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DISTORTED MALE VOICE:
Lad/es and gentlemen...
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Miss Grace Jones.
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MUSIC: "Slave to the Rhythm"
by Grace Jones
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AUDIENCE CHEERS
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GRACE: I'm just playing around.
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# Baby
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# Work all day
as men who know
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# The wheels must turn
to keep the flow
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# You build on up,
don't break a chain
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# Sparks will fly
when the whistle blows
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# Never stop the action
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# You better keep it up,
keep it up
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# I said never stop the action
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# You better keep it up,
keep it up
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# Work to the rhythm
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# Love to the rhythm
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# We live to the rhythm
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# Slaves to the rhythm
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# Axe to wood
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# In ancient times
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# Man machines
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# Power line
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# Fire burns
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# Hearts beat strong
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# Sing out loud,
the chain gang song
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# Never stop the action
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# You better keep it up,
keep it up
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# Work to the rhythm
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# We love to the rhythm
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# We dance to the rhythm
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# Slaves to the rhythm
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# Carry on
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# Slaves to the rhythm
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AUDIENCE CHEERS
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The album is unbelievable, Grace.
- GRACE: Thank you, darling.
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I've waited 25 years to see you.
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GRACE: Oh, my God!
- MAN: I'm waiting 30 years.
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Now one each, you know that's enough.
I'm so sorry.
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WOMAN: It's alright.
- MAN: We love you, Grace.
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GRACE: Give me your favourite one.
- You're worth waiting for.
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GRACE:
Cos my mother's waiting for me, OK?
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FANS LAUGH
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GRACE: No, I mean it.
- I know, I know, I know.
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MAN 1: We love Grace Jones!
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MAN 1: We love Grace Jones!
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MAN 1: We love you, Grace!
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MAN 2: Grace. Over here, Grace.
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MAN 3:
God, it's been such a long wait.
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GRACE: Don't push. Coming.
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MAN 3:
Would you do another movie?
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GRACE: My own.
- MAN 3: Yeah!
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GRACE HUMS
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# Hats for Jamaica #
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Do we have everything now?
Count, count.
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I've got everything.
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So how is everything in Jamaica?
- Cool. I'll leave that up to you.
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GRACE:
Nothing dramatic happening?
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BOTH LAUGH
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Oh, my God. Hi, Mom.
- You remember Paul?
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I know Paul well.
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Hi.
- Thank you.
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Hi, Paul. Oh, my God.
- PAUL: Good to see you.
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You recognise Paulo?
- MOTHER: Hi, sweetheart.
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ALL LAUGH
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I can see you looking
but she doesn't recognise him.
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And his daughter Paula.
- GRACE: Hi. Finally.
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Finally!
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GRACE: I didn't even peek.
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Well, peek.
- GRACE: Peek now?
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Yes.
- MAN: We gonna peek now?
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GRACE: He didn't have
any banana colours.
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MOTHER: The colour
won't go with my banana dress.
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MAN: What colour's your hat?
- MOTHER: Everybody looking now?
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GRACE:
He said it was beautiful.
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MOTHER: I'm sure it's beautiful.
Oh, man!
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GRACE: Almost a banana.
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ALL: Oh!
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Oh!
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GRACE:
Mommy! That is... That is...
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MAN: Dressed for Sunday?
- I'll wear my purple dress Sunday.
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MAN LAUGHS
- Oooh.
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This is fabulous.
- GRACE: That's wicked!
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GRACE:
Oh, wow, look at that behind.
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Can you stop when you get the view
there? Of the water, there's a...
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When you go around the corner.
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GRACE:
Is that all sea there I think I'm seeing?
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DRIVER: Yes, yes.
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GRACE:
It's crazy because it doesn't...
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DRIVER: See that strip in between?
- GRACE: Uh-huh.
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DRIVER: Near the water, that's where
we've come from, the airport.
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GRACE: That's the airport down there?
Get out.
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DRIVER SPEAKS INDISTINCTLY
- GRACE: Right.
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That is just absolutely breath-taking.
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DRIVER: Over there, right there,
see those light greens?
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Uh-huh.
- DRIVER: That's out by the wharf.
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CICADAS CHIRRUP
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GRACE: Hello!
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AUDIENCE CHEERS
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Mmm-hmm. Alright.
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Well, you know,
I'm gonna give you...
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00:07:23,605 --> 00:07:25,005
a Jamaica trip.
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CHEERS
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You know,
I have a lot to talk about Jamaica.
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Give you a little history.
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My mother was the Williams
and my father was the Jones.
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When I grew up there
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in the little old Spanish Town
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it was a whole other world.
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RADIO:
The Supreme Court has ordered
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that the financially strapped
Dial insurance company be wound up.
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The order was handed down today
by High Court judge
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Mr Justice Pa trick Brooke's
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following an application by
the Financial Services Commission.
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The FSC took over control
of the collapsed insurance company
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after it was unable to service
the claims of its clients
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in the Cayman Islands
following the passage of Hurricane Ivan
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which devastated this island last year.
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WATER RUNS
- Following Hurricane Ivan...
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NEWS REPORT CONTINUES
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PAN SIZZLES
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GRACE". If you have any make-up on,
you can't get through the gate.
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If you've got your toes showing,
you can't get in the gate.
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If you got the heels showing,
you can't get in the gate.
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So what the fuck was I doing inside?
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AUDIENCE LAUGHS
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DOG BARKS
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GRACE: Anything welded in here,
Mas P did it.
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Mas P had a garden that was,
I mean, when I say perfection...
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MOTHER: Yes.
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GRACE: Obsessive lines,
everything completely...
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MOTHER: Look how the grass
has come up since the rain.
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GRACE: Oh, what happened?
They had a hurricane?
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Did the hurricane kill it?
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That's Pam's daughter.
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Yes, I could see Grace when
she look like a mutton; 80 or 90, boy.
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She's going to be a tyrant.
HE LAUGHS
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And this is my son.
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She's going to be acting like
a 25-year-old.
139
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But, Dad, everybody, I noticed,
in the Jones family
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they act younger as they get older.
Have you noticed?
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You know what we said yesterday? We said
Miss Dorothy makes the best fish.
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GRACE: I like the heads
so I'm gonna take the heads.
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You got it. You rule.
- GRACE: Mmm-hm.
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How come you married and Daddy wasn't
saved yet? That's what I was talking...
145
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Oh, no.
- We need to get the history right.
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Yeah, your dad, he spent four years
in America, got saved
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and the brothers told him
that Bishop Walters
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have a daughter in the house
that nobody can go in there and get.
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GRACE:
Oh, Lord have mercy!
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ALL LAUGH
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00:10:21,005 --> 00:10:22,565
Challenged Dad!
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MOTHER: He... He made up in his mind
he was going to do that!
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PAULO: The contender.
- GRACE: Wow.
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That's a Jones! That's a Jones!
That's a Jones!
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MOTHER: In those days,
17-year-olds don't get married.
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FATHER: But she had faith.
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MOTHER: But I didn't even like
the Joneses.
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I didn't feel like I wanted to be
bothered with Mr Pat.
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GRACE: Right.
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You know, cos he was so boastful
and he thought the Jones family was it.
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GRACE: Yes.
- You know, nobody else was good...
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GRACE: Good enough.
- Yeah.
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MOTHER: Grand P never thought that any
of the women that his boys married to
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were worthy of his boys.
- Right.
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MOTHER: Not every one!
- Yup.
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MOTHER: He gave a problem to Dora,
to Lelieth, to me.
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00:11:04,165 --> 00:11:06,805
Aunt Phillis never married
because he ran
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00:11:06,845 --> 00:11:09,685
chased off her husbands,
her would-be husband.
169
00:11:09,725 --> 00:11:12,285
MOTHER: And he was from another
prominent family in Spanish Town
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00:11:12,325 --> 00:11:13,485
they was a good family.
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FATHER: The problem now was,
the Williamses
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with their record of having
this big, big, big family,
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00:11:19,725 --> 00:11:23,845
you know what I mean?
Outside children.
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My father said, ah, you know,
he was kinda...
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CHRIS LAUGHS
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00:11:28,125 --> 00:11:30,045
He was kind of rough.
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GRACE: Really?
- Oh, yeah.
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GRACE: He talk about the Williamses
were known for having illegitimate...
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00:11:34,165 --> 00:11:35,765
MOTHER:
They don't fly far from the block.
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00:11:35,805 --> 00:11:37,285
GRACE:
They had a lot of illegitimate...
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00:11:37,325 --> 00:11:39,485
MOTHER: Pappy Williams did.
- CHRIS: Uncle Luther too.
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MOTHER: Everybody called him Pappy.
- FATHER: He boasted 60 children.
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GRACE: Right.
- CHRIS: Oh, my God!
184
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He was like a bunny rabbit.
185
00:11:44,805 --> 00:11:47,045
FATHER: No, he was a record breaker
in Spanish Town
186
00:11:47,085 --> 00:11:49,565
because there's another man...
- MOTHER: Morgan.
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00:11:49,605 --> 00:11:52,205
FATHER:
Morgan. He had around 30 or 40.
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MOTHER: The Williams side
is very creative
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but then Mr Pat
has always told his children
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'A Jones never come second.
They always come first.'
191
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AUDIENCE CHEERS
192
00:12:05,365 --> 00:12:07,565
MUSIC: "Williams' Blood"
by Grace Jones
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00:12:14,325 --> 00:12:17,405
# When she was seventeen
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# She married a preacher man
195
00:12:23,645 --> 00:12:26,045
# And she settled down
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# In a little part of town
197
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# Followed him all around
198
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# Having little babies
199
00:12:42,125 --> 00:12:44,845
# Singing in a little church
200
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# In a little ghost town
201
00:12:51,325 --> 00:12:55,365
# And, ohh, she's so happy
202
00:12:56,605 --> 00:13:00,485
# Keeping up,
keeping up with the Joneses
203
00:13:00,525 --> 00:13:04,605
# Ohh, she's so happy
204
00:13:05,725 --> 00:13:09,765
# Keeping up,
keeping up with the Joneses
205
00:13:09,805 --> 00:13:12,205
# Finally she told me
206
00:13:14,445 --> 00:13:16,765
# Grandpa Dan travelled
207
00:13:18,965 --> 00:13:21,485
# Playing on the road
208
00:13:23,565 --> 00:13:26,085
# With Nat King Cole
209
00:13:28,205 --> 00:13:30,605
# And he womanised
210
00:13:31,325 --> 00:13:35,165
# Oh, he stayed up all night
211
00:13:37,205 --> 00:13:40,405
# He boozed it up around the town
212
00:13:41,925 --> 00:13:45,125
# From town to town to town
213
00:13:45,965 --> 00:13:52,445
# So let me go, ahhh, I'm wicked
214
00:13:55,045 --> 00:14:01,365
# Just let me go, ahhh,
I'm born wicked
215
00:14:05,565 --> 00:14:07,365
# When are you gonna be a Jones
216
00:14:07,965 --> 00:14:11,885
# Like your sister
and your brother Noel?
217
00:14:14,405 --> 00:14:16,605
# When are you gonna be a Jones?
218
00:14:16,645 --> 00:14:20,325
# You're just like Luther and Dan
219
00:14:20,365 --> 00:14:22,765
# God bless his soul
220
00:14:22,805 --> 00:14:25,685
# I said mama
221
00:14:26,685 --> 00:14:29,045
# I got the Williams blood in me
222
00:14:31,365 --> 00:14:33,565
# I got the Williams blood in me
223
00:14:35,845 --> 00:14:38,405
# I got the Williams blood in me
224
00:14:38,445 --> 00:14:40,405
BACKING SINGERS:
# Got the Williams blood
225
00:14:40,445 --> 00:14:42,765
# I got the Williams blood in me
226
00:14:44,885 --> 00:14:46,245
#ln me
227
00:14:46,285 --> 00:14:48,885
#ln me
228
00:14:49,245 --> 00:14:52,725
# I got it running through my blood
229
00:14:53,445 --> 00:14:56,525
# The Williams blood in me
230
00:14:56,565 --> 00:14:58,245
#lnme
231
00:15:00,525 --> 00:15:03,005
# In a room full of doves
232
00:15:04,685 --> 00:15:07,885
# I'm waiting for the angels
233
00:15:09,685 --> 00:15:13,325
# Spreading my wings
234
00:15:14,325 --> 00:15:17,685
# So I can fly
235
00:15:18,245 --> 00:15:21,525
# So let me fly
236
00:15:21,565 --> 00:15:25,885
# Oh, I'm wicked
237
00:15:27,405 --> 00:15:30,525
# Just let me fly
238
00:15:30,565 --> 00:15:34,565
# Oh, I'm born wicked
239
00:15:36,725 --> 00:15:38,285
BACKING SINGERS:
# Let me go
240
00:15:38,325 --> 00:15:40,045
# Let me go
241
00:15:41,125 --> 00:15:44,405
# I'm Williams wicked
242
00:15:47,085 --> 00:15:49,525
# When are you gonna be a Jones
243
00:15:49,565 --> 00:15:53,645
# Like your sister
and your brother Noel?
244
00:15:55,965 --> 00:15:58,165
# When are you gonna be a Jones?
245
00:15:58,205 --> 00:16:01,325
# You're just like Luther and Dan
246
00:16:01,845 --> 00:16:04,285
# God bless his soul
247
00:16:04,325 --> 00:16:06,445
# Whoa!
248
00:16:08,285 --> 00:16:10,445
# I got the Williams blood in me
249
00:16:10,485 --> 00:16:12,085
BACKING SINGERS:
# I got the Williams blood
250
00:16:12,805 --> 00:16:15,005
# I got the Williams blood in me
251
00:16:17,445 --> 00:16:19,365
# I got the Williams blood in me
252
00:16:19,405 --> 00:16:24,405
# Oh, let me go, I'm born wretched
253
00:16:24,445 --> 00:16:26,845
BACKING SINGERS:
# Let me go
254
00:16:26,885 --> 00:16:28,485
# I can't keep up
255
00:16:28,525 --> 00:16:30,445
# I'm gonna haunt ya
256
00:16:31,125 --> 00:16:33,325
# I'm gonna haunt ya
257
00:16:33,365 --> 00:16:36,445
# Oh, I can't keep up
258
00:16:36,485 --> 00:16:38,085
# Oh!
259
00:16:41,645 --> 00:16:45,245
# I'm gonna dance this hat right off
260
00:16:45,285 --> 00:16:47,525
# I got the Williams blood in me #
261
00:16:47,885 --> 00:16:50,445
WHISTLES AND CHEERS
262
00:17:11,685 --> 00:17:14,285
Mother would have
danced this hat off already.
263
00:17:19,285 --> 00:17:22,445
SHE WHISPERS:
Lord Jesus. Oh, Lord.
264
00:17:23,965 --> 00:17:25,485
Lord have mercy.
265
00:17:26,325 --> 00:17:28,325
Just pray for her soul,
dear Jesus.
266
00:17:28,365 --> 00:17:29,725
Pray for her soul, Lord.
267
00:17:29,765 --> 00:17:32,285
Pray for this child,
pray for this child.
268
00:17:32,325 --> 00:17:35,165
Dear Jesus, pray for this child.
Hallelujah...
269
00:17:38,405 --> 00:17:45,405
# Amazing
270
00:17:45,445 --> 00:17:48,325
# Grace
271
00:17:52,445 --> 00:17:54,685
# How sweet
272
00:17:57,325 --> 00:17:59,405
# The sound
273
00:18:01,285 --> 00:18:04,565
# That saved
274
00:18:05,645 --> 00:18:10,045
# A wretch
275
00:18:11,845 --> 00:18:16,565
# Like me
276
00:18:16,605 --> 00:18:19,845
# Ohhhh
277
00:18:21,845 --> 00:18:25,485
# Amazing
278
00:18:26,525 --> 00:18:29,045
# Amazing grace
279
00:18:31,885 --> 00:18:34,365
# How sweet
280
00:18:36,485 --> 00:18:38,645
# The sound
281
00:18:41,325 --> 00:18:43,445
# That saved
282
00:18:44,605 --> 00:18:50,605
# Saved a wretch
283
00:18:53,605 --> 00:18:57,325
# Like me
284
00:18:59,165 --> 00:19:03,485
# Ohh, like me #
285
00:19:05,125 --> 00:19:05,965
CHEERS
286
00:19:08,165 --> 00:19:10,405
CICADAS CHIRRUP
287
00:19:19,365 --> 00:19:20,725
Me no need straw.
288
00:19:20,765 --> 00:19:22,085
DRIVER:
Said she don't need no straw.
289
00:19:22,805 --> 00:19:24,845
If I just open it, I can get the jelly.
290
00:19:34,485 --> 00:19:36,005
Mmm.
291
00:19:36,045 --> 00:19:37,685
Delicious.
292
00:19:38,485 --> 00:19:39,725
Fresh.
293
00:19:44,445 --> 00:19:49,445
Mmm, there's so much water
in this coconut.
294
00:19:50,725 --> 00:19:52,685
I need someone to share it with me.
295
00:19:57,485 --> 00:19:59,285
Mmm, I love these.
296
00:19:59,885 --> 00:20:03,765
You have to try a naseberry.
Fruit. Delicious.
297
00:20:06,925 --> 00:20:09,445
GRACE:
I'll play the friggin' bass myself.
298
00:20:13,245 --> 00:20:14,525
You know?
299
00:20:15,405 --> 00:20:19,325
He can't do stuff like that.
- IVOR: They did it last time.
300
00:20:19,365 --> 00:20:21,605
No, they came the last time
when they were supposed to.
301
00:20:21,645 --> 00:20:24,365
IVOR: They didn't come when they said
they were going to. They came later.
302
00:20:24,405 --> 00:20:26,605
We have to give them
the Jamaican treatment, man.
303
00:20:26,645 --> 00:20:28,845
That's all he understands,
you know what I mean?
304
00:20:31,285 --> 00:20:35,205
That's it. I'm going to
just tell him off really good now.
305
00:20:35,245 --> 00:20:40,325
And he want to do short out, we draw
blood or long out and draw some sweat.
306
00:20:42,605 --> 00:20:45,485
I know what, I'll just call Sly first.
307
00:20:45,525 --> 00:20:49,485
Sly always answers.
Robbie is the one got tricky numbers.
308
00:20:49,525 --> 00:20:51,165
BEEPS
309
00:21:01,605 --> 00:21:02,965
W'happen, Sly?
310
00:21:04,325 --> 00:21:08,925
Grace. SI... Sly? Hi, Sly.
311
00:21:10,485 --> 00:21:14,245
W'happen, man? Me...
Nah, man, me getting very upset.
312
00:21:14,285 --> 00:21:16,965
I really need to talk to Robbie
and I'm...
313
00:21:17,005 --> 00:21:18,725
I'm in the studio and I...
314
00:21:22,365 --> 00:21:23,845
Wait a minute.
315
00:21:24,685 --> 00:21:26,205
What... What is the ZIP?
316
00:21:29,165 --> 00:21:31,485
I have to do some emotional blackmail.
317
00:21:36,005 --> 00:21:37,885
Don't fuck him off completely though.
318
00:21:39,365 --> 00:21:42,445
GRACE: No, I'm not doing that.
I'm just telling him the truth.
319
00:21:55,485 --> 00:21:57,285
Come on, Robbie, pick up.
320
00:22:03,405 --> 00:22:04,685
Robbie.
321
00:22:06,365 --> 00:22:08,365
W'happen? Grace here.
322
00:22:11,885 --> 00:22:13,605
Who can't hide?
323
00:22:16,725 --> 00:22:19,365
What, don't call me baby. Robbie.
324
00:22:19,405 --> 00:22:20,765
SHE LAUGHS
325
00:22:23,565 --> 00:22:24,645
Robbie, man...
326
00:22:24,685 --> 00:22:26,605
Cha'man me laugh because...
327
00:22:26,645 --> 00:22:30,245
Alright, listen, me talk to your guy,
right, Guillaume.
328
00:22:30,285 --> 00:22:33,165
He told me that
after the Chris Blackwell ting
329
00:22:33,205 --> 00:22:35,005
that you all are free.
330
00:22:35,045 --> 00:22:37,045
So what ting catching up on you?
331
00:22:37,085 --> 00:22:40,525
We ask you for five days to work.
332
00:22:40,565 --> 00:22:44,605
And I did all the, you know,
the dealings with Guillaume
333
00:22:44,645 --> 00:22:47,765
which he went through with you,
points on the record.
334
00:22:47,805 --> 00:22:50,965
And we do tracks together,
so you have publishing.
335
00:22:51,005 --> 00:22:54,445
And the songs I write alone
I'll give you one-third publishing.
336
00:22:54,485 --> 00:22:57,765
My God, I'm giving you guys stuff
you don't deserve.
337
00:22:57,805 --> 00:23:01,525
And then now you're telling me
that you have some other girl.
338
00:23:01,565 --> 00:23:03,165
Who is this other person?
339
00:23:04,445 --> 00:23:07,885
Robbie, Robbie, you deserve a lot more,
but I don't deserve...
340
00:23:07,925 --> 00:23:11,525
I don't... No.
We need to talk, you and I. OK?
341
00:23:11,565 --> 00:23:16,845
And... And I will work out the terms,
but the dates... Fucking hell.
342
00:23:17,685 --> 00:23:19,245
Fucking got out off.
343
00:23:20,805 --> 00:23:23,205
No, I know them very well, you know.
344
00:23:23,245 --> 00:23:28,645
And believe me when I'm saying,
you know, he's feeling badly about it.
345
00:23:31,045 --> 00:23:33,605
Robbie? Robbie!
346
00:23:34,365 --> 00:23:36,365
Robbie. Robbie, we got...
347
00:23:36,405 --> 00:23:39,205
I knew you were on the other line.
I left you a message.
348
00:23:40,525 --> 00:23:44,525
Me know you talking to Sly.
Me just talked to Sly.
349
00:23:44,565 --> 00:23:45,925
What?!
350
00:23:52,205 --> 00:23:55,365
Nah, because I'm pissed off, Robbie.
351
00:23:55,405 --> 00:23:58,325
Robbie, I'm angry because you cannot...
352
00:23:58,365 --> 00:24:02,925
You can't tell me one thing
and then, and then playing everybody.
353
00:24:02,965 --> 00:24:04,525
You can't tell me, 'Speak to Suzette.'
354
00:24:04,565 --> 00:24:07,725
You're giving me the run-around, Robbie.
Alright?
355
00:24:10,445 --> 00:24:13,125
You give me the run-around
and you, and...
356
00:24:15,845 --> 00:24:18,885
IVOR: Find out when they can come.
Don't just piss him off.
357
00:24:21,485 --> 00:24:22,685
Grace?
358
00:24:23,685 --> 00:24:25,805
No, but I'm angry!
359
00:24:25,845 --> 00:24:28,565
How you expect me to...? Robbie. Robbie.
360
00:24:28,605 --> 00:24:31,765
I am... I'm paying for this record
myself, right?
361
00:24:32,525 --> 00:24:35,365
I'm paying!
I don't have a record company!
362
00:24:35,405 --> 00:24:38,245
Listen to me. Listen to me.
363
00:24:38,285 --> 00:24:40,165
No, listen to me, Robbie.
364
00:24:40,205 --> 00:24:42,485
Robbie, just listen to me now, man.
365
00:24:42,525 --> 00:24:44,045
I am paying for this myself
366
00:24:44,085 --> 00:24:47,725
so artistically,
we can do what we want to do
367
00:24:47,765 --> 00:24:51,965
and have the freedom to do the kind
of music that we want to do. Alright?
368
00:24:52,605 --> 00:24:56,485
And now when studios and everything
are booked
369
00:24:56,525 --> 00:24:59,165
how you think that
I'm gonna have to pay for that
370
00:24:59,205 --> 00:25:01,805
and then you guys now tell me
you're free on this date
371
00:25:01,845 --> 00:25:05,405
and then you can't come and you don't
expect me to react to that?
372
00:25:06,125 --> 00:25:09,205
I'm human, man. I'm human!
373
00:25:09,845 --> 00:25:13,805
I'm saying some things
that I'm saying out of frustration
374
00:25:13,845 --> 00:25:16,005
to let you understand that I can't
375
00:25:16,045 --> 00:25:18,685
you know, doing this on my own like this
376
00:25:18,725 --> 00:25:22,445
and depending on what you tell me
and then tings changing up and down.
377
00:25:22,485 --> 00:25:24,845
I'm ending up in a... I'm ending up
378
00:25:24,885 --> 00:25:27,725
that the record is not gonna be
done on time.
379
00:25:27,765 --> 00:25:30,925
Or if done at all
if it's going to go on like this.
380
00:25:33,565 --> 00:25:36,245
IVOR: I propose this as
a possible beginning to this track.
381
00:25:36,285 --> 00:25:37,885
GRACE: Hm-hmm, yeah.
382
00:25:37,925 --> 00:25:40,125
MUSIC INTRO WITH REGGAE BEAT
383
00:25:45,525 --> 00:25:46,925
GRACE LAUGHS
384
00:25:46,965 --> 00:25:49,125
IVOR: We can drop Robbie in?
Let's drop Robbie in.
385
00:25:53,165 --> 00:25:54,965
BASS GUITAR PLAYS ON TRACK
386
00:25:55,005 --> 00:25:56,445
GRACE: That's wicked.
387
00:25:59,205 --> 00:26:00,485
IVOR: A bit of Don-E.
388
00:26:05,005 --> 00:26:09,685
GRACE: Oh, yeah. I can definitely
run some stuff down on that.
389
00:26:09,725 --> 00:26:11,685
I have to do my eyebrows.
390
00:26:23,525 --> 00:26:24,405
Wicked.
391
00:26:34,045 --> 00:26:35,485
GRACE: That's wicked.
392
00:26:44,285 --> 00:26:50,565
Hello, Paulo. OK, we are, um,
between ten and 15 minutes away.
393
00:26:53,285 --> 00:26:54,525
# This is a plate
394
00:26:54,565 --> 00:26:56,005
# This is a cup
395
00:26:56,045 --> 00:26:58,405
# This is a story I didn't make up
396
00:26:58,445 --> 00:27:00,925
# This is a girl lost in the wood
397
00:27:00,965 --> 00:27:03,285
# Some covered wagon
from some other hood...
398
00:27:03,325 --> 00:27:05,805
REGGAE TRACK PLAYS
399
00:27:05,845 --> 00:27:07,685
Oh, my God, look at that beautiful...
400
00:27:07,725 --> 00:27:08,885
It's the Sacré-Coeur?
401
00:27:08,925 --> 00:27:11,605
DRIVER: Yes.
- GRACE: Look, Sacré-Coeur on the hill.
402
00:27:11,645 --> 00:27:16,165
# Are you going into the light?
403
00:27:16,205 --> 00:27:20,365
# Are you free of fear today?
404
00:27:22,045 --> 00:27:26,325
# When you lie down to sleep
405
00:27:26,365 --> 00:27:30,285
# Do you kind of float away?
406
00:27:34,085 --> 00:27:35,645
# This is life, yeah
407
00:27:39,285 --> 00:27:40,925
# This is life, yeah
408
00:27:44,805 --> 00:27:47,405
# Most of my crimes are of optimism
409
00:27:47,445 --> 00:27:50,005
# 40,000 volts of recognition
410
00:27:50,045 --> 00:27:52,605
# They tried to strip me of dignity
411
00:27:52,645 --> 00:27:55,245
# But I still have tenacity #
412
00:27:58,325 --> 00:27:59,725
That's a bit...
413
00:28:00,445 --> 00:28:02,485
God, they got some tight muscles.
414
00:28:02,525 --> 00:28:04,365
I wish my pussy was this tight.
415
00:28:06,005 --> 00:28:08,325
Yes, I got in there.
416
00:28:13,925 --> 00:28:16,485
Definitely have something,
I don't understand.
417
00:28:20,845 --> 00:28:22,005
Goddamn.
418
00:28:27,045 --> 00:28:29,765
PULSATING BEAT OVER SOUND SYSTEM
419
00:28:32,885 --> 00:28:35,565
GRACE: They're insect noises,
I don't know...
420
00:28:37,405 --> 00:28:40,605
Like, Jamaican
night insect noise, them, man.
421
00:28:41,365 --> 00:28:43,005
MUSIC INTRO
422
00:28:44,445 --> 00:28:46,525
Every now and then, we'll throw it in.
423
00:28:56,525 --> 00:28:58,965
ANSWERING MACHINE:
You can leave a message after the tone.
424
00:28:59,005 --> 00:29:00,765
When you've finished...
425
00:29:00,805 --> 00:29:03,765
Do you recognise it, you know?
- BEEP
426
00:29:04,245 --> 00:29:06,165
Robbie answering machine.
427
00:29:06,205 --> 00:29:09,125
SHE LAUGHS
428
00:29:09,165 --> 00:29:10,885
AUDIENCE CHEERS
429
00:29:10,925 --> 00:29:13,325
MUSIC: "This ls" by Grace Jones
430
00:29:19,125 --> 00:29:21,645
# This is a plate, this is a cup
431
00:29:21,685 --> 00:29:24,325
# This is a story I didn't make up
432
00:29:24,365 --> 00:29:26,685
# This is a girl lost in the wood
433
00:29:26,725 --> 00:29:29,325
# Some covered wagon
from some other hood
434
00:29:34,485 --> 00:29:36,925
# This is the voice,
these are the hands
435
00:29:36,965 --> 00:29:40,245
# This is technology
mixed with a band
436
00:29:44,485 --> 00:29:49,005
# Are you going into the light?
437
00:29:49,365 --> 00:29:52,925
# Are you free of fear today?
438
00:29:55,005 --> 00:29:59,285
# When you lie down to sleep
439
00:29:59,325 --> 00:30:03,125
# Do you kind of float away?
440
00:30:08,325 --> 00:30:09,965
# This is life
441
00:30:13,565 --> 00:30:15,445
# This is life, God
442
00:30:15,485 --> 00:30:17,805
# Most of my crimes are of optimism
443
00:30:17,845 --> 00:30:20,285
# 40,000 volts of recognition
444
00:30:20,325 --> 00:30:23,085
# You tried to strip me of dignity
445
00:30:23,125 --> 00:30:25,525
# But I still have tenacity
446
00:30:30,485 --> 00:30:33,045
# These are the words I didn't invent
447
00:30:33,085 --> 00:30:35,805
# Only an attempt to say what I meant
448
00:30:40,685 --> 00:30:42,045
# This is the paper
449
00:30:42,085 --> 00:30:43,565
# This is a pen
450
00:30:43,605 --> 00:30:45,885
# This is my weapon,
a means to an end
451
00:30:48,445 --> 00:30:53,245
# Are you going into the desert?
452
00:30:53,285 --> 00:30:56,605
# You're out of control of your fate
453
00:30:58,845 --> 00:31:03,085
# There are no warriors without a war
454
00:31:03,125 --> 00:31:07,005
# So get ahead before it's too late
455
00:31:12,245 --> 00:31:13,565
# This is life
456
00:31:13,605 --> 00:31:15,285
BACKING SINGERS:
# Lay down your spear
457
00:31:15,325 --> 00:31:16,405
# Let go your fear
458
00:31:16,445 --> 00:31:18,005
# Far becomes near
459
00:31:18,045 --> 00:31:19,565
# Oh, Lord
460
00:31:19,605 --> 00:31:22,005
# This is...
SHE PANTS
461
00:31:22,965 --> 00:31:25,285
# This is...
SHE PANTS
462
00:31:25,565 --> 00:31:28,165
# This is...
SHE PANTS
463
00:31:28,205 --> 00:31:29,485
# This is...
SHE PANTS
464
00:31:29,525 --> 00:31:31,765
# This is what I'm focused on
465
00:31:31,805 --> 00:31:33,565
# This is my head on straight
466
00:31:34,485 --> 00:31:36,965
# This is the harness, this is the bait
467
00:31:37,005 --> 00:31:39,685
# This is me, I'm flying the gate
468
00:31:39,725 --> 00:31:42,085
# This is a lie, professional liar
469
00:31:42,125 --> 00:31:44,605
# Day after day, igniting the fire
470
00:31:44,645 --> 00:31:47,125
# This is the key, this is the door
471
00:31:47,165 --> 00:31:49,765
# Imagine the view
from the basement floor
472
00:31:55,565 --> 00:31:59,805
# When you lie down to sleep
473
00:31:59,845 --> 00:32:03,405
# Do you kind of float away?
474
00:32:04,445 --> 00:32:08,285
# Do you kind of float away?
475
00:32:09,445 --> 00:32:13,565
# Do you kind of float away?
476
00:32:14,525 --> 00:32:18,445
# Do you kind of float away?
477
00:32:22,565 --> 00:32:26,045
# Do you kind of float away?
478
00:32:27,565 --> 00:32:31,845
# Do you kind of float away? #
479
00:33:00,885 --> 00:33:02,845
PHONE RINGS
480
00:33:06,965 --> 00:33:09,085
WOMAN: For you.
- Yeah.
481
00:33:15,525 --> 00:33:18,525
Oh, that's right.
I forget you love long showers.
482
00:33:18,565 --> 00:33:20,125
SHE LAUGHS
483
00:33:23,405 --> 00:33:26,165
Ahh, I know.
484
00:33:26,205 --> 00:33:27,605
It's good for ya.
485
00:33:28,085 --> 00:33:30,565
Ah, well, we're almost there now.
486
00:33:30,605 --> 00:33:32,405
We are on the Champs-Elysées.
487
00:33:32,445 --> 00:33:34,165
You know, we already are.
488
00:33:36,445 --> 00:33:38,005
Ah, OK.
489
00:33:41,285 --> 00:33:44,845
OK, OK. So your shoot is at nine?
490
00:33:46,845 --> 00:33:49,965
Oh. Oh, so you gotta get up at nine?
491
00:33:50,365 --> 00:33:52,445
Kind of. Alright, I understand.
492
00:33:52,485 --> 00:33:54,285
Come for a half-hour or whatever.
493
00:33:55,605 --> 00:33:57,165
You're still young, honey.
494
00:33:57,205 --> 00:34:00,525
In the old days, we used to stay up
all night and go straight to the shoot
495
00:34:00,565 --> 00:34:02,405
when we were your age.
496
00:34:02,445 --> 00:34:04,205
SHE LAUGHS
497
00:34:08,645 --> 00:34:12,405
I know, I'm sorry,
I don't mean to compete.
498
00:34:12,445 --> 00:34:13,965
SHE CHUCKLES
499
00:34:36,205 --> 00:34:40,005
GRACE: I think it had a lot to do with
the personalities that were around.
500
00:34:42,005 --> 00:34:45,125
People wanted to dance
and they just, you know...
501
00:34:45,965 --> 00:34:48,925
Doing hallucinogenics
and wanted to dance.
502
00:34:48,965 --> 00:34:52,085
It was like... like going to church.
503
00:34:55,045 --> 00:34:58,725
I mean, serious,
disco was really like going to church.
504
00:35:00,845 --> 00:35:02,125
ASSISTANT:
Tell me when I'm getting too tight.
505
00:35:02,165 --> 00:35:03,725
Go.
- OK.
506
00:35:08,965 --> 00:35:12,405
It's better to go tighter
from the waist down.
507
00:35:12,445 --> 00:35:13,525
ASSISTANT: Uh-huh.
508
00:35:23,805 --> 00:35:26,605
It's very tricky, this one.
I think that's on right.
509
00:35:26,645 --> 00:35:27,925
Right, you have the powder?
- Yep.
510
00:35:27,965 --> 00:35:30,445
The block.
Just the block, lipstick and...
511
00:35:33,605 --> 00:35:35,565
GRACE: Hello, hello.
- Hello.
512
00:35:35,605 --> 00:35:38,085
How you doing, Grace?
- OK. Who... Who is this?
513
00:35:38,125 --> 00:35:40,085
INDISTINCT
- Oh, hi.
514
00:35:44,605 --> 00:35:46,765
INDISTINCT CHATTER
515
00:35:52,605 --> 00:35:53,445
Oh.
516
00:35:53,485 --> 00:35:56,525
GRACE:
I hope the set isn't really tacky.
517
00:35:56,565 --> 00:35:58,645
Otherwise
we'll just have to bite the bullet.
518
00:35:58,685 --> 00:36:01,965
Say 'fuck it.'
This is paying for my record.
519
00:36:07,765 --> 00:36:09,525
GRACE HUMS
520
00:36:14,645 --> 00:36:17,245
I know, I look like a bug
from outer space.
521
00:36:33,325 --> 00:36:35,645
ANNOUNCER SPEAKS IN FRENCH
522
00:36:35,685 --> 00:36:37,405
APPLAUSE
523
00:36:39,405 --> 00:36:42,205
INDISTINCT FRENCH
524
00:36:55,685 --> 00:36:57,525
APPLAUSE
525
00:37:00,325 --> 00:37:03,925
MUSIC: "La Vie en Rose"
by Grace Jones
526
00:37:12,245 --> 00:37:15,525
# Mmmm-mmmm-mmmm
527
00:37:18,285 --> 00:37:22,165
# Ah-ah-ah-ah-ah-ah
528
00:37:23,285 --> 00:37:25,365
# Des yeux qui font
529
00:37:26,045 --> 00:37:27,605
# Baisser Ies miens
530
00:37:28,565 --> 00:37:31,005
# Un rire qui se perd
531
00:37:31,365 --> 00:37:33,125
# Sur sa bouche
532
00:37:34,085 --> 00:37:37,885
# Voilé. le portrait sans retouche
533
00:37:39,045 --> 00:37:42,485
# De I'homme auquel j'appartiens
534
00:37:44,005 --> 00:37:47,605
# Quand il me prend dans ses bras
535
00:37:47,645 --> 00:37:50,365
# II me parle tout bas
536
00:37:50,405 --> 00:37:54,205
# Je vois Ia vie en rose
537
00:37:55,005 --> 00:37:58,725
# II me dit des mots d'amour
538
00:37:58,765 --> 00:38:01,325
# Des mots de tous Ies jours
539
00:38:01,365 --> 00:38:04,805
# Et ga me fait quelque chose
540
00:38:05,765 --> 00:38:08,765
# Aaaaaaah!
541
00:38:13,765 --> 00:38:15,725
# Mmmm... #
542
00:38:35,125 --> 00:38:38,965
GRACE: Very tacky, isn't it?
What can I say? What can I do?
543
00:38:40,205 --> 00:38:42,965
I mean, they want you to,
er, they want to see your eyes.
544
00:38:51,605 --> 00:38:53,645
Perhaps for the interview
you can put it off?
545
00:38:55,965 --> 00:38:57,165
KNOCK AT DOOR
546
00:38:58,565 --> 00:38:59,605
Oui?
547
00:38:59,645 --> 00:39:01,365
MAN: My darling.
- Oui?
548
00:39:08,805 --> 00:39:10,605
I'm like a madam in a whorehouse.
549
00:39:29,565 --> 00:39:31,285
It's like in a whorehouse!
550
00:39:31,325 --> 00:39:33,005
Give me a fucking break.
551
00:39:33,045 --> 00:39:36,765
I am the madam of all these girls.
Of course.
552
00:39:39,885 --> 00:39:43,405
That's how they parade
when you go inside a brothel.
553
00:40:17,845 --> 00:40:20,725
We are visual artists,
we know what things look like.
554
00:40:22,845 --> 00:40:24,445
And that's what it looks like.
555
00:40:32,845 --> 00:40:34,845
I feel badly for the dancers.
556
00:40:56,245 --> 00:41:00,605
Oh, those poor girls. They will be
so upset with me, they will hate me.
557
00:41:01,845 --> 00:41:03,245
KNOCK AT DOOR
558
00:41:04,005 --> 00:41:06,125
CYMBALS RATTLE GENTLY
559
00:41:06,165 --> 00:41:08,725
GRACE: Robbie? Robbie ?
560
00:41:08,765 --> 00:41:14,285
W'happen, man?
You... You see the graveyard there?
561
00:41:14,325 --> 00:41:16,605
GRACE: Our ancestors.
562
00:41:17,205 --> 00:41:18,605
GRACE LAUGHS
563
00:41:18,645 --> 00:41:20,445
DEMO TAPE PLAYS
564
00:41:22,445 --> 00:41:24,605
INDISTINCT CHATTER
565
00:41:37,325 --> 00:41:40,645
GRACE: What's that?
That sounds silly.
566
00:41:42,125 --> 00:41:44,085
I better tell them
what this song is about.
567
00:41:44,925 --> 00:41:47,485
The song is about an alcoholic.
568
00:41:47,525 --> 00:41:50,925
He's just so fucked up, you know?
569
00:41:50,965 --> 00:41:54,005
He kind of woke up
out of a death-passing-out thing
570
00:41:54,045 --> 00:41:56,445
and just decided
he's gotta go back home.
571
00:41:56,885 --> 00:41:59,245
The demo is the demo.
You don't have to follow it.
572
00:41:59,285 --> 00:42:00,725
MUSICIAN: OK.
- GRACE: Just...
573
00:42:00,965 --> 00:42:01,885
MUSICIAN: OK.
- Yeah.
574
00:42:15,485 --> 00:42:17,165
ROBBIE: Go, one, two, three.
I'll make a start.
575
00:42:17,205 --> 00:42:18,885
GRACE: Can you hear me?
576
00:42:18,925 --> 00:42:21,565
MUSICIAN: Whenever you're ready, Sly.
- Yeah. Yeah, man.
577
00:42:21,605 --> 00:42:24,325
MAN: Start the engine, let's roll.
- One, two...
578
00:42:24,365 --> 00:42:25,645
MUSIC INTRO
579
00:42:25,685 --> 00:42:27,645
REGGAE BEAT
580
00:42:42,925 --> 00:42:45,765
# Cat's-eyes on the road again
581
00:42:45,805 --> 00:42:48,725
# Keep on blinking in my eyes
582
00:42:48,765 --> 00:42:52,725
# And I think I might go home again
583
00:42:55,005 --> 00:42:58,005
# And now that all my memories
584
00:42:58,045 --> 00:43:00,845
# Are all scattered in the skies
585
00:43:00,885 --> 00:43:05,085
# And I think I might go home again
586
00:43:06,965 --> 00:43:09,485
# Well, well, well
587
00:43:09,525 --> 00:43:10,885
# I'm on a tightrope
588
00:43:10,925 --> 00:43:12,845
# Well, well, well
589
00:43:12,885 --> 00:43:14,445
# I think I'm falling
590
00:43:14,485 --> 00:43:18,085
# Well, well, well,
well, well, well... #
591
00:43:19,525 --> 00:43:21,485
MUSICIAN: Ah, come on.
592
00:43:22,925 --> 00:43:26,685
IVOR: Give Robbie an extra
and play the track back. Wicked!
593
00:43:27,165 --> 00:43:29,845
IVOR: What ya say, Robbie?
From top, from top.
594
00:43:29,885 --> 00:43:31,605
MUSICIAN: Drop Robbie in
for the middle eight count.
595
00:43:31,645 --> 00:43:34,205
# One hand on the steering wheel
596
00:43:34,245 --> 00:43:37,205
# And the other over my eyes
597
00:43:38,565 --> 00:43:41,445
# I'm trying to make
some kind of sense
598
00:43:41,485 --> 00:43:44,285
# Or logic in my life
599
00:43:44,325 --> 00:43:45,645
# Oh, I'm singing
600
00:43:45,685 --> 00:43:49,205
# Well, well, well,
this ain't the first time
601
00:43:49,245 --> 00:43:52,765
# Well, well, well,
won't be the last time
602
00:43:52,805 --> 00:43:56,245
# Well, well, well, well, well, well
603
00:43:59,965 --> 00:44:03,445
# Well, well, well,
I'm on a tightrope
604
00:44:03,485 --> 00:44:06,965
# Well, well, well,
I think I'm falling
605
00:44:07,005 --> 00:44:13,165
# Well, well, well, well, well,
well, well, well, well, well
606
00:44:13,205 --> 00:44:14,885
# Well, well, well
607
00:44:15,045 --> 00:44:17,605
# Well, well, this ain't the first time
608
00:44:17,645 --> 00:44:21,325
# Well, well, well,
won't be the last time... #
609
00:44:24,765 --> 00:44:26,205
MAN: First time here?
610
00:44:26,805 --> 00:44:30,645
No, sir. This is the third time
I've actually come to this spot.
611
00:44:30,685 --> 00:44:32,605
Oh, I see.
- Yeah.
612
00:44:32,645 --> 00:44:35,325
Family is in Kingston and Spanish Town.
613
00:44:35,365 --> 00:44:36,885
Spanish Town?
- Yes.
614
00:44:40,405 --> 00:44:43,965
GRACE: Alright now, so how much,
how much chicken and pork we getting?
615
00:44:47,485 --> 00:44:49,605
And some festival?
You guys want festival?
616
00:44:49,645 --> 00:44:51,365
PAULO: Yeah.
- CHANTELLE: I'm not that hungry.
617
00:44:51,405 --> 00:44:53,085
GRACE: You will be.
- PAULO: You will be.
618
00:44:53,125 --> 00:44:55,045
CHANTELLE: I will be later.
- GRACE: At least we'll have it.
619
00:44:56,005 --> 00:44:57,965
GRACE: Do you make them hats?
- Yeah, man.
620
00:44:58,005 --> 00:44:59,885
GRACE: Wicked hat, man.
- HE CHUCKLES
621
00:44:59,925 --> 00:45:03,405
GRACE: Wicked, man. Wicked, man.
You know how me know you is a Maroon?
622
00:45:03,445 --> 00:45:06,125
You have the blue circle
around your eyes like me daddy.
623
00:45:06,845 --> 00:45:08,205
How many hats you have?
624
00:45:10,325 --> 00:45:13,045
So I think we nah do the rafting today,
you know.
625
00:45:13,085 --> 00:45:15,445
Me think we're just going to
the Blue Lagoon.
626
00:45:15,485 --> 00:45:19,845
GRACE". My sister's daughter never been
to Jamaica so I'm showing her.
627
00:45:49,045 --> 00:45:51,125
GRACE: Lot of shit in my head.
628
00:45:51,165 --> 00:45:52,965
AUDIENCE CHEERS
629
00:45:55,925 --> 00:45:58,045
Too much shit in my head!
630
00:45:58,085 --> 00:46:00,085
CHEERS
631
00:46:01,565 --> 00:46:05,485
Mm-mm. Behave. Be an example.
Shut up!
632
00:46:12,165 --> 00:46:15,165
CHANTELLE: It's really hard
with my mom because her and I
633
00:46:15,205 --> 00:46:18,925
are just now working on the issues
that we had because of her past.
634
00:46:18,965 --> 00:46:21,805
A lot of the time I've asked her,
'What happened to you?'
635
00:46:21,845 --> 00:46:22,965
GRACE: And she won't tell?
636
00:46:23,005 --> 00:46:24,965
CHANTELLE: It's not that she won't...
It's like...
637
00:46:25,565 --> 00:46:27,685
She does not remember
most of her childhood.
638
00:46:27,725 --> 00:46:28,885
Right.
639
00:46:28,925 --> 00:46:31,965
And that's why she said, 'I'm so happy
you're going to Jamaica with the family
640
00:46:32,005 --> 00:46:37,205
so that you actually get the history
because I don't remember.'
641
00:46:37,245 --> 00:46:39,125
'I've blocked out most of my memories.'
642
00:46:39,165 --> 00:46:42,725
And the only way to get the history
of what happened with Pam
643
00:46:42,765 --> 00:46:44,005
because she was alone
644
00:46:44,045 --> 00:46:49,045
when... because Noel and Chris
and Max and me
645
00:46:49,085 --> 00:46:50,605
we were all together.
646
00:46:50,645 --> 00:46:56,405
So it's true, we shared... You know,
I would be in the room watching them.
647
00:46:56,445 --> 00:46:58,525
You know, the welts on their backs
648
00:46:58,565 --> 00:47:01,445
and I was like the lookout person
for them
649
00:47:01,485 --> 00:47:04,485
so they could go off
before anyone comes back from church.
650
00:47:04,525 --> 00:47:07,005
I'd be up climbing the tree
and doing the...
651
00:47:07,045 --> 00:47:09,685
They'd teach me how to do
the boy's whistle.
652
00:47:09,725 --> 00:47:11,925
Like this, really loud, you know
653
00:47:11,965 --> 00:47:15,125
so they'd know they have to leave
from where they are, watching TV.
654
00:47:15,165 --> 00:47:17,045
Hm-hmm.
- We weren't allowed, forget it.
655
00:47:17,085 --> 00:47:18,405
This wine is really good.
656
00:47:18,445 --> 00:47:20,125
We weren't supposed to watch TV,
radio, none.
657
00:47:20,165 --> 00:47:21,725
All that was like 'forget it.'
658
00:47:21,765 --> 00:47:25,405
You get caught doing that, you get,
you just get beaten for a week.
659
00:47:25,445 --> 00:47:27,925
Mom's mom really tried to protect us.
660
00:47:27,965 --> 00:47:30,925
And he would just, just push her aside,
you know.
661
00:47:30,965 --> 00:47:37,765
She'd go, 'Ahh, you can't,
don't beat my, my children's...
662
00:47:37,805 --> 00:47:40,765
my daughter's children,'
or something she'd say in Jamaican.
663
00:47:40,805 --> 00:47:44,605
I just thought he just didn't know.
He just was doing it by the Bible.
664
00:47:44,645 --> 00:47:48,325
And it was like, you know,
'It's because I love you.' Whip! Whip!
665
00:47:48,365 --> 00:47:52,525
Read the Bible, you know?
We had to read things from the Bible
666
00:47:52,565 --> 00:47:55,445
while we were being beaten.
It was just like too much
667
00:47:55,485 --> 00:48:00,125
and we just thought Pam was, like,
having a real good old time, you know?
668
00:48:10,125 --> 00:48:11,645
GRACE: I could never show
669
00:48:11,685 --> 00:48:15,605
that I missed my mom or my dad
when they moved to America.
670
00:48:17,005 --> 00:48:19,885
Couldn't write letters
that weren't read before.
671
00:48:22,005 --> 00:48:26,125
I think I could've been too hard
on Mas P at some point.
672
00:48:26,165 --> 00:48:30,125
I don't know. Noel kind of showed me
this other side to Mas P
673
00:48:30,165 --> 00:48:33,605
that I was thinking,
'Well, maybe he has a point,'
674
00:48:33,645 --> 00:48:35,205
because he didn't want any kids
675
00:48:35,245 --> 00:48:39,805
because he married my grandmother
who was already in menopause.
676
00:48:39,845 --> 00:48:41,285
So then when y'all moved down here...
677
00:48:41,325 --> 00:48:44,685
GRACE: All of a sudden he inherited
five puppies, you know what I mean?
678
00:48:44,725 --> 00:48:46,605
Right. Yeah.
- GRACE: Like 'here.'
679
00:48:46,645 --> 00:48:49,485
That... That would be irritating.
SHE LAUGHS
680
00:48:49,525 --> 00:48:52,205
GRACE: You know?
And so, so Noel kind of goes,
681
00:48:52,245 --> 00:48:55,645
'Well, actually, you know, you should
look more at Dad, not Mas P'
682
00:48:55,685 --> 00:48:58,045
because he took in, you know,
five children
683
00:48:58,085 --> 00:49:00,645
when obviously he didn't want kids.
I never thought of it like that.
684
00:49:00,685 --> 00:49:01,765
Hm-hmm.
685
00:49:01,805 --> 00:49:03,605
So I did my acting classes and stuff.
686
00:49:03,645 --> 00:49:06,805
That's when I really started
dealing with all of that
687
00:49:06,845 --> 00:49:09,125
through a one-on-one class
688
00:49:09,165 --> 00:49:13,525
and really, oh boy, oh boy, oh!
689
00:49:13,565 --> 00:49:15,005
I got so violent.
690
00:49:16,285 --> 00:49:18,045
CHANTELLE: I bet.
- I scared my teacher.
691
00:49:18,085 --> 00:49:19,565
He had to hypnotise me.
692
00:49:19,605 --> 00:49:23,245
So he'd say a word that would get me
to drop whatever it was I had in my hand
693
00:49:23,285 --> 00:49:25,485
about to crash over his head.
- CHANTELLE LAUGHS
694
00:49:25,965 --> 00:49:27,405
No kidding!
695
00:49:27,445 --> 00:49:30,485
Yeah, he hypnotised me
without me knowing.
696
00:49:30,525 --> 00:49:33,485
He found out that ice cream
was something that changes my mood.
697
00:49:33,525 --> 00:49:36,325
Like, if you said an oyster now,
probably I'd do the same.
698
00:49:37,365 --> 00:49:41,405
But it's true,
I had so much rage,
699
00:49:41,445 --> 00:49:45,645
and I knew, even on my stage act,
believe it or not
700
00:49:45,685 --> 00:49:47,965
I was playing out Mas P.
701
00:49:48,005 --> 00:49:49,805
That's why I'm so scary.
702
00:49:51,765 --> 00:49:57,445
Every... The way I would move my head
on the stage and when I get like...
703
00:49:58,565 --> 00:50:00,445
It's really funny.
704
00:50:00,485 --> 00:50:02,445
And my, my coach told me, he said
705
00:50:02,485 --> 00:50:06,245
'Those, what you are doing,
you're being him!'
706
00:50:06,285 --> 00:50:10,005
That male, dominant
707
00:50:10,045 --> 00:50:12,645
scary person that I become...
- CHANTELLE: Right.
708
00:50:12,685 --> 00:50:15,165
...is actually I'm playing Mas P.
709
00:50:16,365 --> 00:50:19,445
Fucking hell. I became him.
710
00:50:19,845 --> 00:50:22,965
MUSIC: "Warm Leatherette"
by Grace Jones
711
00:50:26,485 --> 00:50:28,525
AUDIENCE CHEERS
712
00:50:33,365 --> 00:50:35,125
BACKING SINGERS:
# Warm
713
00:50:35,685 --> 00:50:37,285
# Leatherette
714
00:50:37,965 --> 00:50:40,165
BACKING SINGERS:
# Warm
715
00:50:40,205 --> 00:50:41,325
# Leatherette
716
00:50:42,285 --> 00:50:43,805
BACKING SINGERS:
# Warm
717
00:50:44,725 --> 00:50:46,325
# Leatherette
718
00:50:47,045 --> 00:50:49,245
BACKING SINGERS:
# Warm
719
00:50:49,285 --> 00:50:51,165
# Leatherette
720
00:50:51,205 --> 00:50:55,565
# See the breaking glass
in the underpass
721
00:50:56,165 --> 00:50:58,285
# See the breaking glass
722
00:50:58,325 --> 00:51:00,605
# In the underpass
723
00:51:00,645 --> 00:51:02,725
BACKING SINGERS:
# Warm
724
00:51:02,765 --> 00:51:04,525
# Leatherette
725
00:51:05,085 --> 00:51:07,325
BACKING SINGERS:
# Warm
726
00:51:07,365 --> 00:51:09,605
# Leatherette
727
00:51:09,645 --> 00:51:11,885
BACKING SINGERS:
# Warm
728
00:51:11,925 --> 00:51:14,205
# Leatherette
729
00:51:14,245 --> 00:51:16,445
BACKING SINGERS:
# Warm
730
00:51:16,485 --> 00:51:18,605
# Leatherette
731
00:51:18,645 --> 00:51:20,645
# A tear of petrol
732
00:51:20,805 --> 00:51:22,525
# Is in your eye
733
00:51:22,845 --> 00:51:25,365
# And the handbrake
734
00:51:25,405 --> 00:51:27,845
# Penetrates your thigh
735
00:51:27,885 --> 00:51:29,965
BACKING SINGERS:
# Warm
736
00:51:30,005 --> 00:51:32,245
# Leatherette
737
00:51:32,285 --> 00:51:34,605
BACKING SINGERS:
# Warm
738
00:51:34,645 --> 00:51:36,805
# Leatherette
739
00:51:36,845 --> 00:51:39,045
BACKING SINGERS:
# Warm
740
00:51:39,085 --> 00:51:41,405
# Leatherette
741
00:51:41,445 --> 00:51:43,565
BACKING SINGERS:
# Warm
742
00:51:43,605 --> 00:51:45,645
# Leatherette
743
00:51:45,685 --> 00:51:48,125
# A tear of petrol
744
00:51:48,165 --> 00:51:50,365
# Is in your eye
745
00:51:50,405 --> 00:51:52,365
# The handbrake
746
00:51:52,405 --> 00:51:54,645
# Penetrates your thigh
747
00:51:54,685 --> 00:51:56,885
# A tear of petrol
748
00:51:56,925 --> 00:51:59,365
# Is in your eye
749
00:51:59,405 --> 00:52:02,045
# Quick, let's make love
750
00:52:02,085 --> 00:52:04,405
# Before we die
751
00:52:05,245 --> 00:52:07,125
# Warm! #
752
00:52:07,645 --> 00:52:09,645
Let me hear you say 'warm'!
753
00:52:18,005 --> 00:52:20,205
I had to become my own doctor.
754
00:52:20,245 --> 00:52:22,125
Figure things out, you know?
755
00:52:24,645 --> 00:52:28,565
I saw a few doctors
but they couldn't do anyting for me.
756
00:52:28,965 --> 00:52:31,965
Me den teach dem Iickle something,
instead.
757
00:52:34,005 --> 00:52:36,685
So, ya know, analyse meself.
758
00:52:38,405 --> 00:52:39,725
Uh-huh.
759
00:52:41,045 --> 00:52:43,085
So I had to get my own beating.
760
00:52:43,405 --> 00:52:46,645
I had to get my own beating
to know how to beat you.
761
00:52:50,045 --> 00:52:52,125
CHEERS
762
00:52:53,525 --> 00:52:56,605
Mm-hmm. I did ask for my whip!
763
00:52:56,645 --> 00:52:58,485
CHEERS
764
00:52:58,525 --> 00:53:00,885
MUSIC: "Nipple To The Bottle"
by Grace Jones
765
00:53:00,925 --> 00:53:02,365
# Get mad
766
00:53:14,085 --> 00:53:17,765
# Colour and warmth
came into your world
767
00:53:17,805 --> 00:53:20,005
# It makes me crazy
768
00:53:23,165 --> 00:53:25,405
# When you don't get what you want
769
00:53:25,445 --> 00:53:27,245
# You scream and you shout
770
00:53:27,285 --> 00:53:29,525
# You're still a baby
771
00:53:32,965 --> 00:53:34,925
# Don't give me a line
772
00:53:34,965 --> 00:53:36,645
# Keep your lid on the bottle this time
773
00:53:36,685 --> 00:53:38,685
# I'm still a lady
774
00:53:42,245 --> 00:53:44,325
# I won't do it tonight
775
00:53:44,365 --> 00:53:46,405
# I won't do it tonight
776
00:53:46,445 --> 00:53:48,205
# No way, baby
777
00:53:48,805 --> 00:53:50,325
#Ah
778
00:53:51,245 --> 00:53:54,085
# I won't give in
and I won't feel guilty
779
00:53:54,125 --> 00:53:56,405
BACKING SINGERS:
# I won't give in and I won't feel guilty
780
00:53:56,445 --> 00:53:58,845
# Rant and rage to manipulate me
781
00:53:58,885 --> 00:54:01,045
BACKING SINGERS:
# Rant and rage to manipulate me
782
00:54:01,085 --> 00:54:03,285
# From the nipple to the bottle
never satisfied
783
00:54:03,325 --> 00:54:05,605
BACKING SINGERS: # From the nipple
to the bottle never satisfied
784
00:54:05,645 --> 00:54:08,085
# From the nipple to the bottle
now the cow must die
785
00:54:08,125 --> 00:54:10,605
BACKING SINGERS: # From the nipple
to the bottle now the cow must die
786
00:54:19,765 --> 00:54:21,925
# Your power and wealth
787
00:54:23,045 --> 00:54:25,525
# Entering myself ain't easy
788
00:54:29,325 --> 00:54:33,325
# Embarrassing my store
while opening up my door
789
00:54:33,365 --> 00:54:35,485
# When it's breezy
790
00:54:38,645 --> 00:54:40,845
# Show me your force
791
00:54:40,885 --> 00:54:44,525
# Exaggerated stamina and energy
792
00:54:47,925 --> 00:54:50,125
# There's no place for that
793
00:54:50,165 --> 00:54:52,085
# There's no place for that
794
00:54:52,125 --> 00:54:54,205
# It ain't that easy
795
00:54:57,405 --> 00:54:59,925
# I won't give in
and I won't feel guilty
796
00:54:59,965 --> 00:55:02,005
BACKING SINGERS:
# I won't give in and I won't feel guilty
797
00:55:02,045 --> 00:55:04,605
# Rant and rage to manipulate me
798
00:55:04,645 --> 00:55:06,645
BACKING SINGERS:
# Rant and rage to manipulate me
799
00:55:06,685 --> 00:55:09,085
# From the nipple to the bottle
never satisfied
800
00:55:09,125 --> 00:55:11,525
BACKING SINGERS: # From the nipple
to the bottle never satisfied
801
00:55:11,565 --> 00:55:13,885
# From the nipple to the bottle
now the cow must die
802
00:55:13,925 --> 00:55:16,125
BACKING SINGERS: # From the nipple
to the bottle now the cow must die
803
00:55:22,365 --> 00:55:23,885
# Ain't gonna get it
804
00:55:24,445 --> 00:55:25,925
# You ain't gonna get it
805
00:55:26,885 --> 00:55:28,405
# If I don't give it
806
00:55:46,565 --> 00:55:49,285
# Because I won't give in
and I won't feel guilty
807
00:55:49,325 --> 00:55:51,645
BACKING SINGERS:
# I won't give in and I won't feel guilty
808
00:55:51,685 --> 00:55:54,045
# Rant and rage to manipulate me
809
00:55:54,085 --> 00:55:56,325
BACKING SINGERS:
# Rant and rage to manipulate me
810
00:55:56,365 --> 00:55:58,525
# From the nipple to the bottle
never satisfied
811
00:55:58,565 --> 00:56:00,805
BACKING SINGERS: # From the nipple
to the bottle never satisfied
812
00:56:00,845 --> 00:56:03,365
# From the nipple to the bottle
now the cow must die
813
00:56:03,405 --> 00:56:05,125
BACKING SINGERS: # From the nipple
to the bottle now the cow must die
814
00:56:05,165 --> 00:56:06,285
# Whoa!
815
00:56:06,325 --> 00:56:08,725
BACKING SINGERS:
# I won't give in and I won't feel guilty
816
00:56:08,765 --> 00:56:10,205
# I won't give in
817
00:56:10,925 --> 00:56:12,885
# I won't feel guilty
818
00:56:14,885 --> 00:56:16,405
# I said I won't give in
819
00:56:16,445 --> 00:56:17,805
BACKING SINGERS:
# Rant and rage to manipulate me
820
00:56:17,845 --> 00:56:19,605
# Rant and rage
821
00:56:19,645 --> 00:56:22,045
# You ain't gonna get it
822
00:56:22,085 --> 00:56:24,405
# You rant and rage
823
00:56:24,445 --> 00:56:26,685
# You rant and rage
824
00:56:26,725 --> 00:56:29,045
# But you ain't gonna get it
825
00:56:29,085 --> 00:56:31,085
# Uh-huh-huh-huh! #
826
00:56:34,125 --> 00:56:39,845
GRACE PRACTISES SCALES
827
00:57:14,285 --> 00:57:16,525
Should have got up early
and done my weights.
828
00:57:17,325 --> 00:57:19,285
Would have sucked it in a bit more.
829
00:57:22,325 --> 00:57:24,245
I'm just gonna put on my clothes.
830
00:57:25,165 --> 00:57:27,325
And we can be...
# Going!
831
00:57:27,365 --> 00:57:29,485
PRACTISES SCALES
832
00:57:33,165 --> 00:57:37,885
Ivor, Michael didn't have
a signed contract
833
00:57:37,925 --> 00:57:42,725
when I spoke to him this morning
from those people. Can you believe it?
834
00:57:43,925 --> 00:57:47,485
They tried to stiff me before, in Spain,
the same company.
835
00:57:47,525 --> 00:57:49,685
I think I locked myself
in the bathroom.
836
00:57:49,725 --> 00:57:52,405
SHE LAUGHS
It was quite funny.
837
00:57:52,445 --> 00:57:55,685
I was all dressed up like
Gina Lollobrigida, except all in white.
838
00:57:55,725 --> 00:57:58,565
White wig, white dress,
white everything.
839
00:57:58,605 --> 00:58:00,325
The product was called White.
840
00:58:00,365 --> 00:58:01,805
It was a new drink.
- PHONE RINGS
841
00:58:03,845 --> 00:58:05,445
Is he on?
- ASSISTANT: Yes.
842
00:58:06,765 --> 00:58:08,965
Well, darling, am I to leave the hotel?
843
00:58:11,405 --> 00:58:14,805
No, Michael, Michael,
I'm not leaving till it's finalised.
844
00:58:15,925 --> 00:58:19,725
I already told you this morning, Michael.
What on earth are you doing?
845
00:58:23,285 --> 00:58:26,885
You think I'm gonna spend one penny
of the money that I'm underpaid here
846
00:58:26,925 --> 00:58:28,325
to pay for the hotel?
847
00:58:32,325 --> 00:58:36,445
No, then it's not taken care of.
It's not taken care of, Michael.
848
00:58:37,885 --> 00:58:42,045
There's no ifs, there's no ifs,
ands or buts, OK?
849
00:58:46,325 --> 00:58:50,405
Well, darling, I am the one
doing the show, Michael!
850
00:58:51,205 --> 00:58:54,485
Don't give me this shit!
All the other rooms are taken care of!
851
00:58:56,045 --> 00:58:57,845
Call me when it's done!
852
00:58:57,885 --> 00:58:59,925
SHE THROWS PHONE
- Sorry.
853
00:59:03,005 --> 00:59:04,365
Fucking idiot!
854
00:59:07,045 --> 00:59:09,645
So what's going on?
So they haven't signed the contract?
855
00:59:13,085 --> 00:59:16,605
HE COUGHS
- Sorry. It scares me.
856
00:59:20,285 --> 00:59:22,245
So they haven't signed the contract yet?
857
00:59:27,685 --> 00:59:30,725
GRACE: I'm not leaving
until everything is sent and proper.
858
00:59:34,045 --> 00:59:36,685
The only problem I know
for the presidential suite
859
00:59:36,725 --> 00:59:40,525
was if we had to stay over till the 12th
if the flight was not booked.
860
00:59:40,565 --> 00:59:43,925
That was the only thing
they sent us for that one night.
861
00:59:46,805 --> 00:59:48,165
Motherfucker.
862
00:59:52,965 --> 00:59:55,885
Oh, the fucking panther
is coming out in me now.
863
01:00:04,125 --> 01:00:07,325
We are far away from home here,
Michael!
864
01:00:10,485 --> 01:00:12,165
This is your last gig.
865
01:00:13,525 --> 01:00:15,325
WATER RUNS
866
01:00:17,805 --> 01:00:19,885
# Heads are gonna roll
867
01:00:19,925 --> 01:00:21,165
TURNS TAP OFF
868
01:00:21,205 --> 01:00:22,725
# Heads are gonna roll
869
01:00:22,765 --> 01:00:25,525
# That's all I can say
870
01:00:25,565 --> 01:00:28,885
# They're gonna be rolling, rolling
871
01:00:35,165 --> 01:00:36,405
# Man, I'm feeling lonely
872
01:00:36,445 --> 01:00:37,965
# Someone telephone me
873
01:00:38,965 --> 01:00:42,485
# It's getting hard...
getting hard to waste my time... #
874
01:00:42,525 --> 01:00:44,285
No?
- IVOR: Yeah, waste or pass.
875
01:00:44,325 --> 01:00:46,805
How do you... Do you wanna
write it down or something?
876
01:00:46,845 --> 01:00:48,885
No, I have to memorise it again.
877
01:00:48,925 --> 01:00:50,885
And the next verse,
'Say that you will find him...'
878
01:00:50,925 --> 01:00:54,405
# Say that you will find him
creeping up behind him
879
01:00:54,445 --> 01:00:56,365
# Moving round the town all day... #
880
01:01:00,085 --> 01:01:02,325
GRACE: What is it?
- IVOR: Underestimated.
881
01:01:02,365 --> 01:01:04,725
GRACE:
# I'm underestimated... #
882
01:01:06,845 --> 01:01:10,565
GRACE: We're still on time
if they send it soon.
883
01:01:11,445 --> 01:01:12,645
We'll be OK.
884
01:01:13,325 --> 01:01:15,885
FEMALE ASSISTANT:
Hi. I was just wanting to let you know
885
01:01:15,925 --> 01:01:20,565
what's going on here.
Um, in that, um, until we have...
886
01:01:20,605 --> 01:01:23,325
Which I think they were actually sending
by email to everyone at the moment...
887
01:01:25,365 --> 01:01:30,285
Ohh, they don't know I've been around
the block too many times.
888
01:01:30,325 --> 01:01:31,645
PHONE RINGS
889
01:01:31,685 --> 01:01:34,405
Around the globe is more like it.
Fuck the block!
890
01:01:35,005 --> 01:01:37,165
FEMALE ASSISTANT:
Hello? Oh, hi.
891
01:01:37,205 --> 01:01:41,005
GRACE: # They say that you
will find him, creeping up behind him
892
01:01:41,045 --> 01:01:43,885
# Moving round the town all day
893
01:01:43,925 --> 01:01:47,405
# Well, I'm underestimated,
mildly underrated
894
01:01:47,445 --> 01:01:49,325
# Can't there be another way?
895
01:01:49,365 --> 01:01:51,685
# I need a man
896
01:01:51,725 --> 01:01:54,205
# Perhaps a man like you
897
01:01:54,245 --> 01:01:56,085
# I need a man
898
01:01:56,125 --> 01:01:58,245
# Gonna make my dreams
899
01:02:00,485 --> 01:02:02,285
# Come true
900
01:02:03,685 --> 01:02:06,485
# Well, I'm gettin' tired of lookin'
901
01:02:06,525 --> 01:02:08,085
# Wastin' all my cookin'
902
01:02:08,125 --> 01:02:09,805
# Ending in a dreadful row... #
903
01:02:09,845 --> 01:02:11,245
It's coming.
904
01:02:11,285 --> 01:02:14,285
# Can somebody tell me,
say to me or spell me
905
01:02:14,325 --> 01:02:15,805
# Why I'm feelin' lonely?
906
01:02:15,845 --> 01:02:17,845
# Whoa, I need a man
907
01:02:17,885 --> 01:02:19,845
# Perhaps a man like you
908
01:02:19,885 --> 01:02:21,325
# I need a man
909
01:02:21,365 --> 01:02:24,485
# Gonna make my dreams come true... #
910
01:02:25,245 --> 01:02:27,445
I haven't sang this damn song
in I don't know how long.
911
01:02:29,525 --> 01:02:31,325
GRACE". What a girl's gotta do.
912
01:02:33,685 --> 01:02:35,565
What is it in that movie?
913
01:02:37,725 --> 01:02:40,765
You have to be a high-flying bitch
sometimes.
914
01:02:40,805 --> 01:02:43,285
What is that?
SHE LAUGHS
915
01:02:43,325 --> 01:02:46,045
Sometimes you have to be
a high-flying bitch.
916
01:02:46,845 --> 01:02:49,645
MUSIC: "Pull Up to the Bumper"
by Grace Jones
917
01:03:09,805 --> 01:03:12,405
# Whoo-hoo. Went a bit too low #
918
01:03:18,085 --> 01:03:19,405
Need more rouge.
919
01:03:50,525 --> 01:03:52,845
I'm going tribal.
920
01:03:52,885 --> 01:03:55,165
MUSIC CONTINUES
921
01:04:25,685 --> 01:04:28,485
A little darker, yeah?
A little darker with the pencil.
922
01:04:47,645 --> 01:04:50,765
Eleven-thirty in New York
and people are leaving the party.
923
01:04:51,925 --> 01:04:54,965
Honey, they must be depressed.
924
01:04:57,925 --> 01:05:00,885
This is fucking New York City
we're talking about.
925
01:05:01,965 --> 01:05:05,445
Give me one more. Grease up the legs.
926
01:05:05,485 --> 01:05:07,045
ASSISTANT: Some heels.
927
01:05:09,245 --> 01:05:10,725
Very nice, Grace.
928
01:05:12,405 --> 01:05:16,285
You know what, you all didn't have
a fucking car, so shut the fuck up!
929
01:05:16,325 --> 01:05:18,125
No, don't make me lose it!
930
01:05:18,165 --> 01:05:19,965
MUSIC: "Pull Up to the Bumper"
by Grace Jones
931
01:05:20,005 --> 01:05:21,125
New York!
932
01:05:21,165 --> 01:05:23,045
CHEERS
933
01:05:54,165 --> 01:05:56,205
# Driving down those city streets
934
01:05:57,325 --> 01:05:59,005
# Waiting to get down
935
01:06:02,685 --> 01:06:05,085
# D'you wanna pitch your big machine
936
01:06:06,085 --> 01:06:08,125
# Somewhere in this town?
937
01:06:11,765 --> 01:06:13,805
# My lines are short, I'll fix you up
938
01:06:13,845 --> 01:06:15,245
# Won't you please come on?
939
01:06:16,005 --> 01:06:18,045
# Shiny sleek machine, believe it
940
01:06:18,085 --> 01:06:20,405
# I got to blow your horn
941
01:06:20,445 --> 01:06:22,685
# Pull up to my bumper, baby
942
01:06:23,485 --> 01:06:26,925
# In your long black limousine
943
01:06:28,125 --> 01:06:29,365
# Uh-huh
944
01:06:29,405 --> 01:06:31,685
# Pull up to my bumper, baby
945
01:06:32,445 --> 01:06:33,845
# Drive it in between
946
01:06:38,045 --> 01:06:39,325
# Pull up
947
01:06:40,325 --> 01:06:41,645
#To it
948
01:06:42,525 --> 01:06:43,725
# Don't drive
949
01:06:44,685 --> 01:06:45,965
# Through it
950
01:06:46,765 --> 01:06:48,085
# You back it
951
01:06:49,085 --> 01:06:50,605
# Up twice
952
01:06:51,325 --> 01:06:52,485
# Now that
953
01:06:53,405 --> 01:06:54,645
# Fits nice
954
01:06:55,445 --> 01:06:56,885
# You grease it
955
01:06:57,845 --> 01:06:59,085
# Spray it
956
01:07:00,085 --> 01:07:01,405
# Let me
957
01:07:01,845 --> 01:07:03,325
# Lubricate it...
958
01:07:03,365 --> 01:07:04,485
Slipper)'-
959
01:07:04,525 --> 01:07:06,805
# Pull up to my bumper, baby
960
01:07:07,765 --> 01:07:10,365
# Pull up to my bumper
961
01:07:10,405 --> 01:07:13,165
- Uh-huh! I see you partying up there!
- CHEERS
962
01:07:13,205 --> 01:07:15,205
BACKING SINGERS:
# Pull up to my bumper, baby
963
01:07:15,245 --> 01:07:17,525
You think I don't see you?
964
01:07:17,565 --> 01:07:22,005
BACKING SINGERS: # Pull up!
- GRACE: Yeah, get up! Get up!
965
01:07:22,045 --> 01:07:24,365
BACKING SINGERS:
# Pull up to my bumper, baby
966
01:07:26,125 --> 01:07:28,045
# To my bumper
967
01:08:15,445 --> 01:08:16,725
Party!
968
01:08:17,685 --> 01:08:19,005
Party!
969
01:08:20,925 --> 01:08:22,485
This is a party!
970
01:08:22,805 --> 01:08:24,885
Get up! Stand up!
971
01:08:25,365 --> 01:08:26,525
Hey!
972
01:08:35,805 --> 01:08:37,165
Pull up!
973
01:08:46,325 --> 01:08:47,445
Pull up!
974
01:08:49,485 --> 01:08:52,445
Now you say...
# Pull up to my bumper, baby
975
01:08:53,285 --> 01:08:54,525
Come on!
976
01:08:54,565 --> 01:08:55,965
BACKING SINGERS:
# Pull up
977
01:08:57,005 --> 01:08:58,245
I can't hear ya!
978
01:08:58,965 --> 01:09:01,245
BACKING SINGERS:
# Pull up to my bumper, baby
979
01:09:03,045 --> 01:09:06,405
Bring it down one second.
I wanna hear 'em.
980
01:09:07,925 --> 01:09:10,165
AUDIENCE:
# Pull up to my bumper, baby
981
01:09:10,205 --> 01:09:11,525
Thank you.
982
01:09:12,285 --> 01:09:14,565
AUDIENCE:
# Pull up to my bumper, baby
983
01:09:14,605 --> 01:09:16,565
Oh, so many thanking you.
984
01:09:16,605 --> 01:09:19,005
AUDIENCE:
# Pull up to my bumper, baby
985
01:09:19,045 --> 01:09:20,965
I really thank you.
986
01:09:21,005 --> 01:09:23,525
AUDIENCE:
# Pull up to my bumper, baby
987
01:09:23,565 --> 01:09:25,405
I really love you.
988
01:09:25,445 --> 01:09:27,645
AUDIENCE:
# Pull up to my bumper, baby
989
01:09:27,685 --> 01:09:29,805
Love you, love you, love you.
990
01:09:29,845 --> 01:09:32,445
AUDIENCE:
# Pull up to my bumper, baby
991
01:09:32,485 --> 01:09:34,205
I so love you!
992
01:09:34,245 --> 01:09:36,725
AUDIENCE:
# Pull up to my bumper, baby #
993
01:09:37,445 --> 01:09:38,885
I feel you!
994
01:09:38,925 --> 01:09:42,685
I can feel them for a long, long way.
995
01:09:43,565 --> 01:09:45,925
And I sing to them in, I...
996
01:09:45,965 --> 01:09:48,285
MAN: Is it a good feeling
when they're shouting your name?
997
01:09:49,285 --> 01:09:52,365
Yeah, so long as they're not saying,
'Burn the witch.'
998
01:09:53,485 --> 01:09:56,085
Oh, no, I've been there
when they're saying, 'Burn the witch.'
999
01:09:56,125 --> 01:09:57,605
MAN: What does it feel like?
1000
01:09:57,645 --> 01:10:02,285
Intense in that they're there, actually,
you know
1001
01:10:03,285 --> 01:10:08,885
and waiting for... for me to perform
the songs that they want to hear.
1002
01:10:08,925 --> 01:10:11,045
Do you have to live up
to their expectations?
1003
01:10:11,085 --> 01:10:16,285
GRACE: My expectations are much higher
than theirs, actually.
1004
01:10:16,325 --> 01:10:19,125
I don't have a question.
I have a request.
1005
01:10:20,045 --> 01:10:23,005
Do you remember
when you hit that person on TV?
1006
01:10:23,045 --> 01:10:24,965
Oh, Russell.
- Russell Harty.
1007
01:10:25,005 --> 01:10:28,685
I don't mind Russell except for the fact
he died, but I didn't kill him.
1008
01:10:28,725 --> 01:10:31,325
Can you hit me?
Cos then, I can tell all my friends,
1009
01:10:31,365 --> 01:10:34,005
'Yeah, Grace Jones gave me a slap.'
Go on then.
1010
01:10:34,045 --> 01:10:35,685
Oh, you want a ringside seat?
1011
01:10:35,725 --> 01:10:38,605
Not a punch. Give me a slap though.
- You want a ringside seat?
1012
01:10:38,645 --> 01:10:40,565
Yeah, go on.
- You don't... Not yet.
1013
01:10:40,605 --> 01:10:41,965
Do you want me to provoke you
and then...?
1014
01:10:42,005 --> 01:10:45,205
You could never provoke me
in the way he did because...
1015
01:10:45,245 --> 01:10:48,805
OK. I'll turn my back to you. I can beg.
I can beg like a dog.
1016
01:10:48,845 --> 01:10:54,565
It doesn't... It doesn't work like that,
you know what I mean?
1017
01:10:54,605 --> 01:10:55,685
MAN: Tell them what happened.
1018
01:10:55,725 --> 01:11:00,765
So, as a model, I was just also singing
1019
01:11:00,805 --> 01:11:05,525
so it was Lord Lichfield, photographer,
you, the model
1020
01:11:05,565 --> 01:11:08,885
then, ehh, singer not so important.
1021
01:11:08,925 --> 01:11:10,685
MAN: In a situation
where everybody talks shite.
1022
01:11:10,725 --> 01:11:14,085
But... but the song,
my song was a top ten.
1023
01:11:14,125 --> 01:11:18,085
I sang in the beginning,
then we sat down in the circle
1024
01:11:18,125 --> 01:11:21,525
and Russell turned his back.
1025
01:11:21,565 --> 01:11:24,325
There was no discussion. I didn't exist.
1026
01:11:24,365 --> 01:11:27,245
MAN: And jet-lag kicked in.
- No, not just jet-lag.
1027
01:11:27,285 --> 01:11:30,605
I got pissed off. I was like,
'This is not what we rehearsed, right?'
1028
01:11:30,645 --> 01:11:33,125
I don't know about lords and shit
at that point.
1029
01:11:33,165 --> 01:11:36,125
All I know, I'm supposed to do this,
do that, do that
1030
01:11:36,165 --> 01:11:40,285
rehearse this, and it's done.
So I just say
1031
01:11:40,325 --> 01:11:44,365
'We rehearsed this so how come
you're not discussing anything with me?'
1032
01:11:44,405 --> 01:11:47,005
Poke,poke,poke.
'Don't turn your back on me.'
1033
01:11:47,045 --> 01:11:48,805
Poke,poke,poke.
1034
01:11:48,845 --> 01:11:53,805
And he just kind of went, 'Well,
you just sit there.' He didn't push me.
1035
01:11:53,845 --> 01:11:56,085
WOMAN: What a jerk.
- He didn't push.
1036
01:11:56,125 --> 01:11:58,405
He just said, you can see it, he goes
1037
01:11:58,445 --> 01:12:00,925
'You just sit there
and behave yourself.'
1038
01:12:02,405 --> 01:12:05,365
And the audience was a live audience
so I'm thinking...
1039
01:12:05,965 --> 01:12:08,245
'Fucking hell.'
- MAN CHUCKLES
1040
01:12:08,285 --> 01:12:12,005
So I went... And then I went...
1041
01:12:13,325 --> 01:12:15,485
And the audience is laughing
1042
01:12:15,525 --> 01:12:18,165
and he's looking, going,
'What the fuck's going on?'
1043
01:12:18,205 --> 01:12:21,005
Why is the audience laughing, you know
1044
01:12:21,045 --> 01:12:23,925
while he's talking to...
to Lord Lichfield, right?
1045
01:12:23,965 --> 01:12:25,485
MAN:
Did they cut this from the TV?
1046
01:12:25,525 --> 01:12:27,685
- No, they didn't, it was live.
- MAN: Really?
1047
01:12:27,725 --> 01:12:30,085
IN ENGLISH ACCENT:
Totally fucking live!
1048
01:12:30,125 --> 01:12:33,725
Yeah. You had your gloves as well.
- 'Don't you turn your back on me!'
1049
01:12:33,765 --> 01:12:37,965
'One more time,' I said,
'I'm warning you. I'm warning you.'
1050
01:12:38,005 --> 01:12:42,125
I always give a warning, you know.
I don't strike without a warning, right?
1051
01:12:42,885 --> 01:12:45,325
Never. I swear to God.
1052
01:12:45,365 --> 01:12:49,405
Lovers. Husbands. Boyfriends.
I give a warning.
1053
01:12:50,205 --> 01:12:52,205
Mothers. Fathers.
- That's very accommodating of you.
1054
01:12:52,245 --> 01:12:55,405
No, I always give a warning.
1055
01:12:55,445 --> 01:12:59,805
Then my patience just goes lockdown.
1056
01:12:59,845 --> 01:13:04,045
Disrespect, disrespect.
Fuck you, now I've had it.
1057
01:13:04,725 --> 01:13:09,205
WOMAN: It's fair, it's fair.
- I gave fair... I gave fair warning!
1058
01:13:09,245 --> 01:13:12,685
If you see it, I said,
'I'm warning you.'
1059
01:13:12,725 --> 01:13:15,805
And then he totally, you know
1060
01:13:15,845 --> 01:13:19,685
made all the audience and everyone
believe that I was insane
1061
01:13:19,725 --> 01:13:21,525
that I was stoned.
- OK, at what point did the handbag...
1062
01:13:21,565 --> 01:13:25,245
Then I just... I lost it.
1063
01:13:25,285 --> 01:13:27,405
And I started fucking hitting him.
1064
01:13:28,405 --> 01:13:32,005
GRACE: Mmm, you should come with us.
We want to go to Kyoto or...
1065
01:13:32,045 --> 01:13:34,165
WOMAN: Kyoto?
- GRACE: Come with us.
1066
01:13:34,205 --> 01:13:35,925
WOMAN: When, when?
1067
01:13:35,965 --> 01:13:38,085
Me, I got to do DJ tomorrow, so...
1068
01:13:38,125 --> 01:13:40,005
Tomorrow? Day after tomorrow.
1069
01:13:40,045 --> 01:13:41,565
Day after tomorrow.
1070
01:13:41,885 --> 01:13:42,925
Yeah.
- Friday.
1071
01:13:42,965 --> 01:13:45,365
Come on, you're a DJ,
you don't need sleep.
1072
01:13:46,725 --> 01:13:50,285
Come on. You don't need sleep
day after tomorrow.
1073
01:13:51,485 --> 01:13:54,725
That's right, yeah.
Yeah, no sleep. No sleep.
1074
01:13:54,765 --> 01:13:57,685
GRACE: We come where you DJ tomorrow.
I'll keep you up.
1075
01:14:02,445 --> 01:14:07,365
I'm a gypsy. Please. I really...
1076
01:14:07,405 --> 01:14:10,005
When things get too complicated,
I like to break them down
1077
01:14:10,045 --> 01:14:13,125
back into simplicity
and what really counts.
1078
01:14:13,925 --> 01:14:16,605
And what really counts is when I die,
I wanna die happy.
1079
01:14:17,285 --> 01:14:18,885
SHE LAUGHS
1080
01:14:18,925 --> 01:14:21,605
DRIVER: Make sure you drink a bottle
of Cristal and smoke a big joint
1081
01:14:21,645 --> 01:14:23,925
just before you die then.
- GRACE: I'm not sure about the joint.
1082
01:14:23,965 --> 01:14:28,965
I might do acid or ecstasy,
holding somebody's hand.
1083
01:14:29,005 --> 01:14:30,925
SHE LAUGHS
1084
01:14:32,765 --> 01:14:35,725
Even if it's a hand of a ghost
that I love.
1085
01:14:37,165 --> 01:14:39,925
Timothy Leary can come
and hold my hand when I'm dying.
1086
01:14:39,965 --> 01:14:41,325
SHE CHUCKLES
1087
01:14:41,365 --> 01:14:46,365
DISTORTED RUMBLING
1088
01:15:03,285 --> 01:15:05,645
"WILLIAMS' BLOOD"
PLAYS QUIETLY
1089
01:15:27,445 --> 01:15:30,245
DISTORTED RUMBLING FADES
1090
01:15:30,845 --> 01:15:33,565
"WILLIAMS' BLOOD" INTRO
BECOMES CLEARER
1091
01:16:36,125 --> 01:16:38,565
"WILLIAMS' BLOOD" INTRO CONTINUES
1092
01:16:57,245 --> 01:17:00,405
GRACE:
# Be a Jones like your sister
1093
01:17:01,165 --> 01:17:02,685
# And your brother Noel
1094
01:17:03,765 --> 01:17:07,125
# Do your thing and be a Jones
1095
01:17:07,165 --> 01:17:10,725
# You're just like Luther and Dan
1096
01:17:10,765 --> 01:17:12,325
# God bless his soul... #
1097
01:17:12,365 --> 01:17:15,765
I need Barry.
I'm gonna rip that motherfucker up.
1098
01:17:15,805 --> 01:17:17,925
SHE GROWLS
Rock it out!
1099
01:17:17,965 --> 01:17:20,685
SHE GROWLS
1100
01:17:20,925 --> 01:17:23,245
Yeah, man, you gotta be dirty in there.
1101
01:17:23,285 --> 01:17:26,325
MUSIC SLOWLY FADES
1102
01:17:53,365 --> 01:17:56,165
MOTHER: Ten minutes to ten.
- You know we're leaving in ten minutes?
1103
01:17:56,205 --> 01:17:58,245
CHRIS: I'll be ready in five minutes.
I was about to shower.
1104
01:17:58,285 --> 01:18:01,045
MOTHER: Get ready in five.
- You just have to shower?
1105
01:18:01,085 --> 01:18:02,725
CHRIS: We're not leaving at 10:15?
- MOTHER: We're leaving at ten!
1106
01:18:02,765 --> 01:18:04,285
No, ten.
- CHRIS: Oh!
1107
01:18:05,845 --> 01:18:08,645
Everybody screaming at the same time,
I just forgot...
1108
01:18:08,685 --> 01:18:11,205
CHANTELLE: Aunt Grace,
I'm gonna take this downstairs
1109
01:18:11,245 --> 01:18:13,285
so I can get dressed, OK?
1110
01:18:13,325 --> 01:18:14,845
GRACE". Yeah.
- CHANTELLE: OK.
1111
01:18:14,885 --> 01:18:17,285
CHANTELLE: I was just making sure
cos it was your coffee.
1112
01:18:17,325 --> 01:18:19,485
GRACE: Oh, honey, don't worry,
there's more.
1113
01:18:21,605 --> 01:18:26,445
Which hat makes... brings out these
colours? This one or that one?
1114
01:18:26,485 --> 01:18:27,885
MOTHER: That one.
1115
01:18:30,205 --> 01:18:33,005
GRACE: Was gonna have this dress
but that's way too hot.
1116
01:18:33,805 --> 01:18:36,405
That church gonna be steaming.
- PHONE RINGS
1117
01:18:36,445 --> 01:18:37,725
The car?
1118
01:18:44,485 --> 01:18:47,605
DRIVER: 9-4-6-5-4-3-O?
- MOTHER: Yes, sir.
1119
01:18:50,445 --> 01:18:52,885
GRACE: Do they wear lipstick?
- MOTHER: Yes.
1120
01:18:55,085 --> 01:18:56,885
MOTHER:
Just be yourself, honey.
1121
01:18:56,925 --> 01:19:00,005
GRACE: Oh, don't tell me that.
- MOTHER: No. No, really.
1122
01:19:02,165 --> 01:19:07,965
MOTHER: Hello? Yes, good morning.
ls Bishop Jones, er, in the lobby?
1123
01:19:09,765 --> 01:19:13,485
Is there some way to get a message
to let them know we're on the way
1124
01:19:13,525 --> 01:19:15,605
that we're actually
a little late leaving?
1125
01:19:15,645 --> 01:19:17,805
MALE ANNOUNCER:
Let's put our hands together...
1126
01:19:17,845 --> 01:19:19,725
APPLAUSE
1127
01:19:20,405 --> 01:19:26,245
...as we welcome him, Bishop Noel Jones.
God bless you, Bishop.
1128
01:19:27,485 --> 01:19:29,325
NOEL: Certainly I'm honoured
and privileged
1129
01:19:29,365 --> 01:19:33,485
to come to
Faith Fellowship Emmanuel Apostolic
1130
01:19:34,085 --> 01:19:37,125
in Portmore, Saint Catherine.
1131
01:19:38,205 --> 01:19:40,045
GRACE GROANS
1132
01:19:40,805 --> 01:19:42,445
My church tension.
1133
01:19:42,485 --> 01:19:44,205
CHRIS: My church tension.
1134
01:19:45,965 --> 01:19:47,525
GRACE:
Jamaica church tension.
1135
01:19:47,565 --> 01:19:48,805
THEY LAUGH
1136
01:19:48,845 --> 01:19:50,765
MOTHER: No, man,
things are so much different.
1137
01:19:50,805 --> 01:19:55,645
Oh, Mother, just let me get it out now,
man. I mean, just let me talk now, man.
1138
01:19:55,685 --> 01:19:57,365
MOTHER:
But I want you to feel better.
1139
01:19:57,405 --> 01:19:58,725
I feel fine.
1140
01:19:58,765 --> 01:20:02,085
MOTHER: OK. Don't forget
the wind-down last night.
1141
01:20:02,805 --> 01:20:05,245
APPLAUSE
1142
01:20:07,365 --> 01:20:10,245
Brother Chris, amen.
- APPLAUSE
1143
01:20:10,285 --> 01:20:15,565
One of our guardian members
from, er, Los Angeles.
1144
01:20:15,605 --> 01:20:20,285
We've got, er, Sister Glenis, amen.
- APPLAUSE
1145
01:20:20,965 --> 01:20:23,645
And then, of course, there is my mother.
1146
01:20:23,685 --> 01:20:25,645
APPLAUSE
1147
01:20:27,165 --> 01:20:30,165
Come on, Mother. Come and give us
a bit of something, Mother.
1148
01:20:33,965 --> 01:20:41,085
# Why should I feel discouraged?
- APPLAUSE
1149
01:20:42,725 --> 01:20:48,685
# And why should the shadows come?
1150
01:20:50,685 --> 01:20:55,845
# Why should my heart be lonely
1151
01:20:58,005 --> 01:21:03,685
# And long for heaven and home?
1152
01:21:06,285 --> 01:21:12,725
# When Jesus is my portion
1153
01:21:15,085 --> 01:21:20,605
# My constant friend is here
1154
01:21:23,845 --> 01:21:30,845
# God's eye is on the sparrow
1155
01:21:31,965 --> 01:21:37,925
# And I know He watches me
1156
01:21:40,805 --> 01:21:46,565
# His eye is on the sparrow
1157
01:21:48,765 --> 01:21:55,565
# And I know He watches me
1158
01:21:55,605 --> 01:21:57,805
APPLAUSE
1159
01:21:57,845 --> 01:22:00,045
# And I sing
1160
01:22:00,085 --> 01:22:04,325
# Because I'm happy
1161
01:22:07,045 --> 01:22:09,005
# And I sing
1162
01:22:09,045 --> 01:22:13,245
# Because I'm free
1163
01:22:16,205 --> 01:22:18,045
# His eye
1164
01:22:18,085 --> 01:22:22,645
# Is on the sparrow
1165
01:22:24,685 --> 01:22:27,085
# And I know
1166
01:22:27,125 --> 01:22:29,325
# And I know
1167
01:22:29,365 --> 01:22:31,325
# And I know
1168
01:22:31,365 --> 01:22:33,045
# And I know
1169
01:22:33,885 --> 01:22:38,925
# He watches me! #
1170
01:22:41,205 --> 01:22:44,365
Hallelujah! Hallelujah!
1171
01:22:49,085 --> 01:22:50,725
In our house it went like this.
1172
01:22:50,765 --> 01:22:54,005
Whenever there was an argument,
it would go like this.
1173
01:22:54,845 --> 01:22:58,925
Chris, Grace, always on the same side.
1174
01:22:58,965 --> 01:23:00,725
THEY LAUGH
1175
01:23:01,405 --> 01:23:05,885
lt doesn't matter how logical it was.
Chris and Grace always on the same side.
1176
01:23:05,925 --> 01:23:08,685
Max and I on the same side.
1177
01:23:08,725 --> 01:23:11,245
Pam was always neutral.
1178
01:23:11,285 --> 01:23:14,885
She was always neutral.
Never would get involved.
1179
01:23:14,925 --> 01:23:19,605
But now Grace was having a love affair
with Robert Ferguson.
1180
01:23:19,645 --> 01:23:21,845
THEY LAUGH
1181
01:23:23,725 --> 01:23:25,685
And Grace...
1182
01:23:27,725 --> 01:23:30,605
And Grace is eight years old.
1183
01:23:30,685 --> 01:23:32,325
THEY LAUGH
1184
01:23:32,645 --> 01:23:35,365
But both of them got stuck in a barrel.
1185
01:23:35,405 --> 01:23:37,685
CHRIS: Oh, Lord.
1186
01:23:37,725 --> 01:23:38,925
- In...
- MOTHER: Oh, my God.
1187
01:23:38,965 --> 01:23:42,685
In... in a barrel.
And they couldn't come out.
1188
01:23:43,165 --> 01:23:45,165
PAULO: Oh, no.
- Yes!
1189
01:23:46,605 --> 01:23:49,045
We had a trial for two weeks.
1190
01:23:49,085 --> 01:23:51,685
CHRIS: Oh, dear.
- It was a Michael Jackson trial.
1191
01:23:51,725 --> 01:23:53,045
CHRIS: Scandal.
1192
01:23:53,085 --> 01:23:54,405
It was a scandal.
- CHRIS: Yeah.
1193
01:23:54,445 --> 01:23:57,245
Mas P called us to trial. All of us.
1194
01:23:57,285 --> 01:23:59,325
Nine, eight and seven.
1195
01:23:59,365 --> 01:24:03,845
Whatever they were doing in the barrel,
it couldn't be much.
1196
01:24:03,885 --> 01:24:05,485
THEY LAUGH
1197
01:24:05,805 --> 01:24:07,965
We were all little kids.
- CHRIS: Yeah.
1198
01:24:08,005 --> 01:24:10,605
And they call and had a counsel.
1199
01:24:10,645 --> 01:24:13,805
CHRIS: A meeting.
- The counsel convened.
1200
01:24:13,845 --> 01:24:15,925
And they asked questions for two weeks.
1201
01:24:17,205 --> 01:24:18,845
Before the beatings came.
1202
01:24:18,885 --> 01:24:20,045
CHRIS: Oh, dear.
1203
01:24:21,125 --> 01:24:22,485
Oh, the beatings.
1204
01:24:23,365 --> 01:24:25,325
Did your mother ever spank you?
1205
01:24:25,365 --> 01:24:27,725
PAULO: Mom?
No, she just hit me really hard.
1206
01:24:27,765 --> 01:24:29,165
Not ever.
1207
01:24:29,205 --> 01:24:33,205
And the reason she didn't spank you
is because she got all your spankings.
1208
01:24:33,245 --> 01:24:36,525
CHRIS LAUGHS
All at once.
1209
01:24:36,565 --> 01:24:40,805
I'm telling ya. Mas P used to say...
It was child abuse!
1210
01:24:40,845 --> 01:24:44,205
Oh, my God.
- 'You fly high, you fly low.'
1211
01:24:45,485 --> 01:24:48,525
'You can sing the song
of Moses and the Lamb. '
1212
01:24:48,565 --> 01:24:50,365
And Maxi was radical.
1213
01:24:50,405 --> 01:24:53,085
CHRIS: Ooh, he sure was.
1214
01:24:53,125 --> 01:24:57,805
Max would run to somebody's house
next door and Max would say
1215
01:24:57,845 --> 01:25:00,605
'If you touch me,
I'll break every glass.'
1216
01:25:11,405 --> 01:25:15,005
CHRIS: Look at that one up here,
he's beautiful. The little baby.
1217
01:25:15,045 --> 01:25:16,885
MS MYRTLE CHUCKLES
- CHRIS: I want to get one.
1218
01:25:16,925 --> 01:25:19,325
CHRIS: Give me a grain.
I'll get her over here.
1219
01:25:20,405 --> 01:25:22,445
Come on, there we go.
1220
01:25:22,485 --> 01:25:24,365
CHICKENS CLUCK
1221
01:25:34,405 --> 01:25:36,085
CHRIS: Do you remember
when I used to run over here?
1222
01:25:36,125 --> 01:25:37,645
MS MYRTLE LAUGHS
1223
01:25:42,605 --> 01:25:44,445
BOTH LAUGH
1224
01:25:52,765 --> 01:25:55,845
Did you ever think
that Grace would be a movie star?
1225
01:25:55,885 --> 01:25:56,925
Sure, baby.
1226
01:25:56,965 --> 01:25:58,485
You knew she would be?
- Yes.
1227
01:25:58,525 --> 01:26:00,405
How did you know that?
- Because...
1228
01:26:02,285 --> 01:26:03,525
No, this is Chris.
1229
01:26:03,565 --> 01:26:05,205
MAN: Chris.
- Ya, Patrick.
1230
01:26:05,245 --> 01:26:06,565
MAN: Oh.
- How are you?
1231
01:26:07,605 --> 01:26:09,405
CHRIS: You remember
when we used to live over there?
1232
01:26:09,445 --> 01:26:10,965
MAN: Yes, man.
1233
01:26:13,605 --> 01:26:15,005
CHRIS: When we were small.
1234
01:26:16,885 --> 01:26:19,725
CHRIS: Ooh, you can feel those
mosquitoes, Ms Myrtle.
1235
01:26:19,765 --> 01:26:21,085
MS MYRTLE: Uh-huh.
1236
01:27:09,205 --> 01:27:11,485
At least you had a good time.
- Sure.
1237
01:27:11,525 --> 01:27:14,485
CHRIS: What scared you about him,
Mas P? He had a temper.
1238
01:27:17,725 --> 01:27:19,405
He don't talk too much.
- He didn't talk a lot.
1239
01:27:19,445 --> 01:27:20,925
What else you found out about him?
1240
01:27:27,165 --> 01:27:31,005
Because I remember him as being
very like... like an army general.
1241
01:27:31,045 --> 01:27:32,285
Yes.
1242
01:27:33,045 --> 01:27:36,605
'You go over there right now!
You heard me!'
1243
01:27:36,645 --> 01:27:38,405
And he would look at us with his eyes.
1244
01:27:38,445 --> 01:27:39,445
Yes.
1245
01:27:39,485 --> 01:27:41,845
Very like, like he could kill us.
- SHE LAUGHS
1246
01:27:41,885 --> 01:27:43,085
I remember that now, Ms Myrtle.
1247
01:27:43,125 --> 01:27:45,725
See, you're bringing
everything back to my mind.
1248
01:27:45,765 --> 01:27:49,085
CHRIS: Because, see,
you know Mas P better than I do
1249
01:27:49,125 --> 01:27:53,765
because I was a child
looking up at this monster.
1250
01:28:05,125 --> 01:28:06,685
COINS JANGLE
1251
01:28:10,245 --> 01:28:11,605
CHRIS: Hi, Grace.
1252
01:28:12,325 --> 01:28:14,605
GRACE:
Darling, when I'm there, I'm your neighbour.
1253
01:28:16,685 --> 01:28:17,805
GRACE: Hi, darling.
1254
01:28:20,445 --> 01:28:22,565
I love your palace. Oh, I love it.
1255
01:28:23,405 --> 01:28:25,005
Ah!
1256
01:28:25,085 --> 01:28:28,365
Yah, man, me remember you
walking down the street.
1257
01:28:28,405 --> 01:28:31,125
You had a special walk, you know.
- CHRIS LAUGHS
1258
01:28:31,165 --> 01:28:34,725
You know that? You had a walk.
Let me see if me can do Ms Myrtle now.
1259
01:28:37,445 --> 01:28:40,325
I have to do it in slow motion
kind of ting.
1260
01:28:40,365 --> 01:28:43,485
But your arm, dem you used to fling like
when you walk down the street.
1261
01:28:43,525 --> 01:28:45,125
D'you remember?
- Yes.
1262
01:28:45,165 --> 01:28:47,005
And your kinda slippers make some...
1263
01:28:47,045 --> 01:28:49,205
You make sure everybody know
you're coming.
1264
01:28:49,245 --> 01:28:51,285
CHRIS LAUGHS
- I remember, you know.
1265
01:28:51,325 --> 01:28:52,525
CHRIS: Yes.
- I remember!
1266
01:28:52,565 --> 01:28:53,685
CHRIS: Yes, it's amazing.
1267
01:28:53,725 --> 01:28:57,845
Yeah, because you had this walk
where your arms... You'd be so free.
1268
01:28:57,885 --> 01:29:00,245
GRACE: I kinda blocked that out...
- Yes.
1269
01:29:00,285 --> 01:29:02,645
...that you were actually there,
you know, in the house.
1270
01:29:02,685 --> 01:29:04,765
I remember you being next door
1271
01:29:04,805 --> 01:29:10,965
and Chris coming over to see you
and everything, you know?
1272
01:29:11,005 --> 01:29:15,325
D'you remember Mas P did have a whole
heap of straps with different names?
1273
01:29:15,365 --> 01:29:16,765
You remember that?
1274
01:29:21,005 --> 01:29:23,165
Hmm. Him find a cane,
when you do it like, when you bend it.
1275
01:29:23,205 --> 01:29:24,685
Yes.
- It don't break.
1276
01:29:24,725 --> 01:29:25,965
No.
1277
01:29:26,005 --> 01:29:28,005
CHRIS: Unbelievable.
1278
01:29:31,245 --> 01:29:37,045
Yeah, man. Me know,
me know outside of that, ya know.
1279
01:29:43,085 --> 01:29:44,365
Mmm-mmm.
1280
01:29:45,165 --> 01:29:48,005
I remember the straps, the leather ones
1281
01:29:48,045 --> 01:29:53,485
different sizes, hanging on the wall,
on a nail, with names on them.
1282
01:29:54,605 --> 01:29:57,685
Bill. And depending on how bad you were
1283
01:29:57,725 --> 01:29:59,765
how bad they thought you were being
1284
01:29:59,805 --> 01:30:03,125
was depending on the thinness
and thickness, and all this.
1285
01:30:03,165 --> 01:30:06,765
All the straps had names.
- CHRIS: She felt he didn't...
1286
01:30:06,805 --> 01:30:08,045
GRACE: Oh, my God.
1287
01:30:08,085 --> 01:30:11,005
CHRIS: She felt he didn't like us at all.
That's what she felt.
1288
01:30:12,125 --> 01:30:14,325
I asked her that question earlier.
1289
01:30:15,565 --> 01:30:17,405
GRACE: He never gave any love.
- CHRIS: No.
1290
01:30:17,445 --> 01:30:20,085
MS MYRTLE: No, no.
- GRACE: Never. Never love.
1291
01:30:20,125 --> 01:30:24,245
The love was, 'I'm going to beat you
because I love you.'
1292
01:30:24,285 --> 01:30:27,525
It was always about,
'It's because I love you
1293
01:30:27,565 --> 01:30:30,605
I'm going to, you know, discipline you.'
1294
01:30:30,645 --> 01:30:33,765
And I remember I used to paint...
- Paint your fingers.
1295
01:30:33,805 --> 01:30:36,045
You remember that?
- MS MYRTLE LAUGHS
1296
01:30:36,085 --> 01:30:37,765
CHRIS: But that was a big thing
in those days.
1297
01:30:37,805 --> 01:30:41,485
I would paint it and before Mas P
come home, me take it off.
1298
01:30:41,525 --> 01:30:43,565
Yes, take it off.
- You remember that?
1299
01:30:48,645 --> 01:30:52,645
Some pink nail polish, that hot pink,
like, Sixties nail polish.
1300
01:30:52,685 --> 01:30:53,765
MS MYRTLE LAUGHS
1301
01:30:53,805 --> 01:30:56,605
And I used to say... I remember
cos I used to play jacks a lot
1302
01:30:56,645 --> 01:30:59,485
on the, um, on the veranda.
- On the veranda.
1303
01:31:02,885 --> 01:31:04,845
You're joking!
- Sure!
1304
01:31:04,885 --> 01:31:09,645
Oh, come on. Bring dem come.
Wow.
1305
01:31:09,685 --> 01:31:13,885
I was a wicked jacks player, see.
Me hand would bend like this.
1306
01:31:13,925 --> 01:31:17,005
CHRIS: To pick up the jacks?
- GRACE: To catch them the first...
1307
01:31:17,965 --> 01:31:21,405
Oh, my Lord! Oh, my God!
1308
01:31:21,885 --> 01:31:24,485
Ah, Ms Myrtle, you're joking me.
1309
01:31:26,725 --> 01:31:28,525
One and...
1310
01:31:28,565 --> 01:31:29,805
GRACE CHUCKLES
1311
01:31:29,845 --> 01:31:32,765
And then you have to spread them out.
And then you have to do two.
1312
01:31:34,685 --> 01:31:35,565
Oh.
1313
01:31:36,365 --> 01:31:37,925
GRACE: There. There it is.
- MS MYRTLE: Yeah.
1314
01:31:37,965 --> 01:31:39,325
GRACE: Oh, this is great.
1315
01:31:40,965 --> 01:31:44,685
GRACE CHUCKLES
Unbelievable. Feel like six years old.
1316
01:31:46,165 --> 01:31:47,925
Well, a little more than that.
1317
01:31:47,965 --> 01:31:49,925
MUSIC: "Love is the Drug"
by Grace Jones
1318
01:32:03,925 --> 01:32:05,965
# T'ain't no big thing
1319
01:32:06,765 --> 01:32:09,325
# To wait for the bell to ring
1320
01:32:10,765 --> 01:32:12,685
# T'ain't no big thing
1321
01:32:13,525 --> 01:32:15,205
# The toll of the bell
1322
01:32:17,805 --> 01:32:20,925
# Aggravated, spare for days
1323
01:32:20,965 --> 01:32:23,965
# I stroll downtown
in the red light place
1324
01:32:24,365 --> 01:32:27,565
# Jump up, bubble up, what's in store
1325
01:32:27,605 --> 01:32:30,525
# Love is the drug
and I need to score
1326
01:32:30,845 --> 01:32:34,205
# Showing up, showing out,
hit and run
1327
01:32:34,245 --> 01:32:37,245
# The boy meets girl
and the beat goes on
1328
01:32:37,285 --> 01:32:40,845
# Stitched up tight, can't stay free
1329
01:32:40,885 --> 01:32:43,805
# Love is the drug, got a hook on me
1330
01:32:44,165 --> 01:32:47,485
# Oh-oh, catch that buzz
1331
01:32:47,525 --> 01:32:50,605
# Love is the drug that I'm thinking of
1332
01:32:50,805 --> 01:32:54,125
# Oh-oh, can't you see?
1333
01:32:54,165 --> 01:32:56,605
# Love is the drug for me
1334
01:33:00,525 --> 01:33:03,725
CHEERS
1335
01:33:05,245 --> 01:33:07,205
# T'ain't no big thing
1336
01:33:07,965 --> 01:33:10,645
# To wait for the bell to ring
1337
01:33:11,765 --> 01:33:13,845
# T'ain't no big thing
1338
01:33:14,645 --> 01:33:16,485
# The toll of the bell
1339
01:33:18,965 --> 01:33:22,165
# Late at night I park my car
1340
01:33:22,205 --> 01:33:25,365
# I stake my place in the singles bar
1341
01:33:25,405 --> 01:33:28,725
# Face to face, toe to toe
1342
01:33:28,765 --> 01:33:32,045
# Heart to heart as we hit the floor
1343
01:33:32,085 --> 01:33:35,405
# I limber up, I limbo down
1344
01:33:35,445 --> 01:33:38,365
# Locked embrace, stumble round
1345
01:33:38,685 --> 01:33:41,965
# I say go, he say yes
1346
01:33:42,005 --> 01:33:45,325
# Dim the lights,
you can guess the rest
1347
01:33:45,365 --> 01:33:48,645
# Oh-oh, catch that buzz
1348
01:33:48,685 --> 01:33:52,005
# Love is the drug
that I'm thinking of
1349
01:33:52,045 --> 01:33:55,005
# Oh-oh, can't you see?
1350
01:33:55,045 --> 01:33:57,685
# Love is the drug for me
1351
01:34:03,125 --> 01:34:05,245
CHEERS
1352
01:34:41,165 --> 01:34:43,005
# T'ain't no big thing
1353
01:34:43,845 --> 01:34:46,405
# To wait for the bell to ring
1354
01:34:47,765 --> 01:34:49,725
# T'ain't no big thing
1355
01:34:50,605 --> 01:34:52,285
# The toll of the bell
1356
01:34:54,685 --> 01:34:57,925
# Aggravated, spare for days
1357
01:34:57,965 --> 01:35:01,245
# I stroll downtown
in the red light place
1358
01:35:01,285 --> 01:35:04,525
# Jump up, bubble up, what's in store
1359
01:35:04,565 --> 01:35:07,885
# Love is the drug and I need to score
1360
01:35:07,925 --> 01:35:09,485
# Showing up
1361
01:35:09,525 --> 01:35:11,285
# Hit and run
1362
01:35:11,325 --> 01:35:14,485
# Boy meets girl and the beat goes on
1363
01:35:14,525 --> 01:35:17,805
# Stitched up tight, can't stay free
1364
01:35:17,845 --> 01:35:21,165
# Love is the drug, got a hook on me
1365
01:35:21,205 --> 01:35:24,445
# Oh-oh, catch that buzz
1366
01:35:24,485 --> 01:35:27,725
# Love is the drug
that I'm thinking of
1367
01:35:27,765 --> 01:35:31,005
# Oh-oh, can't you see?
1368
01:35:31,325 --> 01:35:34,485
# Love is the drug for me, baby
1369
01:35:34,525 --> 01:35:37,765
# Oh-oh, catch that buzz
1370
01:35:37,805 --> 01:35:41,045
# Love is the drug
that I'm thinking of
1371
01:35:41,085 --> 01:35:44,245
# Oh-oh, can't you see?
1372
01:35:45,285 --> 01:35:47,485
# Love is the drug for me
1373
01:35:48,365 --> 01:35:50,485
CHEERS
1374
01:36:00,845 --> 01:36:04,245
# Oh-oh, catch that buzz
1375
01:36:04,285 --> 01:36:07,485
# Love is the drug
that I'm thinking of
1376
01:36:07,525 --> 01:36:10,725
# Oh-oh, can't you see?
1377
01:36:11,765 --> 01:36:13,605
# Love is the drug for me
1378
01:36:13,645 --> 01:36:14,605
Say it.
1379
01:36:14,645 --> 01:36:15,965
# Oh-oh
1380
01:36:17,405 --> 01:36:18,925
# Oh-oh...
1381
01:36:19,605 --> 01:36:20,845
Come on.
1382
01:36:20,885 --> 01:36:22,445
AUDIENCE:
# Oh-oh
1383
01:36:22,485 --> 01:36:24,125
GRACE: I can't hear you.
1384
01:36:24,165 --> 01:36:25,525
AUDIENCE: # Oh-oh... #
1385
01:36:48,765 --> 01:36:53,645
GRACE: It's a crazy perspective.
I will never get that right.
1386
01:36:58,285 --> 01:37:06,245
I have to do it on along,
a longer piece of paper. It's so wide.
1387
01:37:06,285 --> 01:37:07,885
Love the light.
1388
01:37:09,565 --> 01:37:11,405
MUSIC PLAYS IN BACKGROUND
1389
01:37:19,245 --> 01:37:20,965
It's too wide to get it.
1390
01:37:22,285 --> 01:37:23,565
Mmmm.
1391
01:37:31,885 --> 01:37:33,485
Superb.
1392
01:37:33,525 --> 01:37:36,645
I love a champagne breakfast, darling.
Sorry.
1393
01:37:36,685 --> 01:37:40,165
Because it makes you
go back to sleep afterwards
1394
01:37:40,205 --> 01:37:42,565
for, like, two or three hours.
1395
01:37:45,925 --> 01:37:50,365
The performer out there takes a risk.
1396
01:37:52,085 --> 01:37:54,165
And I always say to everyone
1397
01:37:55,245 --> 01:37:57,885
'If the lights should go out
1398
01:37:59,765 --> 01:38:04,445
if the roof, the electricity,
the sound fails
1399
01:38:07,085 --> 01:38:10,365
I can still perform
1400
01:38:10,405 --> 01:38:15,005
and hold the audience in the dark
1401
01:38:15,045 --> 01:38:18,725
without any, without any trimmings.'
1402
01:38:19,765 --> 01:38:20,925
Oh, yeah.
1403
01:38:21,325 --> 01:38:23,245
I always know something can happen.
1404
01:38:23,965 --> 01:38:29,165
And what do I do to keep the people
from leaving the audience?
1405
01:38:29,205 --> 01:38:33,805
Like in All About Eve when she goes,
'And I'm delighted to keep the people
1406
01:38:33,845 --> 01:38:36,525
from leaving
and walking out of the theatre!'
1407
01:38:37,525 --> 01:38:41,405
D'you know what I mean?
Cos then you have to improvise.
1408
01:38:42,685 --> 01:38:45,085
If I forget the words, I'll make 'em up.
1409
01:38:47,605 --> 01:38:52,085
No, it's... it's a lonely place,
but it's a fascinating lonely place.
1410
01:38:52,885 --> 01:38:56,925
In the dark,
in the, in the, in the corner
1411
01:38:56,965 --> 01:39:02,205
no light, and just... your voice.
I mean...
1412
01:39:05,045 --> 01:39:07,165
JEAN-PAUL GOUDE:
Remember this, the dance you did?
1413
01:39:07,205 --> 01:39:08,725
GRACE: Oh, yeah.
1414
01:39:08,765 --> 01:39:09,885
LOUD MUSIC PLAYS
1415
01:39:22,125 --> 01:39:23,365
Yes, it is.
1416
01:39:24,245 --> 01:39:28,165
GRACE: It's men time.
Instead of penetrating
1417
01:39:28,205 --> 01:39:33,285
I think they all need to be penetrated
once in their life. Just once.
1418
01:39:33,325 --> 01:39:34,765
JEAN-PAUL: A woman?
- GRACE: Man.
1419
01:39:34,805 --> 01:39:36,045
JEAN-PAUL: Men?
1420
01:39:37,085 --> 01:39:38,445
Why?
1421
01:39:38,485 --> 01:39:41,445
GRACE: Because then they'll
understand what it's like
1422
01:39:41,485 --> 01:39:44,965
to receive instead of to... to...
1423
01:39:45,005 --> 01:39:47,285
...to give. Voilé.
1424
01:39:47,325 --> 01:39:50,685
JEAN-PAUL:
But is it the nature of man to receive?
1425
01:39:50,725 --> 01:39:52,125
GRACE: I think so.
1426
01:39:52,165 --> 01:39:53,605
JEAN-PAUL:
Or is it the nature of man to give?
1427
01:39:53,645 --> 01:39:56,365
GRACE: Of course. It's the nature
of man to give and receive.
1428
01:39:56,405 --> 01:39:57,365
JEAN-PAUL: Uh-huh.
1429
01:39:57,405 --> 01:39:59,845
GRACE: Man, woman,
meaning one man-woman.
1430
01:40:01,165 --> 01:40:02,845
JEAN-PAUL: That's interesting.
1431
01:40:03,525 --> 01:40:07,325
JEAN-PAUL:
That's very good. It's more masculine.
1432
01:40:08,605 --> 01:40:11,885
JEAN-PAUL: Do you know that you've
gotten me very angry many, many times?
1433
01:40:11,925 --> 01:40:15,165
GRACE: Of course. And I've done it
on purpose to get you angry.
1434
01:40:16,605 --> 01:40:19,205
GRACE: I have knowing...
- JEAN-PAUL: Did I deserve that?
1435
01:40:19,245 --> 01:40:21,845
GRACE: ...putting everything.
1436
01:40:21,885 --> 01:40:25,405
It's almost like
I put everything on the line.
1437
01:40:25,445 --> 01:40:28,485
Like you go to Las Vegas
1438
01:40:28,525 --> 01:40:32,565
and you know this is your last money,
and I go...
1439
01:40:32,605 --> 01:40:34,525
Wow!!I
1440
01:40:37,045 --> 01:40:39,365
Do you know what I have
to do to hit that note?
1441
01:40:41,885 --> 01:40:45,845
GRACE: I'm sure you'll all know
that I lived a lot in Paris.
1442
01:40:46,605 --> 01:40:51,605
The father of my son
is Jean-Paul Goude from Paris.
1443
01:40:51,645 --> 01:40:53,245
Oh, we did a lot together.
1444
01:40:54,365 --> 01:40:59,445
We did lots of pictures, you know,
all those crazy ones that you all collect
1445
01:40:59,485 --> 01:41:04,445
you know, the record covers,
etc, etc.
1446
01:41:11,685 --> 01:41:13,125
I'm a tragedian!
1447
01:41:13,165 --> 01:41:15,645
THEY SING
1448
01:41:20,525 --> 01:41:21,965
You should do it on stage.
1449
01:41:24,085 --> 01:41:25,605
JEAN-PAUL:
# La vie en noir... #
1450
01:41:25,645 --> 01:41:27,605
Yes, no, because it's true, huh?
1451
01:41:28,245 --> 01:41:30,445
And I feel like that
when I'm singing it.
1452
01:41:41,605 --> 01:41:43,605
JEAN-PAUL:
How about Master Patrick?
1453
01:41:43,645 --> 01:41:45,725
GRACE: Mas P?
- JEAN-PAUL: Mas P.
1454
01:41:45,765 --> 01:41:48,805
GRACE: God, he's born the same day
as you, you know. Did you know that?
1455
01:41:48,845 --> 01:41:51,405
JEAN-PAUL: The 8th of December?
- GRACE: Yeah.
1456
01:41:51,445 --> 01:41:53,125
JEAN-PAUL:
Well, I'm not a woman beater.
1457
01:41:53,165 --> 01:41:55,765
GRACE: No, you're not...
SHE LAUGHS
1458
01:41:55,805 --> 01:41:58,085
No, you don't have to.
1459
01:41:58,125 --> 01:42:00,445
JEAN-PAUL:
No. What do you mean?
1460
01:42:00,485 --> 01:42:05,685
GRACE: No, my, my knees always go weak
without even beating.
1461
01:42:05,725 --> 01:42:07,285
It's like a cloth belt.
1462
01:42:10,245 --> 01:42:11,925
Love does that.
1463
01:42:12,765 --> 01:42:16,245
I mean, deep, deep love, for me,
does that, you know.
1464
01:42:16,285 --> 01:42:21,645
L... I always still say you're the only
man made me buckle at my knees.
1465
01:42:21,685 --> 01:42:24,885
Me? Buckle at your knees?
Doing what?
1466
01:42:24,925 --> 01:42:27,965
GRACE: Just doing nothing,
coming up to see you...
1467
01:42:28,005 --> 01:42:29,925
SHE CHUCKLES
Mamma mia.
1468
01:42:32,005 --> 01:42:33,445
But that has nothing to do with fear.
1469
01:42:33,485 --> 01:42:37,285
GRACE: When I used to
climb those stairs at, um...
1470
01:42:37,325 --> 01:42:38,325
Union Square?
1471
01:42:38,365 --> 01:42:41,765
Yeah. The knees would get weaker
as I went up.
1472
01:42:41,805 --> 01:42:44,725
That's a very strange sensation.
1473
01:42:44,765 --> 01:42:46,685
JEAN-PAUL:
But that had nothing to do with fear.
1474
01:42:46,725 --> 01:42:49,365
Mm, mm, mm.
Well, I don't know.
1475
01:42:49,405 --> 01:42:52,205
I... I haven't really...
I don't think it had to do with fear.
1476
01:42:52,245 --> 01:42:57,285
It just had to do with the force
and... and... and the, um
1477
01:42:57,325 --> 01:43:00,485
the intensity of... of the feeling.
1478
01:43:00,525 --> 01:43:05,205
Your breath gets a little like
hyperventilating a bit.
1479
01:43:05,245 --> 01:43:09,645
I stop halfway up and think I'm
gonna have to get my composure.
1480
01:43:09,685 --> 01:43:12,045
I don't wanna be seen like that.
1481
01:43:12,085 --> 01:43:16,125
When I open the door and I come in
I have to kind of, er, be...
1482
01:43:17,885 --> 01:43:20,405
Mask it. Cover it. Yeah.
1483
01:43:20,445 --> 01:43:22,845
JEAN-PAUL: Masking your emotions.
- Yeah, abso... Yeah.
1484
01:43:23,525 --> 01:43:26,885
JEAN-PAUL: Do you see yourself being
alone when you're very old?
1485
01:43:26,925 --> 01:43:29,085
This is possible.
- Do you see yourself that way?
1486
01:43:29,125 --> 01:43:31,405
But I don't see myself...
1487
01:43:31,445 --> 01:43:36,765
I can see myself being, um, alone
but not lonely.
1488
01:43:36,805 --> 01:43:38,925
JEAN-PAUL:
I see. That you wouldn't want to?
1489
01:43:38,965 --> 01:43:41,085
Never. No.
- You wouldn't wanna be lonely?
1490
01:43:41,125 --> 01:43:43,725
No.
- Are you ever lonely?
1491
01:43:43,765 --> 01:43:50,045
No, because I find things to occupy
myself with when I'm alone and...
1492
01:43:51,485 --> 01:43:57,005
Like I say, I really get a big kick of
staying up and watching the sun come up
1493
01:43:57,045 --> 01:43:59,325
as the light is beautiful.
1494
01:43:59,365 --> 01:44:02,845
As long as I think I can travel,
if I'm stuck in a bed...
1495
01:44:02,885 --> 01:44:03,805
Mmm-hm.
1496
01:44:03,845 --> 01:44:09,765
GRACE: I want a view. I wanna see
light changes, snow, seasons.
1497
01:44:09,805 --> 01:44:12,485
And I watched my dad die.
- Mm-hm.
1498
01:44:12,525 --> 01:44:15,925
I watched him die and helped him die.
1499
01:44:15,965 --> 01:44:20,165
And it was just the most...
Actually, I wrote a song called
1500
01:44:20,205 --> 01:44:23,565
"You Died a Beautiful Death, Dad."
1501
01:44:24,805 --> 01:44:28,685
And when I die,
I say I wanna die like you died.
1502
01:44:28,725 --> 01:44:33,045
He... Something...
His expression in his eyes
1503
01:44:33,685 --> 01:44:37,405
was so amazing that
he didn't wanna close them
1504
01:44:37,445 --> 01:44:39,565
and I didn't want to close them.
- PHONE RINGS
1505
01:44:39,605 --> 01:44:41,205
It was just, you know...
1506
01:44:41,245 --> 01:44:45,765
And all these things, they just happened
to arrive because he wasn't sick
1507
01:44:45,805 --> 01:44:49,725
it was some hospital mistake.
It changed my life, actually.
1508
01:44:50,405 --> 01:44:54,725
Changed my life. Because I was like,
'No, you can't close his eyes.'
1509
01:44:54,765 --> 01:44:57,645
He still looks like living...
I mean, it was just amazing.
1510
01:44:57,685 --> 01:45:02,165
And he has these eyes from
the Maroon tribe, I think it is, in Jamaica.
1511
01:45:02,205 --> 01:45:05,605
Their eyes are dark
but circled with the blue.
1512
01:45:05,645 --> 01:45:07,805
Hm-hm, I've seen that.
- Like from another planet.
1513
01:45:07,845 --> 01:45:12,045
Wow, it was like watching a birth,
watching a death, it was this...
1514
01:45:12,085 --> 01:45:17,085
this transient place
where he was just so...
1515
01:45:17,125 --> 01:45:19,445
JEAN-PAUL: How did your mom react?
- ...peaceful.
1516
01:45:30,205 --> 01:45:34,165
INDISTINCT CONVERSATION IN FRENCH
1517
01:45:47,805 --> 01:45:49,565
MOTHER SPEAKS FRENCH
1518
01:46:03,165 --> 01:46:04,845
Look, the eyes are opening.
1519
01:46:04,885 --> 01:46:06,885
MOTHER SPEAKS FRENCH
1520
01:46:06,925 --> 01:46:08,725
GRACE: Not yet.
1521
01:46:08,765 --> 01:46:10,725
CHATTER IN FRENCH CONTINUES
1522
01:46:11,845 --> 01:46:13,365
GRACE: Hmm.
1523
01:46:16,085 --> 01:46:18,405
Colour's amazing too, the eyes.
1524
01:46:19,125 --> 01:46:22,885
I thought it was black,
and Jean-Paul told me it's blue.
1525
01:46:22,925 --> 01:46:24,325
PAULO:
They're grey, they're blue-grey.
1526
01:46:24,365 --> 01:46:25,965
MOTHER: It's dark blue.
1527
01:46:27,285 --> 01:46:29,205
Ah! Hello!
1528
01:46:29,245 --> 01:46:31,485
One half eye open.
1529
01:46:31,525 --> 01:46:34,565
Daddy's here.
Yeah, you can smell Daddy.
1530
01:46:35,245 --> 01:46:37,965
You can smell Daddy.
- You can smell Daddy.
1531
01:46:45,165 --> 01:46:46,685
GRACE SINGS:
# Amazing
1532
01:46:47,845 --> 01:46:49,525
# Amazing
1533
01:46:50,685 --> 01:46:53,125
# Lord save a soul
1534
01:46:55,005 --> 01:46:56,965
# Is there still room for me?
1535
01:46:58,605 --> 01:47:00,405
# Amazing
1536
01:47:00,445 --> 01:47:02,725
# Oh, Daddy, where are you?
1537
01:47:03,845 --> 01:47:07,525
# Yeah, looking down that big eye
in the sky... #
1538
01:47:32,685 --> 01:47:34,005
OK.
1539
01:47:46,485 --> 01:47:49,325
GRACE: We'll see you in a little bit,
Sister Dorothy
1540
01:47:49,365 --> 01:47:51,045
hour and a half or so.
1541
01:47:51,085 --> 01:47:54,045
You know I'm gonna stop for
a midnight swim, no matter what time.
1542
01:47:54,085 --> 01:47:56,365
I'm gonna stop at Hellshire
and have a dip before...
1543
01:47:56,405 --> 01:47:58,125
FATHER:
Stop at Hellshire where?
1544
01:47:59,485 --> 01:48:01,805
MOTHER: You missed the turn!
You missed the turn.
1545
01:48:01,845 --> 01:48:04,205
FATHER: We going up to Sligoville.
He never been to Sligoville?
1546
01:48:04,245 --> 01:48:05,725
GRACE:
Have you ever been up to Sligo?
1547
01:48:05,765 --> 01:48:07,805
INDISTINCT CHATTER
1548
01:48:08,925 --> 01:48:10,765
GRACE: You know your way here?
- DRIVER: Yes.
1549
01:48:10,805 --> 01:48:13,725
FATHER: He know the way.
I've been this way before.
1550
01:48:13,765 --> 01:48:15,565
GRACE:
Daddy's in a Scorpio mood.
1551
01:48:15,605 --> 01:48:17,485
LAUGHTER
1552
01:48:17,525 --> 01:48:20,325
FATHER: What are you all laughing
at me for? Listen, look at me.
1553
01:48:20,365 --> 01:48:26,405
Look at me. Maybe if somebody
cleared out, we can see something.
1554
01:48:26,445 --> 01:48:27,805
But if it's too...
1555
01:48:27,845 --> 01:48:30,805
Any way I can leave them
some money now to do the clearing?
1556
01:48:30,845 --> 01:48:34,525
FATHER: To who?
- GRACE: We'll see who's up there.
1557
01:48:36,445 --> 01:48:40,685
MOTHER: We need to stop at Miss Ramsey
and see if she's alive or the daughter.
1558
01:48:40,725 --> 01:48:44,165
She could hardly make it up the hill
with us the last time we came.
1559
01:48:45,325 --> 01:48:48,485
FATHER: You see right up there?
That's where we're going, right up the top.
1560
01:48:49,325 --> 01:48:52,325
GRACE: Hello? Hello?
1561
01:49:00,365 --> 01:49:01,445
WOMAN: Hello?
1562
01:49:02,605 --> 01:49:04,605
GRACE:
We're looking for Miss Ramsey.
1563
01:49:07,365 --> 01:49:08,925
She could be dead, you know.
1564
01:49:08,965 --> 01:49:10,725
MAN:
Miss Ramsey, yeah. Who's this?
1565
01:49:11,805 --> 01:49:13,285
GRACE:
We're Pat Jones's family.
1566
01:49:13,325 --> 01:49:17,125
OK. OK, Mr Jones. Who's Mr Jones, him?
1567
01:49:17,165 --> 01:49:19,485
GRACE: No, me's the daughter.
Me's the grand-daughter.
1568
01:49:19,525 --> 01:49:22,325
OK.
- GRACE: She recognise, you know?
1569
01:49:22,365 --> 01:49:24,285
She come and go.
- Still?
1570
01:49:24,325 --> 01:49:26,925
She must have
a little bit of Alzheimer's.
1571
01:49:26,965 --> 01:49:28,205
Yeah, yeah.
1572
01:49:28,245 --> 01:49:32,885
And my aunt has the same. My grand-aunt
has the same. And she come and go.
1573
01:49:32,925 --> 01:49:34,125
Yeah.
1574
01:49:34,165 --> 01:49:36,845
So, listen, OK, we're gonna go up
before it get dark.
1575
01:49:36,885 --> 01:49:37,725
MAN: OK.
1576
01:49:39,645 --> 01:49:41,205
Right here. Right here.
1577
01:49:42,365 --> 01:49:47,565
FATHER: I am paying the taxes
on this land for the past 25 years.
1578
01:49:47,605 --> 01:49:48,845
CHRIS: Or more.
1579
01:49:48,885 --> 01:49:51,085
FATHER: And my daughter
is gonna do something with it.
1580
01:49:51,125 --> 01:49:55,165
And a piece on the other side,
we've got the view also
1581
01:49:55,205 --> 01:49:57,885
to put a house on the other side.
1582
01:49:57,925 --> 01:50:01,485
So the hurricane blew the house down
here in 1957.
1583
01:50:02,165 --> 01:50:04,805
MUSIC: "Hurricane" by Grace Jones
1584
01:50:20,445 --> 01:50:23,565
GRACE: I wanna know where
the sun is setting. It's not that side.
1585
01:50:25,005 --> 01:50:26,725
It's over here.
I'm going to go up a little...
1586
01:50:26,765 --> 01:50:28,205
Paulo.
- PAULO: Yes?
1587
01:50:28,245 --> 01:50:30,885
I wanna see where the sun is setting.
1588
01:50:30,925 --> 01:50:33,325
# See me here I come
1589
01:50:38,965 --> 01:50:40,845
# Can't see where I run
1590
01:50:45,925 --> 01:50:47,885
# No matter how far
1591
01:50:53,565 --> 01:50:55,325
# Still here you are
1592
01:51:01,125 --> 01:51:02,805
# I am woman
1593
01:51:04,565 --> 01:51:06,325
# I am sun
1594
01:51:07,845 --> 01:51:10,045
# I can give birth to she
1595
01:51:11,285 --> 01:51:13,725
# I can give birth to son
1596
01:51:19,325 --> 01:51:21,205
# And I can be cool
1597
01:51:26,605 --> 01:51:28,725
# Soft as a breeze
1598
01:51:41,245 --> 01:51:43,405
# And I'll be a hurricane
1599
01:51:46,845 --> 01:51:48,885
# Ripping up trees
1600
01:52:03,325 --> 01:52:05,285
# See me here I come
1601
01:52:07,005 --> 01:52:08,925
# Can't see where I run
1602
01:52:10,845 --> 01:52:12,845
# No matter how far
1603
01:52:14,645 --> 01:52:16,565
# Still here you are
1604
01:52:18,205 --> 01:52:20,325
# You keep taking
1605
01:52:21,885 --> 01:52:23,965
# You keep on taking
1606
01:52:25,565 --> 01:52:27,685
# My head should be aching
1607
01:52:29,245 --> 01:52:31,365
# My head should be aching
1608
01:52:33,005 --> 01:52:35,045
# I'm born from the storm
1609
01:52:36,685 --> 01:52:38,685
# I'll darken your sky
1610
01:52:40,365 --> 01:52:42,405
# Flowers will bloom
1611
01:52:44,005 --> 01:52:46,085
# When I walk by
1612
01:52:47,765 --> 01:52:49,845
# And I can be cool
1613
01:52:55,245 --> 01:52:57,365
# Soft as a breeze
1614
01:53:02,565 --> 01:53:04,725
# And I'll be a hurricane
1615
01:53:08,285 --> 01:53:10,125
# Ripping up trees
1616
01:53:11,885 --> 01:53:13,525
# Ripping up
1617
01:53:13,565 --> 01:53:15,565
# Lifting up
1618
01:53:15,605 --> 01:53:17,325
#Oh
1619
01:53:17,365 --> 01:53:19,525
# Tearing down trees
1620
01:53:19,565 --> 01:53:21,125
# Ripping up
1621
01:53:21,165 --> 01:53:22,645
# Lifting up
1622
01:53:24,765 --> 01:53:26,685
# Tearing down trees
1623
01:53:39,925 --> 01:53:41,645
# Once a man
1624
01:53:43,645 --> 01:53:45,245
# Twice a boy
1625
01:53:47,165 --> 01:53:48,845
# Once a boy
1626
01:53:50,965 --> 01:53:52,765
# Twice a man
1627
01:53:54,245 --> 01:53:55,965
# And you keep taking
1628
01:53:56,005 --> 01:53:57,885
# You keep taking
1629
01:53:57,925 --> 01:53:59,525
# You keep taking
1630
01:53:59,565 --> 01:54:01,525
# You keep on taking
1631
01:54:01,565 --> 01:54:03,205
# My head should be aching
1632
01:54:03,245 --> 01:54:05,485
# You keep on taking
1633
01:54:05,525 --> 01:54:07,325
# My head should be aching
1634
01:54:09,365 --> 01:54:11,045
# I can steal
1635
01:54:13,125 --> 01:54:14,765
# I can lie
1636
01:54:16,725 --> 01:54:18,645
# I'll take care of you
1637
01:54:20,085 --> 01:54:22,045
# Until the day you die
1638
01:54:23,805 --> 01:54:25,725
# And I can be cool
1639
01:54:31,325 --> 01:54:33,325
# Soft like a breeze
1640
01:55:10,885 --> 01:55:12,885
# I'm a hurricane #
123402
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