Original subtitles

(projector whirs)

(gentle music)

(rooster crows)

(wind whistles)

(birds chirp)

(gentle music continues)

- Morning, Will. - Charlie.

- Didn't even hear you get going this morning.

- You out late drinking with Mayor McCluskey again?

(Charlie laughs)

- No, yeah, I just couldn't sleep,

so I just came over early.

- Well, thanks for the head start.

- Hey, you ever do that?

Go out drinking with the mayor?

- Not since middle school.

- I believe you.

(Charlie laughs)

- [Will] How's Grace doing?

- She's okay.

She's okay, she's liking the time off.

Just didn't expect the school to retire her so early.

Getting to spend more time down with the grandkids, though.

- That's good to hear. - [Charlie] Yeah.

Yeah.

You still working over at the bar too?

- A couple nights a week, yeah.

Keeps me busy. - That's good.

That's good.

- What's up, Charlie?

Spit it out.

- Will, I'm gonna have to cut your mornings down.

- Again, huh? - I know, I know.

It's been hard since Grace got let go.

Bills are stacking up.

It's just, well, it's just a little tight right now.

- I get it, for real, Charlie, I do.

- Come on, I'll give you a lift.

(gentle country guitar music)

(engine revs)

(gentle country guitar music continues)

- Thanks, Charlie.

- You still coming to the house for dinner on Wednesday?

Gotta be around people every now and again, Will.

Good for the soul.

- You don't know where my soul's been.

- I don't care where you've been, I.

- Care where we're going, yeah.

What are you guys making?

- Oh, you're picky all of a sudden?

- No, I guess not.

- We'll see you there.

(upbeat music)

- Morning, Will.

- Hey Sandy, how are you?

- I'm doing good.

- Got a little present for you.

- Oh, you know you don't have to.

- [Will] I know, but I do.

- [Sandy] Thank you, I'll get your drinks for you.

(coin rattles)

Here we go.

- [Will] Thanks. - [Sandy] You're welcome.

Let me know if you need anything.

- Will do.

(screen swooshes)

(liquor gurgles)

(pensive music)

(pensive music continues)

(water splashes)

(Will sighs)

(Will sighs)

(screen swooshes)

(woman screams)

(tense music)

- No.

(tense music continues)

(gunshot bangs)

(bluesy guitar music)

(cash register dings)

- All right, here's another, easy one.

You tell that Wildcat behind the wheel not to slow down

or he'll never even get a chance to bleed to death.

- Is that the, that Tarantino fellow?

- No, no, no, okay, same movie.

Pop quiz, hot shot.

There's a bomb on a bus.

If it drops below 50, it blows up.

What do you do?

- I don't know, Annie, you got me.

- Dennis Hopper, Keanu?

"Speed".

- Oh, is Jon Voight in that one?

- No, not that one.

- I love Jon Voight.

- Me too, Harold, me too.

- Keep the change, you filthy animal.

- Yeah, there you go. - Night, Annie.

- Goodnight.

(door clicks shuts)

The last one just left.

We are a-closed.

- Don't you mean that's a wrap?

- Good one.

I still gotta cash out the register.

- Long day, Hollywood?

- Same day.

Over and over

and over and over and over again.

How about you?

- Well, so usually I chop the onions using this knife.

Today, went a little nuts and used this one.

- I'm glad to see you're getting out of your comfort zone.

- [Will] Thanks.

- Well, can I interest you in a beer of your choice

as an excuse to help me avoid doing my cash out?

- I don't drink.

- [Annie] Since when?

- [Will] Always.

- How did I not know that?

Fine, nevermind.

- Hey, but I'll take a coffee if that'll, you know,

still help you procrastinate.

- Deal.

(gentle country music)

(Annie laugh)

- Come on, what's wrong with "E.T."?

- There's nothing wrong with "E.T.",

but come on, that's it, that's all you got?

- I don't know, I don't really watch a lot of movies.

- Oh no, you're one of those.

- One of those?

- How am I supposed to talk to you

if I can't use movie lines?

- You're just gonna have to get creative, Hollywood.

I give up. - It's so awkward.

- It's getting there, yeah.

- I mean, you don't have to let me win, right?

You know that. - I'm not, I assure you.

- I'd be pretty embarrassed at this point.

- Oh, trust me, this is horrifying.

- And you're not even drinking, so.

- Maybe I should start.

- So you're sticking with the coffee?

- Yeah.

- [Annie] Okay.

- Did you fill out that application yet?

You didn't, did you?

- I'm,

I have a process.

- See you're pronouncing it wrong, it's pronounced excuse.

- Ooh.

- Yeah, you like that one?

- So I kick your ass and you gotta take me down a peg?

- I'm just trying to be helpful.

Hey, you could list me as a reference.

- They'll never listen to someone who doesn't watch movies.

- Yeah, probably not.

- So what about you?

What's your next destination after you get outta here?

- Who said I'm headed anywhere?

- Come on.

You're just gonna tend to Charlie's farm

the rest of your life?

Settle down in our little old town.

- I don't know about all that,

but it's fun to slow things down for a little while.

- Yeah, but like, what are your dreams or goals or whatever?

What do you wanna do?

- Right now, I'm fine where I'm at.

- You always do that.

- What?

- Every time we start talking, you just,

you know, some people do wanna learn about the new guy.

- There's not much to him.

- Okay.

(pensive music)

- I should probably finish up.

- Yeah, me too.

(pensive music continues)

(lighter clicks)

- Hello? - Motherfucker.

- Sorry, the door was open.

- We're closed.

- Yeah, I know, but does Will still work here?

- You're a friend of Will's?

- Yeah, we're old friends.

Is he working tonight?

- He'll be back in a sec.

- My man, can I bum a smoke off you?

- You don't want one of these, man, they're rolled.

- People still do that.

- [Will] Yeah, I'm the only one.

- Almost makes it kind of rare then, right?

You gotta let me try one.

- You're not from around here.

- It's that obvious?

- So how do you know Will?

- Can I trouble you for a drink?

It's been a day.

- What do you want?

- Scotch.

- All right.

- You don't like pre-roll 'em or something?

Seems like that'll take forever, right, every time.

- Yeah, maybe.

Go through 'em faster that way too, though.

- Can't argue with that.

Name's Lewis, by the way.

- Will.

- That's what I thought.

- It has been a long day.

(ominous music)

My fucking car broke down.

And you know, when I went to the dealership,

those guys sold me on a brand-new hybrid, right?

I think what they said was

you'd be shocked at how much money you save on gas.

The only thing shocking about that car is

how much I fucking hate it.

- [Annie] Oh wow.

- But I won't trouble you with my problems.

(glass smashes)

(punch resounds)

(dramatic music)

(gun cocks)

(gunshot bangs)

(dramatic music continues)

(glass smashes)

(gunshot bangs)

(Lewis groans)

(dramatic music continues)

(glass smashes)

(glass smashes)

(Annie chokes)

(Annie coughs)

(dramatic music continues)

(door bangs)

(Lewis bangs on door)

(gunshot bangs)

(dramatic music continues)

(punches resound)

- Are you okay? - Yeah.

- Can you stand? - Yeah.

- Come on, let's go.

(dramatic music continues)

- [Annie] What the fuck, what the fuck,

what the fuck, what the fuck?

- [Will] Are you singing?

- [Annie] I don't know.

Never been shot at before.

I don't know what my body's doing.

What the hell is going on?

Do you have your phone?

Oh shit, I don't have my phone, I left it at the bar.

Do you have yours?

- [Will] I don't have a phone.

- [Annie] What are you, Amish?

- [Will] That's offensive.

(dramatic music continues)

(tranquil music)

- [Annie] God, it smells like shit.

How far is it?

- [Will] It's 14 miles driving, I'm not sure this way.

- 14 miles, exactly, not 15 or 13 and a half?

- I don't really do fractions.

- Will and Annie trudged to freedom

through 14 miles of shit-smelling foulness

I can't even imagine.

"Shawshank".

You've never, of course you've never seen "Shawshank".

Why would you have seen anything or have any idea

what I'm referring to?

I don't believe you.

- I have no idea what a "Shawshank" is.

- No, you don't know who those guys were?

- No.

- Or why they were after you?

- Why do you think they were after me?

I think they were just trying to rob the place

and they didn't wanna get. - They specifically

asked for you.

- Maybe they just know I worked there.

- And you just happen to know how to fight like that.

- YouTube.

- YouTube.

Tell me the truth or I'm not going any further.

Fine. - No, you can't go

back to town, all right?

- If it was just two guys ripping us off,

why can't I go to the cops?

- [Will] Don't go to, what are the cops gonna do

anyway, huh? - What are the,

what are we even talking about here?

- Look, please just stop questioning me

like this, all right, you gotta stop.

- I just had a gun in my face.

- [Will] I know. - That guy knew you.

- [Will] No he didn't, I have no idea who they were, okay?

- Stop lying. - I'm not lying to you.

I don't know who they were. - Who are they?

- I don't know. - Who are you?

- What do you mean? - All right, enough.

I am not walking 13 and fucking three eighth miles

into the woods so you can kill me or tie me to a tree

or practice jujitsu or some stupid shit.

- All right, they weren't there trying to rob you, okay?

They were there trying to kill me.

The guy who attacked you at the bar, I know him.

We used to work together.

Testified against him in federal court.

Now I live here.

- You're in witness protection?

(Annie sighs)

Oh my God.

Ask the guy to have a coffee, seems cool, little quiet.

But what's the worst that could happen?

What did you do for them?

- Let's just say I have a particular set of skills.

- Oh, that one you know.

- Contract hits, bad guys only, rival criminals,

drug dealers, murderers.

- Says the guy pulling the trigger.

I need a minute.

- Look, we gotta keep moving.

Once we get to Charlie's. you'd never have to see me again.

- I'm not going anywhere with you.

Look, this might be normal for you,

but I don't kill people. Or-

- Right now, you don't really have a choice, okay?

Can't go back to town.

There's gonna be 10 guys there canvassing the place

looking for us.

Just stick with me till we get to Charlie's,

then you never have to see me again.

Look, you wanted the truth, I'm telling you the truth.

Why would I have just made that up?

Come with me if you wanna live.

- Do you know any references from this decade?

- Is "Toy Story 3" this decade?

- No.

- Then no.

- [Annie] Unbelievable.

- [Will] So we're good now?

- [Annie] No, I'm still angry.

(tense music)

- Yo, Brooks, you seeing what I'm seeing, right?

The fuck is this man doing, fucking books and puzzles, man?

This is the shit he gave us up for,

fucking, "The Best Poems of the English",

the fuck is this, books and puzzles?

You couldn't pay me enough money to stay

in this shitty ass apartment for three years.

- Yeah, it's good to know if we gotta look for you,

it'll be in penthouses. - Something, man.

The Bahamas, la Costa Rica.

You catch me doing puzzles and reading

"Pride and Prejudice" in the middle of bum fucking nowhere.

(phone rings)

Look, I wanna swallow it while you pull the trigger

real quick, simple.

- Yeah,

we're here.

No, it doesn't look like he's been back.

No, don't.

I need you to calm down.

Yeah.

- [Lewis] Losing it?

- [Brooks] Yeah, just a bit.

- Let put this camera up, man, we can get outta here.

- He's not coming back.

- [Lewis] Maybe he fucks up.

- [Brooks] He won't.

- People fuck up all the time.

Why you always wanna shoot down my ideas?

Personally, I think I have great ideas.

- People do.

He won't, let's go.

- [Lewis] Fuck this shitty ass apartment anyway.

Yo, Brooks, hold up man, hold up.

(water trickles)

- Nope, rather be strangled again.

- We could arrange that.

Come on.

- [Annie] Oh my God.

- [Will] It's like a mud bath, you know?

- [Annie] No it's not.

So why can't we just go to the cops? Didn't you

already like, I don't know, cut a deal or something?

- Well, yeah, but small town police department,

they'll be watching.

They might have intimidated someone or bribed someone.

- So what, do you have like a contract on your head?

- Well, those guys do not work for free, so probably.

Come on, you got it.

- You're gonna have to let me know

how much it is.

Could really use the money.

- Hate to disappoint you

but these are not the guys you wanna try to collect from.

- Were you at least good

at, you know, being an assassin or whatever?

- All my Yelp scores have been pretty solid.

Did have one bad review,

but I think that guy was just having a shitty day, you know?

- Come on man, I could just use a little bit of good news.

- Yeah,

I'm good.

But you know, so are they, so.

- You couldn't just let me have that?

Just fucking leave it alone.

(gentle music)

- Long night?

(fly buzzes)

- Thank you.

- Of course, thanks, Charlie.

- Napkins.

- Where's the fire?

- Behind us, but gaining.

- How bad is it?

- Sorry to come to you like this Charlie.

You're the only person I trust.

- What do you need?

- Your car, if you can spare it.

I'll get it back to you as soon as I can, I promise.

Maybe a little cash

and a gun.

- This is pretty serious.

You can take the truck.

I don't have any money to give you, here, you can take this.

It's all the cash I got.

And I can loan you my rifle from the barn.

- Thank you, Charlie.

- Anything else you need?

- Let Annie stay here for a couple days.

- What, no.

- Wait 72 hours and then call this number.

- [Annie] Just say three days, Jesus.

- Wait three days and then call this number.

Ask for Anderson.

Tell her the truth, everything.

(pensive music)

- That's your secret stash?

- Well, my rocket launcher is in the shop, so.

- I mean, you don't even have any money in there.

- Yeah, this is my backup to my backup plan

one in my apartment has money, more ammo,

a bunch of other shit.

This was only in case things went, you know,

Bay of Pigs tits up sideways, so

glad we're here.

- I have so many questions.

- I know.

- Like, I mean, where are you going?

I mean, what are you gonna do?

Are you gonna have to leave the country?

Can you really kill somebody with your pinky?

And you're not gonna tell me any of that?

- Sorry.

- [Annie] So that's it, I won't even know if you made it?

- That's just the way this works.

- [Annie] I mean, at least tell me your real name.

- No. - [Annie] Come on.

Probably find out from the police anyway.

- [Will] Then find out from them.

- When I sell the story, I'll totally change it.

- No.

- Is it Michael?

You look like a Michael. - No.

- Anthony? - [Will] No.

- Eric? - [Will] No.

- Julio? - No.

- Would you tell me if I guessed it?

- Of course. - Really?

- No.

- Does it rhyme with Schmeddy?

- I'm not gonna tell you.

- Does it start with a vowel?

Austin, Oscar,

Inigo Montoya.

- Charlie.

- Charlie?

(ominous music)

(gunshot bangs)

(ominous music continues)

(dramatic music)

(gunshot bangs)

- Get down there, get down there, go.

Shit, fuck.

(dramatic music continues)

(Brooks and Will grunt)

(punches resound)

(Lewis and Will grunt and pant)

(punches resound)

(dramatic music continues)

(punches resound)

(dramatic music continues)

(men groan)

(punches resound)

(Will gasps)

(Annie groans)

(Lewis screams)

(dramatic music continues)

(air hisses)

- What are you doing?

- So they can't follow.

- Love the energy, but next time,

disable the hunk of junk.

Take the one from this century.

- Oh, right.

(engine revs)

I am sorry about Charlie.

- You have the money?

- I guess the Four Seasons is out.

- Yeah, that's not gonna get us far.

- [Annie] What do we do now?

- I need a phone.

(exercise bike wheel spins)

(alarm beeps)

- [Influencer] Hi guys.

Today I'm gonna be showing

(indistinct)

- Morning, my love. - Morning.

- How are you feeling today? - Good.

- Yeah?

Did you take your pills this morning?

- Mm-hmm. - Okay.

You good enough to eat? - Mm-hmm.

- Are you sure?

'Cause this crust is the best part.

(child giggles)

Where's Daddy?

- [Child] He left already.

- Hmm.

Well, Daddy's gonna take you to your appointment

right after school and then I'll see you

right after that. - Okay.

- All right, Mom needs some coffee

and then let's hit the road. - [Child] Okay.

- Do you think you're gonna learn anything today?

- No, not really. - No?

You know it all already, huh? - Yeah.

- Well, let's just skip to college, then.

(thunder rumbles)

There you go, babe.

(phone rings)

Anderson.

- [Voice Over Phone] Patching call, code 808, please verify.

- Alpha 306917.

- [Voice Over Phone] Verified, hold for connection.

(phone beeps)

- Matador. - [Will] Albatross.

- Where are you?

Status?

- Blown.

- [Anderson] Hostiles?

- Yeah, in pursuit.

- Are you injured? - [Will] Negative.

- Good, we can extract and reestablish.

- I don't wanna be reestablished.

I'll take my chances on my own.

I just need a jumpstart.

- Let's not get ahead of ourselves, we can discuss.

- I know what I'm saying.

You're not gonna talk me down.

Can you help me or not?

- Okay, got a pen?

- Go.

- 82878 42597

over one by 19.

- 82878 42597 over one by 19.

Hang on.

Yeah, we can make that.

- We?

- Civilian, long story.

- Be careful.

- Thanks.

- Was that a conversation?

- That way in case someone is listening,

they won't know what we're saying.

Hey, thanks. - Have a good one.

- What do the numbers mean?

- Coordinates, where we're meeting, scrambled.

- Over one by 19?

- One day from today, 19:00, so tomorrow night at 7:00.

- So where are we going?

- It's a surprise.

- Great, more surprises.

I love your surprises.

(tense music)

- Well, we can't exactly chase them down

on a fucking tractor.

Does it sound like I'm joking?

Yeah,

mm-hmm,

we'll be ready,

okay.

- Telling you Brooks,

I'm stabbing her in the fucking face with this thing.

- [Brooks] You're gonna carry that thing around with you

just to be poetic?

- Then a regular fork.

- Reinforcements are on their way.

We'll be back on the road by tomorrow.

- Good, ready to be done with this motherfucker anyway.

- How does it work?

Did you get to pick where you went?

- No.

They actually ask you about like every place

you've ever been or you've always wanted to go

and then send you to the opposite.

- So you didn't ask to be

a farm hand/line cook in the middle of nowhere?

- No.

I don't know, it could been worse though.

- I guess.

So where are you from?

Like, where did this all happen?

- I'm not gonna tell you the name of that, Annie.

Sorry, nothing specific.

The less you know about me the better.

- Did you ever get used to it?

- Oh, I mean it was pretty lonely at first, but.

- No, no,

did you get used to?

(Annie gurgles)

- No.

You get good at compartmentalizing, though.

- I just don't know how you could.

- I have to detach from it.

Justify in my head somehow.

You know, when I was in the service.

I spent all these years getting really good

at something

and then I was,

and then it was over.

I don't know, I imagine it's kind of like being

a professional athlete who retires, right?

Can't replicate that anywhere.

That control,

power.

As fucked up as it sounds,

I feel more comfortable with a gun to my head

than anywhere else.

- I wouldn't know what to do with a gun to my head.

Clearly.

(insects chirp)

- All right, here's your gun.

- Doesn't look like a gun.

- Supposed to use your imagination, Hollywood, come on.

(emotive country music)

- Okay, what do I do?

- Aim it at me.

- Freeze.

- All right, first of all, these guys will not say freeze,

but.

- [Annie] Shit.

- All right, lemme show you what it,

so first of all, all right,

so you never wanna hold a pistol with just one hand, right?

You wanna stabilize it with this hand.

Ah, we got a long handle there, but,

and with this hand, I'm gonna hit your wrist.

- Okay. - This hand,

I'm gonna get the gun.

So,

and then I back away and I have the gun.

- I let you have that one.

- [Will] Sure you did. Lemme show you that again.

- Okay.

- So I come in with both hands kind of at the same time,

hit your wrist with this hand,

your right wrist with this hand,

grab the barrel with this hand and get it from you.

And then I take a step back.

Now you try. - [Annie] Okay.

- Okay. - [Annie] So.

- So, I'm aiming at you.

- [Annie] Yeah. - Square up to me.

Left hand, yep, hit's my wrist.

That hand's gonna grab the barrel, yeah.

- And then I do this. - [Will] Yep.

- To here?

- [Will] Make sure you step back as soon as you got

your hands on the gun.

Yeah. - [Annie] Step back.

- Yeah.

- What about that sideways thing I see that in the movies

all the time?

Headshot.

No?

Okay, okay, fine.

- Yep, yep, you're just casually about to get shot

in the face, exactly,

yeah.

- Yes.

My stepdad always had guns in the house growing up,

but I never touched them.

Didn't want to,

hated that they were there.

This is more gun work than I've ever done.

- [Will] You really hate a lot about where you grew up, huh?

- Yeah.

- So why haven't you left yet?

- Well,

when I was a little girl, I, it's silly,

but I just, I dreamed that one day someone special

would come along and I'd, you know,

be on the run for my life and worry about being shot at

or choked to death

and that would get me outta this little old town.

Fear of being murdered by crime syndicate hitmen.

(emotive country music continues)

(insects chirp)

(tires crunch on gravel)

- Oh, I would kill for a shower.

- Been there.

Kidding.

- Can I ask you something?

- I'd be surprised if you didn't.

- What changed,

to make you testify?

Was it just that you got caught or?

- No, I didn't get caught.

I did 16 jobs for them.

Rival drug dealers, other criminal organizations.

- Only bad guys.

- Yeah,

so we get this new assignment.

There's a truckload of weapons headed for Canada.

We intercept, hurts them, good for us.

(metal creaks)

I worked a lot with these two other hitters.

- Thought all you hit men guys worked alone?

- Don't believe everything you see on screen, Hollywood.

Anyway, I worked a lot with these two.

Call 'em M and G.

(suspenseful music)

(gunshot bangs)

(suspenseful music continues)

(gunshot bangs)

(suspenseful music continues)

(gunshot bangs)

(suspenseful music continues)

(gunshot bangs)

(gunshot bangs)

(gunshot bangs)

(tense music)

(crowd chatters indistinctly)

(tense music continues)

(door rattles)

(tense music continues)

- Hey, there's my A-Team.

You guys look to be in one piece.

- No issues.

- That's good.

We like simple around here.

Come on, let's get you guys paid.

(tense music continues)

Well,

it was a pleasure doing business with you.

Drink? - I'm good.

- [Brooks] Suit yourself.

- [Person Off-Camera] Move it.

Go on, go.

(somber music)

- What the fuck is this? - Oh that?

That's none of your concern.

You guys did a great job today.

Here, don't spend it all in one place.

- I did not sign up for this.

- No?

Well then what did you sign up for?

- Well you said it was weapons.

- I did?

It wasn't.

Are we gonna have a problem?

- We just stole a box truck full of teenage girls.

Yeah, I think we're gonna have a problem here.

- So he has a line, that's great.

Noble, even.

Thank you, sweetheart.

But you're willing to kill five guys

and steal a truck full of weapons, no problem.

(money clatters)

But this,

this, no, never.

You know, I thought you would've learned by now.

Lines don't hold up in this profession.

(gunshot bangs)

- No.

(guns cock)

- Get your fucking hands off me.

Yeah.

- We're done.

- Oh, we're done? - [Will] Out

we don't want this.

- Now, hold on just a minute there, champ.

I am not willing to walk this plank with you.

- How about you sleep on it?

Oh hey,

a little something extra for your trouble.

(coin clinks)

- I gave 'em up, all of them.

I told myself I was helping M and G.

I wouldn't give their identities

until they were promised the same deal I was.

At that point, they didn't have much choice.

In the end, it didn't even matter.

Took out a couple of low level guys.

Big wigs got off.

- There's nothing else you could have done.

- Maybe.

I could have taken down the whole thing.

- I'm not very experienced at all this,

but I think killing a shit ton of other people is

usually not the morally righteous answer.

- Would've felt a lot better than running.

(contemplative music)

(contemplative music continues)

(tense music)

(gunshot bangs)

(Will pants)

- Jesus.

You okay?

- Sorry.

How far are we?

- Couple more hours.

Just gassed up with the rest of this.

(funky music)

- Thou tellst me there is murder in mine eye.

It is pretty, sure, and very probable

that eyes, which are the frailest

and softest things

should be called tyrants, butchers, murderers.

Now I do frown on thee with all my heart.

And if mine eyes can wound, let them now kill thee.

I'm sorry, what the fuck is she saying right here?

That she's gonna stab him with her eyes?

- [Director] Hold let's reset. - Come on.

- [Director] Let's reset.

- I'm sorry, Bruce.

I have to understand what's happening here.

- We've been over this 20 goddamn times.

- [Molly] Don't attack my method (indistinct).

- Calm, calm, calm, calm, calm, calm.

Let's breathe.

Let's breathe.

(director inhales and exhales loudly)

Breathe every word one at a time.

Feel the rhythm

of your breathing.

Excuse me,

John, would you mind terribly moving

that equipment from back there?

I'd like to keep the creative space clear.

- Yep, on it.

- Okay, Molly, let's start from the top of your speech.

- You still haven't addressed my question.

- Oh, for Christ's sake.

- [Molly] Don't start.

- Just read the lines.

Read, say,

read, say,

I don't understand the fucking problem here.

(director exhales loudly)

(birds chirp)

- [Annie] You sure you got the coordinates right?

(tense music)

- You know, I always said if I saw you again,

I'd kill you,

but.

no but.

(tense music escalates)

(Annie grunts)

(tense music continues)

(broom handle snaps)

- Stop this.

(broom handle clatters)

(tense music continues)

(punches resound)

(men pant)

I'm not here for you.

- Just a coincidence?

- I didn't even know you were here, man.

- See, now that is damn funny,

considering you're the reason I'm even here

in the first place.

Save it.

You know, the last time I saw my kid?

Was at his third birthday party.

Got him this little tool chest,

little fake hammer and nails and shit.

Loved it.

And then the Feds showed up at my door,

gave me just enough time to kiss him goodbye

and I haven't seen him since

'cause of your decisions.

- You're right.

- That's all you got?

After all this time?

Get the fuck outta here.

- Well,

glad to see you two are getting reacquainted.

- So how did they find us?

- We're not sure.

We didn't know it happened until Michael contacted us.

- Ha, I knew it.

I guessed it.

Michael.

- [Will] Mullen?

- A few days ago.

Right before they came after you.

(punches resound)

(gunshot bangs)

(gunshot bangs)

- [Gibson] So when do we move?

- You got some time.

Extraction won't be here for a few hours.

I'd get cozy.

- What about me?

- We could offer you some type of placement too,

if that's what you want.

Otherwise, we can get you back home.

Think about it.

Where are you going?

- If I'm gonna be stuck here for another several hours,

I sure don't want to do it sitting next to you fucks.

- Sorry, didn't mean to scare you.

- Getting pretty used to it at this point.

- Occupational hazard.

Will said you run a bar back home.

- I bartend and serve food.

It's pretty dull most of the time.

- Seems peaceful.

- Yeah, that's probably why I hate it.

- Oh? - I don't hate it.

But

after high school, I was just ready to get out, you know?

Film school, move to L.A., work on movies.

- And then?

- Couldn't even afford community college.

- What are you hoping to get out of this, Annie?

- Before two days ago,

I was dying for a little bit of excitement, anything.

Now I've been choked and shot at

and I'm just not sure it was all I was hoping for.

I've lived in that tiny ass town my whole life.

Just thought I'd be doing something big.

- When I first became a Marshall,

I was pretty ambitious too,

and idealistic.

There were good guys and there were bad guys.

I was gonna be on the good guy side and make a difference.

About a year ago, our daughter got sick.

My husband and I were on the brink of a divorce.

He actually already found an apartment

and all of our attention changed.

Now I do what I need to get by

one foot in front of the other, one day at a time,

all that other cliché bullshit.

Sooner or later, you figure out what's most important,

the thing you'd trade anything for.

That's what's big for you.

I'll give you some time.

(coin clinks)

- Looks good.

- Didn't ask.

- Why'd you go with so many nines?

- [Gibson] It's not so many, okay,

it's a few.

- I'm just saying, you could use

like an MP5 or something.

- Oh really.

What'd you bring, huh?

Empty fucking air?

- Just saying.

- Yeah, well don't,

your suggestions are duly noted.

- You think you got enough ammo?

- Look, could you not stand over my shoulder

the entire fucking night please?

- Christ, man, we're on the same team here.

- Really?

You know, the first year I was here,

spent every night thinking about cutting your throat.

- I know, I get that. - Do you?

I'm not so sure.

Look,

it wasn't 'cause you wanted out, all right?

I got that,

eventually.

I mean, what happened with those girls was.

The fact is,

you went to the Feds

instead of us.

You could have given us a heads up,

told us what you were gonna do.

Instead, here we are.

So

do me a favor,

save the rah, rah, go team bullshit for somebody else, okay?

- You forgot your clip.

(water splashes)

(hand dryer hums)

- Didn't even have to kill anyone.

- Would've been worth it, though.

Thank you.

- You thought about what you wanna do?

- Nah, I've been working on

some musical theater ideas I have.

I've got this one about this hitman

that's working undercover on a stage adaptation called

"Forrest Gump and Guns".

Got this other one called "Guys and Dolls and Guns".

They all seem to end with and guns, but.

I don't know.

I am surprised you're gonna run again, though.

- What's that supposed to mean?

- Running to the Feds?

- What choice do I have?

- The same one, right?

I mean, this feels like the same choice.

- It's not that simple.

- [Annie] Well then explain it.

- You spent two days in this world

and all of a sudden you know everything?

- You know, you're full of shit.

- [Will] Yeah.

- You spent the last two years trying to convince yourself

that you have to undo a bad decision.

But you're not,

you're still just running.

- You don't know what you're talking about.

- Yeah, well I know that in a week you're gonna be

in Baltimore or New Jersey or Flagstaff

or who the hell knows where

and you're gonna have a new fake name and a new fake job.

And exactly nothing will have actually changed.

(pensive music)

(pensive music continues)

(energetic rock music)

(tense music)

(Annie gasps)

(tense music continues)

(lighter clicks)

(gunshots bang)

(tense music continues)

(gunshots bang)

(punches resound)

(tense music continues)

(gunshots bang)

(tense music continues)

(gunshots bang)

(gunshots continue to bang)

- Fuck.

(tense music continues)

(gunshots bang)

(tense music continues)

(gunshots bang)

(punches resound)

(gunshots bang)

(tense music continues)

(man gasps and gurgles)

(tense music continues)

(gunshots bang)

- Shit.

(tense music continues)

(punches resound)

(tense music continues)

- Annie?

(tense music continues)

(punches resound)

(bones crack)

(tense music continues)

(tense music continues)

(gunshots bang)

(men grunt)

(tense music continues)

(gunshot bangs)

(gunshots bang)

(Anderson gasps)

(tense music continues)

(gunshots bang)

(tires squeal)

(gunshots bang)

(Annie gasps)

(water splashes)

(distant sirens wail)

- Bro, it's time to get the fuck outta here.

Let's go.

(water gurgles)

(Will groans)

- Hi.

- Um,

did you find everything okay?

- I did, thanks.

- Do you have a rewards card?

- No, I don't.

- Do you wanna open one?

- No, it's okay.

- Do you wanna make a donation?

- Not today, no thanks.

- Okay,

that's gonna be 25 even.

- Okay.

- Thanks. - There you go.

(cash register beeps)

- There you go. - Thanks.

Do you have a bathroom?

(contemplative music)

(suspenseful music)

- Tie them up in the back.

(suspenseful music continues)

(train horn blares)

(train engine rattles)

(contemplative music)

- Fuck.

(dramatic music)

(Gibson coughs)

- Where are we?

- Home sweet home.

- What happens now?

- Well,

if I'm lucky,

I'll get to play 20 Questions.

You, on the other hand,

it'll be a different road.

I'm sorry.

- Babe, I can't come right now.

No, I told you I can't.

No, I got, I have to work, love, you know what it is.

Look,

she's.

(dial tone beeps)

(footsteps echo)

- [Will] Hey man, can I bum a smoke off you?

(gunshot bangs)

(tense music)

(gun cocks)

(punches resound)

(gunshots bang)

(gunshots bang)

(tense music continues)

(gunshots bang)

(light rattles)

(glass smashes)

(tense music continues)

(gunshots bang)

(tense music continues)

(Annie groans)

(Annie chokes)

(tense music continues)

(punch resounds)

(wet stabs echo)

(Annie screams)

(tense music continues)

(gunshots bang)

(dramatic music)

(gunshots bang)

- Go, go.

(dramatic music continues)

(gunshots bang)

- You with me.

(gunshots bang)

(dramatic music continues)

(knife swooshes)

(punches resound)

(men groan)

(tense music)

(men groan)

(dramatic music)

- Come on, come on.

- Go after her.

(dramatic music continues)

(punches resound)

(men groan)

(dramatic music continues)

(tire iron clatters)

(punches resound)

(men groan)

(gunshot bangs)

(tense music)

(Will pants and gasps)

- Mikey.

Oh Mikey.

Oh wait, I'm sorry.

It's Will.

Will.

That is what they call you now, right?

Let me make you a deal, Will.

You come out now

and little Miss Annie here,

she gets to keep all her fingers.

Otherwise, I can't promise

your little girlfriend won't start losing those

one

by one

by one.

(tense music continues)

- Let her go.

- Toss it.

(gun clatters)

- Thank you.

No loose ends this time.

- No.

(gunshot bangs)

(gunshot bangs)

(emotive music)

- Kind of dramatic,

don't you think?

- That's how they do it in Hollywood, isn't it?

(emotive music continues)

- No, okay.

Paul Thomas Anderson, "Boogie Nights", "The Master".

Wes Anderson, "Grand Budapest Hotel"

and "Royal Tenenbaums".

Two completely different directors.

- Sounded like a lot of names.

So who am I watching then?

Wesley Thomas or?

- Paul Thomas Anderson.

PTA.

- PTA, okay, that's easier.

So PTA or

WA?

- Both of 'em.

You gotta do 'em all.

- Sounds like a commitment.

- It is, but you asked.

- Ready for a road trip?

- Could have grabbed that.

- Oh no, no, no.

No more favors from you.

I don't think I could handle owing you anything.

Annie

- Gibson.

- I mean this with all due admiration and respect,

but I hope I never see you again.

- Likewise.

Please be careful.

- Look, two out of work assassins taking down

a crime boss and his whole organization?

What could go wrong?

- It writes itself.

- That way's West.

Keep going until you hit an ocean.

- Will we ever see each other again?

- Never count out a sequel.

(emotive music)

Later, Hollywood.

- 82878 42597

over 365 by 12.

(upbeat country music)

♪ Hey there Molly ♪

♪ I'm just calling 'cause I'm about to go out of my mind ♪

♪ The rain keeps a-falling ♪

♪ Falling, falling and a mile of ways are wasting my time ♪

♪ Why don't you come on by ♪

♪ And allow me to remind you of the charming twinkle ♪

♪ In my eye ♪

♪ And if you don't mind ♪

♪ Grab a bottle of wine and we'll be fine ♪

♪ Until we see sunshine ♪

♪ Or you can leave in the morning if you feel that way ♪

♪ Or I can fix you some breakfast if you want to stay ♪

♪ Oh, yeah ♪

♪ Oh, yeah ♪

♪ Oh, yeah ♪