Original subtitles

- When people hear the word hitman,

there's a stigma, right?

They think, like, mafia,

you know, suits,

all these different things.

To me, it's a job.

I'm just a regular guy that has a great talent.

- Hi. - Hi.

- That's, that's Levi and this is James. He's a director.

I, I wanted to surprise you, so I want,

you know, I was, I was,

I wanted to make you happy and proud.

- Love is being completely honest with one another.

- [Actor 1] Please. (grunts)

(bat smashing) (actor 1 grunting)

- [Stacy] Because I feel safe with him.

There's nothing going on.

And we support one another.

(gunshot bangs) - Oh. (screams)

- [Tom] Come on, Lisa!

Get out of the-

Get out of the way.

So do you want me to make it quick?

- Um. - Do you want me

to beat her to death?

Do you want me to use tools, like a hammer or a wrench?

- Who are you? - Hi.

We, we were here to do an exterminating.

This is the most important thing now.

When the cops come- - Yeah.

- they're gonna say, "Hey Mr. Ricci,

we're really sorry, your wife is dead."

And you're gonna say,

"What happened? Oh my God, what happened?"

- First thing out of his mouth,

"Did someone kill my wife?"

- Which you told me years ago, that's the first thing

not to say. - Yeah, exactly.

He's like, "I know want it...

I, I know who my brother-in-law hired."

- Open the door. - And not only that,

he knows where the fucking guy is.

- [Ricci] I've literally said the words,

like, what you were not supposed to say, right?

Isn't that what you said? - Everything I told you

not to say, you told him.

- What the fuck? (person gasps)

Get out of the fucking car.

- I'm insignificant. - What?

- Yes, it is murder.

But if I'm killing somebody that's either a killer,

or a drug dealer.

Unfortunately sometimes things happen

where somebody gets killed that's not supposed to.

- I'm gonna fucking kill this kid right now!

- [Actor 2] Fuck! I didn't

believe her. (cries) - Shut the fuck up.

(gunshot bangs) This is Lisa.

- [Lisa] Tom, we've told you a number of times,

we're the filmmakers,

we're directing,

you're the subject.

- All right. All right. - Don't you-

- Shh. Shh. - No, no, no, no. Listen.

- There's been more collateral damage since I met you three,

than I ever had in my life.

- [Lisa] Wait, hold up.

That's not cool.

What are you- - It's not cool,

but it's very factual.

- I think this guy's on the verge of whacking us.

- I feel like he's losing- - Are you serious?

- focus and like-

- Yeah, that I did notice. - he is getting really-

- [James] Yeah, like, I don't know.

Everything's going so crazy now,

I don't- - Well, your sister and I

are gonna fuck tonight!

- Oh yeah? - No!

- That's what she promised me. - Not that bum.

- The food is terrible. - I just...

You're not listening to me at all!

(door slams)

- Oh. - Come on, open the door.

- Oh my god. - Jules! (knocking)

- It's a documentary, ma'am.

(door creaks) - What's wrong?

Is she like- - Is she asleep?

- Is she hot? - She's dead.

- [James] Do you want, do you want me to call 911, man?

- Yeah, please.

- [James] Is that Frank Ricci?

- Yeah.

There's, there's definitely somebody tracking me.

I can't find my girl.

- Yeah. - My grandmother's dead.

- [James] Yeah.

- My sister's dead.

- Yeah. - And somebody

is afraid of someone out there,

more than they are of me, to kill themselves.

So there's a lot going on here guys.

- No! No camera!

No camera! (speaks in foreign language)

No! No! - You're Mr. Goodfella

out there. - (chuckles) Yeah.

- You're a tough guy. - Oh, oh, oh, oh, oh, oh,

oh, oh, oh.

- [Tom] I just killed Inessa?

- You killed Inessa? - Yeah.

- Really? - Yes.

- And what about the Goodfella guy?

- He's dead.

- [James] You killed them both?

- Dead. No witnesses. - Wait.

Isn't that a big deal, killing a boss?

- Yes, I feel fucking scared,

but I feel fucking great. - Yeah, yeah.

Liberating? - I feel a sense

of liberation. - Awesome.

That's awesome. - Euphoria.

- Fuck. Yeah, man. - I'm fucking-

- Yeah. - It's a-

- Yeah. - I feel fucking almost-

- Yeah. - like I'm free.

- Are you getting the fact that there are repercussions?

(gunshot bangs) (Det. Morino grunts)

- Oh my god. Oh my god.

But this is gonna be a really, really good film.

We're gonna, we're gonna win awards, so I'm excited.

- We ordered a sound guy for today, right?

It's- - Yeah, but he-

- So he'll come eventually?

- [Lisa] Yeah. He'll be here eventually.

- [James] Well, I mean,

I don't wanna do sound one day.

- [Tom] I'll be the sound guy.

- Oh! Hey! - Hey. (chuckles)

No shit. Hey, hey.

- [Lisa] How's it going?

- Not bad. How you doing?

- Good. - What's up, man?

- It's, it's been a yea-

What? It's about a year? - Yeah, it's been a year.

- Oh, I'm surprised. - You look good.

You look good. - Time flies.

You guys look good, man.

How's everything happening? Good?

- Good. Yeah. - Yeah. Yeah.

- You still need to sell...

Oh, they were moving up in the world.

- Oh, what? A tripod? - Tripod?

- Yeah, yeah. That's okay. - I mean, I know what it is,

but I haven't seen you guys use a tripod before.

- [James] I know.

- You know? - We thought,

we thought we'd, you know, put it on sticks,

maybe get a little-

- Yeah. - Yeah.

- We just buy- - Cool.

- Yeah. - whatever equipment we need

based on- - That's very cool.

I mean, so things I hopefully did pretty well.

- Well, actually, we didn't, don't have it hooked up.

Uh, we went, took you to festivals,

and the festival circuit's kinda arrogant.

And they kind of thought that

that this last season wasn't believable.

Like, they didn't feel the violence was...

They thought, thought the violence was staged.

- What? Wait, wait, hold on.

So we...

Is that why I haven't seen anything on Bravo,

I haven't seen anything \about my name?

- Yeah. They just didn't think that it was believable.

They thought that the violence in the show,

they didn't, they didn't buy it.

They thought we, we staged all that.

And they think that maybe you're just an actor,

which of course...

Japan, we actually did sell that territory

and the Japanese loved it! - You know, I googled

my name today?

- [Levi] They just like the (indistinct),

the killer stuff. - I Googled by name

and, you know, many things I saw.

- What? - Nothing.

- [James] Well, I mean, in a way maybe that's like

a good thing. - It's a good thing.

- [James] I mean, but, but,

well, it also like Google's weird.

- I don't see "Thomas Lynch, Japan."

- [James] I don't know what Ja-

I don't know what they would call you in Japan.

They may not even call you Thomas Lynch.

They would call you like Sochi something or-

- [Lisa] Something a killer.

- Yeah, like- - Yeah.

- [James] Like, you know, like, y- y- you know like...

- So. - Oh, sorry.

- [Actor 3] What the fuck is going on?

(weapon thuds)

Uh, was that loud on scene?

- [James] Uh, actually, I don't know if we even got that.

- Yeah. - Can you guys check that?

- I mean- - 'Cause that was pretty fast.

- That was pretty fast. (casts chattering)

- Did somebody see my car? - Oh God.

- Jesus Christ! - Oh my god!

- Fall, man. (gunshot bangs)

- That's good. - God!

(crew chuckling)

- [James] Dude, that is fucking weird.

- Welcome back. - Let's.

(quirky music)

? Down the road where nobody goes ?

? There is a story only two people know ?

? Well, one lies dead ?

? While the other lives free ?

? I'll tell it, dear, if you listen to me ?

? Well, one summer day the weather was nice ?

? Two young lovers, a groom and a bride ?

? That night they shared the same bed ?

? Didn't know that she would end up dead ?

- I don't understand what happened to the graveyard?

Th- this used to be a graveyard.

- Yeah, well, um,

as you know, you know, today's the year

that my grandmother passed that, um-

- [James] God, has it been that long?

- Yeah. It's a year today.

- Wow. - And, um,

yeah, I, I, I found out about two weeks ago

that they moved everybody's grave.

- [James] Right.

- Um, you know, my

my grandfather- - Like play the "Poltergeist"

type deal?

Like, you move- - No, no, no.

- The Poltergeist- - No.

- move the graves. - They're building,

they're building a, uh, a, uh,

a golf, like a miniature golf, uh, course

and, and a, a shooting range-

- Here? - Here.

- Oh my god.

- So they, they exhume the bodies

and the caskets. - They did though.

They move the bodies. - Right.

And they have them in a, like some sort of warehouse.

- [James] So she'll...

You don't know where- - I don't know where she is.

So not to ruin the tradition,

I'm gonna go at least where I know where the grave was.

- [James] Where you like, figure like spiritually?

- Yeah, I, I, I could- - That just seems so unfair

that they would just move her body.

- Well my, my grandfather was of a,

you know, a Vietnam vet and, um-

- [James] Oh, your grandfather,

you never really talked about that.

- No, because he's busy, you know.

- Okay. - It brings back bad memories.

- [James] Okay. Okay.

- But, uh, you know, he's a Vietnam vet.

They give these plots.

- Yeah. - But again, they're free.

So, you get, you get what you gonna pay for, right?

- [James] Obviously, Inessa, what happened last year, uh,

killed her. - Right.

- [James] Did that sort of leave any kind of power vacuum?

What's, what's, what's,

what's going on in Staten Island today?

- Uh, basically I...

You know, you would think that me killing Inessa

would, would give me some more clout-

- Yeah. - and bring me, uh...

You know, it's always weird when I'm under here

because there's always people coming and stuff.

I like doing this under here

'cause somebody can kind of really hear what I'm saying.

- [James] Right. Right.

- But, uh,

you would think me killing her

would've like put me on the next level.

All it did was put me in the worst position,

because now I'm working, you know, for we know who.

I don't even wanna say her name right now.

(crew chattering) Oh. Okay.

- Sorry, guys. - Never ending-

- Oh, it's okay. - issue with my fucking

sound guys. - I got you.

What was the question?

I'm, you know, you got me all confused.

- [James] Yeah, we're talking about, um,

Inessa, the Russian, is gone.

- Right. - Isn't she like,

now there's this more powerful mafia family?

- Victoria is like,

she's probably on the level of John Gotti.

I mean, she's up there.

I mean- - Well, she's a woman though.

- I, I, I know. I mean, things have changed, right?

I mean (chuckles) it's, it's...

We're in the 2020s.

- [James] Yeah.

- Yeah, she's, she's, she's it.

Her husband died, and now it, it...

Instead of leaving it to another man, they, you know...

- [James] So, like Catherine the Great?

- Right. Right.

So, uh, again, this is a, a nester on steroids.

This is my new boss, Victoria.

But I don't know what I'm walking into. Right?

So, just, just hang back.

Just hang back until I get a five-minute rule.

- Okay. All right. - Yeah, let's do it.

- Because I don't know anything fucking yet.

(lips smacking) what's happening?

Good to see you. - Yeah. Same here.

- Victoria, how are you?

- I'm well, Tommy. How about yourself?

- All right, but, you know,

things are working, you know-

- Yeah. - Yeah. Yeah.

Everything's all right. You know, doing the film.

You know, doing some things.

- Get, do me a favor.

I, I need to talk to Tommy alone for a minute.

- [Nicki] All right. Tommy.

- Sit down.

Sit down. (Tom gasps)

- [Tom] What's up?

- Get it outta my face- - I'm, I'm-

- please. - I'm leaving. I'm leaving.

I'm leaving. - Guys?

- Thank you.

All right, just...

I don't care that you're doing the documentary.

Good, good for you.

- You really- - I'm just not part of it.

Okay? - I understand.

- Okay. - Right.

- [Lisa] I, I'm fine over here.

- That's great. Okay. - I'm out (indistinct).

- [Tom] I'm sorry about that.

They, they-

- (sighs) You're always sorry.

You know, I'm tired of you being sorry,

if you wanna know the truth.

I'm fuckin' sorry now.

- [Lisa] Hello. Don't touch the camera, dude.

- I'm Carlo. How you doin'?

- Hi. Yeah.

Um- - What are you guys

doing here?

- We're, we're award-winning filmmakers.

We're making a documentary.

- Yeah, we make documentaries.

What's, uh, what's your name?

- [Carlo] Carlo.

Nice, nice to meet you. - Carlo.

It's James. Nice to meet you.

- Nice to meet you. - I wonder,

do you think you could talk...

So you work for Victoria? Is that your thing?

- I'm working a little bit with her. Yeah.

- Yeah, yeah.

I mean, uh, do you think that you could get

maybe at some point, like, if we ever come back,

an interview with her?

- (scoffs) I'm Carlo, baby.

I could get you whatever you want.

- That'd be great. That'd be really great.

I really appreciate that.

- You know, I was thinking,

if I get you this little promise-

- Yeah. - you know,

I was thinking maybe, uh,

you guys do a little documentary about me.

We cut the little bozo, Tom, out of it, you know?

- Well, you know, it's wide open.

- Sure, yeah, of course. - Wide open.

Yeah, you know- - You don't got

the hair like me.

You don't got the style like me.

I'm saying, call me. - Yeah, that's, uh,

that's quite something.

- [James] Really. Yeah.

- Come on. It's Carlo, baby.

How you doin'?

- Impressive.

- [Lisa] Uh, baby? That's a little sexist.

- All right, I'll call you sweetheart. How about that one?

- [Lisa] Oh, okay, cupcake tits.

- Hmm. (James laughs)

I like a little sassiness in my life. Yeah.

- She's my sister.

That's my sister. - Oh. Oh, really?

- Yeah. Yeah.

- You gotta hook me up with her.

- All right, listen, I need you to do something for me.

I need you to do a job for me.

- [Tom] Sure. What's up?

- Just I need you to do a job.

I need you to do it quick.

I need you to do it right. Do you understand me?

- Sure. - Okay. Great.

- [Tom] What are the details?

- I will get in touch with you and give you the details,

or Nicki will get them all to you.

Okay? - Okay.

Um, how do we work the payment structure?

- How do we work the what?

- [Tom] Uh, the whole payment structure.

- Payment structure?

There, there, there's no pay.

I own you.

Okay?

When I tell you to do something, you just get it done

in a timely fashion.

Not a week, not a month.

You get it done.

Give you instructions, you get it done.

And that's your payment to me.

Do you understand me?

- Yeah.

- Okay. Great.

Glad we're on the same page.

- Victoria is in, is in this fucking position because of me,

'cause I fucking killed Inessa.

- Yeah, I know. - I should,

I should be somewhere higher.

I'm now, I'm working for fuckin' nothing?

- I want you to do me a favor.

Take care of whatever she wants you to take care of,

I'll take care of you.

(lips smacking) Just do what she wants,

and don't fuck.

Anything, you call me.

- All right. - We'll talk.

- All right, Thanks. - Well, let's go, guys.

- [Nicki] Straighten this out.

- Tommy?

Stay the fuck away from my daughter. Understood?

- Uh, no, it's okay.

Um, Stacey, probably was, was,

was told to stay away from me.

- [James] By who?

- By her mother.

- [James] Oh, 'cause Stacy's the daughter of Victoria.

- (chuckles) Stacey is, it's, it's like, uh,

90 degrees of Kevin Bacon, right?

Stacy is the daughter of Victoria.

So, now-

- [James] She never told you that?

- She never told me that.

That was the big mystery last year.

- [James] Oh, when, when, when, what's his name,

the detective? - When I thought

she got taken-

- Yeah, yeah. - and then, and then

he mentioned that I, I, I-

- [James] Oh, so she said "Clear out," 'cause she must...

Victoria must have known something.

- Correct. And now, now she knows I'm a hit man probably.

- Right. Oh - Um, she...

Yeah. So everything I did lie was a lie.

- [James] Yeah.

- Um, so-

- [James] (chuckles) And you work for her mom.

- And I work for her mom now, indirectly.

Six degrees of Kevin Bacon.

- [James] So, guys, I think he's coming.

- Okay. - He's can come...

I think he's coming pretty soon.

- Okay, this guy, this guy. - Shh. Shh.

- What do we do? - Go, go, go, go, go, go.

- Oh! No! (footsteps rustling)

I have nothing! (grunts)

- Awesome. - I always get

the fuckin' gorillas.

- [James] Oh, that was an epic takedown.

That was really great. - Pretty stealth, huh?

- [James] I'm impressed.

- [Tom] That was actually pretty good.

- Is, is he...

And is he dead now?

- No. No. - Is that poison or-

- It is poison,

but it's only, it's only gonna knock him out

for a little while. - Oh, so it's chloroform?

- It's chloroform. - Okay.

- Yeah, I mean, I could take down like that.

- [James] Are you gonna leave him alive or...

I don't know if- - No, no, no, no.

I'm gonna, I'm gonna take care of drugs, secure him.

- Drugs?

- Yeah, that's about an eighth, uh, a quart,

a kilo. - In here?

This looks like...

Is it cocaine or heroin?

- That's cocaine.

- Really? - Yeah. Pure.

- Hey. Yeah

I'm not... (Lisa laughs)

Um, what's the guy's name? - James, come on. James.

- Castro? What's his name, Fidel?

- El Chapo.

Come on, we have a body here.

- [James] Oh, you want me to help you?

You want help with the body,

like, I can't- - I, I'll resize this guy.

Uh, I can't do this myself.

- [James] Um-

- I got his head in camera. - Just get him in the

fucking shed and let me do my stuff.

- [James] Yeah, I kinda...

We tried to talk about that last year,

that we weren't gonna...

We were gonna try

to keep observing. - You just opened up

a kilo of cocaine,

which you are now in possession of.

- [James] Well, I'm not in possession now,

but I hear you, yeah, but okay.

- [Tom] So you just implicated yourself.

So- - I got carried away.

- Uh, maybe you did, maybe you didn't.

But you know what?

Let's get the fucking guy in the-

- The second body I'm helping move.

Second body. Second here.

- We're not supposed- - Two-

- to get involved, Tom. - There's two bodies in here.

I mean, it's supposed to be - I understand, but now-

- [James] 'Cause the whole idea

is capturing who? - you guys are involved.

- You know what I mean? - You're on, you're on video

- Not, not putting ourselves- - with a kilo of cocaine.

- [Lisa] We're the media.

We capture nature. - Or, or...

Yeah. Yeah. - Listen.

Get the fucking- - You know how

David Attenborough,

(indistinct)- - Give the f-

Give the kilo- - stays operating

till the dawn? - or the key to Levi.

- He doesn't stay- - Grab his legs.

- [Lisa] during nature shows.

- I'll grab his arms.

- [James] So, okay, you're gonna have

to put down the camera then.

- I've gotten pretty crushed with my cryptos and NFTs.

But I, I said, "Let me pull this out

and let me get into a different direction of my life."

- [James] 'Cause...

Okay, 'cause last year we ended on kind a bad note

'cause your grandma and sister,

like, how you're getting angry?

- Yeah, I mean I, I, I can't.

I can't. I still can't get over that.

And, um, there's nothing that hurt...

You know, every, every night I go to bed,

I have to play with myself, 'cause that's just me, right?

At the end of the night, we all go to bed with ourselves.

And, uh, as, as hard as my exterior is,

you know, there is a part of me at night,

that, that almost I wanna cry.

And, um, all I do is think about my grandmother

and, and, and my sister.

You know, and, and just the life I led,

you know, and the way I was brought up

and I kept thinking if things go left,

you know, my, you know that whole thing where, you know-

- [James] If you took a left turn?

- if you took a left turn, a right turn, you know,

everything leads me to where we are right now.

- Yeah. - So maybe if I did

a couple more lefts and rights,

how different my life would've been.

- [Lisa] Oh, okay.

So James, you have to, like, hit the record button twice.

Do you see it?

- Okay, you know... - Then-

- Okay. Yeah. - And then the numbers go.

And I see if the numbers are rolling.

- [James] Oh yeah, sure. I assume that's rolling, right?

- That is rolling. - Yeah.

- Good job. - I, I, I do know

how to, like, read. - Good job.

- All right, guys. - Okay, sorry. Okay, yes.

Okay, so I have- - That kinda gets to where...

Yeah. - So we're not

at the murder house.

- Um, Victoria-

- Sorry, it's- - Is that, is that-

- [James] it's for sound.

- Um, that, that'll get me?

- Definitely. Yeah. - Yeah, um-

- [James] Better than last.

Remember last time we had some sound issues?

- Yeah, yeah, yeah.

Um, so Victoria basically gave me this little location.

She, she gave me this location to kinda do what I gotta do.

- Okay. - So this is actually

one of her, uh, her jobs.

So- - Oh, is this, this is the guy

that was from the drug deal and all that?

- This guy from the drug deal?

- [James] Yeah. Okay.

- [Tom] So basically, I'm gonna take each limb off.

- [James] So that wasn't a hit.

That was more of- - No, it wasn't a hit.

It was actually a, a heist guy.

- [James] I didn't think you did that.

- I, I don't, but I'm kinda right now

in a bad chain of command right now,

which I, uh, kinda-

- Right. - figure that out.

That's a whole nother story.

- Right. - But I'm gonna,

I'm gonna dismember him.

I'm gonna throw him in the woods there,

body part by body part.

- Gotcha. - And basically,

I just wanna make sure, especially you, Lisa,

uh, it's been a while since we've seen each other.

- What? - Well, I wanna make sure

that you're okay with, with seeing limbs

and me kinda cutting off-

- [Lisa] You know that I make feminist

experimental gory films, right?

- [James] She does lots of stuff about the vagina bleeding.

- But that's, that's a period. - I, I, I was gonna be

embedded in Afghanistan.

- So you did a movie about women having period?

- Yes. - Did that, did that do well?

Did it do better than my documentary?

- [Lisa] I got grant money.

- You okay? You sure?

You guys are gonna be cool with this?

- [Levi] I do a lot of cooking at home, so...

- It's not gonna freak you out?

- [James] Perfect. No, it's fine.

- You sure?

All right, well, what I'm gonna do

is I'm gonna just take off the next leg.

- Okay. - And, uh,

we're gonna start with the other leg,

the other leg right here.

- Okay. Oh. (trash bag rustles)

(gunshot bangs)

(chuckles) Wow, it's, uh...

Yeah, that, that's the second time that happened.

- Listen, (James chuckles)

you're never dead till you're dead.

? Do you ever feel alone in a crowded room ?

- [James] So, um, so what are we doing here, Tom?

What's going on?

- Well, um, you know,

I'm, I'm proud to announce, obviously,

remember I was telling you I was to answer

the whole production end of things?

- [James] Yeah.

- You guys kinda gave me the bug.

So I said, let me, let me, let me dive into it myself

and, uh, and see what I could do,

and, you know, I said "How do I do that?"

I, um, I get together a script.

- Yeah. - I tried to find

somebody who's, you know, legendary-

- Right. - prestigious.

- Yeah. - Uh, somebody

who's never directed.

- Right. - And give them

the opportunity, so I can say I gave them the opportunity,

and, and, uh, you know,

somebody connected me with Eric Roberts.

- [James] Eric Roberts?

? Alcohol on my breath better put on a little perfume ?

? I'm out looking for a man ?

? Who makes me feel like you used to a long time ago ?

? But you're out in the street ?

? Instead of home next to me ?

? Planting seeds where nothing will grow ?

(quirky music)

? So pick your poison ?

? Why don't You drink it down ?

? Don't you feel better now ?

? Able to face the crowd ?

? Pick your poison ? ? Pick your poison ?

? Come on, give into sin ?

? If you just sniff one more line ?

? Then you'll feel home again ?

? Take me home ?

(quirky music)

? Walk of shame, 4:00 AM, oh man it's cold ?

? Knees are weak, I need a drink ?

? This is getting old ?

? I used to hold your hand ?

? But now I hold this bottle so close to my heart ?

? Use all these strange men just to feel whole again ?

? But you said that we'd never part ?

(quirky music)

? So pick your poison ?

? Why don't you come on down ?

? To the local bar in town ?

? Just to see who's around ?

? Pick your poison ? ? Pick your poison ?

? Misery loves company ?

? But the drugs just ain't as fun as they use to be ?

(quirky music)

? We're out here getting high 'cause we feel so low ?

? I need a little powder for my nose ?

? I've been empty for years ?

? Just trying to fill the void where we both used to live ?

? And I drink every night just to try to forgive ?

? But I know that I'll never forgive ?

(quirky music)

? So pick your poison ?

? Let it drag you down ?

? Six feet underground ?

? Never make your mama proud ?

? Pick your poison ? ? Pick your poison ?

? Come on, you're in too deep ?

? Oh, them demons in your head they got you losing sleep ?

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0