Original subtitles

- So wait, so. (someone knocks)

- [Camera Woman] Uh.

- [James] Oh, it's Stacy.

That's cool. (doorknob clicks)

(door creaks) - Hello.

- [Camera Woman] Hi, oh.

Oh, nice to see you again.

Hi. - Hey, Stacy, how you

doing? - Oh, hi, guys.

- James, who is it? - It's, actually,

it's Stacy.

Yeah, Stacy.

- See, I have the crew still, eh?

- Yeah. - These are,

I guess, the boots you needed

- Yeah. - So badly.

- [Stacy] Yeah, they're expensive boots.

- What happened?

- What do you mean what happened?

You know what happened? - I know we were together,

and then, you were gone. - You know what you do,

- Right. - I can't be with somebody

like that and with my mother.

- [James] Are we in the way?

I don't, I mean, - No.

- If you don't mind, we're just talking about this.

It is interesting, and it has been a long time,

and it is weird.

I mean, like, yeah, he is, so, you know that he's,

- I mean, now, I know. - Yeah, I'm having, like,

a weird, you know. - Oh, sorry.

- I got a boom in my face. - Oh, yeah, well,

that's because there's a boom there.

- Should I back up, guys, or? - Phoenix.

Phoenix. - You said I just,

I, yeah. I don't know what to

say. - I thought we, like, had

something, and then I find this out, and I just, I--

- And you leave.

- [Stacy] What did you expect me to do, tell me, huh?

I had to leave for a full year for you.

Do you understand that?

If I didn't just leave,

you would have been gone.

You get what I mean?

- Bai. - Who the fuck is this?

- Bai.

- Babe?

- This is my-- - Your what?

- My girlfriend. - Your girlfriend?

- Yeah. - This is your girlfriend?

- This is my girlfriend, yeah. - Since when?

- [Thomas] (exhales heavily) We are gonna be

together for about six months.

- Six months? (raises voice)

Are you frickin'?

- We've been broken up for a year--

- This is who you dating? - No, stop it.

- You're dating this (indistinct)?

- Stop it; you listen to me.

You're being rude, okay.

I'm being nice to you, okay.

He is with me, can you see?

I mean no fucking-- - Stace, listen.

(Stacy speaks foreign language)

- Who are you? - (foreign language), okay?

- That's Stacy.

(Bai speaks foreign language)

(Bai shouts over Thomas's comments)

(door clicks open) - Oh, my God.

(door slams shut) - Well, that was a awkward

situation. - How, how?

- Hey, I didn't know she was coming over.

That's Stacy.

- World's collide. (whimsical upbeat music plays)

? Down the road where nobody go ?

? There is a story only two people know, well ?

? One lies dead while the other lives free ?

? I'll tell it, dear, if you'll listen to me, well ?

? One summer day, the weather was nice ?

? Two young lovers, a groom and a bride ?

? That night, they shared the same bed ?

? Didn't know they would end up dead ?

- [Eric] Put this this way.

Come on, guys, let's do something.

- Guys, let's go. - Do I have to do everything?

- [Crew Member 1] Chop, chop, chop, chop,

chop, chop, chop, chop. - The PAs.

All right, PAs, let's get inside and move furniture.

- PAs, piss-ants.

Come on guys.

- That's what we have time and money for.

So let's use what we got. - What do you mean

ask the website for money?

We're using my money on-- - Well, I know.

We're not wasting it. - Oh, okay.

- [Eric] Are we having trouble with

money? - No, we're not having

trouble with money.

If we keep moving along, we won't have any trouble.

- We should have worked out - Are we having trouble

the budget. - With money?

- [Woman White Hair] No, I'm on budget.

As long as all the money's - Are we having trouble

- in the bank, I'm on budget. - With money?

- [Thomas] I had a couple, one or two little things

with that, but we discussed that, so no, we're good.

I need him in a creative state.

- [James] I mean, it's just a movie,

if you think about it. - Just a movie?

- Yeah. - Are you just a human being?

Are you just a miracle of birth?

Just a movie? - It's a movie.

- [Eric] Is it just a life?

Just a death?

Just a car accident? - I just feel like,

as a documentary filmmaker, and it's kind of,

I'm sorry to say that I feel like we actually

capture reality. - Documentary filmmaker, you

are, huh, with your hands in your pockets,

you shoot documentaries.

I'm sure you don't.

I'm sure you pretend to and call it a documentary.

- [James] Well, they're real documentaries.

Better than the shit you do.

I mean, - Did he just say that

to me? - Yeah.

- No, no, - Did he just say that

to me? - because you know what?

I'll throw em out. - Ah.

- [Thomas] He gets a little upset.

He's very-- - If there weren't women

in this room, he'd be dead. - Oh, really?

- Yeah, that, yeah, really. - Yeah,

all right. - Yeah, really.

- Well, honestly, James, if this movie

doesn't get done. - Hey, I apologize.

I do, I apologize. - I accept your apology.

I like that so much, but I need to talk to you.

- Mm-mm. - Excuse me.

- Uh-oh. - I thought it was

pretty good, didn't you? - I'll tell you, that was,

- I didn't think it was that

bad. - I felt that here.

- It was correct, yeah. - What's up?

- You're my friend.

You're my boss. (people talk randomly)

You're my finance manager,

but I need more of your money.

- I thought I just covered more.

- You just covered it, but I need more of it.

I need a lot more of your money.

I need another $250,000 by Tuesday.

- 250, well, what are we behind on?

- If you wanna sit down the whole list, I'll gladly do it.

I'm not gonna half-ass - Nah, don't--

- do this, but I need a quarter of million dollars

by Tuesday.

In fact, by Monday would be better. (slaps shoulder)

- You know, you're killing me

with this. - I know, but you love me,

and I love you, and that's how it works. (slaps shoulder)

There we go, okay.

(Thomas exhales heavily)

- Cold, man, what are we doing

out here? - Okay, so, you know,

these fucking guys always wanna meet in these

obscure places, right? - Oh, is this the dark web

thing? - This is the dark web

(indistinct) I was talking about.

This is, yeah, again, the same type of--

- You got a guy. - This guy?

Hey. - You,

you the guy? - Yeah, I'm the guy.

- Yeah, okay, sure, but are you the guy? (emphasis on the)

- Well, if you mean am I the guy-guy,

yeah, I'm the guy. - Right (laughs), I got it,

but, like, are you the guy-guy? (emphasis on the)

- He's the guy. - He's the guy, he's the guy.

He's the-- - He's definitely the guy.

- Why, what's with the,

what's with the cameras? - Yeah, don't--

- Oh, yeah, don't, ignore us.

We're documentary filmmakers. - Doing a documentary on me.

You will be omitted from this.

This is just, like, the, you know, to show--

- [Crew Member] We'll put the blurry

thing on your face. - Okay.

- [James] Yeah, we'll blur you out because we don't have

your signature, so we're not even allowed to show that.

- This is a little weird, isn't it?

- [Thomas] Yeah, it's a little, you know, not normal.

- [James] Dude, you went on the dark web to find this?

What do you think would happen?

- Sure, sure. - Like, it's gonna happen,

don't you think, right, like, - I didn't expect it.

- we're not cops. - Okay, that's what

a cop would say. - No, I know, wait, guys,

let me just, you know, - Too obvious.

- Listen, guys. - Okay.

- [Thomas] I'm trying to do a business transaction.

- All right, - So tell me what's going on.

- Okay, so

there's this guy who's, I don't,

he's,

I need you to,

what's the word I'm looking for here?

You have a set of skills, correct?

- Yes. - Okay, yeah,

he's my landlord.

He's kind of a prick.

So I need (exhales heavily),

listen, I don't, what's the word I'm looking for here?

I need you-- - Dead?

- You mean eliminate him?

- If that is within your purview of

things you do. - It is.

- [Man With Glasses] Okay, then I would need--

- [Thomas] How bad do you hate this guy?

Do you want me just to kill him?

Do you want me to torture him?

Do you want me to make it - Ah.

- Fast; do you want me to-- - Really, this is so

uncomfortable with the cameras.

- [Thomas] Well, I mean, yeah, don't, again,

they become second nature.

I actually forgot they're even here,

and that'll happen to you as well.

- Okay, sure. - So.

- [Thomas] But I usually give my clients,

like, because of what I do, and why I'm so good,

I give them the option.

If they want me to just eliminate them, I get rid of them.

If they want me to torture them.

Do they want them to know that you hired me?

So the last things they hear out of my mouth is your name?

- God, no, please, not that.

- No. - Okay, so do you want me

just to get rid of them quickly?

- Yeah, yeah, if you could.

If that's a thing you do (laughs),

- Right. - Then, yeah.

- Excuse me.

Excuse me, pal.

Are you, hey. - What do you want?

- Depends on who you are. - Yeah, I gotta ask you

a quick question. - What?

- [Thomas] I gotta ask you a question

about something. - What?

Get the fuck off of me. (Thomas groans)

You can't do this to me.

I own property I gotta get photographed, asshole.

- Wait, wait, wait, hold it, hold on.

- [Man Running Away] You're gonna go (indistinct).

- When's the car coming? - Yeah, yeah, wait.

- Are you gonna chase him? - Wait, wait, no, no.

I'll get him later.

Let me just see what's going on.

I don't want to have this situation where

I gotta kill two people. - All right.

- [Man Who Ran Away] That guy just grabbed her,

right there. - He's totally ratting on you.

- Yeah, that's-- - Dude.

- That guy. - Guys right over there?

- Yeah. - Somebody share a camera.

- Is it a cop? - Whoa. (laughs)

- Look at this guy. - Is he taking him? (laughs)

What's up? (laughs) - He can't take it.

- Holy shit. - What?

- He's getting taken. - Come on, let's go.

- [James] Shit, so that guy, he just took

that guy. - Oh, my god, this is

so crazy. - Maybe somebody else hired,

maybe he took a job on the web.

Maybe they hired two hit men.

Oh, I guess. - Oh, you think that, wait,

wait, you think that the guy that hired you

that wanted you to hit the landlord?

- [Thomas] Well, listen, there's no loyalty

on the web, right?

So maybe two people answered the job.

- Yeah. - They hired both.

- Yeah. - I guess whoever does the job

gets paid. - But that seems like a,

isn't that a problem for you? - Yeah, a big problem.

And that's why I'm getting a little bit pissed off.

- [James] I think he went that way.

He went that way, went that way.

- [Thomas] I mean, I'm really pissed because,

if they think they're gonna pull this one over on me

and not paying me, - It's just weird

'cause aren't you like the king of Staten Island now?

I mean, like, you should be, like, I mean you got Victoria

behind you but, I mean, even still, you killed,

like, Vanessa, like. - Yeah, but the problem is

this wasn't a Victoria job. - Right.

Oh, she shouldn't know, so we shouldn't say anything.

- [Thomas] No, I wouldn't say anything.

You know how they are with the black web.

- Right. - The dark web, I should,

I call the black web. - Dark web, whatever.

- [Person In Back Seat] Who ends up getting paid?

Like, the person who does the killing?

- [Thomas] Well, I mean, you know, it gets transferred

right to my account, but there was a little delay

with the pay, which I thought was odd.

- [James] You didn't get paid.

- [Thomas] I didn't get paid what I was supposed to.

- So you gonna confront that? - Well, the problem is,

I'm thinking now maybe there was no delay at all.

- [James] Oh, right, 'cause, like, somebody else came.

- [Thomas] And maybe they paid two people,

and they split it up. - So.

- They're trying to get cute. - I mean, so professionally,

do you think that he knows you?

I mean, you might know this guy, right?

I mean, like, 'cause he could be, like, another, like,

like, with Detective Marino type deal

or whatever. - Right, there is a chance

I do know him.

- Wow, that's unbelievable. - I can't believe that

just happened with the-- - No, I can't either.

- [James] You know what I was thinking is like

a serial killer. - Oh, definitely.

- Yeah, the Staten Island - That'd be hilarious.

- [James] Strangler, the Staten Island Strangler.

You guys heard of the Staten Island Strangler?

- Yeah, I was reading about

that. - The movie; no, but

seriously, I mean, I keep - it's in the news.

- [James] I keep hearing about the Staten Island Strangler,

right, so like, I just figured maybe,

maybe it was (indistinct) - Staten Island,

sure we got a Staten Island Strangler?

- [Person In Back Seat] It's in the local paper.

What's the local paper, the SI or whatever?

- Staten Island Advance? - Yeah, the Advance, yeah.

- You know what, they don't even know what to write about.

(everyone laughs)

You know what I mean?

Yeah. - Maybe, but I mean, like,

see, he definitely turned down way down that, actually,

I think he turned over here. - Where, over here?

- [James] That, all the way, just keep going

that way. - This way?

- [James] I think I see the car.

No, you have to back up.

I think it's over here. - I went the wrong way?

- [James] 'Cause I think that they went in there.

They went in there. - He did?

- [James] Yeah, I think he probably went in there.

You guys didn't wanna go in there?

- Yeah. - I'll go.

You guys wanna go? - Of course.

- You guys don't have to come.

- No. - No, we're cool.

- You don't have to come along on

everything we're doing. - Great footage.

- I think we're in. - Yeah, we're in.

- We go where you go. - You sure?

- Yeah. - Where one goes, we all go.

(Woman Back Seat laughs) - Where we go, when we go,

I'm gonna stay back here. - Okay.

- Yeah. - And we'll kinda walk up.

- Okay. - Only because I don't wanna,

obviously don't wanna give him a heads up we're here.

Right? - All right, sounds good.

Okay, all right. (door clicks shut)

So, oh shit, smells like shit

out here. - Oh, wow, like dogs

are around here. - Yeah.

- What is happening? - Smells like marijuana.

- Yeah. - Smells like weed.

- You're not smoking maybe, are you?

- Not today. - Why would he,

- It's snowing out? - Is he high?

I'm gonna hang back here. - Hang back.

- He might be in the car. (shoes squeak)

He might be in the car. - Oh, my God.

Why did that light just go out?

- [James] Wait, I need to turn on, let me turn.

- Oh, it's their car light? - I'm the sound guy

and the lighting guy, guys, just remember that now.

- [Thomas] I've heard you say that. I think about 10 times.

- Yeah, I've been saying it. - Oh.

Oh, I just fell into something.

- What? - I just fell into mud,

and I almost fell over. - Is that shit?

- I hope it wasn't a grave. - Look at those tinted

windows; I can't even see.

Is anybody in there? - Wait, wait, stick back

for a second.

- [James] He left the lights on.

- It's clear. - All right.

- Clear. - All right.

- All right. - That's weird.

- [Thomas] He probably wanted to get the INA.

He probably have to shore up his truck.

- [James] So we're, okay, so it looks like there's

a place over down here we can go.

- Okay. - Guys, do you realize

where we are right now? - No. I have no idea.

- Me neither, so shut the fuck up.

- [James] All right,

that's really a good argument. - Why would we know?

This is your job. - Jesus Christ, Lisa.

- Lisa, - (laughs) Oh, my god.

- [Thomas] Now's not the time to get up in my skin.

I have no idea what we're getting into here.

- [James] Right, okay, what, okay, so there's, like,

fucking spiderwebs everywhere here.

- [Thomas] Guys, please, we're getting relaxed.

- [James] Ooh, shit.

(people and items rustle)

- Watch out James. - Fuck (indistinct).

I fucking hit my head, man. - Whoa.

- You all right? - No, I'm okay, I'm okay.

I'm not bleeding, yeah.

No, I just, I can't see.

I'm the lighting guy, so I'm pointing the light

away from me so, like. - Well guess what?

You gotta duck your head again.

- [James] Okay, I see that.

We see it now. - Wait, wait, ssh, ssh.

- Okay, okay. (whispers) (music plays faintly)

All right, I hear music. - Do you hear that?

- Yeah, I hear music. - It's like a thump thump.

- Yeah, yeah, I hear that. - It's like

(indistinct) music; it's like a Danny Boyle movie.

- Trainspotting. (whispers) - Think fast.

Guys, this is real.

It's not a Danny Boyle movie.

- All right, so. - I know who Danny Boyle is.

- [James] So it's a serial, light,

and it's a serial killer. - It's not the serial killer.

- [James] You don't think it's the serial killer?

- Hey. now, guys, - Why would he--

- you live in a movie world. - I mean, but why would he

just run down here? - Because he's a serial

killer. - He's, like, collecting

people. - Okay, he's not a fucking

serial killer. - I'll kill you later.

(several people talk at once)

- I beg to differ. - I'll take his professional

word for it. - Thanks.

You hear it again? - Shh.

- Ssh, ssh, ssh. - I know, but hold on.

I have to get under this thing.

- [James] Yeah but, Lisa, do that quietly.

- Hear it? (music plays faintly)

- Yeah. - Yeah, I do.

It's music.

- [Lisa] Is he like at his home, general home?

- [James] Shh, fuck, do you wanna like,

I see, like, a light. - Wrong with you?

- This is Levi. - Let me go.

- What is he doing? - No one's gonna know.

- Whoa. - Holy shit.

- Lisa, be careful. - I told you he was

a fucking serial killer. - Goddamn (indistinct)

is it? (Lisa gasps)

- What the fuck? - Can I help you guys?

(men scuffle) (men grunt with effort)

(several people talk at once) - Levi, Levi.

I'm going behind.

- What the hell? - I can't believe

what a fucking sick fuck you are.

- [Levi] Could you untie me

at least? - Shut up.

- You're a sick fuck. - Shut up.

I'll-- - Can I just ask

this man a few questions?

Because like, do you mind if I do.

- What's going on here? - No, that'd be great

actually; I'd love to get my story out.

- [James] We're doing a documentary, sir.

- Oh, right? - Yeah.

- No, we are; we're doing - Award

- a documentary, all right? - Winning film make.

- For award-winning filmmaking.

- And to follow me around. - And interviewing me,

so hold on a second. - I do have a question

because - Yeah, please.

- [James] it is interesting that I can see

that you're a killer. - Yes.

- You're some kind of serial killer.

- He's not just a killer. - Yes, serial killer.

- No? - He's a sick fuck.

He's mentally disturbed. - Well, I mean, I think that

okay. - How are you, sweetie?

- What the fuck? (shouts) (feet stomp)

What the, fuck you? - It's a lie?

(several people talk at once) - What the hell is going on?

- [Killer] These are award-winning filmmakers.

(feet stomp) - I'll fucking fight.

- [Thomas] We're doing a documentary.

- A documentary. (several talk at once)

- [Thomas] I went to fucking kill this guy.

This guy took this guy - This is sick.

- [Thomas] And we just walked in on you.

- [James] And unfortunately, we're, right now,

we're interviewing, - You're making a documentary.

- But one moment, though. (several talk at once)

- Fuck you. (feet stomp)

I'll fucking kill you (screams incoherently).

- [Thomas] I'm gonna help you.

But if you don't shut

the fuck up, - Just go.

- [Thomas] you're done as well as him

and as far as this sick fuck.

- Yeah. - This is a real interesting--

- Just keep it down.

I promise you, you shut up, - I need to go to

the bathroom. - I'll free you.

- [James] He has to go to the bathroom.

- [Thomas] Okay?

You weren't even supposed to be part of this equation.

And you're lucky, okay? - Do you get off sexually

by doing this to women?

- Well, I wouldn't say I get off.

I get a little bit of a thrill from it, you know?

I get my needle.

It kind of keeps flicking a little,

but-- - I tell you, he's a sick

fucking guy. - I'm not a sick fuck,

and you and me are, they're just the same.

- You wouldn't mind-- - You look like a fucking

sick fuck; you fuck your sister?

You look like a fucking guy who fucks his sister.

- Do I fuck my sister? - That's what I said.

Yeah, you do.

You're all high and mighty, aren't you?

Did I say something bad?

- [James] I wouldn't say anything about his sister.

- Why?

That's just something people say, though,

here in Staten Island, you know?

Go fuck your sister.

- Well, listen, I wanna clarify this.

- Okay. - I just need to,

for my own head,

there's a big difference between what you do

- Mm-hm. - and what I do.

- It's true because

he is a professional - I don't think so.

- who goes on hits. - I'm professional.

- Yeah, but I get paid.

I get paid, and I get rid of pieces of shit

like this fucking guy. - I could get paid

- to do this stuff. - Priorities

mixed up. - I'm the best.

I'm the Staten Island Strangler.

- What? - Did you know that?

- Whoa. - I had no idea.

- (laughs) Yeah, that's me. - Not even original.

There was a Boston Strangler first.

- Yeah, - That's actually kind of,

she has a point. - I didn't know that so

don't hold that against me. - Fucking idiot.

(several talk at once)

- All right, listen, listen.

- [Thomas] Ask whatever questions you have of this guy.

- [James] My only other question is that

you're suggesting you're similar to a hit man,

but you don't get paid for it, so what--

- That is the only difference. - Okay, but--

- [Thomas] No, I don't enjoy what I do.

- Oh, you sure you don't get a little fucking, your rocks?

I see a lot of similarities here.

You're on your high and - There's nothing

- mighty on your horse? - similar between you and I.

- You and me are the fucking same.

- Ah, yeah. - Fuck you.

- Sorry. - No, fuck you.

- Fuck you. - Fuck you.

You know what? - You sister fucker.

(gun fires) - Can you believe

the audacity that guy thinking him and I are the same?

- Yeah, no, that's not cool. - Right?

- No, of course not. - I am so fucking insulted

right now

for him to think him and I are in the same mental capacity.

- No. - That's not a thing.

- Right? - Kind of did everybody

a favor. - I did.

- Free, for free. - It don't make me

like him though, right? - Keep talking.

- No. - No, no.

No, no, no, no. - No, you're not like him.

Oh, my God. - He's a piece of shit.

You got rid of him. - Yeah, right?

Yeah. - No, no, you're not like him.

- Okay, so you killed him.

But untie me, will you? - You think I'm gonna

untie you? - Yes.

- You think I'm gonna untie you, huh?

(gun fires) (body thuds)

- Okay. - Piece of shit.

This guy's the fucking reason I'm in all this fucking mess.

- [James] Well, that's the job, right?

I mean, so what about her? - No, no, she's,

listen to me.

I'm gonna let you go, okay?

But you gotta promise me

that you're not gonna say anything about him

or the the Staten Island Strangler fucking guy or this guy?

- I'm not gonna tell anyone about this shit.

It (indistinct) fucking day in my life.

- Come on, let's go.

- Hey, hey, you stupid, ugly in insult fuck.

I had plans, but I will literally fuck you

into the next lifetime and I hope you fucking burn

in fucking hell. - Come on, let's get

outta here, come on.

Come on. - Who the hell is that guy?

- [Thomas] He's just some fucking piece of shit man.

Look, no big deal.

- Well, fuck him, too.

No fucking way. - Jesus. (laughs)

It's an interesting day.

My head still hurts, man,

from last night. - Yeah. I mean,

- Who knew? - Chance of it happening

was like, well, what quarter in a billion?

- I think I called it. - You did call it.

So did Lisa; so did Levi.

I just, I said, you know,

you know, so I was laughing at you, and I'm, "Wait, guys."

Guys, turn around. - Oh, oh, dude.

This guy's here. - Hey.

- You get it done? - It's done.

- All right. - It's done.

Where's the picture? - Picture?

Thing's got a little complicated last night,

but you have my word.

You're never gonna see him again.

- Well, you didn't get a picture of it?

- Things got a little hectic.

- What does that mean? - You wouldn't believe me

if I told you? - Yeah, it was crazy.

- Well, how am I supposed to believe that he's dead then?

- Well, when you don't see him tomorrow, or ever again,

- Yeah, - Ever.

- He's dead. - He's dead.

Trust me. - Okay, did they film this?

- They did. - Yeah, absolutely.

- Well, why can't I see that? - Well, ethically, we can't

really have appearances.

Is that right? - Ethically?

- Guys, guys. - I mean, you have three

witnesses; we're all-- - Guys.

I'll tell you what.

You know how to get in touch with me, correct?

- Sure. - Okay, so if you ever

see him again, I'll not only pay you the money

that you paid me, which I gotta talk to you about,

but I will double the money, and give that back to you.

But that leads me to another point.

You only half paid me. - Yeah.

- You thought what, I don't know, cryptocurrency?

- [Man With Glasses] No, I paid you half because you do

the job, and then I give you the other half,

but how do I know you did it now?

- 'Cause when you show up tomorrow,

and you see him like you always do when he torments you,

you never get the (indistinct).

- How do I know he's not on vacation

or you just send him on some trip?

- I told you, if you see him again,

I will pay you double.

- This is the most unprofessional thing

I've ever seen.

Until you bring me a photo, I'm not paying you

the other half. - Oh, yeah?

- Yeah. - Get over here.

Get on your knees. - Hold on, hold on.

- Get on your knees. - Hold the fuck on, man.

- Now what? - I didn't fucking do it.

I'll pay you the money, man; I'll pay you the fucking money.

- Yeah, how about I don't want

the money right now? - What the fuck do you want

me to do, man, come on.

Don't fucking do this. - What, I'm a professional,

right, I'm a professional. - Yeah, you're a fucking

professional, man. - Hey, you know what?

James, do you have a camera?

'Cause maybe we'll take a picture of this

when I'm done. - What the fuck is wrong

with you all? - What do you guys think?

- Filming it. - Are you filming this?

Oh, yeah, all right, and then you could just

screenshot it for me later? - Yeah, sure.

- All right, ready? - What the fuck is,

you're so fucking-- (gun fires)

- Now I close the fucking boom.

- Huh. ? Do you ever feel alone ?

? In a crowded room ?

? Alcohol on my breath ?

? Better put on a little perfume ?

? then I put on a little with you ?

? I'm out looking for a man who makes me feel like ?

? You used to a long time ago ?

? When you're out in the street instead of home next to me ?

? Planting seeds where nothing will grow ?

? So pick your poison ?

? Why don't you drink it down ?

? Don't you feel better now ?

? Able to face the crowd ?

? Pick your poison ?

? Come on, give in to sin ?

? If you just sniff one more line ?

? Then you'll feel home again ?

? Take you home ?

? Walk of shame, four a.m., oh, man it's cold ?

? Knees are weak, I need a drink ?

? This is gettin' old ?

? I used to hold your hand ?

? But now I hold this bottle so close to my heart ?

? Use all these strange men just to feel whole again ?

? But you said that we'd never part ?

? So pick your poison ?

? Why don't you come on down ?

? To the local bar in town just to see who's around ?

? Pick your poison, misery loves company ?

? But the drugs just ain't as fun as they use to be ?

? We're out here gettin' high ?

? 'Cause we feel so low ?

? I need a little powder in my nose ?

? I've been empty for years ?

? Just trying to fill the void ?

? Where we both used to live ?

? And I drink every night just to try to forget ?

? But I know that I'll never forgive ?

? So pick your poison ?

? Let it drag you down ?

? Six feet underground ?

? Never make your mama proud ?

? Pick your poison ?

? Come on, you're in too deep ?

? Oh, them demons in your head ?

? They got you losing sleep ?

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