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- [James] Okay, what do we got going on?
- So, yeah, a lot of damage going on.
A lot of collateral damage. (gun shot echoes)
- [James] Ooh, what is that? - I don't know.
Um-
- [James] Shit, that sounded like a gunshot.
(gun shot echoes)
- [Lisa] It must be gun range. - Oh, you know what?
You know what's scary about that?
(gun shot echoes)
This happens to me so often.
- [James] Yeah. You didn't even notice.
- I don't even, I don't even flinch.
(gun shot echoes)
And that should be, 'cause that should be this fucking guy.
- [James] He's not gonna sit up is he?
- [Tommy] No. No. (James laughs)
Lemme just check. (James laughs)
No. - [James] Okay, remember that.
- I gotta be honest with you though, if-
(gun shot echoes)
We do this together. - [James] Yeah.
- I mean, if you can gimme a little hand.
- Yeah. Okay, sure.
- 'Cause we're in the middle of the day.
- Yeah. No, no. Let me just-
- [Lisa] Wait! Wait, James! James!
We're not supposed to get involved.
- Yeah, we can't. - [Lisa] What are you doing?
- Yeah, but I mean, you know, at this point, you know.
- Well, my, what's wrong? Why?
- [Lisa] Ethics.
- My ethics are evolving, okay.
- We're a little bit of a team now, guys.
- [Lisa] Wait, hold up.
We didn't have a meeting about this at all.
We didn't discuss- - What A shovel meeting?
- [Lisa] At all. (gun shot echoes)
- No, no, I'll teach you about how to shovel.
- If it's gonna get me outta the cold,
I'll dig a ditch, all right.
- And, you know,
and he's starting to get a little freaked out
with those gunshots.
- That guy's gonna shoot me.
- [Lisa] Okay, all right.
- And I might know that guy
and I might make him fucking shoot you, Lisa,
if you don't shot up. - [Lisa] Oh my God!
Are you threatening me again?
- Oh no. Not at all. I'm promising you.
(upbeat music)
? Down the road where nobody goes ?
? There is a story only two people know well ?
? One guy's dead while the other lives free ?
? I'll tell it dear if you'll listen to me ?
? Well, one summer day the weather was nice ?
? Two young lovers a groom and a bride ?
? That night they share the same bed ?
? Didn't know that she would end up dead ?
- Bai is a handful. She really is.
So when she comes into a room, you know,
there's not much room for me or my personality,
even if I had one.
- [James] Right. Well, you have a personality.
- No, you know what, I definitely do,
but she's a handful. - [James] Uh-huh.
- I'm not gonna lie.
- [James] Yeah.
- But she brings so much energy.
And sometimes it makes me do things I wouldn't normally do.
- [James] Does it make you feel younger?
Does it make you feel youthful?
- I feel not youthful.
I feel different. - [James] Uh-huh.
- I feel like there's another dimension within myself.
I'm under more pressure
than I think I have ever been in my life.
- [James] Right.
- You know. Hey babe.
I'm just doing an interview.
- How are you doing?
- I just, I've had three of the worst
insurance adjusting jobs I've ever had in my life.
- So, about you. You never ask about me.
- No, no, no, no, no.
You're asking me how I feel.
I'm just- - What is this?
- Where did you get that?
Where'd you get that? - Is this yours?
- That's for my protection
if somebody ever breaks into the house.
- Why you need this?
- Well, first of all, wait, wait, wait, hold on, babe.
This was in a safe.
- These this is for the noise, right?
- Listen, this- - What is this? Tell me.
- If somebody walks in my house, right.
I had one case
where I went on an insurance adjusting job, right.
Listen to me. No, this is serious.
I walked outside my house,
he was waiting with a bat.
- I think you're lying.
I think you're lying, big time.
- What do you want me to do?
- I don't want you to do anything.
You just tell me the truth.
You're a criminal, it's okay.
- I'm not. - It's okay. Just tell me.
You know, you go to Hollywood.
What a joke.
- I'm a producer/insurance adjuster.
- Just tell me the truth. What do you do?
- The problem here is simple.
I didn't lie.
You invaded my privacy.
- I invade your privacy? - Yeah, you go into my safe.
- But you bring it here.
- Right, that doesn't mean go break into my safe
to find out what I got.
Why would you break into my safe?
- Why didn't you lock it? - Are you a jewelry thief?
- Nobody opened your door.
Why you didn't lock it?
Why you take your gun out?
- 'Cause I didn't think my girlfriend
was gonna go into my safe
and snoop around while I was out.
- But why you open your safe with no reason?
There's nobody there.
Nobody break into your house. Why?
Why you're afraid of looking like eye signals?
You're searching your answer, looking elsewhere.
Just look at me.
Tell me! Look at me!
Say you are not lying.
Just tell me that. Look at my eyes.
- I did not lie to you.
(soft footsteps)
(door creaks)
I, I- - She walked out on you, man.
She just walked out.
- You know what, at this point, it's par for the course.
- [James] Jesus, when it rains, it pours.
She walked out on you.
- [Lisa] Yeah, now you have two women mad at you.
- [James] Well, Victoria and Bai left.
- I don't even know what I'm gonna do with Bai.
That kind of was fun.
Ran its course.
I don't have the connection that I did with Stacey.
Stacey comes from my cloth, so to speak.
- That makes sense, yeah.
- Bai is more- - Bai is Hollywood.
- Hollywood. She doesn't really has any ties.
You know what I mean? She has no-
- 'Cause you're an east coast person.
- I'm an east coast guy.
She's a very flighty gypsy-ish.
- She's very much an actress.
- Yeah, she goes where the next job is and.
- [James] That's that.
- Yeah, after a while it gets old.
- I just wanna like let you know that Carlo
has been leaving me messages.
Like he's been like-
- Wait, wait, hold on, hold on.
- [Lisa] Yeah. - Yeah. No, no.
He got my number, I don't know.
Like, listen, I'll look- - He's, no wait, wait.
He's leaving you messages.
- Yeah, yeah, yeah. I'll tell you.
He's leaving it for you though
and I just thought maybe you'd want to
hear what he's, like-
- Such a fucking piece shit. - No, no, here, here.
Just so that, 'cause maybe you should be concerned.
I really don't know.
- [Carlo] Tommy, it's Carlo.
I'm calling to let you know you owe Victoria
and I a lot of money.
You have two weeks, okay.
I just wanna remind you.
Also, I caught your documentary
on the Japanese bootleg channel, and I gotta say,
it fucking sucks just like you, Tommy.
I hope you don't pay this fucking money
'cause I can't wait to kill the fucking shit outta you,
you cock-sucking motherfucker.
I'm gonna bury you underground.
I can't fucking wait.
Don't pay me. Don't do it.
- See, so like, I mean, like- - Wait, wait, wait.
So he left that on your phone.
- [James] Yeah, yeah, yeah, yeah.
- [Lisa] And mine too.
- Is he gonna really kill you?
I mean, is that the thing?
Like, I don't, like, is that- - Listen, listen.
How long you guys been with me?
How many times have we been down this road?
- Yeah, I know.
I mean, I have complete faith that you will
annihilate this guy. - [Tommy] Right.
- Like, I'm not, like, actually,
I mean, I was under the assumption that
you had some time to, right, I mean to pay?
- [Lisa] Yeah, I mean, that's-
- Look, the biggest problem here-
- [James] Yeah. - Is this motherfucker,
he's been riding me since I met this guy.
- [James] Yeah. - And he's so jealous.
- That's true. He is.
He does seem to be a little jealous.
Now, another thing though is I'm curious though,
is there a way to like, for like,
from a point of view of like the documentary,
like as you, even if you like,
how do you stop a guy like Carlo from calling
like someone like me?
How do I stop that?
Do I block him or do I, you know?
- I'm gonna talk to Carlo. - [James] 'Cause he's also-
- No, no, listen, I'll talk to Carlo.
- [Lisa] Yeah, but he's- - First of all,
you guys shouldn't even be involved with this.
- [Lisa] He's bullying. He's bullying us.
- He's calling you because he wants me
to have conversations like this with you guys, first of all.
- [James] Sure. - And more importantly,
to get under my skin.
And third, he wants you guys to film him.
- Yeah. Well, I know.
He keeps asking that. - So.
- [Lisa] Oh yeah. - So listen,
I will take care of him.
As long as I get that money and I make this right.
- [James] Yeah. - He can't do anything.
Yeah, guys, I just,
I gotta to speak to this guy because he's, yeah,
he's overstepped his balance a little bit.
So I don't know if you want me to,
if you guys want to catch this or you don't, but.
- [James] I don't know. - [Camera Person] Yeah,
I mean, I like to catch everything.
(background chatter)
- [Eric] Cut! What are you doing?
I'm working. I'm working.
- I know that. - What are you doing?
- You and I have to speak for a second.
- [Eric] We'll speak after the work. Oh God!
- [Actress] Must I hold this hand?
- I'm taking five.
You gotta get outta here.
I will meet you in the hall.
- I gotta get outta here?
- I'm your friend. I'll meet you in the hall.
- [Actress] Yeah, yeah, be back in five.
- I'll meet you in the hall.
You can't interrupt the art, man.
The art's important.
The art doesn't like,
art it comes and goes.
You gotta catch it, you know.
(background chatter)
- [Actress 2] Don't leave me hanging.
(actors laugh) - Gimme space. Gimme space.
Gimme space. Give me space.
- We'll give him a little space.
- [Eric] Both of you gimme space.
I'll be out in a minute.
- [Tommy] All right, all right, all right.
- [Eric] Okay.
- [Actress] We're nailing that.
- [Eric] Movie stars. Don't take it person.
Don't get a bug up your ass,
I'll be out in a minute.
(door slams)
- [Lisa] Uh?
- Is that, I mean, is that crazy?
Is that crazy?
- [Lisa] Why is he ordering us out?
- I'm being disrespected.
- Yeah. - Right?
- You're, yeah. Eric-
- You guys are being disrespected.
- Yeah, Eric kicked you off the flat.
- I go to my own set,
who I've raised probably the most money I ever got.
- Well, also you borrowed money too, bro.
- I borrowed money from her.
I don't have the money.
He wants more money.
Yeah, things are a little tough.
- I'm gonna make a shot out of that.
- I'm in a little bit of a conundrum right now.
- Mm-hm.
- You are in a, yeah, it's like-
- I don't feel like myself.
- [Lisa] Yeah.
- Well, I can't, I mean,
I can imagine that it must be like,
I can imagine that you would feel disrespected.
- Victoria just has disdain for me.
I don't know if it's 'cause it's, you know,
I was with her daughter or I'm not Italian
or whatever fucking jerk-off things but,
I don't know how I'm gonna get the money
for her to give her back.
I don't know how I'm gonna get Eric more money.
- Right.
- Damn.
- I'm getting disrespected. - Yeah.
- I'm losing credibility.
And I'm like in a,
like, in this weird costume.
You know, I gotta dye my hair blonde,
tanning, you know, trying to play a role
that it's not even me.
- Right. - Yeah.
- I just, I'm looking for
do I need to go back to the old town?
Or do I need to keep going in the direction I'm going
and trying to eat shit that I would never eat before.
- What's happening? - What's happening?
What's going on?
- I want talk to you.
So before you go in there, we gotta talk.
'Cause Victoria is in there with Carl.
This kid's a bit of a maverick, you understand what I mean?
- Fuck this guy. - No, no, no, no.
He doesn't follow by the rules or the codes.
I don't want to have any problems.
You owe the money.
And they're claiming you ducked him a few times.
- I heard what you said.
I'm just gonna, I gotta go talk to him.
- Yeah, but go easy. - I'll go easy.
- Don't make it- - Victoria,
keep this motherfucker away from me.
He's threatening everybody.
I'll fucking kill you, you hear what I'm saying?
- What the fuck is going on here?
- Listen, this motherfucker is calling
and threatening my friends.
- About what?
- He's sexually harassing me on the phone every day.
- [Carlo] Oh, you love it, sweetheart.
- [Tommy] I'll tell you what,
if you don't fucking-
- No, no, no. - [Carlo] Try it.
- [Tommy] I'm gonna kill you. - [Mickey] Tommy.
- [Tommy] Get off me. - [Mickey] Tommy, don't-
- Okay, all right, all right, sit down.
- No. - What do you mean no?
I said sit down!
- Take it easy out here.
- Sit down.
- Don't gimme that smirk. I gonna fucking kill you.
- Nicky, Nicky, sit.
Shut the fuck up.
Okay, everybody, take a breath.
You have my money?
- I'm gonna have it in five days.
- I said, do you have my money?
It's yes or no. - [Tommy] No.
- Very simple.
- I do not have the money.
I'm not running anywhere.
I'm telling you today I came here to tell you
I'm gonna have it in five days.
- Five days. - [Tommy] Five days.
- And you think that's acceptable?
I gave you a half a million fucking dollars.
And you think you could just walk in here
accusing everybody of all kinds of shit
and just tell me, "No, I don't have your money."
- I'm here to talk to you like a gentleman
and tell you like a man I will have it for you in five days.
- Okay and I'm here, basically as me,
telling you it's unacceptable that you don't have my money.
I'm willing to listen.
I'm willing to compromise.
Why don't you have my fucking money?
- Things got a little complicated on set.
- Aw! Life's complicated.
Life is complicated.
- Look, let me say my peace.
This guy has called my crew threatening them.
- Oh. - I lost my girlfriend.
I got nothing 'cause of this fucking guy.
And all he does is smirk at me
and he has no idea of my capabilities, none.
None of these fucking guys know what my capabilities are.
Mickey, you know my capabilities.
- I know. Listen.
- [Tommy] This is a whole nother level.
- If this is okay with you maybe this'll bring peace.
You can deliver in five days.
- Five days.
- Tell 'em your word of honor.
- I'm here on my word of honor.
I'm not running.
- [Victoria] Half a million. - Half a million dollars.
- Cash. - [Tommy] Cash.
- [Mickey] Gets to you in five days.
- That's Friday.
Before five.
- Okay, but, my only request is
give him room to breathe
to get this money for you by Friday.
- [Victoria] Five days. - But you, you gotta stop.
- Carlo, did you do what they're saying you did?
- I did it for you Vic.
He owes you money.
What do you want me to do just sit here
and let him do whatever he wants.
Come on.
- Okay, listen, huh? - [Tommy] This is-
- Ah! Ah!
- I brought a camera crew to interview you.
That's what this fucker,
he's worried about himself.
And his own fight.
- Wait, who brought the camera crew in first?
Oh! Oh! It was you.
It was you.
Okay, you are gonna do what I tell you to do
and shut up for five days. - Okay.
- And I'm not kidding. - I got you.
- I'm really not. - Okay.
- You are gonna stick by my side.
I'm gonna watch you every move.
- Okay. - For five days, okay.
Five days.
I'm doing that for you, not for you.
Because I've had enough.
I'm up to here with you.
I don't care about your girlfriend.
Stay the fuck away from my daughter.
Do you hear me?
You pick up the phone, you text her,
you fucking think about her, I will know.
You understand me?
I thought at three o'clock in the morning, I'll know.
I will know.
And don't tell me I don't fucking pay you.
You go on the dark web, you do all of your shit,
what do you think I don't know about that?
I know about everything.
- [Lisa] He's not himself.
- [Mickey] Hey, hey there's a time.
- Peanut gallery, stop.
- [James] She has been involved with the harassment.
- Well listen, honey, whatever you have going on with him,
that's your problem not mine.
- [Mickey] Hey, Tommy-
- Not a thought about my daughter.
- I'm reaching out for you here,
I don't want anymore talk. - [Victoria] Okay.
- This is gonna be taken care of.
You're gonna listen, right?
She's telling you, please.
- I want your word.
And I'm not laughing this time.
I want your word. You have to listen to me.
No fucking around.
That's it. Okay?
You leave everybody alone.
You respect him.
I'm going on his word by him.
He has been by my side my whole entire life, okay?
We're giving him the five days, understood?
- Thank you. And we're agreed now.
We're agreed? - Agreed.
- Okay, let's get outta here.
- Do not disappoint me.
- [Mickey] No, no. It's gonna be taken care of.
Come on.
- I'm telling you, that- - See!
That's the shit I'm talking about.
- [Mickey] I asked you not to do nothing.
- You always gotta have the last word!
- See, stop.
- [Victoria] Remember, I'm the one with the last bullet.
- Hope you don't pay that money, Tommy,
so I can kill the fucking shit outta you.
- [Victoria] Oh, why?
- I'll pay that fucking 500,000.
I'll give her another 500,000
to put you in the fucking ground.
You and fucking- - Yeah, yeah, everybody.
- [Tommy] Everybody. - Killing everybody, yeah.
- Nobody knows what I can fucking do.
- Out! Out! Out now!
- I am really concerned about how
involved you're getting with this,
with Tom and this shit.
This is really on my nerves.
- Well, you are the one who is like soliciting.
I mean, we talked about it. You already talked about it.
I don't understand what the problem is.
Like what exactly?
You keep saying that I'm not-
- Because we're the media. - You keep saying that
I'm like, you know, breaking these-
- 'Because we're not supposed to get involved.
- I understand, but like what exactly, what have I done?
- You pulled teeth out of a head.
- [James] Yeah, but that's incidental. That's not-
- You like helped him put bodies in the trash, yeah.
- Like, I like Tommy, okay. I like him.
- I like Tom too. - Okay, but here's the thing,
now, I had a chance,
when we were talking about Victoria, when we talked,
when he said he wanted to borrow money from Victoria, right?
- Yeah. - When he said that,
I could have said to him, "That's insane."
Because this movie, his fucking Eric Roberts movie,
it'll take, if it sells it all,
it takes like minimum fucking year and a half, two years.
- I'd rather have- - Well, hold on.
So, well- - Than pull teeth
out of a head. - No, no, you wouldn't know.
Because then I would be legitimately influencing, hold on,
then I'd be legitimately influencing the end,
the path that he's taken and we would save his life.
But I didn't do that.
I'm fucking David fucking Attenborough.
I'm fucking, well, hold on,
I'm David Attenborough.
He's a wildebeest and she's,
Victoria's a fucking lion.
And she's gonna gut him.
And we're gonna film the whole fucking thing.
So like, I don't know what you're complaining about
because that man is a fucking dead man.
- [Lisa] We are supposed to be embedded and impartial.
- It doesn't matter.
The bigger picture is, and we are.
We are. How are we not?
I didn't stop him from doing it.
- You're pulling teeth out of a head!
- Irrelevant! The man is a fucking dead man.
- [Lisa] You helped him.
- It doesn't matter. It's over.
Alright fuck off! Fuck off!
- [Lisa] No, seriously. - Fuck, I'm done. Done.
- [Lisa] I'm so disappointed. - We're done. We're done.
- [Lisa] I'm so disappointed. - No, no, no, no. We're done.
There's nothing more to talk about.
The man, it ends with him dying.
Do you not like Tom?
Do you not care that he's gonna die?
- [Lisa] No, I really like Tom.
- Okay, so are you happy then?
Integrity intact.
? If you ever feel alone in a crowded room ?
? I pour outta bed ?
? I put on little perfume ?
? I'm looking for a man ?
? who makes me feel like you used to a long time ago ?
? We are out in this street ?
? Got a home next to me ?
? Planting seed where nothing will grow ?
(upbeat music)
? So pick your poison ?
? Why don't you drink it down ?
? Don't you feel better now ?
? Go and face the crowd ?
? Pick your poison ?
? Come and get in the scene ?
? Maybe a juicy one more line you'll feel home again ?
? Take me home ?
(fast paced violin)
? What a shame 4 AM oh man it's cold ?
? Knees are weak I need a drink this is getting old ?
? Oh, I used to hold your hand ?
? But now I hold this battle so close to my heart ?
? Use all these strange men just to feel whole again ?
? But you said we'd never fight ?
(upbeat music)
? So pick your poison ?
? Why don't you come on down to the local bar in town ?
? Just to see who's around ?
? Pick your poison ?
? Misery loves company ?
? But the drugs just aren't as fun as they used to be ?
(fast paced music)
? We out here getting high 'cause I feel so low ?
? I need a little powder for my nose ?
? I've been empty for years ?
? Just trying to fill the void when we brought here to live ?
? And I drink every night just try to forget ?
? But I know that I'll never forgive ?
(upbeat music)
? So pick your poison ?
? Let it drag you down ?
? Six feet underground never make your mama proud ?
? Pick your poison ?
? Come on you're in too deep ?
? Oh the demons in you they got you loosing sleep ?
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