Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,577 --> 00:00:12,697
You're traveling
through another dimension-
2
00:00:12,732 --> 00:00:15,199
a dimension not only of sight
and sound, but of mind.
3
00:00:15,234 --> 00:00:17,084
A journey into a wondrous land
4
00:00:17,119 --> 00:00:19,587
whose boundaries
are that of imagination.
5
00:00:19,622 --> 00:00:20,838
That's the signpost up ahead.
6
00:00:20,873 --> 00:00:22,707
Your next stop,
the twilight zone.
7
00:01:16,510 --> 00:01:18,395
Good morning, mr. Templeton.
8
00:01:18,430 --> 00:01:20,898
Our new guest
this week, marty-
9
00:01:20,933 --> 00:01:22,149
his name is what?
10
00:01:22,767 --> 00:01:23,400
Page, sir.
11
00:01:23,435 --> 00:01:24,652
Mr. Edward page.
12
00:01:24,687 --> 00:01:26,520
Page.
13
00:01:26,555 --> 00:01:27,772
Page, page.
14
00:01:27,807 --> 00:01:30,274
Has he been
here before?
15
00:01:30,309 --> 00:01:31,525
No, sir. He's new.
16
00:01:31,560 --> 00:01:33,027
Oh.
17
00:01:33,062 --> 00:01:34,278
These new, too?
18
00:01:34,313 --> 00:01:35,529
Yes, sir.
19
00:01:35,564 --> 00:01:36,781
Every hour
on the hour.
20
00:01:36,816 --> 00:01:38,666
Hmm.
21
00:01:44,171 --> 00:01:47,925
Mrs. Templeton is not
very discreet these days,
22
00:01:47,960 --> 00:01:49,794
is she?
23
00:01:49,829 --> 00:01:52,930
Well, her discretion
was an early fatality.
24
00:01:52,965 --> 00:01:54,799
It didn't last very long.
25
00:01:54,834 --> 00:01:57,301
Perhaps she's
waiting for the day
26
00:01:57,336 --> 00:01:58,552
when these won't do
27
00:01:58,587 --> 00:02:01,055
what they're
designed to do.
28
00:02:01,090 --> 00:02:03,557
Perhaps i'm waiting
for that day, too.
29
00:02:04,191 --> 00:02:06,694
Mr. Templeton, you
shouldn't say that.
30
00:02:06,729 --> 00:02:09,196
Oh, don't distress
yourself, old friend.
31
00:02:09,231 --> 00:02:11,699
When a man my age
marries a woman her age,
32
00:02:11,734 --> 00:02:13,567
he gets exactly
what he deserves.
33
00:02:19,206 --> 00:02:21,075
I'm old, marty.
34
00:02:21,110 --> 00:02:23,577
Oh, mr. Templeton,
you could never be old.
35
00:02:23,612 --> 00:02:25,462
Old and getting older
36
00:02:25,497 --> 00:02:29,834
every minute that we
stand here speaking.
37
00:02:29,869 --> 00:02:32,970
They say- or at least
they've said it
38
00:02:33,005 --> 00:02:35,472
in most of my plays-
39
00:02:35,507 --> 00:02:37,975
that when a man
achieves years
40
00:02:38,010 --> 00:02:41,095
he achieves reason
and contentment.
41
00:02:42,980 --> 00:02:44,231
I haven't.
42
00:02:44,266 --> 00:02:45,482
Mr. Templeton,
may i suggest
43
00:02:46,100 --> 00:02:47,985
that possibly
this isn't the day
44
00:02:48,020 --> 00:02:49,236
for you to go
down there?
45
00:02:49,271 --> 00:02:51,739
Perhaps i should
telephone the theater
46
00:02:51,774 --> 00:02:54,241
and explain that you
can't start rehearsals.
47
00:02:54,276 --> 00:02:58,612
Well, thank you, marty,
but i'll go down there.
48
00:02:58,647 --> 00:03:01,115
I shall rehearse
this play,
49
00:03:01,150 --> 00:03:03,000
and it will open.
50
00:03:03,035 --> 00:03:06,120
I shall cover up
the years with makeup,
51
00:03:06,155 --> 00:03:09,256
and i shall stand
in the right places
52
00:03:09,291 --> 00:03:11,759
and hope to say
the right lines
53
00:03:11,794 --> 00:03:15,512
and, when it's over,
they'll all say to me,
54
00:03:15,547 --> 00:03:18,632
"you were wonderful,
mr. Templeton."
55
00:03:18,667 --> 00:03:21,135
Then the stage manager
will see to it
56
00:03:21,170 --> 00:03:23,637
that i'm properly
delivered to you
57
00:03:23,672 --> 00:03:26,774
so that you can properly
deliver me back here
58
00:03:26,809 --> 00:03:28,642
so that i can
go back there
59
00:03:28,677 --> 00:03:31,145
and do it all over
again next night.
60
00:03:31,180 --> 00:03:32,396
I won't see,
61
00:03:33,030 --> 00:03:34,281
nor particularly care,
62
00:03:34,316 --> 00:03:36,150
about what's going on
outside there,
63
00:03:36,784 --> 00:03:38,035
or anywhere
in this house.
64
00:03:38,070 --> 00:03:40,537
All i want will be
to go to bed, marty.
65
00:03:40,572 --> 00:03:43,040
That's the best place
for me-
66
00:03:43,075 --> 00:03:44,291
bed, sleep, oblivion.
67
00:03:44,326 --> 00:03:46,794
Now, sir, you shouldn't
talk like that.
68
00:03:46,829 --> 00:03:48,662
Oh, it doesn't matter.
69
00:03:48,697 --> 00:03:49,914
I don't
love her anymore.
70
00:03:51,165 --> 00:03:53,667
I don't remember when i did.
71
00:03:53,702 --> 00:03:55,552
You know, i can't recall
72
00:03:55,587 --> 00:03:59,306
one single, separated,
contented moment.
73
00:04:01,809 --> 00:04:04,929
I haven't had many
contented moments in my life.
74
00:04:06,680 --> 00:04:08,565
But i do recall some.
75
00:04:09,817 --> 00:04:11,685
Long ago.
76
00:04:17,191 --> 00:04:19,076
Laura.
77
00:04:19,111 --> 00:04:24,081
The freshest, most radiant
creature god ever created.
78
00:04:24,116 --> 00:04:27,201
18 when i married her, marty.
79
00:04:27,236 --> 00:04:29,086
25 when she died.
80
00:04:32,241 --> 00:04:34,091
Why did he have to take her?
81
00:04:34,126 --> 00:04:35,342
Please,
mr. Templeton, sir,
82
00:04:35,377 --> 00:04:37,211
don't do this
to yourself.
83
00:04:37,246 --> 00:04:40,347
You know, there are some
moments in life
84
00:04:40,382 --> 00:04:44,101
that have an indescribable
loveliness to them.
85
00:04:45,970 --> 00:04:49,723
Those moments with laura...
86
00:04:49,758 --> 00:04:52,226
are all i have left now.
87
00:04:52,261 --> 00:04:54,728
Do you understand
that, marty?
88
00:04:54,763 --> 00:04:57,231
Yes, mr. Templeton.
I believe i do, sir.
89
00:04:57,266 --> 00:04:58,482
But it...
90
00:04:58,517 --> 00:05:01,618
don't distress yourself,
old friend.
91
00:05:01,653 --> 00:05:03,487
I'm all right.
92
00:05:03,522 --> 00:05:05,372
I'm quite all right.
93
00:05:05,407 --> 00:05:08,492
Pleased to present
for your consideration
94
00:05:08,527 --> 00:05:09,743
mr. Booth templeton,
95
00:05:09,778 --> 00:05:13,630
serious and successful star
of over 30 broadway plays,
96
00:05:13,665 --> 00:05:16,133
who is not quite
all right today.
97
00:05:16,168 --> 00:05:19,887
Yesterday and its memories
is what he wants,
98
00:05:19,922 --> 00:05:22,389
and yesterday is what he'll get.
99
00:05:22,424 --> 00:05:25,509
Soon his years and his troubles
will descend on him
100
00:05:25,544 --> 00:05:26,760
in an avalanche.
101
00:05:26,795 --> 00:05:28,012
In order not to be crushed,
102
00:05:28,047 --> 00:05:31,765
mr. Booth templeton will escape
from his theater and his world,
103
00:05:31,800 --> 00:05:34,268
and make his debut
on another stage
104
00:05:34,303 --> 00:05:38,022
in another world that
we call the twilight zone.
105
00:06:06,650 --> 00:06:07,901
You're late, booth.
106
00:06:07,936 --> 00:06:09,153
After 12:00.
107
00:06:09,188 --> 00:06:11,655
The boy wonder
won't like it, kiddo.
108
00:06:11,690 --> 00:06:13,540
Who is the boy wonder?
109
00:06:13,575 --> 00:06:15,793
Arthur willis, directing.
110
00:06:16,160 --> 00:06:17,411
No, no, no.
You must be mistaken.
111
00:06:17,446 --> 00:06:18,662
Dothmeager's
our director.
112
00:06:18,697 --> 00:06:19,913
Was. Canned him
last night.
113
00:06:19,948 --> 00:06:21,799
What?
114
00:06:21,834 --> 00:06:24,301
We need someone
with more pep, zip.
115
00:06:24,336 --> 00:06:25,169
Not my racket,
116
00:06:25,204 --> 00:06:27,671
but i know what's good
and what's bad
117
00:06:27,706 --> 00:06:28,922
as well as the next guy.
118
00:06:28,957 --> 00:06:30,808
And i wanted
to drop by this morning
119
00:06:30,843 --> 00:06:32,059
and let everybody know
120
00:06:32,094 --> 00:06:35,179
that i'm personally
interested in this thing.
121
00:06:35,312 --> 00:06:38,432
Art willis is okay
with you, isn't he?
122
00:06:38,467 --> 00:06:40,317
Well, i've heard
of him, of course
123
00:06:40,352 --> 00:06:42,820
but i... i don't
actually know him
124
00:06:42,855 --> 00:06:43,437
uh... mr. Uh...
125
00:06:43,472 --> 00:06:46,440
i'm sid sperry.
126
00:06:46,475 --> 00:06:47,691
Remember?
127
00:06:47,726 --> 00:06:49,576
My money is backing
this play.
128
00:06:49,611 --> 00:06:51,195
Oh, yes, of course,
mr. Sperry.
129
00:06:51,230 --> 00:06:53,080
I'm rather forgetful
about names.
130
00:06:53,115 --> 00:06:54,331
Always have been.
131
00:06:54,366 --> 00:06:55,582
It's okay.
132
00:06:55,617 --> 00:06:58,085
Just so long as you don't
forget your lines.
133
00:07:06,844 --> 00:07:09,096
I say this once,
134
00:07:09,131 --> 00:07:10,964
just once.
135
00:07:10,999 --> 00:07:14,101
And only once.
136
00:07:14,136 --> 00:07:15,969
But i say it now
137
00:07:16,004 --> 00:07:19,106
and expect each
and every one of you
138
00:07:19,141 --> 00:07:20,974
to understand it.
139
00:07:21,009 --> 00:07:25,362
Michael franz
is producing this play.
140
00:07:25,397 --> 00:07:27,865
Mr. Coombs
has written it.
141
00:07:27,900 --> 00:07:31,618
You have been hired
to act in it,
142
00:07:31,653 --> 00:07:34,121
and i have
been contracted
143
00:07:34,156 --> 00:07:35,372
to direct it.
144
00:07:35,407 --> 00:07:37,241
So make
no mistake
145
00:07:37,276 --> 00:07:39,743
about what we
are here to do,
146
00:07:39,778 --> 00:07:42,246
and make no mistake
about me.
147
00:07:42,281 --> 00:07:46,633
I will direct this play
myway at all times.
148
00:07:46,668 --> 00:07:49,136
Is that clear?
149
00:07:51,638 --> 00:07:52,756
Like that.
150
00:07:53,390 --> 00:07:54,641
Like that very much.
151
00:07:54,676 --> 00:07:57,761
In control, that boy,
right from the start.
152
00:07:57,796 --> 00:07:59,012
Give us a good play.
153
00:07:59,047 --> 00:08:01,515
Us, mister...?
154
00:08:01,550 --> 00:08:02,766
Sperry, templeton.
155
00:08:02,801 --> 00:08:04,017
Sperry.
156
00:08:04,052 --> 00:08:04,651
Yes, mr. Sperry.
157
00:08:04,686 --> 00:08:05,903
I... i apologize.
158
00:08:05,938 --> 00:08:07,771
That was impolite
of me.
159
00:08:07,806 --> 00:08:09,022
I won't forget again.
160
00:08:11,525 --> 00:08:13,410
Call his home!
Call his home!
161
00:08:15,162 --> 00:08:16,413
Valencia.
162
00:08:17,664 --> 00:08:18,916
Never mind.
163
00:08:22,035 --> 00:08:23,921
Some of us are young.
164
00:08:25,172 --> 00:08:27,040
Some of us are old.
165
00:08:28,292 --> 00:08:30,794
But neither state
precludes any of us,
166
00:08:30,829 --> 00:08:32,045
young or old,
167
00:08:32,080 --> 00:08:34,548
from ignoring
the basic cooperation
168
00:08:34,583 --> 00:08:36,433
that will be
necessary here.
169
00:08:36,468 --> 00:08:37,684
When i direct,
170
00:08:37,719 --> 00:08:39,553
there are no significant personalities
171
00:08:39,588 --> 00:08:40,804
in the cast
of any play,
172
00:08:40,839 --> 00:08:43,307
but there are three
significant dates
173
00:08:43,342 --> 00:08:44,558
in the life
of a play...
174
00:08:47,060 --> 00:08:52,065
the first day of rehearsal,
opening night, closing night.
175
00:08:52,100 --> 00:08:55,319
The last two are related
and dependent upon the first.
176
00:08:55,354 --> 00:08:57,821
Therefore, the first day
of rehearsal
177
00:08:57,856 --> 00:08:59,706
is an extremely important day.
178
00:08:59,741 --> 00:09:00,958
When i call
rehearsal
179
00:09:00,993 --> 00:09:02,209
for 12:00,
templeton,
180
00:09:02,244 --> 00:09:04,077
i meant 12:00
for everyone,
181
00:09:04,112 --> 00:09:04,711
young and old-
182
00:09:04,746 --> 00:09:05,963
everyone to be
in his place
183
00:09:05,998 --> 00:09:07,831
and ready to work
at 12:00 sharp.
184
00:09:07,866 --> 00:09:08,465
Are you ready
185
00:09:09,082 --> 00:09:10,334
to work with us, templeton?
186
00:09:15,722 --> 00:09:17,724
I asked you a question.
187
00:09:17,759 --> 00:09:20,227
I expect an answer.
188
00:09:22,346 --> 00:09:22,980
Answer me!
189
00:09:23,347 --> 00:09:24,598
Answer me,
templeton!
190
00:09:24,633 --> 00:09:25,599
Speak up, templeton!
191
00:09:25,634 --> 00:09:26,600
Speak up!
192
00:09:26,635 --> 00:09:27,851
No...
193
00:09:27,886 --> 00:09:29,236
come back here,
templeton.
194
00:09:29,271 --> 00:09:30,487
Booth!
195
00:09:30,522 --> 00:09:32,356
Come back!
196
00:09:32,391 --> 00:09:34,107
Templeton!
Come back here!
197
00:10:37,671 --> 00:10:42,059
Booth templeton
inthe great seed?
198
00:10:42,094 --> 00:10:45,178
1927's big hit?
199
00:10:47,064 --> 00:10:49,566
1927.
200
00:10:50,183 --> 00:10:52,069
That's more than 30 years ago.
201
00:11:00,193 --> 00:11:02,696
Barney flueger.
202
00:11:02,731 --> 00:11:04,581
Barney!
203
00:11:21,348 --> 00:11:23,216
Hey, mr. Templeton.
204
00:11:25,102 --> 00:11:26,970
What year is this?
205
00:11:27,005 --> 00:11:28,221
1927.
206
00:11:28,256 --> 00:11:30,107
Say, you're not
trying to kid me,
207
00:11:30,142 --> 00:11:31,358
are you,
mr. Templeton?
208
00:11:31,393 --> 00:11:33,226
Most assuredly
i'm not.
209
00:11:33,261 --> 00:11:34,478
Your wife
just phoned
210
00:11:34,978 --> 00:11:36,863
and said for you
to meet her
211
00:11:36,898 --> 00:11:38,115
at freddie
iaccino's.
212
00:11:38,150 --> 00:11:39,983
My wife?
213
00:11:40,018 --> 00:11:41,868
But laura's dead.
214
00:11:41,903 --> 00:11:43,737
Well, she's the
best-looking ghost
215
00:11:43,772 --> 00:11:45,622
i ever saw,
mr. Templeton.
216
00:11:45,657 --> 00:11:46,873
No offense, of course.
217
00:11:48,125 --> 00:11:49,376
Where's laura?
218
00:11:49,411 --> 00:11:51,244
Where did you say
she's waiting for me?
219
00:11:51,878 --> 00:11:54,381
At freddie iaccino's,
just around the corner.
220
00:12:44,214 --> 00:12:45,465
Hello, booth.
221
00:12:45,500 --> 00:12:46,716
Freddie.
222
00:12:48,602 --> 00:12:49,853
Yeah, what?
223
00:12:49,888 --> 00:12:51,721
It is you.
224
00:12:52,355 --> 00:12:53,607
You're alive.
225
00:12:53,642 --> 00:12:54,224
Sure.
226
00:12:54,858 --> 00:12:56,726
What did you expect?
227
00:12:58,013 --> 00:13:00,363
Can't be too
careful these days.
228
00:13:00,398 --> 00:13:02,866
All the time somebody's
wanting a raid or something.
229
00:13:20,750 --> 00:13:22,752
What'll it be tonight,
steaks or chops?
230
00:13:22,787 --> 00:13:24,004
What?
231
00:13:24,039 --> 00:13:27,140
Well, your wife's having
the kansas city.
232
00:13:33,763 --> 00:13:35,649
She isn't at
our usual table.
233
00:13:35,684 --> 00:13:38,151
She's over there.
234
00:13:48,161 --> 00:13:49,412
Well?
235
00:13:49,447 --> 00:13:50,664
What?
236
00:13:50,699 --> 00:13:53,166
Steaks or chops?
237
00:13:53,201 --> 00:13:55,669
No, nothing. Nothing
to eat tonight, freddie.
238
00:13:55,704 --> 00:13:57,537
We're not staying very long.
239
00:13:59,074 --> 00:14:01,541
Oh, barney,
you're a scream.
240
00:14:01,576 --> 00:14:02,792
Oh, hi.
241
00:14:02,827 --> 00:14:04,044
Hi, booth.
242
00:14:04,079 --> 00:14:05,295
We didn't wait.
243
00:14:05,330 --> 00:14:06,546
Barney.
244
00:14:06,581 --> 00:14:07,797
Barney flueger.
245
00:14:07,832 --> 00:14:09,049
The same.
246
00:14:09,084 --> 00:14:10,934
To know him
is to love him.
247
00:14:10,969 --> 00:14:12,185
Sit down,
old man.
248
00:14:12,220 --> 00:14:13,436
I'll be
right back.
249
00:14:13,471 --> 00:14:15,305
Laura...
laura, darling.
250
00:14:15,340 --> 00:14:17,807
Booth, my goodness.
251
00:14:17,842 --> 00:14:19,693
Come on, sit down.
252
00:14:20,944 --> 00:14:22,812
The kansas city's
great tonight.
253
00:14:22,847 --> 00:14:24,064
It's juicy.
254
00:14:27,317 --> 00:14:28,568
See? I told you.
255
00:14:30,320 --> 00:14:31,571
Laura, i...
256
00:14:32,822 --> 00:14:34,074
what's the matter?
257
00:14:34,109 --> 00:14:34,708
You look worried.
258
00:14:34,743 --> 00:14:35,959
Hmm?
259
00:14:35,994 --> 00:14:37,210
Booth, how
many times
260
00:14:37,245 --> 00:14:38,461
have i told you
261
00:14:38,496 --> 00:14:39,713
to take your
makeup off
262
00:14:39,748 --> 00:14:41,581
before you come
in here.
263
00:14:41,616 --> 00:14:43,466
Makeup?
264
00:14:46,586 --> 00:14:47,837
Laura...
laura, darling,
265
00:14:47,872 --> 00:14:49,089
let's go
someplace else.
266
00:14:49,124 --> 00:14:50,974
Somewhere
where it's quieter.
267
00:14:51,009 --> 00:14:52,842
Where there aren't
so many people.
268
00:14:52,877 --> 00:14:54,094
Why?
269
00:14:54,129 --> 00:14:57,230
Well, i want to talk
to you, laura.
270
00:14:57,265 --> 00:14:59,482
Well, i want to have
a good time.
271
00:15:01,234 --> 00:15:02,235
Oh, yoo-hoo!
272
00:15:02,270 --> 00:15:04,104
Could you get me
another of these, please?
273
00:15:04,738 --> 00:15:05,355
Thank you.
274
00:15:05,390 --> 00:15:07,857
But i have to talk
to you, laura.
275
00:15:10,110 --> 00:15:11,361
Well?
276
00:15:11,396 --> 00:15:13,613
I...
277
00:15:13,648 --> 00:15:15,498
oh, laura,
darling...
278
00:15:15,533 --> 00:15:16,750
i'm here.
279
00:15:16,785 --> 00:15:18,618
I don't know
for how long,
280
00:15:18,653 --> 00:15:20,503
or even
how i got here,
281
00:15:20,538 --> 00:15:22,005
or-or who put me
here, but i'm here
282
00:15:22,040 --> 00:15:23,873
and i want to make good use of the time.
283
00:15:24,507 --> 00:15:27,127
I want to have you alone
to myself.
284
00:15:27,162 --> 00:15:29,379
Booth, don't be dull.
285
00:15:31,765 --> 00:15:33,633
Aren't you going
to eat, old chap?
286
00:15:33,668 --> 00:15:35,518
New band's
swell.
287
00:15:35,553 --> 00:15:38,021
Laura, laura... barney...
288
00:15:38,056 --> 00:15:39,889
you better
order.
289
00:15:39,924 --> 00:15:41,141
Yeah. He's
right, honey.
290
00:15:41,176 --> 00:15:42,392
Listen to me, you two...
291
00:15:42,427 --> 00:15:44,277
oh, it's so
hot tonight.
292
00:15:44,312 --> 00:15:46,780
Hey, george, bring
him one of these.
293
00:15:46,815 --> 00:15:50,533
I'll be glad
to get into a cold tub.
294
00:15:50,568 --> 00:15:51,151
Booth, will
you tell me why,
295
00:15:51,186 --> 00:15:53,036
on this glad,
green earth,
296
00:15:53,071 --> 00:15:54,904
you're wearing
an overcoat for
297
00:15:54,939 --> 00:15:56,156
on a night like this?
298
00:15:56,191 --> 00:15:58,041
Will you tell
me now, booth?
299
00:15:58,076 --> 00:15:58,658
I mean, really.
300
00:15:58,693 --> 00:16:00,543
I'm not so certain
301
00:16:00,578 --> 00:16:03,663
that it is a glad,
green earth.
302
00:16:03,698 --> 00:16:06,166
Oh, laura, laura,
darling...
303
00:16:06,201 --> 00:16:08,051
barney...
304
00:16:08,086 --> 00:16:09,919
i'm not so certain
of this earth,
305
00:16:09,954 --> 00:16:11,805
or of anything
in it, right now.
306
00:16:11,840 --> 00:16:13,673
I... oh, please,
listen to me.
307
00:16:13,708 --> 00:16:14,924
Listen to me,
won't you?
308
00:16:14,959 --> 00:16:16,810
Laura, laura,
something's happened.
309
00:16:16,845 --> 00:16:19,929
Something
very strange.
310
00:16:19,964 --> 00:16:22,816
Please try to understand.
311
00:16:22,851 --> 00:16:24,684
This... this isn't makeup.
312
00:16:24,719 --> 00:16:27,187
I've grown older, darling.
313
00:16:27,222 --> 00:16:28,688
In another
world, many...
314
00:16:28,723 --> 00:16:30,573
for many, many
lonely years...
315
00:16:31,191 --> 00:16:33,076
i've had only
a memory of you
316
00:16:33,111 --> 00:16:34,327
to live on.
317
00:16:34,362 --> 00:16:36,196
You, too, barney.
318
00:16:36,231 --> 00:16:37,447
Why, you were
319
00:16:37,482 --> 00:16:40,333
my one and only
best friend.
320
00:16:40,368 --> 00:16:45,705
But both of you have been
only memories for a long time.
321
00:16:45,740 --> 00:16:49,459
And now, tonight...
322
00:16:49,494 --> 00:16:54,464
or today, or... whatever it is,
323
00:16:54,499 --> 00:16:59,469
and wherever i am in...
in space or time,
324
00:16:59,504 --> 00:17:01,971
i have you back again.
325
00:17:02,006 --> 00:17:03,223
You're alive.
326
00:17:03,973 --> 00:17:06,476
You didn't die.
327
00:17:07,110 --> 00:17:08,478
Life is going on here.
328
00:17:08,513 --> 00:17:10,980
It's just as if you never died-
329
00:17:11,015 --> 00:17:12,866
either of you.
330
00:17:16,486 --> 00:17:18,371
You do understand, don't you?
331
00:17:18,406 --> 00:17:20,623
Oh, sure.
332
00:17:24,127 --> 00:17:26,629
Laura, do you understand?
333
00:17:26,664 --> 00:17:27,881
Sure.
334
00:17:27,916 --> 00:17:31,634
Come on, let's have
a good time, huh?
335
00:17:34,137 --> 00:17:34,754
Laura...
336
00:17:34,789 --> 00:17:36,639
why are you so different?
337
00:17:39,008 --> 00:17:41,511
Well, that's the way
i am, booth.
338
00:17:41,546 --> 00:17:42,762
That's the way it is.
339
00:17:46,266 --> 00:17:48,151
I mean, what did you expect?
340
00:17:48,186 --> 00:17:51,154
Yes, old chap,
whatdidyou expect?
341
00:17:53,406 --> 00:17:55,275
I...
342
00:17:55,310 --> 00:17:58,411
i don't know.
343
00:17:58,446 --> 00:18:00,280
But you were my love.
344
00:18:00,315 --> 00:18:01,531
Everywhere, at all times.
345
00:18:01,566 --> 00:18:05,285
Why, we couldn't walk a street
or sit in a restaurant
346
00:18:05,320 --> 00:18:06,669
without everybody
knowing
347
00:18:06,704 --> 00:18:07,921
that we
were in love.
348
00:18:07,956 --> 00:18:09,172
Are you finished?
349
00:18:10,540 --> 00:18:13,042
I don't like what you've become.
350
00:18:24,222 --> 00:18:25,438
Shut up.
351
00:18:26,055 --> 00:18:28,057
Shut up, both of you! Shut up!
352
00:18:28,092 --> 00:18:29,943
Laura, laura, come with me.
353
00:18:30,560 --> 00:18:31,811
No.
354
00:18:31,846 --> 00:18:36,065
You're a silly old fool
of a man.
355
00:18:40,320 --> 00:18:41,571
That's for me.
356
00:18:52,215 --> 00:18:55,335
Stop it! Stop it!
357
00:18:55,370 --> 00:18:58,221
Why don't you go back
where you came from?
358
00:18:58,256 --> 00:19:00,089
We don't
want you here.
359
00:20:08,791 --> 00:20:10,043
Oh, yeah,
come on...
360
00:20:10,078 --> 00:20:11,911
no, no, please, please.
361
00:20:11,946 --> 00:20:13,162
Oh, come on...
362
00:20:57,707 --> 00:20:59,592
did it happen?
363
00:21:08,351 --> 00:21:13,356
"What to do
when booth comes back."
364
00:21:17,110 --> 00:21:18,361
"Table in speakeasy.
365
00:21:18,396 --> 00:21:20,863
"Enter booth as laura
throws back her head
366
00:21:20,898 --> 00:21:22,732
"and laughs too shrilly.
367
00:21:22,767 --> 00:21:25,234
'You're a scream,
barney. A real... '"
368
00:21:28,371 --> 00:21:29,622
'the same.
369
00:21:29,657 --> 00:21:32,125
"'To know him is to love him.
370
00:21:32,160 --> 00:21:33,376
Sit down, old chap.'"
371
00:21:42,135 --> 00:21:47,140
'Why don't you go back
where you came from?
372
00:21:47,175 --> 00:21:49,642
We don't want you here.'"
373
00:21:51,511 --> 00:21:54,013
Acting.
374
00:21:54,048 --> 00:21:56,516
They were acting for me.
375
00:21:58,401 --> 00:22:01,521
They wanted me to go back
to my own life...
376
00:22:01,556 --> 00:22:03,406
and live it.
377
00:22:12,415 --> 00:22:13,666
Templeton.
378
00:22:20,173 --> 00:22:22,041
One question:
379
00:22:22,076 --> 00:22:25,178
Are you in or are you out?
380
00:22:44,564 --> 00:22:47,066
I am definitely... in.
381
00:22:47,101 --> 00:22:50,203
And it is definitely
mr. Templeton,
382
00:22:50,238 --> 00:22:52,705
especially to one
so young as you.
383
00:22:55,074 --> 00:22:56,325
Now, wait
a minute...
384
00:22:56,360 --> 00:22:58,828
excuse me, mr. Sperry,
but i never allow anyone
385
00:22:58,863 --> 00:23:01,330
not directly connected
with the production
386
00:23:01,964 --> 00:23:03,216
to attend my rehearsals.
387
00:23:03,251 --> 00:23:04,467
I insist upon that.
388
00:23:04,502 --> 00:23:06,335
Just who do you
think you are?
389
00:23:06,370 --> 00:23:08,838
Sidney... run along.
390
00:23:12,592 --> 00:23:15,728
Now, then, shall
we start rehearsal?
391
00:23:15,763 --> 00:23:18,231
I'd like that,
mr. Templeton.
392
00:23:18,266 --> 00:23:22,101
I've just had a most remarkable
experience, young man.
393
00:23:22,136 --> 00:23:25,238
I couldn't possibly
expect you to comprehend it,
394
00:23:25,273 --> 00:23:28,357
but i'm going to tell you
about it anyway...
395
00:23:28,392 --> 00:23:29,609
someday.
396
00:23:30,493 --> 00:23:32,995
You know,
you were right.
397
00:23:33,030 --> 00:23:34,864
The first day
of rehearsal
398
00:23:34,899 --> 00:23:38,618
isthe most important date
in the life of a play.
399
00:23:45,875 --> 00:23:47,760
Mr. Booth templeton,
400
00:23:47,795 --> 00:23:49,629
who shared with most
human beings the hunger
401
00:23:49,664 --> 00:23:51,514
to recapture the past moments-
402
00:23:51,549 --> 00:23:53,382
the ones that soften
with the years.
403
00:23:53,417 --> 00:23:55,268
But, in his case,
404
00:23:55,303 --> 00:23:57,136
the characters of his past
blocked him out
405
00:23:57,171 --> 00:23:58,387
and sent him back
to his own time,
406
00:23:58,422 --> 00:24:00,273
which is where we find him now-
407
00:24:00,890 --> 00:24:02,775
mr. Booth templeton,
408
00:24:02,810 --> 00:24:05,895
who had a round-trip ticket
into the twilight zone.
409
00:24:12,485 --> 00:24:14,987
Rod serling,
the creator oftwilight zone,
410
00:24:15,022 --> 00:24:16,873
will tell you
about next week's story
411
00:24:16,908 --> 00:24:19,375
after this word
from our alternate sponsor.
412
00:24:20,510 --> 00:24:22,528
And now, mr. Serling.
413
00:24:22,563 --> 00:24:25,631
In this $28 a day hotel suite
414
00:24:25,666 --> 00:24:28,751
live three human beings
who have larceny in them
415
00:24:28,786 --> 00:24:31,888
from their toes
to where they part their hair.
416
00:24:31,923 --> 00:24:36,259
Amongst the loot of one
evening's caper is this camera,
417
00:24:36,294 --> 00:24:38,761
which they soon discover
has most unique properties-
418
00:24:38,796 --> 00:24:41,264
it takes pictures of the future.
419
00:24:41,299 --> 00:24:42,515
Stick around
for the development,
420
00:24:42,550 --> 00:24:45,017
next week, onthe twilight zone.
421
00:24:47,520 --> 00:24:51,774
Captioned by media access
group at wgbh access. Wgbh. Org
422
00:25:29,195 --> 00:25:32,315
see the newandy griffith show
each week
423
00:25:32,350 --> 00:25:34,200
over most of these stations.
424
00:25:34,235 --> 00:25:36,068
Consult local listings.
28002
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof