All language subtitles for Get Smart S02E10 The Greatest Spy on Earth.DVDRip.NonHI.cc.en.HBO

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,580 --> 00:00:16,559 HOLD IT, 99, I THINK THIS IS THE PLACE. 2 00:00:16,583 --> 00:00:19,262 MAX, ARE YOU SURE THIS IS WHERE AGENT 51 SAID TO MEET HIM? 3 00:00:19,286 --> 00:00:21,932 WHAT'S THE MATTER WITH YOU, 99? YOU'RE AWFULLY JUMPY. 4 00:00:21,956 --> 00:00:23,279 DON'T YOU LIKE THE CIRCUS? 5 00:00:23,303 --> 00:00:25,468 NOT AT NIGHT, MAX. LISTEN TO THOSE ANIMALS. 6 00:00:28,996 --> 00:00:31,108 - RELAX, 99. - RELAX? 7 00:00:31,132 --> 00:00:32,675 AGENT 51 SAID TO BE VERY CAREFUL. 8 00:00:32,699 --> 00:00:35,245 THAT WE'D BE IN EXTREME DANGER EVERY MINUTE. 9 00:00:35,269 --> 00:00:37,847 99, DANGER IS A WAY OF LIFE TO ME. 10 00:00:37,871 --> 00:00:39,349 THE WHOLE SECRET TO IT 11 00:00:39,373 --> 00:00:41,951 IS TO REMAIN CALM AND POISED AT ALL TIMES. 12 00:00:41,975 --> 00:00:44,154 - MAX... - AGH! DON'T DO THAT, 99. 13 00:00:44,178 --> 00:00:47,790 I'M SORRY, MAX, BUT I THOUGHT I HEARD FOOTSTEPS. 14 00:00:47,814 --> 00:00:50,460 I DIDN'T HEAR ANYTHING, 99. IT MUST BE YOUR IMAGINATION. 15 00:00:50,484 --> 00:00:52,129 I'M AGENT 51. DON'T BE AFRAID. 16 00:00:53,687 --> 00:00:54,797 51, WHAT'S GOING ON HERE? 17 00:00:54,821 --> 00:00:56,333 YOU SCARED ME TO DEATH! 18 00:00:56,357 --> 00:00:58,935 I'M SORRY, BUT I DIDN'T WANT ANY SCREAMS WHEN YOU SAW ME. 19 00:00:58,959 --> 00:01:00,203 I WOULDN'T HAVE SCREAMED. 20 00:01:00,227 --> 00:01:02,039 I WASN'T WORRIED ABOUT YOU. 21 00:01:02,063 --> 00:01:05,942 WHAT'S GOING ON HERE, 51? WHAT ARE YOU DOING IN THAT RIDICULOUS GORILLA COSTUME? 22 00:01:05,966 --> 00:01:07,744 IT WAS THE ONLY JOB THEY HAD OPEN. 23 00:01:07,768 --> 00:01:10,613 LISTEN, I HAVEN'T GOT MUCH TIME. I'M DUE BACK FOR REHEARSAL. 24 00:01:10,637 --> 00:01:12,349 BUT I THINK I'VE CRACKED THE CASE. 25 00:01:12,373 --> 00:01:14,238 TELL THE CHIEF THAT... UH! 26 00:01:19,046 --> 00:01:21,758 THEY GOT ME, 86, THEY GOT ME. 27 00:01:21,782 --> 00:01:23,659 WHO GOT YOU, WHO? TELL US QUICK. 28 00:01:23,683 --> 00:01:26,496 - GIVE HIM A CHANCE, 99. TAKE IT EASY. - MAX, THERE'S NO TIME. 29 00:01:26,520 --> 00:01:28,265 WILL YOU LET ME HANDLE THIS? 30 00:01:28,289 --> 00:01:30,867 51, 51, WOULD YOU LIKE A GLASS OF WATER? 31 00:01:30,891 --> 00:01:32,903 NO THANKS, I... 32 00:01:32,927 --> 00:01:35,671 HOW ABOUT A BANANA? 33 00:01:35,695 --> 00:01:38,574 IT'S NO USE, MAX. HE'S DEAD. 34 00:01:38,598 --> 00:01:40,410 POOR 51. WHAT A WAY TO GO, 35 00:01:40,434 --> 00:01:44,247 WITH A KNIFE IN HIS BACK IN A RIDICULOUS GORILLA SUIT. 36 00:01:44,271 --> 00:01:46,939 WELL, THAT'S SHOW BUSINESS. 37 00:02:45,665 --> 00:02:49,245 KAOS IS USING THIS CIRCUS FOR A SMUGGLING OPERATION. 38 00:02:49,269 --> 00:02:52,715 EVERYWHERE THIS CIRCUS HAS TRAVELED, IN EUROPE AND AMERICA, 39 00:02:52,739 --> 00:02:55,651 SUPPLIES OF INDUSTRIAL DIAMONDS HAVE BECOME DEPLETED. 40 00:02:55,675 --> 00:02:57,921 NOW ADDED TO THAT IS THE FACT THAT THERE HAVE BEEN 41 00:02:57,945 --> 00:03:00,890 FOUR MYSTERIOUS DEATHS IN THE CIRCUS IN THE PAST SIX MONTHS. 42 00:03:00,914 --> 00:03:02,091 AGENT 51 WAS THE FIFTH. 43 00:03:02,115 --> 00:03:04,493 EACH OF THE OTHERS DIED A VIOLENT DEATH 44 00:03:04,517 --> 00:03:06,129 DURING AN ACTUAL PERFORMANCE. 45 00:03:06,153 --> 00:03:08,865 HMM. NO WONDER THEY DRAW SUCH BIG CROWDS. 46 00:03:08,889 --> 00:03:12,201 MAX, DID YOU FIND ANYTHING ON 51's BODY? 47 00:03:12,225 --> 00:03:14,571 WELL, JUST THIS RING, CHIEF. 48 00:03:14,595 --> 00:03:16,305 LET ME SEE. 49 00:03:16,329 --> 00:03:18,708 IT'S A DIAMOND RING. YOU KNOW WHAT THAT COULD MEAN? 50 00:03:18,732 --> 00:03:21,076 HE WAS ENGAGED? 51 00:03:21,100 --> 00:03:22,912 NO, HE WAS GETTING CLOSER TO THE TRUTH. 52 00:03:22,936 --> 00:03:24,681 THAT'S WHY HE WAS ELIMINATED. 53 00:03:24,705 --> 00:03:28,084 MAX, YOU AND 99 WILL RETURN TO THE CIRCUS TO GET TO THE BOTTOM OF THIS. 54 00:03:28,108 --> 00:03:31,854 NOW I WANT YOU TO GET OVER TO THE LAB AND SEE CARLSON FOR SOME SPECIAL EQUIPMENT. 55 00:03:31,878 --> 00:03:34,624 I WANT YOU TO POSE AS REPORTERS FOR "CIRCUS WORLD" MAGAZINE. 56 00:03:34,648 --> 00:03:37,527 LOOK CHIEF, SINCE THIS IS A CIRCUS, 57 00:03:37,551 --> 00:03:39,362 WHY DON'T WE GO AS TENT SALESMEN? 58 00:03:39,386 --> 00:03:41,397 WHAT'S THE MATTER WITH BEING REPORTERS? 59 00:03:41,421 --> 00:03:44,656 WELL, NOTHING, CHIEF, EXCEPT THAT A TENT'S A BETTER COVER. 60 00:03:46,760 --> 00:03:49,506 A LITTLE HUMOR THERE, CHIEF. 61 00:03:49,530 --> 00:03:50,795 OKAY. 62 00:03:56,703 --> 00:03:59,516 NOW SINCE YOUR COVER IS TO BE REPORTERS, 63 00:03:59,540 --> 00:04:02,485 WE'VE DEVELOPED THIS SPECIAL EQUIPMENT. 64 00:04:02,509 --> 00:04:04,954 INSIDE THIS CAMERA 65 00:04:04,978 --> 00:04:07,023 IS A HIDDEN TAPE RECORDER. 66 00:04:07,047 --> 00:04:09,025 AND THIS TAPE RECORDER 67 00:04:09,049 --> 00:04:12,395 ACTUALLY CONCEALS A HIDDEN CAMERA. 68 00:04:12,419 --> 00:04:15,698 - MAY I ASK YOU A QUESTION, PROFESSOR CARLSON? - CERTAINLY. 69 00:04:15,722 --> 00:04:18,835 UH, WHY HIDE A TAPE RECORDER IN A CAMERA 70 00:04:18,859 --> 00:04:21,004 AND A CAMERA IN A TAPE RECORDER? 71 00:04:21,028 --> 00:04:23,372 WHY NOT JUST TAKE PICTURES WITH THE CAMERA 72 00:04:23,396 --> 00:04:25,708 AND RECORD WITH THE RECORDER? 73 00:04:25,732 --> 00:04:29,634 BECAUSE MY MIND DOESN'T WORK THAT WAY, THAT'S WHY. 74 00:04:42,749 --> 00:04:44,360 MR. SMART? 75 00:04:44,384 --> 00:04:46,462 I'M PEPPER HANLON, PRESS AGENT FOR THE CIRCUS. 76 00:04:46,486 --> 00:04:48,497 - GOOD TO MEET YOU. - NICE TO MEET YOU. 77 00:04:48,521 --> 00:04:52,068 UH, "CIRCUS WORLD" MAGAZINE ASKED US TO DO A STORY ON YOUR CIRCUS, MR. HANLON, 78 00:04:52,092 --> 00:04:53,970 AND WE THOUGHT AN INTERESTING APPROACH 79 00:04:53,994 --> 00:04:56,305 MIGHT BE THE BAD LUCK THAT'S BEEN DOGGING YOU, 80 00:04:56,329 --> 00:04:59,809 LIKE THE FIVE FATAL ACCIDENTS IN THE LAST SIX MONTHS. 81 00:04:59,833 --> 00:05:02,045 OH, YES, THAT'S A TERRIBLE SHAME. 82 00:05:02,069 --> 00:05:04,480 OF COURSE THE CIRCUS CAN BE A DANGEROUS BUSINESS. 83 00:05:04,504 --> 00:05:06,082 IS THE CIRCUS INSURED? 84 00:05:06,106 --> 00:05:08,317 AN INSURANCE MAN CAME AROUND JUST LAST MONTH. 85 00:05:08,341 --> 00:05:10,920 - OH, THAT'S GOOD. - NO, THAT'S BAD. HE HAD AN ACCIDENT. 86 00:05:10,944 --> 00:05:12,589 - WAS HE INSURED? - I DON'T THINK SO. 87 00:05:12,613 --> 00:05:14,891 WHERE WOULD YOU LIKE TO BEGIN YOUR INTERVIEWS? 88 00:05:14,915 --> 00:05:18,427 WELL, WE THOUGHT WE MIGHT LIKE TO START WITH THE MAIN SUSPECTS... 89 00:05:18,451 --> 00:05:19,896 UH, PERFORMERS. 90 00:05:19,920 --> 00:05:22,699 UM, HOW ABOUT RAYMOND THE MAGNIFICENT, THE KNIFE THROWER? 91 00:05:22,723 --> 00:05:25,790 - FINE, HIS TRAILER IS RIGHT OVER THERE. - OH, THANK YOU. 92 00:05:33,500 --> 00:05:37,246 YOU MUST BE THE REPORTERS FROM THE "CIRCUS WORLD" MAGAZINE. 93 00:05:37,270 --> 00:05:40,650 AND YOU MUST BE RAYMOND THE MAGNIFICENT. 94 00:05:40,674 --> 00:05:42,318 YOU MAY TELL YOUR READERS 95 00:05:42,342 --> 00:05:44,821 I AM THE GREATEST KNIFE THROWER IN THE WORLD. 96 00:05:44,845 --> 00:05:47,356 HAVE YOU ALWAYS BEEN A KNIFE THROWER, RAYMOND? 97 00:05:47,380 --> 00:05:49,826 NO. 98 00:05:49,850 --> 00:05:53,763 I STARTED IN THE CIRCUS, JUMPING 500' FROM A DIVING BOARD 99 00:05:53,787 --> 00:05:55,197 INTO A BARREL OF FLAMING OIL. 100 00:05:55,221 --> 00:05:57,100 WASN'T THAT INCREDIBLY DANGEROUS? 101 00:05:57,124 --> 00:05:59,202 I TOOK STEPS TO MINIMIZE THE RISKS. 102 00:05:59,226 --> 00:06:02,994 - WHAT DID YOU DO? - I CUT OUT MATINEES. 103 00:06:06,232 --> 00:06:08,044 WELL, I MUST SAY, RAYMOND, 104 00:06:08,068 --> 00:06:11,448 THAT YOU CERTAINLY KEEP YOUR KNIVES IN MAGNIFICENT CONDITION. 105 00:06:11,472 --> 00:06:15,151 THE BLADE OF THIS ONE SPARKLES LIKE A DIAMOND. 106 00:06:15,175 --> 00:06:17,442 COME IN. 107 00:06:21,414 --> 00:06:22,791 WHO'S THAT? 108 00:06:22,815 --> 00:06:25,328 THAT'S RUDOLPH, THE CIRCUS MASCOT. 109 00:06:25,352 --> 00:06:29,112 NOW IF YOU'LL EXCUSE ME PLEASE, I MUST SEE TO AN URGENT MATTER. 110 00:06:32,392 --> 00:06:34,971 99, THERE'S SOMETHING STRANGE ABOUT THAT MAN. 111 00:06:34,995 --> 00:06:38,307 DID YOU NOTICE THE REACTION ON HIS FACE WHEN I SAID THE WORD "DIAMOND"? 112 00:06:38,331 --> 00:06:40,276 - MM-HMM. - I THINK HE KNOWS SOMETHING. 113 00:06:40,300 --> 00:06:42,579 - TAKE A LOOK AND SEE WHERE HE WENT. - RIGHT, MAX. 114 00:06:42,603 --> 00:06:44,413 MAX, HE'S GONE INTO ANOTHER TRAILER. 115 00:06:44,437 --> 00:06:46,015 HE'S IN THERE TALKING TO SOMEONE. 116 00:06:46,039 --> 00:06:48,985 DO YOU THINK WE SHOULD CONSULT THE CHIEF ABOUT HIM? 117 00:06:49,009 --> 00:06:52,021 MAX, HE'S JUST A HARMLESS LITTLE MONKEY. 118 00:06:52,045 --> 00:06:55,157 I KNOW THAT, 99, BUT HE'S STILL OUR CHIEF. 119 00:07:01,321 --> 00:07:04,267 MAX, THAT'S THE TRAILER OVER THERE THAT RAYMOND WENT INTO. 120 00:07:04,291 --> 00:07:05,868 IT BELONGS TO GERTRUDE-GERALD, 121 00:07:05,892 --> 00:07:08,037 THE HALF-MAN, HALF-WOMAN. 122 00:07:08,061 --> 00:07:10,473 WELL, WE'LL JUST WAIT UNTIL RAYMOND LEAVES 123 00:07:10,497 --> 00:07:13,075 AND THEN WE'LL ASK GERTRUDE-GERALD A FEW QUESTIONS. 124 00:07:13,099 --> 00:07:15,611 MR. SMART, MR. SMART, 125 00:07:15,635 --> 00:07:17,280 DOWN HERE. 126 00:07:17,304 --> 00:07:19,582 I'M TINY ALLEN. MR. SMART, 127 00:07:19,606 --> 00:07:22,351 I UNDERSTAND YOU'RE INTERESTED IN THE CIRCUS ACCIDENTS. 128 00:07:22,375 --> 00:07:24,320 AND A LITTLE MATTER OF SMUGGLED DIAMONDS. 129 00:07:24,344 --> 00:07:25,621 GO ON. 130 00:07:25,645 --> 00:07:28,758 I DON'T WANT RAYMOND TO SEE ME TALKING TO YOU. 131 00:07:28,782 --> 00:07:31,094 CAN YOU COME TO MY TRAILER IN ABOUT 20 MINUTES? 132 00:07:31,118 --> 00:07:32,995 I'LL HAVE SOME INFORMATION FOR YOU. 133 00:07:33,019 --> 00:07:34,939 - I'LL BE THERE. - IT'S NUMBER SEVEN. 134 00:07:37,758 --> 00:07:40,169 WELL, 99... 135 00:07:40,193 --> 00:07:43,706 IT'S TIME TO QUESTION OUR NEXT SUSPECT. 136 00:07:43,730 --> 00:07:47,376 SO MY MAGAZINE JUST WANTS ANYTHING THAT WOULD BE OF INTEREST TO OUR READERS. 137 00:07:47,400 --> 00:07:49,078 FOR EXAMPLE, 138 00:07:49,102 --> 00:07:51,915 DOES YOUR CONDITION PRESENT ANY PERSONAL PROBLEMS? 139 00:07:51,939 --> 00:07:54,906 WELL, I HAVE TROUBLE CHECKING INTO HOTELS. 140 00:07:57,044 --> 00:07:58,555 DO YOU ENJOY CIRCUS LIFE? 141 00:07:58,579 --> 00:08:00,957 - HMM, I HATE IT. - OH, REALLY? WHY? 142 00:08:00,981 --> 00:08:02,658 YOU MEET TOO MANY WEIRDOES. 143 00:08:02,682 --> 00:08:05,862 BESIDES, PEOPLE IN SHOW BUSINESS ARE TOO SELF-CENTERED. 144 00:08:05,886 --> 00:08:08,097 I OFTEN WORK WITH PEOPLE FOR MONTHS AND THEN 145 00:08:08,121 --> 00:08:11,400 WHEN I RUN INTO THEM YEARS LATER THEY DON'T EVEN SAY HELLO. 146 00:08:11,424 --> 00:08:13,624 WELL, PERHAPS THEY DON'T RECOGNIZE YOU. 147 00:08:14,795 --> 00:08:16,672 TELL ME, GERTRUDE-GERALD... 148 00:08:16,696 --> 00:08:18,941 PLEASE, CALL ME GERTIE-GERRY. 149 00:08:18,965 --> 00:08:20,910 ALL RIGHT, GERTIE-GERRY, 150 00:08:20,934 --> 00:08:23,145 WHAT DID YOU DO BEFORE YOU JOINED THE CIRCUS? 151 00:08:23,169 --> 00:08:24,803 I WAS A DANCE TEAM. 152 00:08:26,373 --> 00:08:29,285 UH, GERTIE-GERRY, MY READERS WOULD LIKE TO KNOW 153 00:08:29,309 --> 00:08:31,487 SOMETHING ABOUT YOUR PERSONAL TASTES. 154 00:08:31,511 --> 00:08:33,656 FOR EXAMPLE, 155 00:08:33,680 --> 00:08:35,625 HOW DO YOU FEEL ABOUT DIAMONDS? 156 00:08:35,649 --> 00:08:39,528 DIAMONDS. THEY DON'T MEAN A THING TO ME. 157 00:08:39,552 --> 00:08:43,499 ARE YOU ABSOLUTELY CERTAIN THAT DIAMONDS MEAN NOTHING TO YOU? 158 00:08:43,523 --> 00:08:45,935 WELL, DIAMONDS DO HAVE A CERTAIN APPEAL. 159 00:08:45,959 --> 00:08:48,504 THEY GLITTER LIKE A MILLION STARRY NIGHTS. 160 00:08:48,528 --> 00:08:51,206 YOU KNOW, IT'S STRANGE THAT YOU SHOULD ASK ABOUT DIAMONDS. 161 00:08:51,230 --> 00:08:52,908 WHY? 162 00:08:52,932 --> 00:08:54,810 WELL, TINY ALLEN THE MIDGET 163 00:08:54,834 --> 00:08:57,146 WAS TALKING ABOUT DIAMONDS JUST THE OTHER DAY. 164 00:08:57,170 --> 00:08:59,715 IN FACT... IN FACT HE OFFERED TO GIVE ME ONE. 165 00:08:59,739 --> 00:09:01,316 DID YOU ACCEPT? 166 00:09:01,340 --> 00:09:03,753 ARE YOU KIDDING? WITH HIM AROUND? 167 00:09:03,777 --> 00:09:06,088 TELL ME, WHAT DO YOU THINK OF THE SEVERAL DEATHS 168 00:09:06,112 --> 00:09:08,190 THAT HAVE OCCURRED IN THE CIRCUS RECENTLY? 169 00:09:08,214 --> 00:09:11,093 I IGNORE SUCH THINGS. I MIND MY OWN BUSINESS 170 00:09:11,117 --> 00:09:13,029 AND DEVOTE MYSELF TO MY TWO HOBBIES. 171 00:09:13,053 --> 00:09:14,429 WHAT ARE THEY? 172 00:09:14,453 --> 00:09:17,755 WEIGHTLIFTING AND EMBROIDERY. 173 00:09:19,993 --> 00:09:22,138 WELL, MAX, I GUESS WE BETTER GO SEE TINY ALLEN. 174 00:09:22,162 --> 00:09:24,439 I DON'T THINK GERTRUDE-GERALD KNOWS TOO MUCH. 175 00:09:24,463 --> 00:09:27,143 DON'T BE TOO SURE ABOUT THAT, 99. 176 00:09:27,167 --> 00:09:29,344 DID YOU NOTICE THE EXPRESSION ON THEIR FACES 177 00:09:29,368 --> 00:09:31,814 - WHEN I ASKED ABOUT THE DIAMONDS? - YES. 178 00:09:31,838 --> 00:09:33,448 ONE OF THEM IS LYING. 179 00:09:33,472 --> 00:09:35,685 WELL, HOW DID IT GO WITH GERTRUDE AND GERALD? 180 00:09:35,709 --> 00:09:37,119 OH, THEY WERE VERY NICE. 181 00:09:37,143 --> 00:09:39,955 I WONDER IF YOU COULD TELL US WHERE TRAILER NUMBER SEVEN IS. 182 00:09:39,979 --> 00:09:41,456 - TINY ALLEN, THE MIDGET? - YES. 183 00:09:41,480 --> 00:09:43,059 IT'S THAT ONE, RIGHT OVER THERE. 184 00:09:43,083 --> 00:09:45,549 UH, THANK YOU VERY MUCH. COME ON, 99. 185 00:09:53,059 --> 00:09:55,738 TINY ALLEN? 186 00:09:55,762 --> 00:09:59,141 TINY ALLEN. 187 00:09:59,165 --> 00:10:02,678 FOR A LITTLE FELLOW HE'S GOT A REAL DEEP VOICE. 188 00:10:02,702 --> 00:10:05,181 MAX, THAT'S IT OVER THERE, NUMBER SEVEN. 189 00:10:05,205 --> 00:10:06,537 OH. 190 00:10:19,418 --> 00:10:21,964 CAN HONDO HELP YOU? 191 00:10:21,988 --> 00:10:23,899 UH, YES. WELL, YOU SEE, 192 00:10:23,923 --> 00:10:27,169 I HAD AN APPOINTMENT WITH TINY ALLEN AND THE DOOR IS LOCKED. 193 00:10:27,193 --> 00:10:31,040 ME STRONGMAN. ME FIX. 194 00:10:31,064 --> 00:10:32,797 UH! 195 00:10:37,403 --> 00:10:41,272 YOU KNOW, I HAD A DENTIST IN THE ARMY THAT USED TO WORK THE SAME WAY. 196 00:10:54,254 --> 00:10:56,332 THAT'S STRANGE, 99. 197 00:10:56,356 --> 00:10:59,135 ALL THE WINDOWS ARE LOCKED FROM THE INSIDE TOO. 198 00:10:59,159 --> 00:11:01,904 MAX, LOOK! 199 00:11:01,928 --> 00:11:04,340 HE'S BEEN SHOT THROUGH THE BACK AT CLOSE RANGE. 200 00:11:04,364 --> 00:11:06,442 HMM, COMMITTED SUICIDE. 201 00:11:06,466 --> 00:11:08,944 THAT'S IMPOSSIBLE, MAX. 202 00:11:08,968 --> 00:11:11,347 YOU'RE RIGHT. THERE'S NO GUN. 203 00:11:11,371 --> 00:11:13,349 WAIT A MINUTE. IF ALL THE DOORS AND WINDOWS 204 00:11:13,373 --> 00:11:16,652 ARE LOCKED FROM THE INSIDE, HOW DID THE MURDERER GET OUT? 205 00:11:16,676 --> 00:11:19,222 WELL, MAYBE HE WAS MURDERED ON THE OUTSIDE 206 00:11:19,246 --> 00:11:21,591 AND THEN SLIPPED IN THROUGH THIS TRANSOM. 207 00:11:21,615 --> 00:11:23,226 BUT THEN HOW DID HE LOCK THE DOOR? 208 00:11:23,250 --> 00:11:26,262 SIMPLY BY TURNING THE KEY, 99. 209 00:11:26,286 --> 00:11:29,198 HAVE YOU EVER HEARD OF A CASE WHERE A DEAD MAN LOCKED A DOOR? 210 00:11:29,222 --> 00:11:32,768 NO. NOT UNTIL NOW. 211 00:11:32,792 --> 00:11:34,803 THERE MUST BE SOME OTHER EXPLANATION. 212 00:11:34,827 --> 00:11:37,806 MAYBE WE SHOULD QUESTION THAT STRONGMAN. 213 00:11:37,830 --> 00:11:39,375 YOU'RE RIGHT, 99. 214 00:11:39,399 --> 00:11:42,311 HE CERTAINLY WAS CLOSE BY THIS TRAILER WHEN WE ARRIVED. 215 00:11:42,335 --> 00:11:44,269 - COME ON. - RIGHT. 216 00:11:49,575 --> 00:11:52,621 PARDON ME, HONDO, COULD I ASK YOU A FEW QUESTIONS? 217 00:11:52,645 --> 00:11:54,523 ME HONDO. 218 00:11:54,547 --> 00:11:57,226 CIRCUS STRONGMAN. 219 00:11:57,250 --> 00:12:00,729 UH, ME MAXWELL SMART. MAGAZINE REPORTER. 220 00:12:00,753 --> 00:12:03,454 YOU CERTAINLY DO LOOK STRONG, HONDO. 221 00:12:08,228 --> 00:12:11,674 HONDO CAN LIFT LOCOMOTIVE WITH ONE HAND. 222 00:12:11,698 --> 00:12:13,209 REALLY? 223 00:12:13,233 --> 00:12:16,512 UM, DO YOU HAPPEN TO KNOW ANYTHING ABOUT DIAMONDS, HONDO? 224 00:12:16,536 --> 00:12:19,548 HONDO CAN CRUSH DIAMONDS WITH TEETH. 225 00:12:19,572 --> 00:12:21,384 WHAT KIND OF A TRICK IS THAT? 226 00:12:21,408 --> 00:12:22,852 EXPENSIVE. 227 00:12:22,876 --> 00:12:24,353 WHAT ELSE DOES HONDO DO? 228 00:12:24,377 --> 00:12:26,388 HONDO'S GREATEST TRICK 229 00:12:26,412 --> 00:12:30,325 IS KEEPING TWIN-ENGINE PLANE FROM TAKING OFF. 230 00:12:30,349 --> 00:12:31,593 HOW DO YOU DO THAT? 231 00:12:31,617 --> 00:12:34,685 I BREAK PILOT'S LEGS. 232 00:12:35,788 --> 00:12:37,300 THAT HONDO IS A BRUTE. 233 00:12:37,324 --> 00:12:40,369 YES, BUT FORTUNATELY WE'RE TRAINED TO DEAL WITH GUYS LIKE THAT. 234 00:12:40,393 --> 00:12:43,439 - HOW, MAX? - BY TRYING NOT TO ANTAGONIZE THEM. 235 00:12:43,463 --> 00:12:45,407 WELL, WE'RE RIGHT BACK WHERE WE STARTED. 236 00:12:45,431 --> 00:12:47,210 NOT QUITE, 99. 237 00:12:47,234 --> 00:12:49,312 LET'S TAKE A LOOK AT WHAT WE'VE GOT: 238 00:12:49,336 --> 00:12:52,215 A DEAD MIDGET, A CHIMPANZEE, 239 00:12:52,239 --> 00:12:54,984 A STRONGMAN WHO CRUSHES CAMERAS WITH HIS HANDS, 240 00:12:55,008 --> 00:12:58,221 A HALF-MAN, HALF-WOMAN WHO LIKES EMBROIDERY AND WEIGHTLIFTING. 241 00:12:58,245 --> 00:12:59,989 IT'S ALL BEGINNING TO FORM A PATTERN. 242 00:13:00,013 --> 00:13:01,190 MAX, YOU MEAN YOU KNOW? 243 00:13:02,415 --> 00:13:05,694 MAX, THAT KNIFE MISSED YOU BY INCHES. 244 00:13:05,718 --> 00:13:07,718 YOU THINK IT'S SOME KIND OF A WARNING? 245 00:13:09,389 --> 00:13:11,033 WAIT A MINUTE, 99. 246 00:13:11,057 --> 00:13:14,203 I'VE SEEN THAT KNIFE SOMEWHERE BEFORE. BUT WHERE? 247 00:13:14,227 --> 00:13:17,907 - MAX, I KNOW. - HOLD IT, 99, I'M TRYING TO PLACE THE KNIFE. 248 00:13:17,931 --> 00:13:20,343 - BUT, MAX, THAT KNIFE... - 99, WOULD YOU PLEASE BE QUIET? 249 00:13:20,367 --> 00:13:22,912 - YOU'RE INTERRUPTING MY TRAIN OF THOUGHT. - IT'S RAYMOND'S KNIFE. 250 00:13:22,936 --> 00:13:25,014 THERE, NOW YOU'VE DONE IT. NOW YOU'VE DONE IT. 251 00:13:25,038 --> 00:13:28,184 YOU'VE BROKEN MY TRAIN OF THOUGHT WHEN I ALMOST HAD IT. 252 00:13:28,208 --> 00:13:30,219 WAIT A MINUTE. WAIT A MINUTE. 253 00:13:30,243 --> 00:13:33,489 RAYMOND'S KNIVES HAD THE SAME KIND OF HANDLES. 254 00:13:33,513 --> 00:13:35,391 THIS MUST BE RAYMOND'S KNIFE. 255 00:13:35,415 --> 00:13:38,460 GOOD THINKING, MAX. 256 00:13:38,484 --> 00:13:41,363 NOW THAT WE KNOW WHO THE KNIFE BELONGS TO, 257 00:13:41,387 --> 00:13:43,832 ALL WE HAVE TO DO IS TO FIGURE OUT 258 00:13:43,856 --> 00:13:46,602 WHO THREW IT. 259 00:13:48,728 --> 00:13:51,073 MAX, IT HAS TO BE RAYMOND'S KNIFE. 260 00:13:51,097 --> 00:13:54,209 WELL, IF IT IS, HE'S IN A LOT OF TROUBLE. 261 00:13:54,233 --> 00:13:56,845 - WHY? - HE MISSED ME TWICE. 262 00:13:56,869 --> 00:13:59,503 HE COULD LOSE HIS JOB. 263 00:14:13,886 --> 00:14:17,399 IT'S NO USE, 99. WE'VE SEARCHED EVERYWHERE AND STILL NO DIAMONDS. 264 00:14:17,423 --> 00:14:20,220 I'D BETTER CALL IN. YOU KEEP A SHARP LOOKOUT. 265 00:14:20,244 --> 00:14:21,244 RIGHT. 266 00:14:26,900 --> 00:14:29,378 - What have you got, Max? - ABSOLUTELY NOTHING, CHIEF. 267 00:14:29,402 --> 00:14:31,013 WE'RE DRAWING A COMPLETE BLANK. 268 00:14:31,037 --> 00:14:33,882 HAVE YOU SEARCHED EVERYWHERE? THOSE DIAMONDS HAVE GOT TO BE THERE. 269 00:14:33,906 --> 00:14:38,053 BELIEVE ME, CHIEF, WE HAVE SEARCHED EVERYWHERE. 270 00:14:38,077 --> 00:14:41,657 EXCEPT IN THE LION'S CAGE. 271 00:14:41,681 --> 00:14:43,159 WHY HAVEN'T YOU SEARCHED THERE, MAX? 272 00:14:43,183 --> 00:14:45,661 ARE YOU KIDDING? THERE ARE LIONS IN THERE! 273 00:14:45,685 --> 00:14:47,563 MAX, WHEN YOU JOINED CONTROL 274 00:14:47,587 --> 00:14:49,731 YOU KNEW IT WOULD INVOLVE CERTAIN RISKS. 275 00:14:49,755 --> 00:14:51,600 I KNOW, CHIEF, BUT... 276 00:14:51,624 --> 00:14:54,236 WELL, YOU JUST CAN'T GO BARGING INTO A LION'S CAGE. 277 00:14:54,260 --> 00:14:55,871 THEY MAY RESENT STRANGERS. 278 00:14:55,895 --> 00:14:59,375 MAX, I DON'T EXPECT YOU TO GO INTO THE CAGE ALONE. 279 00:14:59,399 --> 00:15:02,278 - OH. - Take a whip and a chair. 280 00:15:02,302 --> 00:15:04,313 A WHIP AND A CHAIR? 281 00:15:04,337 --> 00:15:07,649 WELL, TO TELL YOU THE TRUTH, CHIEF, THOSE LIONS LOOK PRETTY MEAN. 282 00:15:07,673 --> 00:15:09,818 I DON'T THINK A WHIP AND A CHAIR WILL BE ENOUGH. 283 00:15:09,842 --> 00:15:11,187 WHAT DO YOU HAVE IN MIND, MAX? 284 00:15:11,211 --> 00:15:15,090 UH, WELL... DOES THE WORD "BAZOOKA" MEAN ANYTHING TO YOU? 285 00:15:15,114 --> 00:15:17,959 MAX, WE HAVE TO HAVE THOSE DIAMONDS TO MAKE AN ARREST. 286 00:15:17,983 --> 00:15:21,630 IT COULD MEAN THE END OF THE KAOS SMUGGLING OPERATION ONCE AND FOR ALL. 287 00:15:21,654 --> 00:15:22,931 RIGHT, CHIEF. 288 00:15:22,955 --> 00:15:25,100 NOW, YOU'RE JUST GOING TO HAVE TO GO IN THERE 289 00:15:25,124 --> 00:15:27,736 AND FACE THOSE VICIOUS, HUNGRY, MAN-EATING LIONS. 290 00:15:27,760 --> 00:15:29,338 - BUT, MAX... - YES, CHIEF? 291 00:15:29,362 --> 00:15:31,662 DON'T TAKE ANY UNNECESSARY RISKS. 292 00:15:33,933 --> 00:15:36,211 WHAT DID HE SAY, MAX? 293 00:15:36,235 --> 00:15:39,382 - I'VE GOTTA GO INTO THE LION'S CAGE. - MAX, YOU CAN'T DO THAT. 294 00:15:39,406 --> 00:15:41,917 I'VE GOT TO, 99. IT'S AN ORDER. 295 00:15:41,941 --> 00:15:44,019 AND AN ORDER IS AN ORDER. NOTHING CAN STOP ME. 296 00:15:44,043 --> 00:15:45,254 HOLD IT, SMART! 297 00:15:45,278 --> 00:15:47,589 BOY, AM I GLAD TO SEE YOU. 298 00:15:47,613 --> 00:15:50,759 IT'LL BE A PLEASURE TO GET RID OF TWO MORE CONTROL AGENTS. 299 00:15:50,783 --> 00:15:54,429 WAIT A MINUTE, HANLON, HOW DID YOU KNOW I WAS A CONTROL AGENT? 300 00:15:54,453 --> 00:15:57,400 ANY MAN WHO WILL GO INTO A LION'S CAGE UNARMED 301 00:15:57,424 --> 00:15:59,735 IS EITHER A CONTROL AGENT OR A FOOL. 302 00:15:59,759 --> 00:16:02,738 ARE YOU SURE THOSE ARE MY ONLY CHOICES? 303 00:16:02,762 --> 00:16:05,040 - ALL RIGHT, DROP THAT CHAIR! - 99, DUCK! 304 00:16:08,434 --> 00:16:10,312 OH! 305 00:16:10,336 --> 00:16:14,071 ALL RIGHT, HONDO. I'M USED TO DEALING WITH BIG UGLY APES LIKE YOU. 306 00:16:23,249 --> 00:16:25,928 UH, LISTEN, HONDO, I... 307 00:16:25,952 --> 00:16:29,186 I HOPE I WASN'T OUT OF LINE WITH THAT CRACK ABOUT THE APE. 308 00:16:39,365 --> 00:16:41,243 SO, HANLON, 309 00:16:41,267 --> 00:16:43,446 YOU'RE THE LEADER OF THIS LITTLE CONSPIRACY. 310 00:16:43,470 --> 00:16:45,681 THAT'S RIGHT, MR. SMART. 311 00:16:45,705 --> 00:16:49,017 DIAMONDS ARE SO MUCH MORE REWARDING THAN PRESS AGENTRY. 312 00:16:49,041 --> 00:16:51,854 OF COURSE I KNEW FROM THE FIRST YOU WEREN'T REPORTERS. 313 00:16:51,878 --> 00:16:53,956 OH, WHAT MADE YOU SUSPICIOUS? 314 00:16:53,980 --> 00:16:55,624 YOU ASKED TOO MANY QUESTIONS. 315 00:16:55,648 --> 00:16:58,783 OF COURSE, I KNEW THAT WOULD GIVE US AWAY. 316 00:16:59,919 --> 00:17:02,497 AND NOW YOU KNOW TOO MUCH TO LIVE. 317 00:17:02,521 --> 00:17:04,900 HOW ARE YOU GOING TO EXPLAIN OUR DISAPPEARANCE? 318 00:17:04,924 --> 00:17:08,003 SINCE ACCIDENTAL DEATH IS NOT UNCOMMON IN THE CIRCUS, 319 00:17:08,027 --> 00:17:11,373 WE'LL ARRANGE TO HAVE YOU BOTH KILLED AT TONIGHT'S PERFORMANCE. 320 00:17:11,397 --> 00:17:15,077 THE HIGHLIGHT OF EACH PERFORMANCE IS WHEN A MAN IS SHOT FROM A CANNON. 321 00:17:15,101 --> 00:17:19,081 HONDO, PREPARE MR. SMART TO BE THE HUMAN CANNONBALL. 322 00:17:19,105 --> 00:17:21,984 THE HUMAN CANNONBALL. 323 00:17:22,008 --> 00:17:24,853 THE HUMAN CANNONBALL? 324 00:17:24,877 --> 00:17:27,356 SO, THAT'S HOW YOU PLAN TO KILL ME. 325 00:17:27,380 --> 00:17:29,825 NO, THAT'S HOW WE DISPOSE OF THE BODY. 326 00:17:29,849 --> 00:17:33,361 OH, THAT'S DIFFERENT. 327 00:17:33,385 --> 00:17:36,498 LISTEN, HANLON, LEAVE THE GIRL ALONE. SHE DOESN'T KNOW A THING. 328 00:17:36,522 --> 00:17:38,567 I'M AFRAID THAT'S IMPOSSIBLE, SMART. 329 00:17:38,591 --> 00:17:40,803 WE'RE DEPENDING ON YOUR LOVELY ASSISTANT 330 00:17:40,827 --> 00:17:42,805 TO BE OUR NEW LION TAMER. 331 00:17:42,829 --> 00:17:44,807 SHE SHOULD SURVIVE NO MORE THAN 10 SECONDS 332 00:17:44,831 --> 00:17:46,942 IN THERE WITH THOSE HUNGRY CATS. 333 00:17:46,966 --> 00:17:48,477 MAX, I'M SCARED. 334 00:17:48,501 --> 00:17:50,946 DON'T BE SCARED, 99, WE HOLD THE ACES IN THIS GAME. 335 00:17:50,970 --> 00:17:53,548 - WHAT DO YOU MEAN? - JUST THIS, HANLON: 336 00:17:53,572 --> 00:17:57,519 IN THE MORNING THE POLICE WILL RECEIVE A LETTER EXPOSING YOUR ENTIRE OPERATION, 337 00:17:57,543 --> 00:18:00,990 WHICH I TOOK THE PRECAUTION OF WRITING LAST NIGHT. 338 00:18:01,014 --> 00:18:03,025 I TOLD YOU HE WAS DANGEROUS. 339 00:18:03,049 --> 00:18:07,518 WHEN THE POLICE GET THIS LETTER, YOU'LL ALL GO TO PRISON FOR... 340 00:18:11,157 --> 00:18:14,903 LISTEN, HONDO, YOU WANT TO MAKE YOURSELF $10.00? MAIL THIS LETTER. 341 00:18:14,927 --> 00:18:17,272 HONDO, DESTROY THAT LETTER! 342 00:18:17,296 --> 00:18:18,929 DESTROY IT! 343 00:18:21,700 --> 00:18:24,013 IF IT WAS PHONE BOOK... 344 00:18:24,037 --> 00:18:27,505 TAKE THEM AWAY! TAKE THEM! 345 00:18:28,774 --> 00:18:32,121 THIS ISN'T FAIR, TWO AGAINST ONE. 346 00:18:34,213 --> 00:18:36,525 OH, MAX, I'M AFRAID THIS IS IT. 347 00:18:36,549 --> 00:18:39,294 HANLON SAID THOSE LIONS HAVEN'T BEEN FED IN THREE DAYS. 348 00:18:39,318 --> 00:18:41,696 OH, I'M SURE HE'S EXAGGERATING, 99. 349 00:18:41,720 --> 00:18:43,698 THEY MUST HAVE SENT OUT FOR SOMETHING. 350 00:18:43,722 --> 00:18:46,502 A SANDWICH, A DOUGHNUT, PIECE OF STRUDEL. 351 00:18:46,526 --> 00:18:49,006 I HOPE YOU'RE RIGHT, MAX. 352 00:18:49,095 --> 00:18:50,839 LISTEN, 99... 353 00:18:50,863 --> 00:18:53,142 IN CASE I DON'T GET OUT OF THIS ALIVE AND YOU DO... 354 00:18:53,166 --> 00:18:55,110 MAX, YOU WILL GET OUT OF THIS ALIVE! 355 00:18:55,134 --> 00:18:58,180 WELL, JUST IN CASE I DON'T, 99, I'D LIKE YOU TO DO ME A FAVOR. 356 00:18:58,204 --> 00:19:00,449 I DON'T WANT A BIG FUNERAL. 357 00:19:00,473 --> 00:19:03,218 I'D JUST LIKE A FEW OF MY CLOSE FRIENDS TO GET TOGETHER 358 00:19:03,242 --> 00:19:06,988 AND TRY TO BRING ME BACK TO LIFE. 359 00:19:07,012 --> 00:19:10,526 IF ONLY WE COULD GET OUT OF THESE ROPES. 360 00:19:12,952 --> 00:19:15,030 - 99, WAIT A MINUTE. - WHAT? 361 00:19:15,054 --> 00:19:18,133 - THESE GLASS BUTTONS. - MAX, TRY IT. 362 00:19:18,157 --> 00:19:21,158 HURRY, MAX, HURRY. 363 00:19:23,596 --> 00:19:27,309 99, THESE BUTTONS ARE CUTTING THROUGH THESE ROPES LIKE BUTTER. 364 00:19:27,333 --> 00:19:29,066 MAX, YOU DON'T THINK... 365 00:19:33,172 --> 00:19:36,085 THEY'RE DIAMONDS, 99. HIDDEN RIGHT OUT HERE IN PLAIN VIEW. 366 00:19:36,109 --> 00:19:37,519 MAX, QUICK, THEY'RE COMING. 367 00:19:37,543 --> 00:19:39,254 - HURRY! - NOW LISTEN, 368 00:19:39,278 --> 00:19:42,157 JUST KEEP YOUR HANDS BEHIND YOUR BACK AND WHEN WE GET OUTSIDE 369 00:19:42,181 --> 00:19:44,014 - WE'LL MAKE A BREAK FOR IT. - RIGHT, MAX. 370 00:19:46,586 --> 00:19:48,197 ALL RIGHT, MR. SMART, 371 00:19:48,221 --> 00:19:49,731 YOU'RE ABOUT TO MAKE YOUR DEBUT 372 00:19:49,755 --> 00:19:52,834 AND YOUR FAREWELL APPEARANCE ALL IN ONE NIGHT. 373 00:19:52,858 --> 00:19:55,126 RAYMOND, CUT THE ROPES. 374 00:19:57,463 --> 00:19:59,174 ALL RIGHT, GET UP! 375 00:19:59,198 --> 00:20:02,677 - MAX... - QUIET, 99, THE SHOW MUST GO ON. 376 00:20:02,701 --> 00:20:04,401 LET'S GO. 377 00:20:09,275 --> 00:20:10,474 NOW! 378 00:20:12,612 --> 00:20:14,623 - OH! - I'LL GET HIM, YOU GET HER. 379 00:20:14,647 --> 00:20:16,125 NO, I'LL GET HIM. YOU GET HER. 380 00:20:16,149 --> 00:20:19,094 - NEVER MIND, I'LL GET THEM BOTH. - RIGHT. 381 00:20:19,118 --> 00:20:21,399 NICE GOING, MAX! 382 00:20:21,854 --> 00:20:25,601 OH! MAX, IT'S HONDO. 383 00:20:25,625 --> 00:20:28,237 I KNOW IT'S HONDO. 384 00:20:28,261 --> 00:20:29,871 SHOOT! SHOOT! 385 00:20:29,895 --> 00:20:32,741 NO, I DON'T WANT TO AROUSE THE CROWD INSIDE UNLESS I HAVE TO. 386 00:20:32,765 --> 00:20:35,399 - USE YOUR KNIVES! - NO! 387 00:20:44,109 --> 00:20:46,188 NOW, LOOK WHAT YOU'VE DONE, HONDO. 388 00:20:46,212 --> 00:20:48,624 YOU'VE RUINED A PERFECTLY GOOD CROWBAR. 389 00:20:48,648 --> 00:20:50,692 GRAB HIM, HONDO! 390 00:20:50,716 --> 00:20:53,817 RAYMOND, THROW YOUR KNIVES. 391 00:20:56,389 --> 00:20:58,834 MAX! 392 00:20:58,858 --> 00:21:02,171 MISSED ME BY THAT MUCH. 393 00:21:02,195 --> 00:21:03,861 TWICE. 394 00:21:05,331 --> 00:21:08,232 HONDO KNOW WHY. 395 00:21:13,439 --> 00:21:16,818 NO, HONDO, NO NO NO NO! 396 00:21:16,842 --> 00:21:18,353 STOP IT, HONDO, STOP! 397 00:21:18,377 --> 00:21:19,988 NO! 398 00:21:20,012 --> 00:21:23,158 I'LL HAVE TO FINISH YOU TWO OFF MYSELF. 399 00:21:26,151 --> 00:21:30,065 TAKE CARE OF THESE TWO MEN. AND TAKE CARE OF THIS ONE TOO. 400 00:21:30,089 --> 00:21:32,167 - 99, ARE YOU ALL RIGHT? - CHIEF! 401 00:21:32,191 --> 00:21:34,202 SO, THIS IS WHAT YOU DO AT NIGHT. 402 00:21:34,226 --> 00:21:36,505 WHEN I DIDN'T HEAR FROM YOU FOR SIX HOURS, I WAS AFRAID 403 00:21:36,529 --> 00:21:38,740 THEY MIGHT TRY SOMETHING AT TONIGHT'S PERFORMANCE. 404 00:21:38,764 --> 00:21:40,375 ARE YOU ALL RIGHT, MAX? 405 00:21:40,399 --> 00:21:42,711 YES, I'M FINE, 99, EXCEPT FOR MY BODY. 406 00:21:42,735 --> 00:21:44,512 WE FOUND THE DIAMONDS, CHIEF. 407 00:21:44,536 --> 00:21:48,016 - THEY WERE PART OF RAYMOND THE MAGNIFICENT'S COSTUME. - GOOD WORK, 99. 408 00:21:48,040 --> 00:21:50,385 YES, CHIEF, THOSE THREE WERE PART OF A KAOS GANG 409 00:21:50,409 --> 00:21:53,021 THAT WAS RESPONSIBLE FOR THE MURDER OF THOSE AGENTS. 410 00:21:53,045 --> 00:21:56,058 WHAT ABOUT HIM? I MEAN, HER? 411 00:21:56,082 --> 00:21:58,560 - I DON'T KNOW WHAT I MEAN. - THAT'S GERTRUDE-GERALD, 412 00:21:58,584 --> 00:22:01,230 ONE OF THE MOST INSIDIOUS VILLAINS I'VE EVER ENCOUNTERED, 413 00:22:01,254 --> 00:22:03,431 WITH ALL THE CUNNING OF A MAN 414 00:22:03,455 --> 00:22:05,734 AND THE STRENGTH OF A WOMAN. 415 00:22:05,758 --> 00:22:07,836 I THINK IT'S THE OTHER WAY AROUND, MAX. 416 00:22:07,860 --> 00:22:10,572 HUH? OH... EH, YES, RIGHT, 99. 417 00:22:10,596 --> 00:22:12,574 ALL RIGHT, GERTRUDE-GERALD, COME ALONG. 418 00:22:12,598 --> 00:22:14,576 YOU PLAYED YOUR LAST PERFORMANCE. 419 00:22:14,600 --> 00:22:18,080 WAIT A MINUTE, CHIEF. AREN'T YOU GONNA FRISK HER? UH, HIM... UH, THEM? 420 00:22:18,104 --> 00:22:20,515 MAX, WE'LL TAKE CARE OF THAT DOWN AT HEADQUARTERS. 421 00:22:20,539 --> 00:22:22,650 WAIT A MINUTE, CHIEF. WHY TAKE ANY CHANCES? 422 00:22:22,674 --> 00:22:25,120 WHY DON'T WE TAKE CARE OF IT RIGHT HERE AND NOW? 423 00:22:25,144 --> 00:22:27,089 MAX, IT MIGHT BE A LITTLE EMBARRASSING. 424 00:22:27,113 --> 00:22:29,224 HUH? OH. 425 00:22:29,248 --> 00:22:31,660 YES, I SEE WHAT YOU MEAN, CHIEF. WELL, 426 00:22:31,684 --> 00:22:34,663 IT'S REALLY QUITE SIMPLE, CHIEF. HERE'S WHAT WE'LL DO... 427 00:22:34,687 --> 00:22:37,165 I'LL FRISK GERTRUDE AND YOU'LL FRISK GERALD. 428 00:22:37,189 --> 00:22:38,467 NO, MAX. 429 00:22:38,491 --> 00:22:40,135 I'VE GOT IT, CHIEF. 430 00:22:40,159 --> 00:22:44,840 I'LL FRISK 99 AND YOU FRISK GERTRUDE AND GERALD. 431 00:22:44,864 --> 00:22:48,599 YOU WANNA FRISK ME AND LET GERTRUDE AND GERALD FRISK EACH OTHER? 432 00:22:49,868 --> 00:22:51,780 I'VE GOT AN IDEA, CHIEF. 433 00:22:51,804 --> 00:22:56,507 WHY DON'T WE TAKE THEM DOWN TO HEADQUARTERS AND FRISK THEM DOWN THERE? 434 00:23:02,415 --> 00:23:05,193 86, THERE IS JUST ONE LOOSE END TO THIS CASE. 435 00:23:05,217 --> 00:23:08,364 HOW DID THEY MURDER TINY ALLEN IN A LOCKED ROOM? 436 00:23:08,388 --> 00:23:10,332 THAT'S WHAT I'M TRYING TO TELL YOU, CHIEF. 437 00:23:10,356 --> 00:23:13,301 SHH! HERE COMES YOUR ANSWER NOW. 438 00:23:16,396 --> 00:23:18,340 IT'S RUDOLPH THE CIRCUS MASCOT. 439 00:23:18,364 --> 00:23:20,227 I'M AFRAID WE'RE GONNA HAVE TO ARREST HIM 440 00:23:20,251 --> 00:23:22,277 AS AN ACCESSORY IN THE MURDER OF TINY ALLEN. 441 00:23:22,301 --> 00:23:23,545 YOU'RE IN A LOT OF TROUBLE, LITTLE FELLOW. 442 00:23:23,569 --> 00:23:25,414 MAX, WHAT ARE YOU TALKING ABOUT? 443 00:23:25,438 --> 00:23:27,883 THAT'S WHAT I'M TRYING TO TELL YOU, CHIEF. DON'T YOU SEE WHAT HAPPENED? 444 00:23:27,907 --> 00:23:29,217 HANLON MURDERED THE MIDGET, 445 00:23:29,241 --> 00:23:31,119 THEN HE SENT THIS TRAINED MONKEY THROUGH THE TRANSOM, 446 00:23:31,143 --> 00:23:33,522 HAD HIM LOCK THE DOOR AND LEAVE THE SAME WAY. 447 00:23:33,546 --> 00:23:35,891 THAT'S INGENIOUS, BUT HOW DID YOU KNOW HE'D COME BACK? 448 00:23:35,915 --> 00:23:39,728 BECAUSE THE CRIMINAL ALWAYS RETURNS TO THE SCENE OF HIS CRIME. 449 00:23:39,752 --> 00:23:42,564 - KIND OF A SHAME THOUGH, CHIEF. - WHAT DO YOU MEAN? 450 00:23:42,588 --> 00:23:46,367 WELL, POOR LITTLE DEVIL IS GONNA HAVE TO SPEND THE REST OF HIS LIFE BEHIND BARS. 35158

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