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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,420 --> 00:00:04,780 Sure, I'm not. This isn't for clout. This isn't for like, oh, he's so funny. 2 00:00:05,220 --> 00:00:06,220 I'm in pain. 3 00:00:13,500 --> 00:00:16,520 Hey, what's going on, everybody? For First We Feast, I'm Sean Evans, and 4 00:00:16,520 --> 00:00:19,400 watching Hot Ones. It's the show with hot questions and even hotter wings. 5 00:00:19,770 --> 00:00:21,110 And today we're joined by Charlie Puth. 6 00:00:21,390 --> 00:00:24,670 He's a four -time Grammy Award -nominated singer, songwriter, and 7 00:00:24,670 --> 00:00:27,850 latest album is called Whatever's Clever, and it's scheduled to release on 8 00:00:27,850 --> 00:00:32,229 27th. Check out the singles, changes, and Beat Yourself Up out now, as well as 9 00:00:32,229 --> 00:00:33,950 the Whatever's Clever world tour to follow. 10 00:00:34,170 --> 00:00:37,390 But in the meantime, it's a go -round with the wings of death. Charlie Puth, 11 00:00:37,410 --> 00:00:40,730 welcome to the show. Thank you for having me. I'm a little... I haven't 12 00:00:40,730 --> 00:00:43,550 this nervous since the Super Bowl. I'm going to be completely honest. 13 00:00:43,930 --> 00:00:46,250 Are you not much of a spicy food guy? No. 14 00:00:46,640 --> 00:00:51,240 I actually haven't had spice in probably a couple of years. 15 00:01:14,180 --> 00:01:15,660 The smell itself. 16 00:01:16,160 --> 00:01:17,260 Kind of smells spicy. 17 00:01:18,760 --> 00:01:20,740 This one here? Yep, that's the one. 18 00:01:20,960 --> 00:01:21,960 This one, okay. 19 00:01:21,980 --> 00:01:22,980 Ready? 20 00:01:24,960 --> 00:01:25,960 Mmm. 21 00:01:28,300 --> 00:01:29,840 Wait, hold on, that's not that bad. 22 00:01:34,880 --> 00:01:35,880 That's actually good. 23 00:01:37,120 --> 00:01:38,960 So, from Jeff Goldblum, hot. 24 00:01:40,420 --> 00:01:43,020 I think I'm going to be good. 25 00:01:43,930 --> 00:01:48,490 So from Jeff Goldblum to Atada, even a saxophone solo from Kenny G, the 26 00:01:48,490 --> 00:01:50,230 on your new album absolutely rule. 27 00:01:50,530 --> 00:01:54,370 Thank you. Can you talk me through the origin story of a song like Love in 28 00:01:54,370 --> 00:01:58,530 and specifically what it was like to record alongside yacht rock legends 29 00:01:58,530 --> 00:01:59,890 McDonald and Kenny Loggins? 30 00:02:00,270 --> 00:02:02,490 We just got together, had a couple of mochas. 31 00:02:03,230 --> 00:02:07,770 Kenny was like, okay, the song is called Love in Exile. I'm like, that sounds 32 00:02:07,770 --> 00:02:09,530 like a book. That sounds like a novel. 33 00:02:10,070 --> 00:02:13,070 I was playing something. I'll never forget this. I was playing something. 34 00:02:13,500 --> 00:02:18,060 And then he whispered in my ear quite loudly, I think you should let Mike play 35 00:02:18,060 --> 00:02:19,460 the keyboard. 36 00:02:19,680 --> 00:02:21,040 I'm like, say less. 37 00:02:21,540 --> 00:02:25,560 Michael McDonald walked over to my Rode 73 and just played. 38 00:02:28,460 --> 00:02:29,780 I'm like, ooh, a shuffle. 39 00:02:31,280 --> 00:02:32,280 It hurts. 40 00:02:37,220 --> 00:02:40,760 You'll hear it, but it's kind of like a modern -day yacht rock anthem. 41 00:02:41,260 --> 00:02:45,440 How would you describe yacht rock? Are there qualities that make a song peak 42 00:02:45,440 --> 00:02:52,120 yacht? I think what makes a song peak yacht is the jazzy chord 43 00:02:52,120 --> 00:02:57,620 structure. You listen to Ambrosia, it's not just a regular F chord. It's like an 44 00:02:57,620 --> 00:03:03,100 F suspended chord, which is a fancy word for a little bit more notes in the 45 00:03:03,100 --> 00:03:04,100 actual chord. 46 00:03:04,280 --> 00:03:06,400 If a triad, C, E, G. 47 00:03:07,000 --> 00:03:12,000 Looks like this. A yacht rock chord would be C, D, E, G, B, D, F, G. 48 00:03:12,240 --> 00:03:19,220 So it's just more colors in the chord structure and a lot of dry drums. Like 49 00:03:19,220 --> 00:03:21,920 you listen to a record by Steely Dan called Asia. 50 00:03:22,640 --> 00:03:25,920 It's some of the best production ever because they kept the drums dry. They 51 00:03:25,920 --> 00:03:28,660 of hit you in the face. And I think it might have been one of the origins for 52 00:03:28,660 --> 00:03:33,560 hip -hop and early New York -based hip -hop where the drums are really just in 53 00:03:33,560 --> 00:03:38,280 your face. Early LL Cool J, Mama Said Knock You Out. Those drums are all just 54 00:03:38,280 --> 00:03:42,040 your face and everything behind it is wet. I think that's what Yacht Rock is 55 00:03:42,040 --> 00:03:43,040 well. 56 00:03:46,500 --> 00:03:49,240 Does it have an exciting flavor like garlic in it? 57 00:03:49,550 --> 00:03:53,570 It does have garlic in it. This is a pickled garlic sriracha. Okay, talk to 58 00:03:54,830 --> 00:03:55,830 I'm going to go to this end. 59 00:03:58,510 --> 00:03:59,510 Mmm. 60 00:04:01,070 --> 00:04:03,570 Wait, I'm, like, really confident all of a sudden. 61 00:04:04,650 --> 00:04:05,790 This is not bad at all. 62 00:04:06,510 --> 00:04:10,650 So I understand that in college you do weekly hustle days, which was bringing 63 00:04:10,650 --> 00:04:14,590 your music on the train with you and then sitting outside record executives 64 00:04:14,590 --> 00:04:18,470 doors for hours on end. Yeah. What stands out as like your best or most 65 00:04:18,470 --> 00:04:22,029 productive hustle day? And is there another one that stands out in your 66 00:04:22,029 --> 00:04:25,150 for being the harshest feedback or door slammed in your face? Ooh. 67 00:04:25,640 --> 00:04:29,740 I think the most successful hustle day was when I successfully got into the 68 00:04:29,740 --> 00:04:36,020 Universal Music Publishing building on Broadway and successfully finagled my 69 00:04:36,020 --> 00:04:41,640 into a session with some up -and -coming songwriters. When I had nothing to my 70 00:04:41,640 --> 00:04:45,500 name, I was just making beats at my parents' house in New Jersey. The 71 00:04:45,500 --> 00:04:49,850 advice... It was from Cara Diaguardi when she told me that my lyrics weren't 72 00:04:49,850 --> 00:04:54,510 good. And I did not take โ€“ 20 -year -old me did not take that very well. But it 73 00:04:54,510 --> 00:04:59,270 ended up being the best advice I could ever get because it introduced me to the 74 00:04:59,270 --> 00:05:00,950 idea of collaboration in music. 75 00:05:01,170 --> 00:05:04,870 And all my best songs, in my opinion, have been made through collaboration. 76 00:05:05,130 --> 00:05:10,090 Attention, written with Jay Cash, and See You Again, written with โ€“ different 77 00:05:10,090 --> 00:05:11,950 brains make a great song. 78 00:05:16,140 --> 00:05:19,640 I hear my sister laughing in the background because she knows what's 79 00:05:19,640 --> 00:05:20,640 happen. 80 00:05:20,920 --> 00:05:21,920 All right. 81 00:05:23,460 --> 00:05:24,460 Mmm. 82 00:05:25,400 --> 00:05:26,400 Mmm. 83 00:05:28,880 --> 00:05:30,420 Holy moly, wait a minute. 84 00:05:31,420 --> 00:05:34,920 Maybe you're a hot sauce guy all along, Charlie. Do we ever... Mmm. 85 00:05:35,980 --> 00:05:39,520 I'm feeling pretty good right now. And you should. Oh, wait. 86 00:05:41,000 --> 00:05:45,160 Okay, no, it's just like a little, a tickle. Mm -hmm, yeah. 87 00:05:45,530 --> 00:05:46,530 Nothing you can't handle, though. 88 00:05:47,250 --> 00:05:51,270 So I've heard you say that your goal with any hook is to find the balance 89 00:05:51,270 --> 00:05:53,430 between too boring and too annoying. 90 00:05:53,850 --> 00:05:57,290 Can you talk me through what that tightrope walk is like for a songwriter? 91 00:05:57,550 --> 00:06:04,230 I think a song that will resonate with people 92 00:06:04,230 --> 00:06:07,670 the most is a song that has little bits of repetition. 93 00:06:08,370 --> 00:06:13,830 My Sharona, I want to dance, dance, dance, dance. I came to dance, dance, 94 00:06:15,480 --> 00:06:16,620 There's just a fine line. 95 00:06:16,840 --> 00:06:22,580 If like a little bit too much in the glass, it's starting to get really hot. 96 00:06:22,580 --> 00:06:26,920 little bit in the glass, too much in the glass rather, starts to kind of pour 97 00:06:26,920 --> 00:06:29,040 over and then it becomes annoying. 98 00:06:29,300 --> 00:06:33,840 There's just, it's like you can't go 51%. You have to go 50%. 99 00:06:33,840 --> 00:06:40,320 My heart's racing all of a sudden. 100 00:06:44,240 --> 00:06:45,240 Mm -mm. 101 00:06:45,860 --> 00:06:47,520 Mm -mm -mm. Double bites. 102 00:06:47,720 --> 00:06:48,720 Yeah. 103 00:06:49,280 --> 00:06:50,440 Oof. Okay. 104 00:06:51,320 --> 00:06:55,260 I've heard you describe your production process as being inseparable from your 105 00:06:55,260 --> 00:06:59,860 process as a songwriter. Mm -hmm. Can you give us an example of a specific 106 00:06:59,860 --> 00:07:04,200 choice where the sound was the lyric? Like, what does the texture of a synth 107 00:07:04,200 --> 00:07:05,480 say? Ooh. 108 00:07:05,860 --> 00:07:08,680 See, I like your question. It makes up for the tea. 109 00:07:09,480 --> 00:07:11,020 I think... 110 00:07:11,580 --> 00:07:16,100 If you listen to a song like We Don't Talk Anymore, that can't have anything 111 00:07:16,100 --> 00:07:16,739 the guitar. 112 00:07:16,740 --> 00:07:20,760 Like when you press play on the song, the first thing you hear is... If that 113 00:07:20,760 --> 00:07:23,080 a piano, it'd sound too delicate. 114 00:07:23,640 --> 00:07:28,840 If you take that guitar out, it messes up the lyric. It doesn't make you feel 115 00:07:28,840 --> 00:07:29,840 impactful. 116 00:07:30,260 --> 00:07:36,060 It's weird. It's a weird dichotomy because I really... Oh, God. I really 117 00:07:36,060 --> 00:07:38,220 these. I really like these questions. 118 00:07:39,710 --> 00:07:44,510 But unfortunately, it has the caveat of being attached to this format where the 119 00:07:44,510 --> 00:07:49,050 deeper and deeper we go, the hotter and hotter it gets. I understand why you do 120 00:07:49,050 --> 00:07:53,470 this, by the way, because when I worked with Pharrell, we worked at 5 o 'clock 121 00:07:53,470 --> 00:07:56,590 in the morning and we used a different part of our brains because we were kind 122 00:07:56,590 --> 00:07:57,590 of half awake. 123 00:07:58,170 --> 00:07:59,670 I'm not half awake, but... 124 00:07:59,930 --> 00:08:03,030 I'm like half in pain, so my answers are going to be really honest. 125 00:08:03,950 --> 00:08:07,750 That's the point. Yes. All right, so this one is Tropical Amarillo, and you 126 00:08:07,750 --> 00:08:10,010 be proud of yourself officially at the halfway mark. 127 00:08:10,270 --> 00:08:11,270 Excellent. 128 00:08:15,210 --> 00:08:16,210 Okay. 129 00:08:22,490 --> 00:08:27,230 So I feel like most people have had the experience of hearing a song. Yep. 130 00:08:30,979 --> 00:08:31,979 Oh, God. 131 00:08:32,159 --> 00:08:36,260 Of hearing a song that makes them sad, even if nothing is sad is happening in 132 00:08:36,260 --> 00:08:38,740 their lives. I look kind of sad right now. Yeah, you do. 133 00:08:38,980 --> 00:08:40,700 Well, make sure that we bet it accordingly. 134 00:08:42,120 --> 00:08:43,120 Go ahead. Sorry. 135 00:08:43,580 --> 00:08:47,800 What is it about the notes themselves that trigger that kind of emotional 136 00:08:47,800 --> 00:08:49,480 response in listeners' brains? 137 00:08:51,380 --> 00:08:57,120 The notes themselves that trigger the emotional response. Well... 138 00:08:58,250 --> 00:09:03,610 It has a lot to do with frequencies. 139 00:09:04,510 --> 00:09:08,430 Do you know the song, I thought I saw a man brought to life? 140 00:09:09,870 --> 00:09:13,650 The theme to know, the theme to care. Yeah, I'm familiar. 141 00:09:14,730 --> 00:09:18,050 It was another song originally in 1993. Oh, my God. 142 00:09:18,530 --> 00:09:23,270 It was a punk rock song, and forgive me, I don't remember the name of the band. 143 00:09:23,960 --> 00:09:28,280 But in the late 90s, they reproduced it to make it sound like a breath of fresh 144 00:09:28,280 --> 00:09:35,080 air because the lyric itself is very sad, but when you accompany it with it, 145 00:09:35,080 --> 00:09:39,660 the melody rather, that's what I meant to say. The lyric is sad, but the melody 146 00:09:39,660 --> 00:09:40,740 is really happy. 147 00:09:41,080 --> 00:09:44,940 I'm torn, I'm a little late, la la la la la. 148 00:09:45,180 --> 00:09:50,340 When you mix happy with sad, you get a mix of emotions, potential mix of 149 00:09:50,340 --> 00:09:51,400 emotions from the listener. 150 00:09:51,870 --> 00:09:56,430 And that's something I love to do in my music. So the melody is very important. 151 00:09:57,670 --> 00:10:00,790 And it can actually say the lyric without the lyric being there. 152 00:10:05,270 --> 00:10:07,190 I'm going to take a bite of this yogurt. 153 00:10:07,690 --> 00:10:08,690 You've earned it. 154 00:10:09,230 --> 00:10:13,090 I've had obstacles throw my way before, but I always push through for music. 155 00:10:14,010 --> 00:10:18,330 That's exactly right. I love music, even if it means being in pain. 156 00:10:23,530 --> 00:10:28,630 This is... Homegrown hell is what this one is called, for better or worse. 157 00:10:29,550 --> 00:10:35,110 Okay, this one... Oh, my God. 158 00:10:36,210 --> 00:10:37,570 Okay. You got it. 159 00:10:37,850 --> 00:10:39,770 Yeah. Okay, I'm good. 160 00:10:41,320 --> 00:10:44,680 As we've covered today, you have this well -documented ability to deconstruct 161 00:10:44,680 --> 00:10:49,220 exactly what makes a song work. I wonder, when you look at the current pop 162 00:10:49,220 --> 00:10:53,280 landscape and you think about the sounds that define it, what excites you the 163 00:10:53,280 --> 00:10:55,580 most, and is there anything you think the game is missing? 164 00:10:56,260 --> 00:11:00,580 What excites me? We'll start with what excites me the most right now. I like 165 00:11:00,580 --> 00:11:07,340 fact, on a logistical standpoint, that there's no longer people telling 166 00:11:07,340 --> 00:11:12,480 you, what song you have to sing in order to get played on this radio station, in 167 00:11:12,480 --> 00:11:14,920 order to get played on Spotify, in order to get played on Apple. 168 00:11:16,300 --> 00:11:20,220 It's just best song wins, which is what I've always wanted. 169 00:11:20,640 --> 00:11:25,520 I love artists like Sombra who are putting a lot of reverb on their vocals. 170 00:11:25,820 --> 00:11:31,620 I do think pop music, in my opinion, will expand because of hip -hop. It's 171 00:11:31,620 --> 00:11:33,560 always expanded because of hip -hop. 172 00:11:35,020 --> 00:11:36,940 Katy Perry, Dark Horse would... 173 00:11:37,200 --> 00:11:42,320 not be here without Juicy J, Three 6 Mafia, and Memphis, Tennessee. 174 00:11:42,700 --> 00:11:48,700 Maybe I'm just not keen to or hip to what's going on underground right now, 175 00:11:48,700 --> 00:11:52,520 I'm really waiting for something to raise its hand and change pop music 176 00:11:52,660 --> 00:11:57,920 I mean, I feel like that's always how it goes. 177 00:12:02,720 --> 00:12:04,360 The nightmare continues here. 178 00:12:04,600 --> 00:12:05,600 Oh, God. 179 00:12:05,820 --> 00:12:09,040 That's a good title for hot sauce. The nightmare continues. 180 00:12:16,420 --> 00:12:22,740 No, on the fifth one, I was a little... It was a lot, but this is... 181 00:12:22,740 --> 00:12:25,520 Don't be too soon, though. 182 00:12:26,120 --> 00:12:27,140 Oh, God. Okay. 183 00:12:35,050 --> 00:12:36,330 Is the yoga helping at all? 184 00:12:36,710 --> 00:12:37,710 No. 185 00:12:39,850 --> 00:12:43,690 How has your pizza palate evolved over the course of your career? Like, do you 186 00:12:43,690 --> 00:12:48,810 ever think about how you went from Nelly's Pizzeria in Rumson to Lucali? 187 00:12:50,470 --> 00:12:52,710 Do you ever think about the journey? 188 00:12:52,950 --> 00:12:55,250 Oh, Nelly's fat blunt was a good sandwich. 189 00:12:57,650 --> 00:12:59,750 And Mark Lucali's a good friend. 190 00:13:00,210 --> 00:13:01,410 Best place in Brooklyn. 191 00:13:04,020 --> 00:13:06,380 Hold on a second. Yeah, take your time. Take your time. 192 00:13:07,720 --> 00:13:11,660 I don't know. I still like a $1 .50 slice from Two Bros. 193 00:13:12,380 --> 00:13:13,740 It makes your pee burn. 194 00:13:15,620 --> 00:13:18,740 I love pizza chefs in New York and how hard they work. 195 00:13:19,060 --> 00:13:22,640 And I love pizza in New Jersey. I love pizza in Connecticut. 196 00:13:23,380 --> 00:13:24,760 I love Pete and Elda's. 197 00:13:27,500 --> 00:13:30,740 Would you like some ice cream, by the way? I love Seabright pizza. I would. 198 00:13:30,980 --> 00:13:31,980 Come on in. 199 00:13:35,660 --> 00:13:37,760 I love sea bite pizza. Shout out to Kono. 200 00:13:38,160 --> 00:13:39,860 I love La Industry. 201 00:13:42,400 --> 00:13:43,400 Oh, my God. 202 00:13:44,060 --> 00:13:45,600 How good does that taste? 203 00:13:46,840 --> 00:13:50,540 I started having an anxiety attack a little bit. I'm, like, actually serious. 204 00:13:51,500 --> 00:13:52,540 I just need a second. 205 00:13:52,860 --> 00:13:53,860 Yeah, yeah, yeah. 206 00:13:54,600 --> 00:13:55,720 The sibilance hurts. 207 00:13:56,300 --> 00:14:01,460 The more I progress in my career, I don't become a pizza snob. 208 00:14:02,260 --> 00:14:04,180 I still will go to the shore. 209 00:14:04,640 --> 00:14:09,420 First slice, I still will go to Luigi for a square slice, no matter how greasy 210 00:14:09,420 --> 00:14:10,520 the bottom of it is. 211 00:14:11,040 --> 00:14:14,580 I'll eat, I'm not a pizza, I'll go all around the world and eat pizza. 212 00:14:16,000 --> 00:14:19,360 No matter how successful I may be. 213 00:14:25,620 --> 00:14:29,040 I can't believe I got to go to JFK on a Thursday after this. 214 00:14:32,110 --> 00:14:35,250 I think I... Okay, so this one? Da Bomb Beyond Insanity. 215 00:14:39,230 --> 00:14:40,690 This one will be immediate. 216 00:14:41,730 --> 00:14:48,510 This one's tough for me. What makes the Spongebob episode Band Geek one of the 217 00:14:48,510 --> 00:14:50,650 greatest pieces of television ever made? 218 00:14:52,810 --> 00:14:59,030 It's the best... It's the best cartoon 219 00:14:59,030 --> 00:15:00,190 episode. 220 00:15:01,090 --> 00:15:03,510 Oh, my God. Yeah. No, I get it. 221 00:15:04,710 --> 00:15:05,710 It's the best. 222 00:15:07,990 --> 00:15:13,450 When you see the bird's eye view of Pearl, Mr. Krabs' daughter, 223 00:15:13,690 --> 00:15:20,430 being so huge amongst these 224 00:15:20,430 --> 00:15:26,290 nematodes and fish, it's the most genius thing. 225 00:15:26,550 --> 00:15:28,150 Oh, my God. Yep. 226 00:15:29,570 --> 00:15:30,570 It's the most. 227 00:15:31,250 --> 00:15:33,870 Steven Hillenburg, God rest his soul. 228 00:15:34,250 --> 00:15:39,110 My personality is based off that show, and so is my wife's. You're an alum of 229 00:15:39,110 --> 00:15:40,650 the New England Music Camp. 230 00:15:41,130 --> 00:15:43,790 Yeah, how did you know that? You're a band geek yourself. 231 00:15:44,190 --> 00:15:47,010 Do you have a most treasured memory from that experience? 232 00:15:48,450 --> 00:15:55,410 Having my first camp girlfriend and being 15 amongst other 233 00:15:55,410 --> 00:15:57,590 music nerds and weirdos. 234 00:15:58,290 --> 00:15:59,810 I was in percussion group. 235 00:16:00,160 --> 00:16:02,700 I played the xylophone. I was horrible at it. 236 00:16:02,960 --> 00:16:04,520 Oh my god, sorry. 237 00:16:06,140 --> 00:16:07,140 Okay. 238 00:16:07,440 --> 00:16:08,500 What else we got? 239 00:16:09,280 --> 00:16:12,400 So up next is a Squash Reaper X from Vermont. 240 00:16:14,620 --> 00:16:15,140 Where 241 00:16:15,140 --> 00:16:26,140 in 242 00:16:26,140 --> 00:16:27,099 Vermont? 243 00:16:27,100 --> 00:16:28,660 Bear? Oh! 244 00:16:29,180 --> 00:16:30,019 Fair Vermont? 245 00:16:30,020 --> 00:16:31,020 Yeah. 246 00:16:31,360 --> 00:16:33,760 I don't ski very well, but I like to ski there. 247 00:16:35,680 --> 00:16:36,740 So fond memories. 248 00:16:37,680 --> 00:16:39,320 And on top of the sauce, too. 249 00:16:39,740 --> 00:16:41,800 The trick is to have the ice cream right away. 250 00:16:42,420 --> 00:16:44,520 Okay, you're learning things along the way. 251 00:16:44,940 --> 00:16:45,940 It's getting better. 252 00:16:47,120 --> 00:16:51,100 What makes a song like The Star -Spangled Banner so exceptional? I've 253 00:16:51,100 --> 00:16:53,780 describe it as the hardest piece of music ever written. 254 00:16:54,160 --> 00:16:56,440 Constant tension and relief. 255 00:16:58,640 --> 00:17:03,120 Oh, say, can you see? I can't even bother right now. 256 00:17:03,340 --> 00:17:05,240 Just look it up. Listen to it. 257 00:17:06,839 --> 00:17:13,800 A song like the... Oh, 258 00:17:13,800 --> 00:17:14,800 God. 259 00:17:15,859 --> 00:17:19,940 It's constant tension and release. It's major chord, minor chord. 260 00:17:20,240 --> 00:17:25,339 And it just has... I don't know. It just has a melody that soars. And when you 261 00:17:25,339 --> 00:17:26,680 put it in 4 -4 timing... 262 00:17:27,099 --> 00:17:28,099 This is good. 263 00:17:29,580 --> 00:17:31,840 So typically, we dab the last wing. 264 00:17:32,060 --> 00:17:33,960 I'm going to not make that an option. 265 00:17:34,220 --> 00:17:36,260 Okay. Why? Is it really bad? 266 00:17:40,760 --> 00:17:42,880 Let me just look at doing it. 267 00:17:43,640 --> 00:17:47,380 All my friends are going to make fun of me. No one's going to make fun of you. 268 00:17:47,400 --> 00:17:51,760 No, no, no. Mike and Adam are going to because they've known me since college. 269 00:17:52,640 --> 00:17:56,100 They've seen me throw up in the bushes for eating something too spicy in 270 00:17:57,500 --> 00:17:58,500 Whoa. 271 00:17:59,360 --> 00:18:02,320 I thought it was like cinnamon. 272 00:18:06,680 --> 00:18:08,220 I'm not going to put that much here. 273 00:18:08,440 --> 00:18:09,460 Can I smell it? 274 00:18:09,800 --> 00:18:11,940 Yeah, go for it. I'm not sure it's going to help you. 275 00:18:15,580 --> 00:18:16,720 I'm like shaking. 276 00:18:17,340 --> 00:18:20,480 Okay, I'm just going to do a teensy tiny bit. Yep, me too. 277 00:18:23,820 --> 00:18:25,480 Okay. Wow, incredible, Charlie. 278 00:18:25,840 --> 00:18:27,480 JFK. JF to JFK. 279 00:18:30,200 --> 00:18:32,980 To airport rides. Oh, my fucking God. Mm -hmm. 280 00:18:33,240 --> 00:18:34,380 Hold on. No, hold on. 281 00:18:34,640 --> 00:18:35,640 Mm -hmm. 282 00:18:36,620 --> 00:18:40,040 Okay, Charlie Puth, to close things out, I understand that early on in your 283 00:18:40,040 --> 00:18:44,600 career, you would cold message YouTubers and offer to make them a theme song for 284 00:18:44,600 --> 00:18:49,040 their channel at $50. Yeah. I'd imagine you've added a few zeros to the 285 00:18:49,040 --> 00:18:51,540 remittance since then, but I was wondering... 286 00:18:52,120 --> 00:18:57,100 If under these ridiculous circumstances, you can maybe beatbox a theme song. I 287 00:18:57,100 --> 00:18:58,100 got the 50 on me. 288 00:19:02,840 --> 00:19:08,880 I did used to do that for YouTubers because 289 00:19:08,880 --> 00:19:14,260 it was a way to promote myself on 290 00:19:14,260 --> 00:19:19,660 the internet and have them shout me out. 291 00:19:21,100 --> 00:19:22,920 And I enjoy doing it, too. 292 00:19:24,820 --> 00:19:26,460 I can't even use my lips. 293 00:19:26,940 --> 00:19:27,899 I know. 294 00:19:27,900 --> 00:19:28,900 There's a lot going on. 295 00:19:32,880 --> 00:19:33,920 It's getting worse. 296 00:19:37,180 --> 00:19:38,180 Listen, 297 00:19:38,400 --> 00:19:41,020 for the first time, you got nothing out of me, physically. 298 00:19:41,610 --> 00:19:43,530 You're just going to have to use some stock music. 299 00:19:43,930 --> 00:19:49,990 You know what? You've given us more than enough today. And look at you taking on 300 00:19:49,990 --> 00:19:53,590 the wings of death, living to tell the tale. Now there's nothing left to do but 301 00:19:53,590 --> 00:19:56,910 roll out the red carpet for you. This camera, this camera, this camera. Let 302 00:19:56,910 --> 00:19:58,550 people know what you have going on in your life. 303 00:19:59,590 --> 00:20:00,590 My new album. 304 00:20:01,330 --> 00:20:03,050 Which camera do I look at? 305 00:20:03,270 --> 00:20:09,210 Whichever one you want. My new album, Whatever's Clever, is out March 27th. My 306 00:20:09,210 --> 00:20:10,430 son or daughter. 307 00:20:10,830 --> 00:20:14,910 is going to look at this one day and laugh or be embarrassed. 308 00:20:15,210 --> 00:20:16,210 Hold on. 309 00:20:17,590 --> 00:20:20,470 Come see me at Madison Square Garden if you're in New York. 310 00:20:22,610 --> 00:20:27,530 We have Coco Jones, Raven Linnaeus, Jeff Goldblum, Michael McDonald, Kenny 311 00:20:27,530 --> 00:20:31,130 Loggins, Kenny G, all on Whatever's Clever, which is my new album. 312 00:20:31,750 --> 00:20:35,330 This has been horrible, but again, I will do anything for music, and I want 313 00:20:35,330 --> 00:20:38,290 inspire all of you to make music. 314 00:20:39,420 --> 00:20:41,280 Just put your thoughts into art. 315 00:20:47,560 --> 00:20:48,840 Great job. Thank you. 316 00:20:50,640 --> 00:20:51,900 Thank you for the nice questions. 317 00:20:52,940 --> 00:20:54,540 I've watched almost every episode. 318 00:20:54,840 --> 00:20:58,600 Yeah. Oh, really? Yeah. No, I'm a big fan. I really wanted to do this. I'm so 319 00:20:58,600 --> 00:20:59,680 happy you guys reached out. 320 00:21:00,140 --> 00:21:01,140 I really, really am. 321 00:21:01,600 --> 00:21:04,680 Well, we love the album. It turned so many people on to it. Thank you. Yeah, 322 00:21:04,680 --> 00:21:05,499 yeah, yeah. 323 00:21:05,500 --> 00:21:08,200 This was like a big deal for me getting here. Yeah. All seriousness. 324 00:21:08,890 --> 00:21:10,830 Really wanted to do this for a long time. 325 00:21:11,470 --> 00:21:12,470 Was it worth it? 326 00:21:13,190 --> 00:21:14,190 Yes. 327 00:21:14,550 --> 00:21:15,550 We'll take it. 328 00:21:15,850 --> 00:21:16,850 Hot One. 329 00:21:17,250 --> 00:21:18,510 La, la, la, la, la. 330 00:21:20,570 --> 00:21:25,010 Hot One fans, what happens when you combine the four hottest peppers on 331 00:21:25,010 --> 00:21:27,450 Earth? You get the hottest dab ever. 332 00:21:28,030 --> 00:21:30,550 Introducing the last dab, Thermageddon. 333 00:21:31,130 --> 00:21:34,390 Grown by the one and only Smokin' Ed Currie, it unites some of the hottest 334 00:21:34,390 --> 00:21:35,390 peppers on the planet. 335 00:21:35,570 --> 00:21:37,050 Pepper X, the Apollo. 336 00:21:37,580 --> 00:21:39,460 Carolina Reaper, and Scorpion Pepper. 337 00:21:39,760 --> 00:21:45,360 Are you built for it? Pick up your bottle at hotones .com, hotones .com. 338 00:21:45,360 --> 00:21:50,000 hotones .com to get your hands on the Last Dab Thermageddon. And don't say I 339 00:21:50,000 --> 00:21:51,000 didn't warn you. 27431

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