) I had to know if you were all right. I mean, okay.

You were worried about me?

Well, no, I thought of you being alone and...

And it was really boring in the bus.

To tell you the truth, some of those people

drive me up the wall. (CHUCKLES)

You're crying?

(SOBS) I'm sorry, I can't help it.

(SOBS)

Oh, listen, Miss Fisher. I understand. I'm...

I mean, I don't understand exactly,

but I understand about highs and lows.

Honest to God, I've been through it.

Listen, my sister built her own cello.

Her own cello?

Yeah. (SOBS)

One time in the locker room, somebody wrote on the wall,

"Walter Elbertson was a child molester."

No, I'm not a child molester. Honest to God, I'm not.

And I didn't know what to do about it. (SOBS)

See, I understand these things.

I've been to a psychiatrist, Miss Fisher,

and I have asthma. (SOBS)

And my father won the Pulitzer Prize.

But sooner or later, the sun comes up.

And the day comes out, Miss Fisher.

(WHIMPERING)

Look. You see?

Take a look, see?

You see, there's really... There's joy in the world.

Uh, I don't know how to say it exactly.

But, you know, being alive is miraculous.

And I'm not a religious person,

but sometimes I wish I were.

Are you a religious person, Miss Fisher?

Yes.

(SOBBING) At least around Christmas.

(CRYING) Miss Fisher.

Oh, Miss Fisher, life can be our friend,

it doesn't have to be our enemy.

Oh, I mean, things are good

and some are not so good, right?

And some are better and others are worse.

And then some are just so-so and none are perfectly good,

and none are, uh, absolutely bad either. But there is life.

And, uh...

Love and the pursuit of, uh...

(GRUNTS) And we have to go out into the world and find it. I mean...

We cannot have it perfect, so we have to, uh, take the bitter with us.

We have to smile in the rain and be cheerful losers

because it's there, Miss Fisher. It's there to be lived.

And I think... I think we have to grab it.

We have to grab it, Miss Fisher.

Whoa, whoa, whoa, whoa.

Please... Please just stop talking.

You're making my headache...

(SOBS) ...much worse.

(CRYING)

(DOOR OPENS)

(SOFTLY) Hi.

Hello.

Hungry?

A bit.

Thank you.

I think that you should know that

whatever you saw last night

has nothing to do with you.

Soup's not very good, is it?

I think the soup's very good.

Where... Where's the bus?

Well, there isn't any bus.

(CHUCKLING) What do you mean, "There isn't any bus"?

That is our bus.

What do you mean, "There is our bus"?

I rented that. It's our own private touring bus.

You rented it? Why?

Well, for us.

It's the perfect size. You can take that thing anywhere.

Um, Walter.

Um...

There's a sense of propriety

involved in certain relationships

and while I always assumed you were

acting in an appropriate manner

at appropriate times, I wonder now...

Well, if we were to travel about together in that, um, thing,

well, it wouldn't look a bit obvious?

Who's going to care?

Well, I suppose, I care, Walter.

Therefore, I think that, well, um...

We can go on being amigos, but we...

We must stop being

amores.

Why do you always have to make everything so impossible?

You're making a scene.

Oh, come on. Why do you have to take off on a tour,

when we could take off in there?

I shall call a policeman.

Haven't you gotten the message yet?

We'll make our own tours.

We'll go anywhere we wanna go,

see anything we wanna see.

We're free, we're coming alive,

we're talking to each other.

For the first time in my life,

I'm able to talk to somebody.

And you haven't got any right to go back to some timetabled tour

that makes you sit around all day

and go into some dark hotel room all night.

My God, what do you want to go back

to being alone in the dark for?

You're a lady that cries at revolutions not at the dark.

So why don't you revolt? I mean, look what I've got for you.

I've got for you an entire revolutionary war-machine.

Look at it. It's beautiful, it has everything!

It has a place to sleep. It has stoves. It has a toilet.

You are a very determined young man.

Yeah.

(CHUCKLES)

Yeah, I am, aren't I?

And I can fix this window in the morning.

LILA: Ah!

A-ha! Okay, I fixed it. (CHUCKLES)

There you go.

It's locked.

Yeah, it's locked, yeah.

(KNOCKING ON DOOR)

Get it open, Walter. Please.

WALTER: Well... LILA: Ugh!

WALTER: Hey!

Oh.

Oh.

It's not bad, really, you know. It's just...

Ugh.

Little imagination.

Fix it up. I mean, look, we can even see the stars.

You know, we can see the stars at night.

I think it's best that we close it now.

It's... It's locked.

Broke it. Yes, scramble it...

Thank you for the umbrella.

I'll go get the bags, all right.

LILA: Oh!

Can you open the door?

The door's jammed. What?

What's wrong with the door?

It's jammed. Is there a window open?

It won't open.

What?

Oh, great.

Oh.

Here... Here you go.

(INDISTINCT)

Okay. (GRUNTS)

Are you all right?

Yeah, I'm fine. Where's the...

Just gotta clean it up a little bit.

Here, I've got a poncho. Why don't you put this on, while I fix it up?

Oh. (SOFTLY) Thank you.

(MUMBLING)

Where's... The lights are going.

Well, yeah. It's, um...

Can we fix them?

I'll start unpacking.

Where did you get this thing?

What? Oh, I got this from a marine.

Where? A marine.

Why don't we just fix this...

This bed, up here.

Put the bed down between the seats

and you can use the cushions for a...

This is just really neat. (CHUCKLES) Come on.

Come on, we'll put everything on... (SCREAMS)

What's wrong? Did you hit... That's all right.

We can just stay here and listen to the rain.

Walter, I don't think... This is really perfect.

No, no... Walter, please. What?

I'm not in the mood, Walter.

We have to mend the place.

Look at it. It's soaking wet.

Yeah, but this... We don't have to do it until the morning...

Well, there's a time and place for everything, Walter.

Will you please mend the door, mend the lights

and then try and get dry?

Fine, just one more kiss.

Now, go mend the place, please.

All right. I'll do it.

Where's the towel? Give me the towel.

Need some clothes, more things.

(SHIVERING) Oh. I'll go put this on.

I'll put this... I'll put this on the roof.

No, that won't do. Put the suitcase on the roof.

(GRUNTS)

Put the suitcase.

Walter?

Walt...

What on earth are you doing down there?

You know what you are?

You are a big pain in the ass!

Now is no time to be funny.

(LILA SCREAMS)

(BIRDS CHIRPING)

(BANGING)

LILA: Oh.

(CAR ENGINE REVVING)

(ALL CLAMORING IN SPANISH)

Isn't that the most... Look at that embroidery.

Lovely. No, Walter, no. It's much too expensive.

I know, I know, it costs too much.

He doesn't know...

No, I'm... I wanted to get some trousers.

Well, I know, okay, we won't buy it.

(SPEAKING SPANISH)

LILA: I really think...

WALTER: Where's the pants? Pants. Pants.

(SPEAKING SPANISH)

(SPEAKING SPANISH)

LILA: Gracias.

We still need some pants. We need some pants.

No, Walter, put this back.

I bought it. What?

I bought it.

I bought it!

Come on.

Hola, Espana.

(ECHOING)

Hola, echo.

(ECHOING)

Hola, echo.

(ECHOING)

Hola, amigo.

(ECHOING)

Hola, amiga.

(ECHOING)

We're on our way to La Mancha.

And we might go all the way to China.

(LILA GRUNTING)

Lila, are you hurt?

Uh, are you hurt?

Are you all right?

Does anything hurt?

Oh! I'm perfect.

Lila?

MAN: I will help you.

(HORSE NEIGHING)

(SPEAKING SPANISH)

I'm Don Jaime de Mora Y Aragon.

You needn't worry. She will be safe in my house.

At the castle of Aragon.

No bones are broken.

He gave her something. She will sleep until morning.

She's a little stunned only.

What did he give her?

Sleep. He gave her sleep.

What a very special beauty she has, this woman.

What is her grace?

What's her what?

I'm sorry. What is her name?

Fisher. Lila Fisher.

Lila Fisher.

Well, we will go, you and I.

We will go and let her sleep.

You needn't worry, I will take great care of her.

Buenas noches.

Buenas noches.

Gracias.

Ah, Lila!

It is all so strange.

What is strange?

Well, being here and falling down and you carrying me.

You did carry me, didn't you? Yes.

On a horse. Yes.

So embarrassing.

You must not be embarrassed.

The flowers should be embarrassed.

You look so beautiful.

The robe, does it fit?

Oh, beautifully, thank you.

Your mother has exquisite taste.

My mother has no taste. I pick it for her.

I love to show my gold, like old French prostitutes.

I love to show my gold.

Traigame la cesta de frutas, por favor.

That's Spanish for "Bring me the basket of fruit, please."

Would you bring me the basket is, "Podria traerme."

Podria traerme.

But your Spanish is very good.

(CHUCKLING) My Spanish is terrible.

It is absolutely charming.

It is only terrible that you have waited so long to come to Spain.

It is not fair that you have kept us waiting so much.

Ah, the boy. Will you please join us?

Hello.

Walter. Walter, how are you?

Fine. Fine.

I... I had a fall.

Are you all right?

Yes, I'm all right. Hope you weren't too worried.

You will have a good, good breakfast.

(BLOWS WHISTLE)

(SPEAKING SPANISH)

I'm probably not going to stay.

Please stay. Why do you have to go?

Here's your shoe? Thank you.

I know it is important to eat for growing boys.

No, really, it's all right.

Are you sure you're okay?

Yes. Yes, I'm all right.

Please stay. Sit down.

Why do you have to go? What do you have to do?

WALTER: I have some work to do.

I have to fix the window in the trailer.

LILA: Well, please, wait for me.

I won't be long. They're only washing your...

My clothes.

It won't take long, really. We can go together.

WALTER: Really, you stay here, have your breakfast,

and I'll see you later, okay?

Really, Walter.

WALTER: No, it's all right. I'll see you later.

See you.

Are you sure you're okay?

I'm perfectly all right, thank you.

What are you to each other?

Family?

Friends.

Ah, I see.

So, we two are friends and now we shall have breakfast.

(BLOWS WHISTLE)

And perhaps then we will have dinner together

when the window is fixed.

You will come with Walter.

LILA: Are you ready?

Would you mind if I didn't go?

I just don't feel like going.

I mean, you can talk to him better than I can,

and you'll have a good time and I don't mind.

I mean, you can go. You can have a good time.

I just don't want to go.

I intend to have a very good time.

Where do you live? What is it like?

It's very simple.

Do you live alone?

No, I live with my aunts.

I live with my mother. Oh.

Oh. Thank you.

Would you cut my hair?

I beg your pardon?

Would you cut my hair?

I'm awfully sorry. I'm afraid I don't cut hair.

(WHISTLE BLOWING)

Gracias. Gracias.

Would you like a balloon?

Thank you. (SPEAKING SPANISH)

You must blow hard. Hmm?

Must blow hard.

(SQUEAKING)

It's very hard.

(ANIMAL HOWLING)

(SNEEZING)

God bless you.

Gracias.

(SPEAKING SPANISH)

Of course nothing in this room is more recent than the 16th century.

Beauty is ageless.

Do you appreciate carpets?

Mmm.

Oh, I'm so happy you enjoyed all my goodies.

And now I will show you something that might interest you.

(DOOR OPENING)

This is my great-great- great-grandfather.

Do you see the resemblance?

Oh!

This is my mother's bedroom when she's here.

Oh, I see, you like lace.

Lace?

You are lace and I love lace.

(LILA GASPING) Please, I'd rather you didn't.

DUKE: You are divine.

It's awfully kind of you to say so, but no.

I will say it again. "You are divine."

No, I forbid you.

Please forbid me, darling. Please forbid me.

You mustn't. I must.

You mustn't. I must.

You must not. I have a fatal disease!

(SPEAKING SPANISH)

(BLOWS WHISTLE)

(DOG BARKING)

LILA: Hello.

What'd you have for dinner?

Chicken.

I was taking a walk and I suddenly realized

that we've been traveling around a long time, you know.

And I was thinking, maybe we should sort of

reorganize the plans a little.

And start heading back in the direction of Madrid.

I mean, we're likely to keep on going

and end up in the Alps or something, you know.

Miss all our plane connections and everything.

We can still see a little bit of Spain

but I think we ought to just sort of head

the old caravan back towards Madrid, okay?

We certainly don't want to find ourselves in the Alps, do we?

(BRAKES SCREECHING)

(ENGINE SPUTTERING)

(ENGINE STOPPING)

Why have you stopped the car?

(SCREAMING)

What do you mean by that?

If you think I intend to sit here while you...

Just wait a minute, will you please?

LILA: If you think I intend to remain here while you...

(SHOUTING) Will you just wait a minute?

Exactly what am I waiting for?

I'm thinking.

You can think in the car.

I don't want to think in the car.

If you plan to stop and scream in a field every time you want to think,

will you please take me to the next town

where I can make arrangements to get...

Arrangements! You are always making arrangements.

Don't worry about arrangements so much.

In case you have forgotten,

it was your arrangement that we go to Madrid.

You took a long walk last night

and you thought things out quite clearly.

What were you doing last night?

What I was doing last night is totally irrelevant.

Tried to get you into bed, didn't he?

It was his mother's bed, actually.

I was not having sexual intercourse

with the duke, if that's what you're thinking.

I agree, he did try.

Now, may we please get back into the car?

WALTER: No.

LILA: Walter, I do not find this amusing.

WALTER: Listen... LILA: I do not want to listen!

WALTER: I know a lot about you

and I've learnt a little more about you since yesterday.

LILA: And what have you learnt about me?

WALTER: That you can hurt me.

Because I hate yesterday! I never felt anything like it.

I thought my insides had been taken out and I was shaking.

To tell you the truth, I thought...

I... I thought I lost you. And it hurt!

And that's what you learned about me?

That, and maybe I can hurt you, too.

Look, I know you are uptight.

I am not uptight.

I love you, Lila.

I really love you. You're a pain in the ass, but I love you.

I love you.

I got this pain, I figured it's time to go home

but I love you and you're worth the pain.

Anyway, I do love you.

And I got that pain.

And I need you and that's why I stopped the car.

(EXHALING)

Walter...

I love you.

I love you.

WALTER: I love you! I love and I want to marry you.

Yeah, I mean it.

I can live with you.

I mean, who can live together better than you and I have.

Now we know all about love and pain, the whole damn thing, so...

So we'll live together.

You know what I'm saying, we'll live together.

We can even go on after La Mancha.

I'm asking you to be my wife, okay.

What's the matter?

I'm going to die.

(SPEAKING SPANISH)

Elbertson.

I thought you'd be with your folks in Aspen by now.

No, I thought I'd stick around Spain for a while.

How are you, Carl?

I'm fine. I'm fine, Elbertson.

Oh, Carl, I would like you to meet

a friend of mine, Miss Lila Fisher.

Lila, this is Carl Stakowsky.

Pleased to meet you, Miss Fisher.

How do you do?

Had a lot of trouble with your bike, you know. It was a big mess.

WALTER: Sorry about that, Carl.

Well, it's okay, I guess.

Tell me, are you still on schedule?

CARL: Actually, we're running late.

Nelson had a toothache back in Los Molinos.

Anyhow, we're flying to New York next week in case you're interested.

Not just yet. Thanks anyway, Carl.

CARL: Okay.

Well, I guess we better be going.

Nice to have met you, ma'am.

Nice to meet you.

All right.

(SPEAKING SPANISH)

(SPEAKING SPANISH)

You should have taken that ticket.

We haven't gotten to La Mancha yet.

All right, we'll go to La Mancha.

(INAUDIBLE)

(SIGHING)

Thank you.

(WHISPERING IN SPANISH)

(WOMAN SPEAKING SPANISH)

Enough?

Ah!

(CLATTERING)

(GASPING)

Did you hurt yourself?

(SLURRING) No, I'm all right.

(BREATHING HEAVILY)

Are you all right?

(LABORED BREATHING)

Are you all right?

Yes, I'm...fine.

(CUTLERY CLATTERING)

Broke a plate.

WALTER: You don't worry about it, it's just an old plate.

(SNIFFLING)

Thank you.

(HUMMING)

You want to lie down for a while?

Hmm. Yes.

(DISHWARE CLATTERING)

(INAUDIBLE)

(LILA LAUGHING)

(BOTH LAUGHING)

Oh, I'm afraid to look.

(BOTH LAUGHING)

The whole place is a mess.

We have to sleep upside down.

Oh!

LILA: Oh!

(SINGING IN SPANISH)

(ALL APPLAUDING)

(VOCALIZING)

(ALL SPEAKING SPANISH)

ALL: Bravo!

(ALL SINGING IN SPANISH)

LILA: My dear Walter,

I know this is cruel.

I haven't the courage to do it any other way.

But I must go home and on with my work and my life

as you must go on with yours.

I will always adore you.

I think we've had the best of it. Lila.

DR. ELBERTSON: The fate of any of us, you, Mrs. Elbertson,

Melanie, me or Walter is unimportant.

What counts is not what happens to our lives,

but what we do with them.

It's the essence of all my works.

(CHUCKLING) Yes.

So, the Christian hope is well founded.

What about God?

Then that's the future, isn't it?

That's what God's accomplished.

MAN: She's so right.

DR. ELBERTSON: Throughout history, man has looked up to heavens

in his search for God.

But leave it to my Melanie

to search the bottom of the seas.

MELANIE: I've got permission to take Daddy

down in the bathysphere next month.

DR. ELBERTSON: Oh, really!

I half expected you were gonna build your own.

MAN: They teach God and oceanography, hmm?

DR. ELBERTSON: I wish I could start a life of exploration.

Perhaps you'll find the God we lost

among the fish at the bottom of the sea.

(EXHALING)

WALTER: Dear Lila,

how did we come together?

Why did it have to end?

Just because your life is going to end sooner than it should,

why do we have to end sooner than we should?

We never seem to have anything to do with things ending.

Things were always beginning with us.

You see, when I really think about it, you're wrong.

We haven't had the best of it.

I mean, we're not going to have the best of it

until we've had as much of it as there is.

I love you.

I mean, we know how to live, love, fight, and make up,

so what's the difference if it's six years, six months or six days?

At least we'll have the time.

And all right, I know it's not going

to be easy for me to watch you die.

But that's what a husband has to do sometimes, isn't it?

I mean, if an old husband can give his wife a hand,

why can't a young husband?

DR. ELBERTSON: ...from my students.

What's so crazy about that?

What, darling?

What's so crazy about what?

Excuse me for a minute, please.

I have to make a telephone call.

Walter, I want you to tell me about Spain.

Spain?

Spain is terrific, Doctor.

The doctor wants your specific impressions, darling.

Oh.

Well, specifically, it's the women.

It's the women!

(ALL CHEERING)