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Previously on Genius...
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Opium.
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PABLO: I want to make you happy.
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I worship you, Fernande.
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Henri Matisse.
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No, this artist has
more than just talent.
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He has vision.
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He's bent all the rules,
and I want to smash them.
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APOLLINAIRE: We
have done it, Pablo.
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00:00:22,266 --> 00:00:25,088
FERNANDE: When the Autumn Salon
opens, you'll both be sensations.
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PABLO: Matisse.
I'm not submitting it.
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00:00:27,258 --> 00:00:28,435
APOLLINAIRE: But why?
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PABLO: It's not good enough.
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FRANÇOISE: This is
exactly how you raised me.
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To stand up for myself.
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EMILE: I want you to
stay away from Picasso.
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GENEVIÈVE: You're not actually
in love with him, are you?
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PICASSO: My African masks protect
me against all evil spirits.
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OFFICER: We found her
wandering along the river,
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but there was no
evidence of an attack.
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Perhaps you should
take her to the hospital.
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I don't think
she's in her right mind.
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FRANÇOISE: You think she doesn't mind
because she's such a free thinker,
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but she does mind, very much.
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I'm sorry, I thought I could do
things your way, but I can't.
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I'm going to look after myself,
and I hope you look after Dora.
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(THEME MUSIC PLAYS).
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♪
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Sync and corrections by awaqeded
www.addic7ed.com
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EMILE: Jump, Françoise.
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FRANÇOISE: No, Papa. I can't.
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EMILE: Jump.
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FRANÇOISE: Papa,
please don't make me.
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EMILE: The world is not
kind to women, Françoise.
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You must learn to
be as strong as a man.
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Come on, now.
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FRANÇOISE: I'm sorry, I.
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(SCREAMS).
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PICASSO: How did it happen?
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FRANÇOISE: The power was out.
I couldn't
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see a thing. I slipped
on the stairs.
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PICASSO: Are you
in terrible pain?
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FRANÇOISE: I've
been through worse.
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PICASSO: Uh.
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FRANÇOISE: Are these for me?
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PICASSO: Yes.
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FRANÇOISE: I love them.
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PICASSO: Why?
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FRANÇOISE: Because they
are absolutely absurd.
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PICASSO: Yeah, yeah, well.
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FRANÇOISE: How is Dora?
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PICASSO: Oh, she's
doing much better now.
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FRANÇOISE: Is she home
from the hospital?
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PICASSO: Yes. She's
in psychotherapy.
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Even going to church.
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Imagine, a surrealist
who believes in God.
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But don't worry, I'm
taking care of her.
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Now let me take care of you.
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FRANÇOISE: I tried your
arrangement, Pablo.
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It didn't work for me.
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PICASSO: These past few months,
uh, I have missed you terribly.
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You inspire me
and-and challenge me.
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FRANÇOISE: What about Dora?
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PICASSO: Dora and I are through.
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FRANÇOISE: And what
about Marie-Thérèse?
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PICASSO: Well, she's
the mother of my child.
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But we haven't
been lovers in years.
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I only want you, Françoise.
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All the time.
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FRANÇOISE: Hmm.
You were the one who...
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who said we shouldn't
see each other too
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often, that too much
passion burns itself out.
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PICASSO: But you don't
think I'm always right.
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Do you?
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FRANÇOISE: It's a
lot to think about.
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I need some time.
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PICASSO: Of course.
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I have the use of
a house by the sea.
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In Golfe-Juan. Go. Recover.
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Bring a friend.
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Take your time.
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Think about what you want, but
don't make me wait too long.
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MAX: At long last the
critics have spoken.
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Listen to this.
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Mauclair calls Matisse and his
merry band of imitators
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"a pot of paint flung
in the public's face."
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And, uh, "a Donatello
among wild beasts."
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FERNANDE: Matisse?
A wild beast? How awful.
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PIERET: Aren't
you tickled, Pablo?
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Had you submitted to
the Autumn Salon,
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it could've been
you they savaged.
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PABLO: Who the hell are you?
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APOLLINAIRE: Pablo, I
introduced you last week.
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This is Géry Pieret,
my secretary.
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PABLO: You're a poet, Guillaume.
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Why in God's name do
you need a secretary?
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You're all fools. Can't you see?
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Matisse succeeded.
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Critics are-are rotting corpses
who still think Impressionism
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is the modern style,
for God's sake.
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00:05:31,936 --> 00:05:35,305
The fact that they hate Matisse
only proves how great he is.
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"Wild beast."
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It's a badge of honor.
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My work would never
attract such anger.
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I need to be more offensive.
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More abhorrent.
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I need my work to shock.
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GERTRUDE: It's
positively revolting.
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Look, she has monkey feet.
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LEO: The artist is
playing with proportions.
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GERTRUDE: Or maybe
he can't draw feet.
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00:06:12,277 --> 00:06:15,852
LEO: If you want to be a real
collector, Gertrude, learn the lingo:
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Line, shape, form, light...
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00:06:18,683 --> 00:06:21,162
SAGOT: Ah, Monsieur
and Mademoiselle Stein.
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Welcome back.
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A stunning piece, no?
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LEO: Hmm, I do
find it intriguing.
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00:06:26,725 --> 00:06:28,975
SAGOT: She'd make a
beautiful addition to
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yours and, uh, your
sister's collection.
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00:06:31,196 --> 00:06:33,874
And she's only 200 francs.
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00:06:33,898 --> 00:06:37,167
GERTRUDE: For that?
You have got to be kidding.
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00:06:37,469 --> 00:06:39,814
SAGOT: Oh, she will be
worth double next year.
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Uh, did I hear you mention
monkey, Mademoiselle Stein?
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I have another Picasso
I think you might like.
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00:06:58,389 --> 00:07:01,391
LEO: If I take them both, will you
knock a few francs off the price?
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00:07:01,426 --> 00:07:03,070
GERTRUDE: Good God,
Leo, don't...
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00:07:03,094 --> 00:07:07,861
SAGOT: I will give you
the pair for 350 franc.
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00:07:08,867 --> 00:07:13,403
LEO: Sold. Now
tell me, this... Picasso.
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Do you know where I
can find his studio?
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00:07:15,573 --> 00:07:17,351
SAGOT: Oh! Yes.
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But, uh, I must warn you, uh, Pablo
is a... tricky little character.
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(KNOCK)
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00:07:29,020 --> 00:07:32,066
LEO: Good afternoon.
I'm looking for a Mr. Picasso.
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PABLO: Who?
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00:07:34,425 --> 00:07:37,838
LEO: Picasso?
I was told he lived here.
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00:07:37,862 --> 00:07:40,864
PABLO: There is no
Picasso here. Good-bye...
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00:07:41,232 --> 00:07:45,690
LEO: If you do see him, would you
please tell him that the collectors
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Leo and Gertrude Stein just
purchased two of his paintings?
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00:07:50,232 --> 00:07:54,244
We'd like to invite him
to our Saturday Salon.
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00:07:58,316 --> 00:08:02,670
Oh. Dinner jackets optional.
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00:08:03,555 --> 00:08:06,556
But tell him he may
want to wear pants.
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00:08:10,829 --> 00:08:14,131
Pablo Picasso,
meet Henri Matisse.
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00:08:17,502 --> 00:08:20,937
MATISSE: Pleasure,
Monsieur Picasso.
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00:08:20,972 --> 00:08:22,449
And you too, mademoiselle?
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00:08:22,473 --> 00:08:24,385
FERNANDE: Fernande Olivier.
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00:08:24,409 --> 00:08:27,177
MATISSE: Ah, Enchanté.
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00:08:28,847 --> 00:08:32,549
LEO: Pretty spectacular, no?
Truly original.
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00:08:35,954 --> 00:08:38,655
PABLO: Critics hated it.
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00:08:41,726 --> 00:08:45,061
FERNANDE: I think it's
splendid, Monsieur Matisse.
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00:08:45,096 --> 00:08:48,342
And I love your dinner jacket.
Is it imported?
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00:08:48,366 --> 00:08:51,712
MATISSE: It is, uh, Scottish
tweed from Aberdeen.
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You have quite the eye.
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00:08:55,006 --> 00:08:57,885
FERNANDE: Monsieur Stein,
this room, this shrine to art...
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It's breathtaking.
You have such taste.
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00:09:00,345 --> 00:09:01,789
LEO: Mm.
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00:09:01,813 --> 00:09:03,724
GERTRUDE: Well,
that's debatable.
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00:09:03,748 --> 00:09:05,426
Gertrude Stein, Leo's sister.
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00:09:05,450 --> 00:09:08,151
LEO: Nobody was
assuming you're my wife.
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00:09:10,188 --> 00:09:13,190
GERTRUDE: Leo, shall I tell Henri what
you said about "Woman with a Hat,"
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00:09:13,391 --> 00:09:16,793
the first time you saw it?
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(LAUGHS).
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00:09:20,164 --> 00:09:21,947
MATISSE: Eh, Monsieur
Picasso, I hear the
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00:09:21,972 --> 00:09:23,924
Steins have purchased
two of your works, huh?
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00:09:24,202 --> 00:09:27,070
GERTRUDE: There's
one right over here.
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00:09:31,576 --> 00:09:33,189
LEO: Gertrude, should I tell Mr.
Picasso
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what you said about his painting
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the first time you saw it?
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00:09:36,214 --> 00:09:37,925
GERTRUDE: I said
I hate the feet.
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00:09:37,949 --> 00:09:40,584
I still do, so I covered them.
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00:09:44,722 --> 00:09:48,024
MATISSE: Mm, I quite like them.
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00:09:49,260 --> 00:09:52,006
They remind me, in a way,
of primitive sculpture.
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00:09:52,030 --> 00:09:54,208
GERTRUDE: Well, they
remind me of the gout.
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I think the painting would
be far superior without them.
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00:09:57,201 --> 00:10:02,172
Would you mind terribly if we eh,
just cut them off, Mr. Picasso?
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00:10:08,947 --> 00:10:11,615
I suppose that's a 'no.'
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00:10:12,150 --> 00:10:14,028
FERNANDE: You can't just leave.
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00:10:14,052 --> 00:10:16,297
PABLO: Do you think I'm going to stand
there and be insulted while you
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00:10:16,321 --> 00:10:18,032
flirt with every man in sight?
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00:10:18,056 --> 00:10:19,533
FERNANDE: What are
you talking about?
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00:10:19,557 --> 00:10:21,235
PABLO: I saw how you
were with Matisse.
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00:10:21,259 --> 00:10:23,170
That condescending bastard.
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00:10:23,194 --> 00:10:24,905
FERNANDE: I was just
trying to be nice.
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00:10:24,929 --> 00:10:28,865
PABLO: Next time,
try without your hands.
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00:10:28,967 --> 00:10:30,577
FERNANDE: Are you honestly
jealous of Henri Matisse?
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00:10:30,601 --> 00:10:31,946
PABLO: Course not.
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00:10:31,970 --> 00:10:33,881
FERNANDE: Then why
are you running?
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00:10:33,905 --> 00:10:35,849
The Steins are
serious collectors.
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00:10:35,873 --> 00:10:38,686
Think of what they
could do for your career.
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00:10:38,710 --> 00:10:41,789
We need to make
friends with them.
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00:10:41,813 --> 00:10:45,782
PABLO: How am I supposed to make
friends with that rhinoceros?
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00:10:45,817 --> 00:10:47,695
FERNANDE: Paint her portrait.
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00:10:47,719 --> 00:10:49,630
PABLO: Why the hell
would I do that?
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00:10:49,654 --> 00:10:51,765
FERNANDE: Every woman
wants to be painted.
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00:10:51,789 --> 00:10:54,201
It makes them feel beautiful
a-and I suspect Gertrude
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00:10:54,225 --> 00:10:57,604
hasn't been made to
feel that way too often.
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00:10:57,628 --> 00:11:01,865
PABLO: I am not a
portrait painter for hire.
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00:11:02,133 --> 00:11:07,270
FERNANDE: Matisse painted a portrait
and he caused quite a stir, no?
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00:11:09,007 --> 00:11:12,242
GERTRUDE: How would you like me?
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00:11:12,810 --> 00:11:15,389
PABLO: You can take
off the jacket.
200
00:11:15,413 --> 00:11:18,148
And the hat.
201
00:11:18,182 --> 00:11:20,194
GERTRUDE: Oh.
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00:11:20,218 --> 00:11:22,087
Since I'm modeling for
you, I was thinking
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00:11:22,112 --> 00:11:23,677
I'd remove everything
but the hat.
204
00:11:24,589 --> 00:11:26,500
What?
205
00:11:26,524 --> 00:11:28,602
I was under the
impression you wanted
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00:11:28,627 --> 00:11:30,651
to paint a bold
response to Matisse.
207
00:11:31,062 --> 00:11:35,265
PABLO: Clothes on,
hat off, please.
208
00:11:47,545 --> 00:11:51,414
- What do you think of Renoir?
- He's a hack.
209
00:11:51,482 --> 00:11:52,860
- Monet?
- Wallpaper.
210
00:11:52,884 --> 00:11:56,986
- Cézanne?
- Is this some sort of test?
211
00:11:57,288 --> 00:12:01,324
GERTRUDE: My brother says I
don't know enough about art.
212
00:12:01,492 --> 00:12:05,195
PABLO: Some advice, stop
listening to your brother.
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00:12:23,714 --> 00:12:26,345
GERTRUDE: Pablo, I'm
enjoying our time,
214
00:12:26,370 --> 00:12:28,712
but this must be
your 40th attempt.
215
00:12:28,713 --> 00:12:30,397
Maybe if I look at it...
216
00:12:30,421 --> 00:12:33,723
PABLO: Not until I'm finished.
217
00:12:33,758 --> 00:12:36,003
This can't be just
an ordinary painting.
218
00:12:36,027 --> 00:12:38,539
If I'm going to outdo Matisse.
219
00:12:38,563 --> 00:12:41,731
- I'm sorry.
- For what?
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00:12:42,400 --> 00:12:45,546
GERTRUDE: I know I'm not
pretty like your other models.
221
00:12:45,570 --> 00:12:48,838
PABLO: Nonsense.
You are magnificent.
222
00:12:50,942 --> 00:12:55,178
I just need to find a
way to truly capture you.
223
00:13:00,685 --> 00:13:03,030
GERTRUDE: I'm an
artist too, you know.
224
00:13:03,054 --> 00:13:05,866
A writer.
225
00:13:05,890 --> 00:13:09,092
And you've inspired me
to write a novel, Pablo.
226
00:13:10,528 --> 00:13:12,962
Can I write while you paint?
227
00:13:13,631 --> 00:13:17,767
PABLO: I'm sorry.
I need to see your eyes.
228
00:13:19,604 --> 00:13:23,573
GERTRUDE: Fine.
I'll work it out in my head.
229
00:13:25,743 --> 00:13:29,212
Who knows, at this rate I
might finish before you do.
230
00:13:29,714 --> 00:13:32,359
MATISSE: What I love
most is her shape.
231
00:13:32,383 --> 00:13:36,352
African artists aren't
constrained by classical notions
232
00:13:36,721 --> 00:13:38,799
of the-the female anatomy.
233
00:13:38,823 --> 00:13:42,091
They do...
As they feel and so should we.
234
00:13:42,927 --> 00:13:44,872
LEO: Ah.
235
00:13:44,896 --> 00:13:46,637
Henri's showing you one
of the inspirations
236
00:13:46,662 --> 00:13:47,888
behind his latest masterpiece.
237
00:13:50,234 --> 00:13:53,703
Come. What do you think?
238
00:14:02,246 --> 00:14:06,883
PABLO: It's absolutely
extraordinary.
239
00:14:08,486 --> 00:14:10,507
MATISSE: I hear you
have started work
240
00:14:10,532 --> 00:14:12,446
on something special
with Gertrude.
241
00:14:13,691 --> 00:14:15,936
How's it coming?
242
00:14:15,960 --> 00:14:19,796
LEO: Yes, how is it coming?
243
00:14:22,200 --> 00:14:24,349
GERTRUDE: "Something
is coming out of
244
00:14:24,374 --> 00:14:26,613
him, certainly it is
coming out of him,
245
00:14:26,637 --> 00:14:29,164
certainly it is something,
certainly it is
246
00:14:29,189 --> 00:14:31,598
coming out of him and
it has meaning..."
247
00:14:39,817 --> 00:14:41,728
You finished?
248
00:14:41,752 --> 00:14:43,793
PABLO: I am,
249
00:14:47,318 --> 00:14:49,548
but the painting is not.
250
00:14:49,827 --> 00:14:52,996
Please go.
251
00:14:54,332 --> 00:14:59,166
GERTRUDE: Oh I don't,
I don't understand.
252
00:15:00,504 --> 00:15:06,940
PABLO: I look at your face,
but I cannot see it anymore.
253
00:15:09,914 --> 00:15:12,715
FERNANDE: No, Pablo!
What are you doing?
254
00:15:28,389 --> 00:15:30,734
FERNANDE: Oh, my Lord.
255
00:15:30,758 --> 00:15:33,803
Apollinaire was invited to the
Steins for their Saturday Salon
256
00:15:33,827 --> 00:15:36,139
and he brought
that secretary of his.
257
00:15:36,163 --> 00:15:39,098
What's his name? Pieret!
258
00:15:39,500 --> 00:15:41,611
He tried to steal a
Cézanne right off the wall.
259
00:15:41,635 --> 00:15:43,246
(LAUGHS)
260
00:15:43,270 --> 00:15:45,915
And Max was there,
drunk, of course.
261
00:15:45,939 --> 00:15:49,875
PABLO: I don't care
about gossip, Fernande.
262
00:15:49,910 --> 00:15:53,212
Please, I'm working.
263
00:15:55,282 --> 00:15:59,151
FERNANDE: Why are you in such
a foul mood all of a sudden?
264
00:16:06,293 --> 00:16:11,664
PABLO: You're right.
Let's get some sun.
265
00:16:13,767 --> 00:16:16,569
GENEVIÈVE: Francoise!
I've made new friends.
266
00:16:16,603 --> 00:16:20,106
They want to take
us for a drink.
267
00:16:20,240 --> 00:16:22,352
FRANÇOISE: You go on, I'm busy.
268
00:16:22,376 --> 00:16:23,833
GENEVIÈVE: Francoise,
I traveled all the
269
00:16:23,857 --> 00:16:25,288
way down here to have
some fun with you
270
00:16:25,312 --> 00:16:28,843
and all you do is paint and,
uh, what are you doing now?
271
00:16:29,316 --> 00:16:31,361
Writing your memoirs?
272
00:16:31,385 --> 00:16:32,829
FRANÇOISE: A letter...
273
00:16:32,853 --> 00:16:34,264
GENEVIÈVE: To whom?
274
00:16:34,288 --> 00:16:37,123
Let me guess, not
your grandmother.
275
00:16:37,157 --> 00:16:38,668
FRANÇOISE: Dear Pablo.
276
00:16:38,692 --> 00:16:42,105
PICASSO: "Thank you for your
generosity I'm very happy, so,
277
00:16:42,129 --> 00:16:44,774
no point in you
troubling yourself to visit."
278
00:16:44,798 --> 00:16:46,976
What the hell does that mean?
279
00:16:47,000 --> 00:16:50,636
MARCEL: Sounds like she
doesn't want to see you.
280
00:16:51,071 --> 00:16:54,807
PICASSO: Get the car.
281
00:17:05,819 --> 00:17:07,620
GENEVIÈVE: Pablo.
282
00:17:10,090 --> 00:17:11,367
PICASSO: Where is she?
283
00:17:11,391 --> 00:17:12,869
GENEVIÈVE: Francoise?
She's out for a walk.
284
00:17:12,893 --> 00:17:14,537
PICASSO: Why did she
tell me not to come?
285
00:17:14,561 --> 00:17:17,040
- I have no idea what...
- Has she found someone else?
286
00:17:17,064 --> 00:17:18,908
Or are you poisoning
her against me?
287
00:17:18,932 --> 00:17:20,510
GENEVIÈVE: Why in God's name?
288
00:17:20,534 --> 00:17:24,303
PICASSO: Maybe you are jealous
that I chose her and not you.
289
00:17:27,307 --> 00:17:30,743
I could fix that.
290
00:17:37,851 --> 00:17:39,229
FRANÇOISE: What's going on?
291
00:17:39,253 --> 00:17:42,354
GENEVIÈVE: Picasso
tried to seduce me.
292
00:17:44,291 --> 00:17:46,069
PABLO: I'm sorry
for snapping at you.
293
00:17:46,093 --> 00:17:50,990
It's just, we came here to escape
the snobs and pretenders of Paris,
294
00:17:51,165 --> 00:17:53,009
so when you read to
me about Pieret and...
295
00:17:53,033 --> 00:17:55,768
FERNANDE: I understand.
296
00:17:55,803 --> 00:17:57,714
PABLO: It's different here.
297
00:17:57,738 --> 00:18:01,907
We Spaniards are
simple, warm, welcoming.
298
00:18:04,778 --> 00:18:07,780
What if we stayed a bit longer?
299
00:18:09,817 --> 00:18:12,718
- Stop that!
- Shame on you!
300
00:18:12,920 --> 00:18:14,430
PABLO: What?
301
00:18:14,454 --> 00:18:16,566
Is a man not allowed to express
his love for his woman?
302
00:18:16,590 --> 00:18:20,426
- She's not your wife!
- Whore!
303
00:18:23,063 --> 00:18:24,574
FERNANDE: What in God's name!
304
00:18:24,598 --> 00:18:26,109
PABLO: Come on.
305
00:18:26,133 --> 00:18:29,068
WOMEN: Sinners, sacrilege!
306
00:18:32,072 --> 00:18:35,118
FERNANDE: Yes, the Spanish
are very warm and welcoming.
307
00:18:35,142 --> 00:18:37,743
(LAUGHS).
308
00:18:39,479 --> 00:18:42,648
FERNANDE: What is it?
309
00:18:44,852 --> 00:18:47,753
PABLO: Have you ever
seen anything like that?
310
00:18:48,088 --> 00:18:50,400
FERNANDE: A statue
of Mary and Jesus?
311
00:18:50,424 --> 00:18:53,136
I've seen a few.
312
00:18:53,160 --> 00:18:55,305
PABLO: This one is different.
313
00:18:55,329 --> 00:18:57,774
The wood. The contours.
314
00:18:57,798 --> 00:18:59,809
It must be centuries old.
315
00:18:59,833 --> 00:19:03,469
Iberian, I suppose...
316
00:19:08,342 --> 00:19:10,153
It's a sign.
317
00:19:10,177 --> 00:19:13,812
FERNANDE: Of what?
318
00:19:16,617 --> 00:19:19,985
PABLO: We should have a baby.
319
00:19:20,053 --> 00:19:22,699
FERNANDE: There's nothing in the
world I would like more than
320
00:19:22,723 --> 00:19:25,468
to have a family
with you, Pablo.
321
00:19:25,492 --> 00:19:29,461
But I can't.
322
00:19:30,964 --> 00:19:34,533
When I was with my husband...
I got pregnant.
323
00:19:36,203 --> 00:19:37,620
But I couldn't imagine what that
324
00:19:37,645 --> 00:19:39,215
horrible man could
do to a child.
325
00:19:39,239 --> 00:19:44,777
So I... I found a doctor...
it went wrong.
326
00:19:47,481 --> 00:19:51,617
And now I can never...
327
00:19:52,252 --> 00:19:56,032
I understand if you don't
want to be with me anymore.
328
00:19:56,056 --> 00:20:02,906
PABLO: Fernande, you're my muse.
329
00:20:02,930 --> 00:20:05,842
I need you.
330
00:20:05,866 --> 00:20:08,144
FERNANDE: But I'll never be
able to give you what you want.
331
00:20:08,168 --> 00:20:12,315
PABLO: Oh, you already do.
Every day.
332
00:20:12,339 --> 00:20:15,318
And today is no different.
333
00:20:15,342 --> 00:20:18,054
You brought me here.
334
00:20:18,078 --> 00:20:25,619
And now, because of you, I know how
to finish my portrait of Gertrude.
335
00:20:32,793 --> 00:20:35,505
GERTRUDE: It looks
nothing like me.
336
00:20:35,529 --> 00:20:39,531
PABLO: Maybe not
today, but it will.
337
00:20:51,445 --> 00:20:53,523
LEO: That's an awfully
prominent spot.
338
00:20:53,547 --> 00:20:55,858
GERTRUDE: I thought
you liked Picasso.
339
00:20:55,882 --> 00:20:57,627
LEO: He's no Matisse.
340
00:20:57,651 --> 00:21:01,086
Henri's not going
to like this...
341
00:21:01,121 --> 00:21:03,482
GERTRUDE: What happened
when Pablo first
342
00:21:03,507 --> 00:21:05,982
saw Henri's portrait
hanging on our wall?
343
00:21:06,827 --> 00:21:09,038
LEO: He offered to paint you.
So what?
344
00:21:09,062 --> 00:21:10,504
GERTRUDE: Well, what
do you think Matisse
345
00:21:10,528 --> 00:21:11,841
will do when he sees
Pablo's portrait
346
00:21:11,865 --> 00:21:15,434
hanging above his own?
347
00:21:18,205 --> 00:21:19,882
LEO: He'll try to outdo him.
348
00:21:19,906 --> 00:21:23,876
GERTRUDE: They make
each other better.
349
00:21:30,083 --> 00:21:33,218
BRAQUE: Henri,
you have a visitor.
350
00:21:33,687 --> 00:21:36,265
MATISSE: Ah, Monsieur Picasso.
Welcome.
351
00:21:36,289 --> 00:21:39,957
And, uh, I see you've
already met Monsieur Braque.
352
00:21:40,861 --> 00:21:45,939
He is the... why, he's the youngest of
the 'Wild Beasts, ' as they call us.
353
00:21:48,268 --> 00:21:50,279
I saw your portrait of Gertrude.
354
00:21:50,303 --> 00:21:52,448
It is captivating, huh.
355
00:21:52,472 --> 00:21:56,241
A bold, uh, a bold challenge to the
classical notions of the female form.
356
00:21:57,010 --> 00:21:58,788
(LAUGHS).
357
00:21:58,812 --> 00:22:00,957
You should be very proud.
358
00:22:00,981 --> 00:22:03,292
PABLO: Thank you.
359
00:22:03,316 --> 00:22:06,090
MATISSE: Mm. Gertrude's
face did seem strikingly
360
00:22:06,115 --> 00:22:08,468
familiar to me, but I
couldn't place it.
361
00:22:08,488 --> 00:22:11,757
And then it dawned on me.
362
00:22:12,459 --> 00:22:15,142
She looked just like
my African friend
363
00:22:15,167 --> 00:22:17,987
who inspired my
'Bonheur de Vivre.' Hm.
364
00:22:20,634 --> 00:22:24,970
PABLO: Are you accusing
me of copying you?
365
00:22:25,338 --> 00:22:27,383
MATISSE: Of course not.
We are artists.
366
00:22:27,407 --> 00:22:30,843
We must inspire each other.
367
00:22:31,745 --> 00:22:33,926
PABLO: Your African
sculpture had nothing
368
00:22:33,951 --> 00:22:35,872
to do with my
portrait of Gertrude.
369
00:22:37,050 --> 00:22:40,830
My influences are
purely Iberian.
370
00:22:40,854 --> 00:22:44,156
I am Spanish.
371
00:22:44,191 --> 00:22:46,342
MATISSE: Yes, and,
uh, it seems you
372
00:22:46,367 --> 00:22:48,518
have quite the Spanish temper.
Hm.
373
00:22:51,198 --> 00:22:53,309
PICASSO: How can you write to
me and tell me not to come?
374
00:22:53,333 --> 00:22:55,278
FRANÇOISE: You say you want
to be with me and only me,
375
00:22:55,302 --> 00:22:57,947
and then you try and take
my best friend to bed?
376
00:22:57,971 --> 00:23:01,050
PICASSO: Oh, please.
It was a joke.
377
00:23:01,074 --> 00:23:03,352
You French, you don't
have sense of humor.
378
00:23:03,376 --> 00:23:05,822
FRANÇOISE: That's because
you're not funny, Pablo.
379
00:23:05,846 --> 00:23:07,990
PICASSO: Fine. You
want to know the truth?
380
00:23:08,014 --> 00:23:09,692
I was trying to offend her.
381
00:23:09,716 --> 00:23:11,828
So she would go and you
and I could be alone.
382
00:23:11,852 --> 00:23:13,863
FRANÇOISE: That is ridiculous.
383
00:23:13,887 --> 00:23:16,466
PICASSO: Because you make
me do ridiculous things!
384
00:23:16,490 --> 00:23:18,634
FRANÇOISE: I told you I
needed time to think...
385
00:23:18,658 --> 00:23:21,894
PICASSO: It's been weeks!
And I have missed you.
386
00:23:21,995 --> 00:23:24,073
I couldn't wait any longer.
387
00:23:24,097 --> 00:23:26,161
FRANÇOISE: And you think
you're going to get
388
00:23:26,186 --> 00:23:28,157
what you want by backing
me into a corner.
389
00:23:31,438 --> 00:23:33,542
PICASSO: Just give
me a chance to
390
00:23:33,567 --> 00:23:35,731
show you how life
can be with me.
391
00:23:37,277 --> 00:23:38,988
We-We are never alone in Paris.
392
00:23:39,012 --> 00:23:41,057
Not for more than a few hours.
393
00:23:41,081 --> 00:23:45,228
Just, please, stay
for a few days.
394
00:23:45,252 --> 00:23:49,354
If I don't make you happy...
I will go.
395
00:23:52,959 --> 00:23:55,071
FRANÇOISE: Please
don't leave like this.
396
00:23:55,095 --> 00:23:58,007
GENEVIÈVE: You should
come with me, Francoise.
397
00:23:58,031 --> 00:24:01,533
FRANÇOISE: I can't.
398
00:24:01,601 --> 00:24:04,770
GENEVIÈVE: You're
headed for disaster.
399
00:24:15,152 --> 00:24:18,999
PICASSO: Go and put on that
purple blouse of yours.
400
00:24:19,023 --> 00:24:22,492
And the willow green slacks.
401
00:24:22,827 --> 00:24:24,805
FRANÇOISE: That's
quite specific.
402
00:24:24,829 --> 00:24:27,430
PICASSO: I have a
surprise for you.
403
00:24:37,208 --> 00:24:39,419
FRANÇOISE: Whose house is this?
404
00:24:39,443 --> 00:24:41,688
PICASSO: An old friend of mine.
405
00:24:41,712 --> 00:24:45,014
Henri, can you guess who
Francoise's favorite artist is?
406
00:24:45,516 --> 00:24:48,361
MATISSE: Oh, but of course. You.
407
00:24:48,385 --> 00:24:51,621
PICASSO: No, in fact, it's you.
408
00:24:53,991 --> 00:24:56,592
MATISSE: No...
409
00:24:56,694 --> 00:24:58,305
PICASSO: Yeah. Look at him.
410
00:24:58,329 --> 00:25:00,974
You made him blush.
Look at him, look. Look.
411
00:25:00,998 --> 00:25:02,609
MATISSE: Hand me my
sketch pad, Pablo.
412
00:25:02,633 --> 00:25:04,845
Mademoiselle, please
take a seat by the window.
413
00:25:04,869 --> 00:25:08,371
PICASSO: No, no, no-no-no, she's
not here to pose for you.
414
00:25:09,406 --> 00:25:11,266
MATISSE: Oh, why
should you be the
415
00:25:11,291 --> 00:25:13,286
only one who gets
to paint her, huh?
416
00:25:13,310 --> 00:25:16,723
FRANÇOISE: Actually,
Pablo never painted me.
417
00:25:16,747 --> 00:25:18,892
PICASSO: Mm.
418
00:25:18,916 --> 00:25:20,594
MATISSE: What, why not?
419
00:25:20,618 --> 00:25:22,229
PICASSO: Well...
420
00:25:22,253 --> 00:25:25,866
FRANÇOISE: Yes, why not?
421
00:25:25,890 --> 00:25:30,059
PICASSO: 'Cause you are
still an enigma to me.
422
00:25:31,529 --> 00:25:35,398
MATISSE: I have never seen
you like this before, Pablo.
423
00:25:36,734 --> 00:25:40,002
Well, I-I know how
I would paint her.
424
00:25:42,173 --> 00:25:45,208
I would make her hair green.
425
00:25:45,242 --> 00:25:47,220
PICASSO: Of course you would.
426
00:25:47,244 --> 00:25:50,524
To match the Persian rug
you would paint her on.
427
00:25:50,548 --> 00:25:53,093
MATISSE: Huh. Bella. Bella.
428
00:25:53,117 --> 00:25:55,073
Better than making
her skin blue to
429
00:25:55,098 --> 00:25:57,030
match the tasteless
red tile floor
430
00:25:57,054 --> 00:26:00,823
that you would paint her on.
431
00:26:00,858 --> 00:26:03,397
PICASSO: 40 years on,
and the great Henri
432
00:26:03,422 --> 00:26:05,719
Matisse is still
trying to outdo me.
433
00:26:06,063 --> 00:26:09,075
Come over here.
Un besito, un besito.
434
00:26:09,099 --> 00:26:11,868
Un besito, ay...
435
00:26:12,102 --> 00:26:14,447
LEO: It's absolutely
stunning, Henri.
436
00:26:14,471 --> 00:26:17,450
You've reimagined the
female form again.
437
00:26:17,474 --> 00:26:19,386
What do you think, Mr. Braque?
438
00:26:19,410 --> 00:26:21,955
You proud to call Matisse
your fearless leader?
439
00:26:21,979 --> 00:26:23,523
(SCOFFS).
440
00:26:23,547 --> 00:26:25,225
BRAQUE: Look at this painting.
441
00:26:25,249 --> 00:26:28,061
It is clear, no
one can follow him.
442
00:26:28,085 --> 00:26:29,930
LEO: Hm.
443
00:26:29,954 --> 00:26:33,789
GERTRUDE: I hate to say it,
but Matisse has done it. Again.
444
00:26:34,158 --> 00:26:36,993
(LAUGHS).
445
00:26:39,563 --> 00:26:41,541
PABLO: I know what
you are doing.
446
00:26:41,565 --> 00:26:43,376
GERTRUDE: What are
you talking about?
447
00:26:43,400 --> 00:26:47,803
PABLO: You're trying to make
me jealous so I'll outdo him.
448
00:26:50,307 --> 00:26:53,576
And I will.
449
00:26:54,144 --> 00:26:59,159
But first I need money
to rent a new studio.
450
00:26:59,183 --> 00:27:01,461
Mine has been taken
over by Fernande's junk.
451
00:27:01,485 --> 00:27:03,430
GERTRUDE: Ah.
452
00:27:03,454 --> 00:27:05,826
PICASSO: There's one
available on the
453
00:27:05,851 --> 00:27:08,348
floor above us, but
I can't afford it.
454
00:27:10,361 --> 00:27:15,097
GERTRUDE: Consider it an
advance on your next painting.
455
00:27:20,838 --> 00:27:23,817
PABLO: It's obvious he copied the
face from Iberian sculpture.
456
00:27:23,841 --> 00:27:26,152
After I told him about them.
457
00:27:26,176 --> 00:27:28,488
But Iberian art
belongs to Spain.
458
00:27:28,512 --> 00:27:31,324
APOLLINAIRE: You're
goddamn right it does.
459
00:27:31,348 --> 00:27:34,250
PIERET: I didn't know
he went to Spain.
460
00:27:35,019 --> 00:27:37,264
PABLO: He saw them
at the Louvre.
461
00:27:37,288 --> 00:27:39,332
You idiot.
462
00:27:39,356 --> 00:27:43,626
And now he's being celebrated as
the great modernist hero, again.
463
00:27:44,795 --> 00:27:47,763
FERNANDE: You are so funny.
464
00:27:51,835 --> 00:27:54,470
Hey, what are you doing?
465
00:27:57,007 --> 00:27:59,219
What the hell is wrong with you?
466
00:27:59,243 --> 00:28:00,654
PABLO: Who was that?
467
00:28:00,678 --> 00:28:03,623
FERNANDE: Nobody, I
used to model for him.
468
00:28:03,647 --> 00:28:05,792
PABLO: Are you
sleeping with him?
469
00:28:05,816 --> 00:28:07,894
FERNANDE: No, Pablo, I'm not.
470
00:28:07,918 --> 00:28:12,154
But if you keep acting
like a child, maybe I will.
471
00:28:13,324 --> 00:28:16,202
PABLO: Those women
in Spain were right.
472
00:28:16,226 --> 00:28:19,295
You are a whore.
473
00:28:28,505 --> 00:28:31,307
FERNANDE: Pablo!
Pablo, let me out.
474
00:28:31,475 --> 00:28:35,221
PABLO: I will, as soon as you
prove that I can trust you again.
475
00:28:35,245 --> 00:28:38,347
FERNANDE: You're insane. Pablo!
476
00:28:39,016 --> 00:28:41,317
(GROANS).
477
00:28:44,221 --> 00:28:47,223
PIERET: Hello. Pablo.
Sorry to interrupt.
478
00:28:47,791 --> 00:28:49,703
PABLO: Pieret.
What the hell do you want?
479
00:28:49,727 --> 00:28:52,395
PIERET: I come bearing gifts.
480
00:28:55,232 --> 00:28:58,701
Consider these a token
of our new friendship.
481
00:29:08,779 --> 00:29:11,681
PABLO: You stole
them from the Louvre?
482
00:29:12,316 --> 00:29:13,927
PIERET: I liberated them.
483
00:29:13,951 --> 00:29:17,053
As you said, the Iberians
belong to Spain, yes?
484
00:29:17,087 --> 00:29:18,798
Who deserves them more?
485
00:29:18,822 --> 00:29:21,724
A dusty old museum, or the greatest
Spanish painter in the world?
486
00:29:24,094 --> 00:29:25,605
The statues are a
gift, of course.
487
00:29:25,629 --> 00:29:28,964
But there is a small...
delivery fee, so to speak.
488
00:29:31,001 --> 00:29:34,070
50 francs.
489
00:29:45,282 --> 00:29:49,118
PICASSO: Wasn't that
a wonderful day?
490
00:29:49,153 --> 00:29:52,922
FRANÇOISE: It was
perfect, thank you.
491
00:29:56,527 --> 00:30:00,262
PICASSO: Hey, move in with me.
492
00:30:04,101 --> 00:30:08,081
Think how wonderful it would be.
493
00:30:08,105 --> 00:30:13,950
We could wake up together, and eat
together, and make art together.
494
00:30:16,780 --> 00:30:19,893
FRANÇOISE: That sounds wonderful but
I don't think I'm ready for it.
495
00:30:19,917 --> 00:30:22,128
And even if I were, I...
496
00:30:22,152 --> 00:30:23,797
I couldn't abandon
my grandmother.
497
00:30:23,821 --> 00:30:26,366
PICASSO: Well, but I need
you more than she does.
498
00:30:26,390 --> 00:30:29,702
FRANÇOISE: Oh, she's
done everything for me.
499
00:30:29,726 --> 00:30:32,672
It would break her heart.
500
00:30:32,696 --> 00:30:35,708
PICASSO: Yeah, but, uh,
don't you deserve to be happy?
501
00:30:35,732 --> 00:30:38,211
FRANÇOISE: I do.
502
00:30:38,235 --> 00:30:42,348
PICASSO: There's a price
for everything, Francoise.
503
00:30:42,372 --> 00:30:46,208
To create, you must destroy.
504
00:30:46,477 --> 00:30:50,980
After all, the genius of
Einstein leads to Hiroshima.
505
00:30:54,218 --> 00:30:56,830
FRANÇOISE: You're the devil.
506
00:30:56,854 --> 00:30:59,822
PICASSO: Huh. Is that so?
507
00:31:00,457 --> 00:31:05,060
Well, if I am the devil,
508
00:31:06,663 --> 00:31:11,200
then I should
burn you with hellfire?
509
00:31:17,074 --> 00:31:19,352
No. I would-I would never.
I would never.
510
00:31:19,376 --> 00:31:21,054
I love your face too much.
511
00:31:21,078 --> 00:31:22,889
Hey, Francoise!
512
00:31:22,913 --> 00:31:25,058
FRANÇOISE: I want
to go back to Paris.
513
00:31:25,082 --> 00:31:29,685
PICASSO: Uh, I, I forgot that
you French cannot take a joke!
514
00:31:37,461 --> 00:31:41,030
- Fire, get out, fire!
515
00:31:43,600 --> 00:31:47,570
FERNANDE: Help, help
me, I'm locked in!
516
00:31:49,573 --> 00:31:50,583
PABLO: What happened?
517
00:31:50,607 --> 00:31:52,552
- Kitchen fire in
Leger's studio.
518
00:31:52,576 --> 00:31:55,211
We stopped it before it spread.
519
00:32:01,251 --> 00:32:03,596
PABLO: Fernande! Oh, thank God.
520
00:32:03,620 --> 00:32:04,797
FERNANDE: Where were you?
521
00:32:04,821 --> 00:32:06,966
I was trapped, you
could have killed me!
522
00:32:06,990 --> 00:32:08,801
PABLO: I'm sorry, my love.
I, I'm so sorry.
523
00:32:08,825 --> 00:32:10,103
I, I was at Apollinaire's!
524
00:32:10,127 --> 00:32:11,471
FERNANDE: I am
not your prisoner!
525
00:32:11,495 --> 00:32:13,606
PABLO: Of course
not, of course not.
526
00:32:13,630 --> 00:32:15,608
I made a mistake.
527
00:32:15,632 --> 00:32:18,767
I don't know what I
would do if I lost you.
528
00:32:18,936 --> 00:32:20,880
FERNANDE: You already have...
529
00:32:20,904 --> 00:32:24,573
PABLO: Please, please,
don't leave me.
530
00:32:26,076 --> 00:32:29,389
I do ridiculous
things because I love you.
531
00:32:29,413 --> 00:32:31,791
Help me change.
532
00:32:31,815 --> 00:32:33,059
I'll give you whatever you want.
533
00:32:33,083 --> 00:32:36,729
We'll... we'll have a family!
534
00:32:36,753 --> 00:32:39,399
FERNANDE: Now you're
just being cruel.
535
00:32:39,423 --> 00:32:43,336
You know perfectly
well that I can't.
536
00:32:43,360 --> 00:32:46,262
PABLO: There's another way.
537
00:32:48,966 --> 00:32:52,902
(INDISTINCT CHATTER).
538
00:33:07,985 --> 00:33:09,929
PABLO: What's her name?
539
00:33:09,953 --> 00:33:11,998
NUN: Raymonde.
540
00:33:12,022 --> 00:33:15,858
PABLO: She reminds me
of my sister Conchita.
541
00:33:24,901 --> 00:33:31,473
♪
542
00:33:35,345 --> 00:33:37,123
What's your favorite color?
543
00:33:37,147 --> 00:33:38,725
RAYMONDE: Green.
544
00:33:38,749 --> 00:33:41,850
PABLO: Do you know
how we make green?
545
00:33:45,255 --> 00:33:48,057
Give me your hand.
546
00:33:57,067 --> 00:33:59,178
♪
547
00:33:59,202 --> 00:34:02,838
Magic.
548
00:34:04,574 --> 00:34:06,286
FERNANDE: I have a green dress.
549
00:34:06,310 --> 00:34:09,255
We can hem it and you
can wear it to school.
550
00:34:09,279 --> 00:34:13,515
PABLO: You see?
It'll be such fun here.
551
00:34:17,387 --> 00:34:21,156
Don't worry, we're going
to be a very happy family.
552
00:34:23,193 --> 00:34:27,596
FERNANDE: Raymonde, let me
show you where you will sleep.
553
00:34:37,708 --> 00:34:39,552
FRANÇOISE: Pablo, what
are we doing here?
554
00:34:39,576 --> 00:34:44,446
I asked you to take me home.
Whose apartment is this?
555
00:34:48,885 --> 00:34:51,097
DORA: What do you want?
556
00:34:51,121 --> 00:34:53,566
PICASSO: Tell her.
557
00:34:53,590 --> 00:34:55,301
DORA: Tell her what?
558
00:34:55,325 --> 00:34:57,937
PICASSO: That we are
not together anymore.
559
00:34:57,961 --> 00:35:02,631
FRANÇOISE: Pablo, I'm so sorry.
560
00:35:04,634 --> 00:35:06,446
DORA: For what? It's true.
561
00:35:06,470 --> 00:35:08,481
We are not together anymore.
562
00:35:08,505 --> 00:35:10,550
He's all yours.
563
00:35:10,574 --> 00:35:13,252
PICASSO: You see? Now we can go.
564
00:35:13,276 --> 00:35:14,398
DORA: You should know,
565
00:35:15,493 --> 00:35:17,804
uh, Pablo has never really
loved anyone in his life.
566
00:35:19,516 --> 00:35:20,993
He doesn't know how.
567
00:35:21,017 --> 00:35:22,212
PICASSO: How can you
say such a thing?
568
00:35:22,213 --> 00:35:24,750
DORA: He will get tired
of you the way he
569
00:35:24,775 --> 00:35:27,166
gets tired of every
woman he falls for.
570
00:35:27,190 --> 00:35:29,902
When it happens, don't be hurt.
571
00:35:29,926 --> 00:35:34,296
It won't be your fault.
572
00:35:34,664 --> 00:35:36,899
PICASSO: Come.
573
00:35:43,039 --> 00:35:44,917
Françoise, Françoise!
574
00:35:44,941 --> 00:35:47,019
FRANÇOISE: How could
you be so cruel to her?
575
00:35:47,043 --> 00:35:48,848
PICASSO: But I did it for you.
576
00:35:48,849 --> 00:35:51,457
So you would trust me when I say
that I am completely devoted to you.
577
00:35:51,481 --> 00:35:54,594
FRANÇOISE: Pablo,
you're a monster!
578
00:35:54,618 --> 00:35:56,462
PICASSO: How dare you.
579
00:35:56,486 --> 00:36:00,923
After all I have done, I
should throw you in the river.
580
00:36:00,957 --> 00:36:04,593
FRANÇOISE: Go ahead. I can swim.
581
00:36:05,362 --> 00:36:09,465
PICASSO: I'm sorry,
I'm sorry, I'm sorry.
582
00:36:13,870 --> 00:36:18,895
I don't know why I am like this.
583
00:36:21,411 --> 00:36:24,713
I love you.
584
00:36:25,549 --> 00:36:29,151
I don't mean to
hurt you, I am... I'm sorry.
585
00:36:29,986 --> 00:36:32,965
Françoise, Françoise.
586
00:36:32,989 --> 00:36:35,568
Françoise, please,
look, listen, help me.
587
00:36:35,592 --> 00:36:40,678
Help me, help me, help
me to be a better man.
588
00:36:41,364 --> 00:36:45,667
Françoise, please.
589
00:36:56,205 --> 00:36:58,706
(KNOCK)
590
00:36:59,641 --> 00:37:00,685
PABLO: What do you want?
591
00:37:00,709 --> 00:37:03,188
BRAQUE: I am just
here to say hello.
592
00:37:03,212 --> 00:37:05,490
You haven't surfaced in months.
593
00:37:05,514 --> 00:37:07,192
PABLO: Why do you care, Braque?
594
00:37:07,216 --> 00:37:09,127
We barely know each other.
595
00:37:09,151 --> 00:37:12,453
BRAQUE: I would
like to change that.
596
00:37:12,488 --> 00:37:15,489
I really do admire your work.
597
00:37:17,192 --> 00:37:20,672
Everyone's been talking
about your big painting.
598
00:37:20,696 --> 00:37:23,497
May I see?
599
00:37:24,900 --> 00:37:27,868
PABLO: It is not
ready to be seen.
600
00:37:33,342 --> 00:37:36,554
BRAQUE: Those are
magnificent busts.
601
00:37:36,578 --> 00:37:38,022
Where did you get them?
602
00:37:38,046 --> 00:37:39,691
PABLO: Spain.
603
00:37:39,715 --> 00:37:40,475
BRAQUE: Ah.
604
00:37:40,476 --> 00:37:42,782
Their primitive expressions
remind me of, um,
605
00:37:42,783 --> 00:37:44,923
the African masks at
the Trocadero Museum.
606
00:37:44,947 --> 00:37:47,092
Have you been?
607
00:37:47,116 --> 00:37:51,317
PABLO: I'm not
interested in African art.
608
00:37:51,318 --> 00:37:55,932
BRAQUE: But these masks, they are not
like, um, Matisse's wood carvings.
609
00:37:55,956 --> 00:38:00,792
They are something
else entirely.
610
00:38:01,962 --> 00:38:05,864
I think you would
find them inspiring.
611
00:38:06,566 --> 00:38:09,868
Well, I'm sorry
to have bothered.
612
00:38:27,721 --> 00:38:30,466
PABLO: I thought we were done.
613
00:38:30,490 --> 00:38:32,535
RAYMONDE: Oh. I'm sorry...
614
00:38:32,559 --> 00:38:34,236
PABLO: Raymonde!
615
00:38:34,260 --> 00:38:35,905
I, I thought you
were someone else.
616
00:38:35,929 --> 00:38:39,231
Please. Come in, come in.
617
00:38:51,277 --> 00:38:53,089
Do you like to paint?
618
00:38:53,113 --> 00:38:55,157
RAYMONDE: The nuns never let us.
619
00:38:55,181 --> 00:38:58,517
They said it make too much mess.
620
00:38:59,552 --> 00:39:03,188
PABLO: Well, a mess
doesn't bother me.
621
00:39:12,065 --> 00:39:17,869
When I was young, my father taught
me that to be a really good painter,
622
00:39:18,471 --> 00:39:21,940
you must first
learn how to draw.
623
00:39:23,109 --> 00:39:26,712
He was right.
624
00:39:26,980 --> 00:39:30,349
Master the rules, so you
know how to break them.
625
00:39:34,988 --> 00:39:37,266
FRANÇOISE: I know what
you're going to say...
626
00:39:37,290 --> 00:39:39,951
that I'm a silly girl
who's thinking about
627
00:39:39,976 --> 00:39:42,451
making the biggest
mistake of her life.
628
00:39:42,762 --> 00:39:46,275
RENOULT: I was going to say that
you're as stubborn as your father.
629
00:39:46,299 --> 00:39:49,111
FRANÇOISE: Well, he trained
me for Pablo, I suppose.
630
00:39:49,135 --> 00:39:54,316
RENOULT: That doesn't mean that you
have to spend your life with him.
631
00:39:54,340 --> 00:39:56,786
FRANÇOISE: But he needs me.
632
00:39:56,810 --> 00:39:59,889
He's troubled.
And I do love him.
633
00:39:59,913 --> 00:40:01,490
RENOULT: You're young.
634
00:40:01,514 --> 00:40:05,094
You'll fall in love many times.
635
00:40:05,118 --> 00:40:08,653
FRANÇOISE: Not like this.
636
00:40:18,298 --> 00:40:25,003
♪
637
00:40:34,681 --> 00:40:41,019
♪
638
00:40:50,630 --> 00:40:56,601
♪
639
00:40:56,970 --> 00:41:01,506
PICASSO: Take off your dress.
640
00:41:10,850 --> 00:41:17,022
♪
641
00:41:26,733 --> 00:41:33,071
♪
642
00:41:42,682 --> 00:41:48,587
♪
643
00:41:49,589 --> 00:41:53,492
You can put your dress back on.
644
00:41:54,894 --> 00:41:58,830
I'm ready to paint you now.
645
00:42:01,234 --> 00:42:04,503
FERNANDE: I put Raymonde to bed.
646
00:42:16,883 --> 00:42:18,627
What is this?
647
00:42:18,651 --> 00:42:22,087
PABLO: A sketch.
648
00:42:22,255 --> 00:42:23,966
FERNANDE: You drew
Raymonde naked?
649
00:42:23,990 --> 00:42:26,101
PABLO: I'm an artist.
I draw nudes.
650
00:42:26,125 --> 00:42:28,437
FERNANDE: She's a child, Pablo.
Our child.
651
00:42:28,461 --> 00:42:31,273
PABLO: And she's not embarrassed
about herself. So what?
652
00:42:31,297 --> 00:42:34,777
FERNANDE: Well, this is
always how it starts.
653
00:42:34,801 --> 00:42:39,919
First you paint her beautifully,
just like you used to paint me...
654
00:42:42,342 --> 00:42:45,410
Then you turn her into a whore.
655
00:42:48,648 --> 00:42:51,416
(SCOFFS).
656
00:42:51,451 --> 00:42:55,664
PABLO: How dare you.
I brought Raymonde here.
657
00:42:55,688 --> 00:42:57,333
For you.
658
00:42:57,357 --> 00:43:00,569
Because I, because I love you.
659
00:43:00,593 --> 00:43:05,463
Now you accuse me
of God knows what.
660
00:43:10,203 --> 00:43:13,282
FERNANDE: I'm sorry.
661
00:43:13,306 --> 00:43:14,984
I know you would never hurt her.
662
00:43:15,008 --> 00:43:16,919
PABLO: Of course I wouldn't!
663
00:43:16,943 --> 00:43:21,346
FERNANDE: But we both know what happens
to girls who grow up around here.
664
00:43:24,617 --> 00:43:28,253
PABLO: We will protect her.
665
00:43:28,321 --> 00:43:32,123
FERNANDE: What happens
when we're not home?
666
00:43:32,158 --> 00:43:36,194
Some drunk artist staggers
in from down the hall.
667
00:43:38,698 --> 00:43:42,367
This was a mistake.
668
00:43:43,169 --> 00:43:47,706
You and I both know this
is no place for a child.
669
00:43:49,475 --> 00:43:52,288
PICASSO: The world
is an ugly place.
670
00:43:52,312 --> 00:43:55,947
Our friend Matisse,
he paints beautifully.
671
00:43:56,749 --> 00:44:01,453
But painting isn't just
about portraying beauty.
672
00:44:01,955 --> 00:44:06,157
I learned that lesson around the
time I was losing my first love.
673
00:44:07,860 --> 00:44:11,496
When I discovered
the Trocadero Museum.
674
00:44:12,665 --> 00:44:16,234
It was revolting.
675
00:44:16,269 --> 00:44:19,081
The smell.
676
00:44:19,105 --> 00:44:22,217
I wanted to get out.
677
00:44:22,241 --> 00:44:23,986
But I stayed.
678
00:44:24,010 --> 00:44:28,213
And then I saw them.
679
00:44:28,514 --> 00:44:32,350
Dozens of them.
680
00:44:33,419 --> 00:44:38,356
I saw right away that they
weren't like Matisse's statues.
681
00:44:38,424 --> 00:44:40,536
You know, they
weren't art at all.
682
00:44:40,560 --> 00:44:43,895
They were magic.
683
00:44:51,971 --> 00:44:55,707
PICASSO: I felt that
everything was hostile.
684
00:44:56,442 --> 00:45:03,048
Women. Children.
Animals. Everything.
685
00:45:13,659 --> 00:45:20,765
♪
686
00:45:21,901 --> 00:45:26,304
I finally understood
what those masks meant.
687
00:45:26,839 --> 00:45:32,477
They were weapons to
protect against evil.
688
00:45:36,482 --> 00:45:40,952
I grasped why I was an artist.
689
00:45:40,987 --> 00:45:45,657
My brush was my weapon.
690
00:45:55,201 --> 00:46:02,107
♪
691
00:46:16,456 --> 00:46:19,991
My shield. My protector.
692
00:46:22,462 --> 00:46:25,964
I knew what to do.
693
00:46:36,175 --> 00:46:39,944
I had to find the ugliness
beneath the beauty.
694
00:46:46,886 --> 00:46:50,722
You want to see?
695
00:47:07,039 --> 00:47:10,375
FRANÇOISE: But Pablo,
it's beautiful.
696
00:47:11,277 --> 00:47:16,492
PICASSO: That's how I see you.
697
00:47:16,516 --> 00:47:19,328
You are different
than the others.
698
00:47:19,352 --> 00:47:23,221
You see the beauty
beneath my ugliness.
699
00:47:29,629 --> 00:47:32,207
GERTRUDE: Is this a joke?
700
00:47:32,231 --> 00:47:36,701
LEO: That is the most astute art
critique you have ever given, Gertrude.
701
00:47:36,936 --> 00:47:39,571
GERTRUDE: Mm-hm.
702
00:47:45,945 --> 00:47:50,130
Chin up, you're only 26.
703
00:47:50,616 --> 00:47:54,486
Matisse didn't hit his
stride until he was 35.
704
00:48:12,438 --> 00:48:16,084
PABLO: For God's
sake, Guillaume.
705
00:48:16,108 --> 00:48:19,454
You always have an opinion.
706
00:48:19,478 --> 00:48:22,413
Say something.
707
00:48:27,486 --> 00:48:31,789
APOLLINAIRE: I'm
sorry, my friend.
708
00:48:35,528 --> 00:48:40,331
I don't think you want
to hear it this time.
709
00:48:45,705 --> 00:48:49,173
FERNANDE: Well. Congratulations.
710
00:48:50,109 --> 00:48:51,486
PABLO: For what?
711
00:48:51,510 --> 00:48:53,822
FERNANDE: You said
you wanted to offend.
712
00:48:53,846 --> 00:48:56,625
Be abhorrent.
713
00:48:56,649 --> 00:49:00,018
You've done it.
714
00:49:08,961 --> 00:49:14,299
♪
715
00:49:14,666 --> 00:49:20,166
Sync and corrections by awaqeded
www.addic7ed.com
716
00:49:20,529 --> 00:49:22,196
(MUSIC PLAYS THROUGH CREDITS)
53493
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