All language subtitles for Great Kills s01e01 Lost In Staten Island.eng

- [James] It's recording...

That's perfect.

- [Lisa] When's he supposed to come?

- [James] Wait, what time is it?

- It's like, it's like a half an hour past

- Wait, wait, wait.

Yeah, he's...

Eh, 15 minutes late.

- [Lisa] Alright

Oh!
- Hey!

- You James?

- [James] Yeah.

Lisa?
- [James] Tom?

- [Lisa] Yeah!

- Yeah, Tom. Come. Come with me

- [James] Okay.
- Come.

- [James] Is this, I
thought we were gonna...

- No, no, it's shh...

Are you guys rolling?

- [James] Yeah. Yeah. We're
all, we've been rolling.

We're rolling.

- What is this thing?

- [James] That's a boom. That's for sound.

Yeah. Make sure you point
that at (indistinct)

Thank you.

- Does it have to be in my face or?

- [James] No, don't worry about it.

Just don't worry about it.

Um... We're gonna talk later.
- Shh Shh

- [James] Sorry.

- Listen, are we gonna do
this or we're not gonna do it?

- [James] Absolutely

- I don't want you guys to
get scraped or anything.

Hang out one second, alright?

(branches snap)

(floorboards creak)

Guys...

(door opens)

(gun fires)

- [James] Well wait, so you were hired

to kill this individual?

Why? Do you know why?
- Yeah

Did they tell you why?

- Yeah. He's, he's a, he's
a piece of shit drug dealer.

- [James] Oh, I see.

- And he is shaking down
people in the junkyard.

- [James] Right. But I mean
that, who would want him,

who would want him to die though?

- He actually sold drugs to a kid.

- [James] Ah.

- Who was 19 and overdosed.

- [James] So what, his family hired you?

- I can't disclose the details.

- [James] Oh, okay.

- Well, look at it this way.
- Mm-hm.

- I made some money.

- Yep.

- And the world lost a piece of shit.

I just put-
- [Man] Excuse me!?

(gun fires)
(multiple gasps)

- [Tom] Come on, Lisa!

- [Lisa] I-

- [Tom] Get outta the shot.

Get outta the way!
- [Lisa] Are you kidding me?!

Worried about the shot?
- [Lisa] Oh my God.

(lighthearted folk music)

? Down the road where nobody goes ?

? There is a story only
two people know well ?

? One lies dead while
the other lives free ?

? I'll tell it, dear, if
you'll listen to me well ?

? One summer day, the weather was nice ?

? Two young lovers, a groom and a bride ?

? That night they shared the same bed ?

? Didn't know that she would end up dead ?

- [Tom] When people hear the word hitman

there's a stigma. Right?

They think like mafia, you know,

suits all these different things.

I'm just a regular guy
that has a great talent.

I would never kill somebody randomly.

Only, only fucking nuts

and psychos and shit like that.

I only kill people that
need to be eliminated.

Um...

And to me, it's a
professional- it's a job.

When I get home...

It's like you being a filmmaker,
you put away your camera,

you grab a beer for your night

and you watch whatever you do.

That's how it is for me.

Am I doing okay on camera for this?

- [Levi] You look great.
(Lisa laughs)

- Really? You sure?

- [Levi] Yeah.

- That's probably one of
the only unfortunate parts

of my job is, is collateral damage.

Um, but you can't have a witness.

I, I,
- [James] (muffled)

- Right.

He was meant to be there
and I was meant to kill him.

I'm not a force. I'm not
saying I'm, you know,

I work for God, but in
the same, same thing.

I believe we all have a destiny.

So if I'm gonna kill you

and...

somebody happens to be with you,

that wasn't supposed to be there.

That's not my failing. That's His.

- [James] Not here
- [Lisa] No.

- [Levi] Well, what's
the bagel place called?

- Bagels?

- So we, we went to the,

we went to the address
that you sent me but-

- [Levi] (indistinct)
- 849.

Oh, you sent, you sent me 801

- [Levi] All right.

(laughter)

- [Tom] well, first off, I'm glad you guys

came to the house.
- [James] Yep.

You know, just to show you where I live.

Yeah its uh, this is Greg Hills.

- [Lisa] Pat?

- [James] I've got, I've
got his, I've got his, like,

all I'm saying is like,

the sound has been like,
you know, a problem.

So, and I don't know if he's gonna really,

he's like possibly the dumbest person

I've ever met my entire life.

- [Lisa] Look, he's a
student. Give him a break.

- Right? You know what I'm talking about?

- Who's that?

- He's the guy that holds this.

- Oh yeah.

- And it's supposed to have, okay,

Like a transmitter on it.

I think that it does have a
transmitter. So it's remote,

- Right
- you know,

it's like wireless and,

and it gets these hits all the time.

- [Levi] Maybe it's good
that he's not here at all.

- Oh

- Yeah. I mean, like, you know
- [Lisa] Yeah.

- I mean where...

- [Lisa] You can just hold this.

- By the way, where is he?

(Levi laughs)
- [Levi] Exactly.

- Okay, so I'll do the job then.

There you go.
- Yeah.

- I'm sound guy now

- [Tom] I mean, I'm a dog
person and a cat person,

but dogs like a, this, you
know what I mean? Like...

on you

Where cat's kind of like,
hey, here, what's up?

And then they go do their thing.

But I had this one cat I saved

and this cat was like

always on me like a dog.

And um...

she was only like 8, 7, 8 years old.

And I had to take her to
the vet and she had cancer.

And um...

again it was, that was probably,

other than

no, probably right now, I would say that's

probably the saddest thing
that I ever had to do.

I don't know how people

that have animals for
a long period of time

don't want to be in the room.

Cause I feel like they,
you know, they know.

And you want it to be the last per-

you, you want them to feel comfortable

and be the last person they see,

especially when they were so close.

So, um,

yeah I mean, it's tough.

And um

they usually say the
best way to, you know,

to get over it, is to save another animal.

So uh...

Yeah. So here, so I have Pixie and I have

another cat, roaming around
somewhere is a kitten.

And um.

Yeah. But there's,
(scoffs) there'll never be,

There'll never be another Princess for me.

You know? So...

- I, I find it interesting
because another-

Hitler also liked animals very much.

- [Tom] I come here every morning

this I, you know,

bagels and all this stuff.

So uh

everybody's cool here.

Everybody, kind of knows who I am.

So I kind of... (voice fades)

- Rick.

- [Tom] How are you?

I kind of go with what I'm

kind of used to, you know what I mean?

- Be sure to keep the sound on him.

Yeah.

- [Tom] Yeah. So...

- Do your natural thing.

- Yeah just, I gotta get my,

my Monster for the day,

- Yeah.

- You know, my energy.

- Right, right.

- What's up guys? What's happening?

- And this is just, this
is like your natural

Dude. Seriously.

- So it is like your typical

Staten Island bagel store, you know?

- [James] No kidding. Wow.
- [Lisa] Wow.

(Tom laughs)

- This is a bagel store?

- [Tom] No, but there's not much to see,

but you know,

- [James] Right.

- When you see, you know, I
get my cat food and stuff.

- [Lisa] Okay.

- Trash bags.
- [Lisa] Oh.

- So. Yeah for some, for some work.

Is there shit you wanted or?

- No we have, we have... I'm f-

You guys want anything?

- [Lisa] I only eat organic so
- Pat?

Levi?

- [Levi] Uh, I'm good, yeah.

- Okay.

- [Tom] Everybody's good?
- [James] Yeah.

- So I just wanna kind show
you guys around on, you know,

a typical morning

on what I uh, where I go.

- [James] Oh, sorry.
- [William] I'm famous, bro.

- Yeah, yeah.

- [William] I'm famous now.

- So yeah,
- You're famous.

- (laughs) So this is a typical day.

So you know this where I get
all my work stuff, you know,

work supply and yeah we're good

- [James] Cool.
- Yeah, so

Yeah, I just wanted to get you guys like,

acclimated to what I'm doing.
- We're acclimated.

Oh, you're pretty acclimated now?

- I feel very acclimated.
- All right, good.

- [Lisa] Do you ever feel like

you're living in a food desert?

- Um, I'm not sure what that means.

Kind of..

- [Lisa] Well I mean like healthy food or

like organic vegetables.

- Nah, that's all bullshit

That's all bullshit.
(James laughs)

That's all nonsense. That's all

Bill Gates stuff.

- [Lisa] Ohhh.

- [William] I like vegetables but not

that type of vegetable.

Asparagus wrapped with bacon.

(whistles)

- [Lisa] I would eat that.

- That's pretty good.

- [James] Yeah. Anything with bacon.

- [Tom] Their food here is awesome

- Yeah anything with bacon, yeah.

We gotta get him on camera
saying he agrees to be on camera.

- [Levi] Right.
- I agree to be on camera.

- [Lisa] What's your full name

so we can write it down?

- William Smith.

If you's came here 15 years ago,

you's woulda had a ball.

(laughter)

Cause this neighborhood was wild.

- I didn't ever want to be a cop.

I just, that didn't turn me on.

I didn't wanna go to the military.

But I knew I had, God gave me a gift,

you know, to be,

you know, I could have been a sniper.

I'm probably, a hundred
percent in the Marines,

you know, my parents,

my father ditched me when I was young.

Uh

My mom was gone.

So I kind of was raised on my own.

I actually have a sister

who's uh, half of a fucking banana.

Um

You know, I don't see her that much.

Eventually, uh, she's
always asking me for money.

I try to help her out as much as I can.

And again, that's from our daddy issues.

Um

You know, we both grew
up without parents. So...

- [James] What was your father like?

- Drunk,

alcoholic,

womanizer.

Um

I don't even, I don't even
consider him as my father.

I consider him somebody

who planted a seed inside a woman.

And she happened to have us.

That reminds me of one of my victims.

- [James] It's a rat there. Icky.

- It's uh, Is it ironic that that's a rat?

He's dead.

- [James] It's life.

- It's life.

You're a rat. You get killed.

- That was, that was really sad.

Like, I think he's a really a sad guy.

I don't like, how is that a life?

You know?

I don't know.

But this is gonna be a
really, really good film.

We're gonna, we're gonna win awards,

so I'm excited.

- [James] Tom, we're, we're here.

Tom?

- [Tom] Hey.

- Yeah.

- [Tom] What was it?

- (laughs) It's, uh

we're- it's the documentary film.

It's James.

- [Tom] James. That, uh is today?

- Yeah, Yeah. Definitely today.

Yeah
- [Lisa] Oh God.

- You left us a key out

and we we're already set up.

So we're ready, we're in your home.

- [Tom] Let me just
pee. I'll be right down.

- All right. All right. That's cool.

He's gotta do his thing.

- [Lisa] Is he peeing?

- Yeah, he had to pee.

- [Tom] Hold on, I'm just peein'.

(Lisa laughs)

- [Tom] You sure nobody wants anything?

- [Lisa] No, not unless
you have like lattes.

- [James] Dan.

Uh, sorry, I mean um, Pat. What-

- [James And Lisa] Rick
- [Lisa] I think it's Rick.

- [James] Yeah, the sound is crap.

Everything,

Every Goddamn take.
- [Lisa] Go down.

(Lisa laughs)

I don't care if he's in the shot.

Just want to get good sound.

- [Lisa] Like better sound. Yeah,

- [James] Yeah. Or any sound.

- What can I help you with?

- Can't believe I'm doing
this on camera. Okay.

My wife is leaving me,

but she,

along with her brother

Carl, who is a dick and uh,

her uh,

lawyer,

they've all been working
to completely cut me out.

To cut me out of absolutely everything.

- Do you guys have kids or?

- No, no.

Thank God we don't have
kids at this point.

- I don't know if I would
feel comfortable doing this.

If it was, it was kids
involved, so, you know.

- Well, that's actually kind of,

that's actually I think, kind of cool

- Does she live here now?

- Oh, no, no, no.

No she's... no fuck no.

She's uh, she's at her friend's,

uh, Christie's place,

which uh, is just, it's uh over in Jersey.

- So you know where she lives?

- Yeah. Oh yeah.

- Okay. um

So do you want me to make it quick?

Do you want me to get...

Beat her to death?

Do you want me to use tools
like hammer, a wrench,

make it nice and slow?

Uh...

The world is your oyster.
- [Frank] (stutters)

(Frank laughs)

- I haven't heard that in a long time.

Um...

Yeah,

I-

- [Tom] Yeah you want it...?

- Whatever tools you think
would do the job. Yeah,

it doesn't have to be too long.

I just really want her to
know that she's going to die.

- When the cops come.

Right, they're gonna come to you

and they're gonna make notifications.

- Go back a minute.
They're gonna come to me.

- Well, yeah, they're gonna, yes.

I mean, obviously...

- I mean, just, just to notify...

just to notify me?

- [Tom] Right. So...

of course, I mean, it's, you're,

you're the next of kin.

You're not divorced yet.
- Okay.

- [Tom] So they're gonna
come and say, "Hey,

you know, uh sorry, Mr. Richie

you, your wife's been..."

- Okay.

- And you're not gonna
say, "who killed her?"

Wait, wait, listen.

These are. No wait
- (vague interruptions)

- [Frank] No, go ahead. Go ahead

- This is, this is the
most important thing now.

when the cops come,
- Yeah.

They're gonna say,

"Hey Mr. Richie,

we're really sorry,

your wife is dead."

and you are gonna say,

"What happened?"

"Oh my God, what happened?"

- Oh. 'Cause then it would be like,

because of course you would got like.

- Right.

- It could have been like an airplane or

- Hit by a car, or uh
- Hit by-

- A heart attack...

- Jesus.

Because I, I have no idea.

I have no idea.
- You have no idea.

I have no fucking idea.

- So if they come, you have to act,

obviously, surprised.

- [Frank] Oh, Jesus.

- So there's little,
listen, this is important.

- I'm really not very good
at that. And with cops,

I'm always a little bit
like, ah, you know... so

- Frank, listen.

Frank.

Think of it like this.

She's Osama bin Laden.

You're the American people.

And I'm 30 minutes after midnight.

- I've heard that before, but
I, I don't know what that,

I don't know what 30
minutes after midnight is.

Sorry. I mean, I uh...

- [James] it's a marine
reference, I think.

- It's... it's a marine reference.

- [Frank] Okay.

- [James] Zero Dark 30.

I think he's talking about
Zero Dark 30 (laughs)

- [Lisa] Yeah.
- [Crewmate] Zero dark thirty.

- [James] Geronimo. Is that what you mean?

- Yes. Yes. exactly

- [James] You're looking
for like a Geronimo moment?

- Yes.

Just you guys.

Nobody knows what I do.

Everybody's say-

- [James] What do you tell people?

- I'm an insurance adjuster.

I, I, you know, it sometimes
justifies my hours.

Somebody has a flood overnight,

or a ceiling collapse
from the rain or the roof.

You know, I gotta go
out there and I gotta...

- [James] Oh, so you actually do the job?

- No, I don't

but I'm saying, it justifies my hours.

- [James] It's not your sound.

It's great. Your sound's working great.

Sound on her camera.
- [Lisa] Yeah.

Lisa, of course you know,

- [Lisa] Yeah.
- It's great.

It's, it's, you know, it's Patrick's

Patrick's sound.
- [Lisa] Damn.

(Levi sighs)

- Well, I mean, we could get a new person,

but he's under contract with
us for the whole time. So.

- [Lisa] Yeah, cause he, we,

He's doing,

- [James] Well maybe
we should just eat it.

- He's doing a SBA, uh, internship

and like if we don't,

if he doesn't go through
that, he can't graduate.

- [James] What does that mean?
I don't know what that means.

- [Lisa] I don't want him to not graduate.

That's not fair.

- [James] So, shit what do I care?

- We'll just write him a,

write a note and just say
he finished everything.

- [James] I mean, if the guy can't

turn on,
- [Lisa] Yeah we could just-

- [James] he can't learn to turn on a,

you know, on a power switch on the,

on the transmitter.

- [Lisa] (sighs) Yeah.

- [James] Don't take this personally, Pat.

- [Pat] I won't. I won't.

Patrick. I'm the boom guy.

Film student at the moment.

Got a bunch of projects in the
works that I've been writing.

Very excited for the future.

I think once I get my
script to the right person,

I think I'm gonna make it
big. Pretty certain of that.

- [Tom] You guys really
ain't helping me, huh?

- [James] Oh yeah, we don't. Um...

We're like, we make
documentaries so we can't like,

you know, um, we don't,

we're not part of the story.

We're-we're, we document the facts.

- [Lisa] Yeah, we don't get involved.

- [James] So are you gonna like,

(crunching paper) the body
like you did last time?

- No, basically what we're

gonna do here today guys is...

about a year ago there
was a serial killer.

They haven't caught him yet.

So what I'm trying to do here is basically

mimic serial killer.

So basically they put it on him and,

and you know,
- [James] Yeah.

this is something that's
really not my realm,

but I figure if I can mimic that

and they haven't caught him...

You know

- [Lisa] Um...

I don't know. This strikes
me as a little pervy.

Like it really looks a
little pervy to me. Like...

- Pervy?

- [Lisa] Yeah.

- How... What about, this is pervy?

- [Lisa] I like, why... (laughs)

are, are you gonna be like,

are you gonna be...

Like-

- [James] Yeah are you gonna,
like, is it gonna get rape-y?

- [Lisa] It gonna get,

- Oh no guys, this is this, this is a hit.

This is a, I got payed to do a job.

This is about money. This ain't about-

- [Lisa] Well, no, rape
isn't always about sex.

It's about power.

- Well Lisa, this is about cryptocurrency,

you know what I mean? This
is about paying my bills.

- [Lisa] Okay.

- As filmmakers. We are
like, you know, um...

we do try to take our,

and that's why we wouldn't
wanna help you wrap stuff up.

We do try to take what
we do seriously, um,

as, as, as like,

you know, the rule of like media or,

or news or reporters or documentaries

that you don't become part of the story.

- [Lisa] Right.

- You observe.

- [Tom] Right.

- So we're trying to stay, you know,

we're never in the shots.
- [Lisa] Yeah.

I mean we it's just you.

- [Lisa] And we've won awards.

We won awards
- for that.

- [Lisa] Like, we know what we're doing.

- You know, we are similar to

filmmakers like Nick
Broomfield, these kind of guys,

- [Tom] Right

- Broomfield or Bloomfield, I?

- [Tom] What's his name?

- Nick.

- Nick, whatever.

Nick Bloomfield, Broomfield,

Whatever the hell his name is.
- [James] Yeah, yeah

Hasn't seen somebody's
skull get bashed in person.

So, you know.

- [Lisa] Well you don't know that.

- This is real life.
- [Lisa] You don't know that.

(thud)
- [Lisa] Shit!

(paper crunches)
- [Tom] Guys...

(paper crunches)

- [Lisa] Shit, shit, shit...

(whispers) alright, alright.

(paper crunches)

- Hey Christie.

- [Christie] Oh, I'm just
staying with my friend.

Uh...

Who are you?

- [Tom] Hi, we, we were here
to do the exterminating.

She booked it like a month ago,

the neighbor let us in.

- [Woman] Oh yeah, that makes sense.

- Let me just show you what we're doing

so you have idea.

- Thank you. (paper crunches)

Hey, what? (struggles)

This isn't an exterminator thing (grunts)

(taser buzzing)

(grunts)

Come on. You think you can beat me?

(struggling)

(yells)
(paper crunching continues)

(Woman yells)

- [Tom] Guys, wanna gimme a hand?

- [Lisa] Uh, we-
- [James] Sorry...

- [Christie] They like watching you fail.

(struggling)

(Christie yelling)

- Pipe down!

(restrained yelling)

(violent thuds)

(whimpers)

(violent thuds continue)
(Tom grunting)

- [Tom] Let me just see if she's dead.

- Is that all you got? Pussy.

- [Tom] Oh Jesus Christ.

(metal clanking)

(knife pierce)
(Woman moans)

(knife shaking)

(Tom pants)

- (sigh) Man.

That might be

- [James] Guys...

- What?

Wait a minute James

- Uh... Dan's dead.

- Wait, wait, wait.

I'm not sure if this one's dead.

- [James] Dude, Dan's dead.

- [Levi] How do you know he's dead?

- [Lisa] Who's Dan?

- The sound guy, Dan. Because I know!

- [Levi] How do you
know he didn't pass out?

- He's dead as Moses, man.

Oh my god.

- [Tom] Oh, this ain't good.

- Oh my god.

It must've been the taser.

- [Levi] Wait, the taser?

- Yeah. I mean um, he got a,

maybe he's got like a heart disease.

- [Tom] You don't die from a Taser.

- If He had a heart thing.

I don't fucking know, man.

You know, he's dead. He's definitely dead.

Did you do anything else?

- [Tom] This ain't good.

- [James] She tased him, right?

- I mean he was a part of this team.

- [Levi] Yeah I can't
believe Pat Rick is dead.

- [James] It's Pat. Oh, it's Pat, Dave?

- [Lisa] No it's Pat. It's Pat
- [Levi] I'm not sure

- [Levi] It's Rick.
- [James] Pat

Pat is dead.

- All right guys. It doesn't matter.

We lost a teammate.

- [James] That's true. Yes.

Yes. He's right. Yeah.

- Did he come from a good family?

- No. You know what?

We don't even know

we got him through um.

- [Lisa] Craigslist.
No, it was like a NYU...

- Not Craigslist.
- [Lisa] It was SVA.

- A bulletin, bulletin
board thing ... group.

- [Lisa] Student,
- A student thing whatever.

- [Lisa] He was a student.

- [Tom] Alright, you gotta do me a favor.

- [James] These guys are like,

you know, they're livestock.

- You gotta find me, uh, his address.

We gotta send flowers.

- [Lisa] Wait, I gotta
get a good shot of this.

- [James] What would happen

if um,

say one of those people

went to the police?

- Never happened.

- [James] It never happened?

- It's never happened.

And it would never happen.

If it did happen,

You don't even want to know

what would happen to that person.

So let's not even go down that road

cause it's never happened.

I don't even want to jinx myself.

- [James] So you, you
sound a, a little angry.

Is this something that
would make you really angry?

- Very few things that get me angry.

That's one of them.

And I, I'll never be busted.

I'm just that good.

- [Murano] So, I mean, how's your, uh...

you know, it's been a while

since we've seen each other.

How's your grandma?

- Yeah. She's uh, she's good

- What?

The fuck is all this?

- [James] Um...

- You know how they have...

Sorry, you want to
- [James] No, no, no

It's alright. No, no...

We're just,

we don't need to interfere with you.

It's just a documentary.

- Documentary

- [Tom] Well you know how
I do insurance adjusting.

- (laughs) Yeah.

- Well, do you know anything
about insurance adjusting?

I do not
- [Tom] Exactly.

- know anything about insurance adjusting.

- [Tom] So we're doing like eight episodes

of my insurance adjusting.

- Right.

- And people get to know what I do

and the interesting parts of my, my job.

I mean, everybody's done like

a thousand cop shows.

- Yes, that's true.

But I, you know, I think
- [Tom] How many

there's a reason people do cop
shows is because, you know,

I mean, no offense against what he does,

but we are interesting.

You know, what we do is interesting.

We, we get a call.

Okay, uh...

someone's murdered.

Right?
- [Tom] Right.

- My partner and I go
down there to check it out

and the scene is just,
it's, it's horrific.

I mean, it looks like something

out of the movie. Seven.

- Really?

- Yes.

So

um...

what was real interesting
about this situation

is about a year and a half ago

we had what we thought

was a serial killer going on.

- [Tom] Mm-hm.

You probably read about it.

- [Tom] I vaguely remember...something.

- Whatever, So I, I thought

this was very similar to that.

- Right.

- And I said, uh...

this looks very similar to, you know,

what we had a year and a half ago.

'Cause we never actually caught that guy.

- [Tom] Right.

- So I thought he was like,

resurfacing again or something.

(clears throat) But the
longer we looked at the uh,

the scene,

I'm like, you know what...

it looks like a professional did it.

There was no fingerprints,

there was nothing, you know, traceable.

But it was very sloppy.

I mean, the, the-the,

the fucking room was a mess.

- [Tom] What do you mean 'real sloppy'?

- I mean, there was
blood all over the walls.

I mean, it was just, it
was a complete horror show.

I mean, it looked like a, you
know, my father was a butcher,

so it looked like a fucking,

you know, a slaughter house for God.

- Really?
- [Murano] Yeah.

It was a mess. So who did we go to?

We knock on the husband's door.

Guy comes out

shaking like a fucking leaf.

"Um..."

First thing, first thing out of his mouth.

"Did someone kill my wife?"

- [Tom] Wait a minute, wait a minute.

The first, the first
thing the husband said,

- [Murano] First thing.

- is, "did somebody kill my wife?"

- Which you told me years ago.

That's the first thing not to say.

- [Man] Yeah, exactly.

"Did someone kill my wife?"

I-I... I look right at my partner.

We look at each other.
We have a moment there.

Right?

I said, "excuse me sir?"

"Did someone kill my wife?"

"Did- Was my wife murdered?"

Now,

I just said, let me, let
me throw some, you know,

let me throw some stuff out there.

Why would you say that, sir?

Why would you say that?

"I mean, the cops are here."

"Like, I know something."

"I just have a bad feeling."

You have a bad feeling.

So I continue to let him bury himself.

Okay. So I say, okay, (clears throat)

anything else you wanna
shed light on here because,

you know, we're all ears
and we're here to help.

And we wanna find out
exactly what's going on.

- [Tom] Right, right.

- He tells me

that he thinks his brother-in-law

had something to do with the murder.

His brother-in-law.

- So his brother-in-law's a serial killer?

(Murano laughs)

- So... I'm like,

your brother-in-law had something to do-

"Well...

I mean, indirectly because...

I think maybe he hired someone

to kill my wife."

- He, so he says

his brother-in-law

potentially hired
somebody to kill his wife.

- That's what, yes, that's what he said.

I, I mean, I, I never
seen anything like this.

I've never seen anybody

fold under non-questioning.

I mean, we've had to pry people

in interrogation rooms for hours.

So this guy, okay?

I'm in the house,

I'm ready to call, right?

"Detective Murano, there's
a phone call for you."

I pick up the phone.

"This Detective Murano?"

It's the fucking guy.

He's calling me.

He's like, listen, Detective Murano,

I'd like to come in there
and tell you everything.

I'm mean, I mean, you
can't make this shit up.

He's actually coming in to the precinct

- Tomorrow.

- [Murano] Tomorrow.

And he wants to let me kn-

He's like, I got

all the information for you.

He's like, I want to, I,

I know who my brother-in-law hired.

And not only that,

he knows where the fucking guy is.

Can I get this topped off please?

(upbeat folk music)

? Do you ever feel alone
in a crowded room? ?

? Alcohol on my breath better
put on a little perfume ?

? I'm out looking for a
man who makes me feel ?

? Like you used to a long time ago ?

? But you're out in the street
instead of home next to me ?

? Planting seeds where nothing will grow ?

? So pick your poison ?

? why don't you drink it down? ?

? Don't you feel better now?
Able to face the crowd? ?

? Pick your poison,
come on, give into sin ?

? If you just sniff one more line ?

? then you'll feel home again ?

? Take me home ?

? Walk of shame it's 4
A.M., oh man it's cold ?

? Knees are weak, I need a
drink, this is getting old ?

? I used to hold your hand ?

? But now I hold this bottle
so close to my heart ?

? Use all these strange men
just to feel whole again ?

? But you said that we'd never part ?

? So pick your poison; why
don't you come on down ?

? To the local bar in town,
just to see who's around? ?

? Pick your poison, misery loves company ?

? But the drugs just ain't
as fun as they use to be ?

? We're out here getting
high, 'cause we feel so low ?

? Oh, I need a little powder for my nose ?

? I've been empty for
years, just trying to fill ?

? The void where we both used to live ?

? And I drink every night
just to try to forgive ?

? But I know that I'll never forgive ?

? So pick your poison,
let it drag you down ?

? Six feet underground,
never make your mama proud ?

? Pick your poison, come
on, you're in too deep ?

? Oh, them demons in your head,
they got you losing sleep ?

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