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(gentle music)
(gentle music continues)
(gentle music continues)
(vehicle engines revving)
(gentle upbeat music)
(vehicle engines revving)
(gentle upbeat music)
- "Before I can answer you,
"I first must join with Satan.
"Let me gaze to the face of truth.
"Forgetfulness is granted you.
"I know a sacred potion, rued from magic herb,
"which renews the heart.
"But whoever needs it must prick the herb themself,
"at midnight.
"The place is ghostly."
- Beautifully read, sweetie.
- When do we go to the opera to see the carnival ball?
- The masked ball.
On Friday.
- Time for bed.
- Mm-hmm.
(footsteps thudding)
- Sweet dreams, kiddo.
- Good night.
- Good night, sweetheart.
(footsteps thudding)
(door hinge creaking)
(footsteps thudding)
(gentle music)
(footsteps thudding)
(gentle music)
So.
- So.
- Where were we?
Oh,
you were going to tell me
what was going through your head last night?
(both laughing)
- Was I?
- Mm-hmm.
(both laughing)
- Amelia.
- When was the last time Jakob?
- Last night.
- Four months before that.
- I know.
(footsteps thudding)
(tonearm cranking)
(gentle music)
(singers vocalizing)
- [Jakob Voiceover] Without music, life would be a mistake.
(upbeat music)
(people chattering)
- Want a drink?
(upbeat music)
(people chattering)
(upbeat music)
(people chattering)
(upbeat music)
- Wanna fuck?
(upbeat music)
- What?
- Do you like the music?
- Not really.
(upbeat music)
- I'm Domino.
Have you met my girlfriend?
(upbeat music)
- Hi.
I'm Domina.
- Domina.
Domino.
I'm Dominos.
(upbeat music)
(Domina moaning)
(upbeat music)
- Wanna go someplace else?
- Someplace else?
(upbeat music)
- [Jakob Voiceover] Someplace else.
(upbeat music)
- You wanna get outta here?
- Sure.
(upbeat music)
(footsteps tapping)
(vehicle engines revving)
- Hello.
(speaking in foreign language)
(car engine revving)
(door thudding)
(both moaning)
(both laughing)
- Oh.
(gentle music)
(singers vocalizing)
Were you thinking about those two girls, when we had sex?
- I was thinking about the guy who was hitting on you.
(glass clanking)
(drink bubbling)
- Did it make you jealous?
- Did you want to?
- Last night, in the club,
I don't know, maybe.
But now, no.
- The thought of a total stranger turns you on.
- Well, those remote dildo girls turned you on, didn't they?
(singers vocalizing)
- Okay.
Sure, I was aroused.
- Okay.
Now we're getting somewhere.
Did you wanna fuck them?
- Going to that club was your idea.
- Jakob, it was your idea to talk to those girls?
Did you wanna fuck them?
- Yes, I did.
But I don't think we should read into it too much.
- Why,
'cause you're a man?
- Because if it's nothing more than desire, it's not real.
- Do you really believe that?
- Yes.
(Amelia sighing)
- If only you knew.
- If only I knew what?
Tell me.
- Do you really wanna know?
- Yes.
- Do you remember our vacation in Denmark?
Something happened there.
- Right,
you mean the girl I saw?
(birds chirping)
(water splashing)
(gentle music)
(birds chirping)
(gentle music)
(water splashing)
- No, you already told me about her.
Actually,
I meant,
something happened to me in Denmark.
Do you remember the young man sitting at the table,
next to us in the bar,
the one who got some kind of message?
- What about him?
- I'd seen him earlier that day.
He looked at me just once,
but, he didn't smile.
In fact, his expressions seemed to darken.
(gentle music)
And I felt so moved,
like never before in my life.
I laid dreaming about it all day.
(people chattering)
(water splashing)
If he had spoken to me,
would I have been able to resist?
I imagine I was up for just about anything.
But at the same time, you were closer to me
than ever before.
That afternoon we talked more openly
than we had in a long time,
about our future together, about Henny, about us.
(gentle music)
But then later at the restaurant,
I saw him on the beach.
I was so happy to see him.
(waves crashing)
I stroked your head, kissed you.
I felt so much pity for you.
I don't think it was a coincidence
that he and his friends were sitting
right next to us that night.
He didn't look at me,
but I toyed with the idea of standing up and saying,
here I am, take me.
The hotel manager came and whispered something in his ear.
He went pale.
But then he looked at me.
And then he left the room.
(footsteps thudding)
- Come on.
- The next morning I woke up with a sense of fear.
Whether it was fear he had gone
or that he might still be there, I don't know.
But when he didn't reappear by afternoon,
I breathed the sigh of relief.
- And?
(gentle music)
- Since then,
I can't help but seeing him when we fuck.
(gentle music)
(cellphone ringing)
- Hello.
Okay, did you call a paramedic?
Good.
I'm on my way.
Yes, of course.
- You have to go?
- Bollinger's had another seizure.
- Aren't there paramedics?
(footsteps tapping)
- I'm the family doctor, I have to make an appearance.
- Okay.
- Hopefully it won't take too long.
(footsteps tapping)
(keys jingling)
(door thudding)
(vehicle engines revving)
(door thudding)
(vehicle engines revving)
(people singing in foreign language)
(upbeat music)
(people singing in foreign language)
(upbeat music)
(people singing in foreign language)
(actress coughing)
- Are you all right?
(actress coughing)
(singing in foreign language)
(vehicle engines revving)
(footsteps thudding)
- Hello.
Marianne.
- Hello, Jakob.
Thank you for coming.
- Of course.
- He's dead.
- I'm so sorry, Marianne.
- I sent the paramedics away.
They wanted to stay, but I said my fiance is on his way.
- Your father was a wonderful man.
(Marianne crying)
(gentle music)
- Do you wanna see him?
- Of course.
(gentle music)
He's in his bedroom?
- Yes.
(footsteps thudding)
(gentle music)
(footsteps tapping)
(gentle music)
- Father always liked you a lot, Jakob.
And so do I.
- I like you too, Marianne.
(gentle music)
Will your fiance be here soon?
- Yes.
(gentle music)
- He's accepted a professorship in Breman.
- In Breman?
- Yeah.
We'll be moving soon.
- Bremen's a beautiful city.
(gentle music)
- My father was actually quite worried about my brother,
we haven't heard from him in five years.
Nobody really knows what happened.
My father never really wanted to talk about it, but.
- [Jakob Voiceover] I wonder if he can still hear us.
- Probably.
- [Jakob Voiceover] Maybe he just appears to be dead.
Maybe all of us just appear to be dead
for the first few hours.
Which reminds me of a strange story I heard at university
about a young man was seduced,
well raped actually,
by his aunt on his mother's deathbed.
(gentle music)
But then the corpse did, what corpses sometimes do.
(corpse gasping)
It released a final gasp of air through its mouth.
- Jakob.
(floor boars creaking)
Jakob, I love you.
- Marianne.
- I don't wanna get married and I don't wanna leave Berlin.
- Marianne, stop.
Stop, stand up.
Marianne.
(gentle music)
- I dream of you so often.
- [Jakob Voiceover] I wonder if Amelia
acts on all her dreams.
- You're in shock, you've lost your father.
I'm going to prescribe you something.
(gentle music)
(footsteps tapping)
(gentle music)
- Hello darling.
I came as quickly as I could.
Thank you for coming, Doctor.
Were you here when? - I was too late,
unfortunately.
Will you be okay on your own?
- Yes, sure.
Of course, you'll need to be going home to your family.
- Marianne, again, my sincere condolences.
- Thank you, Doctor.
I hope we see you again before we move away.
(footsteps thudding)
(vehicle engines revving)
(dogs barking)
(people singing in foreign language)
(upbeat music)
(people singing in foreign language)
(upbeat music)
(people singing in foreign language)
(actor coughing)
- Are you okay?
(actor coughing)
(dramatic music)
(vehicle engines revving)
(man speaking in foreign language)
(dramatic music)
(men speaking in foreign language)
(glass crunching)
(men speaking in foreign language)
(all groaning)
(dramatic music)
(all groaning)
(Jakob panting)
(all groaning)
(man screaming)
(dramatic music)
(men speaking in foreign language)
(men laughing)
(footsteps tapping)
(man whistling)
(footsteps tapping)
(Jakob speaking in foreign language)
(footsteps tapping)
(woman speaking in foreign language)
- Have we met before?
- Just a lucky guess.
(footsteps tapping)
What are you up to?
(vehicle engines revving)
- I actually have no idea.
- Wanna come to my place?
- Your place?
- It's right around the corner.
- Aha.
And what would we do at your place?
- Come with me and I'll show you.
(both laughing)
I'm Mizzi by the way.
- Hi, Mizzi.
I'm Jakob.
(footsteps tapping)
- You coming?
- [Jakob Voiceover] Say no.
(upbeat music)
(door thudding)
♪ Apple pie until the day I die ♪
♪ I want to see your hips going down, down, down ♪
♪ I want to be loving on the floor ♪
(upbeat music)
♪ See, I can't stop talking about you ♪
♪ See ♪
♪ Can't stop fucking about you ♪
♪ See ♪
- Welcome, Sir.
I'm Lady Mina.
- Good evening.
- I see you already made your choice.
That's fine.
Prices are listed next to the bedside table.
Condoms are obligatory.
No weird stuff.
Only what Mizzi's offering.
Have fun.
Take the red salon please.
The blue and yellow are occupied, hm.
- Okay.
(upbeat music)
♪ My temple of love ♪
♪ My temple of trust ♪
♪ Our temple of lies ♪
♪ Be my apple pie until the day I die ♪
♪ I want to see your hips going down ♪
(upbeat music)
(door thudding)
(footsteps tapping)
- Why don't you get undressed?
(footsteps tapping)
(Jakob sighing)
Yes, they're real.
(footsteps tapping)
(upbeat music)
♪ I prefer to have a walk on sunny days ♪
(upbeat music)
♪ But nevermind, I'll take you out even on rainy days ♪
♪ The only thing you gotta do is press 2 for freeing me ♪
♪ And I'll be there ♪
♪ Faster than a ♪
♪ Delivery express ♪
(upbeat music)
♪ Call me up I'll calm you down ♪
- Tired?
♪ Whenever you want ♪
♪ Bring me up, I calm you down ♪
♪ Ooh ♪
♪ Get lost in my eyes ♪
♪ What is happening on your mind ♪
♪ You're looking bad ♪
♪ I love to put a smile right on your face ♪
(upbeat music)
♪ Let me put it right ♪
♪ You're my kind of prototype ♪
- You're not wearing any lipstick.
♪ Me and you on our own ♪
- Why should I?
How old do you think I am?
♪ Call me up, I calm you down ♪
♪ Pick me up whenever you want ♪
♪ Ring me up, I calm you down ♪
♪ Ooh ♪
♪ Get lost in my eyes ♪
- [Jakob Voiceover] Do I really wanna get back at Amelia
with a prostitute?
What if she has a disease?
♪ Ring me up, I calm you down ♪
- [Jakob Voiceover] Although I've probably
already been infected with some fatal illness, anyway.
- Gimme a deep breath.
(Bollinger coughing)
Okay.
- So, what's it look like, Doctor?
Can you help me?
- Of course, Mr. Bollinger,
I'm gonna take good care of you.
(Bollinger coughing)
(footsteps tapping)
♪ Daydreaming ♪
- I can't.
♪ Play myself who is this dumbo ♪
- Are you afraid of me?
♪ Repeat enough combos ♪
♪ Play myself who is this dumbo ♪
- Pity.
♪ Repeating all combos ♪
♪ Playing myself who is this dumbo ♪
♪ Daydreaming ♪
(lighter clicking)
- Maybe you're right to be scared.
This is a dangerous city.
(footsteps tapping)
I'll make ends meet elsewhere tonight.
(footsteps tapping)
(door thudding)
(vehicle engines revving)
(upbeat music)
♪ This man's got no saying frog ♪
♪ So he hangs back in a guard mask ♪
♪ Underneath his long cloak ♪
♪ It's a false hope because he knows ♪
♪ Beware who you love ♪
♪ Tender or torture ♪
♪ It's never enough ♪
♪ Somebody's daughter is dying tonight ♪
♪ Giving her life ♪
♪ Beneath the bitter Berlin lights ♪
♪ He still will decide ♪
♪ Like a bit paranoid ♪
♪ In his fever-filled dreams ♪
♪ Nothing's quite as it seems ♪
♪ So conflicted ♪
(upbeat music)
(vehicle engines revving)
(Jakob speaking in foreign language)
(vehicle engines revving)
(doorman speaking in foreign language)
- Thank you.
(upbeat music)
(woman singing in foreign language)
- What's your poison, sweetie?
- I'll have a beer please.
(woman singing in foreign language)
- Pils or Lager?
- Lager.
(woman singing in foreign language)
(upbeat music)
(woman singing in foreign language)
- That'll be 7.50.
- Keep the change.
- Thank you.
(woman singing in foreign language)
(upbeat music)
(woman singing in foreign language)
(gentle upbeat music)
(woman singing in foreign language)
(upbeat music)
(woman singing in foreign language)
(all applauding)
(woman speaking in foreign language)
(people chattering)
(gentle music)
(people chattering)
(gentle music)
- Jakob,
I can't believe that you, of all people, would come in here.
- Nick Nachtigall,
the nightingale has flown back to Berlin.
(both laughing)
- Come on, let's sit down.
(gentle music)
(ice clanking)
(gentle music)
- So,
I mean, you must be a surgeon now.
How do you still find time to play?
- Nah, I left it all behind.
- Why?
- Remember Zara, Zara Artovsky?
We had a torrid affair, and you won't believe it.
Twins.
- Twins?
Wow.
Congrats man, I'm happy for you.
(gentle music)
- Yeah.
We moved back to Rocinha,
and I'm traveling the world with different bands.
(gentle music)
Gotta feed those six mouths.
- Six.
You have six kids?
- Well, what can I say, Jakob?
She's Catholic, I'm a Jew.
We don't do contraception.
And I'm not great at pulling out.
(both laughing)
(gentle music)
- Ah, Nick.
So you're playing piano full time now?
(gentle music)
- You probably don't know,
but I had a few problems.
- Shit, what happened?
- Well, there was this guy in Fretzgita.
- [Jakob Voiceover] Of course I know all about it.
The kids, the woman, the studies, his affairs.
(people chattering)
(gentle music)
He could have become one of the greatest pianists
of his generation.
(gentle piano music)
But unfortunately, he had to mess
with the Minister of Culture's Wife.
(Nick moaning)
(Nick speaking in foreign language)
- Magda.
(Minister speaking in foreign language)
(gun firing)
(Magda screaming)
(Nick screaming)
(all speaking in foreign language)
(gentle music)
- [Jakob Voiceover] For years,
I didn't hear anything from him,
until I got a call from Kosovo.
(gentle upbeat guitar music)
- Hello, Jakob, Jakob.
It's Nick, Nick Nachtigall.
- Nick.
Jesus, how the hell are you?
- Listen, I'll make it brief.
I need your help.
Could you please quickly transfer me
a thousand euros via Pay app?
- Are you in trouble?
Why Pay app?
(Nick speaking in foreign language)
(gentle music)
Bitcoin would also do.
- Bitcoin?
- Yeah, but no Ethereum, please.
- Look, I don't have any of those,
but I can send you money through Pay app.
- Well, thank God.
You're the best.
I will pay you back ASAP.
- Of course, no problem.
Is everything all right?
- Listen, this is the email address.
- It's HAL.
- Hold on.
Okay.
- 655321@overlook.net.
- Done.
(cellphone beeping)
(guard speaking in foreign language)
- Jakob, I would pay it all back.
Thank you.
(gentle music)
(keys jingling)
(footsteps tapping)
(gentle music)
(man speaking in foreign language)
(keys jingling)
(gentle music)
(gate thudding)
(guard speaking in foreign language)
(footsteps tapping)
(man speaking in foreign language)
(gate thudding)
(man speaking in foreign language)
- Well, I know it's really late.
I'm ashamed that I haven't been in touch
for such a long time.
Here, 300.
- Is that your fee for tonight?
- Yeah.
I have another gig tonight, and they pay well.
- Wait, you're playing again tonight?
- Yep, at three.
- At three?
What is it, some uber cool Berlin thing?
(Nick laughing)
- Well, yes and no.
(gentle music)
I'm playing at a private residence.
And I have no idea who pays me.
- Is this the first time you're playing there?
- No, it's the third time at that event.
The houses change.
- I don't get it.
- Well, this time it's the Brockman Villa at Wanzi.
(gentle music)
Jakob,
I've seen a lot in my days.
I've been in Albania, Romania,
but this,
I'm being picked up.
They'll be here soon.
(gentle music)
- Okay, Nick,
I'm curious.
What are we talking about?
A secret party, an orgy?
(Nick laughing)
- It's some sort of a ball.
- A ball?
And you're playing the music for it?
- I'm not really sure what for.
I'm always blindfolded.
- Nachtigall, come on.
(Jakob laughing)
What aren't you telling me, hm?
- Recently, I was able to peek over my mask.
- And what did you see?
- Jakob, I swear to you, I've never seen
such a collection of stunning men and women, never.
- So what does it cost to get in?
- No, that's not how it works.
- Okay, so how does it work?
- You need a code word and it's different every time.
- And tonight?
(Nick laughing)
- Look at you, the way you're dressed,
there's no way to get in.
Everyone is wearing cloaks and masks.
(gentle music)
They're here.
Goodbye.
- Hey, hey, hey, hey, wait a minute.
I know the venue and I can get a mask.
- At two o'clock in the morning?
- Let me worry about that.
Hey, all debts are paid.
- I don't want to end up at a ditch somewhere.
- Come on.
Well?
- Verde.
(gentle music)
Be careful.
(gentle music)
(footsteps tapping)
(people chattering)
(vehicle engines revving)
(gentle music)
(car engine revving)
(gentle music)
(people chattering)
(both speaking in foreign language)
(vehicle engines revving)
(people singing in foreign language)
(people chattering)
(Jakob knocking)
- We're closed.
- Gibiser, it's Dr. Friedman, do you remember me?
I treated you some time ago.
- Yeah.
What are you after, Doctor?
- I'm sorry for disturbing you so late.
- No, no, it's okay.
I need a cloak and a mask, urgently.
- Of course.
(keys jingling)
Come in.
(vehicle engines revving)
(door thudding)
I never would have thought that the doctor has one of us.
(upbeat music)
- Yes, what can I say?
- What kind of mask you need?
I did not realize that there was still some action
going on tonight.
- Yes, it's a private party.
- Private?
It's good.
(upbeat music)
- I need a cardinal's cloak and a mask.
- Well then follow me.
(upbeat music)
Yeah, that's a classical way.
Yeah.
And a mask.
That's what I've got right now.
- This is perfect.
What was that?
- Wait, I don't know.
(people moaning)
(upbeat music)
Oh, it's disgusting.
Embarrassing.
You both stay here until I handed you over to the police.
- We only followed the invitation of your son.
- Your son?
(Gibiser screaming)
- Can't you see, he's crazy?
- Okay, Chizana, let's go.
We're leaving.
- You are not going anywhere.
Doctor, sorry.
Excuse the incident.
(Gibiser laughing)
- Should I call the police?
- But we paid.
- Yes.
Online, upfront.
- Online.
(Gibiser speaking in foreign language)
Yeah.
- Take me with you.
- [Woman] Okay.
- Yeah.
Yeah.
- We're going.
- Yeah, yeah.
Both of you, you stay until I finish with the doctor.
And first of all, have a serious chat with my son.
Come on.
- Hey, hey.
Go.
(door thudding)
- Is he okay?
- Yeah, of course.
You see, I have to sort something out here.
You take the costume and have fun, enjoy the evening,
and come back when you're done.
One minute.
(footsteps tapping)
- What's the matter with your son?
- He's ill you see?
- You mean mentally?
- He's depraved.
- If he's ill then he needs help.
- Of course, and I will take care of it.
- Promise me you're not doing anything to harm your son.
- I promise.
I will get some medical advice.
But now I have a serious chat with the ladies downstairs.
(door thudding)
Have fun.
(gentle music)
(car engines revving)
(cellphone beeping)
- [Jakob Voiceover] Maybe too late.
(gentle music)
(cellphone beeping)
(gentle music)
(dog barking)
(car engine revving)
(gentle music)
(car door thudding)
(car engine revving)
(upbeat music)
"Take this kiss upon the brow
"and imparting from you now
"thus much let me avow.
"You are not wrong, who deem
"that my days have been a dream."
(upbeat music)
(Amelia moaning)
(upbeat music)
(car engine revving)
(upbeat music)
- You're sure this is right?
- Definitely.
Tell you what, I'm gonna give you a hundred euros now
to wait over there until I get back.
- [Driver] How long will that be?
- I don't know, maybe five minutes, maybe an hour.
I'll give you another a hundred if you're still here.
- Okay.
(vehicle engines revving)
(car door thudding)
- The code word please.
- Verde.
- Welcome.
- Your coat.
(dramatic music)
- Please put on your master and cloak.
(dramatic music)
(footsteps tapping)
(people moaning)
(footsteps tapping)
(people speaking indistinctly)
(dramatic music)
(people moaning)
(dramatic music)
(people moaning)
(people chattering)
(dramatic music)
(people chattering)
(dramatic music)
(woman singing in foreign language)
(dramatic music)
(woman singing in foreign language)
(dramatic music)
(woman singing in foreign language)
(dramatic music)
- There's still time for you to leave.
If you're discovered, it'll be bad for you.
I'd be very sorry for you.
- I'll take my chances.
(dramatic music)
(footsteps tapping)
- Why so lonely?
Let's dance.
(dramatic music)
(woman singing in foreign language)
- Did she send you here to check me out?
(woman singing in foreign language)
(dramatic music)
- Just let me have him for two minutes,
then it's your yours until the morning.
Let's go someplace else.
(dramatic music)
(woman singing in foreign language)
(footsteps tapping)
Do not ask.
Leave before it's too late.
And it can be too late at any moment.
- Who are you?
- It doesn't matter.
Make sure no one follows you.
Or there will be no more peace for you.
Go.
- Will I see you again?
- Impossible.
- Then I'm staying.
- Leave.
- This is all part of the game, isn't it?
It's a test.
- You don't know what this is.
My life is in danger as much as yours.
- Or is this the punishment
for someone without an invitation?
- There is only one penalty here.
For the last time, go.
(dramatic music)
- Come with me.
- You are crazy, I cannot go with you.
(dramatic music)
- [Guest] May I ask a lady to dance?
(dramatic music)
- [Jakob Voiceover] Who the fuck are these people?
(dramatic music)
This all has to be some kind of show.
(dramatic music)
(footsteps tapping)
- Password.
- Verde.
- Follow me.
(footsteps tapping)
(dramatic music)
(footsteps tapping)
- The password.
- Verde.
- Won't you do us the courtesy of telling us
the password for the house?
- For the house?
- You've given us the password for the entrance.
Now give us the password for the house.
- I seem to have forgotten it.
- That's unfortunate.
Because it doesn't matter whether you forgotten it
or never knew it, same punishment applies.
- Take off your mask.
- Take off your mask. - Take off your mask.
- Stop.
If I have insulted any of you with my presence here,
I offer my sincerest apologies.
- Take of your mask.
You will be told to your face what your punishment is.
- Don't touch me.
Get off me.
(dramatic music)
- Let him go.
I'm ready to sacrifice myself for him.
(dramatic music)
- Do you know the consequences?
- I do.
(footsteps tapping)
- So be it.
You are free to go.
- Sacrifice, what do you mean sacrifice?
- She must sacrifice her own life.
- What?
Come on, what is this?
No one is sacrificing themselves on my behalf.
- Once a promise has been made here, there's no going back
and there's nothing you can do
to alter the fate of this woman.
(Jakob laughing)
- Okay.
Okay, fine, I'm scared.
You taught me a lesson.
But enough with this carnival farce.
Tell you man up there to let her go.
- The decision has been made.
You can now leave this house unharmed.
- Fuck you, this is crazy.
I'll call the police.
- Beware,
you would per without saving me.
Now go.
Here I am, you can have me.
- Stop.
No.
Get off me.
What did he do with her?
(dramatic music)
(car engine revving)
Stop the car.
(car tires screeching)
(car engine revving)
(Jakob panting)
(car tires screeching)
(car engine revving)
(footsteps tapping)
- [Gibiser Voiceover] I never would have thought
that the doctor has one of us.
- [Mizzi Voiceover] I'll make ends meet elsewhere tonight.
(footsteps tapping)
- [Woman Voiceover] Won't you do us the courtesy
of telling us the password for the house?
(footsteps tapping)
- [Nick Voiceover] I don't want to end up
in a ditch somewhere.
- [Amelia Voiceover] Since then,
I can't help but seeing him when we fuck.
(announcement bell chiming)
(announcer speaking in foreign language)
(footsteps tapping)
(cellphone beeping)
(man coughing)
- Bloody hell.
(Jakob speaking in foreign language)
You?
You can't help me, Doctor.
(man coughing)
(dramatic music)
(footsteps tapping)
(dramatic music)
- Hello.
(train engine revving)
(gentle upbeat music)
♪ There's my trigger light ♪
♪ As a sex show, as Lee Brad oh ♪
♪ Nothing on our lips ♪
♪ Make a rad miss ♪
♪ It's electric ♪
♪ Beware what you wish ♪
♪ It comes back to bite you ♪
♪ For taking the risk and playing with voodoo ♪
♪ The priestess arrives ♪
♪ As dark as the night ♪
♪ Beneath the bitter Berlin lights ♪
♪ He still will decide ♪
♪ Like a a bit paranoid ♪
♪ In his fever-filled dreams ♪
♪ Nothing's quite as it seems ♪
♪ So conflicted he slides ♪
♪ Between hell and paradise ♪
♪ He's ill with desire ♪
(keys jingling)
♪ Ill with desire ♪
♪ He's ill with desire ♪
(keys jingling)
(footsteps tapping)
(door thudding)
(door hinge creaking)
(Amelia laughing)
(gentle music)
(Amelia laughing)
(gentle music)
- Hey, hey, hey, shh, shh, it's me.
You were dreaming.
(gentle music)
- What time is it?
- Just pass five.
- Just past five.
Did you only just get home?
- Mm.
- Bollinger died.
- No.
- We had to stay.
- I have such crazy dreams.
(Amelia sighing)
- What about?
- I can't say exactly.
You must be so tired.
(gentle music)
- Well.
- What do you mean, well?
- The dream
- My dream?
Hmm.
We were at hotel in Denmark
and all at once, you were standing in front of the window.
You embraced me
and you were so much in love.
(gentle music)
- You too, I hope.
- Even more so.
In spite of our love, we were sad
as if we had some kind of premonition.
(gentle music)
(Amelia sighing)
- [Amelia Voiceover] We stood outside
and the mist swirled around us.
There was a lake and a mountain scape before us.
(gentle music)
Suddenly it was mourning.
We both wanted to go back into town,
but my clothes were gone.
Then I ran content and naked around the meadow and sang.
And my voice sounded so wonderful.
I wished people could hear me down in the town.
I couldn't see the village from where I was,
but I could sense it,
it wasn't Asian or German, but somehow both.
(gentle music)
Out of the forest came a young man in a light, modern suit.
He looked like the Danish man I told you about.
(gentle music)
At the same time you were in the sunken city,
going from house to house, store to store
in a type of Turkish bizarre.
And you bought me the most beautiful things you could find.
(gentle music)
Suddenly I was no longer in the clearing by the woods,
but on an endless flower filled meadow
that faded into the horizon on all sides.
Along with the Danish man and me,
there were three or 10 or thousand other couples.
(gentle music)
It felt like endless freedom, happiness.
(dramatic music)
- I saw you.
And you were ceased by soldiers.
And there were priests there
and a huge man bound your wrists.
And I knew you were going to be executed.
(dramatic music)
A young woman appeared on a balcony,
she was the ruler of the land.
She looked down at you with a severe questioning expression.
- [Woman Voiceover] Telling us the password.
- You stood alone surrounded by people.
I heard their murmuring and their whispering.
The princess leaned over the railing, it fell silent.
And she gave you a sign
as if ordering you to come up to her.
And I knew she was going to pardon you.
(gentle music)
But you didn't notice her sign
or you didn't want to notice it.
(gentle music)
With your hands still bound and wrapped in black rope,
you stood in front of her in a courtroom
and she held a sheet of parchment, your death penalty.
She asked you to become her husband
and the death sentence would be lifted.
But you shook your head.
And I wasn't surprised,
because how could it be any other way
than you having to remain loyal to me for all eternity.
But then you were in a torture chamber
with whipping blows raining down on your back.
(dramatic music)
The princess approached you
and all that covered her perfect and naked body
was her long hair.
And then I knew she was the girl from the club.
She didn't say a word but wanted you to become her husband.
And you again said no.
Suddenly she disappeared.
And I saw them putting up a cross for you.
Your body was covered in welts.
(dramatic music)
I waited for you with anticipation but no compassion.
An immense incomprehensible distance laid between us.
(dramatic music)
And then you smiled at me, as if to give me a sign
that you had fulfilled my wish.
And I found it stupid and senseless
and wanted to laugh at you.
Because out of loyalty to me,
you had endured such torture and didn't marry the princess.
(dramatic music)
So, I wanted you to hear my laughter,
as they nailed you to your cross.
(dramatic music)
And that was the laughter that woke me up.
Then I knew you would never cheat on me.
(dramatic music)
(vehicle engines revving)
(Jakob knocking)
(woman speaking in foreign language)
- Deutsch, English?
(woman speaking in foreign language)
I know you're not open yet.
I'm looking for my friend Nick Nachtigall.
(woman speaking in foreign language)
Yes, Nick.
- [Woman] Yeah.
- Hotel.
Do you know what hotel he's in?
- Hotel, yes.
- Hotel.
(vehicle engines revving)
Where?
- Hotel.
- Ah. - Hotel.
- Okay, thank you.
(woman speaking in foreign language)
(vehicle engines revving)
(footsteps tapping)
(telephone ringing)
- Good morning,
I'd like to speak to my friend Nick Nachtigall,
he's a guest here.
- He's in demand, your friend.
- Really?
- You're not going to hurt him, are you?
- What, no?
Why would you say that?
- He came here at 5:30 a.m with two guys in suits.
- Who were they?
- They didn't say.
They arrived in a SUV.
- And what did they do with them?
- It was unreal.
They were wearing carnival masks
and your friend looked to be in a really bad way.
- In a bad way, how so?
- They'd clearly just given him a good beating.
And while your friend went upstairs,
one of them paid the bill in cash.
- Did you call the police?
- No.
- Then what happened?
- He came down with a suitcase and they all sped off.
- He didn't leave a number or anything, did he?
(vehicle engines revving)
Thank you.
(footsteps tapping)
(dramatic music)
(vehicle engines revving)
(Jakob knocking)
- Yoo hoo.
Ha, ha, you again.
What a lovely day.
- I came to return the costume
and to pay for it, of course.
- Ah, did it do the trick?
- Yes it did, thanks.
- Yeah, it's 50 for the mask, 20 for the cloak,
a little bit extra for the night fee
and VAT makes 130 euros.
Sorry, you can't come inside right now
because of a little bit of a sort out.
- What happened last night?
- What do you mean?
- With your son.
- What about my son?
- You're not going to consult a doctor, are you?
- Like you, for example.
- I didn't say that.
- Yeah.
- And you didn't call the police.
- Of course not.
But we found a much better arrangement.
And now enjoy the day.
(vehicle engines revving)
(door thudding)
(footsteps tapping)
(vehicle engines revving)
- Dr. Friedman,
Dr. Wolfenstein says hello.
Mrs. Torrens has to cancel her 12 o'clock appointment
and there's a bed available for Mr. Gilarge
at the Ludevic Hall.
- Can I see his file please?
- Sure.
(footsteps tapping)
Should I confirm the appointment with the tax advisor,
today for 2:00 p.m?
- Yes, thank you.
(footsteps tapping)
(gentle upbeat music)
(cellphone ringing)
(footsteps tapping)
- Yes.
- Hey, I just wanted to hear your voice.
- [Henny] Is it Daddy?
- Yes, darling.
- Let me speak.
Hi Daddy.
We're going to the opera tomorrow evening, aren't we?
- Yes, we are, sweetie.
Can you put Mommy back on?
- We need to do some shopping or should we order online?
- Here I am, you can have me.
- [Jakob Voiceover] No.
- Yes, do that.
I have a few more appointments today,
but I'll try to be home for dinner.
- Okay.
Have a great day.
- You too.
- Frau Veidt,
cancel my appointments for today.
Something's come up.
- [Veidt] Oh.
Yes, okay.
(upbeat music)
(car engine revving)
(upbeat music)
(man singing in foreign language)
- [Jakob Voiceover] What happened to that woman?
(man singing in foreign language)
(vehicle engines revving)
(man singing in foreign language)
No one is going to believe this.
(man singing in foreign language)
(car engines revving)
(man singing in foreign language)
(car door thudding)
(birds chirping)
(footsteps crunching)
(cellphone vibrating)
(dramatic music)
(birds chirping)
(dramatic music)
(birds chirping)
(car door thudding)
(car engine revving)
A second warning.
What will be the third?
(vehicle engines revving)
(car door thudding)
(footsteps tapping)
- Good morning, Doctor.
- Morning Professor Roediger.
I came by to see how Marianne's holding up.
- In view of the circumstances,
I would say we're doing all right.
- I wrote her a prescription last night
and apparently I forgot to give it to her.
- Oh, well my fiance is now on a train
to my mother's in Bremen.
Her father's funeral is taking place the day after tomorrow
and we plan to move there now.
- Wow, it's all happening very fast.
- Yes it is.
I just sorted out the moving service today
and tomorrow I'll be joining her.
- Well then, please give my regards to Marianne
and I wish you the best of luck for your new lives together.
- Thank you.
I'll pass on the message.
Goodbye.
(footsteps tapping)
(vehicle engines revving)
(car door thudding)
(gentle upbeat music)
- A new life in a new city.
I've read stories of people who suddenly disappeared
from their regular everyday lives
and resurface somewhere overseas,
where they begin a new life
as a completely different person.
And to then return after years,
unable to remember where who they were for all that time.
Like waking from a dream.
And all that remains is a mysterious aura,
a numbness that stays with you.
And you're left wondering if you actually
experienced that feeling
or if you only dreamed it.
(gentle music)
Only dreamed it.
(dramatic music)
(vehicle engines revving)
(footsteps crunching)
(door buzzing)
(gentle upbeat music)
- Welcome, Sir.
I'm Lady Mina.
- Good afternoon, I'd like to see Mizzi.
- Mizzi's not here, I'm afraid.
- When will she be back?
- Could I perhaps introduce you to Bella and Nina?
They also offer duets.
- Where is Mizzi?
(Lady Mina speaking in foreign language)
Is there a problem?
- Ms. Mizzi no longer works here.
Now, I must ask you to leave my establishment.
- What's going on here?
- You mean, it's escaped your notice.
Our premises are fitted with surveillance cameras.
Anyone coming in and out is recorded.
(dramatic music)
A straightforward security precaution, of course.
(dramatic music)
(vehicle engines revving)
(people chattering)
(cutlery clanking)
(upbeat music)
(people chattering)
(door hinge creaking)
(footsteps tapping)
(upbeat music)
- What's your poison, sweetie?
- Do we know each other?
- I get that a lot.
I also work at the Nachtclub.
(people chattering)
- So you know Nick, Nick Nachtigall?
- Never heard of him.
What can I get you?
- I'll have the omelet and an espresso please.
- [Waiter] On the way.
(people chattering)
(upbeat music)
Omelet is on it's way.
- I changed my mind, sorry,
I'll just have the coffee.
(people chattering)
(dramatic music)
(footsteps tapping)
(dramatic music)
(car engine revving)
(dramatic music)
(car door thudding)
(car engine revving)
- [Jakob Voiceover] An overdose.
Was it heroin or punishment.
(dramatic music)
(car engine revving)
(car door thudding)
(footsteps tapping)
(door thudding)
(footsteps tapping)
(announcer people speaking indistinctly)
(both speaking in foreign language)
- Sorry, you just remind me of someone.
- Oh.
(receptionist laughing)
- I'm a doctor.
- Have you got a patient here with us?
- Yes, I'm Natasha Debushka's health doctor.
- The prostitute?
- Yes, that's right.
- My colleague from the early shift
told me that she was brought here this morning
just before 6:00 a.m by two strange men.
- Strange men?
- Yeah.
It was all a bit strange.
The two men disappeared without saying anything
and just left her here.
(announcer people speaking indistinctly)
It was probably some sex thing.
(keyboard keys clacking)
- Can you tell me where she is now?
- Sure.
(keyboard keys clacking)
Oh, it says here that she died,
about an hour ago.
- She died?
- I'm sorry.
(dramatic music)
(man coughing)
- No one can help you now.
(man coughing)
(dramatic music)
(footsteps tapping)
(dramatic music)
- [Jakob Voiceover] "Yet, if hope has flown away,
"in a night or in a day,
"in a vision or none,
"is that therefore the less gone."
(car engine revving)
"All that we see or seem.
"Is but a dream within a dream."
"A dream within a dream."
Dead?
Was she the woman who sacrificed herself for me?
(dramatic music)
(vehicle engines revving)
(dramatic music)
(door thudding)
(footsteps tapping)
(door hinge creaking)
(dramatic music)
(footsteps tapping)
(dramatic music)
(Jakob crying)
- I'll tell you everything.
(Jakob crying)
I'll tell you everything.
(gentle music)
(vehicle engines revving)
What do we do now, Amelia?
- Be grateful, I guess.
(gentle music)
- For what, exactly?
- That we're awake.
(gentle music)
♪ So nail me to the cutest tree ♪
(upbeat music)
♪ Baby I know you and you know me ♪
(upbeat music)
♪ Then drape the night around your shoulders ♪
(upbeat music)
♪ I will be your heat when you grow colder ♪
♪ So high ♪
♪ Like Spanish fly ♪
♪ So sweet ♪
♪ And so divine ♪
(upbeat music)
♪ Like Spanish fly ♪
(upbeat music)
♪ So let your greediness unfold ♪
(upbeat music)
♪ So unconstrained and uncontrolled ♪
(upbeat music)
♪ Yeah ♪
♪ So high ♪
♪ Like Spanish fly ♪
♪ So careless ♪
♪ As she leaves me dry ♪
♪ We're feeling high ♪
♪ Oh no we're so high ♪
(upbeat music)
♪ So high ♪
♪ Like Spanish fly ♪
♪ So greedy ♪
♪ She spreads like fire ♪
♪ Electrifies like Spanish fly ♪
♪ Such a loaded dice ♪
♪ Under perfect skies ♪
♪ Like Spanish fly ♪
(upbeat music)
(all applauding)
- Woo, woo.
(all applauding)
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