Original subtitles

- [Male 1] So um, yeah so that situation with Victoria

like was very intense.

- Yeah I, it's becoming very toxic.

It really is.

And you know I've been pondering a lot of things.

Um, pondering where my life is going.

Pondering which direction, what path I should go down.

- [Male 1] Sure.

- 'Cause I'm really really getting to the point

where I need a change.

- [Male 1] Right.

- You know, and um-

I just want to get healthy.

I want to get, you know, a clear mind.

Even maybe meditate.

- [Male 1] Sure.

- Stuff like that.

- [Male 1] You mean that you just want to get out.

- I definitely want to get out.

- [Male 1] Of like the hitman thing?

- No man, out of fucking Hollywood.

- [Male 1] Oh yeah.

- Oh man it's Hollywood, it's toxic.

- [Male 1] Oh yeah you're right.

- It's unethical.

- [Male 1] 'Cause according to us we're not Hollywood

but we're filmmakers.

- No, no you guys-

I love you guys.

- [Film Crew] Aw.

- You know, we kind of bonded.

You know what I mean?

- [Male 1] No, it's funny 'cause I-

we were talking about it, I kind of feel the same way.

- [Female 1] Y eah I feel the same way.

- [Male 1] That's the thing, I feel very protective of you.

- Yeah I feel like we've kind of bonded right?

- [Male 1] Oh totally.

- [Female 1] Yeah.

- I mean, yeah.

- [Female 1] Brothers and sisters.

- I know I love you guys too

And I think, like, you know, once I get myself straight

- [Male 1] Yeah.

- With all this Victoria stuff, with the money I owe

and getting myself back on the web

and fucking doing whatever the fuck I want to do.

- [Male 1] Yeah.

- Maybe we'll talk about me financing you guys.

- [Male 1] Oh, that'd be awesome.

- [Female 1] That would be amazing, yeah.

- And you know, forget grants.

- Male 1] Right.

- You got me.

- [Male 1] That's awesome. - [Female 1] That'd be great.

- [Male 1] That that'd be great, man.

("Devil Like You" by The Bridge City Sinners playing)

? Down the road when nobody goes ?

? There is a story only two people know ?

? One lies dead while the other lives free ?

? I'll tell you dear if you'll listen to me ?

? One summer day the weather was nice ?

? Two young lovers a g room and a bride ?

? That night they share the same bed ?

? Didn't know that she would end up dead ?

(hard knock)

- Where are the fucking daily's?

- Daily's?

- Yeah I told you I'll get you the money

if you give me the daily's.

Now total, I-

- What's with the energy?

What's going on here?

- What's with the damn attitude?

I look like a fucking asshole, and I spent

almost a half a million dollars so far,

extra of what I promised him

and all I need to show them is what we shot.

- This movie is gonna make a hundred million

dollars the first week.

What the fuck is wrong with you?

Calm down.

And you know what, I don't show producers my daily's.

I have daily's that I-

- Then you know what?

- What?

- Then we shoot it for what we got.

Because if you don't want to give money for a daily,

or show the daily's, or promise the daily's-

- I quit.

- Did he just fucking quit, man?

- That mother-

He just fucking on me.

- He quit, that dude just quit.

We can do that-

- What does IT stand for even?

- It's DIT, it's the-

they just handle the-

- [Female 1] Digital Interface Technology.

- [Male 1] Yeah they do the- - Digital imaging?

- Hi.

- Hey.

- [Tom] Hey what's happening?

- What's up?

- [Tom] Hey um-

You know me right?

- I do, yeah.

- Um I'm all paid in checks.

- (laughs) Thanks for that.

- I need um-

- You need the dr-

He needs the drives with the daily's.

- Ah okay, oh, no, right sorry, Eric took them.

Eric Roberts.

- No I know but is that-

- He likes to watch the daily's.

- Is that a normal thing?

- [Female 2] He takes them everyday.

- Well I mean I'm sure there's a backup.

- Well the hard drives are the backup.

He's so strict about it, he takes them.

- Is it only on drive or are there two drives?

- No there's two.

And we split it? - And he takes both of them?

- Well it's a lot of footage, it goes on two.

And yeah he takes them.

He likes to look at the, at night.

- He watches both of them?

- [Female 2] Yeah.

- Really?

- I mean I don't know what he does with them

he just takes them.

- I got you.

Yeah he's not the most uh- compliant.

- Yeah so, do you know where he went?

- I don't.

But he's got an assistant.

Yeah, there's an assistant following him around,

maybe she knows.

- She's not been very helpful so-

- Oh you know what?

He's probably uh, probably at his apartment.

- We just downloaded everything so he's got it all.

- [Male 1] He has it, so there's nothing left on any of the-

- Oh no it was all downloaded onto the drives.

- Okay, all right thank you then.

- Yeah you're welcome.

My pleasure. - Thank you, I'll see you.

Keep doing a great job.

- All right thanks, you too guys.

Can't wait to see how it all comes out.

- Yeah me too, but it comes out sooner than you'd think.

- So Eric's-

Eric Roberts is staying in Staten Island then?

You have him staying in Staten Island.

- I have an Airbnb.

- He's got an Airbnb.

- Right, it's right near where we're shooting.

I just thought it was gonna be nice and easy for him.

- I am willing to bet you he won't even let you in.

- I have a key. - [Male 1] Oh you do?

- [Tom] Yeah.

- [Male 1] All right, well then, okay.

- So but what I'm asking you is do you think

I should go in there guns blazing?

Not physically guns blazing.

- I advise you to be calm

and hopefully he'll give you the data.

Just explain to him that you'll get it back to him

because like directors have a very very like-

- What does he think I'm gonna do with them?

- Destroy them.

That's what you think.

- And why would I fuck it up?

- Well but that's how he's thinking.

He's thinking like because maybe you make a mistake.

I mean people are very paranoid about that stuff.

- Well don't they like make two hard drives?

Don't they like back them up?

- Yeah it seems to me that he has two hard drives

and he probably kept both of them.

- [Female 1] You got to back up at least three times.

- And he don't have one extra one to share with me?

- It sounds like he only backed up two.

I mean I don't know how many he bought

but like I mean-

- At any point if he refuses, do I-

- What?

I mean like you can sue him, I mean.

- [Tom] Oh I don't do that.

- You have a right to the drives.

As long as you don't like owe him money.

- I don't do regular justice, I do street justice.

- You know you can't do that onto a fucking Hollywood guy.

He's not a, what do you call them-

A kick around guy.

- Knock around guy.

- Knock around guy, right.

He's not a knock around guy.

- [Female 1] People know him, he's got fans.

- Sorry Eric Roberts lives here?

This is where he lives?

- Well this is where I put him up for the Movie.

It made things easier because um-

- It's like a flop house.

- Well you know what, it's something we had to do in a pinch

and uh it worked.

Just hang by a minute.

Hey Eric, what's going on?

- What does it look likes going on? I'm leaving.

- You're leaving?

- Yep.

- Well the only way you're going to leave

is if you give me those daily's.

- You mean these daily's?

- [Tom] Those daily's.

- Okay.

- I don't think you're getting those daily's.

- Eric I want you to understand here.

I'm not asking, I'm telling you.

- Oh tremble and shake, tremble and shake.

He's telling me to give him the daily's.

Fuck you man, you see this?

These are mine, this is mine, what's in it is mine.

And I got two words for you, fuck you.

(door slamming)

- [Tom] Seems the producing carries some persuasion.

- Hey Eric I just need to talk to you a minute.

There's something I want to discuss.

- [Eric] I told you we're not doing-

(gunshot fires)

- Shit.

What the fuck, did he just shoot a gun?

- [Levi] Did he?

(door creaks open)

- Lets get out of here.

- [Levi] Dude did you just-

- Did you just kill Eric Roberts?

- Tom asked if we could edit the movie

now that we have the daily's?

- [Female 1] Yeah.

- And I'm like I had to explain to him

like dude you can't edit a movie in five days.

- How do you edit this in five days?

- He could have consulted us before

any of these decisions came up.

Um because you know-

- I mean like he's in a lot of trouble

and like here's the thing I told him-

Well I explained it to him,

he said well at least I assume on that drive-

or both of those drives, there's an assembly edit

because like that's what we do right?

- [Female 1] Yeah, yeah.

- We could assembly edit so maybe we-

So I said if there's an assembly edit,

he said if I could just show her something like that,

like Victoria, something like that,

Then he will have more-

he could buy us some time.

- Here's the problem is that I can't get into it yet.

We need a password.

- Okay so call-

Oh fuck.

- [Female 1] Eric would have the password.

- You got that girl's number right?

- Yeah, yeah, yeah, yeah, I do.

I do actually, I do.

We have been tasked with editing Crimson Shadows,

and I'm gonna hand you over to Levi.

- Eric, Eric has the password?

- Of course Eric has the password.

Why wouldn't Eric have the password.

- [Levi] I mean why would he put-

- [Female 1] No no there's got to be a backup,

You got to have written it down somewhere.

Why would only one person have the password?

- He's a paranoid, crazy motherfucker.

- I don't know what to suggest.

Uh we can keep thinking of ideas and see if we can-

- Maybe you can go to Stacy.

Well she knows Victoria, right?

I tell you what, I'll call Tom

and maybe then we'll just meet him.

- [Narrator] As the city sleeps, things that go-

- What is this?

What is that, is that a bat?

- It's Crimson Shadows.

- [Narrator] Because somebody is hunting the hunter.

- Pretty good, right?

- You did this?

- Well I'm the producer on it.

- You're producing this?

- Right this is a pull on Eric Roberts stuff.

It's like gangster dark.

- Eric Roberts, Eric directed this?

- Yes.

- How?

- What, you don't like it?

- I, how- what are you planning a feature film with this?

- I'm planning to get an Oscar with this.

I don't want you to think I invited you here for a favor.

- All right, you're-

You're giving me a lot of information right now.

I'm feeling a little overwhelmed,

I'm already on high-

I'm on edge just being here.

I'm terrified that I'm putting all of your lives in jeopardy

so what is it that you want to see me for?

- All right so I, again-

I'm a little nervous too myself, believe it or not.

I borrowed money from your mother.

- You, are-

Tommy are you okay?

- I know.

- You borrow money from my mother?

And she gave it to you, of course she did.

- She did.

- How much money Tommy?

- It's like half a million dollars.

Now look, look, I'm gonna give it back.

- What do you need half a million dollars for?

- For the movie.

- For Crimson Death?

Crimson Shadow, Crimson Peak?

- It's Crimson Shadow.

- Listen, I support all of your creative endeavors,

however, going about it this way-

You couldn't find some like NYU students to make this?

You had to go to my mother for five hundred thousand?

- I want to pay her back,

but she's starting to really pressure me.

- Tommy, you need to get that money to my mother immediately

- Listen to me, it just this-

endeavor is costing a lot more

and every time I think I'm done,

Eric needs more money.

- Why-

- So I'm not asking for any more money.

- What are you going to do about this?

- I just want you to tell her to lay off.

(laughter)

So I had to meet with you because uh-

some things came up that were way beyond my control.

- And?

- I'm not gonna be able to sell this movie.

I mean there's no way I can sell this movie.

So I'm coming to you because you know to see-

Do you think I could talk t o her, or?

- Look.

You and I are close.

You did me a big favor, you're protected by me.

I only see two possibilities here.

One,

you go and see her, alone.

And you're gonna have to get on your knees and beg her.

- Do you think that's even a possibility?

Do you think if I go there that's even on the table?

- From the way she feels about you robbing her daughter,

and everything-

I don't see that happening.

Now comes number two.

You do

what you do best.

And eliminate the problem.

- So-

- And then you're in my graces.

You're protected by me,

and your debt's clear.

- If I should eliminate Victoria-

- Yeah.

- What happens to me?

- Then you

are with me.

Because I go from here,

number 2 guy,

to number one.

- So wait a minute.

You, you-

- Yes that means you have nobody to answer to but me.

- Do not get out of the car.

- Okay.

- 'Cause if this goes wrong-

- Yeah.

- I got to fucking get back into the car,

and we need to get the fuck out of here.

- [Levi] But it's not gonna go wrong, right?

- Well, no I'm fully confident

that this is going to go down.

- [Female 1] All right.

- [Levi] We're cool, I'm here for it.

- [Female 1] We're just here in the-

- My baby, never fails me or lets me down.

- [Levi] The magic silencer.

- [Tom] Don't get out of the car.

- [Levi] All right, all right.

- [Tom] I saw the footage last time.

You guys were making a joke out of this.

- [Levi] Yeah, no no, we'll be cool.

- [Female 1] Oh my god, what the fuck.

- [Levi] It's so final.

That's what I think is the drama of this show

is that he has these very very final solutions.

- [Female 1] This is a great story arc I gotta say.

- [Levi] Like look at this thing

he's gonna go in there and like-

- [Female 1] It's like the Godfather.

- [Levi] I know, right.

He's just gonna go kill like the-

because Victoria is so much more scary than Vanessa.

- [Female 1] She's terrifying.

- [Levi] And I already though she was kinda crazy

and that's the thing is like- - [Female 1] I don't know.

- [Levi] Oh wait, what's-

Is he coming back?

- [Male 1] Oh he's running it looks.

- [Female 1] Wait why is he running?

- [Levi] Did he do it, is it done? No, what?

- [Female 1] Why is he running?

- [Levi] What, what?

- [Male 1] He's saying start the car.

I can't, we can't start the car.

- [Levi] We can't start the car.

- Abort, it's abort!

It's a fucking set up.

- [Levi] What, dude?

- It's a set up.

It's a fucking set up.

- [Levi] Oh, oh, oh, oh fuck!

They're coming, they're coming.

- [Female 1] Shit!

- [Tom] He set me up!

- [Levi] I'm getting a little bit like um-

hyperventilating so like what do we do now?

What is your plan?

- [Male 1] Does that mean they're coming after us?

- [Levi] Yeah.

- No they're not coming after us.

No, no, they're gonna come after us.

They're not coming after us right this second.

- [Female 1] Wait, what do you- Explain.

- [Levi] What's your plan? - So what we're gonna do,

is we're gonna go back to Murder house.

Nobody knows I'm there.

- [Levi] Do you think that's a wise decision?

- We're gonna go in for a minute.

- [Male 1] We're shooting the movie there is-

- Yes, which is a reason why they'll never think

that I'm gonna go there.

- Well I don't understand, how does that-

How does that even track?

- Because they're not gonna realize-

- Who was it that set you up?

The guy that you had a deal with,

I though you had a deal with somebody.

- Yeah we're fucking Mikey Dumps.

- Oh fuck, oh dude why would-

So you're out in the cold now?

- [Female 1] That was too good to be true.

- Right you're out in the cold,

is that what they call it, is that what they say?

- I don't know, I need some time to think.

- Sorry I get really like you know-

- Listen, listen, listen-

- I disassociate.

- We're gonna go to Murder house,

we'll go down in the basement-

- Fuck.

- Listen to me.

And then if worse comes to worst,

I got this place upstate.

We'll go there and have a bit of a lamb.

- [Female 1] Oh my god I don't have any of my stuff.

- Don't worry about that right now.

- This is Murder house?

- This is safe right now.

- Are they shooting, are they still shooting?

- No, no, no, no.

- Dude like those guys are coming after you.

- No listen to me, just listen to me.

- Yeah.

- All right relax.

Nobody knows about this place.

Let's get inside, reconvene, figure shit out.

- [Male 1] Hideout here, we're hiding out.

So I just- this is-

- Listen I'll show you how-

Listen just to show you how safe I feel,

I'm gonna put my gun down.

I'm not even holding a gun

'cause that's how safe I feel in here, okay?

- Okay this is, it got really hot out there.

Like with Victoria, like the shooting after you.

Does anyone know to find you here?

Because they know you're shooting here.

- [Female 1] I'm still shaking,

my camera work is not gonna be-

- Listen they're not gonna come here for two reasons.

A they know there's a movie

and they don't want any witnesses.

- Right.

But you killed Eric Roberts, I mean.

- They don't know but-

there's still the you know, cops could be coming around.

Because he's technically missing right now.

- Yeah, oh yeah that's true, yeah.

- So he's not gonna come here.

I've done murders, nothing ever happens.

- Okay.

All right, okay.

- I'm not even gonna walk around with my gun.

That's how safe I feel, all right?

So listen, we're gonna come in here.

You know, put the light on.

We'll get a sit down, this is all gonna blow over.

- This is, I guess this is a safe house.

- I'm without a gun, and this place is safe as can be.

- Hi.

(gunshot firing)

(female screams)

- [Male 1] You said it was safe!

(film crew panicking) - [Tom] Put the cameras down!

Put the cameras down.

- [Male 1] Shut up!

- Come on, go!

I'm shot.

Guys don't worry about the camera, let's go.

Worry about our lives.

- [Female 1] Just hold it up I can't see it.

- [Tom] It hurts.

- We need more.

- [Levi] Are you able to drive?

- Uh yeah for now, I prefer it.

This way if I have an unexpected surprise

I know where I'm going.

- [Levi] So wait a minute where are we?

We're like, we're at-

- We're upstate here bud.

You see we're by the water?

We're gonna be the last house.

- So I'm just-

I have a question

- Dead end so we'll hear anybody come in.

- Just curious because like our car is like way back-

when we go home we live in the Bronx

so we got quite a ways to go back.

- Jerks, you're not going anywhere right now.

- Well I mean we gotta go home like you know-

- You'll eventually go home.

If you want to live, then hang with me for a little bit.

Till this thing-

Until I figure this out.

- No I meant like you know

especially when if you've gone into like

the bathroom with other people and stuff like

are we on the lamb is that what you're saying?

- Uh yes.

- We're on the lamb.

- [Female 1] Oh!

- I've been getting him but like yeah, okay.

- [Female 1] So Levi, how are your F stops doing?

- What's a fucking F stop anymore?

- [Male 1] So where are the Cameras?

Oh the Cameras are dead, okay.

- It's not infected or anything right?

- No I don't think it's infected.

Guys we gotta get-

We might need to get some-

- [Male 1] I mean I can, I don't know how many- I mean like-

- Can we get some Iodine?

- [Levi] We don't have any VHS here.

- [Male 1] The one good thing, the one upshot

is that I have lost probably a good 20 pounds.

I think I've lost 20 pounds.

- Guys can you help us find some Iodine?

This is looking a little funky.

- [Male 1] Iodine?

- I can't take anymore what are we gonna eat?

- [Male 1] I don't know but I know that you smell,

and I probably smell worse.

- Yeah I smell really bad.

I smell like a pig farm.

- Listen,

I've been thinking.

- [Male 1] You have a plan? To get us out of here?

- Yeah, I do.

We're gonna raise a fucking army.

And I'm gonna take fucking Staten Island back.

I'm gonna kill all those mother fuckers.

- [Male 1] Yeah!

I'm definitely gonna film it, yeah.

- [Female 1] Yeah, fuck yeah. - Let's do it.

Let's fucking take over Staten Island.

Every one of those mother fuckers are dead.

They're already dead.

Get ready for war, because I'm coming.

? Do you ever feel alone in a crowded room ?

? Alcohol on my breath better put on a little perfume ?

? I'm out looking for a man who makes me feel ?

? Like you used to a long time ago ?

? But you're out in the street ?

? Instead of home with me ?

? Planting seeds where nothing will grow ?

? So pick your poison ?

? Why don't you drink it down ?

? Don't you feel better now ?

? Able to face the crowd ?

? Pick your poison come on give into sin ?

? If you just sniff one more line ?

? Then you'll feel home again ?

? Walk of shame four AM oh man it's cold ?

? Knees are weak, I need a drink ?

? This is getting old ? ? I used to hold your hand ?

? But now I hold this bottle so close to my heart ?

? Use all these strange men just to feel whole again ?

? But you said that we'd never part ?

? So pick your poison ?

? why don't you come on down ?

? To the local bar in town ?

? Just to see who's around ?

? Pick your poison misery loves company ?

? But the drugs just ain't as fun as they use to be ?

? We're out here getting high 'cause we feel so low ?

? Oh I need a little powder for my nose ?

? 'Cause I've been empty for years ?

? Just trying to fill the void where we both used to live ?

? And I drink every night just to try to forget ?

? But I know that I'll never forgive ?

? So pick your poison let it drag you down ?

? Six feet underground ?

? Never make your mama proud ?

? Pick your poison ?

? Come on you're in too deep ?

? Oh, them demons in your head ?

? They got you losing sleep ?

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