All language subtitles for Get Smart S02E04 The Only Way to Die.DVDRip.NonHI.cc.en.HBO

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These are the user uploaded subtitles that are being translated: 1 00:00:13,980 --> 00:00:17,327 - CHRISTOPHER. - AH, STROMBERG. 2 00:00:17,351 --> 00:00:18,628 HOW WAS YOUR FLIGHT? 3 00:00:18,652 --> 00:00:20,163 EXCELLENT. 4 00:00:20,187 --> 00:00:21,764 COFFEE TO START WITH, SIR? 5 00:00:21,788 --> 00:00:23,522 PLEASE. 6 00:00:27,394 --> 00:00:30,072 WELL, CHRISTOPHER, IS EVERYTHING PREPARED 7 00:00:30,096 --> 00:00:31,674 FOR THE BLASTER'S ANNUAL VISIT? 8 00:00:31,698 --> 00:00:32,978 YES YES, OF COURSE. 9 00:00:34,067 --> 00:00:35,345 WHAT NATIONAL BUILDING 10 00:00:35,369 --> 00:00:37,280 IS THE BLASTER GOING TO BLOW UP THIS YEAR? 11 00:00:37,304 --> 00:00:40,517 THE U.S. INTERNAL REVENUE BUILDING. 12 00:00:40,541 --> 00:00:42,352 HOW MAGNIFICENT! 13 00:00:42,376 --> 00:00:45,755 IT'LL THROW THE AMERICAN ECONOMY INTO COMPLETE CONFUSION. 14 00:00:45,779 --> 00:00:47,757 ANOTHER TRIUMPH FOR KAOS. 15 00:00:47,781 --> 00:00:50,493 THE BLASTER WILL ENTER THE COUNTRY IN THE NEXT 48 HOURS. 16 00:00:50,517 --> 00:00:53,263 THE BUILDING WILL BE BLOWN UP EXACTLY ONE WEEK FROM TONIGHT. 17 00:00:53,287 --> 00:00:56,232 HOW IS THE BLASTER GETTING INTO THE COUNTRY THIS TIME? 18 00:00:56,256 --> 00:00:58,768 HE'S COMING IN WITH "THE LOVER." 19 00:01:00,861 --> 00:01:04,573 OH, I'M TERRIBLY SORRY. I GOT ASHES IN YOUR COFFEE. 20 00:01:04,597 --> 00:01:07,598 IT'S ALL RIGHT. I'LL GET A FRESH CUP. 21 00:01:31,225 --> 00:01:32,768 GOOD AFTERNOON. 22 00:01:32,792 --> 00:01:35,271 GOOD AFTERNOON. 23 00:01:35,295 --> 00:01:38,174 THERE IS A MAN STANDING BEHIND YOU WITH A GUN IN YOUR BACK. 24 00:01:38,198 --> 00:01:40,844 I ADVISE YOU TO DO EXACTLY AS HE SAYS. 25 00:01:40,868 --> 00:01:43,847 SO OUR OLD FRIEND MAXWELL SMART. 26 00:01:43,871 --> 00:01:46,916 NOW JUST A MINUTE. YOU GUYS ARE A LITTLE OUT OF LINE. 27 00:01:46,940 --> 00:01:50,253 I WAS JUST SITTING HERE READING MY NEWSPAPER AND WAITING FOR MY LUNCH. 28 00:01:50,277 --> 00:01:52,956 AND LISTENING IN TO A FLOWER? 29 00:01:52,980 --> 00:01:55,758 ISN'T THAT A LITTLE BIT UNUSUAL? 30 00:01:55,782 --> 00:01:59,351 NOT AS UNUSUAL AS WHAT YOUR FRIEND'S DOING... HE'S TALKING INTO ONE. 31 00:02:05,525 --> 00:02:08,471 - NOW, MR. SMART... - WHAT? 32 00:02:08,495 --> 00:02:10,874 I SUGGEST YOU DON'T MAKE A SCENE. 33 00:02:10,898 --> 00:02:13,943 JUST GET UP AND WALK TO THAT GREEN SEDAN PARKED AT THE CURB. 34 00:02:13,967 --> 00:02:16,546 BUT I HAVEN'T HAD MY BACON AND EGGS YET. 35 00:02:16,570 --> 00:02:18,214 HOW UNFORTUNATE. 36 00:02:18,238 --> 00:02:21,551 BUT YOU DON'T UNDERSTAND. IF I DON'T HAVE MY LUNCH HERE 37 00:02:21,575 --> 00:02:23,953 I CAN'T GET MY PARKING TICKET VALIDATED. 38 00:02:23,977 --> 00:02:25,510 START WALKING. 39 00:02:29,383 --> 00:02:30,823 OH, I BEG YOUR PARDON, SIR. 40 00:02:38,692 --> 00:02:41,271 - Woman: WHAT HAPPENED TO HIM? - I THINK HE'S BEEN SHOT. 41 00:02:41,295 --> 00:02:43,640 - I DIDN'T HEAR ANY SHOOTING. - SOMEBODY CALL A COP. 42 00:02:43,664 --> 00:02:45,908 - GET AN AMBULANCE! - SOMEBODY GET AN AMBULANCE! 43 00:02:45,932 --> 00:02:48,878 IT'S TOO LATE. THIS MAN IS DEAD. 44 00:02:50,937 --> 00:02:54,071 HEY, CHARLIE, CANCEL THE BACON AND EGGS! 45 00:04:06,447 --> 00:04:09,592 POOR MAX. HE WAS SO YOUNG. 46 00:04:09,616 --> 00:04:10,860 YES, HE WAS YOUNG. 47 00:04:10,884 --> 00:04:12,695 AND VITAL. 48 00:04:12,719 --> 00:04:14,230 HE WAS VITAL. 49 00:04:14,254 --> 00:04:16,020 AND INTELLIGENT. 50 00:04:18,659 --> 00:04:20,036 LOYAL? 51 00:04:20,060 --> 00:04:21,225 YES, HE WAS LOYAL. 52 00:04:22,696 --> 00:04:25,442 OH, POOR FANG. HE'S SO UPSET. 53 00:04:25,466 --> 00:04:29,278 FANG AND MAX WERE IN THE SAME GRADUATING CLASS AT SPY SCHOOL. 54 00:04:29,302 --> 00:04:32,114 OH CHIEF, PLEASE LET ME GO AFTER WHOEVER DID THIS. 55 00:04:32,138 --> 00:04:33,683 I CAN'T DO THAT, 99. 56 00:04:33,707 --> 00:04:36,185 I'M ASSIGNING YOU TO A CASE THAT ONLY YOU CAN HANDLE. 57 00:04:36,209 --> 00:04:37,787 WHAT'S THAT? 58 00:04:37,811 --> 00:04:39,456 ANTONIO CARLOS CARIOCA. 59 00:04:39,480 --> 00:04:41,925 OH CHIEF, EVERY TIME HE COMES IN TOWN 60 00:04:41,949 --> 00:04:43,893 ALL HE DOES IS STAY UP ALL NIGHT PARTYING. 61 00:04:43,917 --> 00:04:46,596 I KNOW, 99, BUT HE'S A VERY INFLUENTIAL PERSON 62 00:04:46,620 --> 00:04:49,699 AND WE CAN'T AFFORD TO LET ANYTHING HAPPEN TO HIM WHILE HE'S HERE. 63 00:04:49,723 --> 00:04:53,069 BESIDES, HE SPECIFICALLY REQUESTED THAT YOU BE ASSIGNED TO HIM AGAIN. 64 00:04:53,093 --> 00:04:55,939 BUT CHIEF, I'M IN MOURNING FOR MAX! 65 00:04:55,963 --> 00:04:58,875 I KNOW, 99. MAYBE THIS ASSIGNMENT WILL BE JUST WHAT YOU NEED. 66 00:04:58,899 --> 00:05:02,679 IT'LL HELP YOU TAKE YOUR MIND OFF THIS TERRIBLE THING THAT HAPPENED. 67 00:05:02,703 --> 00:05:05,448 I'M AFRAID I'M GOING TO BE A LONG TIME FORGETTING, CHIEF. 68 00:05:05,472 --> 00:05:07,851 MAX WAS SOMEONE SPECIAL. 69 00:05:07,875 --> 00:05:11,454 HE HAD A WAY OF... OF GETTING UNDER YOUR SKIN. 70 00:05:11,478 --> 00:05:13,790 YES, HE CERTAINLY DID. 71 00:05:13,814 --> 00:05:16,493 NOW NOW, 99, I'LL WALK YOU TO YOUR CAR. 72 00:05:16,517 --> 00:05:18,260 COME ON, FANG. 73 00:05:18,284 --> 00:05:20,451 I'LL BE ALL RIGHT, CHIEF. 74 00:05:22,723 --> 00:05:24,367 99, WILL YOU WAIT IN THE CAR? 75 00:05:24,391 --> 00:05:25,602 I'LL BE ALONG IN A MINUTE. 76 00:05:25,626 --> 00:05:27,626 - RIGHT, CHIEF. - GO WITH HER, FANG. 77 00:05:33,199 --> 00:05:35,612 PARDON ME FOR INTRUDING AT A TIME LIKE THIS 78 00:05:35,636 --> 00:05:37,747 BUT WERE YOU VERY CLOSE TO MAX? 79 00:05:37,771 --> 00:05:40,717 ARE YOU KIDDING? WE WERE INSEPARABLE. 80 00:05:40,741 --> 00:05:42,518 - MAX! - SHH! 81 00:05:42,542 --> 00:05:45,621 MAX, ARE YOU CRAZY? YOU WERE TOLD TO STAY IN HIDING UNTIL THIS WAS OVER. 82 00:05:45,645 --> 00:05:47,390 DON'T YOU REALIZE BY COMING HERE 83 00:05:47,414 --> 00:05:50,059 YOU'VE JEOPARDIZED OUR WHOLE PLAN FOR CAPTURING THE BLASTER? 84 00:05:50,083 --> 00:05:53,229 SOME FUNERAL. LOOK AT THOSE CRUMMY FLOWERS. 85 00:05:53,253 --> 00:05:55,097 THEY MUST HAVE COST A DOLLAR AND A HALF. 86 00:05:55,121 --> 00:05:57,667 WHAT DID YOU DO, PICK UP AN OLD CORSAGE SOMEPLACE? 87 00:05:57,691 --> 00:06:00,370 - MAX, IT ISN'T IMPORTANT. - IT'S IMPORTANT TO ME. 88 00:06:00,394 --> 00:06:02,738 AND ANOTHER THING... THIS CEMETERY LOT. 89 00:06:02,762 --> 00:06:04,374 WHY ISN'T IT UP ON A HILL, CHIEF? 90 00:06:04,398 --> 00:06:05,741 YOU KNOW I LIKE A VIEW. 91 00:06:05,765 --> 00:06:07,510 LISTEN, MAX, FOR THE PAST FIVE YEARS 92 00:06:07,534 --> 00:06:09,245 THE BLASTER HAS ELUDED US. 93 00:06:09,269 --> 00:06:12,014 BUT THIS TIME WE KNOW EXACTLY WHAT HE'S GOING TO DO AND WHEN, 94 00:06:12,038 --> 00:06:14,884 BECAUSE YOU OVERHEARD THEIR PLANS BEFORE THEY KILLED YOU. 95 00:06:14,908 --> 00:06:16,820 YOU CALL THAT A HEADSTONE? 96 00:06:16,844 --> 00:06:19,288 I'VE SEEN BETTER HEADSTONES FOR PARAKEETS. 97 00:06:19,312 --> 00:06:22,191 MAX, KAOS MUST REMAIN CONVINCED THAT YOU'RE DEAD 98 00:06:22,215 --> 00:06:23,693 OR THEY'LL CHANGE THEIR PLANS. 99 00:06:23,717 --> 00:06:25,695 NOW WHY DID YOU TAKE A CHANCE AND COME HERE? 100 00:06:25,719 --> 00:06:27,797 BECAUSE I WANTED TO PAY MY LAST RESPECTS 101 00:06:27,821 --> 00:06:30,333 TO SOMEBODY THAT I USED TO BE VERY FOND OF. 102 00:06:30,357 --> 00:06:34,070 JUDGING FROM THE TURNOUT I'M THE ONLY ONE. WHERE IS EVERYBODY? 103 00:06:34,094 --> 00:06:37,073 I DON'T KNOW, MAX. I GUESS THEY JUST HAD SOMETHING ELSE TO DO. 104 00:06:37,097 --> 00:06:39,475 WHERE'S PARKER? WHY ISN'T PARKER HERE? 105 00:06:39,499 --> 00:06:41,110 PARKER HAD A PREVIOUS ENGAGEMENT. 106 00:06:41,134 --> 00:06:43,379 - ANOTHER FUNERAL? - NO, TICKETS TO A BALL GAME. 107 00:06:43,403 --> 00:06:45,381 OH, WELL THAT'S A LEGITIMATE EXCUSE. 108 00:06:45,405 --> 00:06:47,451 HOW ABOUT CARLSON? WHY ISN'T CARLSON HERE? 109 00:06:47,475 --> 00:06:48,651 CARLSON HAS A BAD COLD. 110 00:06:48,675 --> 00:06:50,486 I SUPPOSE HE WAS AFRAID TO COME HERE 111 00:06:50,510 --> 00:06:52,555 AND GIVE IT TO ME. VERY CONSIDERATE OF HIM. 112 00:06:52,579 --> 00:06:56,392 - LET'S GET YOU INTO HIDING BEFORE SOMEBODY SEES YOU. - DON'T TOUCH ME. 113 00:06:56,416 --> 00:06:59,763 I WATCHED YOU DURING THE SERVICES AND YOU WEREN'T EVEN MOVED. 114 00:06:59,787 --> 00:07:02,065 MAX, YOU'RE NOT REALLY DEAD! 115 00:07:02,089 --> 00:07:03,733 BUT EVERYBODY THINKS I AM. 116 00:07:03,757 --> 00:07:05,769 THE LEAST YOU COULD HAVE DONE WAS SNIFFLE. 117 00:07:05,793 --> 00:07:08,138 SOME FUNERAL. I WAS THE ONLY ONE WHO CRIED. 118 00:07:08,162 --> 00:07:10,139 - MAX! - AND ANOTHER THING, CHIEF, 119 00:07:10,163 --> 00:07:13,276 ABOUT THAT CASKET... WHAT WAS THAT MADE OUT OF, CARDBOARD? 120 00:07:13,300 --> 00:07:17,012 I'LL MAKE IT UP TO YOU. YOUR NEXT FUNERAL WILL BE TRULY MAGNIFICENT. 121 00:07:17,036 --> 00:07:19,015 YOU SAY THAT BUT YOU DON'T MEAN IT. 122 00:07:19,039 --> 00:07:22,051 AND BESIDES, I MAY NOT BE AROUND THE NEXT TIME TO CHECK. 123 00:07:22,075 --> 00:07:24,621 WILL YOU GET TO YOUR HIDEOUT AND STAY THERE? 124 00:07:24,645 --> 00:07:26,623 CHIEF, DO YOU REALLY THINK MY COMING HERE 125 00:07:26,647 --> 00:07:29,092 ENDANGERED OUR CHANCES FOR CAPTURING THE BLASTER? 126 00:07:29,116 --> 00:07:31,460 IT COULD'VE. I DON'T THINK THEY RECOGNIZED YOU. 127 00:07:31,484 --> 00:07:34,263 I SPOTTED TWO KAOS AGENTS OBSERVING THE SERVICES FROM THEIR CAR 128 00:07:34,287 --> 00:07:37,000 AND THEY SEEMED CONVINCED THAT YOU WERE REALLY QUITE DEAD. 129 00:07:37,024 --> 00:07:39,401 - TWO KAOS AGENTS? - YES, STROMBERG AND CHRISTOPHER, 130 00:07:39,425 --> 00:07:41,904 - THE MEN WHO MURDERED YOU. - THEY CAME TO MY FUNERAL? 131 00:07:41,928 --> 00:07:44,040 WHO DO YOU THINK SENT THE FLOWERS? 132 00:07:44,064 --> 00:07:46,109 THAT WAS VERY CONSIDERATE, CHIEF. 133 00:07:46,133 --> 00:07:48,544 IT JUST GOES TO SHOW YOU THAT YOU HAVE TO BE MURDERED 134 00:07:48,568 --> 00:07:51,014 BEFORE YOU CAN FIND OUT WHO YOUR FRIENDS REALLY ARE. 135 00:07:51,038 --> 00:07:53,215 I MUST REMEMBER TO SEND THEM A THANK-YOU NOTE. 136 00:07:53,239 --> 00:07:54,817 MAX, PLEASE GET GOING. 137 00:07:54,841 --> 00:07:56,619 CHIEF... 138 00:07:56,643 --> 00:07:58,287 IF YOU DON'T MIND, YOU GO AHEAD. 139 00:07:58,311 --> 00:08:00,322 I'D LIKE TO BE ALONE FOR A FEW MINUTES. 140 00:08:00,346 --> 00:08:03,014 I WANT TO SAY GOODBYE TO MYSELF. 141 00:08:11,558 --> 00:08:14,137 I ADMIT THESE AREN'T VERY PLEASANT ACCOMMODATIONS, MAX, 142 00:08:14,161 --> 00:08:17,707 BUT WE THOUGHT IT WOULD BE SAFER FOR YOU TO BE HIDING IN A DESERTED BUILDING. 143 00:08:17,731 --> 00:08:21,010 THAT'S ALL RIGHT, CHIEF, I'M GETTING USED TO THE SHABBY TREATMENT. 144 00:08:21,034 --> 00:08:22,712 IT'S ONLY FOR A COUPLE OF DAYS, MAX. 145 00:08:22,736 --> 00:08:25,848 HMM, WELL, I DIDN'T EXPECT TO GO TO HEAVEN WHEN I GOT KILLED 146 00:08:25,872 --> 00:08:28,284 BUT I DIDN'T EXPECT THIS EITHER. 147 00:08:28,308 --> 00:08:31,020 JUST HAVE TO GET USED TO IT. 148 00:08:31,044 --> 00:08:34,356 UNTIL WE MAKE OUR MOVE THIS WILL BE YOUR HOME. 149 00:08:34,380 --> 00:08:37,141 CAREFUL, CHIEF. THAT'S MY FAVORITE EASY CHAIR. 150 00:08:38,451 --> 00:08:41,597 AND WATCH YOUR ASHES. THE MAID JUST FINISHED VACUUMING. 151 00:08:41,621 --> 00:08:44,800 MAX, CUT IT OUT. THE IMPORTANT THING IS 152 00:08:44,824 --> 00:08:47,669 THAT YOU NOT LEAVE THIS PLACE FOR ANY REASON WHATSOEVER. 153 00:08:47,693 --> 00:08:50,773 JUST TO MAKE SURE, I'M STATIONING AGENT 13 OUTSIDE. 154 00:08:50,797 --> 00:08:53,842 IT'S VITAL THAT THE BLASTER BE STOPPED. 155 00:08:53,866 --> 00:08:56,178 WE'VE STOPPED HIM SO FAR, HAVEN'T WE, CHIEF? 156 00:08:56,202 --> 00:08:58,614 - NO, WE HAVEN'T. - WHAT DO YOU MEAN? 157 00:08:58,638 --> 00:09:00,883 WELL, MAX, THIS IS CLASSIFIED INFORMATION, 158 00:09:00,907 --> 00:09:03,152 BUT EVERY YEAR FOR THE PAST FIVE YEARS 159 00:09:03,176 --> 00:09:07,089 THE BLASTER HAS SNEAKED INTO WASHINGTON AND BLOWN UP ONE OF OUR NATIONAL MONUMENTS. 160 00:09:07,113 --> 00:09:10,025 A NATIONAL MONUMENT? YOU MEAN LIKE THE WASHINGTON MONUMENT? 161 00:09:10,049 --> 00:09:11,960 - WHO TOLD YOU? - WHO TOLD ME WHAT? 162 00:09:11,984 --> 00:09:15,464 THERE'S NOTHING WRONG WITH THE WASHINGTON MONUMENT. I PASS IT EVERY DAY. 163 00:09:15,488 --> 00:09:17,900 THAT IS A CREDIT TO THE LABOR UNIONS OF OUR COUNTRY: 164 00:09:17,924 --> 00:09:20,236 CARPENTERS, PLUMBERS, ELECTRICIANS 165 00:09:20,260 --> 00:09:21,504 STONE MASONS, ENGINEERS... 166 00:09:21,528 --> 00:09:23,406 EVERYBODY IT TAKES TO PUT UP A BUILDING. 167 00:09:23,430 --> 00:09:24,940 WHAT ARE YOU TALKING ABOUT? 168 00:09:24,964 --> 00:09:28,645 I'M TALKING ABOUT A HEROIC WORKFORCE OF 6,000 MEN, 169 00:09:28,669 --> 00:09:31,280 ALL ON EMERGENCY STANDBY DUTY, WAITING BY THEIR PHONES 170 00:09:31,304 --> 00:09:33,382 FOR A CALL FROM McCLUTZKY. 171 00:09:33,406 --> 00:09:36,318 - McCLUTZKY? - McCLUTZKY, HE'S THE FOREMAN. 172 00:09:36,342 --> 00:09:38,988 THE BLASTER ALWAYS STRIKES AT MIDNIGHT. 173 00:09:39,012 --> 00:09:42,191 AND WITHIN MINUTES THE EMERGENCY CALL GOES OUT TO McCLUTZKY 174 00:09:42,215 --> 00:09:44,393 AND HE CONTACTS HIS 6,000 MEN. 175 00:09:44,417 --> 00:09:47,396 WOW, HE MUST HAVE SOME PHONE BILL. 176 00:09:47,420 --> 00:09:51,934 6,000 WORKERS CONVERGED ON THAT BOMBED-OUT BUILDING, WORKING WITHOUT A BREAK. 177 00:09:51,958 --> 00:09:54,003 AND BY DAYLIGHT, THE BUILDING WAS REBUILT 178 00:09:54,027 --> 00:09:57,306 - WITHOUT THE PUBLIC KNOWING IT WAS EVER DESTROYED. - THAT'S AMAZING. 179 00:09:57,330 --> 00:10:00,009 HAVEN'T YOU EVER WONDERED WHY THE NATIONAL ARCHIVES BUILDING 180 00:10:00,033 --> 00:10:02,812 - HAS BEEN CLOSED FOR ALMOST A YEAR? - THE BLASTER? 181 00:10:02,836 --> 00:10:04,580 LEVELED IT TO THE GROUND. 182 00:10:04,604 --> 00:10:07,016 BY THE MORNING, THEY HAD THE OUTSIDE OF IT BUILT UP. 183 00:10:07,040 --> 00:10:09,419 DO YOU KNOW WHAT'S INSIDE OF THAT BUILDING? 184 00:10:09,443 --> 00:10:11,387 - WHAT? - A VACANT LOT. 185 00:10:11,411 --> 00:10:13,188 THAT'S INCREDIBLE. 186 00:10:13,212 --> 00:10:15,591 AND NOW HE'S AFTER THE INTERNAL REVENUE BUILDING. 187 00:10:15,615 --> 00:10:17,527 HE'S GOTTA BE STOPPED, CHIEF. 188 00:10:17,551 --> 00:10:19,962 YES. IF HE SUCCEEDS, THE RECORDS OF EVERY TAXPAYER 189 00:10:19,986 --> 00:10:21,964 IN THIS COUNTRY WILL BE DESTROYED. 190 00:10:21,988 --> 00:10:24,434 WE WON'T KNOW WHO'S PAID HIS TAXES AND WHO HASN'T. 191 00:10:24,458 --> 00:10:27,592 WELL THAT'LL JUST MEAN THAT EVERY TAXPAYER IS ON HIS HONOR. 192 00:10:30,096 --> 00:10:33,296 THIS COUNTRY COULD BE IN A LOT OF TROUBLE, CHIEF. 193 00:10:34,501 --> 00:10:36,211 AT LEAST WE'VE GOT ONE THING TO GO ON. 194 00:10:36,235 --> 00:10:37,513 WHAT'S THAT? 195 00:10:37,537 --> 00:10:40,215 YOU REMEMBER WHEN I WAS LISTENING TO THE TWO KAOS MEN? 196 00:10:40,239 --> 00:10:43,653 ONE OF THEM SAID THE BLASTER WAS COMING INTO THE COUNTRY WITH "THE LOVER." 197 00:10:43,677 --> 00:10:45,888 I'VE BEEN WORKING ON THAT PIECE OF INFORMATION 198 00:10:45,912 --> 00:10:47,490 FOR TWO DAYS NOW AND YOU KNOW WHAT? 199 00:10:47,514 --> 00:10:52,094 - YOU'VE GOT THE ANSWER? - NO, I'VE WASTED TWO DAYS. 200 00:10:52,118 --> 00:10:53,629 I'VE GOT TO BE GOING, MAX. 201 00:10:53,653 --> 00:10:55,893 REMEMBER... KEEP OUT OF SIGHT. 202 00:10:58,324 --> 00:11:00,903 - GOODBYE. - GOODBYE, CHIEF. 203 00:11:00,927 --> 00:11:02,672 OH, IS THERE ANYTHING I CAN BRING YOU? 204 00:11:02,696 --> 00:11:04,306 YES, A COPY OF "HOUSE BEAUTIFUL." 205 00:11:04,330 --> 00:11:06,764 I'M THINKING OF REDECORATING. 206 00:12:01,454 --> 00:12:03,532 WHERE DO YOU THINK YOU'RE GOING, 86? 207 00:12:03,556 --> 00:12:05,868 OH, IT'S YOU, 13. 208 00:12:05,892 --> 00:12:08,203 LISTEN, I JUST HAD TO GET OUT AND STRETCH MY LEGS. 209 00:12:08,227 --> 00:12:11,540 YOU DON'T KNOW WHAT IT'S LIKE BEING COOPED UP IN A SMALL ROOM LIKE THAT. 210 00:12:11,564 --> 00:12:14,042 I'M SITTING IN A MAILBOX AND YOU'RE TELLING ME 211 00:12:14,066 --> 00:12:16,812 I DON'T KNOW WHAT IT'S LIKE TO BE COOPED UP IN A SMALL ROOM? 212 00:12:16,836 --> 00:12:19,214 I'D LOVE TO BE COOPED UP IN A SMALL ROOM. 213 00:12:19,238 --> 00:12:22,618 I'D GIVE ANYTHING TO BE COOPED UP IN SOMETHING AS BIG AS A SMALL ROOM. 214 00:12:22,642 --> 00:12:25,121 TAKE IT EASY, 13, TAKE IT EASY. 215 00:12:25,145 --> 00:12:28,457 EVERY ASSIGNMENT I GET I'M ALWAYS LOCKED IN SOMETHING SMALL. 216 00:12:28,481 --> 00:12:31,360 I'M ALWAYS IN A MAILBOX OR A SCALE OR A LOCKER 217 00:12:31,384 --> 00:12:33,495 OR A GRANDFATHER'S CLOCK OR A TREE... 218 00:12:33,519 --> 00:12:36,165 DO YOU KNOW WHAT HAPPENED WHEN I WAS STATIONED IN THAT TREE 219 00:12:36,189 --> 00:12:38,301 - AT THAT RUBBER PLANTATION CASE? - WHAT? 220 00:12:38,325 --> 00:12:40,369 I WAS TAPPED! TRY THAT SOMETIME. 221 00:12:40,393 --> 00:12:41,870 TRY STANDING UP ALL NIGHT 222 00:12:41,894 --> 00:12:43,573 WITH A SPIGOT IN YOUR STOMACH! 223 00:12:43,597 --> 00:12:45,975 TRY TO PULL YOURSELF TOGETHER, 13. 224 00:12:45,999 --> 00:12:47,242 I'LL BE ALL RIGHT, 86, 225 00:12:47,266 --> 00:12:49,378 JUST AS LONG AS THAT WOMAN DOESN'T COME BACK. 226 00:12:49,402 --> 00:12:50,813 WHAT WOMAN? 227 00:12:50,837 --> 00:12:52,648 THE ONE WHO HAS THE BOY IN THE ARMY. 228 00:12:52,672 --> 00:12:54,349 EVERY DAY SHE SENDS HIM SOMETHING. 229 00:12:54,373 --> 00:12:56,285 WHAT'S SO BAD ABOUT THAT? 230 00:12:56,309 --> 00:12:58,987 TODAY SHE SENT HIM LIMBURGER CHEESE. 231 00:12:59,011 --> 00:13:01,256 PHEW! 232 00:13:04,984 --> 00:13:07,984 13, KEEP THE LID CLOSED. YOU'RE RUINING THE NEIGHBORHOOD. 233 00:13:19,766 --> 00:13:21,486 - WHO IS IT? - IT'S THE CHIEF. 234 00:13:28,040 --> 00:13:30,118 - HOW'S IT GOING, MAX? - TERRIBLE. 235 00:13:30,142 --> 00:13:32,488 I'M BEGINNING TO FEEL LIKE THE PRISONER OF ZENDA. 236 00:13:32,512 --> 00:13:35,057 TOMORROW YOU'LL BE FREE BECAUSE THE BLASTER IS SCHEDULED 237 00:13:35,081 --> 00:13:37,025 TO BLOW UP THE INTERNAL REVENUE BUILDING 238 00:13:37,049 --> 00:13:38,561 TONIGHT AT MIDNIGHT. 239 00:13:38,585 --> 00:13:40,429 HMM. DID YOU FIND OUT WHO THE LOVER IS? 240 00:13:40,453 --> 00:13:44,132 NO, BUT WE'RE STILL TRYING. AND JUST IN CASE, I'VE GOT McCLUTZKY STANDING BY. 241 00:13:44,156 --> 00:13:45,835 HOW ABOUT 99? HOW'S SHE? 242 00:13:45,859 --> 00:13:48,571 UNDER THE CIRCUMSTANCES SHE'S TAKING IT ADMIRABLY. 243 00:13:48,595 --> 00:13:50,072 I'M NOT COLD IN MY GRAVE YET 244 00:13:50,096 --> 00:13:52,040 AND EVERY NIGHT SHE'S OUT ON THE TOWN. 245 00:13:52,064 --> 00:13:55,678 MAX, YOU'RE NOT REALLY DEAD AND 99 IS ON AN ASSIGNMENT! 246 00:13:55,702 --> 00:13:59,181 THE LEAST SHE COULD DO IS WEAR A BLACK DRESS. 247 00:13:59,205 --> 00:14:01,565 TONIGHT, CARIOCA COMES TO TOWN... 248 00:14:03,543 --> 00:14:06,122 WAIT A MINUTE, CHIEF. 249 00:14:06,146 --> 00:14:07,956 ISN'T IT A LITTLE COINCIDENTAL 250 00:14:07,980 --> 00:14:11,193 THAT WHEN ANTONIO CARLOS CARIOCA COMES TO TOWN 251 00:14:11,217 --> 00:14:13,562 IT'S ALWAYS AT APPROXIMATELY THE SAME TIME 252 00:14:13,586 --> 00:14:15,464 THAT THE BLASTER MAKES HIS APPEARANCE? 253 00:14:15,488 --> 00:14:18,134 YES, WE'VE THOUGHT ABOUT THAT BUT IT DOESN'T CHECK OUT. 254 00:14:18,158 --> 00:14:21,470 BECAUSE AT THE EXACT MOMENT THOSE BUILDINGS WERE BEING DEMOLISHED 255 00:14:21,494 --> 00:14:24,740 CARIOCA WAS HAVING A FAREWELL SUPPER ON BOARD HIS YACHT WITH 99. 256 00:14:24,764 --> 00:14:28,777 AND 99 IS SURE THAT HE NEVER SLIPPED OFF THE YACHT FOR ANY LONG PERIOD OF TIME? 257 00:14:28,801 --> 00:14:31,480 SHE'S POSITIVE. HOW CAN YOU BLOW UP A BUILDING 258 00:14:31,504 --> 00:14:33,282 WHEN YOU'RE HAVING SUPPER ON A YACHT? 259 00:14:33,306 --> 00:14:35,117 MAYBE IT IS JUST A COINCIDENCE. 260 00:14:35,141 --> 00:14:37,453 DON'T WORRY ABOUT IT, MAX. WE'LL GET THE BLASTER. 261 00:14:37,477 --> 00:14:39,855 NOW GO AHEAD AND EAT. I'VE GOT TO LEAVE. 262 00:14:39,879 --> 00:14:41,790 WHAT DID YOU BRING ME TODAY, CHIEF? 263 00:14:41,814 --> 00:14:44,115 CORNED BEEF FROM IRVING'S DELICATESSEN. 264 00:14:45,451 --> 00:14:46,595 - CHIEF? - MMM? 265 00:14:46,619 --> 00:14:48,664 I DON'T CARE WHAT HAPPENS TO ME, 266 00:14:48,688 --> 00:14:51,200 BUT SOMEHOW, SOMEPLACE, SOMETIME, 267 00:14:51,224 --> 00:14:54,403 I'M GOING TO PUT THAT MAN BEHIND BARS. 268 00:14:54,427 --> 00:14:56,706 - THE BLASTER. - NO, IRVING. 269 00:14:56,730 --> 00:14:58,730 THIS CORNED BEEF IS TERRIBLE! 270 00:15:05,505 --> 00:15:07,750 Man on radio: On the lighter side of the news, 271 00:15:07,774 --> 00:15:11,086 millionaire playboy and dignitary Antonio Carlos Carioca 272 00:15:11,110 --> 00:15:12,688 bids our city farewell tonight 273 00:15:12,712 --> 00:15:15,757 and sails home aboard his new $2 million yacht. 274 00:15:15,781 --> 00:15:19,628 Our news cameras filmed these exclusive shots of the custom-built ship 275 00:15:19,652 --> 00:15:21,998 anchored in the Potomac River. 276 00:15:22,022 --> 00:15:24,934 The lavish new vessel is called the "El Amador," 277 00:15:24,958 --> 00:15:28,137 and boasts seven staterooms, three bars... 278 00:15:31,197 --> 00:15:33,175 DID HE SAY "EL AMADOR"? 279 00:15:34,200 --> 00:15:35,711 The "El Amador." 280 00:15:37,670 --> 00:15:40,571 "EL AMADOR" IS SPANISH FOR "THE LOVER." 281 00:15:53,286 --> 00:15:55,798 CONTROL HEADQUARTERS, HOBSON SPEAKING. 282 00:15:55,822 --> 00:15:58,768 - HELLO, HOBSON. LET ME SPEAK TO THE CHIEF. - HE'S NOT HERE. 283 00:15:58,792 --> 00:16:01,137 LISTEN, HOBSON, GET THIS AND GET IT STRAIGHT... 284 00:16:01,161 --> 00:16:03,873 - IT'S TOP PRIORITY. - Who is this? 285 00:16:03,897 --> 00:16:06,441 MAXWELL SMART, AGENT 86. 286 00:16:06,465 --> 00:16:08,811 NOW LISTEN, HOBSON, I WANT YOU TO TELL THE CHIEF 287 00:16:08,835 --> 00:16:12,814 THAT THE BLASTER IS ONBOARD ANTONIO CARLOS CARIOCA'S YACHT. 288 00:16:12,838 --> 00:16:16,452 COME ON, QUIT STALLING. WHO IS THIS? 289 00:16:16,476 --> 00:16:18,987 I'M TELLING YOU, HOBSON, IT'S MAXWELL SMART. 290 00:16:19,011 --> 00:16:21,924 TELL THE CHIEF THE REASON HE HASN'T BEEN ABLE TO FIND THE LOVER 291 00:16:21,948 --> 00:16:24,293 IS BECAUSE "THE LOVER" IN SPANISH IS "EL AMADOR." 292 00:16:24,317 --> 00:16:27,563 YOU SEE, CARIOCA NAMED HIS YACHT "THE LOVER." BUT BEING SPANISH, 293 00:16:27,587 --> 00:16:30,699 HE PAINTED THE NAME OF THE YACHT IN SPANISH... THE "EL AMADOR." 294 00:16:30,723 --> 00:16:33,201 In Spanish... Eh, wait a minute... 295 00:16:33,225 --> 00:16:35,638 or is "El Amador" "The Lover" in English? 296 00:16:35,662 --> 00:16:37,973 NO, "ENGLISH" IS "LOVER" IN SPANISH, 297 00:16:37,997 --> 00:16:41,644 THEREFORE THE "EL AMADOR" IS SPANISH FOR "ENGLISH." 298 00:16:41,668 --> 00:16:45,648 EHH, OR IS "EL AMADOR" ENGLISH FOR "SPANISH"? 299 00:16:45,672 --> 00:16:48,817 EITHER WAY CALL THE COAST GUARD AND TELL "THE LOVER" 300 00:16:48,841 --> 00:16:51,654 THAT THE CHIEF AND THE "EL AMADOR" ARE THE SAME BOAT. 301 00:16:51,678 --> 00:16:54,390 WELL, IT SOUNDS LIKE MAXWELL SMART. 302 00:16:54,414 --> 00:16:57,593 HMM... MAKES ABOUT AS MUCH SENSE AS HE DID. 303 00:16:57,617 --> 00:16:59,528 BUT YOU CAN'T FOOL ME. 304 00:16:59,552 --> 00:17:04,121 MAXWELL SMART COULDN'T BE MAKING THIS CALL BECAUSE HE'S DEAD. 305 00:17:06,125 --> 00:17:08,704 HELLO? HELLO? 306 00:17:08,728 --> 00:17:09,993 HELLO! 307 00:17:17,103 --> 00:17:19,014 HERE, YOU'D BETTER LET ME TAKE THAT. 308 00:17:19,038 --> 00:17:21,516 - WHAT ARE YOU DOING IN THAT MAILBOX? - WHAT MAILBOX? 309 00:17:21,540 --> 00:17:23,585 COME ON OUT OF THERE. YOU'RE UNDER ARREST. 310 00:17:23,609 --> 00:17:25,554 I DON'T THINK YOU UNDERSTAND, OFFICER. 311 00:17:25,578 --> 00:17:27,823 SEE, I JUST GOT IN TOWN AND THERE WASN'T A HOTEL... 312 00:17:27,847 --> 00:17:29,524 IF YOU DON'T COME OUT I'M COMING IN! 313 00:17:29,548 --> 00:17:31,894 TELL YOUR STORY IN NIGHT COURT TO JUDGE ROBERTS. 314 00:17:31,918 --> 00:17:34,163 JUDGE ROBERTS... I THINK I GOT A LETTER FOR HIM. 315 00:17:34,187 --> 00:17:35,719 COME ON, OUT! 316 00:17:41,628 --> 00:17:43,539 13, 13, YOU'VE GOTTA CALL HEADQUARTERS 317 00:17:43,563 --> 00:17:45,307 AND TELL HOBSON THAT... 318 00:17:45,331 --> 00:17:46,341 13? 319 00:17:46,365 --> 00:17:48,165 13! 320 00:17:49,302 --> 00:17:51,035 HE'S BEEN MAILED! 321 00:17:53,239 --> 00:17:57,219 SENORITA, I DO NOT UNDERSTAND. ALWAYS YOU ARE SO ALIVE AND GAY. 322 00:17:57,243 --> 00:18:00,423 THIS YEAR YOU ARE SO SAD. EVERYTHING I SAY MAKES YOU CRY. 323 00:18:00,447 --> 00:18:03,726 I'M SORRY, SENOR CARIOCA. IT'S NOT YOUR FAULT, THOUGH. 324 00:18:03,750 --> 00:18:05,828 AND STOP CALLING ME SENOR CARIOCA. 325 00:18:05,852 --> 00:18:07,430 CALL ME ANTONIO. 326 00:18:07,454 --> 00:18:10,699 IT IS OUR LAST NIGHT. WHAT CAN I DO TO CHEER YOU UP? 327 00:18:10,723 --> 00:18:12,701 LET ME BUY YOU SOMETHING... 328 00:18:12,725 --> 00:18:15,471 A DRESS, A DIAMOND. 329 00:18:15,495 --> 00:18:17,440 A CANDY STORE. 330 00:18:17,464 --> 00:18:20,543 IT'S JUST THAT I'VE LOST SOMEONE VERY DEAR TO ME. 331 00:18:20,567 --> 00:18:23,245 MY... MY UNCLE. 332 00:18:23,269 --> 00:18:24,279 I'LL BUY YOU A NEW ONE. 333 00:18:24,303 --> 00:18:26,549 COME ON, STOP CRYING, PLEASE. 334 00:18:26,573 --> 00:18:29,117 YOU ARE TOO YOUNG TO CRY, TOO LOVELY, 335 00:18:29,141 --> 00:18:30,285 TOO SMART. 336 00:18:30,309 --> 00:18:33,688 SMART! 337 00:18:33,712 --> 00:18:35,658 WHAT DID I SAY NOW? 338 00:18:35,682 --> 00:18:39,461 I'M SORRY. I'LL BE ALL RIGHT. 339 00:18:39,485 --> 00:18:41,185 SEE? 340 00:18:42,789 --> 00:18:44,366 THAT'S BETTER. 341 00:18:44,390 --> 00:18:45,401 THERE IS A SAYING... 342 00:18:45,425 --> 00:18:47,703 "THE MAJESTY OF A WOMAN'S EYES 343 00:18:47,727 --> 00:18:51,239 SHOULD NEVER BE DIMINISHED BY THE IGNOBLENESS OF TEARS." 344 00:18:51,263 --> 00:18:53,542 OH, THAT'S BEAUTIFUL. 345 00:18:53,566 --> 00:18:57,513 MY FATHER ALWAYS SAID THAT. HE IS 86 YEARS OLD. 346 00:18:57,537 --> 00:19:00,849 86! 347 00:19:00,873 --> 00:19:03,652 WHY ARE YOU CRYING? PAPA IS STILL ALIVE! 348 00:19:03,676 --> 00:19:06,516 HE FEELS MARVELOUS. HERE, I'LL SHOW YOU A PICTURE. 349 00:19:08,281 --> 00:19:10,559 HERE HE IS ON HIS FAVORITE HORSE MAXIMILLIAN. 350 00:19:10,583 --> 00:19:12,995 MY FATHER CALLS HIM "MAX." 351 00:19:13,019 --> 00:19:15,864 MAX! 352 00:19:15,888 --> 00:19:17,866 WHAT HAVE I SAID NOW? 353 00:19:17,890 --> 00:19:19,256 WHAT ARE YOU CRYING FOR? 354 00:19:20,426 --> 00:19:22,404 I LOVED HIM. 355 00:19:22,428 --> 00:19:24,339 YOU LOVED MY FATHER'S HORSE? 356 00:19:24,363 --> 00:19:26,241 I DO NOT UNDERSTAND WHAT IS GOING ON. 357 00:19:26,265 --> 00:19:28,010 Christopher: YOU CAN'T GO IN THERE! 358 00:19:28,034 --> 00:19:29,512 Max: STEP ASIDE, YOUNG MAN. 359 00:19:29,536 --> 00:19:31,446 OH, THERE YOU ARE, HONEY. 360 00:19:31,470 --> 00:19:33,883 YOU FORGOT YOUR KEY SO I BROUGHT IT OVER. 361 00:19:33,907 --> 00:19:37,085 I'M SORRY, BUT SHE INSISTED ON COMING ABOARD AND SEEING HER NIECE. 362 00:19:37,109 --> 00:19:39,187 - I TRIED... - IT IS ALL RIGHT, CHRISTOPHER. 363 00:19:39,211 --> 00:19:41,423 INFORM STROMBERG TO START THE ENGINES. 364 00:19:41,447 --> 00:19:43,648 - WE SAIL IN 15 MINUTES. - RIGHT. 365 00:19:45,919 --> 00:19:48,731 OKAY, CARIOCA, STAY RIGHT WHERE YOU ARE. 366 00:19:48,755 --> 00:19:50,198 OR SHOULD I SAY "THE BLASTER"? 367 00:19:50,222 --> 00:19:51,600 MAX! 368 00:19:53,693 --> 00:19:56,005 OKAY, DROP IT. 369 00:19:56,029 --> 00:19:58,040 SORRY ABOUT THAT, 99. 370 00:19:58,064 --> 00:20:00,697 NOW WHOEVER YOU ARE, REMOVE YOUR HAT. 371 00:20:03,035 --> 00:20:05,748 SO YOU ARE STILL ALIVE, MAXWELL SMART. 372 00:20:05,772 --> 00:20:08,517 HOW INTERESTING... AND TEMPORARY. 373 00:20:08,541 --> 00:20:10,686 YOU MIGHT AS WELL HAND OVER THAT GUN, BLASTER, 374 00:20:10,710 --> 00:20:14,122 BECAUSE THIS YACHT HAPPENS TO BE SURROUNDED BY THE SEVENTH FLEET. 375 00:20:14,146 --> 00:20:15,757 I FIND THAT HARD TO BELIEVE. 376 00:20:15,781 --> 00:20:18,227 WOULD YOU BELIEVE THE SIXTH FLEET? 377 00:20:18,251 --> 00:20:19,694 I DON'T THINK SO. 378 00:20:19,718 --> 00:20:22,564 HOW ABOUT A SCHOOL OF ANGRY FLOUNDER? 379 00:20:22,588 --> 00:20:24,799 SO CONTROL THOUGHT IF I BELIEVED YOU WERE DEAD 380 00:20:24,823 --> 00:20:27,402 I WOULD PROCEED WITH MY PLAN AND THEY WOULD CAPTURE ME. 381 00:20:27,426 --> 00:20:29,571 HOW NAIVE YOU AMERICANS ARE. 382 00:20:29,595 --> 00:20:30,939 WHAT DO YOU MEAN? 383 00:20:30,963 --> 00:20:33,942 I HAVE ALREADY BEEN INSIDE THE INTERNAL REVENUE BUILDING 384 00:20:33,966 --> 00:20:35,810 WITH THE AFTERNOON SIGHTSEEING TOUR. 385 00:20:35,834 --> 00:20:37,780 I SLIPPED AWAY FROM THE GROUP, 386 00:20:37,804 --> 00:20:40,682 PLANTED THE BOMB AND REJOINED THEM. 387 00:20:40,706 --> 00:20:43,251 ALL THAT IS LEFT TO DO NOW IS TO SET IT OFF. 388 00:20:43,275 --> 00:20:46,054 OH REALLY? WELL, YOU'RE THE ONE THAT'S NAIVE, BLASTER, 389 00:20:46,078 --> 00:20:48,957 BECAUSE THAT BUILDING HAPPENS TO BE COMPLETELY SURROUNDED 390 00:20:48,981 --> 00:20:51,460 AND YOU COULD NEVER GET NEAR ENOUGH TO SET OFF THE BOMB. 391 00:20:51,484 --> 00:20:55,931 BUT I DON'T HAVE TO GO THERE TO SET OFF THE EXPLOSION, MR. SMART. 392 00:20:55,955 --> 00:20:57,421 BACK UP. 393 00:21:01,727 --> 00:21:03,939 SIT DOWN. 394 00:21:03,963 --> 00:21:07,142 YOU SEE, MR. SMART, MY BOMB OPERATES ON THE PRINCIPLE 395 00:21:07,166 --> 00:21:09,178 OF HIGH-FREQUENCY SOUND WAVES. 396 00:21:09,202 --> 00:21:11,880 THIS LEVER CONTROLS THE SHIP'S WHISTLE. 397 00:21:11,904 --> 00:21:13,915 THE FIRST TWO BLASTS OF THE WHISTLE 398 00:21:13,939 --> 00:21:16,685 ARE THE SAME WHISTLE SOUNDS HEARD EVERY DAY IN THE HARBOR. 399 00:21:16,709 --> 00:21:20,789 BUT THE THIRD BLAST IS ON A WAVELENGTH THAT THE HUMAN EAR CANNOT DETECT, 400 00:21:20,813 --> 00:21:23,492 A WAVELENGTH THAT WILL EXPLODE THE BOMB. 401 00:21:23,516 --> 00:21:26,027 SO THAT'S HOW YOU BLEW UP ALL THOSE BUILDINGS 402 00:21:26,051 --> 00:21:27,596 WITHOUT EVER LEAVING THE YACHT. 403 00:21:27,620 --> 00:21:29,097 PRECISELY. 404 00:21:29,121 --> 00:21:32,467 AND WHAT MORE PERFECT ALIBI COULD I HAVE 405 00:21:32,491 --> 00:21:34,303 THAN A BEAUTIFUL CONTROL AGENT 406 00:21:34,327 --> 00:21:36,872 SWEARING SHE WAS HAVING DINNER WITH ME AT THE TIME? 407 00:21:36,896 --> 00:21:40,308 AND YOU CALL YOURSELF A GENTLEMAN. 408 00:21:40,332 --> 00:21:44,346 NOW, MR. SMART, I SHALL PULL THIS LEVER THREE TIMES 409 00:21:44,370 --> 00:21:48,238 AND YOUR INTERNAL REVENUE BUILDING WILL GO UP IN SMOKE. 410 00:22:02,288 --> 00:22:04,866 CHRISTOPHER! 411 00:22:04,890 --> 00:22:05,956 SMART! 412 00:22:11,564 --> 00:22:13,564 THAT'S ONE! 413 00:22:19,338 --> 00:22:21,171 THAT'S TWO! 414 00:22:24,476 --> 00:22:27,712 YOU KNOW, TWO AGAINST ONE IS REALLY ROTTEN. 415 00:22:29,248 --> 00:22:30,225 DON'T MOVE. 416 00:22:30,249 --> 00:22:32,115 DON'T MOVE! 417 00:22:36,788 --> 00:22:40,535 MISSED ME BY THAT MUCH. 418 00:22:40,559 --> 00:22:42,303 99. 419 00:22:42,327 --> 00:22:46,096 99... 99. 420 00:22:48,233 --> 00:22:49,911 MAX, ARE YOU ALL RIGHT? 421 00:22:49,935 --> 00:22:52,848 YES, CHIEF, AS LONG AS I DON'T HAVE TO JUMP OVER THAT BAR AGAIN. 422 00:22:52,872 --> 00:22:55,784 - WHAT HAPPENED TO 99? - OH, SHE'S ALL RIGHT. SHE JUST FAINTED. 423 00:22:55,808 --> 00:22:57,151 HOW DID YOU KNOW I WAS HERE? 424 00:22:57,175 --> 00:22:59,254 HOBSON CONTACTED ME. AFTER HE HUNG UP ON YOU 425 00:22:59,278 --> 00:23:01,956 HE TRACED THE PHONE CALL AND FOUND OUT IT CAME FROM A SHOE. 426 00:23:01,980 --> 00:23:04,259 - GOOD WORK. - HOW DID YOU KNOW THE BLASTER WAS HERE? 427 00:23:04,283 --> 00:23:06,060 SIMPLY BY USING MY SPANISH, CHIEF. 428 00:23:06,084 --> 00:23:09,163 YOU SEE, "EL AMADOR" IN SPANISH IS "LOVER." 429 00:23:09,187 --> 00:23:11,500 AND "LOVER" IN ENGLISH IS "EL AMADOR." 430 00:23:11,524 --> 00:23:15,771 SO IT FIGURED THAT IF THE BLASTER WAS ON THE "EL AMADOR" 431 00:23:15,795 --> 00:23:18,273 THAT MEANT THAT CARIOCA WAS ON THE LOVER, 432 00:23:18,297 --> 00:23:20,609 BECAUSE "LOVER" IN SPANISH IS "EL AMADOR." 433 00:23:20,633 --> 00:23:23,211 AND "EL AMADOR" IN ENGLISH IS "SPANISH." 434 00:23:23,235 --> 00:23:25,046 OH MAX... 435 00:23:25,070 --> 00:23:27,037 IT REALLY IS YOU. 436 00:23:30,810 --> 00:23:33,922 SO YOU SEE, CHIEF, IN THAT WAY HE WAS ABLE TO SET OFF THE EXPLOSIONS 437 00:23:33,946 --> 00:23:35,690 WITHOUT EVER LEAVING THE SHIP. 438 00:23:35,714 --> 00:23:38,593 ABSOLUTELY BRILLIANT. WE'LL DISMANTLE THAT BOMB. 439 00:23:38,617 --> 00:23:41,429 THEN WE CAN MOVE ALL THE TAX RECORDS BACK INTO THE BUILDING. 440 00:23:41,453 --> 00:23:43,832 AND TO THINK THAT I SAT HERE EACH TIME 441 00:23:43,856 --> 00:23:47,135 AND ACTUALLY WATCHED HIM SET OFF THOSE BLASTS WITHOUT EVEN KNOWING. 442 00:23:47,159 --> 00:23:50,738 IT WASN'T YOUR FAULT, 99. YOU THOUGHT HE WAS BLOWING THE SHIP'S WHISTLE. 443 00:23:50,762 --> 00:23:53,541 ACTUALLY ALL HE WAS DOING WAS WALKING AROUND THE BAR, 444 00:23:53,565 --> 00:23:55,543 LOOKING AT HIS WATCH, AND THEN REACHING UP 445 00:23:55,567 --> 00:23:56,878 AND PULLING DOWN THE LEVER. 446 00:23:56,902 --> 00:23:58,447 - MAX! - MAX, DON'T TOUCH THAT! 447 00:23:58,471 --> 00:24:02,817 RELAX, GANG. THE FIRST TWO ONLY BLOW THE SHIP'S WHISTLE. 448 00:24:02,841 --> 00:24:04,921 IT'S THE THIRD ONE THAT SETS OFF THE BOMB. 449 00:24:10,583 --> 00:24:11,782 SEE? 450 00:24:14,820 --> 00:24:18,421 WELL, CHIEF, NO USE KEEPING McCLUTZKY WAITING. 35833

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