Original subtitles

- [James] This is, what is this?

- [Tommy] This is a...

- [James] This is a psychic shop.

- Oh, this is a pure front.

This is this an Inessa,

this is where I get most of my jobs from.

- [James] So, what's the name?

- Her name is Inessa.

- [James] Ah.

- She basically runs the Russian mafia,

and all of Staten Island

- Inessa's a Russian name?

- [Tommy] She's Russian.

- [James] Okay.

- This is where I get all my jobs from.

- [James] Oh, okay.

- Yeah, I don't know if she's how keen

she's gonna be about you guys coming in.

- You usually wait here? - [Lisa] actually,

can I see your phone so I can turn off the ringer?

- [James] Yeah, okay.

What's the story like?

We should just stay here then I guess.

- [Tommy] I would stay here.

Yeah, she's gonna probably--

- [James] So we'll wait here.

- [Tommy] She's gonna probably give me

some sort of job, some sort of hit.

- [James] It's a bummer we can't go film her.

- Ah, no, yeah, if you film her...

You probably won't be seen again,

the last time you'll be seen is on this camera.

- [James] Really? - [Tommy] Yeah.

- [James] She's that powerful?

- [Tommy] She's that maniacal.

- [James] Okay, Inessa.

- [Tommy] Inessa.

- [James] Okay. - [Lisa] I got it.

- All right.

- [Lisa] We're just trying to turn this ringer off.

- [James] Okay.

- [Levi] Yeah, we got it.

- [Lisa] We got it.

- Oh okay, here you go, all right, here you go.

- All right, let me go see what she needs.

- [James] Okay, all right, we'll wait here.

- [Tommy] Okay. - [Lisa] We'll wait here.

- All right.

- [Tommy] Guys really, we're in another league here.

- You got it, you got it.

We'll stay right here.

- [Tommy] Stay in right here.

- [Lisa] Let's go get in there,

we'll go through the window.

Yeah, but how are we gonna record it?

Oh, is that why you took the phone?

- [Lisa] Yes.

- You put the recorder on?

- [Lisa] I sure did.

- [Inessa] You're little pale love, a little tired,

do you want some tea?

- No.

- Andre, give him a tea.

- No, no, no Andre, I'm good, I'm good.

I'm just burning the candle at both ends.

- Mm, I know you're working very hard.

- Yeah, to say the least.

- I hear you are taking some jobs on the dark web,

this is what I hear.

- I'm not gonna lie, with all due respect,

I did take a job on the dark web,

things were a little slow.

- I think this is a very bad idea.

I have many people I know

who have been very, very sorry that they took these jobs,

because you don't know who's on the other side.

It could be anyone, it could be horrible people,

you need to have a personal connection,

to see someone eye-to-eye to trust them,

to know what to expect from them.

Like you and me,

we know each other, we trust each other.

On the dark web you don't know who it could be,

and you are not smart.

You are a smart man, of course,

but you are very dumb when it comes to this dark web.

You don't know,

you are not an intellectual that you know

these ins and outs of the web.

It's very dangerous,

it's like you go into a quick sand.

You put one toe, another toe,

before you know it you drown.

You drown in the web.

- No, I know. - You understand?

- Yeah, no, I do.

Again, it was something I did,

I didn't want wanna lie to you out of respect.

But yeah, I don't think it's something

I would be doing again.

- Good, I'm happy to hear to hear this.

- Yeah, I'm not ashamed to say I learned my lesson.

- So I have a little job for you,

I need you to handle something.

A husband and wife, both lawyers,

they live mansion in the Staten Island here.

Andre will give of you the information.

I need you to handle them,

because they need to be handled.

- You want me to take her of two.

- [Lisa] They're husband and wife.

- The husband and wife.

- They're lawyers.

- They cross the line a little,

they need to be put back in the line.

They need to be handled...

In a somewhat

perhaps theatrical manner.

I'm not a very dramatic person,

but in this case I think a little drama,

a little...

Theater could be useful.

For message to say you don't mess with Inessa.

(Folk music)

? Down the road where nobody goes ?

? There is a story only two people know well ?

? One lies dead, while the other lives free ?

? I'll tell it dear if you listen to me ?

? Well, one summer day the weather was nice ?

? Two young lovers, a groom and a bride ?

? That night they shared the same bed ?

- [Levi] When you lean back like that

James you're out of frame.

- [James] Yeah, that's okay man, I'll lean back in.

- [Levi] With there I'm just getting a profile.

- You're not with it man.

- [Levi] Yeah.

- You're just not,

you've got to groove with the documentary.

- Oh, hold on, that's my sister.

- Your sister?

- Yeah, the banana?

- (chuckles) Hey, what's up?

- [Jules] Tommy, I need you to come get me.

Can you come get me?

- What's going on?

- Oh my God, I'm at the Shep Motel,

I can (indistinct), this guy right now is like,

"Oh this is gonna be great."

God, it's trash.

- All right, I'm gonna come get you.

I think I know where you are.

- [Jules] Just come get me.

- All right, I'm gonna come get you.

(Jules speaks indistinctly)

- All right, all right, all right.

I'm coming to get you now.

- [Jules] Okay.

- Just stay out of the motel, stay out,

just stay outside.

- [James] What's her name?

- Yeah, that's Jules, that's my sister.

- Oh my God, I'm so sorry.

- Is this a common thing, is it?

Every time, like I said in the past,

every time she'd go down the right road or the wrong road,

it's always a wrong road.

- Oh my gosh.

- All a guy has to do is pay her a compliment,

and she thinks, yeah.

- Well, can we come with you?

See you go get her, we need to meet Jules.

- Yeah, this is gonna be good.

- Let's meet the banana.

- Oh, oh.

Hey.

Get your hands off her.

- [Jules] This is not what I wanted,

this is not it. - [Man] Who the fuck are you?

- [Tommy] Dude.

- [Jules] He's got my bag.

- [Tommy] This is my sister.

- Well, your sister and I are gonna fuck tonight.

- Not now baby.

He's got my bag. - [Tommy] I will get it.

- You want some (indistinct)?

- That's it baby.

- [Tommy] You stay right there, you stay right there.

- [Jules] He's got my bag.

- [Tommy] I will get your bag.

What's your name?

What's your name?

- [Baby Man] What's your name fucker?

- [Tommy] That's my sister's bag,

it's probably worth about--

- I don't do incest jobs brother.

- [Jules] He's a baby.

- Get back in there, get in there.

You gonna take the money?

- Yeah.

- Yeah you are you motherfucker.

Give me the fucking bag before I fucking blow your head off.

- Get the fucking bag, it's in the fucking street.

- You're gonna turn around,

and you're gonna fucking never call her again, you hear me?

- Yeah.

- [Tommy] You hear what I'm saying to you?

- Yeah, I hear what you're saying.

- I'll blow your fucking head off.

Get out of here.

How the fuck do you get yourself into these situations?

- What is happening here?

- You had a guy in the middle of the street.

- My name is James Terror,

I'm a filmmaker, this is my sister Lisa,

and that's Levi, her husband.

- Hi.

- We were doing a documentary on my job,

and you called me out of nowhere.

(Jules laughing)

To tell me you were getting fucking harassed

by a guy dressed as a baby.

- No, no.

They're making a movie about you?

- Well, it's a documentary, it's my series actually.

- A doc, look at me.

- [Jules] A documentary. - Documentary.

- [Jules] Documentary. - Yes.

- A documentary, like serious shit,

like highbrow shit.

- [James] Well... - [Tommy] Yes, yeah,

pretty much. - Why?

- Why?

Because what do I do for a living?

- [Jules] You sell insurance.

- No, I don't sell insurance,

I'm an insurance adjuster, thank you.

- [Jules] How did you find each other?

- [James] We met actually on a Facebook forum.

- [Tommy] Why the fuck am I always rescuing you

and fucking bailing you out?

- I don't know.

- This is what's gonna happen.

- And I am sorry,

but what the fuck are these people doing here?

- We are going back from my house,

you're taking off that little halter ass top.

You're gonna put on my pajamas,

and you're gonna sleep off

whatever the fuck you're on right now, as usual.

Okay?

- Would you find that you have

a close relationship with your brother?

- How do you even get in these situations?

- I know it sounds funny, but it wasn't.

- All right, listen.

I try to help you as much as I can,

I love you and grandma loves you,

but we gotta start making better decisions.

Please, you're too good for this.

Why do you need a guy in your life all the time?

- I don't, I don't at all.

- But you do. - I don't at all.

- I just can't...

No one is as good as you Tommy, no one.

- Listen.

I wish I could have you here with me,

and for so many reasons I can't.

But I'm going to take care of you as best as I can.

I know us growing up in the foster home was challenging,

I know it fucked us both up a little bit mentally.

I get it.

And we got a shitty end of the stick.

- Yeah, you've got this life, you've got this life.

We both had the shit and you got this life.

- Because I use it to fuel myself, babe.

I use it, you use it for good.

- [James] I'm sorry, Jules is your name Jules,

I'm sorry, can I ask a question?

Do you...

- Why are people in here?

This is the most, we're talking about being foster kids,

why are these people in here?

- Because we're doing something.

- [James] I'm just curious if

Jules always speaks in a falsetto.

- That's when I'm upset.

- I don't if that's really appropriate right now

to ask that. - [James] I'm sorry.

- She had a guy...

- [James] Cracking our mic.

- She had a guy dressed--

- I'm sorry, I'll talk like this when I'm sad.

- [Lisa] That's actually worse.

- Is that better?

- [Lisa] No, that's actually worse, it's peaking.

- Now listen, listen, just ignore them,

you get used to them.

- These people are telling me how to be sad,

is this better if I talk like this when I'm sad?

- No. - Now everybody's telling me

how to be sad. - [Lisa] That's too low.

- Listen just talk now, just be yourself.

- [Lisa] Just ignore us.

Hello. - There she is.

- [James] Oh.

Hey Stacy.

- [Stacy] Hi.

- [James] Good to see you again.

- [Stacy] How are you doing?

- [Tommy] Come on Stace, they're here.

- [Stacy] I'm ready for my close up.

- [Tommy] Any questions about how to...

- No, I can engage.

- [James] What she thinks of you.

- Exactly.

- [Tommy] You promised me.

- Of course, well, what do we do?

- [Tommy] All right, you promised.

- How does my hair look?

- You look great.

- [James] Thank you.

- Levi.

- [Levi] I'll keep an eye on him.

- [Stacy] I have a similar clip.

- [James] Do you? - Please.

- [James] Oh, that's fantastic.

- I'm in good hands, don't worry.

- All right. - Are you jealous?

- [Tommy] A little bit.

But listen to me, James.

- [James] Yeah. - [Tommy] Please.

- Yeah, no worries.

Let me ask you a question.

How did you meet Tommy?

- Well, like I told you around this boardwalk,

I was sunbathing, I was in my cute little bikini.

And I was doing my Pilates.

And he walked by and I whistled at him actually.

- [James] You did? - Yeah.

I think was a little shy to look my way,

'cause it was a lot.

And yeah, and then we just started talking

and he took me out.

And we've been in love ever since.

- [James] What is your philosophy

about love and relationships?

If you could sum it up.

- Love is being completely honest with one another.

And knowing to always have each other's back in the moment.

I hate lies and disrespect.

- [James] Right.

- And I know that's not Tommy,

and that's why I love him so much

because I feel safe with him.

There's nothing going on and we support one another.

It's hard work, but it is what it is,

what are you gonna do?

- [James] Everybody sort of

needs something like that, right?

- Absolutely, what are you gonna do in this world,

you're gonna walk alone?

That's terrifying, you need a partner by you.

Do you ask Tommy these questions?

- [James] Of course. - What does he say?

- He says he loves you deeply,

there's nobody else ever,

he'd never been ever, ever in his life

anybody better than you.

- That's sweet.

- Look, who are you?

Filming?

But what's this about?

- [James] We're just a documentary film crew,

we're just doing a document on what happens here.

We have no personal interests.

- Oh, well, I don't want you just coming in my house,

but we could've worked this out.

Did you get a good cut on this cut on this?

Because I'm an entertainment lawyer,

my wife and I are lawyers.

- See this? - We could work it out.

- This is not a joke.

- What do you mean it's a not a joke,

why are you here?

Why are you in my house?

- You tell me why I'm here.

- Why are you here?

- [Tommy] He doesn't know why he's here.

- No, what?

- You remember Mrs. Ritchie?

- [James] Well, yeah.

- This is not gonna be a Mrs. Ritchie,

this is gonna be very different, easy.

- Please, please don't.

(bat banging loudly)

- [Lisa] This is shocking.

- [James] Oh shit.

He cracked like a watermelon.

- [Lisa] Oh my God.

- [James] It was effective though.

- [Tommy] I told you this wasn't easy.

- [James] Oh yeah, somebody's still here,

I think there's somebody downstairs.

He's a lawyer.

- Just another contract, but really,

is the world gonna change

because one entertainment lawyer's dead?

- Nah, it's like stepping on ants.

- It's like stepping on ants,

I might use that, it's like stepping on ants.

I don't know what he did with Anessa.

- Edward, I heard you calling me.

Who are you?

- I need you to come on in.

- What are you doing here?

- Come on in.

- [James] Hi. - [Lisa] Hi.

- What is this, is this is Sasha Baron Cohen?

- I need you to see something, come here, come here.

- What's going on?

- I just wanna show you something.

- Oh my God. - I wanna show you something.

Sit down, sit down. - No, no, please, please.

Please, I'll do anything.

- All right, shh, shh.

- No, listen, listen.

What can I do for you, what is this about?

- Listen, listen.

Your husband had to go,

and unfortunately so do you.

- No, no, please, please,

I'll do anything you want, look, look, look.

I'm still holding on here, what can I do for you.

- [James] Oh, whoa.

- Come on please, please.

I've got money, I've got a lot of money.

- You need great,

that's pretty much the last thing I need right now, right?

- Jewelry, what do you want, what do you like?

- You can do it two ways,

I'm gonna bash you over the head.

- No, no, no.

No, not the bat, no please.

- Or I go nice and easy.

- Look, no, I can see--

- You can go to the light,

it's gonna be okay. - You are not a killer,

I can see it in your eyes.

(James laughing) You don't wanna do this.

I can tell, I can tell.

- I guess she's good at reading people.

- No, please, no, no (screams).

- Just go to the light.

- [James] Well, that was...

- That was tough.

- I thought that was poetic.

Hey Tom, there's one, two, three, four,

five cop cars outside there.

Is that normal?

Is that what's supposed to happen?

Five cop cars.

Oh, they're coming in, they're coming in.

(door banging)

Seriously...

With the lawyers.

By the way, wonderful work.

But...

The cops come then you're...

We're running like we're Steven Seagal.

- Right.

- [James] Through fucking...

- No, it's--

- [James] Forest.

I still got cut, the camera,

his camera got hurt.

Well, you dropped the camera.

- [Lisa] Yeah, I got fucked up.

- It's like so what?

I'm not blaming you, of course not,

this is us, this is what we do.

I'm sorry, I don't want you to get

the impression that that's what's happening here.

- No, not at all, I'm glad you brought that up because...

- [James] But who would call?

She didn't call the cops.

- Right, which brings up my next point.

I just thought it was a little ironic with the timing

that I'm killing someone,

and all of a sudden the cops show up.

Now who--

- [James] Yeah, that's what I'm saying.

- Obviously the two attorneys had no idea, we know that.

- [James] She didn't know. - And that rules them out.

- [James] She took her clothes off.

- Exactly.

What does that lead me to believe?

- [James] Somebody's after you.

- [Lisa] Somebody's after you.

- No, it leads me to believe that you guys

are trying to win awards,

and you want to add more drama to this thing.

- [Lisa] Hold on a second.

- [James] Dude, no.

- Who else would do such a thing?

- [Lisa] Dude, are you serious?

- I'm serious as a heart attack.

- [James] Honestly, I can't believe

I'm hearing this right now.

- [Lisa] We told you that we don't get involved,

that would be completely unethical.

- What have I heard numerous times throughout this thing?

That you guys wanna win awards.

- [Lisa] No, we're going to win awards.

- These big filmmakers.

- [Lisa] We're not trying to win awards.

- Yeah, again, who else--

- [Lisa] We're just following your story.

- [James] That hurts man, that really hurts.

It hurts. - It hurts you?

- [James] Yeah.

- Well, it's hurt me.

- [James] No, it hurts that

you would make an assumption about--

- [Lisa] We don't manipulate.

- [James] The disrespect.

- The disrespect?

- [James] No seriously, the--

- No, no.

- [James] No seriously, the disrespect.

As a filmmaker, to say to a filmmaker

that I would create a situation

for the sake of cliques, or clout,

or whatever the fuck it is the kids call it.

- That's what you guys do.

- [James] That is really upsetting, I have to say.

I really think that's finally enough,

seriously we've crossed the line here.

- [Lisa] Why would we manipulate the story?

- I've crossed a line (laughs).

- [Lisa] Why are you laughing?

- [James] We really, really work hard

to be totally impartial people.

We do not fucking arrange, we're not weird, creepy.

- Okay, who else could have done it?

- [James] I don't know, it's your world, I don't know.

- Inessa?

- [James] We don't even fucking live in Staten Island,

we live in fucking the Bronx for crying out loud.

- Inessa wants me to do the hit.

- [Lisa] I gotta take a walk away from here.

- Yeah, please, because I'm starting to get a little heated.

Who else would it be?

The two dead lawyers?

The one who made me put the hit on?

Who else could have done that?

- [James] I don't know, but now Lisa's mad.

- Lisa's mad?

- [Levi] I'll have to deal with that later.

- Yeah, but I'm mad.

- [James] Yeah, but you're

making an accusation that is false.

- You're making the accusation towards us.

- [Lisa] Are you still talking about me?

- [James] I'm not making an accusation about you.

- You're asking me how that would've happened.

- [James] Yeah, exactly, as an interviewer

trying to find out why would somebody

try to come after you.

- And I thought it was ironic you mentioned that,

because I was waiting for the right time

to question you guys about it.

- [James] So you think honestly.

- [Lisa] You were gonna question us?

- [James] Look at Lisa, do you honestly think,

who would she even call to do it?

- 911.

- [Lisa] What?

- [James] 911 would dump a body on your doorstep?

What are you talking about?

- No, no, no, no.

- [Lisa] Oh, you think I called the cops?

- [James] Because there's a pattern here.

- The cops.

- [James] There's a pattern going on.

- [Lisa] Yeah, but we're gonna get in trouble too.

- No you're not.

- [James] Let me just go off here.

First off, that fucking Gumba says, I don't know,

"You're gonna be sleeping with the fishes."

- No, no, he said allegedly.

- Okay, but then Frank Ricci�s body

is on the fucking doorstep, right?

That's weird, we didn't do that,

I couldn't even carry the guy, okay.

And then now there's somebody calls the cops,

and now you're saying that that's us, we arranged that?

- Again, it's just a little weird to me,

and you gotta get it from my point of view,

that all this shit's going on.

None of it which ever happened to me in my life,

I have guys in trunks when I've tried to question them.

I have guys on my stoop,

I do a kit, two attorneys, easy breezy job,

the cops show up.

This is all while you guys are documenting this.

- [James] Well okay, but there's absolutely

nothing to gain for us to call 911.

- [Lisa] Oh my God,

I can't even believe that you're saying this.

- [Tommy] If the cops ever caught me

you could just say you were...

- Not to mention fucking ACAB for me brother, right?

I don't need to go and deal with the cops.

I'm done, let's shut it down, shut it down.

? Do you ever feel alone in a crowded room ?

? Alcohol on my breath, better put on perfume ?

? And I'm looking for a man who makes me feel ?

? Like you used to a long time ago ?

? But you're out on the street ?

? Instead of home next to me ?

? Planting seeds where nothing will grow ?

(upbeat music)

? So pick your poison ?

? Why don't you drink down ?

? Don't you feel better now ?

? Able to face the crowd ?

? Pick your poison ?

? Come on, give in to sin ?

? And if you just did one more line ?

? Then you'll feel home again ?

? Take me home ?

(upbeat music)

? Oh, what a shame ?

? 4:00 a.m, oh man it's cold ?

? Knees are weak, I need a drink ?

? This is getting old ?

? I used to hold your hand ?

? And now I hold this bottle so close to my heart ?

? Use all these strange men just to feel whole again ?

? But you said that we'd never part ?

(upbeat music)

? So pick your poison ?

? Why don't you come on down to the local pub in town ?

? Just to see who's around ?

? Pick your poison ?

? Misery loves company ?

? But the drugs just ain't as fun as they used to be ?

(upbeat music)

? We out here getting high 'cause we feel so low ?

? I need a little powder for my nose ?

? I've been empty for years just trying to fill the void ?

? Where we both used to live ?

? And I drink every night just to try to forget ?

? But I know that I'll never forgive ?

(upbeat music)

? So pick your poison ?

? Let it drag you down ?

? Six feet underground ?

? Never makes your mama proud ?

? Pick your poison ?

? Come on, you're in too deep ?

? Oh, the demons in your head they got you losing sleep ?

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0