Original subtitles

- [James] Let me see.

You guys don't mind that we're just,

we just need to set up.

Just give us a second.

- I have a gun on his face.

- [James] I know, but I mean,

- [Levi] Don't pull the trigger.

- [James] Hasn't been the first time.

- Seriously, they don't get it.

Wow.

They don't get it.

- [Lisa] No, I have a good,

I have a good shot over here.

- Yeah. They want to win.

Apparently they've won awards.

- [James] We have won awards.

- [Lisa] Yeah.

- So this is Walker.

We've done a lot of business and crossed paths

over the last, what, 20 years?

- Yeah maybe more.

- [James] So I, are you like, is he a local,

can I say the local criminal, are you local?

- He's like a, a local guy.

- I'm a local guy, here.

- Know, you know, he's more of a knock around guy.

- [James] And that area is sort of...

- A knock around guy would be a fair way.

- [James] What's the word?

- A knock around guy.

- [James] Knock around guy.

- He's a knock around guy.

So tell him real fast before we get into this.

Now listen, I wanna start this whole ...

- He's cool?

- He's cool.

But look, I don't want to freak you out.

I know I got a gun in your face.

- [Walker] Yeah, that's a little weird.

- I know we got a camera crew here.

- [Walker] Uh huh.

- So just to set the mood and the tone,

tell 'em why they call you Walker.

- Because everybody that messes with me

or everybody I go after ends up in a walker.

- Oh.

Why not like a wheelchair?

I mean, cuz like a walker, like,

that's not, like, that's not too much damage, right?

I mean, like, if I end up in a walker ...

Charlie Wheelchair, that's a name.

Cause like Walker's, like, you know,

like a walker, like ...

- [Lisa] Walker, Texas Ranger.

- Well, I, I mean, cause like,

honestly, I mean like a walker,

like, like, it's not like a too much damage.

Like, you know, you know Walker, you know, like, it's like.

- You want to be in a walker?

- No, no, no, no, no, calm down, calm down.

- [James] I'm trying to break the ice.

- Calm down, calm down, he's trying to -

- Break the ice with a gun in my face?

And then you're over here joking around,

make, making fun of my name?

- I'm just trying to get you guys to be natural.

- I don't know if you want to realize

why they call me Walker or not,

but chill out man.

- How many people.

- [James] I really do apologize.

- How many pe- tell him how many,

just to shut him the fuck up.

How many people have you put in a walker?

- Over 50?

No exaggeration.

Past?

- Probably. Probably.

- [James] In walkers.

- In walkers.

- In walkers.

- Put it this way, if you owned a walking company.

- Google it.

- I'll go Google it.

- He's probably the second most walker person.

- [James] She's in a walker, not like a scooter?

- Where, where, where's your grandmother?

- She's upstairs. - How's she doing?

- [Lisa] I can hear her walking around.

- [James] It's a lovely house.

- How's she doing?

- She's fine.

- [James] Grandma?

- No. Shh.

- [James] Sorry.

- Do you want her to come down and see a gun, like?

- [James] I, I'm sorry, I just wouldn't want to ...

- Listen to me.

When is she making us meatballs?

- Sunday, like every other Italian grandmother.

- So, so let's, let's, let's agree to agree.

I'm not here to hurt her. I'm not here to hurt you.

I just need answers.

Well, that this is a show how serious this is

going on right now.

I have somebody tracking me

and I know through the grapevine, you know who it is.

So if you can help me, help you, help me help you.

- Tom, like you mentioned, I've known you a long time,

but honestly, you fucked with the wrong people.

And I, I just, I don't know anything, man.

- Well, how do you say I fucked with the wrong people

and then say you don't know anything.

- I, I just,

- You must know something

because you're saying I fucked with the wrong person.

- I don't, man.

I'm sorry. I just don't, I don't, you know, it's.

- You realize this is a serious fucking thing.

- Bro. And you realize too, if I say anything,

my whole family gets killed.

- You realize that I'm sitting here with a gun in your face

and your grandmother's here,

and I could kill you and her and do the same exact thing.

- Tom, come on man.

I, I really can't and honestly,

we all know you're not gonna do that to my family.

- Listen.

(fiddle music playing)

? Down the road where nobody goes ?

? There's a story only two people know ?

? Well one lies dead while the other lives free ?

? I'll tell you dear if you listen to me ?

? One summer day the weather was nice ?

? Two young lovers a groom and a bride ?

? That night, they shared the same bed ?

? Didn't know they would end up dead ?

(music fades)

(glasses clink)

- So I have a question for you.

That guy that you, that you were talking to,

you were just asking him questions.

Why, why did he kill himself?

That, that particular situation?

- Listen, what was the question again?

Say that question.

- Why did that, that fellow, the, the,

you called him the walk-

- Walker.

- Walker, right.

Right, the wheelchair guy.

Why, why did he, why did he kill himself?

I'm just curious.

- That was a little shocking.

- [James] Like, why would he do that?

- Look, he knows either way he was dead, right?

So he knew I, you know, I, he,

I don't think he thought I would've done what I had to do.

But for some reason in his warped mind, these,

these local criminal guys, they're ...

- [James] What do you call 'em?

Like a second story guy.

- We call 'em like knock around guys.

- Knock around guys.

- They're like low level criminals, right?

- [James] Yeah.

- [Lisa] Oh, yeah.

- He probably thought whoever, you know,

he had something on him

was gonna do a lot worse than I would've, and ...

- Yeah.

- You guys know what I'm capable of.

- [James] Yeah.

- So he definitely knew something about why we went to Sam.

- So you're saying like if he had talked, he would then,

like somebody else would kill his family.

That's why he was...

- Yeah. I mean, so truthfully

- So he like, saved his own family kind of, right?

- He really, he really did because we,

we know, we know my rules.

- Oh.

- You know, I would never have killed family.

I would've said that.

I said that before about his grandmother.

I probably would've scared, scared him with the grandmother.

- So do you think that he was right?

The people that are after,

like somehow when someone's after you like that, like?

- I gotta be honest, I'm not, I'm thinking

- Because I know with your grandma

and everything like that...

- I'm thinking I'm in a little deeper pool of water

than I, I'm leading on.

- Yeah.

- And as this thing is unfolding,

it could be we're in for some,

some surprises that I didn't expect because you know,

there, there's, there's definitely somebody tracking me.

I can't find my girl.

- [James] Yeah.

- My grandmother's dead.

- [James] Yeah.

- My sister's dead.

- [James] Yeah.

- And somebody is afraid of someone out there

more than they are of me to kill themselves.

So there's a lot going on here, guys.

- Where's your, where?

Wait, where's Stacy then?

You're looking for Stacy?

- Yeah, again, if I seem distracted,

I, I, I'm, I've called her numerous times.

- Do you think she was like killed, or something?

- She posted anything on Instagram?

- She hasn't posted anything.

She hasn't posted a thing.

- [James] But why would they, they kill her?

- She, I don't know.

- [James] Kidnap her or kill her.

- Maybe they're using her as bait for me.

I mean we just, we, every job.

- We try to think of it.

Cause we thought it could have been a serial killer,

but like, why would a serial killer kidnap your girlfriend?

We thought about maybe it was like -

- Well, serial killers, they, they kidnap women, and ...

- I mean like slowly everyone,

all the possibilities are just go drop them off.

- They put them in the basement

and they put them in like chains

and like rape them repeatedly.

- [James] Yep, yep.

- This is, this is where she works.

So hopefully.

- [James] Here?

- [Tom] Yeah.

- She's a beautician.

- So hopefully maybe we get something, you know what I mean?

- [Lisa] All right, all right.

- [Tom] Hey.

- Hey Tom. What's up?

- Good, have, have you seen Stacy?

- Stacy, I have not.

I have not.

But I was not working yesterday.

- So she could have been here yesterday.

- [Linda] She absolutely could have been.

So Elsa might know.

- Can you just let me know?

- [Linda] Absolutely, let's grab her.

- [James] That's very nice of the girl.

- Yeah, she's awesome.

- Elsa, Tom is here.

- Okay.

- He's looking for Stacy.

- Okay.

Hey Tom, what's going on?

- Hey Elsa, how are you?

- Good. How are you?

- Good to see you.

Good to see you too.

- Have you seen Stacy by any chance?

- No, she hasn't been in in the last week.

And per usual, I haven't even heard from her.

- [James] She hasn't been in for a week now.

- But she's not, I mean, she's not answering her voicemails.

- [James] Is that, would that be normal for her?

To disappear for that long?

- Sometimes she just bails.

- [James] Oh okay.

So, so by the way, we're making a documentary.

I'm sorry.

My name is James.

Hi.

- Hi. Nice to meet you.

- And also Lisa, we need to get their permissions.

- Okay, sure, sure.

- Because we didn't know we were going to be shooting this.

- We'll get it.

- Guys, wait, wait, hold on.

Before you worry about all this stuff.

- [James] Yeah, I mean, we just want to cover ourselves.

Okay, okay.

- One second.

- [James] All right.

- Please, if you hear from her, anything,

rumors of her, if she stops by,

you hear somebody in the street has seen her,

please let me know.

- Yeah, absolutely.

I've got your number,

I'll definitely get a hold of you if I hear from her.

- Thank you guys, I'm gonna get outta here.

Do your thing and ...

- [James] Okay. Yeah, we'll see you in the car.

So we need to get the ...

- [Lisa] Yeah.

- Let's get their names and everything for the permission.

- [Lisa] Okay.

- Elsa Trastiane.

- Linda Rodriguez.

- Nancy Musso, I give permission to be on film.

- It's seven days.

- [James] Alright.

(knocking)

- Stacy.

(knocking)

Come on, Stace.

(knocking)

Stacy.

- [James] I don't think there's anybody in there.

- I dunno what to do.

- [James] You know, that's like,

remember that documentary you did with Little Odessa?

- James, we're talking about the?

- [James] Hold on, I'm sorry, with the mob guys?

- [Lisa] Yes.

- Yeah, the mob.

Like, we would do this thing where

we did this documentary with the people,

like those guys in Little Odessa, I,

they were either called like

either Russians or Ukrainians

or I don't know what the fuck,

like whatever, Serbians.

- Brighton blood.

Right? So they, they would kidnap.

That was like, the whole thing was they would kidnap people.

Just whoever randomly.

And they literally like kidnapped like Lisa's friend

just for the money.

- [Lisa] Yeah.

- [James] So like, that's a common thing that they do,

you know?

So like, that's why it reminded me.

That's why I thought maybe she was kidnapped.

Just cause, like.

- [Lisa] I mean that's a Russian thing.

- [Lisa] So we're back here again.

- [James] We're back at the, we're back,

this is Inessa's place.

- Listen to me. Listen.

- [James] Yeah.

- Stay the fuck in the car on this one.

I know you guys were cute the last time

you didn't listen and you got it.

Listen to me, look at me.

- Yeah.

- [Lisa] Yeah We got good footage.

- Look at what I'm saying, trust me.

Stay in the fucking car.

- [James] What, I.

- [Tom] Stay in the car.

- But I mean, like, I don't understand.

I mean, I get, I why would, why were we,

why can you just

- Stay in the car.

- Can you give me a clue as to why

we're within the, why you're...

- Trust me.

(knocking on window)

- [Lisa] Oh, oh, oh, oh, oh, oh.

- Oh fuck, oh.

- She wants to talk.

- No, no camera.

No camera, nyet, no, no.

Tom, get in here.

- I'm coming, alright, shut the window, shut-

- [Inessa] Go away, get out.

- [Lisa] What's happening?

- Don't fucking move.

- So that was Inessa, she was a lovely lady.

- [Lisa] Oh.

(car door slams)

- Look at Mr. Goodfella out there.

- [Levi] Oh yeah.

- He's a tough guy.

Did did you even, like, was that even like,

that woman is like a little bit intimidating

for how short she is?

- [Levi] Yeah.

- [James] She's like dragon lady.

- [Levi] It's not even him.

You would think that like his with his bike, the bike.

- No he was like, you know I don't know about him,

I mean like, she was like, wow.

She was totally, so he what?

So like, I mean like, does he think that like, she's like,

like maybe Inessa took Stacy.

Is that what the deal is, I guess?

- [Levi] I don't know.

- I mean, I wouldn't be surprised.

Man, that woman was like fucking furious.

- [Lisa] She's really mad.

- I wish we could be though, inside though.

Like what? I don't even care.

- [Levi] That would be amazing.

- Like maybe we should sneak back in.

- [Lisa] I'm getting the front window at least.

- [James] Right?

- [Lisa] I don't know.

- [James] Because like, I mean, I don't mind like,

if we snuck in, like cuz like, I don't, I mean,

what's she gonna do?

Like, shoot, like innocent,

like filmmakers?

- [Levi] Right.

- [James] Yeah, so I mean,

I mean like, I don't know.

The Russians don't do that, right?

Those are like cartel guys would do that,

but would the Russians do that?

- A Russians, the Russian mob would do anything.

- [James] Do they, are they that bad?

- Yeah.

- [James] They're as bad as like the cartels.

- [Lisa] We're on the street.

What are they gonna do?

Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.

Hi.

- Let's get out of here.

- [Lisa] What, what, what, what?

- Shut up.

- Dude, someone's coming.

Someone's coming.

I mean, like ...

- [Lisa] Oh my God.

- [James] Can we flee? Can we flee?

Can we flee slowly?

What happened?

- I just fucking popped her.

I just killed her.

- [James] Who? - [Lisa] You what, what?

- I just killed Inessa.

- You killed Inessa?

- Yeah. - [James] Really?

- Yes.

- [James] And what about the Goodfella guy?

- He's dead.

- [James] You killed them both.

- Dead. No witnesses.

- Wait, isn't that a big deal?

Killing your boss?

- Yes, but.

- Holy shit.

So she did it.

So she's the one who did it.

- No, she implied that was her doing it.

- So, so what?

She killed your grandma and your sister and all that.

- She didn't say that, but she implied it.

And you know what?

- And so she has Stacy too.

She killed Stacy?

- It's implied James.

So you know what?

- [James] Fuck, yeah.

- A,

- [James] Yeah?

- I don't have a boss anymore.

- No.

- [Tom] So I'm fucking liberated.

- Right, right, yeah.

- B, there's no witnesses.

- [James] No.

- They have no clue that I did it.

- Oh, wow, right.

So now Staten Island is bossless.

- And three,

- We were witnessing a major thing, right?

- [Lisa] Oh wow, right.

- And three. This is on a,

this is on the level of Gotti killing Castellano right now.

- Holy fuck.

- This is the same fucking thing.

- That is fucking awesome.

Awesome.

- [Lisa] What a great story arc.

- [Levi] That's so cool.

- [James] So wait, so where are we going now?

- [Levi] We were here for it guys.

- [Lisa] We do, we were there.

- So the one thing I got out of her is,

as I was fucking beating the shit out of her.

- [James] Yeah.

- And her fucking lame ass fucking bodyguard.

- Yeah, Goodfellas, Mr. Goodfellas.

- An address.

- An address.

Okay, so where, where is, where are we going?

- Ironically?

- [James] Yeah.

- Back to where I do all my tool cleaning

and everywhere I go.

- [Lisa] What.

- What, are we talking about Murder House?

- [Levi] Murder House.

- You call it Murder House.

- Really?

Dude, wait, she sent, she gave you the address?

- [Tom] Yeah.

- Dude, this is a trap.

It's a trap.

- [Levi] It's a trap. It's a trap.

- [Lisa] It's a trap. It's a trap.

- It's a, it's from Star Wars.

It's a trap, it's like a trap.

- [Tom] Everything's a movie reference.

- Do you remember this, Star Wars?

- [Lisa] Well, we're filmmakers.

- Come on, this is a trap.

She's not sending you to her own place

without it being a trap.

- Listen to me.

I know it's a trap.

- [James] Right.

- So I have the advantage.

I'm gonna un-trap the trap.

You got me?

- You're gonna un-trap the trap, you're gonna trap the trap.

- I'm gonna un-trap the trap.

- [Lisa] What a twist.

- All right.

- So we're doing it now.

- I'm kind of exhausted. - Trust me.

- I would tell you, I'm kind of exhausted.

Like, I mean, like, we've been running around all day,

so I was kind of maybe hoping we could stop

and get like something to eat or something.

- I just fucking killed a boss-

- Okay, you're right. - Of the Russian Mafia.

- I'm sorry, I I start to babble when I get nervous,

if you guys have noticed.

- Yeah, no, I get it.

But the Russian Mafia boss I just killed.

- Right.

- [Tom] The last thing I'm thinking about.

- Yeah.

- Is getting a bite to eat. - [James] Right.

- So let's go to this Murder House house.

- So this is like sort of Appalachia for you, right?

Like the whole, like, what was that called?

Apalachin apalachia, whatever that mafia thing.

- I don't know what I'm feeling,

because I feel fucking scared, but I feel fucking great.

- Liberated.

- I feel a sense of liberation.

- Awesome, that's awesome.

- Euphoria. - Fuck yeah, man.

- And fucking, - Yeah.

- It's a, - Yeah.

- I feel fucking almost, - Yeah.

- Like I'm free.

- Right on, right on.

That's good, all right.

- And the greatest thing is nobody.

- No.

- Will even put me to it.

Nobody will put me as the murder, murderer.

- [Lisa] Oh, because she has so many enemies.

- Because she has so many enemies.

No, it was just her and her henchman there.

- That is just huge, man.

- [Tom] It's huge.

- [James] That's huge. - [Lisa] Wow.

- [James] This place.

- [Tom] Yes.

- [James] Hold on, wait.

- Wait, wait a minute.

- No, no, no, no.

- You can't sit down.

- Guys, see we've been running all day.

- Here's the house, the house is literally right there.

Right there.

- Yeah. I see it.

I I don't that that's, that's where, that's like a horror.

- What, what did you guys think you were signing on for,

when, when we were doing this?

What did you think we were gonna,

what do you think we're doing?

- No, you're right, you're right.

- We're not doing a documentary on crocheting.

Right?

We're doing a -

- No, but I mean,

I feel like I've come to know you pretty well

and I've kind of,

I guess maybe I'm getting a little too close to it

because I mean, honestly,

I, you're not walking out of that place.

You go in, you're not walking out.

- Why would you say such a thing?

- Because it's an obvious trap.

I mean, we talked about it in the car.

I mean, they got like, you, you, you,

you killed the mob boss.

I, I don't, I just think it's a trap.

I don't know.

- [Tom] Listen.

- We'll go, we'll go in.

I don't know.

- Have I led you down the wrong path yet?

- Yeah.

- Yeah, that's true.

That is true.

But I promise you I got your back,

Levi, I gotcha.

Lisa, I gotcha.

- You want to win awards?

- Well, Lisa obviously doesn't care,

she'll go anywhere, right?

- You guys want to win awards?

James?

- Yeah, we've won awards, yes.

- You wanna win an award?

- Yeah, I want to win an award.

- This is, this is the caveat.

This is it.

This is the Oz.

We get this,

you're off to Venice, you're off to Sundance, wherever,

whatever, whatever festival you want to do.

- All right, all right, yeah.

- Nothing like this has been done.

Let me get my answers.

- [James] Okay, okay, yeah, you're right.

You're right, he's right.

- [Tom] Right?

- Yeah, you're good.

Okay, let's go.

- Come on, let's do this. We're a team.

- [James] Let's do this. Let's do it, let's go in.

- [Tom] Come on.

- [James] I got, I'll be behind you all the way.

- Nobody ever comes here, so I guess I can get right in.

Ready, you guys ready?

- [James] Yeah.

- Shh.

Somebody's already here, because there's the fan on

which is always on.

- [James] Oh wow.

- Shh. - Shh.

- Let's go downstairs.

I'm gonna go down to the basement. So just keep quiet.

I hear something. - Okay.

Downstairs, I've got it, Levi. - Shh.

We're going downstairs.

- [Lisa] Okay.

- [James] Be careful with it.

- You okay?

- [Levi] Yeah. - Come down.

- [James] Hurry, because I think somebody's over there.

- [Lisa] Okay.

- [James] Honestly I think somebody's over there.

- [Lisa] Who is, who do we think it is?

- [James] I don't know, but go get a shot.

- [Lisa] You want me to go first?

Okay, Jesus Christ.

- [James] Shhh.

Go go go go go go go go go.

- [Lisa] Okay.

- Oh shit, it's Sean.

- [James] Is that Detective Mueller?

- [Levi] Yeah.

- Yeah, you know, this is fucking perfect.

- [James] Hi.

- This is fucking perfect.

- Where's your partner?

You know what's weird, I don't see a police car outside.

- [James] Yeah, I mean, like, maybe you're,

are you on a case or what?

- Yeah, I'm on a case.

- Little awkward.

- This guy's the dumbest fuck I ever seen in my life.

Okay.

Because he has yet to figure out any of this stuff.

Okay.

- What are you talking about?

- What am I talking about?

You know what I'm talking about?

Your competition.

- You have an insurance adjusting job here today as well?

- [James] No, I.

- He's gonna go off.

- [James] I think he's trying to say

he moonlights as a hitman or something.

- That's it.

This guy's not as dumb as he looks.

He's not joking.

- I was joking.

- [Tom] Wait a minute.

Wait, wait, wait, wait, wait, wait.

Hold on.

- [Lisa] What a twist.

- [James] What?

- [Tom] You're a hit man?

- He gets it, he gets the pocket prize.

- [James] Dude, Levi, you didn't see that coming, did you?

- [Levi] This is amazing.

- I've know you 20 years, 20 years and you lied to me.

- [Sean] 20 years.

- [James] Wait a minute, to be fair though, you,

you don't tell him,

you told him that you're an insurance adjuster.

- You don't understand the level of hurt

that I feel right now and the betrayal.

I'm, I'm really, I'm I'm hurt here.

- Does the name Inessa ring a bell at all?

Okay?

I work for Inessa.

You work for Inessa.

- [Lisa] Oh my God.

- Okay.

Is that clearing things up for you?

- [James] Yep.

- [Sean] At all?

- [Lisa] Clear for me.

- Inessa?

Okay, I'll go one step further.

Okay.

You really buried yourself here in this situation.

And I'm gonna explain why,

because you went on the dark web picking up jobs.

Okay.

Frank Ricci�s, is that Frank Ricci ring a bell?

- [James] Yeah.

I actually like that guy.

- Okay.

- [Lisa] We spent a lot of time with him.

- Well, you killed Inessa's kids.

- [James] Wait, was it Chris?

That girl, that woman was Frank Ricci�s,

Inessa's daughter?

- He knows it.

- [James] So that means you also killed

Inessa's son too, right?

- That's correct.

- Carl.

- He was dumb enough to kill both of her kids, okay.

- [James] Oh, fuck dude, that's the dark web.

- Which now, this is why,

this is why we're in the situation that we're in right now.

Okay?

This is exactly why we're in this situation.

- [James] Okay? So I I I do.

- This is what you caused.

- Hold on.

Please don't tell me.

Please, please don't tell me

you killed my grandmother and my sister.

Please.

- Are you getting the fact that there are repercussions?

- [James] Well, I mean, well he,

- [Lisa] Sorry, sorry, sorry.

- And that's some of the repercussions.

- Wait wait wait, wait wait wait.

- [James] Oh, but.

- I just fucking offed Inessa.

All right. She's gone.

Where is Stacy?

- Stacy, that's another one.

He doesn't understand you.

- [James] What?

- You didn't know who I was.

I don't think you know who your girlfriend is.

- [James] Wait a minute.

Let me just, lemme just wait, wait, wait.

Before this gets really crazy cuz you both have guns and

everything's really crazy.

I just wanted you to like

(gun blast)

(struggle ensues)

- [Tom] James, get the gun.

Get his gun.

James.

- [Lisa] Oh my god, I'll get the other gun,

I'll get the other gun.

- [James] Oh dude.

- Get the gun, get his gun.

- [Lisa] Okay, okay, okay.

I got it.

(gun blast)

- [Lisa] Oh my god, oh my god.

Oh my fucking god.

- [Tom] What a waste.

- [Lisa] Oh my God.

- [Tom] What a waste.

- [Lisa] Oh my God. Oh my god.

- [James] Well, you know, that was, that was interesting.

- Lisa, why didn't you just grab the gun?

- [Lisa] I got a shot of the gun.

- No, not a shot of the gun.

Why didn't you grab the gun?

- [Tom] If you could get it.

That's very much a rebel thing.

- [James] Yeah, yeah I'm sorry.

- I don't touch guns.

I don't, I'm not a gun person.

I'm in the media.

- Do you realize you could have been dead.

All of us.

- We are embedded in Afghanistan and Iraq.

Anything could happen.

We're the media.

This is what we do

? Do you ever feel alone in a crowded room ?

? Alcohol on my breath better put on a little perfume ?

? I'm out looking for a man who makes me feel ?

? Like you used to a long time ago ?

? But you're out in the streets instead of home next to me ?

? Planting seeds where nothing will grow ?

? So pick your poison ?

? Why don't you drink it down ?

? Don't you feel better now ?

? Able to face the crowd ?

? Pick your poison ?

? Come on give in to sin ?

? If you just sniff one more line ?

? Then you'll feel home again ?

? Take me home ?

(fiddle music)

? Walk of shame four A.M. oh man it's cold ?

? Knees are weak I need a drink this is getting old ?

? I used to hold your hand but now I hold ?

? This bottle so close to my heart ?

? Use all these strange men just to feel whole again ?

? But you said that we'd never part ?

(fiddle solo)

? So pick your poison ?

? Why don't you come on down ?

? To the local bar in town ?

? Just to see who's around ?

? Pick your poison ?

? Misery loves company ?

? But the drugs just ain't as fun as they used to be ?

(fiddle solo)

? We're out here getting high because we feel so low ?

? I need a little powder for my nose ?

? I've been empty for years ?

? Just trying to fill the void where we both used to live ?

? And I drink every night just to try to forget ?

? But I know that I'll never forgive ?

? So pick your poison ?

? Let it drag you down ?

? Six feet underground ?

? Never make your mama proud ?

? Pick your poison ?

? Come on you're in too deep ?

? Oh them demons in your head they got you losing sleep ?

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