Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.BZ
2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.BZ
3
00:00:09,050 --> 00:00:11,451
[ MID-TEMPO MUSIC PLAYS ]
4
00:00:19,795 --> 00:00:21,761
[ WAR CRIES ]
5
00:00:26,133 --> 00:00:29,669
♪ THERE ARE
STORIES OF THE WEST ♪
6
00:00:29,671 --> 00:00:33,006
♪ ABOUT THE GLORIES
OF THE WEST ♪
7
00:00:33,008 --> 00:00:36,476
♪ AND THEY GLORIFY
THE HARDY PIONEERS ♪
8
00:00:36,478 --> 00:00:38,478
♪ BUT YOU'LL FIND
THE TALE WE TELL ♪
9
00:00:38,480 --> 00:00:40,213
♪ IS THE TALE OF WHAT BEFELL ♪
10
00:00:40,215 --> 00:00:43,416
♪ A YOUNG LADY
AS SHE RODE BY BANDELIER ♪
11
00:00:43,418 --> 00:00:46,085
Man:
WHAT'S THE AIM OF THE STORY?
12
00:00:46,087 --> 00:00:47,353
♪ TO TELL A TALE ♪
13
00:00:47,355 --> 00:00:49,755
WHAT THE NAME
OF THE STORY?
14
00:00:49,757 --> 00:00:52,492
♪ "SLAUGHTER TRAIL" ♪
15
00:00:52,494 --> 00:00:54,960
NOW, WHERE IS THIS TRAIL,
AND WHERE DOES IT GO?
16
00:00:54,962 --> 00:01:00,433
♪ IT RUNS TO ARIZONA
THROUGH NEW MEXICO ♪
17
00:01:00,435 --> 00:01:03,969
♪ THE REPORTS
FROM OUT THE WEST ♪
18
00:01:03,971 --> 00:01:07,573
♪ FROM THE PORTS
THROUGHOUT THE WEST ♪
19
00:01:07,575 --> 00:01:10,976
♪ WAS THAT EVERYTHING
WAS PEACEFUL AS COULD BE ♪
20
00:01:10,978 --> 00:01:12,712
♪ IN THAT THE PERIOD SUBLIME ♪
21
00:01:12,714 --> 00:01:14,580
♪ COMIN' AFTER LINCOLN'S TIME ♪
22
00:01:14,582 --> 00:01:18,184
♪ WHEN AMERICA HAD GROWN
FROM SEA TO SEA ♪
23
00:01:18,186 --> 00:01:19,985
WILL THERE BE SOME FIGHTIN'
IN IT?
24
00:01:19,987 --> 00:01:21,454
Man #2: YES, SIRREE!
25
00:01:21,456 --> 00:01:23,256
ARE OUR SOLDIERS
GONNA WIN IT?
26
00:01:23,258 --> 00:01:25,124
♪ WAIT AND SEE ♪
27
00:01:25,126 --> 00:01:26,926
DOES THE SOLDIER
LOVE A LADY?
28
00:01:26,928 --> 00:01:28,662
OR DOES HE JUST PRETEND?
29
00:01:28,664 --> 00:01:32,098
♪ THE ANSWER TO THAT QUESTION'S
COMIN' AT THE END ♪
30
00:01:34,069 --> 00:01:35,869
♪ THERE'LL BE NOTHING
HIGHFALUTIN ♪
31
00:01:35,871 --> 00:01:37,671
♪ THERE'LL BE SHOUTING,
THERE'LL BE SHOOTING ♪
32
00:01:37,673 --> 00:01:41,074
♪ IF YOU WANT TO KNOW
WHAT ELSE IS IN THIS TALE ♪
33
00:01:41,076 --> 00:01:45,144
♪ FIX YOUR EYES UPON THE SCREEN
ON THE CINECOLOR SCENE ♪
34
00:01:45,146 --> 00:01:50,684
♪ AND RIDE WITH US
ALONG THE SLAUGHTER TRAIL ♪
35
00:01:50,686 --> 00:01:52,485
♪ IT WAS 1882 ♪
36
00:01:52,487 --> 00:01:54,353
♪ AND THE SKY
WAS PEACEFUL BLUE ♪
37
00:01:54,355 --> 00:01:58,023
♪ WHEN A STAGECOACH RODE
IN VIEW ACROSS THE TRAIL ♪
38
00:01:58,025 --> 00:01:59,893
♪ AND THE HORSES
PULLED AND STRAINED ♪
39
00:01:59,895 --> 00:02:01,695
♪ BUT THE DRIVER
KEPT THEM REINED ♪
40
00:02:01,697 --> 00:02:05,365
♪ FOR HE KNEW HIS COACH
CONTAINED THE U.S. MAIL ♪
41
00:02:05,367 --> 00:02:09,102
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
42
00:02:09,104 --> 00:02:12,572
♪ AND THE WHEELS AS THEY WENT
'ROUND THE SLAUGHTER TRAIL ♪
43
00:02:12,574 --> 00:02:16,509
♪ NOW, THE DRIVER MATT McROOT,
A DEPENDABLE GALOOT ♪
44
00:02:16,511 --> 00:02:20,179
♪ HELPED TO PIONEER THE ROUTE
AND BLAZE A TRAIL ♪
45
00:02:20,181 --> 00:02:23,983
♪ SITTIN' BY THE DRIVER'S SIDE
RIDIN' SHOTGUN WAS McBRIDE ♪
46
00:02:23,985 --> 00:02:27,520
♪ ON WHOM UNCLE SAM
RELIED TO GUARD THE MAIL ♪
47
00:02:27,522 --> 00:02:31,257
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
48
00:02:31,259 --> 00:02:34,527
♪ AND THE WHEELS AS THEY WENT
'ROUND THE SLAUGHTER TRAIL ♪
49
00:02:34,529 --> 00:02:36,662
♪ NOW, THE COACH
WAS FRISCO-BOUND ♪
50
00:02:36,664 --> 00:02:38,598
♪ IF YOU LOOKED INSIDE,
YOU FOUND ♪
51
00:02:38,600 --> 00:02:42,001
♪ A YOUNG LADY, FAIR AND ROUND
AND DRESSED TO KILL ♪
52
00:02:42,003 --> 00:02:45,939
♪ AND THE DRUMMER RUFUS BLACK,
QUITE A HYPOCHONDRIAC ♪
53
00:02:45,941 --> 00:02:49,408
IT'S TIME NOW, MR. BLACK,
TO TAKE YOUR PILL.
54
00:02:49,410 --> 00:02:53,279
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
55
00:02:53,281 --> 00:02:56,816
♪ AND THE WHEELS AS THEY WENT
'ROUND THE SLAUGHTER TRAIL ♪
56
00:02:56,818 --> 00:02:58,484
♪ BUT THE CALM WAS SOON TO END ♪
57
00:02:58,486 --> 00:03:00,219
♪ FOR IN HIDIN'
'ROUND THE BEND ♪
58
00:03:00,221 --> 00:03:03,623
♪ ARE THREE BANDITS
WHO INTEND TO ROB THE MAIL ♪
59
00:03:03,625 --> 00:03:05,625
♪ AND THE MASKS
OF THEIR DISGUISE ♪
60
00:03:05,627 --> 00:03:07,426
♪ HIDE THE HATRED
IN THEIR EYES ♪
61
00:03:07,428 --> 00:03:10,896
♪ THEY'RE THE GUYS WHO
TERRORIZED THE SLAUGHTER TRAIL ♪
62
00:03:10,898 --> 00:03:14,634
[ GUNSHOT ]
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
63
00:03:14,636 --> 00:03:19,539
♪ AND THE BANDITS GOING 'ROUND
THE SLAUGHTER TRAIL ♪
64
00:03:23,645 --> 00:03:25,679
♪♪
65
00:03:29,517 --> 00:03:31,251
[ GUNSHOT ]
66
00:03:49,805 --> 00:03:51,471
I KNOW IT.
I FEEL IT.
67
00:03:51,473 --> 00:03:52,938
I'M GOING
TO HAVE A STROKE!
68
00:03:52,940 --> 00:03:54,374
THROW DOWN YOUR GUN.
69
00:03:58,079 --> 00:03:59,745
NOW GET DOWN.
70
00:03:59,747 --> 00:04:01,080
BRING THE MAIL POUCH
WITH YOU.
71
00:04:01,082 --> 00:04:02,682
EVERYBODY OFF -- PRONTO!
72
00:04:02,684 --> 00:04:04,584
COME OUT
WITH YOUR HANDS UP.
73
00:04:07,489 --> 00:04:08,555
COME ON.
74
00:04:09,491 --> 00:04:11,090
THIS IS AN OUTRAGE.
75
00:04:11,092 --> 00:04:13,360
Lorabelle: SHOOTING
AT DEFENSELESS PASSENGERS.
OPEN IT.
76
00:04:19,634 --> 00:04:21,434
HAVE YOU NO RESPECT
FOR THE LAW?
77
00:04:21,436 --> 00:04:23,236
AROUND HERE,I'MTHE LAW.
78
00:04:23,238 --> 00:04:24,904
RIGHT NOW, I'M ORDERING YOU
TO SHUT UP
79
00:04:24,906 --> 00:04:26,840
AND START WALKIN'
IN THAT DIRECTION.
80
00:04:26,842 --> 00:04:28,508
GO ON.
81
00:04:30,978 --> 00:04:33,613
SEE IF THE DUDE'S GOT ANYTHING
ON HIM THAT'S WORTH TAKIN'.
82
00:04:38,186 --> 00:04:40,453
OH, PLEASE,
D--DON'T TAKE MY PILLS.
83
00:04:40,455 --> 00:04:42,022
I CAN'T LIVE
WITHOUT THEM.
84
00:04:49,130 --> 00:04:50,930
I'LL SEE THAT YOU'RE
ALL HUNG FOR THIS!
85
00:04:50,932 --> 00:04:53,799
OKAY, HONEY.
EVERYTHING'S UNDER CONTROL.
86
00:04:53,801 --> 00:04:55,735
YOU CAN STOP ACTING NOW.
87
00:05:03,478 --> 00:05:06,612
OH, BEAUTIFUL.
88
00:05:06,614 --> 00:05:08,248
HERE. STASH IT.
89
00:05:10,418 --> 00:05:12,552
TAKE YOUR HANDS OFF
OF ME!
90
00:05:12,554 --> 00:05:14,287
HOW AM I DOING?
FINE.
91
00:05:14,289 --> 00:05:16,089
FROM HERE ON IN,
IT'S A BUGGY RIDE.
92
00:05:16,091 --> 00:05:17,823
I'LL MEET YOU TOMORROW
IN CLIFTON.
93
00:05:17,825 --> 00:05:20,060
FROM THERE TO FRISCO,
IT'LL BE A BREEZE.
94
00:05:27,435 --> 00:05:30,369
NOW GO BACK TO THE COACH
AND MAKE OUT LIKE YOU HATE ME.
95
00:05:30,371 --> 00:05:31,971
YEAH.
96
00:05:31,973 --> 00:05:34,107
GO ON.
97
00:05:34,109 --> 00:05:35,809
BEAT IT.
98
00:05:47,054 --> 00:05:49,188
ALL RIGHT, MISTER.
GET IN.
99
00:05:49,190 --> 00:05:51,991
GO ON.
GET UP THERE!
100
00:05:51,993 --> 00:05:53,259
WELL, GOODBYE, FOLKS.
101
00:05:53,261 --> 00:05:56,662
I'M SORRY
TO HAVE INCONVENIENCED YOU.
102
00:05:56,664 --> 00:05:58,464
THE EAST LINE
IS THATAWAY.
103
00:05:58,466 --> 00:06:00,266
AND I'D HEAD THATAWAY
IF I WAS YOU.
104
00:06:00,268 --> 00:06:02,035
[ LAUGHS ]
105
00:06:04,806 --> 00:06:06,272
[ GUNSHOT ]
106
00:06:06,274 --> 00:06:08,074
[ LAUGHING ]
[ GUNSHOT ]
107
00:06:11,212 --> 00:06:13,279
DID YOU HEAR
THAT HORRIBLE LAUGH?
108
00:06:13,281 --> 00:06:16,549
ONLY A DEMENTED MURDERER
WOULD LAUGH LIKE THAT.
109
00:06:16,551 --> 00:06:18,284
♪♪
110
00:06:18,286 --> 00:06:21,755
♪ NOW THE BANDITS START TO FEAR
ON THE TRAIL TO BANDELIER ♪
111
00:06:21,757 --> 00:06:25,424
♪ FOR THEY WANTED TO APPEAR
THEY'RE HEADIN' EAST ♪
112
00:06:25,426 --> 00:06:27,293
♪ AND THEIR HOOFPRINTS
WILL SUGGEST ♪
113
00:06:27,295 --> 00:06:29,028
♪ THEY WENT NORTHEAST
TO THE CREST ♪
114
00:06:29,030 --> 00:06:32,565
♪ BUT THEY'RE GONNA CIRCLE WEST
WITH SPEED AND GRACE ♪
115
00:06:32,567 --> 00:06:36,235
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
116
00:06:36,237 --> 00:06:39,839
♪ AND THE BANDITS GOIN'
'ROUND THE SLAUGHTER TRAIL ♪
117
00:06:39,841 --> 00:06:41,374
♪ BUT THE WINDS OF VENGEANCE
ROAR ♪
118
00:06:41,376 --> 00:06:43,042
♪ DOWN ON MEN
WHO BREAK THE LAW ♪
119
00:06:43,044 --> 00:06:46,712
♪ FATE WILL EVEN UP THE SCORE
WITH THOSE TO BLAME ♪
120
00:06:46,714 --> 00:06:48,448
♪ THEY WERE RIDIN'
KIND OF WELL ♪
121
00:06:48,450 --> 00:06:50,183
♪ WHEN THE PACE BEGAN TO TELL ♪
122
00:06:50,185 --> 00:06:53,519
♪ NOW THEIR HORSES' ANKLES
SWELLED UNTIL THEY'RE LAME ♪
123
00:06:53,521 --> 00:06:55,721
♪ YOU COULD ONLY HEAR
THE SOUND ♪
124
00:06:55,723 --> 00:06:57,390
♪ OF THEIR CURSES
WHEN THEY FOUND ♪
125
00:06:57,392 --> 00:07:01,060
♪ THAT THEIR HORSES COULDN'T
POUND THE SLAUGHTER TRAIL ♪
126
00:07:01,062 --> 00:07:03,128
BLAST OUR LUCK.
127
00:07:03,130 --> 00:07:04,464
THESE HORSES ARE SHOT.
128
00:07:04,466 --> 00:07:08,067
I WOULDN'T BE GIVIN' UP
SO FAST IF I WAS YOU.
129
00:07:08,069 --> 00:07:09,735
WHAT MAKES YOU
SO DARN CHEERFUL?
130
00:07:09,737 --> 00:07:11,538
I RECKON YOU DON'T SEE
WHAT I SEE.
131
00:07:20,215 --> 00:07:23,083
♪♪
132
00:07:27,555 --> 00:07:30,023
SEE THEM?
133
00:07:30,025 --> 00:07:31,691
WELL, WHAT ARE WE
WAITIN' FOR?
134
00:07:31,693 --> 00:07:33,626
THEM HORSES
IS ACHING TO BE RODE.
135
00:07:33,628 --> 00:07:36,262
GRAB YOUR SADDLES.
LET'S NOT KEEP 'EM WAITING.
136
00:08:19,675 --> 00:08:21,541
♪ THEY PILLAGED,
AND THEY PLUNDERED ♪
137
00:08:21,543 --> 00:08:23,142
♪ BUT, AGAIN,
THE BANDITS BLUNDERED ♪
138
00:08:23,144 --> 00:08:26,680
♪ FOR THE WOUNDED REDSKIN
THUNDERED DOWN THE TRAIL ♪
139
00:08:26,682 --> 00:08:28,681
♪ HE HAD DRAGGED HIMSELF
FROM HIDIN' ♪
140
00:08:28,683 --> 00:08:30,416
♪ AND HIS PONY HE WAS GUIDIN' ♪
141
00:08:30,418 --> 00:08:34,153
♪ TO HIS TRIBESMEN
HE WAS RIDING WITH A TALE ♪
142
00:08:34,155 --> 00:08:37,691
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
143
00:08:37,693 --> 00:08:45,465
♪ AS THE REDSKIN WENT
AROUND THE SLAUGHTER TRAIL ♪
144
00:08:47,635 --> 00:08:50,637
♪♪
145
00:09:04,519 --> 00:09:05,985
DADDY, THE STAGE IS HERE!
146
00:09:05,987 --> 00:09:07,720
THE STAGE IS HERE!
WHOA, THERE, NANCY.
147
00:09:07,722 --> 00:09:09,054
IS MY SURPRISE ON IT?
148
00:09:09,056 --> 00:09:10,590
WELL, I'M NOT SURE,
BUT I HOPE SO.
149
00:09:10,592 --> 00:09:13,259
UH, BEG YOUR PARDON, SIR.
150
00:09:13,261 --> 00:09:14,794
NOW, NANCY, YOU KNOW BETTER
THAN TO COME RUNNIN'
151
00:09:14,796 --> 00:09:16,730
INTO THE CAPTAIN'S OFFICE
LIKE THIS.
152
00:09:16,732 --> 00:09:20,199
WELL, HE'S YOUR CAPTAIN,
BUT HE'S MY DADDY.
153
00:09:20,201 --> 00:09:21,867
WELL, YES, SIR --
YES, MA'AM.
154
00:09:21,869 --> 00:09:23,669
OH, NOW, YOU KNOW WHAT I MEAN.
155
00:09:23,671 --> 00:09:24,804
NOW YOU COME ON.
156
00:09:24,806 --> 00:09:26,872
YOU RUN ALONG WITH
SERGEANT McINTOSH, HONEY.
157
00:09:26,874 --> 00:09:28,207
I GOT SOME BUSINESS
TO ATTEND TO.
158
00:09:28,209 --> 00:09:29,743
CARRY ON, SERGEANT. YES.
159
00:09:29,745 --> 00:09:31,010
DADDY HAS BUSINESS.
160
00:09:31,012 --> 00:09:33,212
FORT MARCY!
161
00:09:33,214 --> 00:09:36,081
YOU'LL FIND FOOD
AND REFRESHMENTS IN THE CANTEEN.
162
00:09:36,083 --> 00:09:38,151
I DON'T WANT FOOD.
I WANT A DOCTOR.
163
00:09:38,153 --> 00:09:39,819
I MUST SEE A DOCTOR.
SORRY.
164
00:09:39,821 --> 00:09:41,754
CAN'T HELP YOU.
THIS HERE'S A CAVALRY POST.
165
00:09:41,756 --> 00:09:43,957
WE AIN'T GOT NOTHING
BUT A HORSE DOCTOR.
166
00:09:43,959 --> 00:09:45,558
HOW SOON
BEFORE WE START MOVING?
167
00:09:45,560 --> 00:09:47,360
THAT DEPENDS
ON CAPTAIN DEMPSTER.
168
00:09:47,362 --> 00:09:49,329
WHAT HE SAYS GOES.
169
00:09:59,975 --> 00:10:01,174
YOU'RE THREE HOURS LATE.
170
00:10:01,176 --> 00:10:02,776
WHAT WERE YOU DOING --
HAVING TEA WITH THE INDIANS?
171
00:10:02,778 --> 00:10:04,710
COULDN'T HELP IT, CAPTAIN.
WE WAS HELD UP.
172
00:10:04,712 --> 00:10:06,111
YOU WERE WHAT?
173
00:10:06,113 --> 00:10:07,380
THEY GOT McBRIDE.
174
00:10:07,382 --> 00:10:08,714
THERE WAS THREE OF 'EM
THIS TIME.
175
00:10:08,716 --> 00:10:09,983
COULDN'T MAKE MUCH
OUT OF THEIR FACES.
176
00:10:09,985 --> 00:10:11,184
THEY WORE A MASK.
177
00:10:11,186 --> 00:10:13,186
BUT THE LEADER
HAD A WEIRD KIND OF LAUGH.
178
00:10:13,188 --> 00:10:14,920
HE SEEMED TO THINK
EVERYTHING WAS FUNNY.
179
00:10:14,922 --> 00:10:15,989
THREE OF 'EM, HUH?
180
00:10:15,991 --> 00:10:17,390
WHAT WERE YOU CARRYING --
GOLD?
181
00:10:17,392 --> 00:10:19,124
NO.
JUST THE MAIL.
182
00:10:19,126 --> 00:10:20,193
COME TO THINK OF IT,
THEY SEEMED
183
00:10:20,195 --> 00:10:21,461
TO KNOW
WHAT WAS IN THE POUCH.
184
00:10:21,463 --> 00:10:23,062
THAT TALL HOMBRE RUMMAGED
THROUGH THE MAILBAG
185
00:10:23,064 --> 00:10:25,398
UNTIL HE FOUND THE PACKAGE
HE WAS LOOKIN' FOR.
186
00:10:25,400 --> 00:10:26,732
GOT McBRIDE, HUH?
187
00:10:26,734 --> 00:10:28,267
SOUNDS LIKE THE VAUGHN GANG.
188
00:10:28,269 --> 00:10:30,670
OH, THE VAUGHN GANG
NEVER OPERATED THIS FAR WEST.
189
00:10:30,672 --> 00:10:33,206
WELL, I GUESS THEY WERE GETTING
A LITTLE CRAMPED IN TEXAS.
190
00:10:33,208 --> 00:10:35,875
FIGURED THE STAGECOACH
WOULD BE EASIER FARTHER WEST,
191
00:10:35,877 --> 00:10:37,076
AND IT WAS.
192
00:10:37,078 --> 00:10:38,878
CAPTAIN, WE DONE
THE BEST WE...
EXCUSE ME.
193
00:10:38,880 --> 00:10:40,680
I KNOW, MATT.
GET YOURSELF SOME GRUB.
194
00:10:40,682 --> 00:10:42,215
WE'LL TAKE CARE
OF THE VAUGHN GANG.
195
00:10:42,217 --> 00:10:44,684
NOBODY'S GONNA COMMIT MURDER
AND ROBBERY IN THIS TERRITORY.
196
00:10:44,686 --> 00:10:46,552
I HOPE
I'M NOT INTRUDING.
WHAT CAN I DO...
197
00:10:46,554 --> 00:10:47,953
OH, EXCUSE ME.
198
00:10:47,955 --> 00:10:49,889
CAPTAIN DEMPSEY,
THIS HERE'S MISS LARKIN,
199
00:10:49,891 --> 00:10:51,691
ONE OF MY PASSENGERS.
200
00:10:51,693 --> 00:10:53,026
CAPTAIN.
201
00:10:53,028 --> 00:10:55,028
I'M VERY ANXIOUS
TO GET TO SAN FRANCISCO.
202
00:10:55,030 --> 00:10:56,562
HOW SOON
BEFORE WE GET GOING?
203
00:10:56,564 --> 00:10:57,897
WELL, I'M SORRY
TO DELAY YOUR TRIP,
204
00:10:57,899 --> 00:10:59,965
BUT I THINK YOU'D BETTER
STAY OVER A FEW DAYS.
205
00:10:59,967 --> 00:11:01,701
OH, BUT I'M NOT INTERESTED
IN STOPPING OVER.
206
00:11:01,703 --> 00:11:03,369
I'D LIKE TO LEAVE
AS SOON AS POSSIBLE.
207
00:11:03,371 --> 00:11:04,303
I UNDERSTAND THAT.
208
00:11:04,305 --> 00:11:05,505
BUT YOU'LL HAVE TO WAIT
209
00:11:05,507 --> 00:11:08,107
UNTIL WE CAN FIND A REPLACEMENT
TO RIDE SHOTGUN.
210
00:11:08,109 --> 00:11:09,375
HOW LONG WILL THAT TAKE?
211
00:11:09,377 --> 00:11:12,245
I CAN'T TELL YOU AT THE MOMENT,
BUT I'LL LET YOU KNOW.
212
00:11:12,247 --> 00:11:15,781
CAPTAIN, I INSIST
THAT WE LEAVE IMMEDIATELY.
213
00:11:15,783 --> 00:11:18,117
MISS LARKIN, I'M TRYING
TO REMEMBER MY MANNERS,
214
00:11:18,119 --> 00:11:19,985
BUT I FIND YOU
EXCEEDINGLY RUDE.
215
00:11:19,987 --> 00:11:22,121
I HAVE MORE IMPORTANT MATTERS
TO ATTEND TO.
216
00:11:22,123 --> 00:11:23,989
A MAN HAS BEEN KILLED.
217
00:11:23,991 --> 00:11:25,591
THE DRIVER WILL LET YOU KNOW
WHEN THE STAGECOACH
218
00:11:25,593 --> 00:11:27,793
IS READY TO LEAVE.
219
00:11:27,795 --> 00:11:30,930
I THOUGHT YOU WERE
AN OFFICER AND A GENTLEMAN.
220
00:11:30,932 --> 00:11:32,998
I'M THE COMMANDING OFFICER
OF FORT MARCY.
221
00:11:33,000 --> 00:11:35,368
THE GENTLEMAN,
YOU'LL FIND IN SAN FRANCISCO.
222
00:11:37,605 --> 00:11:39,539
[ DOOR OPENS, CLOSES ]
223
00:11:39,541 --> 00:11:40,940
[ CHUCKLES ]
224
00:11:40,942 --> 00:11:43,609
GUESS HE TOLD YOU,
DIDN'T HE, LADY?
225
00:11:43,611 --> 00:11:45,344
DON'T WORRY.
226
00:11:45,346 --> 00:11:47,080
I'LL HAVE THE LAST WORD.
227
00:11:47,082 --> 00:11:48,748
NOT IF YOU GIVE ORDERS
TO A MAN
228
00:11:48,750 --> 00:11:52,218
WHOSE BUSINESS
IS GIVIN' ORDERS.
229
00:11:52,220 --> 00:11:54,620
YOU SEEM TO KNOW HIM
QUITE WELL.
230
00:11:54,622 --> 00:11:56,890
WHAT APPROACH
WOULD YOU SUGGEST?
231
00:11:56,892 --> 00:12:00,360
CHARM, LADY.
FEMININE CHARM.
232
00:12:02,297 --> 00:12:05,431
[ KNOCK ON DOOR ]
233
00:12:05,433 --> 00:12:07,032
LIEUTENANT MORGAN
REPORTING, SIR.
234
00:12:07,034 --> 00:12:08,234
AT EASE, LIEUTENANT.
235
00:12:08,236 --> 00:12:10,236
HERE'S A FEDERAL CIRCULAR
ON THE VAUGHN GANG.
236
00:12:10,238 --> 00:12:12,706
I HAVE AN IDEA THEY'RE THE BUNCH
THAT HELD UP THAT STAGECOACH.
237
00:12:12,708 --> 00:12:13,707
WELL, WHAT GOOD IS THIS?
238
00:12:13,709 --> 00:12:14,908
IT DOESN'T SHOW
WHAT THEY LOOK LIKE.
239
00:12:14,910 --> 00:12:16,109
WHAT DO YOU WANT,
A TINTYPE?
240
00:12:16,111 --> 00:12:17,911
YOU SEEM TO FORGET
THIS IS A WILDERNESS.
241
00:12:17,913 --> 00:12:19,713
WELL, THIS COULD BE
ANY THREE MEN, CAPTAIN.
242
00:12:19,715 --> 00:12:22,848
PRECISELY. OUT HERE,
WE HAVE TO RELY ON INSTINCT.
243
00:12:22,850 --> 00:12:24,850
TAKE A DETAIL
AND TRAIL THEM DOWN.
244
00:12:24,852 --> 00:12:26,786
THE DRIVER TELLS ME THEY HEADED
FOR BANDELIER MOUNTAIN,
245
00:12:26,788 --> 00:12:28,854
BUT I HAVE AN IDEA
THAT WAS JUST A DECOY.
246
00:12:28,856 --> 00:12:29,855
YES, SIR.
247
00:12:29,857 --> 00:12:30,924
AND DON'T COME BACK
WITHOUT 'EM.
248
00:12:30,926 --> 00:12:32,792
VERY WELL, SIR.
249
00:12:32,794 --> 00:12:35,060
BY THE WAY, LIEUTENANT,
250
00:12:35,062 --> 00:12:36,662
YOU'D BETTER TAKE
AN INDIAN SCOUT.
251
00:12:36,664 --> 00:12:40,133
I'D CHOOSE JAMORA.
HE KNOWS THIS COUNTRY BACKWARDS.
252
00:12:40,135 --> 00:12:41,434
YES, SIR.
253
00:12:55,283 --> 00:13:00,820
HARDSADDLE, WHY DID YOU
EVER JOIN THE CAVALRY?
254
00:13:00,822 --> 00:13:02,755
WELL, WHY DID YOU?
255
00:13:02,757 --> 00:13:06,225
WELL, SARGE,
IT'S A LONG STORY,
256
00:13:06,227 --> 00:13:07,893
'SPECIALLY
THE WAY I TELL IT.
257
00:13:07,895 --> 00:13:10,029
♪ RECRUITING POSTERS
ARE PRINTED ♪
258
00:13:10,031 --> 00:13:12,698
♪ TO ATTRACT
THE NOT SO WISE ♪
259
00:13:12,700 --> 00:13:15,568
♪ IF WHAT THEY SAID
WAS REALLY TRUE ♪
260
00:13:15,570 --> 00:13:17,436
♪ THEY NEEDN'T ADVERTISE ♪
261
00:13:17,438 --> 00:13:19,439
YOU KNOW,
NOTHING BOTHERS YOU.
262
00:13:19,441 --> 00:13:21,440
ANYBODY THAT
GOES THROUGH LIFE
263
00:13:21,442 --> 00:13:23,176
JUST SINGING
MUST BE CRAZY.
264
00:13:23,178 --> 00:13:26,245
♪ THERE YOU STAND
AND SCRUB YOUR HORSE ♪
265
00:13:26,247 --> 00:13:29,515
♪ WHILE HE WORKS JUST AS HARD,
OF COURSE ♪
266
00:13:29,517 --> 00:13:32,385
♪ I JUST SING A MELODY ♪
267
00:13:32,387 --> 00:13:36,389
♪ EVERYONE'S CRAZY 'CEPTIN' ME ♪
268
00:13:36,391 --> 00:13:39,258
♪ NOW, I GOT SOME BULLETS,
AND I GOT A GUN ♪
269
00:13:39,260 --> 00:13:41,327
♪ BUT SHOOTING AT PEOPLE
JUST AIN'T FUN ♪
270
00:13:41,329 --> 00:13:43,529
♪ THEN WHY'D YOU JOIN
THE CAVALRY? ♪
271
00:13:43,531 --> 00:13:45,832
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
272
00:13:48,470 --> 00:13:50,670
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DAY ♪
273
00:13:50,672 --> 00:13:52,938
♪ I DON'T CARE
IF I FEEL THIS WAY ♪
274
00:13:52,940 --> 00:13:55,208
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DEE ♪
275
00:13:55,210 --> 00:13:57,477
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
276
00:13:59,547 --> 00:14:02,147
WHEN I EAT PEARS,
I EAT THE CORE
277
00:14:02,149 --> 00:14:04,217
♪ I THROW THE MEAT
UPON THE FLOOR ♪
278
00:14:04,219 --> 00:14:06,619
♪ THE SEEDS ARE BEST OF ALL,
YOU SEE ♪
279
00:14:06,621 --> 00:14:08,922
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
280
00:14:11,026 --> 00:14:13,559
♪ WHEN I GOES WALKING
WITH A LASS ♪
281
00:14:13,561 --> 00:14:15,628
♪ I LEAD HER THROUGH
THE MEADOW GRASS ♪
282
00:14:15,630 --> 00:14:18,097
♪ I DON'T KISS HER,
SHE KISSES ME ♪
283
00:14:18,099 --> 00:14:20,433
♪ EVERYONE'S CRAZY
'CEPTIN' HE ♪
284
00:14:20,435 --> 00:14:22,768
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DAY ♪
285
00:14:22,770 --> 00:14:25,171
♪ I DON'T CARE
IF I FEEL THIS WAY ♪
286
00:14:25,173 --> 00:14:27,306
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DEE ♪
287
00:14:27,308 --> 00:14:29,542
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
288
00:14:31,979 --> 00:14:34,313
♪ WHITE MEN CHASE THE NAVAJOS ♪
289
00:14:34,315 --> 00:14:36,582
♪ THE NAVAJOS CHASE
THE DEERS AND DOES ♪
290
00:14:36,584 --> 00:14:38,852
♪ BUT I SIT TIGHT
TILL THEY COME TO ME ♪
291
00:14:38,854 --> 00:14:41,454
Both: ♪ EVERYONE'S CRAZY
'CEPTIN' HE ♪
292
00:14:43,525 --> 00:14:45,791
Singalong: ♪ SOME DRINK WHISKEY
SOME DRINK CORN ♪
293
00:14:45,793 --> 00:14:47,861
♪ SOME FOLKS DRINK
FROM NIGHT TILL MORN ♪
294
00:14:47,863 --> 00:14:50,129
♪ I DRINK MY WATER STRAIGHT,
YOU SEE ♪
295
00:14:50,131 --> 00:14:52,465
♪ I CHASE IT DOWN
WITH RYE WHISKEY ♪
296
00:14:52,467 --> 00:14:54,800
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DAY ♪
297
00:14:54,802 --> 00:14:57,002
♪ I DON'T CARE
IF I FEEL THIS WAY ♪
298
00:14:57,004 --> 00:14:59,205
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DEE ♪
299
00:14:59,207 --> 00:15:01,374
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
300
00:15:03,611 --> 00:15:05,811
♪ YOU RIDE YOUR HORSE
UNTIL YOU BEND ♪
301
00:15:05,813 --> 00:15:08,081
♪ BUT WHERE'S IT GET YOU
IN THE END? ♪
302
00:15:08,083 --> 00:15:10,616
♪ I WALK MY HORSE
AND LET HIM BE ♪
303
00:15:10,618 --> 00:15:13,019
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
304
00:15:14,956 --> 00:15:17,423
♪ WHEN COUPLES MARRY,
THEY TEMPT FATE ♪
305
00:15:17,425 --> 00:15:19,625
♪ BECAUSE THEIR LOVE
CAN TURN TO HATE ♪
306
00:15:19,627 --> 00:15:22,095
♪ I LOVE 'EM ALL,
BUT I STAY FREE ♪
307
00:15:22,097 --> 00:15:24,363
♪ EVERYONE'S CRAZY
'CEPTIN' ME ♪
308
00:15:24,365 --> 00:15:26,566
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DAY ♪
309
00:15:26,568 --> 00:15:28,834
♪ I DON'T CARE
IF I FEEL THIS WAY ♪
310
00:15:28,836 --> 00:15:32,105
♪ DO, DEE-DO-DAH,
DEEDLE OOH-DEEEEE ♪
311
00:15:32,107 --> 00:15:40,313
♪ EVERYONE'S CRAZY
'CEPTIN' MEEEEEEEEEEE ♪
312
00:15:40,315 --> 00:15:42,648
[ LAUGHTER ]
313
00:15:42,650 --> 00:15:44,049
SERGEANT,
GET A PATROL READY,
314
00:15:44,051 --> 00:15:45,851
FULL FIELD EQUIPMENT,
THREE DAYS' RATIONS.
315
00:15:45,853 --> 00:15:47,720
WE LEAVE IMMEDIATELY.
YES, SIR!
316
00:15:47,722 --> 00:15:50,123
ALL RIGHT, YOU GUYS! YOU HEARD
WHAT THE LIEUTENANT SAID!
317
00:15:50,125 --> 00:15:52,792
ON THE DOUBLE! COME ON!
LET'S GET EVERYTHING PACKED!
318
00:15:54,796 --> 00:15:55,995
WHEN ARE WE LEAVING?
319
00:15:55,997 --> 00:15:58,664
IT'S UP TO
CAPTAIN DEMPSTER.
320
00:15:58,666 --> 00:16:01,801
WELL, I GUESS I BETTER HELP HIM
MAKE UP HIS MIND.
321
00:16:01,803 --> 00:16:05,471
YEAH, BUT DON'T FORGET
WHAT I SAID ABOUT CHARM --
322
00:16:05,473 --> 00:16:07,307
"FEM-A-NINE" CHARM.
323
00:16:09,611 --> 00:16:12,145
[ CHUCKLES ]
324
00:16:12,147 --> 00:16:14,714
[ KNOCK ON DOOR ]
Dempster: COME IN.
325
00:16:17,218 --> 00:16:19,152
MISS LARKIN
TO SEE YOU, SIR.
326
00:16:19,154 --> 00:16:21,721
SEND HER IN.
YES, SIR. MISS LARKIN.
327
00:16:25,293 --> 00:16:28,093
CAPTAIN DEMPSTER.
328
00:16:28,095 --> 00:16:29,429
MISS LARKIN.
329
00:16:29,431 --> 00:16:33,166
I, UH, I WANT TO APOLOGIZE FOR
THE WAY I ACTED THIS MORNING.
330
00:16:33,168 --> 00:16:35,100
I GUESS THE COMBINATION
OF THE LONG TRIP
331
00:16:35,102 --> 00:16:36,836
AND WHAT HAPPENED
SORT OF UPSET ME.
332
00:16:36,838 --> 00:16:38,504
I'M TERRIBLY SORRY.
333
00:16:38,506 --> 00:16:40,239
WELL, THAT'S ALL RIGHT.
334
00:16:40,241 --> 00:16:42,575
HOW LONG DO YOU THINK IT'LL BE
BEFORE WE CAN GO ON?
335
00:16:42,577 --> 00:16:44,577
WELL, THAT ALL DEPENDS.
336
00:16:44,579 --> 00:16:46,579
OH, BUT THE DRIVER TOLD ME
HE WAS WILLING TO GO ON
337
00:16:46,581 --> 00:16:49,382
WITHOUT A REPLACEMENT,
ONLY YOU ORDERED HIM TO STAY.
338
00:16:49,384 --> 00:16:50,984
THAT'S RIGHT.
I DID.
339
00:16:50,986 --> 00:16:53,119
YOU MUST BE
IN QUITE A HURRY.
340
00:16:53,121 --> 00:16:55,188
OH, YES.
YES, I AM, CAPTAIN.
341
00:16:55,190 --> 00:16:57,723
YOU SEE,
IT'S MY GRANDMOTHER.
342
00:16:57,725 --> 00:16:59,659
SHE'S TERRIBLY ILL.
343
00:16:59,661 --> 00:17:02,261
I'LL NEVER FORGIVE MYSELF
IF I DON'T GET THERE IN TIME.
344
00:17:02,263 --> 00:17:04,063
WELL, THAT'S TOO BAD.
345
00:17:04,065 --> 00:17:06,399
OH, PLEASE,
PLEASE LET US GO ON.
346
00:17:06,401 --> 00:17:07,867
WELL, IF I DO,
I CAN'T --
347
00:17:07,869 --> 00:17:11,171
OH, THANK YOU, CAPTAIN!
I'LL NEVER FORGET THIS.
348
00:17:22,083 --> 00:17:23,850
GOOD-BYE, CAPTAIN.
349
00:17:25,687 --> 00:17:27,821
WELL, I SEE YOU'RE ALL SET
AND READY TO ROLL.
350
00:17:27,823 --> 00:17:29,489
WHAT MADE YOU SO SURE
I'D LET YOU GO?
351
00:17:29,491 --> 00:17:32,425
WELL, IF SHE CONVINCED ME,
I KNOW SHE'D CONVINCE YOU.
352
00:17:32,427 --> 00:17:34,294
[ CHUCKLES ]
353
00:17:39,100 --> 00:17:42,002
♪♪
354
00:17:50,245 --> 00:17:52,111
♪♪
355
00:17:52,113 --> 00:17:56,182
Singalong:
♪ YOU MUST COVER LOTS OF GROUND
WHEN YOU'RE ARIZONA BOUND ♪
356
00:17:56,184 --> 00:18:00,053
♪ SO THE WHEELS KEEP GOING ROUND
AS YOU ROLLED ON ♪
357
00:18:00,055 --> 00:18:03,989
♪ AND BECAUSE SHE HAD HER WAY,
LORABELLE IS FEELING GAY ♪
358
00:18:03,991 --> 00:18:08,261
♪ FOR TOMORROW IS THE DAY
SHE'S MEETING VAUGHN ♪
359
00:18:08,263 --> 00:18:12,065
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
360
00:18:12,067 --> 00:18:16,135
♪ AND THE STAGE AS IT WENT ROUND
THE SLAUGHTER TRAIL ♪
361
00:18:16,137 --> 00:18:20,206
♪ THE HORIZON GREETS THE EYE
AS THE DESERT MEETS THE SKY ♪
362
00:18:20,208 --> 00:18:24,143
♪ AND THE CAVALRY RIDES
BY ALONG THE WAY ♪
363
00:18:24,145 --> 00:18:28,214
♪ THEY ARE FOLLOWING THE TRAIL
OF THE MEN WHO ROBBED THE MAIL ♪
364
00:18:28,216 --> 00:18:32,218
♪ AND THEY KNOW THEY MUSTN'T
FAIL TO FIND THEIR PREY ♪
365
00:18:32,220 --> 00:18:34,153
♪ NOW, WE SEE A GROUP OF TENTS ♪
366
00:18:34,155 --> 00:18:36,222
♪ THEY'RE
THE RED MAN'S RESIDENCE ♪
367
00:18:36,224 --> 00:18:41,061
♪ AND THEY ADD TO THE SUSPENSE
ON SLAUGHTER TRAIL ♪
368
00:18:44,232 --> 00:18:46,832
♪ NOW, THE REDSKIN
TOLD HIS CHIEF ♪
369
00:18:46,834 --> 00:18:49,569
♪ HOW HIS LOVED ONES
CAME TO GRIEF ♪
370
00:18:49,571 --> 00:18:54,173
♪ THAT EACH WHITE MAN WAS
A THIEF AND FURTHERMORE ♪
371
00:18:54,175 --> 00:18:56,976
♪ WHEN THE PALE-FACED GUNS
HAD SPOKEN ♪
372
00:18:56,978 --> 00:18:59,379
♪ A LASTING TRUCE WAS BROKEN ♪
373
00:18:59,381 --> 00:19:03,849
♪ SO, THE CHIEFTAIN RAISED
THE TOKEN WHICH MEANT WAR ♪
374
00:19:03,851 --> 00:19:07,587
♪ YOU CAN ONLY HEAR THE SOUND
OF THE WAR DRUMS AS THEY POUND ♪
375
00:19:07,589 --> 00:19:12,258
♪ AND THE REDSKIN TRIBE
GOES ROUND THE SLAUGHTER TRAIL ♪
376
00:19:12,260 --> 00:19:14,561
[ MEN WHOOPING ]
377
00:19:17,265 --> 00:19:20,266
♪♪
378
00:19:31,012 --> 00:19:34,480
♪ ON THE STAGE, THEY'RE UNAWARE
OF THE DANGER IN THE AIR ♪
379
00:19:34,482 --> 00:19:37,817
♪ FOR THE NAVAJOS ARE THERE
IN FRONT AND BACK ♪
380
00:19:37,819 --> 00:19:41,154
♪ AS THE INDIANS ENCROACH,
PAAKO SIGNALS TOWARD THE COACH ♪
381
00:19:41,156 --> 00:19:44,490
♪ THEY BREAK AMBUSH
AND APPROACH FOR THE ATTACK ♪
382
00:19:44,492 --> 00:19:47,827
♪ YOU CAN ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
383
00:19:47,829 --> 00:19:51,230
♪ AS THE REDSKINS WENT
AROUND THE SLAUGHTER TRAIL ♪
384
00:19:51,232 --> 00:19:52,732
♪ THERE ARE INJUNS TO THE LEFT ♪
385
00:19:56,171 --> 00:19:57,704
♪ THERE ARE INJUNS
TO THE RIGHT ♪
386
00:20:00,976 --> 00:20:04,377
♪ AND THEY RIDE WITH ALL
THEIR MIGHT TO MAKE THE KILL ♪
387
00:20:04,379 --> 00:20:06,045
♪ AS THEY HASTEN
IN THEIR FLIGHT ♪
388
00:20:06,047 --> 00:20:07,847
♪ LORABELLE IS FILLED
WITH FRIGHT ♪
389
00:20:07,849 --> 00:20:11,184
♪ AND THE DRIVER FEELS HIS BLOOD
BEGIN TO CHILL ♪
390
00:20:11,186 --> 00:20:12,852
♪ NOW THE HORSES
PULL AND STRAIN ♪
391
00:20:12,854 --> 00:20:14,387
♪ BUT THEIR EFFORTS ARE
IN VAIN ♪
392
00:20:14,389 --> 00:20:17,791
♪ FOR THE REDSKINS SEEM TO GAIN
UPON THE STAGE ♪
393
00:20:17,793 --> 00:20:21,060
♪ BUT IT SEEMS AN ACT OF GRACE
LED OUR SOLDIERS TO THE PLACE ♪
394
00:20:21,062 --> 00:20:24,397
♪ AND THEY RODE INTO THE CHASE
FROM OUT THE SAGE ♪
395
00:20:24,399 --> 00:20:26,265
♪ YOU COULD HEAR
THE HEARTBEAT POUND ♪
396
00:20:26,267 --> 00:20:27,933
♪ WHEN LIEUTENANT MORGAN FOUND ♪
397
00:20:27,935 --> 00:20:31,337
♪ THERE WERE REDSKINS ALL AROUND
THE SLAUGHTER TRAIL ♪
398
00:20:31,339 --> 00:20:33,139
TROOP CHARGE!
399
00:20:33,141 --> 00:20:35,275
[ MEN WHOOPING ]
400
00:21:49,885 --> 00:21:51,617
WHAT'S THE MATTER?
SCARED?
401
00:21:51,619 --> 00:21:54,020
WHO, ME? SCARED?
[ SCOFFS ]
402
00:21:58,493 --> 00:22:00,760
I THOUGHT YOU SAID YOU WERE
THE HOTTEST INDIAN FIGHTER
403
00:22:00,762 --> 00:22:02,495
EAST OF THE RIO GRANDE.
404
00:22:02,497 --> 00:22:04,230
THAT WAS EAST
OF THE RIO GRANDE.
405
00:22:04,232 --> 00:22:06,232
WEST OF THE RIO GRANDE,
I AIN'T SO HOT.
406
00:22:27,054 --> 00:22:28,521
I HOPE
YOU'RE ALL RIGHT.
407
00:22:28,523 --> 00:22:31,758
YES, THANKS
TO YOU AND YOUR MEN.
408
00:22:40,868 --> 00:22:44,137
ALL RIGHT, STEADY!
409
00:22:44,139 --> 00:22:46,139
LIEUTENANT, I WANT
TO THANK YOU AGAIN FOR --
410
00:22:46,141 --> 00:22:47,407
MADAM, DON'T THANK US,
411
00:22:47,409 --> 00:22:49,542
THANK THE BANDITS
WHO HELD YOU UP THIS MORNING.
412
00:22:49,544 --> 00:22:51,076
IF THAT TRAIL
DIDN'T LEAD WESTWARD
413
00:22:51,078 --> 00:22:52,878
FROM BANDELIER MOUNTAIN, WE
WOULDN'T HAVE BEEN HERE IN TIME.
414
00:22:52,880 --> 00:22:55,148
YOU MEAN YOU HAVEN'T
CAUGHT THEMYET?
415
00:22:55,150 --> 00:22:57,550
WE MIGHT HAVE IF YOU
HADN'T TAKEN US OFF THEIR TRAIL.
416
00:22:57,552 --> 00:22:59,953
I RESENT THAT.
WHY BLAME ME?
417
00:22:59,955 --> 00:23:02,555
YOU SEEM TO HAVE A SPECIAL
TALENT FOR ATTRACTING TROUBLE.
418
00:23:02,557 --> 00:23:04,890
AFTER THIS DELAY, I DOUBT IF
WE'LL EVER CATCH THEM.
419
00:23:04,892 --> 00:23:07,627
LIEUTENANT, IT APPEARS
THAT ONE OF THE QUALIFICATIONS
420
00:23:07,629 --> 00:23:10,964
FOR BEING A OFFICER
IN THE U.S. CALVARY IS RUDENESS.
421
00:23:10,966 --> 00:23:14,300
NOW, IF YOU DON'T MIND,
I THINK I'LL CONTINUE MY TRIP.
422
00:23:14,302 --> 00:23:16,035
AND IF YOU DON'T MIND, YOU'LL
KINDLY STEP BACK INTO THE COACH.
423
00:23:16,037 --> 00:23:17,837
WE'RE GOING BACK
TO FORT MARCY.
424
00:23:17,839 --> 00:23:19,639
THOSE INDIANS
DON'T SCARE ME!
425
00:23:19,641 --> 00:23:21,174
DON'T PRESS YOUR LUCK
TOO FAR.
426
00:23:21,176 --> 00:23:22,976
WE'RE ALL READY,
LIEUTENANT.
427
00:23:22,978 --> 00:23:24,577
ALL RIGHT, SERGEANT,
MOUNT THE PATROL.
428
00:23:24,579 --> 00:23:27,246
PATROL MOUNTED!
429
00:23:27,248 --> 00:23:30,250
♪♪
430
00:23:44,199 --> 00:23:46,800
[ KNOCK ON DOOR ]
431
00:23:46,802 --> 00:23:50,135
LIEUTENANT,
BACK SO SOON? GOOD.
432
00:23:50,137 --> 00:23:51,671
HOLD THE COMPLIMENTS,
CAPTAIN.
433
00:23:51,673 --> 00:23:54,407
I'M SORRY TO REPORT OUR MISSION
WAS NOT ACCOMPLISHED.
434
00:23:54,409 --> 00:23:56,009
THEN WHAT THE BLAZES
ARE YOU DOING BACK HERE?
435
00:23:56,011 --> 00:23:58,878
YOU HAD YOUR ORDERS.
I HAD NO ALTERNATIVE, SIR.
436
00:23:58,880 --> 00:24:00,613
WE WERE TRAILING THE BANDITS
WEST WHEN WE CROSSED PATHS
437
00:24:00,615 --> 00:24:02,682
WITH A BAND OF NAVAJOS
ATTACKING THE STAGE.
438
00:24:02,684 --> 00:24:03,817
NAVAJOS?
439
00:24:03,819 --> 00:24:06,352
CHIEF PAAKO AND I HAVE BEEN
FRIENDS FOR YEARS.
440
00:24:06,354 --> 00:24:07,420
ARE YOU SURE
THEY WERE NAVAJOS?
441
00:24:07,422 --> 00:24:09,288
POSITIVE.
ANY CASUALTIES?
442
00:24:09,290 --> 00:24:12,225
WE LOST THE DRIVER.
TWO OTHERS WERE WOUNDED.
443
00:24:12,227 --> 00:24:14,694
LIEUTENANT,
ONE OF THE FEW THINGS
444
00:24:14,696 --> 00:24:17,296
I'VE BEEN ABLE TO ACCOMPLISH
IN THIS FORSAKEN PLACE
445
00:24:17,298 --> 00:24:19,098
IS TO KEEP PEACE
WITH THE NAVAJOS.
446
00:24:19,100 --> 00:24:21,034
WE'VE HAD A TREATY
WITH THEM FOR YEARS.
447
00:24:21,036 --> 00:24:23,636
NOT ANYMORE.
I'M NOT SO SURE.
448
00:24:23,638 --> 00:24:25,839
CHIEF PAAKO WOULDN'T ATTACK
WITHOUT A GOOD REASON.
449
00:24:25,841 --> 00:24:28,307
INDIANS ON THE WARPATH
ARE BEYOND REASON.
450
00:24:28,309 --> 00:24:30,510
WHERE DID YOU LEARN THAT,
IN A TEXTBOOK?
451
00:24:30,512 --> 00:24:32,846
NO, SIR,
ON SLAUGHTER TRAIL.
452
00:24:32,848 --> 00:24:34,980
THOSE NAVAJOS OUGHT
TO BE TAUGHT A LESSON.
453
00:24:34,982 --> 00:24:36,850
I KNOW HOW TO HANDLE
CHIEF PAAKO.
454
00:24:36,852 --> 00:24:39,919
THIS SITUATION CALLS
FOR DIPLOMACY, NOT FORCE.
455
00:24:39,921 --> 00:24:41,187
LET'S GO.
456
00:24:43,525 --> 00:24:44,590
BEG YOUR PARDON, SIR.
457
00:24:44,592 --> 00:24:45,859
MISS LARKIN REQUESTS
ANOTHER AUDIENCE.
458
00:24:45,861 --> 00:24:47,393
CAPTAIN DEMPSTER,
WOULD YOU PLEASE TELL --
459
00:24:47,395 --> 00:24:49,062
CAPTAIN DEMPSTER
WOULD NOT!
460
00:24:49,064 --> 00:24:50,396
IF I HADN'T
LISTENED TO YOU,
461
00:24:50,398 --> 00:24:52,665
THE STAGECOACH DRIVER
WOULD STILL BE ALIVE!
462
00:24:52,667 --> 00:24:55,334
UNTIL FURTHER NOTICE,
YOU'RE CONFINED TO THE FORT!
463
00:24:55,336 --> 00:24:57,270
HOW DARE YOU!
464
00:24:57,272 --> 00:24:59,338
BY WHAT RIGHT DO YOU THINK
YOU CAN GIVE ME ORDERS?!
465
00:24:59,340 --> 00:25:01,841
BY WHAT RIGHT?
BY AN ACT OF CONGRESS!
466
00:25:04,880 --> 00:25:06,212
PARDON ME.
467
00:25:12,754 --> 00:25:14,320
TEMPER, TEMPER!
468
00:25:16,424 --> 00:25:17,490
WHY DON'T YOU WATCH
WHERE YOU'RE...!
469
00:25:17,492 --> 00:25:19,759
OH, SORRY.
470
00:25:19,761 --> 00:25:23,028
DID I HURT YOU?
NO, DID I HURT YOU?
471
00:25:23,030 --> 00:25:25,899
NO, COURSE NOT.
472
00:25:25,901 --> 00:25:29,034
UH...LOOK, UM,
473
00:25:29,036 --> 00:25:31,170
DO YOU KNOW WHERE I CAN FIND
THE WOMEN'S QUARTERS?
474
00:25:31,172 --> 00:25:32,972
COME.
I'LL SHOW YOU.
475
00:25:32,974 --> 00:25:36,442
THANK YOU.
476
00:25:36,444 --> 00:25:39,245
WHAT'S YOUR NAME?
NANCY DEMPSTER.
477
00:25:39,247 --> 00:25:41,581
MY DADDY'S COMMANDER
OF THIS POST.
478
00:25:41,583 --> 00:25:43,917
REALLY?
WHAT'S YOUR NAME?
479
00:25:43,919 --> 00:25:46,852
UH, LORABELLE,
LORABELLE LARKIN.
480
00:25:46,854 --> 00:25:49,655
I LIKE THAT NAME.
IT'S PRETTY.
481
00:25:49,657 --> 00:25:51,991
BUT YOU MAY CALL ME
LORABELLE.
482
00:25:51,993 --> 00:25:55,060
THANK YOU.
YOU MAY CALL ME NANCY.
483
00:25:55,062 --> 00:25:56,062
THANK YOU.
484
00:25:56,064 --> 00:25:57,397
WELL, HERE WE ARE.
485
00:25:57,399 --> 00:25:58,698
OH.
486
00:26:01,803 --> 00:26:04,069
WHAT BEAUTIFUL GOWNS.
487
00:26:04,071 --> 00:26:06,806
DO ALL THE WOMEN BACK EAST
WEAR SUCH PRETTY CLOTHES?
488
00:26:06,808 --> 00:26:09,342
[ CHUCKLES ] WELL,
ONLY THOSE THAT CAN AFFORD TO.
489
00:26:09,344 --> 00:26:12,211
I BET YOU LOOK BEAUTIFUL
IN THAT GOWN.
490
00:26:12,213 --> 00:26:14,614
THANK YOU, NANCY.
491
00:26:14,616 --> 00:26:16,882
OH, THAT'S
A NICE DOLL YOU HAVE.
492
00:26:16,884 --> 00:26:19,285
SHE'S A PRESENT
FROM CHIEF PAAKO.
493
00:26:19,287 --> 00:26:21,887
HE GAVE IT TO ME WHEN
HE AND DADDY SIGNED THE TRUCE.
494
00:26:21,889 --> 00:26:25,625
OH, THEN YOU MUST'VE HAD HER
FOR A LONG TIME.
495
00:26:25,627 --> 00:26:28,828
MY, WHAT A BEAUTIFUL CAMEO.
MAY I SEE IT?
496
00:26:28,830 --> 00:26:30,430
SURELY.
497
00:26:30,432 --> 00:26:33,232
WHEN YOU GROW UP, MAYBE YOU'LL
HAVE LOTS OF PRETTY THINGS.
498
00:26:33,234 --> 00:26:34,700
MISS LARKIN?
YES?
499
00:26:34,702 --> 00:26:36,702
I'M SUSAN WILSON,
THE SCHOOLTEACHER.
500
00:26:36,704 --> 00:26:38,237
OH, HOW DO YOU DO?
501
00:26:38,239 --> 00:26:39,639
I, UH,
HOPE YOU DON'T MIND
502
00:26:39,641 --> 00:26:41,174
MY SHARING YOUR QUARTERS
WITH YOU.
503
00:26:41,176 --> 00:26:43,309
IT'LL ONLY BE A SHORT WHILE.
NOT AT ALL.
504
00:26:43,311 --> 00:26:45,578
IS THERE ANYTHING I CAN DO
TO MAKE YOU MORE COMFORTABLE?
505
00:26:45,580 --> 00:26:48,381
I DON'T THINK SO.
NANCY'S BEEN VERY HELPFUL.
506
00:26:48,383 --> 00:26:50,583
COME ON, NANCY.
SCHOOL TIME.
507
00:26:50,585 --> 00:26:53,319
BYE, LORABELLE.
BYE.
508
00:27:02,998 --> 00:27:05,865
WELL, HARDSADDLE,
YOU'RE A VETERAN NOW.
509
00:27:05,867 --> 00:27:07,933
YOU MEAN
I'M NO LONGER A ROOKIE?
510
00:27:07,935 --> 00:27:10,670
HECK, NO! NOW THAT YOU'VE TASTED
BLOOD AND THUNDER
511
00:27:10,672 --> 00:27:12,137
AND YOU'VE FOUGHT
THE INDIANS,
512
00:27:12,139 --> 00:27:15,208
YOU CAN LOOK ANY MAN
RIGHT IN THE EYE AND SAY,
513
00:27:15,210 --> 00:27:19,012
"HERE STANDS A FIGHTING MEMBER
OF THE UNITED STATES CALVARY."
514
00:27:19,014 --> 00:27:22,147
I BET THAT WAS THE TOUGHEST
INJUN FIGHT YOU WAS EVER IN.
515
00:27:22,149 --> 00:27:25,018
TOUGHEST FIGHT? PFFT.
THAT WAS CHILD'S PLAY.
516
00:27:25,020 --> 00:27:27,353
YOU MEAN TO SAY
YOU'VE HAD IT TOUGHER?
517
00:27:27,355 --> 00:27:29,088
WHY, I REMEMBER
WHEN I WAS WITH
518
00:27:29,090 --> 00:27:31,691
THE 7th CAVALRY BANK
IN KANSAS,
519
00:27:31,693 --> 00:27:33,359
WE WERE FIGHTING
THE CHEYENNES.
520
00:27:33,361 --> 00:27:35,294
IT WAS
THE BATTLE OF CHICKASAW.
521
00:27:35,296 --> 00:27:37,763
I DON'T KNOW HOW IT HAPPENED,
BUT ALL OF A SUDDEN,
522
00:27:37,765 --> 00:27:41,167
THERE I WAS --
ALL ALONE, ALL BY MYSELF.
523
00:27:41,169 --> 00:27:42,702
SO I WHIPPED
MY HORSE AROUND
524
00:27:42,704 --> 00:27:44,838
AND STARTED BACK
TO THE REGIMENT.
525
00:27:44,840 --> 00:27:47,773
THERE, RIGHT IN FRONT OF ME,
WERE 50 INDIANS!
526
00:27:47,775 --> 00:27:50,376
SO I TURNED AROUND
AND STARTED TO RETREAT.
527
00:27:50,378 --> 00:27:53,179
THERE, BLOCKING MY PATH,
WAS 100 INDIANS!
528
00:27:53,181 --> 00:27:54,914
SO, QUICK,
I TURNED TO THE LEFT.
529
00:27:54,916 --> 00:27:58,451
AND COMING RIGHT AT ME --
200 INDIANS!
530
00:27:58,453 --> 00:28:01,120
SO, I TURNED AROUND
TO TAKE TO THE RIGHT,
531
00:28:01,122 --> 00:28:04,590
300 INDIANS
BEARING DOWN ON ME!
532
00:28:04,592 --> 00:28:07,060
ALL AROUND ME, INDIANS --
INDIANS IN FRONT OF ME,
533
00:28:07,062 --> 00:28:09,595
INDIANS IN BACK OF ME,
INDIANS TO THE LEFT OF ME,
534
00:28:09,597 --> 00:28:11,797
AND INDIANS
TO THE RIGHT OF ME.
535
00:28:11,799 --> 00:28:13,867
WHAT HAPPENED?
WHAT HAPPENED?
536
00:28:13,869 --> 00:28:15,235
I GOT KILLED.
537
00:28:18,005 --> 00:28:21,407
IF YOU WERE KILLED,
HOW COME YOU'RE STILL LIVING?
538
00:28:21,409 --> 00:28:23,076
YOU CALL THIS LIVING?
539
00:28:23,078 --> 00:28:26,412
[ LAUGHTER ]
540
00:28:26,414 --> 00:28:28,948
SERGEANT MACINTOSH.
YES, SIR?
541
00:28:28,950 --> 00:28:30,750
REPLACE YOUR CASUALTIES
AND MOUNT THE PATROL.
542
00:28:30,752 --> 00:28:32,952
WE'RE GOING OUT AGAIN.
VERY WELL, SIR.
543
00:28:32,954 --> 00:28:36,122
PATROL, FALL IN!
544
00:28:38,426 --> 00:28:42,295
Singalong:
♪ OH, THE HILLS ARE BARREN BROWN
WEARING CACTUS FOR A CROWN ♪
545
00:28:42,297 --> 00:28:46,366
♪ AND THE HEAT KEEPS
BEARING DOWN WITHOUT RELIEF ♪
546
00:28:46,368 --> 00:28:48,834
♪ AND THE SWEAT
POURS THROUGH YOUR CLOTHES ♪
547
00:28:48,836 --> 00:28:50,904
♪ BUT LIEUTENANT MORGAN KNOWS ♪
548
00:28:50,906 --> 00:28:54,974
♪ THEY MUST REACH THE NAVAJOS
AND SEE THEIR CHIEF ♪
549
00:28:54,976 --> 00:28:58,712
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
550
00:28:58,714 --> 00:29:04,317
♪ AS THE CAVALRY WENT
'ROUND THE SLAUGHTER TRAIL ♪
551
00:29:04,319 --> 00:29:07,520
♪ NOW, THE HEAT IS SO INTENSE ♪
552
00:29:07,522 --> 00:29:10,523
♪ AND YOUR THIRST IS
SO IMMENSE ♪
553
00:29:10,525 --> 00:29:15,995
♪ AND YOUR SPIRITS ARE SO DENSE
THAT YOU CAN'T TALK ♪
554
00:29:15,997 --> 00:29:18,598
♪ YOU'VE GONE
HALFWAY 'CROSS THE STATE ♪
555
00:29:18,600 --> 00:29:21,667
♪ AND YOUR MISERY IS GREAT ♪
556
00:29:21,669 --> 00:29:27,473
♪ AND YOUR HORSE CAN'T BEAR
YOUR WEIGHT, AND SO YOU WALK ♪
557
00:29:27,475 --> 00:29:30,543
♪ YOU COULD ONLY HEAR
THE SOUND ♪
558
00:29:30,545 --> 00:29:33,613
♪ OF THE HOOFBEATS
ON THE GROUND ♪
559
00:29:33,615 --> 00:29:39,486
♪ AS YOUR HORSES DRAG
AROUND THE SLAUGHTER TRAIL ♪
560
00:29:41,823 --> 00:29:45,825
♪ IT'S APPROACHING EVENTIDE
WHEN THE SUN BEGINS TO HIDE ♪
561
00:29:45,827 --> 00:29:49,763
♪ AND SO, ONCE AGAIN, YOU RIDE,
YOU'RE LIKE A KING ♪
562
00:29:49,765 --> 00:29:53,633
♪ NOW, YOUR HORSES START TO FLY,
THERE'S A TWINKLE IN YOUR EYE ♪
563
00:29:53,635 --> 00:29:57,137
♪ AND YOUR SPIRITS FEEL SO HIGH
YOU GOTTA SING ♪
564
00:29:59,440 --> 00:30:03,509
♪ WHEN THE SKY
HAS TURNED TO RUST ♪
565
00:30:03,511 --> 00:30:07,513
♪ AND YOUR THROAT
IS DRY AS DUST ♪
566
00:30:07,515 --> 00:30:11,184
♪ WHILE YOU'RE RIDING TOWARD
THE SHADOWS AND THE SHADE ♪
567
00:30:11,186 --> 00:30:13,453
♪ AS YOUR HORSES
POUND THE GROUND ♪
568
00:30:13,455 --> 00:30:15,521
♪ YOU CAN HEAR
THE WELCOME SOUND ♪
569
00:30:15,523 --> 00:30:19,325
♪ OF THE HOOFBEAT SERENADE ♪
570
00:30:19,327 --> 00:30:23,196
♪ THEN THE MILES BEGIN TO FLY ♪
571
00:30:23,198 --> 00:30:27,066
♪ AS THE WIND GOES RUSHING BY ♪
572
00:30:27,068 --> 00:30:30,603
♪ AND YOU KNOW YOU'VE REACHED
THE COOLNESS OF THE GLADE ♪
573
00:30:30,605 --> 00:30:33,006
♪ YOU'RE IN RHYTHM
WITH YOUR MOUNT ♪
574
00:30:33,008 --> 00:30:34,874
♪ AND YOUR MOUNT
IS KEEPING COUNT ♪
575
00:30:34,876 --> 00:30:39,078
♪ TO THE HOOFBEAT SERENADE ♪
576
00:30:39,080 --> 00:30:42,882
♪ THE SONG OF THE WIND,
THE HUM OF THE BREEZE ♪
577
00:30:42,884 --> 00:30:47,153
♪ THE TUNE OF A LOON
ON THE WING ♪
578
00:30:47,155 --> 00:30:50,623
♪ THE CRY OF A BIRD,
AND WITH IT IS HEARD ♪
579
00:30:50,625 --> 00:30:54,427
♪ THE RUSTLING OF LEAVES
IN THE SPRING ♪
580
00:30:54,429 --> 00:30:58,231
♪ THEN THE MOUNTAINS
TAKE THE SOUND ♪
581
00:30:58,233 --> 00:31:02,101
♪ AND THEY ECHO IT AROUND ♪
582
00:31:02,103 --> 00:31:05,705
♪ TILL IT COMES BACK TWICE
AS STRONG AS IT WAS PLAYED ♪
583
00:31:05,707 --> 00:31:09,843
♪ THERE IS MUSIC IN A HORSE,
AND ITS MELODY, OF COURSE ♪
584
00:31:09,845 --> 00:31:13,713
♪ IS THE HOOFBEAT SERENADE ♪
585
00:31:13,715 --> 00:31:18,184
♪ HEAR THE SONG OF THE WIND,
HEAR THE HUM OF THE BREEZE ♪
586
00:31:18,186 --> 00:31:21,654
♪ A TUNE OF OF A LOON
ON THE WING ♪
587
00:31:21,656 --> 00:31:25,658
♪ HEAR THE CRY OF A BIRD,
AND WITH IT IS HEARD ♪
588
00:31:25,660 --> 00:31:29,529
♪ THE RUSTLING OF LEAVES
IN THE SPRING ♪
589
00:31:29,531 --> 00:31:33,466
♪ THEN THE MOUNTAINS
TAKE THE SOUND ♪
590
00:31:33,468 --> 00:31:37,203
♪ AND THEY ECHO IT AROUND ♪
591
00:31:37,205 --> 00:31:41,207
♪ TILL IT COMES BACK TWICE
AS STRONG AS IT WAS PLAYED ♪
592
00:31:41,209 --> 00:31:45,078
♪ THERE IS MUSIC IN A HORSE,
AND ITS MELODY, OF COURSE ♪
593
00:31:45,080 --> 00:31:54,754
♪ IS THE HOOFBEAT SERENAAAAADE ♪
594
00:31:54,756 --> 00:31:57,657
♪♪
595
00:32:02,430 --> 00:32:03,897
HALT!
596
00:32:11,106 --> 00:32:13,873
DISMOUNT!
597
00:32:19,114 --> 00:32:21,981
CHIEF PAAKO, I COME TO YOU
WITH HEAVY HEART.
598
00:32:21,983 --> 00:32:24,250
FOR MANY MOONS NOW,
YOUR TRIBE AND MY PEOPLE
599
00:32:24,252 --> 00:32:25,585
HAVE LIVED IN PEACE.
600
00:32:25,587 --> 00:32:27,453
BUT YOU HAVE BROKEN
OUR LONG-TIME TRUCE.
601
00:32:27,455 --> 00:32:30,523
THIS IS NOT TRUE.
WHITE MAN BROKE LONG-TIME TRUCE.
602
00:32:30,525 --> 00:32:32,057
MY PEOPLE WISH
TO LIVE IN PEACE,
603
00:32:32,059 --> 00:32:34,394
BUT WHITE MEN KILL MY BRETHREN
AND STEAL THEIR HORSES.
604
00:32:34,396 --> 00:32:37,530
OUR TREATY IS BROKEN,
AND NAVAJO SEEK REVENGE.
605
00:32:37,532 --> 00:32:39,599
WHAT GOOD IS THERE SEEKING
REVENGE ON INNOCENT PEOPLE?
606
00:32:39,601 --> 00:32:42,602
WHAT GOOD DO WHITE MEN FIND
IN SHOOTING INNOCENT NAVAJOS?
607
00:32:42,604 --> 00:32:44,003
CHIEF PAAKO,
IT GRIEVES ME MUCH
608
00:32:44,005 --> 00:32:45,738
TO HEAR OF THIS
TERRIBLE INJUSTICE
609
00:32:45,740 --> 00:32:47,140
TO YOUR BLOOD BROTHERS,
610
00:32:47,142 --> 00:32:50,209
BUT YOU CANNOT TAKE THE LAW
INTO YOUR OWN HANDS.
611
00:32:50,211 --> 00:32:53,078
WHEN WHITE MAN SINS, HE MUST
BE PUNISHED BY WHITE MEN.
612
00:32:53,080 --> 00:32:54,814
WHEN WHITE MAN SINS
AGAINST RED MAN,
613
00:32:54,816 --> 00:32:55,881
HE SHOULD BE PUNISHED
BY RED MEN.
614
00:32:55,883 --> 00:32:57,483
THAT IS NAVAJO LAW!
615
00:32:57,485 --> 00:32:59,218
MY GOVERNMENT HAS EVERY RESPECT
FOR THE NAVAJO TRIBE
616
00:32:59,220 --> 00:33:00,686
AND THEIR LAWS.
617
00:33:00,688 --> 00:33:02,756
I PROMISE YOU
THAT WE WILL DO ALL IN OUR POWER
618
00:33:02,758 --> 00:33:05,491
TO CAPTURE THESE MEN AND SEE
THAT THEY PAY FOR THEIR CRIMES.
619
00:33:05,493 --> 00:33:07,893
PLEASE GO BACK
AND TELL THAT TO YOUR PEOPLE.
620
00:33:07,895 --> 00:33:09,495
AND LET'S
LIVE IN PEACE AGAIN.
621
00:33:09,497 --> 00:33:10,830
THERE CAN BE NO PEACE
BETWEEN US
622
00:33:10,832 --> 00:33:12,898
UNTIL YOU FIND THE GUILTY ONES
AND DELIVER THEM TO ME.
623
00:33:12,900 --> 00:33:14,233
MY COMMANDER
ASKED FOR A TRUCE
624
00:33:14,235 --> 00:33:16,569
SO THAT WE CAN SETTLE THINGS
BETWEEN US IN A PEACEFUL MANNER.
625
00:33:16,571 --> 00:33:18,037
TELL YOUR CHIEF
THAT WE WILL WAIT
626
00:33:18,039 --> 00:33:20,774
UNTIL THE SUN HAS RISEN TWO MORE
TIMES IN THE EASTERN HEAVENS.
627
00:33:20,776 --> 00:33:22,642
IF, BY THAT TIME,
YOU HAVE NOT DELIVERED
628
00:33:22,644 --> 00:33:24,910
THE GUILTY ONES TO ME,
I WILL GATHER ALL THE TRIBES,
629
00:33:24,912 --> 00:33:26,312
AND THERE SHALL BE
WAR BETWEEN US.
630
00:33:26,314 --> 00:33:28,581
I BEG YOU TO RECONSIDER,
CHIEF PAAKO.
631
00:33:28,583 --> 00:33:31,117
THERE MUST BE BETTER WAYS
TO SETTLE OUR DIFFERENCES.
632
00:33:31,119 --> 00:33:33,386
WHY SEEK AN EYE FOR AN EYE
AND A TOOTH FOR A TOOTH?
633
00:33:33,388 --> 00:33:35,889
NAVAJOS WANT
A LIFE FOR A LIFE!
634
00:34:02,684 --> 00:34:04,750
CAN I BE OF ANY SERVICE
TO YOU, NEIGHBOR?
635
00:34:04,752 --> 00:34:06,752
WHEN'S THE STAGE
DUE FROM SAN FELIPE.
636
00:34:06,754 --> 00:34:09,355
WELL, SIR,
IT'S DUE ANY MINUTE NOW.
637
00:34:09,357 --> 00:34:12,291
BUT IT AIN'T COMING.
638
00:34:12,293 --> 00:34:14,627
THAT SUPPOSED TO BE A JOKE?
I DON'T GET IT.
639
00:34:14,629 --> 00:34:16,496
OH, IT AIN'T NO JOKE,
NEIGHBOR.
640
00:34:16,498 --> 00:34:18,431
SEE, THE NAVAJOS
HAVE BEEN RAISING HOB
641
00:34:18,433 --> 00:34:20,099
ALL ALONG
THE SLAUGHTER TRAIL,
642
00:34:20,101 --> 00:34:22,635
AND THERE AIN'T GONNA BE
NO STAGE COMING THROUGH.
643
00:34:22,637 --> 00:34:24,437
LEASTWISE, THAT IS,
UNTIL THE MILITARY
644
00:34:24,439 --> 00:34:26,506
PUTS DOWN
THIS NAVAJO UPRISING.
645
00:34:26,508 --> 00:34:27,973
HOW LONG
WILL THAT TAKE?
646
00:34:27,975 --> 00:34:30,043
WELL, CAN'T TELL.
647
00:34:30,045 --> 00:34:33,979
MAY TAKE A FEW DAYS,
MAY TAKE A FEW WEEKS.
648
00:34:33,981 --> 00:34:36,382
THEN AGAIN,
IT MAY TAKE A FEW MONTHS.
649
00:34:36,384 --> 00:34:38,984
THAT ALL DEPENDS.
DEPENDS ON WHAT?
650
00:34:38,986 --> 00:34:41,987
WELL, DEPENDS ON
WHAT THE INJUNS WANT,
651
00:34:41,989 --> 00:34:43,857
WHAT WE'RE WILLING
TO GIVE 'EM,
652
00:34:43,859 --> 00:34:46,059
AND, UH,
WHAT THEY'LL SETTLE FOR.
653
00:34:46,061 --> 00:34:47,993
THANKS.
YOU BEEN A GREAT HELP.
654
00:34:47,995 --> 00:34:50,396
NOW WE KNOW LESS THAN WE DID
BEFORE WE ASKED YOU.
655
00:34:50,398 --> 00:34:52,065
OH, THAT'S
ALL RIGHT, SON!
656
00:34:52,067 --> 00:34:53,199
ANYTIME YOU WANT
TO KNOW ANYTHING,
657
00:34:53,201 --> 00:34:54,467
YOU JUST DROP IN
AND ASK ME.
658
00:34:54,469 --> 00:34:55,735
I'M ALWAYS WILLING TO TELL YOU.
[ CHUCKLES ]
659
00:34:55,737 --> 00:34:57,671
WHERE CAN WE GET A DRINK
AROUND HERE?
660
00:34:57,673 --> 00:35:02,007
WELL, SIR, RIGHT DOWN THE ROAD
THERE A PIECE IS A SALOON.
661
00:35:02,009 --> 00:35:04,343
AND THEY GOT SOME
AWFUL GOOD LIQUOR, TOO, BOY.
662
00:35:04,345 --> 00:35:07,346
THAT SOUNDS GOOD TO ME.
LET'S GO.
663
00:35:07,348 --> 00:35:08,548
UH, UH,
WAIT A MINUTE.
664
00:35:08,550 --> 00:35:10,884
THERE AIN'T NO USE
GOING DOWN THERE, BOYS.
665
00:35:10,886 --> 00:35:12,952
IT'S CLOSED.
666
00:35:12,954 --> 00:35:15,388
I OUGHT TO KNOW.
[ CHUCKLES ]
667
00:35:22,564 --> 00:35:24,697
WELL, WHAT
DO WE DO NEXT?
668
00:35:24,699 --> 00:35:26,366
GOING BACK TO FORT MARCY,
669
00:35:26,368 --> 00:35:27,767
AND GET AHOLD OF LORABELLE
AND THE JEWELS.
670
00:35:27,769 --> 00:35:28,834
HAVE YOU GONE LOCO?
671
00:35:28,836 --> 00:35:30,103
THEY SEE THE THREE
OF US TOGETHER,
672
00:35:30,105 --> 00:35:32,238
THEY'LL FIGURE OUT
WHO WE ARE IN NO TIME.
673
00:35:32,240 --> 00:35:34,307
HE'S RIGHT.
674
00:35:34,309 --> 00:35:36,509
I AIN'T STICKING MY NECK OUT
ANY MORE THAN I HAVE TO.
675
00:35:36,511 --> 00:35:38,311
WHAT ABOUT LORABELLE?
676
00:35:38,313 --> 00:35:41,180
WE CAN'T LEAVE HER STRANDED AT
THAT FORT ALL BY HER LONESOME.
677
00:35:41,182 --> 00:35:43,316
SHE'S GOT THE JEWELS
FOR COMPANY.
678
00:35:43,318 --> 00:35:45,451
THEY OUGHT TO KEEP HER
FROM BEING TOO LONESOME.
679
00:35:45,453 --> 00:35:47,253
YEAH, BUT IT'S LIABLE
TO MAKE HER NERVOUS.
680
00:35:47,255 --> 00:35:49,122
TOTING ALL THAT EVIDENCE
AROUND THE MILITARY, OF COURSE,
681
00:35:49,124 --> 00:35:50,790
IS KIND OF DANGEROUS.
682
00:35:50,792 --> 00:35:52,125
WE GOT TO GET HER
OUT OF THERE.
683
00:35:52,127 --> 00:35:55,328
YOU MEANYOUGOT TO GET HER
OUT OF THERE, NOT WE.
684
00:35:55,330 --> 00:35:57,463
SHE'S YOUR GAL.
685
00:35:57,465 --> 00:36:00,065
ALL RIGHT, I'LL GO MYSELF.
686
00:36:00,067 --> 00:36:01,534
ONCE I GET THERE, I'LL FIGURE
A WAY OF GETTING HER OUT.
687
00:36:01,536 --> 00:36:03,869
NO, YOU DON'T.
ONCE THE TWO OF YOU BREAK FREE
688
00:36:03,871 --> 00:36:05,405
WITH THAT LOOT,
WE'LL NEVER SEE YOU AGAIN.
689
00:36:05,407 --> 00:36:06,806
WHAT MAKES YOU THINK
I'D DO THAT?
690
00:36:06,808 --> 00:36:09,142
BECAUSE THAT'S JUST WHAT I'D DO
IF I WAS IN YOUR PLACE.
691
00:36:09,144 --> 00:36:11,677
WAIT A MINUTE!
692
00:36:11,679 --> 00:36:13,146
I THINK YOU OUGHT TO GO BACK
TO THE FORT,
693
00:36:13,148 --> 00:36:14,948
TRY AND GET LORABELLE OUT.
694
00:36:14,950 --> 00:36:17,350
HEATH AND I WILL GO WITH YOU
AS FAR AS ELEPHANT ROCK.
695
00:36:17,352 --> 00:36:18,551
WE'LL WAIT FOR YOU THERE.
696
00:36:18,553 --> 00:36:21,621
SUPPOSING HE CAN'T GET
OUT OF THE FORT.
697
00:36:21,623 --> 00:36:24,824
I'LL GET OUT.
698
00:36:24,826 --> 00:36:26,492
ALL RIGHT, LET'S GO.
699
00:36:26,494 --> 00:36:29,362
♪♪
700
00:36:38,039 --> 00:36:40,940
♪♪
701
00:36:53,521 --> 00:36:55,522
DISMOUNT!
702
00:36:58,593 --> 00:37:00,593
DOUBLE THE GUARD,
LIEUTENANT MORGAN.
703
00:37:00,595 --> 00:37:02,928
DADDY!
NANCY.
704
00:37:02,930 --> 00:37:04,330
DADDY!
705
00:37:04,332 --> 00:37:05,398
I SUPPOSE
YOU'LL WANT TO CANCEL
706
00:37:05,400 --> 00:37:06,599
THE REGULAR
SATURDAY NIGHT SOCIAL.
707
00:37:06,601 --> 00:37:09,735
OH, DADDY, PLEASE DON'T CANCEL
THE SATURDAY NIGHT SOCIAL.
708
00:37:09,737 --> 00:37:11,404
OF COURSE NOT, LIEUTENANT.
NANCY WOULD NEVER FORGIVE ME.
709
00:37:11,406 --> 00:37:12,205
BUT PAAKO --
710
00:37:12,207 --> 00:37:14,340
NAVAJOS NEVER ATTACK
AT NIGHT.
711
00:37:14,342 --> 00:37:15,809
YES, SIR.
712
00:37:15,811 --> 00:37:19,145
HALT!
CORPORAL OF THE GUARD!
713
00:37:21,349 --> 00:37:22,348
YES, SIR?
714
00:37:22,350 --> 00:37:23,549
I'M HEADED WEST,
AND I'D LIKE
715
00:37:23,551 --> 00:37:25,284
TO PUT UP
OVERNIGHT IF I COULD.
716
00:37:25,286 --> 00:37:26,219
FOLLOW ME, SIR.
717
00:37:29,624 --> 00:37:32,625
SIR, THIS MAN
WISHES TO STAY OVERNIGHT.
718
00:37:32,627 --> 00:37:34,093
YES?
MY NAME IS MURRAY.
719
00:37:34,095 --> 00:37:36,162
I'M A CATTLEMAN HEADING
FOR ARIZONA.
720
00:37:36,164 --> 00:37:37,363
CATTLE IN ARIZONA?
721
00:37:37,365 --> 00:37:38,698
I HEARD THERE WAS
MIGHTY FINE GRAZING LAND
722
00:37:38,700 --> 00:37:40,366
TO BE HAD THERE.
MAYBE.
723
00:37:40,368 --> 00:37:42,368
BE ON MY WAY FIRST THING
IN THE MORNING.
724
00:37:42,370 --> 00:37:44,370
I THINK YOU BETTER FIGURE
ON TAKING A GOOD, LONG REST.
725
00:37:44,372 --> 00:37:46,372
THERE'S BEEN
A NAVAJO UPRISING.
726
00:37:46,374 --> 00:37:48,842
ALL CIVILIANS ARE RESTRICTED
TO THE FORT UNTIL IT BLOWS OVER.
727
00:37:48,844 --> 00:37:51,177
I GUESS I'M LUCKY I GOT HERE
WITH MY SKIN IN ONE PIECE.
728
00:37:51,179 --> 00:37:55,381
YEAH, GUESS YOU ARE.
729
00:37:55,383 --> 00:37:58,518
Children: ♪ LONDON BRIDGE IS
FALLING DOWN ♪
730
00:37:58,520 --> 00:38:01,855
♪ FALLING DOWN, FALLING DOWN ♪
731
00:38:01,857 --> 00:38:05,324
♪ LONDON BRIDGE IS
FALLING DOWN ♪
732
00:38:05,326 --> 00:38:08,327
♪ MY FAIR LADY ♪
733
00:38:08,329 --> 00:38:09,995
[ LAUGHTER ]
734
00:38:09,997 --> 00:38:12,932
♪ TAKE THE KEY AND LOCK HER UP ♪
735
00:38:12,934 --> 00:38:16,202
♪ LOCK HER UP,
LOCK HER UP ♪
736
00:38:16,204 --> 00:38:19,405
♪ TAKE THE KEY AND LOCK HER UP ♪
737
00:38:19,407 --> 00:38:22,742
UH, UH, NANCY,
YOU TAKE MY PLACE, WILL YOU?
738
00:38:22,744 --> 00:38:24,477
SURE. LET'S START
ALL OVER AGAIN.
739
00:38:24,479 --> 00:38:26,212
READY? GO.
740
00:38:26,214 --> 00:38:29,683
[ CHILDREN RESUME SINGING ]
741
00:38:29,685 --> 00:38:32,618
YOU MUST BE
OUT OF YOUR MIND COMING HERE.
742
00:38:32,620 --> 00:38:33,953
THOUGHT YOU'D BE GLAD
TO SEE ME.
743
00:38:33,955 --> 00:38:36,622
NOT UNDER
THESE CIRCUMSTANCES.
744
00:38:36,624 --> 00:38:39,158
THAT'S GRATITUDE FOR YOU.
745
00:38:39,160 --> 00:38:40,626
I RISKED MY NECK
COMING HERE TO GET YOU,
746
00:38:40,628 --> 00:38:42,628
AND YOU TREAT ME
LIKE I WAS POISON.
747
00:38:42,630 --> 00:38:46,031
YOU ARE POISONOUS AS FAR
AS THE ARMY'S CONCERNED.
748
00:38:46,033 --> 00:38:47,967
YOU THINK I WANT
TO SEE YOU HUNG?
749
00:38:47,969 --> 00:38:51,704
WHY SHOULD THE ARMY WANT TO HANG
A RESPECTABLE RANCHER LIKE ME?
750
00:38:51,706 --> 00:38:54,707
WHY, THEY'RE SO FOND OF ME,
THEY INSIST I BE THEIR GUEST
751
00:38:54,709 --> 00:38:56,709
UNTIL THE INDIANS
CALM DOWN.
752
00:38:56,711 --> 00:38:59,713
YOU GOT MORE NERVE
THAN BRAINS.
753
00:38:59,715 --> 00:39:03,316
MAYBE THAT'S WHY
I'M SO CRAZY ABOUT YOU.
754
00:39:03,318 --> 00:39:05,118
WHERE'S HEATH
AND LEVERING?
755
00:39:05,120 --> 00:39:09,122
WAITING FOR US AT ELEPHANT ROCK.
GOT THE JEWELS?
756
00:39:09,124 --> 00:39:11,190
YES.
GOOD.
757
00:39:11,192 --> 00:39:12,725
SOON AS IT GETS DARK,
WE'RE GETTING OUT OF HERE.
758
00:39:12,727 --> 00:39:15,729
HOW?
DON'T WORRY.
759
00:39:15,731 --> 00:39:17,664
I'LL FIGURE A WAY.
760
00:39:20,936 --> 00:39:22,535
HI THERE, KIDS.
HIYA, KIDS.
761
00:39:22,537 --> 00:39:24,537
SINGALONG,
SING US A SONG!
762
00:39:24,539 --> 00:39:26,740
All: YEAH!
763
00:39:26,742 --> 00:39:28,608
HARDSADDLE,
GO GET MY GUITAR.
764
00:39:28,610 --> 00:39:30,343
SURE. COME ON.
765
00:39:30,345 --> 00:39:32,212
MOVE OVER HERE.
766
00:39:35,016 --> 00:39:37,417
♪ HI-HO, FIDDLE-DEE-DEE ♪
767
00:39:37,419 --> 00:39:40,653
♪ HERE IS WHAT I DREAM
I'D LIKE TO BE ♪
768
00:39:45,293 --> 00:39:48,762
♪♪
769
00:39:48,764 --> 00:39:54,099
♪ WISH I WAAAS
A MOLE IN THE GROUND ♪
770
00:39:54,101 --> 00:39:57,437
♪ I WISH I WAS
A MOLE IN THE GROUND ♪
771
00:39:57,439 --> 00:39:59,572
♪ IF I'S A MOLE IN THE GROUND ♪
772
00:39:59,574 --> 00:40:01,307
♪ I'D ROOT THAT
DOGGONE MOUNTAIN DOWN ♪
773
00:40:01,309 --> 00:40:06,379
♪ OH, I WISH I WAAAS
A MOLE IN THE GROUND ♪
774
00:40:06,381 --> 00:40:08,648
I'D BE BEE.
775
00:40:08,650 --> 00:40:13,919
♪ I WISH I WAAAS
A WOOLY-BOOGIE BEE ♪
776
00:40:13,921 --> 00:40:17,256
♪ I WISH I WAS
A WOOLY-BOOGIE BEE ♪
777
00:40:17,258 --> 00:40:19,325
♪ IF I'S A WOOLY-BOOGIE BEE ♪
778
00:40:19,327 --> 00:40:21,060
♪ I'D MAKE MY NEST
IN A CHERRY TREE ♪
779
00:40:21,062 --> 00:40:26,332
♪ OH, I WISH I WAS
A WOOLY-BOOGIE BEE ♪
780
00:40:26,334 --> 00:40:29,268
HOW 'BOUT A SQUIRREL?
781
00:40:29,270 --> 00:40:34,740
♪ I WISH I WAAAS A SQUIRREL
WITH A BIG, LONG TAIL ♪
782
00:40:34,742 --> 00:40:38,077
♪ WISH I WAS A SQUIRREL
WITH A BIG, LONG TAIL ♪
783
00:40:38,079 --> 00:40:39,945
♪ IF I'S A SQUIRREL
WITH A BIG, LONG TAIL ♪
784
00:40:39,947 --> 00:40:41,681
♪ SPREAD IT RIGHT OUT,
AND AWAY I'D SAIL ♪
785
00:40:41,683 --> 00:40:46,752
♪ OH, I WISH I WAAAS A SQUIRREL
WITH A BIG, LONG TAIL ♪
786
00:40:46,754 --> 00:40:48,954
CAN YOU BE A FOX?
787
00:40:48,956 --> 00:40:54,427
♪ I WISH I WAAAS
A FUZZY-WUZZY FOX ♪
788
00:40:54,429 --> 00:40:57,630
♪ WISH I WAS
A FUZZY-WUZZY FOX ♪
789
00:40:57,632 --> 00:41:01,167
♪ IF I'S A FUZZY-WUZZY FOX,
NEVER HAVE TO CHANGE MY SOCKS ♪
790
00:41:01,169 --> 00:41:05,638
♪ I WISH I WAAAS
A FUZZY-WUZZY FOX ♪
791
00:41:05,640 --> 00:41:09,308
AN APPLE.
792
00:41:09,310 --> 00:41:14,447
♪ I WISH I WAAAS
AN APPLE ON A TREE ♪
793
00:41:14,449 --> 00:41:17,717
♪ I WISH I WAS
AN APPLE ON A TREE ♪
794
00:41:17,719 --> 00:41:19,919
♪ IF I'S AN APPLE ON A TREE ♪
795
00:41:19,921 --> 00:41:21,521
♪ A GIRL'D COME ALONG
AND TAKE A BITE OF ME ♪
796
00:41:21,523 --> 00:41:25,658
♪ OH, I WISH I WAAAS
AN APPLE ON A TREE ♪
797
00:41:25,660 --> 00:41:29,462
HOW ABOUT THE SUN?
798
00:41:29,464 --> 00:41:35,334
♪ I WISH I WAAAS
THE SUN UP ABOVE ♪
799
00:41:35,336 --> 00:41:38,872
♪ I WISH I WAS
THE SUN UP ABOVE ♪
800
00:41:38,874 --> 00:41:41,140
♪ IF I'S THE SUN UP ABOVE ♪
801
00:41:41,142 --> 00:41:45,478
♪ I'D SHINE RIGHT DOWN
ON THE ONES I LOVE ♪
802
00:41:45,480 --> 00:41:53,219
♪ HERE IS WHAT I DREAM
I'D LIKE TO BE ♪
803
00:41:53,221 --> 00:41:58,624
♪ OH, WHEN I WAS A YOUNG BOY
I DROVE MY MOTHER WILD ♪
804
00:41:58,626 --> 00:42:05,164
♪ I MET A MAIDEN IN THE WOOD,
AND SHE SAID, "CHILD ♪
805
00:42:05,166 --> 00:42:10,770
♪ LOOK DEEP INTO MY GREEN EYES
AND AT MY AUTUMN HAIR ♪
806
00:42:10,772 --> 00:42:18,912
♪ WHEN YOU'RE A MAN, YOU'LL
NEVER SEE A GIRL QUITE AS FAIR ♪
807
00:42:18,914 --> 00:42:23,917
♪ REMEMBER ME, REMEMBER ME" ♪
808
00:42:23,919 --> 00:42:25,919
COME ON, GET IN HERE!
GO ON. COME ON!
809
00:42:25,921 --> 00:42:30,590
♪ "REMEMBER FOR THE REST
OF YOUR LIFE" ♪
810
00:42:33,394 --> 00:42:35,328
DADDY, I'M WEARING
YOUR SURPRISE.
811
00:42:35,330 --> 00:42:37,663
ISN'T IT BEAUTIFUL?
OH, IT'S LOVELY.
812
00:42:37,665 --> 00:42:39,733
IT'S -- HEY,
WHY ISN'T IT BUTTONED?
813
00:42:39,735 --> 00:42:41,935
GUESS I'VE GROWN
SINCE YOU ORDERED IT.
814
00:42:41,937 --> 00:42:44,804
[ CHUCKLES ]
YOU CERTAINLY ARE GROWING FAST.
815
00:42:44,806 --> 00:42:47,607
OH, WELL. IT TAKES A STAGECOACH
A LONG TIME TO MAKE DELIVERY.
816
00:42:47,609 --> 00:42:50,276
BUT I WANT TO WEAR IT
TO THE SATURDAY NIGHT SOCIAL.
817
00:42:50,278 --> 00:42:52,412
WOULD YOU PLEASE FIX IT?
WELL, LET'S SEE.
818
00:42:52,414 --> 00:42:57,016
I GUESS I'LL HAVE
TO MOVE THE BUTTON.
819
00:42:57,018 --> 00:42:59,819
HOW ABOUT A STORY?
820
00:42:59,821 --> 00:43:02,822
WELL, ONCE UPON A TIME,
THERE WAS A...
821
00:43:02,824 --> 00:43:05,091
BOLD, BRAVE KNIGHT.
822
00:43:05,093 --> 00:43:06,692
WHAT WAS HIS RANK?
823
00:43:06,694 --> 00:43:08,694
HMM?
WHAT WAS HIS RANK?
824
00:43:08,696 --> 00:43:12,966
OH, I GUESS HE WAS
A KNIGHT FIRST CLASS.
825
00:43:12,968 --> 00:43:17,703
WELL, ONE DAY,
HE PUT ON HIS ARMOR,
826
00:43:17,705 --> 00:43:19,905
AND HE GOT
ON HIS HORSE --
827
00:43:19,907 --> 00:43:21,841
OH, HE WAS
IN THE CAVALRY!
828
00:43:21,843 --> 00:43:24,510
WHAT ELSE?
DID HE HAVE A LADY FAIR?
829
00:43:24,512 --> 00:43:26,245
OF COURSE.
830
00:43:26,247 --> 00:43:28,181
WHAT WAS HER NAME?
831
00:43:28,183 --> 00:43:29,515
ROW --
832
00:43:29,517 --> 00:43:31,785
ROW --
833
00:43:31,787 --> 00:43:33,118
ROANOKE.
834
00:43:33,120 --> 00:43:34,788
DADDY,
THAT'S IN VIRGINIA.
835
00:43:34,790 --> 00:43:36,589
HMM?
836
00:43:36,591 --> 00:43:37,857
OH, YEAH.
837
00:43:37,859 --> 00:43:39,993
I GOT IT -- LADY ROWENA.
838
00:43:39,995 --> 00:43:41,461
UH, CAPTAIN?
839
00:43:41,463 --> 00:43:44,129
OH, UH, MAY I SPEAK TO YOU
FOR A MINUTE?
840
00:43:44,131 --> 00:43:45,965
NO.
OH.
841
00:43:50,138 --> 00:43:52,538
FORGIVE THE INTERRUPTION,
CAPTAIN.
842
00:43:52,540 --> 00:43:54,474
BUT I DID ASK THE SERGEANT
IF I MIGHT SEE YOU.
843
00:43:54,476 --> 00:43:56,275
HELLO, LORABELLE.
844
00:43:56,277 --> 00:43:57,343
UH, YEAH?
WHAT IS IT?
845
00:43:57,345 --> 00:43:59,412
WELL, I JUST
WANTED YOU TO KNOW THAT,
846
00:43:59,414 --> 00:44:00,546
UH, I THOROUGHLY
UNDERSTAND --
847
00:44:00,548 --> 00:44:02,548
OH, DADDY KNOWS.
DON'T YOU, DADDY?
848
00:44:02,550 --> 00:44:05,084
WELL, UH...
THANK YOU, NANCY.
849
00:44:05,086 --> 00:44:07,086
I KNOW HOW
YOU MUST FEEL ABOUT --
850
00:44:07,088 --> 00:44:08,954
DADDY KNOWS!
DON'T YOU, DADDY?
851
00:44:08,956 --> 00:44:09,955
SERGEANT!
852
00:44:09,957 --> 00:44:11,357
YES, SIR?
853
00:44:11,359 --> 00:44:13,226
WELL, DON'T JUST STAND THERE.
COME HERE.
854
00:44:13,228 --> 00:44:14,694
UH, YES, SIR.
855
00:44:17,499 --> 00:44:18,498
WHAT DO YOU WANT ME TO DO?
856
00:44:18,500 --> 00:44:19,699
FINISH IT!
GET OUT OF HERE!
857
00:44:19,701 --> 00:44:21,701
WELL, I DON'T KNOW NOTHING
ABOUT DRESSMAKING.
858
00:44:21,703 --> 00:44:24,637
COME ON, NANCY. I NEVER DID
ANY OF THIS IN MY WHOLE LIFE.
859
00:44:24,639 --> 00:44:26,372
I DIDN'T MEAN TO SHOUT,
MISS LARKIN.
860
00:44:26,374 --> 00:44:28,041
I GUESS I'VE BEEN
AROUND HORSES TOO LONG.
861
00:44:28,043 --> 00:44:29,975
THAT'S ALL RIGHT.
862
00:44:29,977 --> 00:44:31,845
HAVE YOU, UH, ANY HOPES
863
00:44:31,847 --> 00:44:33,847
OF SETTLING YOUR DIFFERENCES
WITH THE INDIANS?
864
00:44:33,849 --> 00:44:37,383
WELL, I'M HOPING FOR THE BEST,
BUT IT LOOKS PRETTY SERIOUS.
865
00:44:37,385 --> 00:44:39,853
IT'S FRIGHTENING WHEN YOU THINK
WHAT THREE OUTLAWS
866
00:44:39,855 --> 00:44:42,588
CAN DO TO
THE LIVES OF HUNDREDS.
867
00:44:42,590 --> 00:44:46,392
I'M REALLY SORRY...
FOR A LOT OF THINGS, I GUESS.
868
00:44:46,394 --> 00:44:50,463
YEAH, WELL, UH, I TRUST
YOU'RE COMFORTABLE.
869
00:44:50,465 --> 00:44:52,331
WHY, YES.
YES, I AM.
870
00:44:52,333 --> 00:44:55,068
MISS SUSAN WAS KIND ENOUGH
TO PUT ME UP.
871
00:44:55,070 --> 00:44:57,604
WELL, IF YOU'LL EXCUSE ME,
MISS LARKIN.
872
00:45:03,879 --> 00:45:05,411
NOW, YOU STOP JIGGLING!
873
00:45:05,413 --> 00:45:07,947
I'M NOT JIGGLING!
YOU'RE SHAKING!
874
00:45:07,949 --> 00:45:09,815
OH, DOGGONE!
875
00:45:09,817 --> 00:45:11,350
CAN I HELP YOU,
SERGEANT?
876
00:45:11,352 --> 00:45:12,952
YOU SURE CAN, MA'AM!
877
00:45:12,954 --> 00:45:14,220
I'M A LOT BETTER
WITH A BAYONET
878
00:45:14,222 --> 00:45:16,089
THAN I AM
THIS SILLY, OLD NEEDLE.
879
00:45:16,091 --> 00:45:18,424
[ ALL CHUCKLING ]
880
00:45:18,426 --> 00:45:20,960
I'LL BET TWO.
I RAISE YOU.
881
00:45:20,962 --> 00:45:23,162
AND I RAISE YOU.
882
00:45:23,164 --> 00:45:26,632
I CALL.
I'M CALLING.
883
00:45:26,634 --> 00:45:28,167
I CALL.
884
00:45:28,169 --> 00:45:29,635
I CALL.
WHAT YOU GOT?
885
00:45:29,637 --> 00:45:31,237
I GOT NOTHING.
886
00:45:31,239 --> 00:45:32,372
NOTHING.
887
00:45:32,374 --> 00:45:34,173
[ CHUCKLES ]
NOTHING.
888
00:45:34,175 --> 00:45:35,975
QUEENS.
889
00:45:35,977 --> 00:45:37,443
HOW MANY?
890
00:45:37,445 --> 00:45:38,444
ONE.
891
00:45:38,446 --> 00:45:40,846
GOOD.
I THOUGHT YOU WERE BLUFFING.
892
00:45:40,848 --> 00:45:44,117
I DON'T UNDERSTAND IT.
I JUST DON'T SEEM TO WIN A BET.
893
00:45:44,119 --> 00:45:46,452
WELL, MAYBE
YOU'RE LUCKY IN LOVE.
894
00:45:46,454 --> 00:45:48,254
THERE MUST BE SOME WAY
OF WINNING.
895
00:45:48,256 --> 00:45:49,322
YOU EVER TRY CHEATING?
896
00:45:50,592 --> 00:45:53,393
COME ON, BOYS, ANTE UP.
ANTE UP.
897
00:45:53,395 --> 00:45:54,860
AGAIN?
898
00:45:54,862 --> 00:45:56,329
PUT YOUR MONEY
WHERE YOUR MOUTH IS.
899
00:45:56,331 --> 00:45:59,732
ALL RIGHT,
HERE WE GO.
900
00:45:59,734 --> 00:46:01,734
AROUND AND AROUND
THE JOKER GOES.
901
00:46:01,736 --> 00:46:04,069
AND WHERE SHE STOPS,
NOBODY KNOWS.
902
00:46:04,071 --> 00:46:05,805
ALL RIGHT.
903
00:46:05,807 --> 00:46:07,540
THIS IS
A GOOD, HONEST DEAL.
904
00:46:07,542 --> 00:46:09,609
NOW MAKE A GOOD HAND.
905
00:46:09,611 --> 00:46:12,345
GOT A HUNCH THIS IS
ALL GOOD HANDS THIS TIME.
906
00:46:15,283 --> 00:46:16,383
WHAT DO YOU GOT?
907
00:46:21,556 --> 00:46:24,157
[ WHISTLING ]
908
00:46:24,159 --> 00:46:25,625
I BET FOUR.
909
00:46:25,627 --> 00:46:27,560
BET 'EM LIKE YOU HAVE 'EM.
WHAT HAVE YOU GOT, DEUCES?
910
00:46:27,562 --> 00:46:29,162
IT'S NONE OF YOUR BUSINESS
WHAT HE'S GOT!
911
00:46:29,164 --> 00:46:30,296
WHAT ARE YOU GONNA DO?
912
00:46:30,298 --> 00:46:32,165
I'M GETTING OUT
WHILE THE GETTIN'S GOOD.
913
00:46:32,167 --> 00:46:33,867
HOW ABOUT YOU, MR. BLACK?
914
00:46:36,904 --> 00:46:39,905
MY HAND IS NOT TOO GOOD.
I'LL -- I'LL FOLD.
915
00:46:39,907 --> 00:46:43,176
WELL, I GOT A PROMISING HAND.
I'LL RAISE YOU FOUR.
916
00:46:43,178 --> 00:46:45,911
I'LL, UH, CALL.
917
00:46:45,913 --> 00:46:48,381
ALL RIGHT,
TWO ARE OUT AND THREE ARE IN.
918
00:46:48,383 --> 00:46:50,516
DRAW THE CARDS,
AND THE FUN BEGINS.
919
00:46:50,518 --> 00:46:51,785
HOW MANY?
920
00:46:51,787 --> 00:46:54,988
I'LL TAKE ONE.
921
00:46:54,990 --> 00:46:57,523
ONE.
922
00:46:57,525 --> 00:46:59,659
THREE.
THREE.
923
00:46:59,661 --> 00:47:01,361
ONE, TWO, THREE.
924
00:47:05,600 --> 00:47:08,001
ONE, TWO, THREE, FOUR.
925
00:47:08,003 --> 00:47:11,070
HOW CAN YOU DRAW FOUR
WHEN THE LIMIT'S THREE?
926
00:47:11,072 --> 00:47:12,938
THIS IS DEALER'S CHOICE,
AIN'T IT?
927
00:47:12,940 --> 00:47:14,140
YES.
928
00:47:14,142 --> 00:47:16,910
WELL, I'M THE DEALER,
AND I CHOOSE TO DRAW FOUR CARDS.
929
00:47:25,487 --> 00:47:27,753
[ WHISTLING ]
930
00:47:27,755 --> 00:47:30,156
SHOOT THE WORKS, BOYS.
THIS IS IT, SHOOT THE WORKS.
931
00:47:30,158 --> 00:47:32,958
THIS IS A GOOD HAND.
I'M BETTING.
932
00:47:32,960 --> 00:47:35,028
AH, WELL, CALL.
933
00:47:35,030 --> 00:47:37,096
YOU DON'T SCARE ME.
934
00:47:37,098 --> 00:47:39,098
I'M SO GLAD
I GOT OUT WHEN I DID.
935
00:47:39,100 --> 00:47:40,766
WHAT DO YOU GOT?
936
00:47:40,768 --> 00:47:42,301
A STRAIGHT
AND A JACK.
937
00:47:42,303 --> 00:47:44,103
NO GOOD!
I GOT FOUR ACES!
938
00:47:44,105 --> 00:47:45,638
WHOA, WHOA, WHOA!
HOLD ON, HOLD ON.
939
00:47:45,640 --> 00:47:47,306
I GOT THE WINNING HAND.
940
00:47:47,308 --> 00:47:48,641
WHAT DO YOU GOT,
A ROYAL FLUSH?
941
00:47:48,643 --> 00:47:50,176
WHAT HAVE I GOT?
942
00:47:50,178 --> 00:47:51,711
TWO OF DIAMONDS,
943
00:47:51,713 --> 00:47:53,179
FOUR OF HEARTS,
944
00:47:53,181 --> 00:47:55,515
SIX OF SPADES,
EIGHT OF CLUBS,
945
00:47:55,517 --> 00:47:56,916
AND A TEN OF DIAMOND.
946
00:47:59,587 --> 00:48:00,786
WHAT'S THAT?
947
00:48:00,788 --> 00:48:03,589
WHAT'S THAT?
THAT'S A SNEAKY PEEKY.
948
00:48:03,591 --> 00:48:05,458
IT'S THE GREATEST HAND
YOU CAN HOLD!
949
00:48:05,460 --> 00:48:06,726
SNEAKY PEEKY?
950
00:48:06,728 --> 00:48:08,061
PEEKY PEEKY?
I NEVER HEARD OF IT.
951
00:48:08,063 --> 00:48:10,196
WELL, OF COURSE NOT.
YOU'RE JUST A ROOKIE.
952
00:48:10,198 --> 00:48:11,931
HERE, UH,
YOU DID WIN THE DEAL.
953
00:48:11,933 --> 00:48:13,599
ANYBODY WANT
TO FLOAT A LOAN?
954
00:48:13,601 --> 00:48:14,668
GIVE ME $3 WORTH.
955
00:48:14,670 --> 00:48:17,070
OH, LIKE TO HAVE
SOME SECURITY.
956
00:48:17,072 --> 00:48:19,539
WHAT DO YOU GOT?
I GOT THREE JACKS.
957
00:48:19,541 --> 00:48:20,874
NO GOOD!
I GOT THREE QUEENS.
958
00:48:20,876 --> 00:48:22,542
BOY, THIS IS THE HAND
I'VE BEEN WAITING FOR --
959
00:48:22,544 --> 00:48:25,078
SNEAKY PEEKY!
NO GOOD.
960
00:48:25,080 --> 00:48:26,412
WHAT DO YOU MEAN,
NO GOOD?
961
00:48:26,414 --> 00:48:28,548
THREE ACES.
962
00:48:28,550 --> 00:48:29,682
I THOUGHT YOU TOLD ME
SNEAKY PEEKY
963
00:48:29,684 --> 00:48:31,417
WAS THE HIGHEST HAND
YOU COULD GET!
964
00:48:31,419 --> 00:48:33,753
IT IS, BUT IT'S ONLY GOOD
ONCE A NIGHT.
965
00:48:33,755 --> 00:48:36,756
♪♪
966
00:48:57,312 --> 00:48:58,912
SHALL WE SKIP
THE LIGHT FANTASTIC?
967
00:48:58,914 --> 00:49:00,179
[ CLEARS THROAT ]
968
00:49:00,181 --> 00:49:02,382
OF COURSE, I USE
THE WORD "LIGHT" ADVISEDLY.
969
00:49:05,120 --> 00:49:07,787
CHANGING THE GUARD
AT MIDNIGHT.
970
00:49:07,789 --> 00:49:09,989
ONE MINUTE AFTER 12, I WANT YOU
WALKING FOR THE MAIN GATE.
971
00:49:09,991 --> 00:49:11,524
WE'LL MAKE OUR BREAK THEN.
972
00:49:11,526 --> 00:49:14,059
WHAT ARE WE USING
FOR HORSES?
973
00:49:14,061 --> 00:49:15,962
I GOT THEM.
974
00:49:18,600 --> 00:49:20,266
YOU KNOW,
I CAN LOOK IN YOUR EYE
975
00:49:20,268 --> 00:49:22,736
AND SEE THAT YOU'VE LED
A GAY, ROMANTIC LIFE.
976
00:49:22,738 --> 00:49:26,339
IF I'M NOT TOO PERSONAL,
WHAT DO YOU DO FOR A LIVING?
977
00:49:26,341 --> 00:49:29,409
I SELL COFFINS.
[ LAUGHS ]
978
00:49:31,413 --> 00:49:34,480
DADDY, WHY ARE YOU STILL MAD
AT MISS LARKIN?
979
00:49:34,482 --> 00:49:37,150
MAD AT HER?
YES.
980
00:49:37,152 --> 00:49:38,952
WELL, IF IT'LL MAKE
YOU FEEL ANY BETTER,
981
00:49:38,954 --> 00:49:41,487
WE'RE ON VERY GOOD TERMS.
NOW, ANYTHING ELSE?
982
00:49:41,489 --> 00:49:42,956
YES, WHY DON'T YOU
DANCE WITH HER?
983
00:49:42,958 --> 00:49:45,491
SHE'S AWFUL PRETTY.
984
00:49:45,493 --> 00:49:47,160
ALL RIGHT.
985
00:49:47,162 --> 00:49:50,029
DON'T YOU THINK YOU BETTER
TAKE THESE JEWELS NOW?
986
00:49:50,031 --> 00:49:52,031
NO, THEY'RE SAFER ON YOU.
987
00:49:52,033 --> 00:49:54,968
[ SONG ENDS, APPLAUSE ]
988
00:49:54,970 --> 00:49:57,903
SMILE. YOU'RE HAVING
A GOOD TIME, REMEMBER?
989
00:49:57,905 --> 00:50:00,440
MISS LARKIN. I TRUST
YOU'RE ENJOYING YOURSELF.
990
00:50:00,442 --> 00:50:03,108
OH, VERY MUCH, CAPTAIN,
BUT I WAS HOPING
991
00:50:03,110 --> 00:50:04,844
YOU WERE GOING TO ASK ME
FOR A DANCE.
992
00:50:04,846 --> 00:50:06,312
NOTHING WOULD
SUIT ME MORE.
993
00:50:06,314 --> 00:50:08,581
HOWEVER, I WAS ABOUT TO SUGGEST
A WALK IN THE MOONLIGHT.
994
00:50:08,583 --> 00:50:09,883
GOOD.
995
00:50:21,062 --> 00:50:24,063
I'M GLAD YOU AND MY DAUGHTER
HIT IT OFF SO WELL, MISS LARKIN.
996
00:50:24,065 --> 00:50:26,332
IT'S EASY TO GET
ALONG WITH NANCY.
997
00:50:26,334 --> 00:50:29,134
I APPRECIATE
YOUR KINDNESS.
998
00:50:29,136 --> 00:50:31,270
LOVELY NIGHT,
ISN'T IT?
999
00:50:31,272 --> 00:50:33,807
AS COMMANDING OFFICER,
I ORDERED THAT MOON TO APPEAR.
1000
00:50:33,809 --> 00:50:36,476
YOU COULDN'T HAVE ORDERED
A LOVELIER MOON.
1001
00:50:36,478 --> 00:50:39,012
I HOPE
IT STAYS THERE FOREVER.
1002
00:50:39,014 --> 00:50:41,815
FOREVER, CAPTAIN?
HOW ROMANTIC!
1003
00:50:41,817 --> 00:50:43,749
NOT ROMANTIC, WORRIED.
1004
00:50:43,751 --> 00:50:45,485
WHEN THAT MOON DISAPPEARS
AND THE SUNRISES,
1005
00:50:45,487 --> 00:50:47,753
I'M FACED
WITH AN INDIAN ATTACK.
1006
00:50:47,755 --> 00:50:49,755
IS IT REALLY
THAT SERIOUS?
1007
00:50:49,757 --> 00:50:53,559
VERY. LAST WAR WITH THE NAVAJOS
COST NANCY HER MOTHER.
1008
00:50:53,561 --> 00:50:56,429
AND YOU A WIFE.
1009
00:50:56,431 --> 00:50:58,364
THE ONLY CONSOLATION
I'VE HAD
1010
00:50:58,366 --> 00:51:00,766
IS THIS LASTING TRUCE
WITH CHIEF PAAKO.
1011
00:51:00,768 --> 00:51:02,768
NOW IT LOOKS LIKE
THAT MIGHT FALL APART.
1012
00:51:02,770 --> 00:51:05,905
ISN'T THERE ANY WAY
TO APPEASE PAAKO?
1013
00:51:05,907 --> 00:51:08,041
YES, IF I CAN HAND OVER
THE THREE OUTLAWS
1014
00:51:08,043 --> 00:51:09,909
THAT KILLED HIS TRIBESMEN.
1015
00:51:09,911 --> 00:51:12,445
I COULDN'T DO THAT,
EVEN IF I HAD THEM.
1016
00:51:12,447 --> 00:51:14,914
EVEN IF THEY'RE
PROVEN GUILTY?
1017
00:51:14,916 --> 00:51:17,851
THEIR GUILT MUST BE DECIDED
BY A FEDERAL COURT,
1018
00:51:17,853 --> 00:51:19,652
NOT AN INDIAN DRUMHEAD.
1019
00:51:19,654 --> 00:51:23,122
I DON'T KNOW WHY I'M
BOTHERING YOU WITH MY TROUBLE.
1020
00:51:23,124 --> 00:51:26,526
YOU, UH, EXPECT TO BE
IN SAN FRANCISCO LONG?
1021
00:51:26,528 --> 00:51:29,128
DEPENDS.
YOUR GRANDMOTHER?
1022
00:51:29,130 --> 00:51:31,130
I LIKE IT HERE.
1023
00:51:31,132 --> 00:51:34,934
I MEAN, THE PEOPLE ARE NICE,
EVEN YOU, AFTER HOURS.
1024
00:51:34,936 --> 00:51:38,738
[ CHUCKLES ] I KNOW
WHAT IT'S LIKE TO BE LONELY.
1025
00:51:38,740 --> 00:51:41,474
SEE, I'VE LIVED WITH RELATIVES
ALL MY LIFE,
1026
00:51:41,476 --> 00:51:44,744
ALWAYS A MANSION,
BUT NEVER A HOME.
1027
00:51:44,746 --> 00:51:48,013
WELL, THINGS MAY GROW BETTER
SOONER THAN YOU THINK.
1028
00:51:48,015 --> 00:51:51,217
MAYBE.
1029
00:51:51,219 --> 00:51:52,619
SHALL WE GO BACK?
1030
00:52:03,965 --> 00:52:06,365
Macintosh: HEY, SINGALONG, HOW
ABOUT GIVING OUT WITH A SONG?
1031
00:52:06,367 --> 00:52:08,902
Singalong: I GOT JUST THE SONG
YOU'RE LOOKING FOR.
1032
00:52:08,904 --> 00:52:11,371
[ CHEERS AND APPLAUSE ]
1033
00:52:11,373 --> 00:52:15,508
♪ HANDY-GUN PETE AND LARIAT LOU
AND JITTERY DEER-FOOT DAN ♪
1034
00:52:15,510 --> 00:52:19,445
♪ WERE THREE NOTORIOUS OUTLAWS
WHO HIT THE RIO GRANDE ♪
1035
00:52:19,447 --> 00:52:21,647
♪ HANDY-GUN PETE WAS QUICK
ON THE DRAW ♪
1036
00:52:21,649 --> 00:52:23,449
♪ LARIAT LOU COULD ROPE ♪
1037
00:52:23,451 --> 00:52:25,318
♪ AND LITTLE OL'
JITTERY DEER-FOOT DAN ♪
1038
00:52:25,320 --> 00:52:26,920
♪ COULD RUN LIKE AN ANTELOPE ♪
1039
00:52:26,922 --> 00:52:28,854
♪ AH, YIP, AH, YIP, AH,
YIP-EE-I-AY ♪
1040
00:52:28,856 --> 00:52:31,124
♪ THERE NEVER WERE
THREE COWHANDS ♪
1041
00:52:31,126 --> 00:52:35,261
♪ COULD DRAW A GUN OR USE A ROPE
OR RUN LIKE DEER-FOOT DAN ♪
1042
00:52:35,263 --> 00:52:37,263
♪ NOW, THESE THREE FELLAS
WOULD ROB THE COACH ♪
1043
00:52:37,265 --> 00:52:39,065
♪ AND HOLD UP
THE RAILROAD TRAIN ♪
1044
00:52:39,067 --> 00:52:41,067
♪ BUT LITTLE OL'
JITTERY DEER-FOOT DAN ♪
1045
00:52:41,069 --> 00:52:43,136
♪ NEVER GOT
ONE-THIRD OF THE GAME ♪
1046
00:52:43,138 --> 00:52:46,872
♪ DEER-FOOT DAN, HE NEVER GRIPED
NO MATTER HOW HE WOULD HOPE ♪
1047
00:52:46,874 --> 00:52:48,874
♪ 'CAUSE PETE WAS HANDY
WITH A GUN ♪
1048
00:52:48,876 --> 00:52:50,476
♪ AND LOU WAS MEAN WITH A ROPE ♪
1049
00:52:50,478 --> 00:52:52,812
♪ AH, YIP, AH, YIP, AH,
YIP-EE-I-AY ♪
1050
00:52:52,814 --> 00:52:54,680
♪ THERE NEVER WERE
THREE COWHANDS ♪
1051
00:52:54,682 --> 00:52:58,618
♪ COULD DRAW A GUN OR USE A ROPE
OR RUN LIKE DEER-FOOT DAN ♪
1052
00:52:58,620 --> 00:53:00,353
♪ REWARDS WAS POSTED
ON EVERY TREE ♪
1053
00:53:00,355 --> 00:53:02,421
♪ THROUGHOUT THE WESTERN LAND ♪
1054
00:53:02,423 --> 00:53:06,225
$5,000 FOR LOU AND PETE,
AND ONE FOR DEER-FOOT DAN ♪
1055
00:53:06,227 --> 00:53:08,294
NOW, THIS GOT
POOR OL' DAN SO MAD
1056
00:53:08,296 --> 00:53:10,163
HE SAID,
"I'LL SHOW THEM SNAKES
1057
00:53:10,165 --> 00:53:13,833
♪ THERE AIN'T ENOUGH MONEY ON MY
HEAD FOR ALL WORK IT TAKES" ♪
1058
00:53:13,835 --> 00:53:16,169
♪ AH, YIP, AH, YIP, AH,
YIP-EE-I-AY ♪
1059
00:53:16,171 --> 00:53:18,171
♪ THERE NEVER WERE
THREE COWHANDS ♪
1060
00:53:18,173 --> 00:53:22,041
♪ COULD DRAW A GUN OR USE A ROPE
OR RUN LIKE DEER-FOOT DAN ♪
1061
00:53:22,043 --> 00:53:23,843
♪ SO WHEN THEY NEXT HELD UP
A TRAIN ♪
1062
00:53:23,845 --> 00:53:25,979
♪ THE POSSE GOT THERE, TOO ♪
1063
00:53:25,981 --> 00:53:27,913
♪ SHOT THEIR HORSES
WHILE THEY RAN ♪
1064
00:53:27,915 --> 00:53:29,783
♪ SO ON THEIR FEET, THEY FLEW ♪
1065
00:53:29,785 --> 00:53:33,653
♪ HANDY-GUN PETE AND LARIAT LOU
WERE KILLED BY GUN AND ROPE ♪
1066
00:53:33,655 --> 00:53:37,190
♪ BUT JITTERY DAN IS RUNNING
STILL JUST LIKE AN ANTELOPE ♪
1067
00:53:37,192 --> 00:53:39,725
♪ AH, YIP, AH, YIP, AH,
YIP-EE-I-AY ♪
1068
00:53:39,727 --> 00:53:41,594
♪ THERE NEVER WERE
THREE COWHANDS ♪
1069
00:53:41,596 --> 00:53:45,665
♪ COULD DRAW A GUN OR USE A ROPE
OR RUN LIKE DEER-FOOT DAN ♪
1070
00:53:45,667 --> 00:53:49,535
♪ HANDY-GUN PETE AND LARIAT LOU
WERE BURIED RIGHT ON THE SLOPE ♪
1071
00:53:49,537 --> 00:53:51,404
♪ ONE STILL HAS
AHOLD OF HIS GUN ♪
1072
00:53:51,406 --> 00:53:53,339
♪ THE OTHER HAS GOT HIS ROPE ♪
1073
00:53:53,341 --> 00:53:57,210
♪ REWARDS RUN HIGH FOR JITTERY
DAN, BUT EVERYONE'S LOST HOPE ♪
1074
00:53:57,212 --> 00:54:00,680
♪ 'CAUSE THEY ALL KNOW IT AIN'T
NO USE TO CHASE AN ANTELOPE ♪
1075
00:54:00,682 --> 00:54:03,282
♪ AH, YIP, AH, YIP, AH,
YIP-EE-I-AY ♪
1076
00:54:03,284 --> 00:54:05,084
♪ THERE NEVER WERE
THREE COWHANDS ♪
1077
00:54:05,086 --> 00:54:09,155
♪ COULD DRAW A GUN OR USE A ROPE
OR RUN LIKE DEER-FOOT DAN ♪
1078
00:54:09,157 --> 00:54:11,791
[ CHEERS AND APPLAUSE
AND LAUGHTER ]
1079
00:54:16,031 --> 00:54:17,831
ATTENTION, EVERYBODY!
1080
00:54:17,833 --> 00:54:20,700
HARDSADDLE HARRY IS GONNA
GIVE US HIS IMPERSONATION
1081
00:54:20,702 --> 00:54:22,902
OF BUFFALO BILL!
1082
00:54:22,904 --> 00:54:25,071
[ CHEERS AND APPLAUSE ]
1083
00:54:28,043 --> 00:54:30,410
IMPERSONATION --
BUFFALO BILL.
1084
00:54:32,113 --> 00:54:34,380
[ LAUGHTER ]
1085
00:54:34,382 --> 00:54:36,315
THAT WAS FINE,
HARDSADDLE!
1086
00:54:36,317 --> 00:54:38,218
[ LAUGHTER ]
1087
00:54:48,129 --> 00:54:49,629
EXCUSE ME.
1088
00:54:51,867 --> 00:54:54,467
CAPTAIN DEMPSTER, CAN I
SEE YOU FOR A MINUTE?
1089
00:54:54,469 --> 00:54:55,935
[ APPLAUSE ]
1090
00:54:55,937 --> 00:54:59,472
EXCUSE ME.
1091
00:54:59,474 --> 00:55:01,474
ALL RIGHT, EVERYBODY,
CHOOSE YOUR LADIES
1092
00:55:01,476 --> 00:55:03,142
AND SQUARE YOUR SETS!
1093
00:55:03,144 --> 00:55:05,344
THOSE ON THE SIDES,
CUT IN WHEN YOU WANT TO!
1094
00:55:05,346 --> 00:55:06,479
LET'S GO!
1095
00:55:06,481 --> 00:55:08,013
♪♪
1096
00:55:08,015 --> 00:55:09,815
PLEASE, CAPTAIN,
IT'S VERY IMPORTANT.
1097
00:55:09,817 --> 00:55:11,951
OH, NOW TAKE IT EASY, MR. BLACK.
HAVE YOUR DRINK FIRST.
1098
00:55:11,953 --> 00:55:15,154
CAPTAIN, THE MAN
WHO HELD US UP IS HERE.
1099
00:55:15,156 --> 00:55:17,957
[ CHUCKLES ] MR. BLACK,
YOU BETTER TAKE ANOTHER PILL.
1100
00:55:17,959 --> 00:55:19,825
YOU'RE LETTING YOUR IMAGINATION
RUN AWAY WITH YOU.
1101
00:55:19,827 --> 00:55:22,962
IT'S NOT MY IMAGINATION.
I'M POSITIVE.
1102
00:55:22,964 --> 00:55:26,933
THERE HE IS, RIGHT THERE,
DANCING WITH MISS LARKIN.
1103
00:55:31,172 --> 00:55:32,305
WHY, THAT'S MR. MURRAY.
1104
00:55:32,307 --> 00:55:33,973
HE'S A CATTLEMAN.
HE'S A RANCHER.
1105
00:55:33,975 --> 00:55:37,643
YES, AND HE'S ALSO A THIEF
AND A MURDERER.
1106
00:55:37,645 --> 00:55:39,379
HOW DO YOU KNOW?
1107
00:55:39,381 --> 00:55:41,447
I RECOGNIZED HIM
BY HIS LAUGH.
1108
00:55:41,449 --> 00:55:43,116
I'LL REMEMBER
THAT BLOODTHIRSTY LAUGH
1109
00:55:43,118 --> 00:55:45,919
UNTIL THE DAY I DIE.
1110
00:55:45,921 --> 00:55:47,253
THANK YOU, MR. BLACK.
1111
00:55:47,255 --> 00:55:49,722
DON'T SAY ANYTHING
TO ANYBODY ABOUT THIS.
1112
00:55:49,724 --> 00:55:52,858
WHY, CAPTAIN,
WHAT A PLEASANT SURPRISE.
1113
00:55:52,860 --> 00:55:54,127
PLEASURE'S ALL MINE.
1114
00:55:54,996 --> 00:55:57,063
♪ STAY UP RIGHT BACK
AND WATCH 'EM GRIN ♪
1115
00:55:57,065 --> 00:55:59,366
♪ AN ELBOW HOOK
AND SWING 'EM AGAIN ♪
1116
00:56:02,737 --> 00:56:05,338
♪ ALL AROUND
YOUR LEFT HAND, LADY ♪
1117
00:56:05,340 --> 00:56:08,073
♪ A SEESAW
YOUR PRETTY, LITTLE DOLL ♪
1118
00:56:08,075 --> 00:56:10,944
♪ AND THE CORNER GAL
WITH THE TWO-HAND SWING ♪
1119
00:56:10,946 --> 00:56:13,713
♪ AND NOW YOUR HONEY
WITH THE SAME, OL' THING ♪
1120
00:56:16,618 --> 00:56:19,485
♪ SWING TWO COUPLES
FORWARD AND BACK ♪
1121
00:56:19,487 --> 00:56:21,554
♪ HEADS SHUFFLE,
LADIES CHANGE ♪
1122
00:56:21,556 --> 00:56:23,423
♪ SIDE LADIES DO THE SAME ♪
1123
00:56:25,360 --> 00:56:27,693
WHAT WAS DEMPSTER
TALKING TO YOU ABOUT?
1124
00:56:27,695 --> 00:56:28,762
DON'T BE SO INQUISITIVE.
1125
00:56:28,764 --> 00:56:30,429
I WANT TO KNOW.
1126
00:56:30,431 --> 00:56:32,898
WHAT'S THE MATTER,
JEALOUS?
1127
00:56:32,900 --> 00:56:35,034
♪ SWING THAT GENT
ACROSS HISSELF ♪
1128
00:56:35,036 --> 00:56:38,904
♪ NOW HURRY UP, GAL,
YOU'RE NOT THROUGH YET ♪
1129
00:56:38,906 --> 00:56:40,906
♪ STEP RIGHT BACK
AND WATCH HIM SMILE ♪
1130
00:56:40,908 --> 00:56:43,276
♪ STEP RIGHT UP
AND SWING HIM A WHILE ♪
1131
00:56:45,380 --> 00:56:47,380
♪ STEP RIGHT BACK
AND WATCH HIM GRIN ♪
1132
00:56:47,382 --> 00:56:49,582
♪ ELBOW HOOK
AND SWING HIM AGAIN ♪
1133
00:56:52,920 --> 00:56:55,789
♪ ALL AROUND
YOUR LEFT HAND, LADY ♪
1134
00:56:55,791 --> 00:56:58,858
♪ SEESAW
YOUR PRETTY, LITTLE DOLL ♪
1135
00:56:58,860 --> 00:57:02,328
♪ AND THE CORNER GAL
WITH A TWO-HAND SWING ♪
1136
00:57:02,330 --> 00:57:05,598
♪ AND NOW YOUR HONEY
WITH THE SAME, OLD THING ♪
1137
00:57:05,600 --> 00:57:07,533
♪ YOU SWING 'EM HIGH
AND SWING 'EM LOW ♪
1138
00:57:07,535 --> 00:57:09,402
♪ AND AROUND AND AROUND
AND AROUND YOU GO ♪
1139
00:57:09,404 --> 00:57:11,070
♪ NOW THE MEN LEFT
WITH THE OLD ONE ♪
1140
00:57:11,072 --> 00:57:13,339
♪ AND A RIGHT TO YOUR HONEY
BY THE LEFT HAND ♪
1141
00:57:13,341 --> 00:57:15,008
♪ RIGHT AND LEFT
ALL AROUND THAT THING ♪
1142
00:57:15,010 --> 00:57:16,810
♪ AND A HAND OF A HAND
DO A LITTLE THING ♪
1143
00:57:16,812 --> 00:57:18,544
♪ NOW MEET YOUR HONEY
AND PROMENADE ♪
1144
00:57:18,546 --> 00:57:20,546
♪ AND YOU TAKE A LITTLE WALK
TILL YOU GET STRAIGHT ♪
1145
00:57:20,548 --> 00:57:22,081
♪ YOU PROMENADE ♪
1146
00:57:22,083 --> 00:57:23,749
WE MEET AGAIN, CAPTAIN.
1147
00:57:23,751 --> 00:57:26,151
YOU AND MR. MURRAY
SEEM TO BE GETTING ALONG NICELY.
1148
00:57:26,153 --> 00:57:27,620
WHAT MAKES YOU THINK SO?
1149
00:57:27,622 --> 00:57:29,355
DID YOU EVER SEE HIM
BEFORE?
1150
00:57:29,357 --> 00:57:30,356
YES.
WHERE?
1151
00:57:30,358 --> 00:57:32,425
TONIGHT AT THE SUPPER TABLE.
1152
00:57:32,427 --> 00:57:33,626
ARE YOU QUITE SURE TH--
1153
00:57:33,628 --> 00:57:35,761
CAPTAIN, MR. MURRAY'S
A KIND OF MAN
1154
00:57:35,763 --> 00:57:37,096
A WOMAN
WOULD NEVER FORGET.
1155
00:57:37,098 --> 00:57:39,232
DID YOU GET A GOOD LOOK
AT THE MAN WHO HELD YOU UP?
1156
00:57:39,234 --> 00:57:41,367
♪ SWING THAT LADY
OFF THE GROUND ♪
1157
00:57:41,369 --> 00:57:44,970
♪ LIFT THAT LITTLE PEACH
OFF THE GROUND ♪
1158
00:57:44,972 --> 00:57:47,040
♪ SWING 'EM HIGH
AND SWING 'EM LOW ♪
1159
00:57:47,042 --> 00:57:49,376
♪ AND KEEP ON SWINGIN'
THAT CALICO ♪
1160
00:57:58,319 --> 00:58:01,254
HERE, LORABELLE.
YOU DROPPED THESE.
1161
00:58:03,658 --> 00:58:05,458
I'LL TAKE THEM, HONEY.
1162
00:58:05,460 --> 00:58:06,860
I'LL TAKE THEM.
1163
00:58:10,465 --> 00:58:13,599
NOW, CAPTAIN, SEE THAT
THOSE GATES ARE OPEN, PRONTO.
1164
00:58:13,601 --> 00:58:16,001
PUT THAT CHILD DOWN,
VAUGHN.
1165
00:58:16,003 --> 00:58:18,604
I'LL PUT HER DOWN WHEN
I'M FREE AND CLEAR OF THIS FORT.
1166
00:58:18,606 --> 00:58:21,607
I SAID I WANT THOSE GATES OPEN.
GET MOVING, LORABELLE.
1167
00:58:21,609 --> 00:58:23,743
I'M NOT GOING.
1168
00:58:23,745 --> 00:58:25,211
WHAT'S THE MATTER,
LOST YOUR NERVE?
1169
00:58:25,213 --> 00:58:27,346
NO, MY TASTE.
1170
00:58:27,348 --> 00:58:30,383
[ CHUCKLES ] SUITS ME FINE.
THREE'S A CROWD.
1171
00:58:32,420 --> 00:58:34,353
NOBODY GET BEHIND ME.
1172
00:58:34,355 --> 00:58:37,823
I SAID, "NOBODY."
NOW GET BACK.
1173
00:58:37,825 --> 00:58:40,960
THAT'S MORE LIKE IT.
1174
00:58:40,962 --> 00:58:43,496
STAY WHERE YOU ARE,
EXCEPT YOU, CAPTAIN.
1175
00:58:43,498 --> 00:58:45,030
YOU'RE COMING WITH ME.
1176
00:58:45,032 --> 00:58:46,900
WHEN YOU GET OUTSIDE,
GIVE THAT ORDER ABOUT THE GATE.
1177
00:58:46,902 --> 00:58:49,035
NOW, START MOVING.
1178
00:58:50,706 --> 00:58:52,339
THAT'S CLOSE ENOUGH.
1179
00:58:59,247 --> 00:59:01,180
NOW, CAPTAIN, GIVE THAT ORDER
ABOUT THAT GATE,
1180
00:59:01,182 --> 00:59:02,816
AND MAKE IT REAL LOUD.
1181
00:59:04,719 --> 00:59:06,519
OPEN THE GATES!
1182
00:59:25,807 --> 00:59:27,607
NANCY!
1183
00:59:27,609 --> 00:59:29,609
NANCY,
ARE YOU ALL RIGHT?!
1184
00:59:29,611 --> 00:59:30,676
[ Crying ] DADDY!
1185
00:59:30,678 --> 00:59:32,211
NOW, NOW.
NOW, NOW.
1186
00:59:32,213 --> 00:59:34,547
YOU WERE VERY BRAVE.
1187
00:59:34,549 --> 00:59:36,081
IS SHE ALL RIGHT,
CAPTAIN?
1188
00:59:36,083 --> 00:59:38,718
SERGEANT, LOCK HER UP.
YES, SIR
1189
00:59:43,691 --> 00:59:48,427
♪♪
1190
00:59:48,429 --> 00:59:50,296
Singalong: ♪ HE KEPT RIDING
ALL NIGHT THROUGH ♪
1191
00:59:50,298 --> 00:59:52,165
♪ TILL THE MORNING CAME IN DEW ♪
1192
00:59:52,167 --> 00:59:55,835
♪ THEN APPROACHED THE RENDEZVOUS
TO MEET HIS MEN ♪
1193
00:59:55,837 --> 00:59:57,903
♪ THEY WERE HAPPY AS COULD BE ♪
1194
00:59:57,905 --> 00:59:59,705
♪ FOR WITH VAUGHN BACK,
THEY WERE THREE ♪
1195
00:59:59,707 --> 01:00:03,909
♪ AND THEY FELT THAT THEY WERE
FREE TO ROB AGAIN ♪
1196
01:00:03,911 --> 01:00:07,781
♪ THEY BEGAN TO COVER GROUND,
AND THEN SUDDENLY, THEY FOUND
1197
01:00:07,783 --> 01:00:13,453
♪ THERE WERE REDSKINS
ALL AROUND THE SLAUGHTER TRAIL ♪
1198
01:00:13,455 --> 01:00:15,521
♪ ALL THEIR GUILTY EYES
COULD SEE ♪
1199
01:00:15,523 --> 01:00:17,323
♪ WAS THE WOUNDED BRAVE AS HE ♪
1200
01:00:17,325 --> 01:00:20,994
♪ RECOGNIZED THE WICKED THREE
AND TOLD HIS CHIEF ♪
1201
01:00:20,996 --> 01:00:23,062
♪ BUT THEY KEPT ON
RIDING THROUGH ♪
1202
01:00:23,064 --> 01:00:24,798
♪ SAW MORE NAVAJOS AND KNEW ♪
1203
01:00:24,800 --> 01:00:28,734
♪ THAT DEATH WAS RIDING THROUGH
AND TIME WAS BRIEF ♪
1204
01:00:28,736 --> 01:00:30,570
♪ THERE WERE INJUNS
TO THE LEFT ♪
1205
01:00:34,542 --> 01:00:36,176
♪ THERE WERE INJUNS
TO THE RIGHT ♪
1206
01:00:39,080 --> 01:00:42,882
♪ AND THE BANDITS KNEW
THEY WERE NOT FOR SPORT ♪
1207
01:00:42,884 --> 01:00:46,686
♪ NOW NO MATTER WHERE THEY
VEERED, OTHER NAVAJOS APPEARED ♪
1208
01:00:46,688 --> 01:00:49,489
♪ THEY WERE TRAPPED, AND SO
THEY STEERED BACK TO THE FORT ♪
1209
01:00:55,963 --> 01:00:57,464
OPEN THE GATE.
1210
01:01:15,650 --> 01:01:17,283
COME HERE, MR. VAUGHN.
1211
01:01:33,535 --> 01:01:35,334
SERGEANT, LOCK THEM UP.
1212
01:01:35,336 --> 01:01:37,203
ALL RIGHT,
PICK THEM UP!
1213
01:01:41,142 --> 01:01:43,743
SIR, CHIEF PAAKO BEARING
A FLAG OF TRUCE
1214
01:01:43,745 --> 01:01:44,678
IS OUTSIDE THE FORT.
1215
01:01:44,680 --> 01:01:46,345
A FLAG OF TRUCE?
YES, SIR.
1216
01:01:46,347 --> 01:01:47,914
THERE'S STILL HOPE.
LET'S SEE WHAT HE WANTS.
1217
01:01:55,290 --> 01:01:56,690
YOU STAY HERE, LIEUTENANT.
1218
01:02:03,498 --> 01:02:06,499
CHIEF PAAKO, IF YOU COME
IN PEACE, I WELCOME YOU.
1219
01:02:06,501 --> 01:02:09,835
WE COME FOR THE BAD WHITE MEN
WHO HARMED MY PEOPLE.
1220
01:02:09,837 --> 01:02:11,704
YOU GIVE THEM TO ME,
I GO IN PEACE.
1221
01:02:11,706 --> 01:02:13,506
I WELCOME YOUR AID,
CHIEF PAAKO.
1222
01:02:13,508 --> 01:02:15,308
YOU AND YOUR TRIBE
CAN BE WITNESSES AGAINST THEM
1223
01:02:15,310 --> 01:02:16,576
WHEN THEY'RE TRIED.
1224
01:02:16,578 --> 01:02:19,913
WE REFUSE TO WAIT
FOR WHITE MAN'S JUSTICE.
1225
01:02:19,915 --> 01:02:22,415
ANGER DIES AS TIME GOES BY.
1226
01:02:26,988 --> 01:02:29,989
WHEN SHADOW
OF SPEAR MOVE WEST TO EAST,
1227
01:02:29,991 --> 01:02:31,657
MY PATIENCE
WILL HAVE BEEN ENDED.
1228
01:02:31,659 --> 01:02:35,061
IF, BY THAT TIME, YOU DO NOT
RETURN THE GUILTY ONES TO ME,
1229
01:02:35,063 --> 01:02:36,596
WE SHALL ATTACK.
1230
01:02:48,076 --> 01:02:49,542
I'M IN FAVOR
OF TURNING THEM OVER.
1231
01:02:49,544 --> 01:02:51,010
IT'S A CHEAP
ENOUGH PRICE FOR PEACE.
1232
01:02:51,012 --> 01:02:52,478
YOU READY TO RESIGN
YOUR COMMISSION?
1233
01:02:52,480 --> 01:02:53,746
BUT WE'RE
TERRIBLY OUTNUMBERED.
1234
01:02:53,748 --> 01:02:55,681
THAT'S THE TOUGH PART
OF BEING A SOLDIER.
1235
01:02:55,683 --> 01:02:56,950
TALKING WON'T DO US
ANY GOOD NOW.
1236
01:02:56,952 --> 01:02:58,684
IN LESS THAN 30 MINUTES,
THEY'LL ATTACK.
1237
01:02:58,686 --> 01:03:01,086
CAPTAIN, WE CAN'T AFFORD
ANOTHER MISTAKE.
1238
01:03:01,088 --> 01:03:02,822
ANOTHER MISTAKE, LIEUTENANT?
I THINK IT WAS A MISTAKE
1239
01:03:02,824 --> 01:03:04,690
TO ALLOW THE COACH
TO LEAVE THE FORT UNPROTECTED.
1240
01:03:04,692 --> 01:03:06,225
ANY FURTHER ORDERS,
CAPTAIN?
1241
01:03:06,227 --> 01:03:07,493
YES, SERGEANT.
EMPTY THE ARSENAL.
1242
01:03:07,495 --> 01:03:08,962
PASS OUT
ALL THE AMMUNITION.
1243
01:03:08,964 --> 01:03:11,564
HAVE JAMORA GET THROUGH TO
FORT MERCED FOR REINFORCEMENTS.
1244
01:03:11,566 --> 01:03:13,232
IF ANYBODY CAN GET THROUGH
THE NAVAJOS, HE CAN.
1245
01:03:13,234 --> 01:03:14,434
YES, SIR.
1246
01:03:17,973 --> 01:03:19,505
CAPTAIN, THE LIVES
OF OUR WOMEN AND CHILDREN
1247
01:03:19,507 --> 01:03:20,774
MEAN MORE
THAN THE VAUGHN GANG.
1248
01:03:20,776 --> 01:03:22,107
OF COURSE, THEY DO.
1249
01:03:22,109 --> 01:03:23,576
BUT WE HAVE A SWORN DUTY
TO PRESERVE LAW AND ORDER.
1250
01:03:23,578 --> 01:03:25,444
AS LONG AS I'M IN COMMAND,
WE'LL DO IT MY WAY.
1251
01:03:25,446 --> 01:03:26,980
I WANT YOU TO KNOW
IF WE ALL AREN'T MASSACRED,
1252
01:03:26,982 --> 01:03:27,981
I INTEND TO VOICE MY --
1253
01:03:27,983 --> 01:03:29,515
LIEUTENANT,
YOU'RE UNDER ORDERS.
1254
01:03:29,517 --> 01:03:31,917
PUT ALL THE CHILDREN
IN THE SCHOOL HOUSE.
1255
01:03:31,919 --> 01:03:33,186
AND THE WOMEN?
1256
01:03:33,188 --> 01:03:35,054
THEY CAN RELOAD THE RIFLES
AND CARE FOR THE WOUNDED.
1257
01:03:35,056 --> 01:03:36,790
YES, SIR.
1258
01:03:36,792 --> 01:03:39,725
ONE THING MORE,
LIEUTENANT.
1259
01:03:39,727 --> 01:03:42,528
BRING THE PRISONERS TO ME.
THEY STARTED THIS THING.
1260
01:03:42,530 --> 01:03:44,263
NOW, LET'S SEE
IF THEY CAN HELP TO FINISH IT.
1261
01:03:44,265 --> 01:03:45,598
YES, SIR.
1262
01:04:01,683 --> 01:04:03,282
I WANT YOU TO HELP CARE
FOR THE WOUNDED.
1263
01:04:03,284 --> 01:04:04,750
I'LL BE GLAD TO.
YOU SHOULD BE.
1264
01:04:04,752 --> 01:04:06,219
CAPTAIN.
I KNOW, YOU'RE SORRY.
1265
01:04:06,221 --> 01:04:07,687
YOU KEEP SAYING THAT,
AND I KEEP BELIEVING YOU.
1266
01:04:07,689 --> 01:04:09,155
I DON'T EXPECT YOU
TO BELIEVE ME.
1267
01:04:09,157 --> 01:04:11,891
TELL THAT
TO YOUR GRANDMOTHER.
1268
01:04:11,893 --> 01:04:13,493
WHAT DO YOU
WANT ME TO DO?
1269
01:04:13,495 --> 01:04:14,427
FOLLOW ME.
1270
01:04:16,631 --> 01:04:19,699
COME ON, NOW. HURRY UP.
BE GOOD, CHILDREN.
1271
01:04:25,573 --> 01:04:28,441
♪♪
1272
01:04:31,179 --> 01:04:34,848
Singalong:
♪ THERE WERE REDSKINS ALL ABOUT,
AND WE NEEDED HELP, NO DOUBT ♪
1273
01:04:34,850 --> 01:04:38,584
♪ SO THE SERGEANT SENT A SCOUT
TO FORT MERCED ♪
1274
01:04:38,586 --> 01:04:40,453
♪ WE WERE HOPING
HE'D GET THROUGH ♪
1275
01:04:40,455 --> 01:04:42,321
♪ BY A SECRET WAY HE KNEW ♪
1276
01:04:42,323 --> 01:04:46,192
♪ BUT A REDSKIN CAME IN VIEW
AND SHOT HIM DEAD ♪
1277
01:04:46,194 --> 01:04:47,861
♪ HAD THEY HEARD
THE RIFLE BOOM ♪
1278
01:04:47,863 --> 01:04:49,995
♪ WOULD'VE FILLED THEIR HEARTS
WITH GLOOM ♪
1279
01:04:49,997 --> 01:04:53,466
♪ FOR THAT BULLET SEALED
THEIR DOOM ON SLAUGHTER TRAIL ♪
1280
01:04:53,468 --> 01:04:55,535
♪ IN THE SKY,
THE MORNING SUN'S OUT ♪
1281
01:04:55,537 --> 01:04:57,270
♪ AS EACH ABLE SOLDIER
RUNS OUT ♪
1282
01:04:57,272 --> 01:05:00,874
♪ AND THE SERGEANT PASSES GUNS
OUT TO EACH MAN ♪
1283
01:05:00,876 --> 01:05:02,942
♪ SINCE THE CADRE'S
KINDA SHORT NOW ♪
1284
01:05:02,944 --> 01:05:05,010
♪ THE CIVILIANS
LEND SUPPORT NOW ♪
1285
01:05:05,012 --> 01:05:08,948
♪ THEY MUST HELP TO HOLD THE
FORT NOW, IF THEY CAN ♪
1286
01:05:08,950 --> 01:05:11,484
♪ IT'S A TICKLISH PROPOSITION ♪
1287
01:05:11,486 --> 01:05:14,019
♪ WHEN YOU'RE SHORT
ON AMMUNITION ♪
1288
01:05:14,021 --> 01:05:18,558
♪ AND YOUR FOE
IS IN POSITION EVERYWHERE ♪
1289
01:05:18,560 --> 01:05:23,897
♪ A SOLDIER FEARS TO MENTION
THAT MOMENT OF SUSPENSION ♪
1290
01:05:23,899 --> 01:05:28,234
♪ WHEN HE FEELS THE MOUNTAIN
TENSION IN THE AIR ♪
1291
01:05:28,236 --> 01:05:33,038
♪ NOW THE SHADOW MOVES
IN VIEW ♪
1292
01:05:33,040 --> 01:05:37,977
♪ AND THE REDSKINS
WATCH IT, TOO ♪
1293
01:05:37,979 --> 01:05:42,782
♪ AS WE WATCH THE SHADOW MOVE,
WE HOLD OUR BREATH ♪
1294
01:05:42,784 --> 01:05:47,520
♪ AS THE INDIANS WATCH AND WAIT,
WE ALL CONTEMPLATE OUR FATE ♪
1295
01:05:47,522 --> 01:05:52,125
♪ CAN THE SHADOW
BE A HARBINGER OF DEATH? ♪
1296
01:05:52,127 --> 01:05:54,394
♪ WITH YOUR RIFLE PRIMED,
YOU LAY TO ♪
1297
01:05:54,396 --> 01:05:56,729
♪ AS THE SHADOW MOVES,
YOU PRAY TO ♪
1298
01:05:56,731 --> 01:06:01,066
♪ HOW YOU WISH THERE WERE A WAY
TO MOVE IT BACK ♪
1299
01:06:01,068 --> 01:06:03,336
♪ NOW, IT SEEMS
THE SHADOW'S FLYING ♪
1300
01:06:03,338 --> 01:06:05,405
♪ COMES THE MOMENT NOW
FOR DYING ♪
1301
01:06:05,407 --> 01:06:08,541
♪ AND YOU HEAR CHIEF PAAKO
CRYING "TO ATTACK" ♪
1302
01:06:08,543 --> 01:06:10,910
[ MEN WHOOPING ]
1303
01:06:48,049 --> 01:06:49,649
THEY'RE COMING
IN ALL DIRECTIONS.
1304
01:06:49,651 --> 01:06:51,985
WELL, WE'RE WEAK,
BUT WE'VE SHOWN SOME STRENGTH.
1305
01:06:51,987 --> 01:06:54,120
I NEED SIX VOLUNTEERS
TO GO OUTSIDE THE FORT
1306
01:06:54,122 --> 01:06:55,855
AND FORM A PERIMETER
OF DEFENSE.
1307
01:06:55,857 --> 01:06:57,323
I'LL GO, SIR.
1308
01:06:59,126 --> 01:07:01,126
OH, HARDSADDLE,
NOT YOU.
1309
01:07:01,128 --> 01:07:03,463
WHO'D YOU EXPECT,
GENERAL CUSTER?
1310
01:07:03,465 --> 01:07:05,064
I'D LIKE TO GO,
TOO, SIR.
1311
01:07:05,066 --> 01:07:08,668
JUST A MINUTE, LIEUTENANT.
YOU THREE ARE VOLUNTEERING, TOO.
1312
01:07:08,670 --> 01:07:10,870
ANYBODY GOING OUT THERE
BE COMMITTING SUICIDE.
1313
01:07:10,872 --> 01:07:12,005
WELL, THAT'S MURDER.
1314
01:07:12,007 --> 01:07:13,807
THEN YOU OUGHT TO FEEL
RIGHT AT HOME.
1315
01:07:13,809 --> 01:07:16,276
GIVE THEM SOME GUNS,
AND GET THEM OUT OF HERE.
1316
01:07:25,620 --> 01:07:28,087
GOOD LUCK, LIEUTENANT.
1317
01:07:28,089 --> 01:07:31,157
I'LL SHOOT THE FIRST MAN
WHO TRIES TO MAKE A BREAK.
1318
01:07:45,240 --> 01:07:46,639
HOLD IT.
I'LL TELL YOU WHEN.
1319
01:07:46,641 --> 01:07:49,509
[ MEN WHOOPING ]
1320
01:07:49,511 --> 01:07:50,643
WAIT UNTIL THEY'RE CLOSE.
1321
01:07:50,645 --> 01:07:52,178
WE GOT TO MAKE
EVERY BULLET COUNT.
1322
01:07:59,987 --> 01:08:01,087
FIRE!
1323
01:08:29,484 --> 01:08:30,816
WHY, THERE'S
SO MANY INDIANS,
1324
01:08:30,818 --> 01:08:31,951
I DON'T KNOW WHICH ONE
TO SHOOT FIRST.
1325
01:08:31,953 --> 01:08:33,486
WELL, SHOOT
THE CLOSEST ONE TO YOU.
1326
01:08:33,488 --> 01:08:34,688
OKAY, HERE GOES.
1327
01:08:37,092 --> 01:08:38,491
DID YOU GET HIM?
YEP.
1328
01:08:38,493 --> 01:08:40,025
WHERE?
1329
01:08:40,027 --> 01:08:41,761
IT'LL BE A LONG TIME
BEFORE HE CAN RIDE AGAIN.
1330
01:08:56,444 --> 01:08:58,244
THEY'RE TRYING
TO SURROUND US!
1331
01:08:58,246 --> 01:08:59,845
SEND SOME MORE MEN TO THE REAR
AND HEAD THEM OFF!
1332
01:08:59,847 --> 01:09:01,714
WE'VE HARDLY ENOUGH MEN
TO HOLD DOWN THIS SECTION!
1333
01:09:01,716 --> 01:09:03,149
DO THE BEST YOU CAN!
YES, SIR.
1334
01:10:25,801 --> 01:10:26,866
ARE YOU ALL RIGHT?
1335
01:10:26,868 --> 01:10:28,334
YES, IT'S
NOTHING SERIOUS.
1336
01:10:28,336 --> 01:10:29,935
YOU HAVE TO TAKE CARE OF
THE CHILDREN WHILE I DRESS THIS.
1337
01:10:29,937 --> 01:10:32,872
YES.
1338
01:10:32,874 --> 01:10:34,940
THE CHILDREN ARE SAFE,
CAPTAIN.
1339
01:10:34,942 --> 01:10:36,275
I SAW WHAT YOU DID,
MISS LARKIN.
1340
01:10:36,277 --> 01:10:38,344
THAT WAS QUICK THINKING.
THANKS.
1341
01:10:38,346 --> 01:10:40,747
YOU BETTER GET BACK TO YOUR MEN.
I'LL LOOK AFTER THE CHILDREN.
1342
01:12:08,169 --> 01:12:11,237
Singalong: ♪ YES,
THE REDSKIN MADE HIS KILL ♪
1343
01:12:11,239 --> 01:12:13,439
♪ AND HE CRIED OUT
LOUD AND SHRILL ♪
1344
01:12:13,441 --> 01:12:16,976
♪ TO HIS TRIBESMEN
ON THE HILL, AND THEN WE SAW ♪
1345
01:12:16,978 --> 01:12:20,980
♪ THAT THE INDIAN WAITING THERE
SHOT A SIGNAL IN THE AIR ♪
1346
01:12:20,982 --> 01:12:24,918
♪ AND WHEN PAAKO SAW THE FLARE,
HE CRIED "WITHDRAW" ♪
1347
01:12:24,920 --> 01:12:26,853
CEASE FIRING!
1348
01:12:36,398 --> 01:12:38,398
[ MEN WHOOPING ]
1349
01:12:40,402 --> 01:12:44,070
♪ THEY HADN'T BEEN DEFEATED,
YET THE NAVAJOS RETREATED ♪
1350
01:12:44,072 --> 01:12:47,540
♪ AND THE TALE IS OFT REPEATED
TO THIS DAY ♪
1351
01:12:47,542 --> 01:12:49,342
♪ WHEN THE BANDITS LIVES
ARE ENDED ♪
1352
01:12:49,344 --> 01:12:51,344
♪ JUST AS PAAKO HAD INTENDED ♪
1353
01:12:51,346 --> 01:12:54,948
♪ ALL THE REDSKINS,
PROUD AND SPLENDID, RODE AWAY ♪
1354
01:12:54,950 --> 01:12:58,551
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
1355
01:12:58,553 --> 01:13:02,489
♪ AS THE REDSKINS RODE
AROUND THE SLAUGHTER TRAIL ♪
1356
01:13:05,026 --> 01:13:07,160
Macintosh: LIEUTENANT MORGAN
TO SEE YOU, SIR.
1357
01:13:07,162 --> 01:13:09,895
ALL RIGHT. AND, UH, BRING
MISS LARKIN HERE, WILL YOU?
1358
01:13:09,897 --> 01:13:12,498
YES, SIR.
CASUALTY LIST, SIR.
1359
01:13:12,500 --> 01:13:14,700
ALL THE WOUNDED ARE
IN THE SCHOOLHOUSE.
1360
01:13:14,702 --> 01:13:17,837
AH, WELL,
COULD HAVE BEEN WORSE.
1361
01:13:17,839 --> 01:13:21,507
LIEUTENANT, YOU CAN MAKE
ANY REPORT YOU LIKE.
1362
01:13:21,509 --> 01:13:23,309
I'LL SEND IT THROUGH.
1363
01:13:23,311 --> 01:13:26,512
WELL, I, UH...
I CHANGED MY MIND, CAPTAIN.
1364
01:13:26,514 --> 01:13:28,247
PERHAPS THINGS WORKED OUT
FOR THE BEST.
1365
01:13:28,249 --> 01:13:30,583
AS YOUR RESPONSIBILITIES
INCREASE,
1366
01:13:30,585 --> 01:13:32,518
YOU'LL HAVE TO
MAKE QUICK DECISIONS, TOO.
1367
01:13:32,520 --> 01:13:35,388
IF YOU'RE LUCKY,
A FEW OF THEM WILL BE GOOD ONES.
1368
01:13:35,390 --> 01:13:37,023
YES, SIR.
1369
01:13:42,998 --> 01:13:44,930
WELL,
WHERE'S MISS LARKIN?
1370
01:13:44,932 --> 01:13:46,466
UH, SHE WON'T COME, SIR.
1371
01:13:46,468 --> 01:13:48,334
WHAT THE BLUE BLAZES?
WHY WON'T SHE?
1372
01:13:48,336 --> 01:13:49,935
WELL, SHE'S IN JAIL.
JAIL?!
1373
01:13:49,937 --> 01:13:52,271
I SPECIFICALLY GAVE THE ORDER
TO RELEASE HER.
1374
01:13:52,273 --> 01:13:53,673
WELL, I KNOW
YOU DID, SIR,
1375
01:13:53,675 --> 01:13:55,475
BUT SHE WALKED RIGHT BACK
IN THERE AS SOON
1376
01:13:55,477 --> 01:13:57,210
AS THE FIGHTING WAS OVER
AND WON'T COME OUT.
1377
01:13:57,212 --> 01:13:58,611
WHAT?
1378
01:13:58,613 --> 01:14:00,346
HOW DO YOU FIGURE
THAT WOMAN?
1379
01:14:00,348 --> 01:14:02,415
ME, I'D RATHER TANGLE
WITH THE INDIANS.
1380
01:14:09,957 --> 01:14:11,424
NANCY, WHAT ARE YOU
DOING HERE?
1381
01:14:11,426 --> 01:14:13,827
I TRIED TO SEND HER OUT,
BUT SHE WOULDN'T GO.
1382
01:14:13,829 --> 01:14:15,761
I WANT TO STAY
WITH LORABELLE.
1383
01:14:15,763 --> 01:14:17,163
NOW, YOU MAY BE
MY COMMANDING OFFICER,
1384
01:14:17,165 --> 01:14:18,898
BUT I'M STILL
IN CHARGE OF THE FORT.
1385
01:14:18,900 --> 01:14:20,766
YOU RUN ALONG
WITH THE SERGEANT.
1386
01:14:20,768 --> 01:14:23,569
DADDY, PLEASE DON'T
SEND LORABELLE AWAY.
1387
01:14:23,571 --> 01:14:25,772
NANCY, YOU BETTER DO
AS YOUR DADDY SAYS.
1388
01:14:28,844 --> 01:14:31,644
I SENT FOR YOU,
MISS LARKIN.
1389
01:14:31,646 --> 01:14:33,980
THIS CELL ISN'T
MY IDEA, CAPTAIN.
1390
01:14:36,651 --> 01:14:38,952
I WANTED TO TELL YOU
THAT YOU'RE FREE TO GO.
1391
01:14:41,789 --> 01:14:43,723
AM I?
1392
01:14:43,725 --> 01:14:46,860
WHAT I'M TRYING TO SAY IS
THAT NOW I'M SORRY.
1393
01:14:46,862 --> 01:14:48,962
I HOPE
YOU BELIEVE THAT.
1394
01:14:53,935 --> 01:14:56,602
DOES IT MATTER?
1395
01:14:56,604 --> 01:14:59,205
I THINK IT DOES.
1396
01:14:59,207 --> 01:15:02,341
CHILDREN ARE USUALLY
RIGHT ABOUT PEOPLE.
1397
01:15:02,343 --> 01:15:05,745
WHAT ABOUT
COMMANDING OFFICERS?
1398
01:15:05,747 --> 01:15:09,014
THERE'S A WEST-BOUND STAGE
LEAVING IN AN HOUR.
1399
01:15:09,016 --> 01:15:11,350
YOU THINK YOU CAN
BE READY BY THEN?
1400
01:15:11,352 --> 01:15:13,553
I'LL BE READY.
1401
01:15:16,958 --> 01:15:21,094
♪♪
1402
01:15:21,096 --> 01:15:24,430
Singalong:
♪ NOW THE STAGE IS SET TO ROLL ♪
1403
01:15:24,432 --> 01:15:27,032
♪ AND AS TOWARD THE COACH,
THEY STROLL ♪
1404
01:15:27,034 --> 01:15:32,438
♪ THERE ARE FEELINGS TO CONTROL
BEFORE THEY PART ♪
1405
01:15:32,440 --> 01:15:38,043
♪ NOW SHE KISSES NANCY'S CHEEK,
BUT THE CAPTAIN CANNOT SPEAK ♪
1406
01:15:38,045 --> 01:15:43,116
♪ FOR THE STRONGEST MEN
TURN WEAK WHEN RULED BY HEART ♪
1407
01:15:43,118 --> 01:15:45,118
♪ THEY HAD EVENED UP THE SCORE ♪
1408
01:15:45,120 --> 01:15:47,253
♪ THEN THE SOLDIER
CLOSED THE DOOR ♪
1409
01:15:47,255 --> 01:15:51,257
♪ FOR THE STAGE MUST RIDE
ONCE MORE DOWN SLAUGHTER TRAIL ♪
1410
01:15:51,259 --> 01:15:54,994
♪ NANCY WAVED TO LORABELLE,
AND HER HEART BEGAN TO SWELL ♪
1411
01:15:54,996 --> 01:15:58,731
♪ WHEN THE CAPTAIN WAVED
FAREWELL, AND SHE KNEW THEN ♪
1412
01:15:58,733 --> 01:16:00,600
♪ THAT FROM NOW ON
COME WHAT MAY ♪
1413
01:16:00,602 --> 01:16:02,602
♪ SHE WOULD LIVE
THE RIGHTEOUS WAY ♪
1414
01:16:02,604 --> 01:16:06,539
♪ AND SHE HOPED, PERHAPS,
SOME DAY THEY'D MEET AGAIN ♪
1415
01:16:06,541 --> 01:16:10,476
♪ YOU COULD ONLY HEAR THE SOUND
OF THE HOOFBEATS ON THE GROUND ♪
1416
01:16:10,478 --> 01:16:14,547
♪ AND THE WHEELS AS THEY WENT
ROUND THE SLAUGHTER TRAIL ♪
1417
01:16:14,549 --> 01:16:18,084
♪ AND SO OUR STORY ENNNDS ♪
1418
01:16:18,086 --> 01:16:22,221
♪ THANKS FOR LISTENING,
MY FRIENNNDS ♪
1419
01:16:22,223 --> 01:16:42,341
♪ AT LAST, WE'VE REACHED THE END
OF SLAUGHTER TRAIIIL ♪
102055
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof