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I can't...

I can't be part of this system anymore.

Okay, here's the deal.

Like, you go,

I go, 'cause I can't take this shit the whole ride.

Okay.

I like this.

What are you doing?

This light is beautiful, man.

Hey, who knew ...

Who knew hoopty tinted windows could make good filters,

right Captain?

Are you making fun of my car?

Oh no, I am sorry.

I thought that was clear, yeah.

You're fired.

Already?

Oh no!

Shit, dude, that's a record for me, man.

Ah, look at that view.

Oh yeah ...

Actually, can you pull over for a second?

Right here?

Yeah.

For what?

B roll, man. Come on!

Okay, give me a second.

Oh my God, man,

look at this ...

We should get going.

You know what you call that?

Production value.

The lighting's beautiful out here, dude.

You come out here a lot as a kid?

Sometimes.

Sometimes?

No, if I lived here, man

I'd be out here all the time.

You're right though.

The lighting is great.

I feel like you're trying to tell me something, boss.

I'm about to leave you in the desert.

I don't wanna push you. I get it, alright?

But this is about you reconnecting with your mom, right?

So why not just get it in this light, it's beautiful?

Who's the director?

Definitely, definitely you.

Okay, definitely you.

But you said cinema verité, okay?

That's all I'm trying to do.

I'm just trying to get something that feels real, you know?

Okay, fine.

Yeah?

Go.

Alright, one second.

Let me just turn this off.

So, how did this all start?

So I got this letter from my mom

saying that she is still living in Las Cruces,

and that she wants me to come for Thanksgiving, and

and that she's clean.

So, how old were you when you left?

I was about 13 when they took me away from her.

Wow, what happened?

She ...

She's an addict.

You know, she's not a bad person.

She just made a lot of bad choices and hurt a lot of people.

Mm.

She's okay with us filming?

Yeah, she seems fine with it.

I think she understands where I'm coming from.

Cool, cool, cool.

Mom stuff, it's hard.

Yeah.

You know, when my brother and I were little,

my mom got deported.

We didn't get to see her much after that.

Sorry.

No, don't be, we still get to talk and stuff.

Actually, she lives pretty close to Las Cruces.

Yeah?

Yeah, I mean,

on the other side of the wall.

Do you have something to share with the class, or?

Seriously, you want some?

Yeah.

Whoa, motherfucking cock, are you kidding?

Is it weird for you to be back?

Yeah.

Mm.

You nervous?

I mean, yeah.

You know...

the idea of seeing my mom was a lot.

I get it.

Some really dark stuff happened

when we were last together,

but when I started thinking about it -

us reuniting - as a film,

it started to feel less scary.

You know, I thought I could use it as a way

to understand her in a way that I couldn't in the past.

Oh yeah?

It feels so empty here.

Hm.

Doesn't seem like anybody's home.

She's here.

Hi Sam.

Hi.

Could you get the stuff out of the car?

This is almost set.

You from LA too?

Dan?

Danny?

Boyle Heights, yeah.

How long have you been living in Boyle Heights?

Hi.

Hi.

It's almost ready.

Voila.

Get cutaways of these.

Let me know if this is enough.

Oh wow, thank you so much Ms. Wyland.

I hope it's cooked.

Thank you for letting me be a part of your dinner.

I think there's more of that if you want.

So you guys made good time getting over here?

We didn't stop much.

Well, Happy Thanksgiving, guys.

Happy Thanksgiving.

Okay guys.

Pardon my reach, Ms. Wyland.

Can you say something into your mic?

I need to get your levels.

What do you want me to say?

That's great.

Ready, Sam?

Can you start by saying your name to camera?

My name is Sam.

My name is Samantha Wyland.

Good.

I'm gonna start with some very broad questions.

You've lived in Las Cruces for a long time...

What does it mean to you now?

Sorry, Miss Wyland,

I need you to not fiddle with your mic, I'm sorry.

No touching.

Whoa, whoa,

whoa, whoa.

Sorry.

It's all good, all good.

What was the question, what?

Las Cruces.

What does it mean to you now?

Okay, let's see.

It's home.

It's home.

I've lived here a long time, most of my life.

There's memories here.

There's a lot of good memories

and a lot of real fucked up memories too.

Sorry, sorry.

Bad ones.

Bad memories.

History's heavy here.

It's real heavy.

What's been going on here that makes it...?

Can I tell you why I wrote that letter?

Please.

Go ahead.

Okay.

About a month ago,

a friend of mine,

a dear friend, Tina Delgado,

she went missing for about a week.

I didn't know it at the time,

but I guess she'd been involved

with some pretty bad people,

and we found out

that that's what got her killed.

And I know that at one point,

that could have easily been me instead of her.

So...

Sorry.

I'm sorry.

I'm so sorry.

I'm sorry about everything that I've put you through.

And I wanted to be the kind of person

that did the decent thing.

And that's why I sent you that letter,

because I wanna make it right with you.

I wanna just make it right with you.

Sam, do you think you're that person now?

Yeah.

I think I am now.

What changed?

What changed for you?

I got clean.

And I got a job, I got a steady job,

and a community.

Doing what?

Administrative stuff, just at this

community organization that runs a rehab clinic,

and sometimes they ask me to

talk to people about what I've been through.

What do you tell 'em?

Just that I know how hard it is,

'cause I've been there and I've come out the other side,

and um ... they always got someone looking after 'em.

Do you ever tell them that you used to send

your daughter to clinics to score for you?

Or that when she'd take some for herself,

you didn't care enough to stop her?

We never had a chance, did we?

Sorry.

We never had a chance.

Can I take this off?

Yeah, take it off.

I dunno how to take this off?

That's okay.

Thank you

You take care of her, good?

She's a tough one, your daughter.

You okay?

Can you stop, please?

We should probably get this, Em.

Hey.

I'm sorry, I'm so sorry.

Maybe you can come to the clinic tomorrow

to see what I do, yeah?

Might make you feel better about all of this.

Okay.

Okay, okay.

Yeah?

Yeah.

Okay, okay.

Alright, alright.

You okay?

Can you cut?

Look, I'm sorry. Alright? I just,

I saw a real moment, you know?

You don't gotta be embarrassed with me.

Tomorrow, we should still get that B roll

and those interviews before we go in.

Yeah, yeah, of course, sure.

Fuck.

I overreacted.

I'm sorry.

I spoke to Sam.

There's nothing new, as I expected.

You said coming here wouldn't be

an issue if I didn't make it one,

but it's hard being back.

It's harder than I thought.

I just wanted to say that for the record.

Yeah, it's gonna look amazing.

Cool, cool. Let me just check something.

Hey, sorry about last night.

It was a lot of heavy stuff all at once, you know?

Hey, you know that shit she was saying about her friend,

like about how it could have been her, you know?

Yeah.

That shit fucking hit me, man.

My dad,

he's just an addict, man,

and a fucking druggie

My brother, he just got involved

in gang shit really early on,

and I did too, you know?

I didn't even think about it, man. It was just,

It's just what you did.

But I had an aunt.

She would look out, you know,

give me a place to sleep every

once in a while if I needed it.

And I had this teacher.

She told me she thought I was talented

You know?

And that was it, man.

That was the difference, you know?

I got out because of her,

and I wasn't a saint, you know,

not by any means, but ...

And life was hard,

But I am not in prison, like my brother,

and I'm not in the fucking ground like my dad.

I think you should give yourself some more credit.

Oh yeah?

Yeah.

I mean, you had all those people to support you,

but it was you that made the good choices.

Yeah, well,

shit could have gone real different real quick,

if it wasn't for those women...

Yeah.

Yeah.

I didn't have anyone.

I actually reported Sam myself.

Choice a grown woman couldn't make.

Well, not everyone's got such big balls, man.

You okay?

Yeah, yeah,

yeah, yeah.

Alright.

If you're ever not okay, you tell me.

Uh?

Mhm.

I will.

Listen.

You better fucking use this, okay?

Because this time lapse is beautiful.

And if you don't cut it in, I'm gonna be pi-

You wanna do another sit down when we get there?

No, I think we should just let her take us around.

This runs down past the cemetery.

So your mom-

Good, are we good?

Excuse me?

Hi, we're here to see Samantha Wyland-

Excuse me, can I help you?

Yes, we were told to meet Samantha Wyland.

Yeah, but you can't have that on in here.

Sorry.

Is it off?

Yes ma'am.

You're here to see Sam?

Yes, I'm her daughter.

Her daughter?

Oh, it looks like she did call out this morning.

She told you to meet her here?

Uh yeah, but that was last night.

I haven't been able to get ahold of her today.

So you're visiting from out of town?

Sort of, I... um...

We're out here making a documentary

about my mom and I reconnecting.

I'm actually from here originally.

I lived here with Sam until I was about 13.

Oh, I feel bad.

I didn't know she even had a daughter.

Since we're here, I was wondering

if maybe we could interview you.

I would love to hear your thoughts on my mom's work here.

Wireless mic, right?

Yep.

Okay.

Oh, do you mind if I just?

No, no.

Yeah.

Alright.

Alright, if we could start with

your name and your position here.

My name is Ana Stuart,

and I am the program director for rehabilitation services

here at the Hooper Center in Las Cruces, New Mexico.

And can you go into detail about your work?

Hmm, sure.

The Hooper Center is a campus of nonprofits,

and they all work together to provide

an array of services for the unhoused

and vulnerable populations of Doña Ana County.

How do you help them?

We provide support to those who are struggling

with addiction and or mental health challenges.

You know, I just found this out recently

that there was a sanitarium here,

like in the old days, like forever.

It was just torn down like in the sixties.

You mean, like a mental hospital?

I guess what I meant is there have been people here

trying to help people for a very long time.

I get to watch people transform into leaders,

who then help themselves, and step in

and help others.

I got to see your mother do that.

She mentioned something, yeah.

She's done really good work here.

And could you tell me more about that?

Oh, I really do have to go now.

I'm so sorry.

That was great, thank so much.

Listen, are you gonna be here a few days?

Well, why don't you call up,

make an appointment, and we'll show you around the campus.

Would you like that?

Actually, do you think there's anyone

else we could talk to right now who knows Sam?

I'm sorry, Ana do you mind if I just?

No, of course.

Help yourself.

Try the camp out back, she knows some of them.

Thank you so much, Ana.

Have you been able to reach her?

No, I keep getting voicemail.

It's a documentary.

Would you like to be in it, Mr., uh?

Red.

Red.

Brother, we just need you to stand right on that mark.

And then just have a conversation

with the lovely young lady.

Okay.

Camera set.

Hi Jennifer, thank you for doing this.

So, why don't you tell me your name and where you're from-

My name is Jennifer Anderson,

and I am from, I'm from,

I was born in Silver City,

but I've lived a lot of different places

and foster homes and hospitals.

Charlene Garrick,

and I'm from Salt Lake, Utah.

From Maui.

Maui?

Hawaii, really?

I'm from Salt Lake City, Utah.

Do you know Sam Wyland

who works here at the Hooper Center?

I do not.

Okay.

Yes, I know Sam.

Oh.

Sam's great.

She's very strong.

Yeah?

But she's also, you know,

very helpful and very nice.

She's a good person.

She helps out here.

Yeah.

And she's just told me that she

lost a friend recently to violence,

and I was just curious, do you feel safe here?

Sometimes I see violence that I never seen in Hawaii.

I mean, you hear like all these stories,

people getting abducted and stuff, you know?

Two weeks ago I heard that a girl was like,

from the, you know,

up to her throat.

It was pretty crazy.

Like, I was thinking like,

what if that was my friend?

It could have been my friend.

What if it was one of my friends?

It's something very hard to face.

Like, I've been chronically homeless for 10 years,

and so I've lost a lot of people.

I get a little scared,

'cause there's a guy that used to follow me around.

What do you think of

the people here in Las Cruces?

They pretend, but they can't hide from me.

And they can't hide from Jesus, not for much longer.

Thank you so much, Red.

Was that it?

Thank you, Sir.

Las Cruces man.

Are you afraid of a relapse?

I don't know.

Let's just see if she's home.

It's open.

Hello?

Hello?

Sam?

You check the living room, and I'll check the bedrooms.

Yeah, sure.

Hey Em, anything?

She's not here.

Okay.

Hey, Em!

Em, come here real quick.

Okay.

What?

Take a look at that shelf.

Wasn't there a photo there yesterday?

Yeah, there was.

Let's check the footage.

That's it.

Wait, look.

Oh my God.

You know any of these guys?

No, but I think that's Tina,

the one who died.

Why the fuck would she burn it like that?

That's a good question.

Hi.

Hi.

You take care of her good?

She's a tough one, your daughter.

Maybe you can come to the clinic tomorrow

to see what I do?

It might make you feel better about all of this.

You're looking for clues?

Hmm.

Okay, yeah.

Maybe she just needs her time.

She'll show up.

We got some pretty good stuff already, right?

Huh?

Yeah?

Uh-oh, she likes it!

Oh, wow.

Hey, so are you happy you hired this kid?

You can cut.

Alright, this is some magic hour B roll.

It's fucking creepy.

Alright, let's lighten the mood a little bit,

do a little tour of our lovely motel.

This is where we're staying.

First we have, well,

this is where the bed mites live, probably.

So there's that.

That is the one-burner stove.

Who's that handsome guy?

Okay.

You guys don't see me often.

I'm here, I swear.

There we go.

And then we have the bathroom that I refuse to go into.

...human smuggling operation...

This is the TV, you have two channels.

And this is our ugly ass base of operations.

Our fearless leader.

What are you doing?

You worried she got pinched?

I'm just looking.

I'll try her cell one more time.

Yeah, do that.

Nothing?

Hey, am I crazy?

This is the same place from your mom's photo, right?

That's it.

Right?

Yeah.

Hey!

Hey, excuse me.

What the hell are you doing?

I'm sorry, what?

You cannot film here.

Oh, I didn't know-

Okay, get out.

Turn this thing off-

Don't touch the camera, please relax.

Turn it off and get out of here.

Okay.

Do you want me to throw you out?

What's the problem?

You can't film here.

I need to check with Isaac first.

Okay fine, who is Isaac?

He's my husband, he's the owner.

Is he here?

No, but he'll be back tomorrow.

Great, we'll check in with him tomorrow.

Are you friends with Sam Wyland?

Yeah.

Have you seen her around lately?

She was here last week.

Have you seen her since?

No.

We appreciate your time, thank you.

She was in Sam's photo

That fucking Karen?

Yeah.

Yo, what if she was acting real crazy

'cause she knows something about Sam

she doesn't want you to know?

Like what?

I don't know, like she went

on a fucking bender or something.

What's up?

Do you smell that?

Smell what?

It's coming from in here.

Oh, Jesus fuck!

Hell, that's fucking nasty, dude.

That's fucking nasty.

What?

I can't.

What the fuck?

What the fuck is this shit?

Sir, I don't know what to tell you.

What do you want me to say?

Don't get smart with me, Son.

Listen, I'm not trying to get smart with you,

man, I'm just fucking tired-

Dude, I don't give a fuck.

Just lift up your sleeve, Son.

The other one.

Yeah, sure.

Happy?

I'm getting that shit removed.

Is that fucking right, huh?

You're sticking to your same story?

There's no story for me to stick to, man!

You don't know anything about

the Carniceros hit two nights ago?

We're out here from Los Angeles.

We came out here to make a fucking movie, okay?

I don't know anything about any of that other shit.

We came back to find a fucking pig head

in our fucking bathroom, and that's it.

Anything, nothing?

We don't have anything available.

Okay.

We're gonna have to find another place to stay tonight.

Yeah, it's okay.

You okay?

Yeah, I'm good.

Ana!

Don't run up on people in the dark.

I'm so sorry.

Is everything okay?

Do you know Los Carniceros?

They said that they think it's this gang that left the pig?

Yeah, it's an intimidation tactic.

They're a local gang, and they're hooked up

with a cartel across the border.

Very violent.

Do you think Sam was ever involved with them?

Like, did she mention them to you?

No, I mean,

not that I know of, no.

I still can't find her.

Okay, yeah,

you and Danny stay here tonight,

and then in the morning we'll see what we can find out.

What is that?

It was just something I found at Sam's.

I forgot I had it in my pocket.

You know what it does?

Or what it's for?

I have no idea.

Kind of weird looking, huh?

Alright, so.

What's the plan, boss?

I think that we should go back to Beth and Isaac's

and see if they heard anything from Sam.

Yeah.

And if they don't got anything good to say about her?

I guess that's just where the story goes.

Alright.

Cool, man.

What?

You okay with this?

This is a fucking upgrade, dude.

There's no mice here, there's a shower.

I like it, man.

Thanks boss, gracias.

Someone doesn't want us here.

That, or it's some kind of test.

I'm not sure, but it's clear that there's

something going on beyond what Sam told me.

I don't know why I'm surprised about that, but-

Yo Em, where are you?

I'll see what I can find out tomorrow.

You seen my lens cap?

Yeah.

Like, what even is this place though?

This does not seem like a place

Sam would hang out at, like at all,

but I don't know, she always surprises me.

Welcome.

Hi.

Hi.

This is Isaac.

Hi.

Hi.

Beth tells me you are making a movie.

Yeah, we just wanted to ask you a couple questions.

Great.

Welcome, this is it.

- Nice. - This is my office.

Do you want to talk over there?

No, here's fine.

Just wanted to ask a couple questions.

No problem, do I talk to you?

You just talk to me, it's fine.

Yeah, sure.

I've known Sam a long time.

I was wondering, do you remember taking this?

Yes.

Do you know why Sam would want to destroy it?

What do you mean?

We found the original copy

burned up in our ashtray.

I really couldn't tell you.

Are the rest of the people

in this photo still around?

All except Tina.

Yeah, Sam did mention her to me.

She said that she was killed.

Yeah, it was terrible.

It hit Sammy really hard.

Do you know where she might be?

Because we haven't been able

to get ahold of her for two days now.

Sammy tends to avoid stuff

when things get kinda too much.

Seeing you again was probably tough for her.

Did Sam ever deal with any members of Los Carniceros?

Who?

The gang in the area?

No, not Sammy.

I wouldn't worry.

She might just be taking some time, you know?

Well, do you think you could help me

find the rest of the people in this photo?

Sure, Shawn and Lori.

Danny.

Shawn.

They're a little further out,

but I'm sure they wouldn't mind you stopping by.

Is there anything else you need?

I think that's it, I think we're done.

Okay.

Hey, he didn't seem too worried,

huh?

Yeah, he didn't.

You think he's playing?

Okay.

Thank you, we will be there shortly, thank you.

Okay, bye-bye.

That was the police.

They said that we can go back to

the motel and get the rest of our stuff.

Right now?

Yeah

Fucking shit...

We have time, finish.

It's okay, I'll just pick it up.

We'll be super quick. Thank you, officer.

What the fuck?

Em?

Shit-

Danny, come on, get your stuff.

Emily?

They were all eating on that fucking pig.

So you think the pig was sick?

I don't know, I don't know.

Well, look, the police bagged 'em, so if there's

something worth figuring out, we'll know soon.

Emily, you don't find this shit weird at all?

It's Cruces.

Do you ever worry

Sam's working at that place for the drugs?

I don't know.

I just know that's where she used to get it.

Hey, can you give me the address again?

The one from Isaac?

Yeah, what?

Shawn and Lori?

Hello?

Red?

Hello friends.

Hi, Red.

In the flesh.

We were just looking

for the people who live here.

Shawn and Lori?

Oh yeah, I know.

They ain't home right now.

Don't worry, they don't mind me helping myself

every once in a while.

Hey, Red.

You know any of the people in this photo, man?

You shouldn't have just handed that to him like that.

Yeah, I know a bunch of them.

Ask me next time.

Sure.

That's Tina Delgado, Beth and Isaac.

That's Kevin Brown.

Kevin?

Do you know where we can find him?

God willing, that man is dead.

Dead?

Who is he?

I can tell you right now,

he did not give himself to the Lord, I can tell you that.

Where are you going, Red?

What happened?

That man was not godly.

Was he killed too, like Tina?

Christ Almighty!

What happened to Kevin?

I used to work with him

over at the county coroner's office.

And then what?

We got fired.

We all got fired.

Why?

One of the bodies they had went missing.

We all suffered 'cause someone didn't do what was right.

I know it was Kevin, though.

That man was not Godly.

Why do you think Kevin's dead now?

I don't know.

He's been missing though, since-

I gotta get back to church.

What's at church?

Safety, by the Grace of God.

Why wasn't he a Godly man?

Shouldn't talk about stuff like that with a little girl.

I'm not so little.

Yeah, that's what all the little girls say.

That was fucking weird.

Let's follow him.

Red!

Red, please.

I'm looking for Samantha Wyland.

Hey, Red.

Why would you want to find her?

Can I help you?

She's my mother.

I'm sorry, you can't be filming here without permission.

You're gonna have to leave.

He knew all of Sam's friends in that photo.

Yeah, and it didn't look like Shawn and Lori

had been home in a while either.

And why didn't Isaac tell us Kevin was missing too?

What the fuck is happening, man?

Isaac's lying.

I don't know why yet.

But of the people in that photo,

at least one is dead and two are missing.

Maybe more.

Someone's targeting them, all of them.

I hope we didn't get here too late.

Isaac?

Hey, Em.

The door's open.

Isaac?

Let me go in first.

Isaac?

Fuck.

Shit.

Emily?

Yo!

Isaac?

Shit, what the f-?

Emily, hey!

What?

What the hell is this?

You can't just walk in-

Stay back, stay back!

Fucking Sam.

She used to deal with them.

I don't know if she still does or what,

but she did something to piss them off.

Like what?

I just know they've been fucking

with her and everyone she knows.

Is that why they're coming after me?

He's scared.

Yeah dude, I'm getting a little scared myself.

He said he didn't know how

Sam's connected to Los Carniceros,

and that she probably pissed them off somehow.

Geez Em, what are we stepping into here?

And do you think that this is all correlated?

Officer, I'm just trying to get more information ab-

The cops basically told us to fuck off,

and that they filed a missing person's report for Sam,

and that's pretty much all that they can do.

And that the rats were poisoned.

It was either from the pig,

or it was from something that they were using at the motel-

Emily, this came for you.

I just tried her again, no luck.

Okay.

It's from Sam.

"I'm sorry, I have to leave."

Huh?

Sam didn't write this, someone else wrote this.

Em, you sure?

Yeah, I'm sure.

This is definitely not her.

So you're saying someone

wrote this pretending to be Sam?

Why would they do that?

They want me to stop looking for her.

Isn't it more likely that your mother relapsed?

It can come out of nowhere,

just like some random thing.

Moments notice, triggers them.

Relapses are so incredibly common.

I won't even tell you how many times

I went through it with my daughter.

How many times did it take to stick?

Actually, it didn't.

She passed away.

I'm sorry.

Oh Ana, I'm so sorry.

I just don't think that's what this is.

What do you think this is?

Where do Los Carniceros hang out?

Stop it, dude. You're not stupid!

What is it you're trying to get from this?

You want to know if she was lying

to you about getting straight?

I'm trying to figure out whether my mother's dead.

Jesus Christ, Em.

Is it working?

Just gimme a second.

Speak.

Test, test.

Yeah. Yeah, you're good.

Alright, it'll be fine.

This is fucking insane shit, man.

You know that, right?

We're just following the story.

I'll be fine.

Hey, listen,

is there anything I can do to fucking stop you, Em?

At the very least, I should

fucking be going in there with you.

Okay, if they see your tattoos, they're gonna lose it.

We don't want them to feel threatened.

Yeah.

Yeah we fucking do, man.

Wait for me.

Fuck, man.

This is fucking stupid.

I'm looking for someone.

No one here you

should be looking for.

I'm looking for Sam Wyland

Que dijo, you say Sam Wyland?

Yeah.

Por que?

She's my mom.

You're Sam's kid?

Yes.

No, you're not.

I am.

Do you know where she is?

Hopefully in hell.

Could you tell me-

Shut the fuck up.

Fuck!

Jesus fucking Christ, are you okay?

I told you.

Fuck, man!

You need to go to a fucking hospital.

It's not my blood, go.

Em, you alright?

You okay?

Yeah.

You're okay?

You want me to get you something?

Fuck.

Good.

Now, tell us what happened.

They knew Sam.

They didn't know she was missing.

And where did all the blood come from?

They made me... uh

They made me drink pig's blood.

Fuck, man.

And then what happened?

I don't remember, they just let me go.

They're sick fucks, man.

Sick fucking...

You're safe now.

Why would they do that?

I should never have let you go there.

Ana.

It was my choice.

Do you think you could get me some water?

I feel like I'm gonna pass out.

Yes.

Yes, be right back.

Em, I'm so sorry.

I, I think I'm gonna be sick!

Em!

I was wrong.

Los Carniceros didn't have Sam.

I don't know where to go from here, I really don't.

You are okay though, right?

Mhm.

Ah, it's that Karen from the movie place.

Who?

It's Beth from Art-

This is not like him, something is off.

He left a note, but it's not him.

Isaac's gone and he left her a letter.

You thinking maybe it's fake,

like your mom's letter?

I mean, I don't even know anymore,

but she wants to show us something in there.

It's in here.

What the fu-

Jesus Christ, man.

Holy fuck.

What is this?

What the fuck is this shit?

Have you told anyone about this?

No.

He's my husband.

Is he selling it?

Yeah.

Wait, what?

Is Sam involved?

I don't know.

Really?

You know what this means, right?

Yeah.

Just help me find him.

What the fuck are you guys talking about, man?

Emily, come on.

Can you stop for a second?

Don't want to talk about it.

Why, Em?

Please, would you just talk to me?

What the hell is going on-

What in the name of Christ is she doing here?

Hey, hey!

You okay?

Are you okay?

Christ will protect!

Fucking shit, man!

Is everybody okay?

Emily!

Fucking shit, dude!

What was that, man?

That was crazy.

How do you guys even know Red?

We were doing interviews out back, and we ran into him.

Was he violent towards you then?

No, but he did seem a little weirded

out when I mentioned Sam was my mom.

What?

I need to take you into my confidence here.

It's a little strange.

Red lives here, out back.

It's where he met your mom, actually,

and they were fine together.

And then one day, Red just would not

be in the same room with her.

Why not?

No idea.

So this man has had it out for my mom,

and you didn't think that was something that I should know?

Emily, he doesn't have it out for your mom.

Em?

I wanna go back to the church.

Oh, wait.

Red's church?

Emily's mother has disappeared,

and the police seem to believe

that Red may have information.

He became violent, and the police took him to jail.

We try to give Red a safe place to rest.

We can't make it permanent,

because he'll lose his public assistance.

And this is where he keeps his things.

- Go ahead. - Ana, take your time.

You know where to find me if you need me.

Thanks, Maria.

Oh my God.

I had no idea.

Get all of this.

What the fuck?

Red has been keeping busy.

Em.

Em, isn't this...

That's Tina Delgado.

Get that.

What the fuck, man?

Isn't this?

That's Kevin Brown.

Shawn and Lori.

What the hell?

Everyone from the photo.

Em, this is crazy.

It's Isaac and Sam.

What?

Guys, he took Sam.

Jesus Christ.

- We need to bail him out. - What?

Wait a minute.

We could follow him.

What are you doing, man?

I gotta hope for your sake

Sam is somewhere else, dude.

No, Tina Delgado-

Because if this guy's got her?

Tina Delgado was missing for a week,

and then she was pronounced dead.

Sam could be alive somewhere.

Emily, are you kidding me? Look at this shit,

this is fucking serial killer shit, dude!

On top of the gang shit, on top of that fucking blood shit,

Em, you're not even talking to me about it. Okay?

This is fucking stupid, no,

I'm not doing this anymore.

I'm not, I'm done.

I'm fucking don-

Danny?

Danny?

Jesus Christ.

Em, can you not right now,

Em, please can you not?

I know.

No, honestly Danny.

This shit goes way beyond making

a fucking movie at this point, dude.

I know, and I'm sorry,

but I don't know what else to do here.

You know I can't leave, I have to do something.

Yeah.

Danny, she's my mom.

I don't have a choice.

Okay.

Well then, what about the choice you're asking me to make?

What about that choice?

You've seen those cops at the motel, right?

You saw that?

Yes.

Do you know what happens if they

catch me doing some shady shit?

Do you?

'Cause my life is fucked.

I'm done, that's it.

They immediately just fucking rope me up

with those motherfuckers at the bar.

I don't get a decision.

You understand that?

I know.

Yeah.

Look, Danny,

if you need to go, go.

You don't have to stay.

Oh yeah?

You don't.

Okay.

I think she was trying to be better,

for a little while at least,

and that's all I ever wanted, you know?

And I need to try for her now.

Fuck.

You're staying?

Alright.

I'll try for you, Em.

But do me a favor,

Don't forget that I'm here too.

Okay?

Yeah.

Can you see the police station okay?

Yeah.

Yeah.

Good.

Have you ever tailed someone before?

Uh,

no, usually it's the other way around.

You know?

Danny?

Oh shit, look.

That's him.

Yeah, but what is he doing in a fucking taxi, man?

Keep filming them.

Alright,

Ready?

Ready.

Alright, let's go.

You got it on my side good.

Oh shit, low battery.

Fuck, where is he?

There, right there!

Let me get around him.

Go, you asshole!

Jesus, man. Fuck!

Fuck, I lost him.

Do you see him?

No.

I don't know, Em,

I think we lost him.

Let's just go a little bit further.

Hey, that's the taxi!

There he is.

What is he doing?

Em, wait!

What are you doing, dude?

Shit.

Look.

What?

A. Stuart?

Ana.

This is Ana's house.

No.

Wait, is he breaking in?

Wait, Em!

Shit.

Em, that's enough.

Let's go.

Look!

What is this doing here?

This is everything from Red's room.

What the fuck?

Meet Louie.

Jesus, man. My God!

Is she not the cutest pig you've ever seen?

You're a good girl.

Ana?

Where's Red?

He left out the back.

It's just as well he didn't run into you.

He's still suspicious of you.

About what?

Em!

What are you doing, Ana?

What?

What's happening?

Em!

Where's Sam?

There's something I need you to see.

Please.

Okay, we should go.

Em, we need to get the fuck outta here.

What is it, Ana?

Is she here?

What are you doing?

I'm trying to explain everything to you,

but we have to go downstairs.

Em!

Come on, Danny.

It's okay.

This is not okay.

This is the reason to get the fuck outta here.

Danny, don't be scared.

You can trust me.

Emily?

Come on.

Sam's here, Danny.

Come on.

You are gonna go down these stairs and turn right.

Shit!

What was that?

Jesus, man, my God.

Whoa, whoa-

Fuck!

Danny, Danny.

Ana, stop it-

Danny, pick up the camera.

Come on, lift it up.

Okay.

Alright, now listen.

You keep filming no matter what happens, alright?

Yeah, okay.

It's very important.

Got it.

Alright.

Listen, I know this looks crazy, you guys,

but I do not intend to harm you.

I just need you to understand

the seriousness of this whole thing.

Alright? Okay?

Okay.

Good girl.

We'll go downstairs.

Fuck, fuck, fuck, fuck-

Danny?

Yeah?

Just stay right behind her.

Okay, okay, okay-

Come on Danny.

Okay, fuck!

I'll be right down to turn on that light.

Come on.

Jesus Christ, fuck.

It's gonna be okay, Danny.

What is that?

You guys just wait here.

Emily.

Em.

She locked us in.

Hey, come on in.

Come on.

Oh my God.

Calm down.

Sam, are you okay?

Shit!

Keep filming.

Okay, alright.

You gotta stick with me, buddy. Okay?

You need to be filming all this.

Come on, you need to be getting this.

Sam, look at me.

Ana, what are you doing to her?

Emily!

That is not your mother anymore.

Ana, why are you doing this?

I'm gonna show you.

Why are you doing this to them?

You'll see.

Sam, are you hurt?

I'm so sorry!

Are you okay?

I couldn't help myself.

Ana, don't!

What the hell is going on here?

She's crazy.

Oh my God, she's crazy.

Fuck you.

I'm so sorry, I'm sorry.

Red was right to be afraid of your mother.

I couldn't help it.

Danny?

Yeah?

I'm gonna need you to stick with me here, buddy.

All right, yeah.

Okay, I need your help.

I need you to film this.

Alright, alright.

Come on closer.

Okay.

What the fuck?

What are you doing?

Now come here, come really close.

Okay, alright.

Follow my hand.

What the fuck?

Get the fangs, get the fangs.

Jesus Christ!

Jesus Christ.

Come on, come on.

Come on now, let's get this one.

Get his fangs!

What the hell is going on, Em?

Em, are you seeing this? I can't-

Danny, I need you over here with me.

I need you to stay with me.

I'm gonna want you in real close on Sam.

Okay, I'm filming.

Come in real close. Okay?

I'm filming.

Ana, no.

Emily, this is not your mother.

Ana, no!

Wait, wait-

No, no!

Wait Ana, what the hell are you doing?

Watch it, watch it.

Keep watching.

What the fuck?

What the fuck?

Do you see it?

Do you see?

What the fuck is going on?

I'm so sorry.

They're not human.

Emily?

They're sick.

All they care about is blood.

They'll do anything to get it.

These two got greedy.

That's how I clocked them.

They thought nobody would notice

what they were doing, right?

All the migrants, and homeless people

and drug addicts, you know,

people who disappear every day.

They thought nobody would notice or care, but I did.

Look what she's doing.

You're a very brave young lady.

A lot of people, they would've just left.

Do you know how to kill a vampire?

Emily, stop her.

Wait, what the hell's going on?

Stop her!

Ana, wait, what are you doing?

First you cut off the head and then you remove the heart.

Ana, please stop.

Then you decimate the body.

The pigs are good for that.

Emily, you need to watch this, okay?

No, no!

Oh fuck.

I'm so sorry, sweetheart,

that you had to see that.

You're fucking crazy,

You need to get used to it.

Worst part about it is they look so human.

You're fucking sick.

You're fucking sick.

I am not the one who's sick.

Emily, this should be you.

No, no, no.

She's not your mother anymore, Emily.

You need to think of her like a rabid dog.

You gotta put her down before she hurts more people.

Don't say that about her.

You cannot save her, honey.

This is the only way you can help her.

It's okay, she's right.

You know she's right.

That's not true, Sam

Oh, it's true.

The world's a safer place without me in it.

Please, you have to do this.

Em, don't listen to her.

I want you to, you need to be the one-

Don't fucking listen to her, Emily!

Emily, don't.

I need this to end.

It's okay-

Emily, no!

Danny, Danny, back!

Emily,

Emily, don't fucking do it, please!

Please don't do it.

Please, sweetheart. End this.

Come on.

Do it, come on.

I'm sorry.

Emily, don't!

Just do it.

Please.

Emily, what the fuck are you doing?

She's your mother!

Alright.

How many have you killed?

As many as the keys on this chain.

What are they?

In the handle of every key is a keyhole.

And the key that fits there

belongs to whoever turned them.

And then this key fits in the keyhole

of whoever they turned.

It's like a way of tracking families, I think.

They're very proud of their lineage.

How do you know that?

My daughter was a victim.

She was killed?

She was turned.

I killed her.

She didn't deserve that life.

Do those keys come from locals here?

No, these are from all over.

I've been at this a long time.

They are addicted

just as much as the humans that they feed on.

They will do anything to get a fix,

including blow their own cover.

And that's when I find them.

Like Sam and Isaac, they killed

too many people for their blood trade,

and couldn't hide it all.

How do you catch them?

My pigs.

I would leave a dead pig soaked in human blood

wherever I thought it was high risk.

Human blood?

Yeah, my own usually,

unless I could score some from them,

if they were stupid enough to sell it,

and Isaac was.

I would think pig's blood would be easier.

Animal blood is like food for them.

Human blood is their drug.

They can't resist it.

They get stronger from it though.

So I would lace it with rat poison,

which slows them down

and makes them more vulnerable to capture.

The pigs in this part of the world,

they're just good cover,

because everything I did was assumed to be gang activity.

You left one in our room.

Yes, I did.

And I want to apologize for that.

I mean, you just showed up from out of nowhere.

You were strangers, you were asking all kinds of questions.

You know, I had to be sure.

And then I saw the way this one ate candy,

and I felt a lot safer.

What do you mean?

They can't eat human food, it makes them sick.

We had dinner with Sam, we saw her eat.

You thought you did,

but I assure you, you did not.

Jesus Christ.

Fuck.

Red?

How much does he know?

He was helping me track all the vampires here,

but I underestimated him.

I think he's onto something bigger.

A complex system for harvesting the most vulnerable.

Drug addicts, like my girl,

migrants and homeless, and gang members.

You know, anybody who can die

or disappear without a lot of scrutiny.

And these days that's a pretty big pot.

That's why I need you.

I feel like we could go public with this.

The proof that is on that camera.

I need you on my team.

I know you could be a great hunter.

Em?

I think so too.

Em?

I just wanted to check her mic.

What the fuck?

Em, what the fuck?

Emily!

Em!

Please, Emily!

Emily!

No!

Regulator 1015J breaking cover

with the elimination of my decoy, Danny.

Danny Martinez.

Mission summary.

On October 30th,

119NM Coven member Samantha Wyland reported

the destruction of fellow coven member Tina Delgado,

citing possible hunter activity.

I was dispatched by the Commission

due to my relationship with Wyland and my connection

to the members of this coven to investigate.

My findings conclude that Tina Delgado

was the victim of a hunter who discovered

the El Paso Las Cruces District,

as a result of the illegal blood poaching operations

carried out by coven leader Isaac Koslov

and Sam Wyland.

The hunter has been eliminated.

Isaac Koslov and Samantha Wyland

will be destroyed and desecrated justly,

according to regulation code 687,

under the Articles of the Commission.

My cover has been compromised.

I'm requesting a new Regulator for the investigation

and the elimination of the remaining threat.

I can't.

I can't be part of this system anymore.

This isn't safety.

This is...

Consider this my resignation.

We have a problem.

♪ I pick up the bones

♪ I pick up the bones

♪ I pick up the bones

♪ I pick up the bones