Original subtitles

KYLE RICHARDS (VOICEOVER): Previously on "The Real

Housewives of Beverly Hills."

Thank you guys so much for coming.

It really means a lot to me.

KYLE RICHARDS: I had already asked

Brandi and Joyce if they could model in the fashion show.

But I don't want to have any negativity associated

with this party whatsoever.

Like this, and in the windows.

So we're going to get the dog with me for a week bonding

with a pack of dogs.

Off to gaol.

Aw, that's so sad.

Jaclyn?

Joyce, babe, Joyce.

Oh, I'm sorry.

BRANDI GLANVILLE: Half time when I

call Joyce Jaclyn I do it to annoy her,

because I find her annoying.

Joyce is coming tonight.

[SIGHS]

For no reason, you were being a bully.

I was not bullying you.

JOYCE GIRAUD: Yes, you were.

Joyce is a big fat pig.

What is that?

You're a smart girl.

Don't act like a bimbo.

You're just blonde, but you're not a bimbo.

Shut the [BEEP] up.

KYLE RICHARDS (VOICEOVER): I'm from this town.

I know what's real and what's fake.

YOLANDA HADID (VOICEOVER): Don't tell me you're my friend.

Act like one.

BRANDI GLANVILLE (VOICEOVER): In Beverly Hills,

the higher you climb, the farther you fall.

KIM RICHARDS (VOICEOVER): Everybody loves a comeback

story, especially starring me.

CARLTON GEBBIA (VOICEOVER): In my world, money doesn't talk.

It swears.

JOYCE GIRAUD (VOICEOVER): You can never be too

young, too thin, or too honest.

LISA VANDERPUMP (VOICEOVER): Life is a sexy little dance,

and I like to take the lead.

BRANDI GLANVILLE: Go [BEEP] yourself.

MICHAEL OHOVEN: Stop your language, Brandi.

[BEEP] you, dude.

What do you mean [BEEP] you, dude?

You know what?

I which I don't need to live on this planet with you.

I'm serious. I mean, you're out of your mind.

Then go back to wherever the [BEEP] you're from.

MICHAEL OHOVEN: Is that all you can talk about?

JOYCE GIRAUD: You know what, Brandi?

Let me tell you something--

MICHAEL OHOVEN: You're of your freaking mind.

You're not even drunk tonight and you're out of your mind.

JOYCE GIRAUD: You're not even drunk?

Listen, let me ask my husband to come in and talk to you.

I don't have one.

So shut the [BEEP] up.

Go [BEEP] yourself.

I thought it was just an alcohol problem.

MICHAEL OHOVEN: Get drunk at least

so I can apologise for it.

That's what I thought.

I thought you just needed rehab.

Obviously, it's just you.

It's just the real you.

You don't need rehab.

You're just tacky.

OK.

That is really, really disgusting

that you would say that to me.

JOYCE GIRAUD: You know what I think is disgusting?

That you would be giggling in a corner,

that you would be calling Jack--

calling me Jacqueline when you clearly know my name

is Joyce, that you would be telling

me [INAUDIBLE],, that you would be telling

me all these bullying things.

That's disgusting to me.

LISA VANDERPUMP: Brandi doesn't seem to be

in a very good place right now.

And I think she's kind of losing this battle.

I don't know what to do, but I don't

think this is the right time to be

sorting out their differences.

Listen, I'm having--

I miss my puppy.

I'm depressed.

Darling, don't.

Don't.

No, I'm just saying, like, you just don't get it.

MICHAEL OHOVEN: Just calm down a little bit.

KIM RICHARDS: I'm not lying.

I [BEEP] tell the truth.

This is bull [BEEP].

I know.

Stop.

KEN TODD: What we want to do is to try to--

I'm leaving. LISA VANDERPUMP: No, you're not.

You're not going anywhere.

YOLANDA HADID: B, don't cry.

Just calm down.

We just want to get everything back on an even kilt.

LISA VANDERPUMP: No, no, no.

Don't go. - No, no.

She's coming back.

LISA VANDERPUMP: No, but come back.

Don't end it like this.

Don't cry.

You should let her go.

She wants to go to the babies. Let her go.

LISA VANDERPUMP: No, it's not.

I don't want her to leave like this.

She's just had a really, really hard time.

YOLANDA HADID: Brandi's about to implode.

And it's not pretty, but it's an escalation

of a lot of emotions.

And it needs to explode in order to get better.

KEN TODD: She hasn't been herself

since she lost the puppy.

I know that.

I understand the puppy situation, but in Palm Springs

she still hadn't lost a puppy when she was bullying me.

Joyce is a big fat pig.

[LAUGHING]

You cannot say that.

I can say that.

So for her to attack me is very unfair.

For her to tell me to shut the [BEEP] up,

to [BEEP] off, a bitch, [BEEP].

I don't think she's attacking you for that.

JOYCE GIRAUD: It's horrible.

I think Brandi's way of communicating is very trashy,

and she should start using proper words.

Not everything needs to be eff you.

Don't worry about it.

I love you.

Go and snuggle up with the boys, OK?

I'm going to.

Thanks, babel

I love you.

Love you, too.

YOLANDA HADID: I love you, baby.

It's OK.

I love you.

Are you OK?

No, but it's fine.

YOLANDA HADID: OK, I love you.

BRANDI GLANVILLE: OK.

YOLANDA HADID: I've been in that dark, deep [BEEP]

hole where you can see the light and you

think you can't get out.

So I'm just, you know, worried about other people

that don't know their story, how they're going to judge her.

Why did you let her go?

Because she missed the babies.

She's crying, you know?

She just on overload.

She put her best foot forward.

Best foot?

Best foot I might have a comment on, but that's all right.

She put a foot forward.

She started it.

Yeah, she's a beautiful person.

She's a good person.

LISA VANDERPUMP: She really is.

And what you see is what you get.

There's no two ways about Brandi.

I would love to get to know that person.

And sometimes, in the beginning, I was also like,

you know, the [BEEP] is this?

Like, you will never heard me say,

but it's not part of my language.

Well, Yolanda, if she was calling you whatever name,

and you tell her, that name was what they called me

in high school and I was bullied for it, please,

don't repeat it, and she kept repeating it,

I don't think you would have the relationship you have now.

JOYCE GIRAUD: Good point.

Yes and no.

Very good point.

So don't tell me she's a great heart.

Because to me, she hasn't showed that great heart.

YOLANDA HADID: I can see where Joyce is coming from.

I can't control what comes out of Brandi's mouth.

Even though I don't agree with it, I don't condone it,

I will say something about it when it's the appropriate time.

Michael, just say one thing, you

can see from this group there's 4,

5, 6 people that really like her and love her.

So there must be some goodness there.

I want to see that.

But take our advise then, though.

I mean, take--

No, tell her to take the advice.

I think you need to advise her.

You need to advise her.

You need to advise her and give her some elegance.

She's proven to me that she is authentic, and a loyal friend,

and that she--

you know, she's an honest person.

And all I've seen as much as you think she's authentic,

I've seen a genuine, authentic, mean person

that giggles at your table. LISA VANDERPUMP: But when?

I didn't see any of this--

--that make comments at your table.

I think they're trying to still see a good and decent person.

I think what they witnessed is a train wreck.

And they all know that this train is going to derail again.

JOYCE GIRAUD: If she tells me, listen, in Palm Springs,

I was rude.

I apologise for bullying you.

The moment she comes and tells me that, it's erased.

If God could forgive what humanity did to his son,

who am I to not forgive Brandi for being

such a stupid little bitch?

Can we get some disaster over here, please?

If you're not too-- if you're not too busy.

I put dessert in.

[MUSIC PLAYING]

Oh, my God.

He's here.

I'm expecting a whole new dog.

I'm expecting a whole new Kingsley.

Kim.

It's your baby.

Say hello to your baby.

Look at your baby.

KIM RICHARDS: He's probably thinking,

I'll tell you at what time I miss my mum the most,

at David's, I sleep in this crate.

He's so happy.

And at home, I sleep on a European King fluffy mattress

with a down quilt on my mum.

Kingsley.

Wow.

Wanna cuddle with us?

Yeah.

Hi.

You're so-- I missed you.

Oh, I missed you so much.

Oh, you big boy.

KIMBERLY JACKSON: How was it?

DAVID: It was great.

Yeah.

I mean, yeah, he completely relaxed.

He-- you can see, he's like a puppy again.

What you need to do now is you reward him only

when he does something right.

KIM RICHARDS: Am I asking for too much?

I wanted safe dog for all the people.

Every time you want to just like cuddle with him

and make him your teddy bear, make him earn it.

I want a baby.

He comes to you, you're like sit, down, check.

Oh, OK.

I want a guard dog, too.

I mean, am I asking for too much?

Maybe.

Like, I would push him and I would get him up.

Look, off, sit.

If he doesn't do the sit down, then you have to make an issue

of it right away correct in.

See, he does that.

He's kind of sulking because he's got the muzzle on.

KIMBERLY JACKSON: You do it, mum.

KIM RICHARDS: I love the training

that he's put in with Kingsley, but what

do you walk around your house all day with a damn leash

hanging off your dog?

This doesn't make sense to me.

Kingsley, Kingsley, check.

Kingsley, check.

Check.

Good check. - Right.

Now. - Kingsly, come on.

Kingsly, check. Check.

Good check. Check.

Kingsly, check. - Bump him.

Bump him. - Good check.

Good.

See, he sat, Kim. He sad.

You should have got--

But you have to go-- you go check, and then you go down.

Well, I don't go down.

Oh, yeah?

No.

You don't just do check, you go--

DAVID: Give him a variety of things.

Like go, check, and OK, sit, then down.

Tell him to do two things. - I thought it was just a check.

It's check sit?

Check down.

You can do combinations.

Whatever you want to do. But--

This is very confusing. KIMBERLY JACKSON: Switch it up.

KIM RICHARDS: Kingsley?

Kingsley, check.

Kingsley?

Good check.

Good-- down.

Good dog, Kingsly.

Good.

Down.

Just joking.

It was just a joke.

OK.

KIMBERLY JACKSON: You need help with this.

We'll do it--

Aw, just joking.

OK.

Up, Kingsley.

NARRATOR (VOICEOVER): Coming up.

KYLE RICHARDS: I'm confused.

Like, I'm combining I think baseball and golf.

Like I just want to take that thing and (SWISHING SOUND).

You know what I mean?

[MUSIC PLAYING]

CARLTON GEBBIA: Elizy?

ELIZY: Yes, I'm here.

CARLTON GEBBIA: Where are the girls?

ELIZY: They're right here.

We're going to go wash the doll's House?

Well, playhouse.

We're going to clean-- wash it?

ELIZY: Yeah, wash it first.

We can--

With buckets?

No, with sponges.

[LAUGHING] ELIZY: [INAUDIBLE].

That's what I meant.

With sponges?

Yeah, sponges, yeah.

Hey, baby.

Hey, mommy.

Bloody hell.

What took so long? - I know.

I'm sorry. - Hi.

Hi.

CARLTON GEBBIA: My children, they have a blessed life,

but they also are very aware that money is not everything.

My two girls are now tidying up after themselves.

Thank god.

OK, wait.

Just do me a favour--

this is kind of gross, actually.

DESTINY: I know.

MYSTERI: I know.

DESTINY: Because it has spiders on it.

CARLTON GEBBIA: Shut up.

I don't like brats.

I don't like badly behaved children.

I think children should be polite.

I get so many compliments about my girls.

And I'm very proud of that.

This is-- - Ah, spider.

Ah!

Shh.

It's just a little one.

No, stop it. Stop it.

DESTINY: Oh, come on. CARLTON GEBBIA: Don't kill it.

ELIZY: Spider.

I was going to kill it.

CARLTON GEBBIA: Don't kill it.

Why?

Because it lives in the grass.

[BEEP] just walk over there.

Oh, my God.

Stop it. CARLTON GEBBIA: Don't do that.

That's not cool.

[LAUGHTER]

Ooh, [BEEP] hell.

I didn't--

ELIZY: Oh, my God.

Let's just get a hose and hose everything down like I said.

CARLTON GEBBIA: Bloody hell.

Gross.

[LAUGHTER]

[BEEP]

We have a lot of fun together, which is great.

It's a great compliment to us as parents that our children

love hanging out with us.

I love it.

I wouldn't change it for the world.

[LAUGHING]

I'm done.

I am.

For real.

I'm so done.

[LAUGHING]

DESTINY: Stop it.

Stop it.

CARLTON GEBBIA: You said you were hot.

[MUSIC PLAYING]

Hello.

Hi.

How are you?

Sorry, I'm late.

No, relax.

Relax. Come.

I was just waiting here.

I was working on my tan while you came.

Oh, my gosh. Wait.

So you bought your clubs?

You know, I told you Michael got me clubs.

And look, the clubs are bigger than me.

I'm like falling with the whole club.

I look the part, but I don't know what I'm doing.

Golfing is something I've always promised Mauricio

that I would play one day.

And he keeps saying, if you don't learn,

what are you going to do?

You just going to drive the golf cart around?

Yeah.

How are you? - I'm good.

Hey, Joyce.

Nice to meet you.

James. - Kyle.

Kyle. Nice to meet you.

James.

How's it going? - Wonderful.

Thank you. - Are you girls ready to--

- James? - Yeah.

We look like we know what we're doing.

JAMES: Sure - I don't.

I have the whole thing just because I love it, but--

KYLE RICHARDS: You look cool.

I'm confused.

Like, I'm combining I think baseball and golf.

Like I just want to take that thing and (SWISHING SOUND).

You know what I mean?

So you'll use these balls to chip to the pin.

But what does that mean?

A chip?

I'll show you in one second.

OK, so we're going to go to that pin right there.

I want you guys to put the face right

here, right behind the ball.

And I want you to just go back and through.

And we're going to aim right at the hole right there.

And you two are going to compete and just see how you do.

Easy enough, right?

Don't kill anyone.

But make sure you hit down through the ball.

KYLE RICHARDS: Oh, my God.

I almost got it in the wholey.

Where is that going?

JOYCE GIRAUD: Kyle's golfing is as good as mine.

Not good.

Now all these balls are blocking my way.

Let's pick up.

Let's pick up balls.

OK.

We can pick up. We can pick up.

Just practise hitting them.

Just do this--

Let me pick up.

I didn't know, you know, what was going

to happen with you and Brandi.

I don't even know what happened.

It was insane.

I mean--

What exactly happened?

Well, Lisa sends me a text and tells me, listen,

I want to invite you to dinner.

There's going to be mutual friends, Mohammad and Martin.

Right.

I said, you know what?

I'm never-- I've never been one to be scared of anyone.

So if they want to start fresh, even though they've

been attacking, even though they haven't been receptive,

even though whatever has happened in the past,

let's go in fresh, right?

BRANDI GLANVILLE: So last night was fun.

That was not fun at all.

I had to go.

I'm sorry.

I just wasn't in the head space to be there.

I could-- I noticed that.

I think everybody noticed that.

Yeah, was I bitchy to her?

For sure.

She pissed me off.

You get what you give.

But I just think that there-- you need to-- like,

I know you before--

I mean, I know you.

Right.

I know the beautiful person that I've

gotten to know over time, OK?

And I think just because you've had so much hurt and all this

[BEEP] you've been through, you've just built up this

defence mechanism to people that when--

you know, you're a Scorpio.

You know, you're good, but when you sting, you sting hard,

and it hurts.

But you doing it in a way now that--

you know, that is almost like-- last night, it's not charming.

I don't feel like I was 100% right at Sur,

but I don't feel like two wrongs make a right.

And I feel like I shouldn't I said some things that I said,

but I have a really bad temper.

You know, it's almost like when you start, it's like--

it's embarrassing.

It's not the proper way of communicating.

You know what I mean?

We just put the order in.

We haven't even had dinner.

There's a moment of silence, Brandi's like, Joyce?

Puts her hand on table.

And I'm like, yes?

She says, you know we have a lot of mutual friends.

They don't speak well about you.

And I look at her and I'm like, you know, why?

YOLANDA HADID: You lose credibility

when you talk like that.

And you know, and I love her.

But that's who I am.

But I'm not going to-- no, I'm not going to change who I am.

I'm not going to--

I'm not seeing change who you are, but change

the way you communicate.

Because it was so rough.

[BEEP] you is really not the best

way to articulate how you feel.

I'm just trying to be a big sister to her

and help her maybe change a little bit.

I'm not myself right now.

I miss my dog.

I miss my kids.

I have issues with my ex-husband.

Listen, I'm not-- I'm not in a good space right now.

I know.

So to go and be happy-go-lucky and have the exact right

thing to say right now to someone

I could give a rat's ass about?

I'm sorry.

But--

This is what comes out, [BEEP] you,

go [BEEP] yourself, [Beep]. YOLANDA HADID: I know.

I know. I know.

But it's not-- - I can't handle it.

It's not cool.

I know, but listen, you need to think beyond that.

It's just-- it's not acceptable.

You can't keep doing that.

Brandi has three steps.

Number one, she plans a vicious attack and throws it out there.

Number two, she goes on an F word track.

F you, F you, F this, F this, F, F, F. And then number three,

she cries and becomes the victim.

You know what?

I hate seeing girls cry.

I'm a girls girl.

But I have no sympathy for her right now.

Because that's her typical thing.

Let me cry and be the victim.

Let me act like, oh, Joyce, you have

your husband to defend you.

I have no one.

And I'm thinking to myself, if you were a more

pleasant person, you would have a man,

because you're a gorgeous girl.

But I have news for her, no guy is

going to want to be around such negative energy

and negative drama.

You don't want to come home to that negative stuff.

Next time I see Brandi she will be non-existent to me.

I will cordially say hello, if she says hello.

And if not, she doesn't exist in my world.

[MUSIC PLAYING]

[INAUDIBLE]

Hi.

How are you?

DANIEL: Great to see you.

Oh, nice to see you.

Thank you so much.

- Oh, no problem. - Really.

Really.

It's great to see you again, man.

How's everything?

Why don't you come on over here to the couch.

CARLTON GEBBIA: OK.

And we'll discuss the artwork first.

Brilliant.

I love tattoos because they're very symbolic to me.

I know that a lot of people don't like them.

I'm not doing it for them.

I'm doing it for me.

DANIEL: All right.

Lots to discuss.

OK.

Many different font choices.

But as we discussed, I really like the concept

of using your daughter's--

CARLTON GEBBIA: Hand writing? - --hand writing.

CARLTON GEBBIA: I do, too.

It really makes it so much more personal.

CARLTON GEBBIA: Right.

DANIEL: And I think it's a really great way to go.

No, the fact that you told me that you can do that

was brilliant.

I was-- right?

For the girls.

Yeah, it looks awesome.

CARLTON GEBBIA: I have four tattoos.

My most recently tattoo that I had was on my back.

They call it a tramp stamp.

I can be trampy.

I've had my moments.

Ask my husband.

And I think to kind of tie it in together--

Is that how big it's going to be?

I can actually get it this small.

OK.

Yeah.

Too much-- too much smaller, and then

when we start running into problems.

CARLTON GEBBIA: I think I'm going

to be in pain, good bad pain.

Give me a few minutes.

I'll get prepped up.

And then we'll get you back on the chair.

Thank you, honey.

NARRATOR (VOICEOVER): Coming up.

[SQUEALING]

I did say a stupid joke in front of her

that I shouldn't have said.

[MUSIC PLAYING]

DAVID: Can I just see what that looks like?

Oh, wow.

CARLTON GEBBIA: Is it pretty?

DAVID: Actually, it looks pretty good.

CARLTON GEBBIA: Pretty good or really good?

DAVID: No, no, I'm saying it looks good.

[INAUDIBLE] see the [INAUDIBLE].

CARLTON GEBBIA: Not bloody pretty good.

How do I see it?

Full length mirror over here.

Hand mirror here.

Oh.

My daughter wrote her name in her handwriting, Destiny.

My other daughter wrote her name, Mystery.

And then I wrote my son's name, Cross.

Destiny wrote blessed, and then Mystery wrote be.

Blessed be is part of my paganism.

I have to be honest, I love it.

I do.

I love it.

DAVID: All right.

So go for it.

[SQUEALING]

Are you ready?

Yes.

No.

Face down.

Head down this way.

Oh, you don't have to ask me twice.

[LAUGHING]

Oh, my God.

So where does my chin go?

This is a position you know all too well.

We're going to try to get you nice and comfortable.

Now you're just going to feel a little prick this time.

[LAUGHTER]

Oh, said the [INAUDIBLE] to the nun.

Oh, [BEEP].

Oh.

DANIEL: Here we go.

DAVID: Oh, God.

CARLTON GEBBIA: Shut up, David.

[SQUEALING]

OK.

It's a bloody painful process.

I will not lie.

Oh, that's--

DANIEL: Breathe.

CARLTON GEBBIA: That's a bit of a bitch.

DAVID: Holy [BEEP].

Shut up.

Stop saying holy [BEEP].

Well, it's not that bad.

I'm being a pussy.

Sorry.

It's so funny.

Because remember I said I wanted to get

the Celtic prayer on my arm?

And then I just--

I was talking to David and I feel like I had an epiphany.

And I said I wanted to get a pentagram, the Wicca star.

Just because, for me, that's almost a symbol of protection.

And then because I was looking at David's tattoo

and I saw the way the girls had written their names, I'm like,

it would only be fitting to have them on there.

DANIEL: Yeah.

Oh, wow.

What do you think?

DAVID: It looks good.

CARLTON GEBBIA: Yeah?

DAVID: Yeah, it does.

Really?

Yeah.

I don't believe you.

I swear to God.

Why are you hesitating?

I'm not.

CARLTON GEBBIA: I'm going to have

their writing on the back of my neck for the rest of my life.

And it's very symbolic to me.

It's not-- I'm not having a midlife crisis.

It's emotional for me.

You like it?

DAVID: Yeah. CARLTON GEBBIA: Are you sure?

DAVID: Yeah. [LAUGHING]

- It's pretty big.

It is big.

Just the way I like it.

[MUSIC PLAYING]

I love it here.

Hello?

SHANE: Hello, Lisa.

Hey.

Hi.

Oh, you brought him?

I know. Sorry.

Did you have to?

He follows me around.

I've been trying to shake him off for years.

Ken and I are taking on this new restaurant

and creating it called Pump.

So you ready to spend some money?

No.

Ready to have a look.

The process, for me, is finding incredible pieces

as we go along.

I cannot build a restaurant out and then hope to find something

beautiful to put in it.

I have to find those as I go along.

I love this.

Expensive or not?

SHANE: I think they're about $850.

Tables?

We can make any table you want, wood, zinc, steel.

The LOL I think is incredible.

I love it.

OK, so those light--

KEN TODD: So they're-- this is it, yeah?

LISA VANDERPUMP: How much are they?

SHANE: They're right around $4,500, I think.

LISA VANDERPUMP: $4,500 each?

SHANE: Yeah.

LISA VANDERPUMP: Clearly, I have a budget,

because I'm rummaging around reclamation yard

instead of in Melrose Place.

But that's a feel of the place.

It's gotta be eclectic and sexy.

And when I put it all together, hopefully it works.

That's beautiful there.

I love that.

How much is it?

$875 each, which is--

$875?

KEN TODD: No, I don't see them.

Don't really like them that much.

I love those.

You like those concrete things?

No.

LISA VANDERPUMP: Ken and I are not only partners in life,

we're partners in business.

And I've built many houses with him, and even a yacht.

It's just a great partnership.

[INAUDIBLE] so save me the bridge things,

the lights, they arch, definitely.

I mean, sometimes, of course I want to strangle him.

But that's life, isn't it?

I was so upset the other night.

I mean, I should have told Brandi to stop, but I didn't.

Well, I mean, Joyce wasn't-- you know,

when she was saying, you're a racist,

Brandi's clearly not racist.

You're a racist, a bully.

That is true.

I'm racist?

- You are a racist. - What are you talking about?

Stop This.

She's had, you know, African-American boyfriends,

friends.

So I didn't even like that.

And I had to stay down the middle in that,

because if I'd attacked Brandi, then I would

have gotten into it with her.

Do you see what I'm saying?

KEN TODD: Of course.

I think you did the right thing.

LISA VANDERPUMP: I'm going to call Joyce, just

sit down with her on my own.

Because I see this frustration.

I don't dislike her.

If it had just been Brandi and Joyce--

LISA VANDERPUMP: Right.

I don't think she would have got so excited,

but when Michael joined in--

Michael should have kept out of it

and let Brandi and Joyce speak.

Well, I don't agree with you.

I thought it was quite admirable.

He has to defend his wife.

Of course, he does. - No, he doesn't.

Not against another woman. Why?

Yes, he does.

She can look after herself.

LISA VANDERPUMP: I'm calling bull [BEEP] on that.

If somebody was attacking me, he would defend me.

But he's saying that Brandi is on her own,

and Michael's backing Joyce up, and Michael

should keep out of it.

I don't know.

I don't think life works that way.

Come on.

Let's go.

Don't walk off in a huff.

LISA VANDERPUMP: I'm not in a huff.

[MUSIC PLAYING]

KYLE RICHARDS: Oh, my God.

Can I not-- oh, sorry.

Hi.

MATTHEW: Hello.

Oh, my gosh.

Hello.

Hi.

Are you so excited?

I am.

I'm really nervous.

Like, I feel very nervous.

I feel extra stressed today, because it's not

just an event about having fun.

I'm trying to actually get people here to raise money

for a Children's Hospital.

What would I do without you?

OK.

Not panic so much, maybe.

Well, you know me.

I'm always going to be like that.

OK.

100% of the proceeds are going to Children's Hospital Los

Angeles.

In addition to the tickets, anything

sold in the store tonight, 20% will go to the hospital

as well.

I really need in my head a better visual

of how we're going to do this.

I do want models in the window as people are

arriving with the red carpet.

We do have that.

What was that?

Did something break?

What was that?

A mannequin?

Oh, no.

Oh, [BEEP].

She's dead.

Oh, God.

My butt is hanging out.

Oh, God.

And the dress.

OK, well-- OK, this is what I'm going to do for now.

She's had one too many cocktails.

[MUSIC PLAYING]

Thank you guys for doing this with me tonight.

It means a lot. ADRIENNE: You're welcome.

No, its, like you said, for a good cause,

and it's for the kids.

BRANDI GLANVILLE: The great thing about these girls

is they just don't judge me.

They will tell me when I screw up.

They will love me no matter what.

But, no, we kind of did something

like what we're doing now in Milan.

I don't remember.

I-- my memory is shot.

She blacked out.

Oh, don't say black around me.

Oh.

What?

It's a long story.

Tell me.

What happened?

Oh, there's so much going on in my--

right now.

There's this girl that you guys met

the other day, the Joyce girl.

Yeah. Hair.

The hair Yeah, the pretty hair girl.

ADRIENNE: I haven't met her yet. - Oh, you haven't?

ADRIENNE: No.

BRANDI GLANVILLE: Etirsa I think she just has it out for me.

But so far I'm a racist, a bully, an alcoholic.

I did say a stupid joke in front of her

that I shouldn't have said, but it was joking.

And anyone that knows me knows I'm joking.

ETIRSA: But what did you say?

Etirsa I said-- when we were in Palm Springs,

we were all laying around in our bathing suits.

And no one would get in the water.

It was just like me.

So I was like, get in the water.

She's like, oh, no, I don't get in the water.

I'm like, oh, you're like a black person?

And it did not--

A black person?

BRANDI GLANVILLE: I don't know what I said.

I was like, oh, you're like a black girl?

I don't know what I said.

Like, you don't want to get your weave wet.

ETIRSA: Well, OK, first of all, I

got to say, kind of dumb to say in front of people,

especially that you don't know, you know?

They don't know you.

BRANDI GLANVILLE: She's right.

I shouldn't have said it.

I know it.

And you can't take [BEEP] back.

That's the problem.

I can't imagine she's going to start something

at a [BEEP] charity event.

That gives me anxiety.

[MUSIC PLAYING]

PHOTOGRAPHER: Kyle, can you step on the carpet

and turn all the way.

PHOTOGRAPHER 2: Kyle, look over here, love.

PHOTOGRAPHER 3: Kyle, right here.

PHOTOGRAPHER: Kyle, let's see the front of the dress.

Thank you for being here.

Thanks for having us.

Thank you so much.

Thank you. Thank you.

Hi.

Hi, how are you?

Thank you for being here.

I appreciate it.

Everybody is so tall around me tonight.

This is why I'm not modelling.

Thank you.

Do you think you could get my girls and--

Oh, there's actually a little runway?

Well, a little bit.

I hope you're wearing panties.

[LAUGHTER]

Well, that's not good.

JOYCE GIRAUD: So gorgeous.

MATTHEW: Hello.

Hi, babe.

How are you?

You look amazing.

Thank you, love.

[INAUDIBLE],, this is [INAUDIBLE]..

WOMAN: Hi, nice to meet you, babe.

BRANDI GLANVILLE: I'm not going to engage

with any little thing.

You give her an inch, and she will take a mile.

And it's not happening here tonight.

So where do we go?

I think we have to change, right?

MATTHEW: In the back. Yeah.

We have to change. - Let's go.

LISA VANDERPUMP: Coming up.

You carried me all the way from the set down

to my dressing room.

I'll never forget that.

Look, I have like goosebumps.

JOYCE GIRAUD: So where do we go?

I think we have to change, right?

MATTHEW: Yeah. So we have to change.

BRANDI GLANVILLE: Let's go.

Hi.

[NON-ENGLISH SPEECH] - Good.

Good. - Good.

How are you doing? - Bien.

Muy bien.

[NON-ENGLISH SPEECH] - [NON-ENGLISH SPEECH]

Si, Peurto Rican.

I hope that Brandi for once can act like a lady and realise

that we are at a charity event.

KYLE RICHARDS: You guys met Brandi's friend, Etirsa.

Hi.

Come over here.

So she actually teaches modelling classes.

OK.

So Sophia-- look at Sophia, she's like--

look at me next to her.

She's 13, my daughter.

And this is her beautiful friend, Haley.

Haley? - Hi, Haley.

Etirsa.

Nice to meet you.

Etirsa is a professional model.

She knew Brandi from modelling.

That's how they met. - Yeah.

And she actually teaches.

So I want to give you guys a little, you know,

how to hold, you know, their posture.

Is this what you're going to be wearing in the show?

- Yeah. - OK.

Sure. Absolutely.

KYLE RICHARDS: I'm excited to have my daughter's model

in the fashion show tonight.

I think it's important for them, even

if they're a little uncomfortable, to do this,

because it is for charity.

At one point, we're going to be standing in the window.

But we are going to walk at one point each one at a time.

So I'll show you what that would looks like.

KYLE RICHARDS: See, how she walks so beautifully like that.

OK.

Yeah.

OK, so when you get to the end, you can just hold it.

Look around.

Smile.

[LAUGHTER]

Just have fun.

If your shoe falls off, don't even worry about it.

You got to try it.

Come on.

So once you're up, I don't want your eyes

to be down anymore, OK?

Because you--

Where do I look exactly?

You can look--

if you want to look around--

So scared I'm going to trip.

You're not going to trip.

It's a flat surface.

So you're not going to trip.

Yeah, just exactly what you're doing.

OK, stop.

And kind of lean your weight.

There you go. Look around.

Smile. - Smile.

Smile.

OK.

All right.

So let's start from the beginning.

And when you walk up the stairs I want

you to be perfectly poised.

You have to, Sophia.

Do one little thing, and you're gonna feel more confident.

Sophia is 13.

She looks like she's 17, but she's only 13 years old.

And she doesn't like to be the centre of attention.

Just, please, Sophia.

Just go do it.

As a child, I actually was shy.

And my mum sort of pushed me into acting

to help me overcome my shyness.

It's for Children's Hospital.

Be--

I know.

KYLE RICHARDS: So when Sophia feels like that,

I respect that, but I also know sometimes you have

to fake it till you make it.

Get out there.

Please, do that.

Please, just go walk up on that.

That's so uncomfortable.

You're going to feel better walking--

Can I practise with her?

OK, fine.

Can we go together?

Thank you.

Dammit.

Well, if I fall, I fall.

Here, babe.

OK.

This one, too.

Maybe.

JOYCE GIRAUD: Oh, this is cute, too.

Let me try this.

Yeah.

My dress is stuck up my butt.

So I can take off the underwear and go commando.

I'm going commando.

KYLE RICHARDS: Hi.

You look beautiful.

KYLE RICHARDS: How are you?

Thank you so much for being here.

I'm happy to be here.

Thank you so much.

Are you well?

I am well.

Good to see you.

This is beautiful.

And we just met your partner.

You did?

Lizzie, yes.

This is Kathy [INAUDIBLE].

KYLE RICHARDS: How are you?

So nice to meet you.

KYLE RICHARDS: So nice to meet you.

And thank you for doing this for us.

JAMIE LEE CURTIS: Thank you for doing this.

Are you kidding?

I'm thrilled.

I'm really proud of you guys.

Well, you also, very inspiring.

KATHY: That is true.

She is.

She really is.

You know how long I've known Jamie?

No, tell me.

Since, well, I think I was seven years old.

KATHY: Wow.

You were a kid yourself.

No, I was 19, you were 7.

And Jamie, we did the movie "Halloween" together.

TOMMY: I saw the [INAUDIBLE].

Oh, Tommy, Stop it.

You're scaring Lizzie.

Tommy, stop it.

Now there's nobody out there.

I know I always say this when I see you,

but I always remember this.

It sticks in my mind.

I remember the night that I wrapped filming.

You were still shooting.

It was a night shoot, as most of, you know, the nights were.

And Jamie said, stop, I want to take

Kyle back to her dressing room.

And you carried me all the way from the set down

to my dressing room.

I'll never forget that. Look, I have like goosebumps.

Because she was in the middle of shooting.

And I just remember, she showed that, you know,

caring, nurturing side even at that age.

And I mean, you were-- you were 19 years old.

You were baby yourself. - Well, just--

KATHY: Yeah, but she'd also--

KYLE RICHARDS: You're an old soul.

I'm a little sensitive.

And going back to Children's hospital, I will say, though,

and coming to the events, and hearing you speak,

it really has inspired me a lot.

And you're so selfless.

And I really admire your lot for that.

I appreciate that.

Hi.

How are you?

What's up, Brandi?

How are you?

OK.

Nice to see you. BRANDI GLANVILLE: You, too

MAURICIO: I love it.

That's cute.

What's up, man?

Hi, gorgeous.

Hello, hello.

Hi, hi.

How are you, pal?

Great to see you.

Hi, how are you?

Hi.

Thank you for being here.

Kyle's and my fashion sense is probably not

on the same planet.

I like her jewellery though.

LISA VANDERPUMP: Hello.

How are you?

KIM RICHARDS: How are you? LISA VANDERPUMP: I'm good.

How are you?

I'm good.

Hectic.

BRANDI GLANVILLE: Hi, how are you?

KIM RICHARDS: I took--

Congratulations here. Unbelievable.

Thank you. Thank you so much.

I've never been to the store. It's stunning.

We missed the dinner the other night.

Yes.

Yes, you did miss something.

I heard it was an interesting dinner.

It was-- it was too much.

I've never been at a dinner like this.

So-- KYLE RICHARDS: Oh, my God.

Well, I have-- - Yeah.

[LAUGHING] - I'll see you out there.

I'm collecting the models.

MICHAEL OHOVEN: Yes.

LISA VANDERPUMP: Did you talk to Joyce, or not?

No.

It's not the right place.

No.

I'll speak to her another time.

It's just hard when you have people that you don't even

know you and they're trying to take

you down with every- with all, like, I'm a bully,

I'm a racist.

There's a lot more people trying to build you up.

You've got to keep it in perspective.

Really.

It's a-- it's a lot.

I see that with you.

[MUSIC PLAYING]

[CHEERING]

I have a question, why do models always look unhappy?

You know, really?

Have you ever seen them smile?

They're always like this.

They're always very angry and very mean.

Anyway, I'm really thrilled, thrilled to be here.

For those who don't know me, I'm Jamie Curtis.

I am here on behalf of Children's Hospital Los

Angeles.

[APPLAUSE]

Thank you.

Also, it is my great thrill to be able to announce tonight,

if I may, do I have permission?

Yes.

OK.

That Kyle and Mauricio have joined the first families

at Children's Hospital of Los Angeles, which

is a very specific level of giving,

and it is a big level of advocacy.

And they're me and countless others, my friend Melanie

Griffith and Antonio, in establishing

a level of giving which allows the hospital

to do their great work.

And so I'm making this announcement tonight on behalf

of Children's Hospital Los Angeles

in receiving that beautiful donation.

[APPLAUSE]

I think it's just important to give back to the things that

really mean the most to you.

I can't imagine what these children go through,

and their families go through.

And Mauricio was sick as a child.

He spent a lot of time in a Children's Hospital.

He was born with an illness called neutropenia.

He had a very small percent chance of living.

And thank God he survived.

And thank you both.

And the work that you are doing here tonight

and the work that we will continue to do together

will change the lives of these children forever.

And so I'm thrilled to be here.

[APPLAUSE]

[MUSIC PLAYING]

KYLE RICHARDS: Wooo-hoo.

[CHEERING]

Beautiful.

Yay.

Gorgeous.

[CHEERING]

Good job, honey.

Good job.

When Sophia got up there and she started strutting her stuff,

I was thinking, yes, that's my girl.

Work it, girls.

Work it.

Woo!

Work it, Brandi.

CARLTON GEBBIA: Brandi is very sexy.

I was just-- I was blown away.

She looked incredible.

[CHEERING]

JOYCE GIRAUD: I don't know why when you're in the catwalk you

just give that sexy, little look,

I don't know why we do that as models.

[APPLAUSE]

KYLE RICHARDS: I feel proud of the clothing,

the models, the store.

And I feel most proud about raising this money

for Children's Hospital.

Thank you all.

And have fun, and shop for a good cause.

And have a good night.

Thanks, everybody.

[APPLAUSE]

You should have been right up there.

You should have.

- No. - Yes.

It was good. It was good.

Yes, you should have.

You OK?

I'd love that.

Let's [INAUDIBLE].

You want to do that?

But nobody else.

JOYCE GIRAUD: If she wants to move forward with me,

she needs to stop making excuses for Brandi.

Now I need to be aware.

First time, shame on you.

Second time, shame on me.

Third time, I'm just an idiot.

NARRATOR (VOICEOVER): Coming up.

I feel I constantly chastise her.

What's chastise?

LISA VANDERPUMP: I don't know.

Reprimand.

Oh, OK.

You don't know that means either.

For God's sake.

CARLTON GEBBIA: I remember the bloody movie "Halloween".

Are you kidding me? - She's unbelievable.

One of my favourite movies.

I did not know that was you.

I was the little girl she was babysitting in the movie.

That's hysterical.

And she's such an incredible human being.

CARLTON GEBBIA: I was impressed.

You know, I think that being a child actor

is probably one of the toughest things to do.

And I really enjoy that movie.

Maybe now she'll cut me some slack.

And by the way, it's a phenomenal charity.

It really is.

The fact that Kyle was in probably one

of my favourite movies, "Halloween", does

have change my opinion on her?

That would be a no.

[MUSIC PLAYING]

[DOOR BELL RINGING]

Come along.

No, this way.

We're going to-- there she is.

Look at the puppy.

Why, you look gorgeous.

I'm a slab.

Oh, no, you're always beautiful.

Here, this is for you.

You don't have to give me presents every time you see me.

Well, I'm coming to your home.

I never come empty handed.

Sit down here, darling.

Do you fancy a cup of tea?

Or a drink?

Or a glass of champagne?

I'll have a cup of tea with you.

This looks gorgeous.

JOYCE GIRAUD: Thank you. Thank you.

I think it matches your home, right?

I know. It does.

All the pink. LISA VANDERPUMP: I love it here.

Yeah, it's beautiful.

It's so relaxing, right? - Yeah.

JOYCE GIRAUD: Very peaceful.

I feel like I'm in the country.

I can't really apologise for the other night,

because I tried to stop it.

Well, I can apologise.

And I hated it.

And there was so many reasons that we didn't

want it to end up like that.

You know, and I-- when you told me, let's start fresh--

Is that OK like that?

With milk?

Yes, it's fantastic.

- OK, good. - Thank you.

Rocio, verdad? - Yeah.

Muchas gracias.

De nada.

You're very close with Brandi, and I understand that.

But that being said, I feel like Brandi throughout a long time

has been attacking me.

And you guys just make excuses for her.

Look, I'm not making excuses for her.

But she is my friend, OK?

And one of the things I can't say

is that she has been going through like a really

tough time lately.

I mean, she has.

That's an excuse.

I've allowed a lot with Brandi.

If she's in a bad place--

LISA VANDERPUMP: She's got a lot of great friends.

I get it.

LISA VANDERPUMP: Well, you've got mutual friends.

Everybody has-- we actually do not.

We have mutual acquaintances.

I did speak to Cristal, the person we have in common.

And Cristal told me that she's seen Brandi twice in her life.

She said, I have never spoken to this woman.

How dare this woman be putting words in my mouth.

How dare she be talking [BEEP].

Those were Cristal's words.

Well, Joyce is kind of a formidable opponent.

Let's be honest about that.

But you know, I think she's actually a good girl.

I really do.

I just got off to a bad start with her.

And she needs to give Brandi a little bit of a break.

I mean, I felt a little responsible at dinner.

And that's why I was trying to say, hey--

You're not responsible for her actions.

That's the beauty of it.

You're not her mum.

But you're you're just her friend.

But I do feel it.

I feel I constantly chastise her.

Like what? LISA VANDERPUMP: I feel like--

What's that word?

I constantly chastise her.

What's chastise?

LISA VANDERPUMP: I don't know.

I don't even know that word.

That's new in my vocabulary.

It's got nothing to do with chastity.

JOYCE GIRAUD: What is that word?

It's to do with telling her off.

JOYCE GIRAUD: It sounds nice. What?

LISA VANDERPUMP: Chastise.

Chastise.

Tell her off.

Tell her off? What?

You mean--

Telling her off means to reprimand.

Oh, OK.

You don't know what that means either.

[LAUGHING]

For God's sake.

NARRAOTR (VOICEOVER): Next time on "The Real Housewives

of Beverly Hills".

Ooh.

[LAUGHING]

BRANDI GLANVILLE: Drinking and pole dancing,

they don't mix for me.

Little jealous.

Yay.

KIM RICHARDS: Tonight is a special night for Kimberly.

I've never been more grateful and proud.

[CHEERING]

KIM RICHARDS: I really love you.

Yet a little scared.

Kimberly's graduation, you didn't make.

I was in Missouri this weekend.

No my hairdresser saw you at Sur.

LISA VANDERPUMP: Well, your hairdresser is dreaming.

I've never bullied you.

- That was being a bully. - I'm not a bully.

If I was a bully, I would have knocked your [BEEP] teeth

out by now.

NARRATOR (VOICEOVER): To learn more about the housewives,

go to bravotv.com.