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These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:02,862 ♪♪ 2 00:00:02,862 --> 00:00:05,000 Narrator: ANIMALS... 3 00:00:05,000 --> 00:00:07,275 DO THE MOST INCREDIBLE THINGS. 4 00:00:07,275 --> 00:00:09,068 [ GOAT BLEATS ] 5 00:00:09,068 --> 00:00:10,793 LIKE THIS... 6 00:00:10,793 --> 00:00:12,482 AND THIS. 7 00:00:12,482 --> 00:00:15,862 I BET YOU'RE WONDERING, "HOW DO THEY DO THAT?" 8 00:00:15,862 --> 00:00:20,551 WE'RE REVEALING ANIMALS' BIGGEST SECRETS, LIKE... 9 00:00:20,551 --> 00:00:24,689 HOW CAN FOUR DOGS WRANGLE 500 SHEEP? 10 00:00:24,689 --> 00:00:27,827 WHY DO MOTHS FLY INTO FLAMES? 11 00:00:27,827 --> 00:00:33,137 AND WHY DO ROOSTERS ALWAYS CROW JUST BEFORE DAWN? 12 00:00:33,137 --> 00:00:35,827 THESE WONDERS AND MORE ON... 13 00:00:36,827 --> 00:00:39,172 --Captions by VITAC-- www.vitac.com 14 00:00:39,172 --> 00:00:41,551 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 15 00:00:41,551 --> 00:00:43,724 AUSTRALIA IS HOME TO JUST ABOUT 16 00:00:43,724 --> 00:00:46,172 EVERY DEADLY CREATURE YOU CAN THINK OF... 17 00:00:46,172 --> 00:00:48,448 ♪♪ 18 00:00:48,448 --> 00:00:52,896 ...AND SOME NOT SO DEADLY, LIKE SHEEP -- 19 00:00:52,896 --> 00:00:55,758 OVER 72 MILLION AT LAST COUNT. 20 00:00:55,758 --> 00:01:00,034 THAT'S THREE SHEEP TO EVERY HUMAN LIVING DOWN UNDER. 21 00:01:00,034 --> 00:01:01,310 HEY! 22 00:01:01,310 --> 00:01:02,655 Narrator: JUST OUTSIDE MELBOURNE, 23 00:01:02,655 --> 00:01:05,275 FARMER DAVID HAS 500 SHEEP. 24 00:01:05,275 --> 00:01:06,793 THEY'VE BEEN OUT IN THE FIELDS, 25 00:01:06,793 --> 00:01:11,068 AND NOW IT'S TIME FOR EVERY LAST ONE TO RETURN TO THE PEN. 26 00:01:11,068 --> 00:01:13,310 IT'S AN IMPOSSIBLE JOB FOR DAVID, 27 00:01:13,310 --> 00:01:16,482 BUT NOT FOR HIS INCREDIBLE SHEEP DOGS. 28 00:01:23,241 --> 00:01:26,655 THIS IS THE SHEEP-HERDING DREAM TEAM. 29 00:01:26,655 --> 00:01:28,655 LEADER OF THE PACK IS CHECKERS, 30 00:01:28,655 --> 00:01:32,241 A 13-YEAR-OLD BORDER COLLIE CROSS, 31 00:01:32,241 --> 00:01:36,517 FOLLOWED BY 4-YEAR-OLD KELPIES SISCO, PILLAR, AND BLUE TACK... 32 00:01:36,517 --> 00:01:37,620 HOP UP. [ WHISTLES ] 33 00:01:37,620 --> 00:01:39,689 Narrator: ...AND OF COURSE, FARMER DAVID. 34 00:01:39,689 --> 00:01:41,758 HOP UP, PILL. GOOD JOB. 35 00:01:41,758 --> 00:01:44,448 THEY'RE PRETTY KEEN TO SEE SOME SHEEP NOW, I RECKON. 36 00:01:44,448 --> 00:01:46,137 AREN'T YA? 37 00:01:46,137 --> 00:01:48,689 ♪♪ 38 00:01:48,689 --> 00:01:52,517 Narrator: THERE ARE 344 OFFICIAL BREEDS OF DOG, 39 00:01:52,517 --> 00:01:56,241 BUT ONLY ABOUT 40 CAN DO WHAT THESE GUYS DO. 40 00:01:56,241 --> 00:01:59,000 THAT'S BECAUSE THEY SHARE AN INSTINCT FOR PACK HUNTING, 41 00:01:59,000 --> 00:02:01,827 TO HERD PREY BEFORE A KILL. 42 00:02:01,827 --> 00:02:03,827 BUT SHEPHERDS LIKE DAVID HAVE FIGURED OUT 43 00:02:03,827 --> 00:02:07,000 HOW TO TAP THE DOG'S INSTINCT AND HIGH ENERGY. 44 00:02:07,000 --> 00:02:09,241 Sleigh: THE DOGS ARE NATURAL HUNTERS. 45 00:02:09,241 --> 00:02:12,068 IT'S A MATTER OF CURBING THEIR HUNTING INSTINCT. 46 00:02:12,068 --> 00:02:14,413 YOU TRY AND REDUCE THE KILLER IN THEM 47 00:02:14,413 --> 00:02:16,551 AND JUST HARNESS THE HERDING INSTINCT 48 00:02:16,551 --> 00:02:20,034 THAT GOES WITH PACK BEHAVIOR. 49 00:02:20,034 --> 00:02:21,379 [ WHISTLES ] YEAH. 50 00:02:21,379 --> 00:02:24,034 Narrator: DOGS OF THIS BREED ARE NATURALLY OBEDIENT, 51 00:02:24,034 --> 00:02:28,965 AND FARMER DAVID USES THIS TO TEMPER THEIR INSTINCT TO KILL. 52 00:02:28,965 --> 00:02:32,758 FROM ONE YEAR OLD, ONCE PAST THOSE PLAYFUL PUPPY DAYS, 53 00:02:32,758 --> 00:02:36,241 SHEEP DOGS ARE TRAINED TO OBEY THE LEADER OF THE PACK -- 54 00:02:36,241 --> 00:02:40,724 ALWAYS REWARDED FOR OBEYING THE TOP DOG'S DEMANDS. 55 00:02:40,724 --> 00:02:43,517 THE TOP DOG HERE IS FARMER DAVID, 56 00:02:43,517 --> 00:02:47,965 AND FARMER DAVID SAYS SHEEP ARE STRICTLY OFF THE MENU. 57 00:02:47,965 --> 00:02:51,724 [ WHISTLING ] 58 00:02:51,724 --> 00:02:54,724 THE DOGS APPROACH THE 500 SHEEP. 59 00:02:54,724 --> 00:02:58,758 AS THEY DO, THE SHEEP HUDDLE TOGETHER FOR SAFETY. 60 00:02:58,758 --> 00:03:02,724 IF THE DOGS GET TOO CLOSE, THE SHEEP WILL SCATTER, 61 00:03:02,724 --> 00:03:04,620 BUT IF THEY HANG BACK TOO FAR, 62 00:03:04,620 --> 00:03:07,310 THE FLOCK CAN SPLIT INTO SMALLER GROUPS. 63 00:03:07,310 --> 00:03:09,413 ♪♪ 64 00:03:09,413 --> 00:03:12,344 NEW RESEARCH HAS SHOWN THAT THE SHEEP DOGS 65 00:03:12,344 --> 00:03:14,103 CONSTANTLY SCOUR THE FLOCK 66 00:03:14,103 --> 00:03:16,724 FOR GAPS OPENING BETWEEN THE SHEEP. 67 00:03:16,724 --> 00:03:20,137 IF THEY SEE ONE, THEY POSITION THEMSELVES TO DISCOURAGE 68 00:03:20,137 --> 00:03:24,344 ANY MOVEMENT OF SHEEP AWAY FROM THE MAIN HERD. 69 00:03:24,344 --> 00:03:25,793 NO DRAMAS. 70 00:03:25,793 --> 00:03:28,068 Narrator: BUT THE DOGS AREN'T ON AUTOPILOT, 71 00:03:28,068 --> 00:03:31,310 AND FROM THEY STAND, THEY CAN'T SEE THE WHOLE FLOCK. 72 00:03:31,310 --> 00:03:32,413 [ WHISTLES ] 73 00:03:32,413 --> 00:03:34,482 Narrator: FARMER DAVID CAN SEE EVERYTHING 74 00:03:34,482 --> 00:03:37,517 AND KNOWS WHERE HE WANTS HIS SHEEP TO GO. 75 00:03:37,517 --> 00:03:40,724 HE WHISTLES INSTRUCTIONS TO DIFFERENT DOGS. 76 00:03:40,724 --> 00:03:42,172 TO THE UNTRAINED EAR, 77 00:03:42,172 --> 00:03:43,827 ONE WHISTLE SOUNDS JUST LIKE THE NEXT... 78 00:03:43,827 --> 00:03:44,896 [ WHISTLING ] 79 00:03:44,896 --> 00:03:47,310 ...BUT TO THE SUPER FINE HEARING OF A DOG, 80 00:03:47,310 --> 00:03:50,586 THE FARMER'S VARIOUS WHISTLES MEAN DIFFERENT THINGS. 81 00:03:50,586 --> 00:03:53,965 ♪♪ 82 00:03:53,965 --> 00:03:56,482 WITH A SUBTLE CHANGE TO THE NUMBER OF WHISTLES, 83 00:03:56,482 --> 00:03:59,206 THE FARMER CAN MAKE THE DOGS MOVE TO THE RIGHT... 84 00:03:59,206 --> 00:04:01,655 [ WHISTLES ]...AND MOVE TO THE LEFT. 85 00:04:01,655 --> 00:04:03,172 CHANGING THE LENGTH OF HIS WHISTLE 86 00:04:03,172 --> 00:04:04,965 TELLS THE DOGS TO STOP... 87 00:04:04,965 --> 00:04:07,413 [ WHISTLE ]...OR MOVE FORWARD. 88 00:04:07,413 --> 00:04:10,724 [ WHISTLING ] 89 00:04:10,724 --> 00:04:13,172 Narrator: THE DOGS AREN'T JUST OBEDIENT. 90 00:04:13,172 --> 00:04:17,965 THEY'RE ALSO GOOD AT MATH -- THE MATH OF SHEEP BEHAVIOR. 91 00:04:17,965 --> 00:04:19,413 TO SHOW WHAT THESE ARE, 92 00:04:19,413 --> 00:04:22,896 FARMER DAVID IS GOING TO WALK INTO A FLOCK. 93 00:04:22,896 --> 00:04:25,758 IT'S LIKE THERE'S A FORCE FIELD SURROUNDING HIM, 94 00:04:25,758 --> 00:04:27,793 PUSHING THE SHEEP AWAY. 95 00:04:27,793 --> 00:04:29,034 Sleigh: IF I GET ANY CLOSER -- 96 00:04:29,034 --> 00:04:31,517 SEE HOW THEY'VE KEPT THAT RING AROUND ME? 97 00:04:31,517 --> 00:04:34,137 Narrator: ACTUALLY, THIS IS A MENTAL FORCE FIELD 98 00:04:34,137 --> 00:04:35,655 AROUND THE SHEEP. 99 00:04:35,655 --> 00:04:38,379 IT'S CALLED A FLIGHT ZONE. 100 00:04:38,379 --> 00:04:40,655 Sleigh: THE FLIGHT ZONE IS THE DISTANCE THE SHEEP 101 00:04:40,655 --> 00:04:42,310 WOULD LIKE TO KEEP BETWEEN YOU AND THEM. 102 00:04:42,310 --> 00:04:45,034 Narrator: GET CLOSER THAN ABOUT 10 FEET TO A SHEEP, 103 00:04:45,034 --> 00:04:48,758 AND IT WILL MOVE AWAY TO KEEP THAT SAFE DISTANCE. 104 00:04:48,758 --> 00:04:51,827 AND THOSE CLEVER DOGS HAVE LEARNED TO THINK LIKE A SHEEP 105 00:04:51,827 --> 00:04:54,862 AND USE IT TO NAVIGATE THE FLOCK. 106 00:04:54,862 --> 00:04:57,482 THE DOGS USE THE 10-FEET FLIGHT ZONE 107 00:04:57,482 --> 00:05:00,655 TO CONTROL THE DIRECTION AND MOVEMENT OF THE FLOCK. 108 00:05:00,655 --> 00:05:03,344 AS THEY SPRINT UP AND DOWN THE REAR OF THE FLOCK, 109 00:05:03,344 --> 00:05:06,344 THEY EDGE INTO THE FLIGHT ZONE TO FORCE THE SHEEP LEFT, 110 00:05:06,344 --> 00:05:08,241 RIGHT, OR FORWARDS. 111 00:05:08,241 --> 00:05:10,344 Sleigh: YOU'VE GOT TO MASSAGE THAT FLIGHT ZONE 112 00:05:10,344 --> 00:05:12,482 TO WITHIN A FOOT OR TWO 113 00:05:12,482 --> 00:05:14,137 SO THAT YOU GET THEM WALKING FORWARD. 114 00:05:14,137 --> 00:05:15,379 ♪♪ 115 00:05:15,379 --> 00:05:16,655 [ WHISTLING ] 116 00:05:16,655 --> 00:05:19,448 THAT'S GOT THEM MOVING A BIT QUICKER NOW. 117 00:05:19,448 --> 00:05:22,137 Narrator: NOW FARMER DAVID NEEDS TO GET THE SHEEP 118 00:05:22,137 --> 00:05:23,896 THROUGH A SINGLE GATE. 119 00:05:23,896 --> 00:05:26,137 Sleigh: [ WHISTLES ] HERE, HERE. 120 00:05:26,137 --> 00:05:27,827 SO WE'RE CALLING THEM OVER NOW 121 00:05:27,827 --> 00:05:29,517 BECAUSE THE SHEEP ARE GOING PAST THE GATE, 122 00:05:29,517 --> 00:05:32,655 SO WE'RE CALLING THEM OVER TO THE RUN-IN SIDE. 123 00:05:32,655 --> 00:05:34,517 [ WHISTLING ] STEADY. 124 00:05:34,517 --> 00:05:36,310 Narrator: MOVING AROUND THE EDGE OF A FLOCK, 125 00:05:36,310 --> 00:05:40,241 THE DOGS STEER THE SHEEP TOWARD THE FENCE... 126 00:05:40,241 --> 00:05:43,068 UNTIL ONE FINDS THE GAP IN IT. 127 00:05:43,068 --> 00:05:48,655 THEN, BECAUSE THEY'RE SHEEP, WHERE ONE GOES, THE REST FOLLOW. 128 00:05:48,655 --> 00:05:50,482 Sleigh: THAT'S IT. 129 00:05:50,482 --> 00:05:53,172 JOB DONE. 130 00:05:53,172 --> 00:05:55,896 Narrator: AN HOUR AND A HALF LATER, 131 00:05:55,896 --> 00:05:57,655 AND FOUR DOGS AND ONE HUMAN 132 00:05:57,655 --> 00:06:01,448 HAVE COUNTED 500 SHEEP BACK INTO THE PEN. 133 00:06:01,448 --> 00:06:06,172 ♪♪ 134 00:06:06,172 --> 00:06:09,482 WE ALL KNOW DIAMONDS ARE A GIRL'S BEST FRIEND, 135 00:06:09,482 --> 00:06:13,344 BUT OTTERS HAVE A PASSION FOR PEBBLES. 136 00:06:13,344 --> 00:06:19,517 AND IT'S A LOVE THAT CAN LAST FOR MONTHS, SOME THINK YEARS. 137 00:06:26,137 --> 00:06:28,827 A CLUE IS IN THEIR DIET. 138 00:06:28,827 --> 00:06:32,689 A SEA OTTER'S LUNCH COMES TO THE TABLE READY FOR A FIGHT. 139 00:06:32,689 --> 00:06:35,034 ♪♪ 140 00:06:35,034 --> 00:06:38,206 CLAMS, ABALONE, SNAILS -- 141 00:06:38,206 --> 00:06:43,275 ALL HEAVILY ARMORED WITH THICK, TOUGH SHELLS. 142 00:06:43,275 --> 00:06:45,172 AND SEA OTTERS NEED TO EAT 143 00:06:45,172 --> 00:06:48,793 A QUARTER OF THEIR BODY WEIGHT OF THEM EVERY DAY. 144 00:06:48,793 --> 00:06:53,793 THAT'S THE EQUIVALENT OF A MAN DINING ON OVER 30 T-BONE STEAKS. 145 00:06:53,793 --> 00:06:56,413 ♪♪ 146 00:06:56,413 --> 00:06:58,793 TO CRACK SO MANY HARD SHELLS, 147 00:06:58,793 --> 00:07:03,448 SEA OTTERS HAVE EVOLVED TO HAVE SUPER TOUGH TEETH. 148 00:07:03,448 --> 00:07:06,241 IN FACT, THE ENAMEL IN THEIR TEETH 149 00:07:06,241 --> 00:07:09,172 IS OVER 2 1/2 TIMES TOUGHER THAN OURS. 150 00:07:09,172 --> 00:07:12,172 EXTRA LAYERS OF A SPECIAL PROTEIN-RICH GEL 151 00:07:12,172 --> 00:07:14,310 PREVENTS OTTER TEETH FROM CRACKING 152 00:07:14,310 --> 00:07:17,620 AS THEY BITE DOWN ON THEIR PREY. 153 00:07:17,620 --> 00:07:19,034 BUT FOR SOME MEALS, 154 00:07:19,034 --> 00:07:22,068 EVEN REINFORCED TEETH ARE NOT STRONG ENOUGH. 155 00:07:22,068 --> 00:07:24,724 ♪♪ 156 00:07:24,724 --> 00:07:29,931 FOR THOSE REALLY TOUGH SHELLS, THE SEA OTTER USES A TOOL, 157 00:07:29,931 --> 00:07:34,310 AND THE TOOL OF THEIR CHOICE IS A PEBBLE. 158 00:07:34,310 --> 00:07:35,758 OTHER THAN DOLPHINS, 159 00:07:35,758 --> 00:07:39,724 SEA OTTERS ARE THE ONLY MARINE MAMMAL THAT USE TOOLS. 160 00:07:39,724 --> 00:07:42,724 BUT THIS TOOL IS NOT JUST ANY PEBBLE. 161 00:07:42,724 --> 00:07:45,103 IT HAS TO BE HEAVY AND HARD ENOUGH 162 00:07:45,103 --> 00:07:49,310 TO USE AS A HAMMER OR AN ANVIL WITHOUT SHATTERING. 163 00:07:49,310 --> 00:07:50,827 IT MUST BE SMOOTH ENOUGH 164 00:07:50,827 --> 00:07:53,551 SO THE SEA OTTER CAN HOLD IT IN THEIR PAWS 165 00:07:53,551 --> 00:07:56,827 AND SMALL ENOUGH TO KEEP IN A UNIQUE PEBBLE POCKET 166 00:07:56,827 --> 00:07:59,310 SEA OTTERS HAVE UNDER ONE OF THEIR LIMBS. 167 00:07:59,310 --> 00:08:03,827 ♪♪ 168 00:08:03,827 --> 00:08:06,379 IN FACT, WHEN THEY FIND THE PERFECT PEBBLE, 169 00:08:06,379 --> 00:08:08,034 IT IS SO PRECIOUS 170 00:08:08,034 --> 00:08:11,379 THAT THEY MAY KEEP IT FOR UP TO A YEAR OR MORE. 171 00:08:11,379 --> 00:08:15,758 ♪♪ 172 00:08:15,758 --> 00:08:18,482 AND TO IMPROVE THEIR AGILITY AND DEXTERITY 173 00:08:18,482 --> 00:08:20,137 WITH THEIR FAVORITE TOOL, 174 00:08:20,137 --> 00:08:24,137 SEA OTTERS PRACTICE BY JUGGLING WITH THEIR PEBBLES. 175 00:08:24,137 --> 00:08:27,931 AND ALTHOUGH NO ONE REALLY KNOWS WHY, SO DO RIVER OTTERS, 176 00:08:27,931 --> 00:08:29,827 EVEN THOUGH THEY DON'T USE A PEBBLE 177 00:08:29,827 --> 00:08:33,793 AS A TOOL FOR GETTING TO FOOD OR HAVE A PEBBLE POCKET. 178 00:08:33,793 --> 00:08:36,586 ♪♪ 179 00:08:36,586 --> 00:08:39,103 MAYBE OTTERS JUST LIKE JUGGLING. 180 00:08:39,103 --> 00:08:42,965 ♪♪ 181 00:08:42,965 --> 00:08:44,344 COMING UP... 182 00:08:44,344 --> 00:08:48,103 NIGHT FLYERS WITH A FATAL ATTRACTION... 183 00:08:48,103 --> 00:08:51,448 THE SECRET BEHIND THE ROOSTER'S CROW... 184 00:08:51,448 --> 00:08:54,137 AND WHY IS THIS SEA TURTLE CRYING? 185 00:08:54,137 --> 00:08:57,413 ♪♪ 186 00:09:01,103 --> 00:09:04,551 ♪♪ 187 00:09:04,551 --> 00:09:08,137 Narrator: AS NIGHT FALLS ON A BALMY SUMMER'S EVENING, 188 00:09:08,137 --> 00:09:12,862 MILLIONS OF MOTHS ARE TAKING TO THE SKY. 189 00:09:12,862 --> 00:09:14,896 AND THEN... 190 00:09:14,896 --> 00:09:16,793 THAT'S GOT TO HURT. 191 00:09:16,793 --> 00:09:19,000 WHY DO THESE NOCTURNAL NAVIGATORS 192 00:09:19,000 --> 00:09:21,000 ALWAYS MAKE A BEELINE FOR A BULB? 193 00:09:21,000 --> 00:09:25,034 THEY SEEM TO BE DRAWN TO LIGHT LIKE MOTHS TO A... 194 00:09:25,034 --> 00:09:26,862 WELL, YOU KNOW. 195 00:09:32,896 --> 00:09:36,655 TO FIND OUT WHY MOTHS HAVE SUCH A FASCINATION WITH LIGHTS, 196 00:09:36,655 --> 00:09:40,000 WE'VE COME TO A FLORIDA FOREST IN THE DEAD OF NIGHT, 197 00:09:40,000 --> 00:09:43,482 WHERE MOTH EXPERT ERIC ANDERSON IS PERFORMING A TEST. 198 00:09:43,482 --> 00:09:44,862 Anderson: IT'S VERY HUMID OUT. 199 00:09:44,862 --> 00:09:47,655 PERFECT CONDITIONS. NEW MOON. 200 00:09:47,655 --> 00:09:53,586 AND MAYBE WE'LL GET SOME COOPERATION FROM THE INSECTS. 201 00:09:53,586 --> 00:09:57,275 Narrator: ERIC'S BRIGHT IDEA IS TO SEE HOW MOTHS REACT 202 00:09:57,275 --> 00:10:00,241 TO THREE DIFFERENT KINDS OF LIGHT. 203 00:10:00,241 --> 00:10:03,379 FIRST UP, A TYPICAL WHITE PORCH LIGHT. 204 00:10:03,379 --> 00:10:05,793 ALL RIGHT. 205 00:10:05,793 --> 00:10:09,103 THERE'S ALREADY A FEW THINGS COMING IN. 206 00:10:09,103 --> 00:10:12,172 MOTHS FLY JUST STRAIGHT TO IT. 207 00:10:12,172 --> 00:10:14,275 Narrator: MOTHS ARE DRAWN TO THE WHITE LIGHT 208 00:10:14,275 --> 00:10:16,241 BECAUSE OF HOW THEY'VE EVOLVED TO NAVIGATE 209 00:10:16,241 --> 00:10:18,586 USING THE BRIGHT LIGHT OF THE MOON. 210 00:10:18,586 --> 00:10:20,896 ♪♪ 211 00:10:20,896 --> 00:10:22,275 WHEN LUNAR LIGHT 212 00:10:22,275 --> 00:10:25,103 HITS ULTRA-SENSITIVE RECEPTORS IN MOTHS' EYES, 213 00:10:25,103 --> 00:10:28,137 IT TELLS THEM WHAT'S UP AND WHAT'S DOWN. 214 00:10:28,137 --> 00:10:32,586 THE SKY IS BRIGHT, THE GROUND DARK, 215 00:10:32,586 --> 00:10:36,137 BUT MOONLIGHT ALSO TELLS A MOTH DIRECTION. 216 00:10:36,137 --> 00:10:39,620 BY KEEPING A FIXED ANGLE ON THE DISTANT SOURCE OF MOONLIGHT, 217 00:10:39,620 --> 00:10:42,931 THE GLOW HELPS THEM FLY IN A STRAIGHT LINE. 218 00:10:42,931 --> 00:10:46,655 BUT TO A MOTH, THE ARTIFICIAL WHITE LIGHT ON OUR FRONT PORCHES 219 00:10:46,655 --> 00:10:51,068 APPEARS TO BE THE MOON, AND THE BUG BECOMES CONFUSED. 220 00:10:51,068 --> 00:10:53,827 SINCE HOUSE LIGHTS ARE MUCH CLOSER THAN THE MOON, 221 00:10:53,827 --> 00:10:56,413 THE RELATIVE ANGLE CHANGES... 222 00:10:56,413 --> 00:10:59,344 AND BAM, RIGHT INTO THE LIGHT. 223 00:10:59,344 --> 00:11:01,896 THEY BECOME DISORIENTED 224 00:11:01,896 --> 00:11:06,344 AND FLY RIGHT TOWARDS IT UNCONTROLLABLY. 225 00:11:06,344 --> 00:11:09,620 Narrator: NEXT, ERIC WANTS TO SEE IF MOTHS ARE CAPTIVATED 226 00:11:09,620 --> 00:11:13,413 BY THIS COOL BLUE FLUORESCENT LIGHT. 227 00:11:13,413 --> 00:11:16,275 Anderson: HERE WE HAVE A LOT OF GUYS COMIN' IN. 228 00:11:16,275 --> 00:11:17,586 THIS IS GOOD. 229 00:11:17,586 --> 00:11:19,517 THEY'RE JUST REALLY ATTRACTED TO THEM. 230 00:11:19,517 --> 00:11:21,517 THEY CAN'T FIGHT IT. 231 00:11:21,517 --> 00:11:25,068 Narrator: THE FLUORESCENT BLUE LIGHT IS A MOTH MAGNET. 232 00:11:25,068 --> 00:11:27,965 MOTHS AND BUTTERFLIES ARE ATTRACTED TO BLUE LIGHT 233 00:11:27,965 --> 00:11:29,965 BECAUSE THEIR EYES CAN DETECT 234 00:11:29,965 --> 00:11:35,172 PARTS OF THE LIGHT SPECTRUM WE CAN'T -- ULTRAVIOLET. 235 00:11:35,172 --> 00:11:39,103 THEY USE THIS SPECIAL ABILITY TO IDENTIFY MARKINGS ON FLOWERS 236 00:11:39,103 --> 00:11:41,965 THAT CAN ONLY BE SEEN IN U.V. 237 00:11:41,965 --> 00:11:45,689 U.V. MARKINGS ON A FLOWER IS A SIGN THAT IT CONTAINS NECTAR, 238 00:11:45,689 --> 00:11:47,586 WHICH MOTHS EAT. 239 00:11:47,586 --> 00:11:50,137 Anderson: WHEN FLYING AROUND IN PITCH DARKNESS 240 00:11:50,137 --> 00:11:53,551 AND THERE'S A LIGHT IN THE BLUE SPECTRUM, 241 00:11:53,551 --> 00:11:59,482 OR VIOLET SPECTRUM, THEY JUST COME RIGHT TO THE LIGHT. 242 00:11:59,482 --> 00:12:02,344 Narrator: SO THE BUGS THINK THE BLUE LIGHT 243 00:12:02,344 --> 00:12:04,413 IS GUIDING THEM TOWARDS DINNER. 244 00:12:04,413 --> 00:12:07,275 THAT'S WHY THE FLUORESCENT BLUE LIGHT OF A BUG ZAPPER 245 00:12:07,275 --> 00:12:09,344 IS SO EFFECTIVE. 246 00:12:09,344 --> 00:12:11,517 BUT IT'S A FATAL ATTRACTION. 247 00:12:11,517 --> 00:12:14,344 [ ELECTRICITY CRACKLING ] 248 00:12:14,344 --> 00:12:19,034 SO IS THERE A LIGHT THAT MOTHS ARE NOTATTRACTED TO? 249 00:12:19,034 --> 00:12:21,620 WE'RE ABOUT TO APPROACH A LIGHT 250 00:12:21,620 --> 00:12:24,310 THAT IS ON THE OPPOSITE END OF THE SPECTRUM, 251 00:12:24,310 --> 00:12:26,586 MORE OF AN ORANGEY YELLOW. 252 00:12:26,586 --> 00:12:28,241 Narrator: WITH THE WARM L.E.D. BULB, 253 00:12:28,241 --> 00:12:30,275 THERE DOESN'T SEEM TO BE MUCH BUG ACTIVITY 254 00:12:30,275 --> 00:12:31,448 ON THE BED SHEETS. 255 00:12:31,448 --> 00:12:33,724 SO HERE'S TWO HOUSE FLIES. 256 00:12:33,724 --> 00:12:34,931 Narrator: AND ANY MOTHS? 257 00:12:34,931 --> 00:12:36,965 Anderson: NO MOTHS. 258 00:12:36,965 --> 00:12:38,862 Narrator: IN A RECENT TEST, 259 00:12:38,862 --> 00:12:41,620 9,000 INSECTS WERE EXPOSED TO DIFFERENT LIGHTS, 260 00:12:41,620 --> 00:12:44,586 AND IT TURNED OUT THE BUGS WERE LEAST ATTRACTED 261 00:12:44,586 --> 00:12:46,827 TO THE WARM L.E.D. 262 00:12:46,827 --> 00:12:49,034 [ DING! ] 263 00:12:49,034 --> 00:12:52,482 AND THAT'S BECAUSE MOTHS ARE UNABLE TO DETECT LIGHT WAVES 264 00:12:52,482 --> 00:12:56,758 IN THE ORANGE AND YELLOW PART OF THE VISIBLE SPECTRUM. 265 00:12:56,758 --> 00:12:58,862 AND YOU KNOW WHAT THAT MEANS. 266 00:12:58,862 --> 00:13:02,758 IF YOU DON'T WANT INSECTS ON YOUR PORCH, 267 00:13:02,758 --> 00:13:06,586 GET A BULB THAT'S ORANGEY YELLOW, AND IT'LL WORK. 268 00:13:06,586 --> 00:13:08,620 ♪♪ 269 00:13:08,620 --> 00:13:10,586 ALL RIGHT. 270 00:13:10,586 --> 00:13:13,413 ♪♪ 271 00:13:13,413 --> 00:13:17,103 Narrator: COMING UP, WHY DO TURTLES CRY? 272 00:13:17,103 --> 00:13:19,379 AND THE SECRET TO CLOCKWORK CROWS. 273 00:13:19,379 --> 00:13:21,758 [ ROOSTER CROWS ] 274 00:13:21,758 --> 00:13:24,551 ♪♪ 275 00:13:28,068 --> 00:13:31,241 ♪♪ 276 00:13:31,241 --> 00:13:33,137 Narrator: SEA TURTLES HAVE BEEN GLIDING 277 00:13:33,137 --> 00:13:38,034 THROUGH OUR WORLD'S OCEANS FOR 200 MILLION YEARS, 278 00:13:38,034 --> 00:13:42,068 ONLY EVER COMING ON LAND TO LAY THEIR EGGS... 279 00:13:42,068 --> 00:13:44,241 ♪♪ 280 00:13:44,241 --> 00:13:49,551 ...WHERE, TO BE HONEST, THEY'RE SLIGHTLY LESS ELEGANT. 281 00:13:49,551 --> 00:13:53,379 IN FACT, SEA TURTLES STRUGGLE SO MUCH OUT OF THE WATER, 282 00:13:53,379 --> 00:13:55,586 IT SEEMS TO BRING THEM TO TEARS. 283 00:13:55,586 --> 00:13:58,517 ♪♪ 284 00:13:58,517 --> 00:14:01,724 LEGEND HAS IT THAT MOTHER TURTLES CRY 285 00:14:01,724 --> 00:14:03,000 BECAUSE THEY CAN'T STAND 286 00:14:03,000 --> 00:14:05,413 LEAVING THEIR BABIES BEHIND ON THE BEACH. 287 00:14:05,413 --> 00:14:07,620 BUT THEY DON'T JUST CRY WHEN THEY SAY GOODBYE -- 288 00:14:07,620 --> 00:14:11,827 THEY CRY ALL THE TIME, IN THE WATER AND OUT. 289 00:14:11,827 --> 00:14:13,931 SO... 290 00:14:19,689 --> 00:14:23,482 WE'VE COME TO THE LOGGERHEAD MARINELIFE CENTER IN FLORIDA, 291 00:14:23,482 --> 00:14:26,896 WHERE DR. JUSTIN PERRAULT CARES FOR INJURED TURTLES. 292 00:14:26,896 --> 00:14:29,241 ♪♪ 293 00:14:29,241 --> 00:14:32,896 CURRENTLY, WE HAVE ABOUT 10 SEA-TURTLE PATIENTS HERE 294 00:14:32,896 --> 00:14:36,310 THAT ARE REHABILITATING. 295 00:14:36,310 --> 00:14:40,758 Narrator: THIS SAD-LOOKING GUY IS GAVIN, A TEENAGE LOGGERHEAD 296 00:14:40,758 --> 00:14:44,034 WHO WAS FOUND WITH A FISHING HOOK IN HIS FLIPPER. 297 00:14:44,034 --> 00:14:46,448 AND THAT ISSOMETHING TO CRY ABOUT. 298 00:14:46,448 --> 00:14:51,241 HE IS A SUB-ADULT MALE THAT IS RIGHT ON THE CUSP OF MATURITY. 299 00:14:51,241 --> 00:14:55,034 HE'S NOT COMPLETELY FULLY MATURE YET. 300 00:14:55,034 --> 00:14:58,344 Narrator: BUT AFTER SOME TURTLE TLC, 301 00:14:58,344 --> 00:15:01,137 GAVIN IS STILL SUPER WEEPY. 302 00:15:01,137 --> 00:15:05,620 AND A CLUE TO WHY CAN BE FOUND IN THE TEARS THEMSELVES. 303 00:15:05,620 --> 00:15:07,586 Perrault: THE SECRETION THAT YOU'RE SEEING 304 00:15:07,586 --> 00:15:09,586 IS THREE TIMES THE CONCENTRATION 305 00:15:09,586 --> 00:15:11,448 OF THE SALT THAT WE SEE IN THE BLOOD, 306 00:15:11,448 --> 00:15:15,827 AND IT CAN ACTUALLY BE TWICE THAT OF SEAWATER. 307 00:15:15,827 --> 00:15:18,275 Narrator: THESE THICK, BRINY TEARS 308 00:15:18,275 --> 00:15:21,448 ARE NEARLY 10 TIMES AS SALTY AS HUMAN TEARS. 309 00:15:21,448 --> 00:15:23,758 Perrault: WHAT YOU'RE SEEING WITH THESE TEARS 310 00:15:23,758 --> 00:15:28,241 IS HOW THIS ANIMAL RIDS ITS BODY OF ITS EXCESS SALT. 311 00:15:28,241 --> 00:15:30,862 ♪♪ 312 00:15:30,862 --> 00:15:35,206 Narrator: MARINE TURTLES CONSTANTLY DRINK SALTY SEAWATER. 313 00:15:35,206 --> 00:15:37,896 AND THEIR DIET OF JELLYFISH, SEA GRASS, 314 00:15:37,896 --> 00:15:41,034 AND ALGAE IS FULL OF SALT, TOO. 315 00:15:41,034 --> 00:15:44,241 WHAT SALT CAN DO IN THE BODY, IF YOU HAVE TOO MUCH OF IT 316 00:15:44,241 --> 00:15:46,034 AND YOU'RE NOT GETTING RID OF ENOUGH OF IT, 317 00:15:46,034 --> 00:15:48,689 WHAT WILL HAPPEN IS IT WILL CAUSE YOUR INTERNAL CELLS 318 00:15:48,689 --> 00:15:53,172 TO SHRIVEL AND POTENTIALLY DIE. 319 00:15:53,172 --> 00:15:55,517 Narrator: MOST ANIMALS GET RID OF EXCESS SALT 320 00:15:55,517 --> 00:15:57,068 THROUGH THEIR KIDNEYS, 321 00:15:57,068 --> 00:16:01,379 BUT TURTLES TAKE IN MORE THAN THEIR KIDNEYS CAN COPE WITH. 322 00:16:01,379 --> 00:16:04,724 SO THEY EVOLVED SPECIAL ORGANS IN THEIR HEAD 323 00:16:04,724 --> 00:16:06,586 TO ELIMINATE THE EXCESS. 324 00:16:06,586 --> 00:16:09,586 Perrault: SO WHAT WE'VE GOT HERE IS A REPLICA 325 00:16:09,586 --> 00:16:11,655 OF A LOGGERHEAD SEA-TURTLE SKULL. 326 00:16:11,655 --> 00:16:14,517 YOU'VE GOT YOUR HOLE FOR THE BRAIN, WHICH IS VERY SMALL, 327 00:16:14,517 --> 00:16:17,931 AND THEN YOU'VE GOT YOUR TWO ADDITIONAL HOLES. 328 00:16:17,931 --> 00:16:21,965 Narrator: THESE TWO CAVITIES HOUSE ORGANS CALLED SALT GLANDS. 329 00:16:21,965 --> 00:16:23,827 INCREDIBLY, IN SOME TURTLES, 330 00:16:23,827 --> 00:16:27,689 THEY CAN BE UP TO 20 TIMES LARGER THAN THE TURTLE'S BRAIN. 331 00:16:27,689 --> 00:16:30,137 BUT THESE REPTILES DON'T NEED TO THINK -- 332 00:16:30,137 --> 00:16:32,689 THEY NEED TO DRINK. 333 00:16:32,689 --> 00:16:34,758 WHEN SEA TURTLES TAKE IN SEAWATER, 334 00:16:34,758 --> 00:16:37,689 SALT QUICKLY ENTERS THE BLOODSTREAM. 335 00:16:37,689 --> 00:16:41,862 THIS BRINY BLOOD IS SENT STRAIGHT TO THE TWO GLANDS. 336 00:16:41,862 --> 00:16:44,344 HERE, EXCESS SALT IS FILTERED OUT 337 00:16:44,344 --> 00:16:47,551 AND EXCRETED AS THICK, GLOOPY TEARS. 338 00:16:47,551 --> 00:16:50,137 ♪♪ 339 00:16:50,137 --> 00:16:52,931 SO THAT MEANS TURTLES ARE BASICALLY CRYING 340 00:16:52,931 --> 00:16:56,448 EVERY MINUTE OF EVERY DAY FOR THEIR ENTIRE LIVES. 341 00:16:56,448 --> 00:16:59,241 ♪♪ 342 00:16:59,241 --> 00:17:01,724 BUT THEY'RE NOT TEARS OF SADNESS -- 343 00:17:01,724 --> 00:17:03,896 THEY'RE TEARS OF SURVIVAL. 344 00:17:03,896 --> 00:17:07,896 ♪♪ 345 00:17:07,896 --> 00:17:10,413 [ TIGER GROWLS ] 346 00:17:10,413 --> 00:17:11,965 NEXT... 347 00:17:11,965 --> 00:17:15,724 WHY DO ROOSTERS ALWAYS CROW JUST BEFORE THE CRACK OF DAWN? 348 00:17:15,724 --> 00:17:17,724 [ ROOSTER CROWS ] 349 00:17:17,724 --> 00:17:20,517 ♪♪ 350 00:17:24,034 --> 00:17:27,551 ♪♪ 351 00:17:27,551 --> 00:17:29,068 Narrator: 5:00 A.M... 352 00:17:29,068 --> 00:17:30,275 [ ROOSTER CROWS ] 353 00:17:30,275 --> 00:17:34,379 ...AND ONE EARLY RISER IS ALREADY UP AND AT 'EM. 354 00:17:34,379 --> 00:17:37,000 [ ROOSTER CROWS ] 355 00:17:37,000 --> 00:17:40,000 ROOSTERS ARE NATURE'S ALARM CLOCK, 356 00:17:40,000 --> 00:17:42,862 WHETHER NATURE WANTS TO WAKE UP OR NOT. 357 00:17:42,862 --> 00:17:44,310 [ ROOSTER CROWS ] 358 00:17:47,793 --> 00:17:49,931 [ ROOSTER CROWS ] 359 00:17:49,931 --> 00:17:51,862 ♪♪ 360 00:17:51,862 --> 00:17:54,586 THIS HANDSOME GUY IS RORY. 361 00:17:54,586 --> 00:17:57,206 [ RORY CROWS ] 362 00:17:57,206 --> 00:18:03,068 WHEN HE GETS GOING, HE CROWS AT AN EAR-SPLITTING 100 DECIBELS. 363 00:18:03,068 --> 00:18:05,068 THAT'S AS LOUD AS A JACKHAMMER. 364 00:18:05,068 --> 00:18:08,689 [ JACKHAMMER WHIRRING, RORY CROWS ] 365 00:18:08,689 --> 00:18:11,965 YOU'D THINK WITH ALL THIS RACKET, RORY WOULD GO DEAF, 366 00:18:11,965 --> 00:18:13,965 BUT EVERY TIME HE OPENS HIS BEAK... 367 00:18:13,965 --> 00:18:16,206 [ RORY CROWS ] 368 00:18:16,206 --> 00:18:19,275 ...MUSCLES IN HIS EAR CANALS PARTIALLY CLOSE, 369 00:18:19,275 --> 00:18:20,965 BLOCKING THE SOUND. 370 00:18:20,965 --> 00:18:24,586 THAT'S RIGHT, RORY'S GOT BUILT-IN EAR PLUGS. 371 00:18:24,586 --> 00:18:27,103 [ RORY CROWS ] 372 00:18:27,103 --> 00:18:29,896 ♪♪ 373 00:18:29,896 --> 00:18:31,344 ON THIS FARM... 374 00:18:31,344 --> 00:18:32,448 [ ROOSTER CROWS ] 375 00:18:32,448 --> 00:18:35,172 ...RORY RULES THE ROOST. 376 00:18:35,172 --> 00:18:38,620 THE REASON HE CROWS SO EARLY IS SO HE CAN CROW FIRST 377 00:18:38,620 --> 00:18:40,689 TO SHOW THE OTHERS WHO'S BOSS. 378 00:18:40,689 --> 00:18:43,275 [ ROOSTER CROWS ] 379 00:18:43,275 --> 00:18:46,413 ONCE RORY'S FANFARE HAS BROKEN THE SILENCE, 380 00:18:46,413 --> 00:18:48,655 A COUPLE OF HOURS BEFORE DAWN, 381 00:18:48,655 --> 00:18:51,206 ONLY THEN CAN THE OTHERS JOIN IN. 382 00:18:51,206 --> 00:18:53,724 [ ROOSTERS CROWING ] 383 00:18:53,724 --> 00:18:58,344 ITS BARNYARD CODE FOR PECKING ORDER. 384 00:18:58,344 --> 00:19:01,206 SO KING ROOSTERS LIKE RORY GET UP EARLY 385 00:19:01,206 --> 00:19:03,034 TO BE THE FIRST TO CROW... 386 00:19:03,034 --> 00:19:04,551 [ ROOSTER CROWS ] 387 00:19:04,551 --> 00:19:08,517 ...BUT HOW DO THEY KNOW WHEN IT'S TWO HOURS BEFORE DAWN? 388 00:19:08,517 --> 00:19:12,482 ARE THEY REACTING TO THE FIRST RAYS OF MORNING SUN? 389 00:19:12,482 --> 00:19:16,551 TO FIND OUT, RESEARCHERS IN JAPAN KEPT SOME RAUCOUS ROOSTERS 390 00:19:16,551 --> 00:19:20,586 IN A ROOM FOR TWO WEEKS AND TURNED THE LIGHTS OFF. 391 00:19:20,586 --> 00:19:22,724 ♪♪ 392 00:19:22,724 --> 00:19:24,724 DESPITE HAVING NO STIMULUS 393 00:19:24,724 --> 00:19:27,103 TO REVEAL WHETHER IT WAS NIGHT OR DAY, 394 00:19:27,103 --> 00:19:29,620 THEY ALWAYS CROWED WITHOUT FAIL... 395 00:19:29,620 --> 00:19:32,896 [ ROOSTERS CROWING ] 396 00:19:32,896 --> 00:19:38,000 ...TWO HOURS BEFORE DAWN BROKE OUTSIDE. 397 00:19:38,000 --> 00:19:41,862 THIS TEST PROVED ROOSTERS HAVE A BUILT-IN BIOLOGICAL CLOCK 398 00:19:41,862 --> 00:19:45,310 SET TO A SPECIFIC TIME. 399 00:19:45,310 --> 00:19:47,413 FROM FUNGI TO BUTTERFLIES, 400 00:19:47,413 --> 00:19:50,172 ALL LIVING THINGS HAVE GENES IN THEIR CELLS 401 00:19:50,172 --> 00:19:53,413 THAT DICTATE THE RHYTHMS OF THEIR DAY, 402 00:19:53,413 --> 00:19:55,310 LIKE WHEN TO WAKE... 403 00:19:55,310 --> 00:19:57,206 AND WHEN TO CATCH 40 WINKS. 404 00:19:57,206 --> 00:20:00,137 WHAT THE JAPANESE EXPERIMENT REVEALED, HOWEVER, 405 00:20:00,137 --> 00:20:04,448 WAS THE ROOSTER'S BODY CLOCK IS SET TO A 24-HOUR CLOCK. 406 00:20:04,448 --> 00:20:07,655 WELL, 23.8 TO BE EXACT. 407 00:20:07,655 --> 00:20:09,620 AND IT'S SO HARD-WIRED 408 00:20:09,620 --> 00:20:13,517 THAT TAKING AWAY A SUNRISE CAN'T DISRUPT IT. 409 00:20:13,517 --> 00:20:15,379 SO IT'S RORY'S BIOLOGY 410 00:20:15,379 --> 00:20:17,655 THAT KEEPS HIM TOP OF THE PECKING ORDER. 411 00:20:17,655 --> 00:20:19,965 [ RORY CROWS ] 412 00:20:19,965 --> 00:20:23,689 IF HE STARTS RUNNING LATE WITH HIS MORNING CROWS... 413 00:20:23,689 --> 00:20:25,551 [ RORY CROWS ] 414 00:20:25,551 --> 00:20:30,068 ...IT TELLS HIS RIVALS THAT HE'S PAST HIS PRIME, 415 00:20:30,068 --> 00:20:33,482 AND THEY'LL CHALLENGE HIM TO BE TOP COCK ON THE BLOCK. 416 00:20:33,482 --> 00:20:37,172 ♪♪ 417 00:20:37,172 --> 00:20:38,931 [ ROOSTER CROWS ] 418 00:20:38,931 --> 00:20:42,689 AND FOR ANYONE WHO THINKS A HEN MIGHT BE A QUIETER OPTION... 419 00:20:42,689 --> 00:20:44,137 [ HEN CROWS ] 420 00:20:44,137 --> 00:20:45,931 ...HENS CROW, TOO. 421 00:20:45,931 --> 00:20:48,000 [ HEN CROWS ] 31490

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