All language subtitles for The.Real.Housewives.Of.Beverly.Hills.S04E10.WEBRip.x264-ION10

KYLE RICHARDS (VOICEOVER):
Previously on "The Real

Housewives of Beverly Hills."

Thank you guys
so much for coming.

It really means a lot to me.

KYLE RICHARDS: I
had already asked

Brandi and Joyce if they could
model in the fashion show.

But I don't want to have
any negativity associated

with this party whatsoever.

Like this, and in the windows.

So we're going to get the
dog with me for a week bonding

with a pack of dogs.

Off to gaol.

Aw, that's so sad.

Jaclyn?

Joyce, babe, Joyce.

Oh, I'm sorry.

BRANDI GLANVILLE:
Half time when I

call Joyce Jaclyn I
do it to annoy her,

because I find her annoying.

Joyce is coming tonight.

[SIGHS]

For no reason, you
were being a bully.

I was not bullying you.

JOYCE GIRAUD: Yes, you were.

Joyce is a big fat pig.

What is that?

You're a smart girl.

Don't act like a bimbo.

You're just blonde,
but you're not a bimbo.

Shut the [BEEP] up.

KYLE RICHARDS (VOICEOVER):
I'm from this town.

I know what's real
and what's fake.

YOLANDA HADID (VOICEOVER):
Don't tell me you're my friend.

Act like one.

BRANDI GLANVILLE (VOICEOVER):
In Beverly Hills,

the higher you climb,
the farther you fall.

KIM RICHARDS (VOICEOVER):
Everybody loves a comeback

story, especially starring me.

CARLTON GEBBIA (VOICEOVER): In
my world, money doesn't talk.

It swears.

JOYCE GIRAUD (VOICEOVER):
You can never be too

young, too thin, or too honest.

LISA VANDERPUMP (VOICEOVER):
Life is a sexy little dance,

and I like to take the lead.

BRANDI GLANVILLE:
Go [BEEP] yourself.

MICHAEL OHOVEN: Stop
your language, Brandi.

[BEEP] you, dude.

What do you mean
[BEEP] you, dude?

You know what?

I which I don't need to live
on this planet with you.

I'm serious.
I mean, you're out of your mind.

Then go back to wherever
the [BEEP] you're from.

MICHAEL OHOVEN: Is that
all you can talk about?

JOYCE GIRAUD: You
know what, Brandi?

Let me tell you something--

MICHAEL OHOVEN: You're
of your freaking mind.

You're not even drunk tonight
and you're out of your mind.

JOYCE GIRAUD: You're
not even drunk?

Listen, let me ask my husband
to come in and talk to you.

I don't have one.

So shut the [BEEP] up.

Go [BEEP] yourself.

I thought it was just
an alcohol problem.

MICHAEL OHOVEN:
Get drunk at least

so I can apologise for it.

That's what I thought.

I thought you just needed rehab.

Obviously, it's just you.

It's just the real you.

You don't need rehab.

You're just tacky.

OK.

That is really,
really disgusting

that you would say that to me.

JOYCE GIRAUD: You know
what I think is disgusting?

That you would be
giggling in a corner,

that you would be calling Jack--

calling me Jacqueline when
you clearly know my name

is Joyce, that you
would be telling

me [INAUDIBLE],, that
you would be telling

me all these bullying things.

That's disgusting to me.

LISA VANDERPUMP: Brandi
doesn't seem to be

in a very good place right now.

And I think she's kind
of losing this battle.

I don't know what
to do, but I don't

think this is the
right time to be

sorting out their differences.

Listen, I'm having--

I miss my puppy.

I'm depressed.

Darling, don't.

Don't.

No, I'm just saying,
like, you just don't get it.

MICHAEL OHOVEN: Just
calm down a little bit.

KIM RICHARDS: I'm not lying.

I [BEEP] tell the truth.

This is bull [BEEP].

I know.

Stop.

KEN TODD: What we want
to do is to try to--

I'm leaving.
LISA VANDERPUMP: No, you're not.

You're not going anywhere.

YOLANDA HADID: B, don't cry.

Just calm down.

We just want to get everything
back on an even kilt.

LISA VANDERPUMP: No, no, no.

Don't go.
- No, no.

She's coming back.

LISA VANDERPUMP:
No, but come back.

Don't end it like this.

Don't cry.

You should let her go.

She wants to go to the babies.
Let her go.

LISA VANDERPUMP: No, it's not.

I don't want her
to leave like this.

She's just had a really,
really hard time.

YOLANDA HADID: Brandi's
about to implode.

And it's not pretty,
but it's an escalation

of a lot of emotions.

And it needs to explode
in order to get better.

KEN TODD: She
hasn't been herself

since she lost the puppy.

I know that.

I understand the puppy
situation, but in Palm Springs

she still hadn't lost a puppy
when she was bullying me.

Joyce is a big fat pig.

[LAUGHING]

You cannot say that.

I can say that.

So for her to attack
me is very unfair.

For her to tell me to
shut the [BEEP] up,

to [BEEP] off, a bitch, [BEEP].

I don't think she's
attacking you for that.

JOYCE GIRAUD: It's horrible.

I think Brandi's way of
communicating is very trashy,

and she should start
using proper words.

Not everything
needs to be eff you.

Don't worry about it.

I love you.

Go and snuggle up
with the boys, OK?

I'm going to.

Thanks, babel

I love you.

Love you, too.

YOLANDA HADID: I love you, baby.

It's OK.

I love you.

Are you OK?

No, but it's fine.

YOLANDA HADID: OK, I love you.

BRANDI GLANVILLE: OK.

YOLANDA HADID: I've been
in that dark, deep [BEEP]

hole where you can
see the light and you

think you can't get out.

So I'm just, you know,
worried about other people

that don't know their story,
how they're going to judge her.

Why did you let her go?

Because she missed the babies.

She's crying, you know?

She just on overload.

She put her best foot forward.

Best foot?

Best foot I might have a comment
on, but that's all right.

She put a foot forward.

She started it.

Yeah, she's a
beautiful person.

She's a good person.

LISA VANDERPUMP: She really is.

And what you see
is what you get.

There's no two
ways about Brandi.

I would love to get
to know that person.

And sometimes, in the
beginning, I was also like,

you know, the [BEEP] is this?

Like, you will
never heard me say,

but it's not part
of my language.

Well, Yolanda, if she was
calling you whatever name,

and you tell her, that name
was what they called me

in high school and I was
bullied for it, please,

don't repeat it, and
she kept repeating it,

I don't think you would have
the relationship you have now.

JOYCE GIRAUD: Good point.

Yes and no.

Very good point.

So don't tell me
she's a great heart.

Because to me, she hasn't
showed that great heart.

YOLANDA HADID: I can see
where Joyce is coming from.

I can't control what comes
out of Brandi's mouth.

Even though I don't agree
with it, I don't condone it,

I will say something about it
when it's the appropriate time.

Michael, just
say one thing, you

can see from this
group there's 4,

5, 6 people that really
like her and love her.

So there must be
some goodness there.

I want to see that.

But take our
advise then, though.

I mean, take--

No, tell her to
take the advice.

I think you need
to advise her.

You need to advise her.

You need to advise her
and give her some elegance.

She's proven to me that she is
authentic, and a loyal friend,

and that she--

you know, she's
an honest person.

And all I've seen as much
as you think she's authentic,

I've seen a genuine,
authentic, mean person

that giggles at your table.
LISA VANDERPUMP: But when?

I didn't see any of this--

--that make comments
at your table.

I think they're trying to still
see a good and decent person.

I think what they
witnessed is a train wreck.

And they all know that this
train is going to derail again.

JOYCE GIRAUD: If she tells
me, listen, in Palm Springs,

I was rude.

I apologise for bullying you.

The moment she comes and
tells me that, it's erased.

If God could forgive what
humanity did to his son,

who am I to not forgive
Brandi for being

such a stupid little bitch?

Can we get some disaster
over here, please?

If you're not too-- if
you're not too busy.

I put dessert in.

[MUSIC PLAYING]

Oh, my God.

He's here.

I'm expecting a whole new dog.

I'm expecting a
whole new Kingsley.

Kim.

It's your baby.

Say hello to your baby.

Look at your baby.

KIM RICHARDS: He's
probably thinking,

I'll tell you at what time
I miss my mum the most,

at David's, I sleep
in this crate.

He's so happy.

And at home, I sleep on a
European King fluffy mattress

with a down quilt on my mum.

Kingsley.

Wow.

Wanna cuddle with us?

Yeah.

Hi.

You're so-- I missed you.

Oh, I missed you so much.

Oh, you big boy.

KIMBERLY JACKSON: How was it?

DAVID: It was great.

Yeah.

I mean, yeah, he
completely relaxed.

He-- you can see, he's
like a puppy again.

What you need to do now
is you reward him only

when he does something right.

KIM RICHARDS: Am I
asking for too much?

I wanted safe dog
for all the people.

Every time you want to
just like cuddle with him

and make him your teddy
bear, make him earn it.

I want a baby.

He comes to you, you're
like sit, down, check.

Oh, OK.

I want a guard dog, too.

I mean, am I asking
for too much?

Maybe.

Like, I would push him
and I would get him up.

Look, off, sit.

If he doesn't do the sit down,
then you have to make an issue

of it right away correct in.

See, he does that.

He's kind of sulking because
he's got the muzzle on.

KIMBERLY JACKSON:
You do it, mum.

KIM RICHARDS: I
love the training

that he's put in with
Kingsley, but what

do you walk around your house
all day with a damn leash

hanging off your dog?

This doesn't make sense to me.

Kingsley, Kingsley, check.

Kingsley, check.

Check.

Good check.
- Right.

Now.
- Kingsly, come on.

Kingsly, check.
Check.

Good check.
Check.

Kingsly, check.
- Bump him.

Bump him.
- Good check.

Good.

See, he sat, Kim.
He sad.

You should have got--

But you have to go-- you go
check, and then you go down.

Well, I don't go down.

Oh, yeah?

No.

You don't just do
check, you go--

DAVID: Give him a
variety of things.

Like go, check, and
OK, sit, then down.

Tell him to do two things.
- I thought it was just a check.

It's check sit?

Check down.

You can do combinations.

Whatever you want to do.
But--

This is very confusing.
KIMBERLY JACKSON: Switch it up.

KIM RICHARDS: Kingsley?

Kingsley, check.

Kingsley?

Good check.

Good-- down.

Good dog, Kingsly.

Good.

Down.

Just joking.

It was just a joke.

OK.

KIMBERLY JACKSON: You
need help with this.

We'll do it--

Aw, just joking.

OK.

Up, Kingsley.

NARRATOR (VOICEOVER): Coming up.

KYLE RICHARDS: I'm confused.

Like, I'm combining I
think baseball and golf.

Like I just want to take that
thing and (SWISHING SOUND).

You know what I mean?

[MUSIC PLAYING]

CARLTON GEBBIA: Elizy?

ELIZY: Yes, I'm here.

CARLTON GEBBIA:
Where are the girls?

ELIZY: They're right here.

We're going to go
wash the doll's House?

Well, playhouse.

We're going to
clean-- wash it?

ELIZY: Yeah, wash it first.

We can--

With buckets?

No, with sponges.

[LAUGHING]
ELIZY: [INAUDIBLE].

That's what I meant.

With sponges?

Yeah, sponges, yeah.

Hey, baby.

Hey, mommy.

Bloody hell.

What took so long?
- I know.

I'm sorry.
- Hi.

Hi.

CARLTON GEBBIA: My children,
they have a blessed life,

but they also are very aware
that money is not everything.

My two girls are now
tidying up after themselves.

Thank god.

OK, wait.

Just do me a favour--

this is kind of gross, actually.

DESTINY: I know.

MYSTERI: I know.

DESTINY: Because it
has spiders on it.

CARLTON GEBBIA: Shut up.

I don't like brats.

I don't like badly
behaved children.

I think children
should be polite.

I get so many compliments
about my girls.

And I'm very proud of that.

This is--
- Ah, spider.

Ah!

Shh.

It's just a little one.

No, stop it.
Stop it.

DESTINY: Oh, come on.
CARLTON GEBBIA: Don't kill it.

ELIZY: Spider.

I was going to kill it.

CARLTON GEBBIA: Don't kill it.

Why?

Because it lives in the grass.

[BEEP] just walk over there.

Oh, my God.

Stop it.
CARLTON GEBBIA: Don't do that.

That's not cool.

[LAUGHTER]

Ooh, [BEEP] hell.

I didn't--

ELIZY: Oh, my God.

Let's just get a hose and hose
everything down like I said.

CARLTON GEBBIA: Bloody hell.

Gross.

[LAUGHTER]

[BEEP]

We have a lot of fun
together, which is great.

It's a great compliment to us
as parents that our children

love hanging out with us.

I love it.

I wouldn't change
it for the world.

[LAUGHING]

I'm done.

I am.

For real.

I'm so done.

[LAUGHING]

DESTINY: Stop it.

Stop it.

CARLTON GEBBIA: You
said you were hot.

[MUSIC PLAYING]

Hello.

Hi.

How are you?

Sorry, I'm late.

No, relax.

Relax.
Come.

I was just waiting here.

I was working on my
tan while you came.

Oh, my gosh.
Wait.

So you bought your clubs?

You know, I told you
Michael got me clubs.

And look, the clubs
are bigger than me.

I'm like falling
with the whole club.

I look the part, but I
don't know what I'm doing.

Golfing is something I've
always promised Mauricio

that I would play one day.

And he keeps saying,
if you don't learn,

what are you going to do?

You just going to drive
the golf cart around?

Yeah.

How are you?
- I'm good.

Hey, Joyce.

Nice to meet you.

James.
- Kyle.

Kyle.
Nice to meet you.

James.

How's it going?
- Wonderful.

Thank you.
- Are you girls ready to--

- James?
- Yeah.

We look like we
know what we're doing.

JAMES: Sure
- I don't.

I have the whole thing
just because I love it, but--

KYLE RICHARDS: You look cool.

I'm confused.

Like, I'm combining I
think baseball and golf.

Like I just want to take that
thing and (SWISHING SOUND).

You know what I mean?

So you'll use these
balls to chip to the pin.

But what does that mean?

A chip?

I'll show you in one second.

OK, so we're going to go
to that pin right there.

I want you guys to
put the face right

here, right behind the ball.

And I want you to just
go back and through.

And we're going to aim right
at the hole right there.

And you two are going to
compete and just see how you do.

Easy enough, right?

Don't kill anyone.

But make sure you hit
down through the ball.

KYLE RICHARDS: Oh, my God.

I almost got it in the wholey.

Where is that going?

JOYCE GIRAUD: Kyle's
golfing is as good as mine.

Not good.

Now all these balls
are blocking my way.

Let's pick up.

Let's pick up balls.

OK.

We can pick up.
We can pick up.

Just practise hitting them.

Just do this--

Let me pick up.

I didn't know, you
know, what was going

to happen with you and Brandi.

I don't even know what happened.

It was insane.

I mean--

What exactly happened?

Well, Lisa sends me a
text and tells me, listen,

I want to invite you to dinner.

There's going to be mutual
friends, Mohammad and Martin.

Right.

I said, you know what?

I'm never-- I've never been
one to be scared of anyone.

So if they want to start
fresh, even though they've

been attacking, even though
they haven't been receptive,

even though whatever has
happened in the past,

let's go in fresh, right?

BRANDI GLANVILLE: So
last night was fun.

That was not fun at all.

I had to go.

I'm sorry.

I just wasn't in the
head space to be there.

I could-- I noticed that.

I think everybody noticed that.

Yeah, was I bitchy to her?

For sure.

She pissed me off.

You get what you give.

But I just think that
there-- you need to-- like,

I know you before--

I mean, I know you.

Right.

I know the beautiful
person that I've

gotten to know over time, OK?

And I think just because you've
had so much hurt and all this

[BEEP] you've been through,
you've just built up this

defence mechanism to
people that when--

you know, you're a Scorpio.

You know, you're good, but
when you sting, you sting hard,

and it hurts.

But you doing it
in a way now that--

you know, that is almost like--
last night, it's not charming.

I don't feel like I
was 100% right at Sur,

but I don't feel like
two wrongs make a right.

And I feel like I shouldn't I
said some things that I said,

but I have a really bad temper.

You know, it's almost like
when you start, it's like--

it's embarrassing.

It's not the proper
way of communicating.

You know what I mean?

We just put the order in.

We haven't even had dinner.

There's a moment of silence,
Brandi's like, Joyce?

Puts her hand on table.

And I'm like, yes?

She says, you know we have
a lot of mutual friends.

They don't speak well about you.

And I look at her and
I'm like, you know, why?

YOLANDA HADID: You
lose credibility

when you talk like that.

And you know, and I love her.

But that's who I am.

But I'm not going to-- no, I'm
not going to change who I am.

I'm not going to--

I'm not seeing change
who you are, but change

the way you communicate.

Because it was so rough.

[BEEP] you is
really not the best

way to articulate how you feel.

I'm just trying to be
a big sister to her

and help her maybe
change a little bit.

I'm not myself right now.

I miss my dog.

I miss my kids.

I have issues with
my ex-husband.

Listen, I'm not-- I'm not
in a good space right now.

I know.

So to go and be happy-go-lucky
and have the exact right

thing to say right
now to someone

I could give a rat's ass about?

I'm sorry.

But--

This is what comes
out, [BEEP] you,

go [BEEP] yourself, [Beep].
YOLANDA HADID: I know.

I know.
I know.

But it's not--
- I can't handle it.

It's not cool.

I know, but listen, you
need to think beyond that.

It's just-- it's not acceptable.

You can't keep doing that.

Brandi has three steps.

Number one, she plans a vicious
attack and throws it out there.

Number two, she goes
on an F word track.

F you, F you, F this, F this,
F, F, F. And then number three,

she cries and
becomes the victim.

You know what?

I hate seeing girls cry.

I'm a girls girl.

But I have no sympathy
for her right now.

Because that's
her typical thing.

Let me cry and be the victim.

Let me act like,
oh, Joyce, you have

your husband to defend you.

I have no one.

And I'm thinking to
myself, if you were a more

pleasant person, you
would have a man,

because you're a gorgeous girl.

But I have news
for her, no guy is

going to want to be around
such negative energy

and negative drama.

You don't want to come home
to that negative stuff.

Next time I see Brandi she
will be non-existent to me.

I will cordially say
hello, if she says hello.

And if not, she doesn't
exist in my world.

[MUSIC PLAYING]

[INAUDIBLE]

Hi.

How are you?

DANIEL: Great to see you.

Oh, nice to see you.

Thank you so much.

- Oh, no problem.
- Really.

Really.

It's great to
see you again, man.

How's everything?

Why don't you come on
over here to the couch.

CARLTON GEBBIA: OK.

And we'll discuss
the artwork first.

Brilliant.

I love tattoos because
they're very symbolic to me.

I know that a lot of
people don't like them.

I'm not doing it for them.

I'm doing it for me.

DANIEL: All right.

Lots to discuss.

OK.

Many different font choices.

But as we discussed, I
really like the concept

of using your daughter's--

CARLTON GEBBIA: Hand writing?
- --hand writing.

CARLTON GEBBIA: I do, too.

It really makes it
so much more personal.

CARLTON GEBBIA: Right.

DANIEL: And I think it's
a really great way to go.

No, the fact that you
told me that you can do that

was brilliant.

I was-- right?

For the girls.

Yeah, it looks awesome.

CARLTON GEBBIA: I
have four tattoos.

My most recently tattoo
that I had was on my back.

They call it a tramp stamp.

I can be trampy.

I've had my moments.

Ask my husband.

And I think to kind
of tie it in together--

Is that how big
it's going to be?

I can actually
get it this small.

OK.

Yeah.

Too much-- too much
smaller, and then

when we start running
into problems.

CARLTON GEBBIA:
I think I'm going

to be in pain, good bad pain.

Give me a few minutes.

I'll get prepped up.

And then we'll get
you back on the chair.

Thank you, honey.

NARRATOR (VOICEOVER): Coming up.

[SQUEALING]

I did say a stupid
joke in front of her

that I shouldn't have said.

[MUSIC PLAYING]

DAVID: Can I just see
what that looks like?

Oh, wow.

CARLTON GEBBIA: Is it pretty?

DAVID: Actually, it
looks pretty good.

CARLTON GEBBIA: Pretty
good or really good?

DAVID: No, no, I'm
saying it looks good.

[INAUDIBLE] see the [INAUDIBLE].

CARLTON GEBBIA: Not
bloody pretty good.

How do I see it?

Full length mirror over here.

Hand mirror here.

Oh.

My daughter wrote her name
in her handwriting, Destiny.

My other daughter wrote
her name, Mystery.

And then I wrote my
son's name, Cross.

Destiny wrote blessed,
and then Mystery wrote be.

Blessed be is part
of my paganism.

I have to be honest, I love it.

I do.

I love it.

DAVID: All right.

So go for it.

[SQUEALING]

Are you ready?

Yes.

No.

Face down.

Head down this way.

Oh, you don't have
to ask me twice.

[LAUGHING]

Oh, my God.

So where does my chin go?

This is a position
you know all too well.

We're going to try to get
you nice and comfortable.

Now you're just going to feel
a little prick this time.

[LAUGHTER]

Oh, said the
[INAUDIBLE] to the nun.

Oh, [BEEP].

Oh.

DANIEL: Here we go.

DAVID: Oh, God.

CARLTON GEBBIA: Shut up, David.

[SQUEALING]

OK.

It's a bloody painful process.

I will not lie.

Oh, that's--

DANIEL: Breathe.

CARLTON GEBBIA: That's
a bit of a bitch.

DAVID: Holy [BEEP].

Shut up.

Stop saying holy [BEEP].

Well, it's not that bad.

I'm being a pussy.

Sorry.

It's so funny.

Because remember I
said I wanted to get

the Celtic prayer on my arm?

And then I just--

I was talking to David and I
feel like I had an epiphany.

And I said I wanted to get
a pentagram, the Wicca star.

Just because, for me, that's
almost a symbol of protection.

And then because I was
looking at David's tattoo

and I saw the way the girls had
written their names, I'm like,

it would only be fitting
to have them on there.

DANIEL: Yeah.

Oh, wow.

What do you think?

DAVID: It looks good.

CARLTON GEBBIA: Yeah?

DAVID: Yeah, it does.

Really?

Yeah.

I don't believe you.

I swear to God.

Why are you hesitating?

I'm not.

CARLTON GEBBIA:
I'm going to have

their writing on the back of my
neck for the rest of my life.

And it's very symbolic to me.

It's not-- I'm not
having a midlife crisis.

It's emotional for me.

You like it?

DAVID: Yeah.
CARLTON GEBBIA: Are you sure?

DAVID: Yeah.
[LAUGHING]

- It's pretty big.

It is big.

Just the way I like it.

[MUSIC PLAYING]

I love it here.

Hello?

SHANE: Hello, Lisa.

Hey.

Hi.

Oh, you brought him?

I know.
Sorry.

Did you have to?

He follows me around.

I've been trying to
shake him off for years.

Ken and I are taking
on this new restaurant

and creating it called Pump.

So you ready to
spend some money?

No.

Ready to have a look.

The process, for me, is
finding incredible pieces

as we go along.

I cannot build a restaurant out
and then hope to find something

beautiful to put in it.

I have to find
those as I go along.

I love this.

Expensive or not?

SHANE: I think
they're about $850.

Tables?

We can make any table you
want, wood, zinc, steel.

The LOL I think is incredible.

I love it.

OK, so those light--

KEN TODD: So they're--
this is it, yeah?

LISA VANDERPUMP:
How much are they?

SHANE: They're right
around $4,500, I think.

LISA VANDERPUMP: $4,500 each?

SHANE: Yeah.

LISA VANDERPUMP:
Clearly, I have a budget,

because I'm rummaging
around reclamation yard

instead of in Melrose Place.

But that's a feel of the place.

It's gotta be eclectic and sexy.

And when I put it all
together, hopefully it works.

That's beautiful there.

I love that.

How much is it?

$875 each, which is--

$875?

KEN TODD: No, I don't see them.

Don't really like
them that much.

I love those.

You like those concrete things?

No.

LISA VANDERPUMP: Ken and I
are not only partners in life,

we're partners in business.

And I've built many houses
with him, and even a yacht.

It's just a great partnership.

[INAUDIBLE] so save
me the bridge things,

the lights, they
arch, definitely.

I mean, sometimes, of course
I want to strangle him.

But that's life, isn't it?

I was so upset the other night.

I mean, I should have told
Brandi to stop, but I didn't.

Well, I mean, Joyce
wasn't-- you know,

when she was saying,
you're a racist,

Brandi's clearly not racist.

You're a racist, a bully.

That is true.

I'm racist?

- You are a racist.
- What are you talking about?

Stop This.

She's had, you know,
African-American boyfriends,

friends.

So I didn't even like that.

And I had to stay down
the middle in that,

because if I'd attacked
Brandi, then I would

have gotten into it with her.

Do you see what I'm saying?

KEN TODD: Of course.

I think you did the right thing.

LISA VANDERPUMP: I'm
going to call Joyce, just

sit down with her on my own.

Because I see this frustration.

I don't dislike her.

If it had just been
Brandi and Joyce--

LISA VANDERPUMP: Right.

I don't think she would
have got so excited,

but when Michael joined in--

Michael should
have kept out of it

and let Brandi and Joyce speak.

Well, I don't agree with you.

I thought it was
quite admirable.

He has to defend his wife.

Of course, he does.
- No, he doesn't.

Not against another woman.
Why?

Yes, he does.

She can look after herself.

LISA VANDERPUMP: I'm
calling bull [BEEP] on that.

If somebody was attacking
me, he would defend me.

But he's saying that
Brandi is on her own,

and Michael's backing
Joyce up, and Michael

should keep out of it.

I don't know.

I don't think life
works that way.

Come on.

Let's go.

Don't walk off in a huff.

LISA VANDERPUMP:
I'm not in a huff.

[MUSIC PLAYING]

KYLE RICHARDS: Oh, my God.

Can I not-- oh, sorry.

Hi.

MATTHEW: Hello.

Oh, my gosh.

Hello.

Hi.

Are you so excited?

I am.

I'm really nervous.

Like, I feel very nervous.

I feel extra stressed
today, because it's not

just an event about having fun.

I'm trying to actually get
people here to raise money

for a Children's Hospital.

What would I do without you?

OK.

Not panic so much, maybe.

Well, you know me.

I'm always going
to be like that.

OK.

100% of the proceeds are going
to Children's Hospital Los

Angeles.

In addition to the
tickets, anything

sold in the store tonight,
20% will go to the hospital

as well.

I really need in my
head a better visual

of how we're going to do this.

I do want models in the
window as people are

arriving with the red carpet.

We do have that.

What was that?

Did something break?

What was that?

A mannequin?

Oh, no.

Oh, [BEEP].

She's dead.

Oh, God.

My butt is hanging out.

Oh, God.

And the dress.

OK, well-- OK, this is what
I'm going to do for now.

She's had one too
many cocktails.

[MUSIC PLAYING]

Thank you guys for doing
this with me tonight.

It means a lot.
ADRIENNE: You're welcome.

No, its, like you
said, for a good cause,

and it's for the kids.

BRANDI GLANVILLE: The great
thing about these girls

is they just don't judge me.

They will tell me
when I screw up.

They will love me
no matter what.

But, no, we kind
of did something

like what we're
doing now in Milan.

I don't remember.

I-- my memory is shot.

She blacked out.

Oh, don't say black around me.

Oh.

What?

It's a long story.

Tell me.

What happened?

Oh, there's so
much going on in my--

right now.

There's this girl
that you guys met

the other day, the Joyce girl.

Yeah.
Hair.

The hair Yeah, the
pretty hair girl.

ADRIENNE: I haven't met her yet.
- Oh, you haven't?

ADRIENNE: No.

BRANDI GLANVILLE: Etirsa I think
she just has it out for me.

But so far I'm a racist,
a bully, an alcoholic.

I did say a stupid
joke in front of her

that I shouldn't have
said, but it was joking.

And anyone that knows
me knows I'm joking.

ETIRSA: But what did you say?

Etirsa I said-- when
we were in Palm Springs,

we were all laying around
in our bathing suits.

And no one would
get in the water.

It was just like me.

So I was like, get in the water.

She's like, oh, no, I
don't get in the water.

I'm like, oh, you're
like a black person?

And it did not--

A black person?

BRANDI GLANVILLE: I
don't know what I said.

I was like, oh, you're
like a black girl?

I don't know what I said.

Like, you don't want
to get your weave wet.

ETIRSA: Well, OK,
first of all, I

got to say, kind of dumb
to say in front of people,

especially that you
don't know, you know?

They don't know you.

BRANDI GLANVILLE: She's right.

I shouldn't have said it.

I know it.

And you can't take [BEEP] back.

That's the problem.

I can't imagine she's
going to start something

at a [BEEP] charity event.

That gives me anxiety.

[MUSIC PLAYING]

PHOTOGRAPHER: Kyle, can
you step on the carpet

and turn all the way.

PHOTOGRAPHER 2: Kyle,
look over here, love.

PHOTOGRAPHER 3:
Kyle, right here.

PHOTOGRAPHER: Kyle, let's
see the front of the dress.

Thank you for being here.

Thanks for having us.

Thank you so much.

Thank you.
Thank you.

Hi.

Hi, how are you?

Thank you for being here.

I appreciate it.

Everybody is so tall
around me tonight.

This is why I'm not modelling.

Thank you.

Do you think you could
get my girls and--

Oh, there's actually
a little runway?

Well, a little bit.

I hope you're wearing panties.

[LAUGHTER]

Well, that's not good.

JOYCE GIRAUD: So gorgeous.

MATTHEW: Hello.

Hi, babe.

How are you?

You look amazing.

Thank you, love.

[INAUDIBLE],, this
is [INAUDIBLE]..

WOMAN: Hi, nice
to meet you, babe.

BRANDI GLANVILLE: I'm
not going to engage

with any little thing.

You give her an inch,
and she will take a mile.

And it's not happening
here tonight.

So where do we go?

I think we have
to change, right?

MATTHEW: In the back.
Yeah.

We have to change.
- Let's go.

LISA VANDERPUMP: Coming up.

You carried me all the
way from the set down

to my dressing room.

I'll never forget that.

Look, I have like goosebumps.

JOYCE GIRAUD: So where do we go?

I think we have
to change, right?

MATTHEW: Yeah.
So we have to change.

BRANDI GLANVILLE: Let's go.

Hi.

[NON-ENGLISH SPEECH]
- Good.

Good.
- Good.

How are you doing?
- Bien.

Muy bien.

[NON-ENGLISH SPEECH]
- [NON-ENGLISH SPEECH]

Si, Peurto Rican.

I hope that Brandi for once
can act like a lady and realise

that we are at a charity event.

KYLE RICHARDS: You guys met
Brandi's friend, Etirsa.

Hi.

Come over here.

So she actually teaches
modelling classes.

OK.

So Sophia-- look at
Sophia, she's like--

look at me next to her.

She's 13, my daughter.

And this is her
beautiful friend, Haley.

Haley?
- Hi, Haley.

Etirsa.

Nice to meet you.

Etirsa is a
professional model.

She knew Brandi from modelling.

That's how they met.
- Yeah.

And she actually teaches.

So I want to give you
guys a little, you know,

how to hold, you
know, their posture.

Is this what you're going
to be wearing in the show?

- Yeah.
- OK.

Sure.
Absolutely.

KYLE RICHARDS: I'm excited
to have my daughter's model

in the fashion show tonight.

I think it's important
for them, even

if they're a little
uncomfortable, to do this,

because it is for charity.

At one point, we're going to
be standing in the window.

But we are going to walk at
one point each one at a time.

So I'll show you what
that would looks like.

KYLE RICHARDS: See, how she
walks so beautifully like that.

OK.

Yeah.

OK, so when you get to the
end, you can just hold it.

Look around.

Smile.

[LAUGHTER]

Just have fun.

If your shoe falls off,
don't even worry about it.

You got to try it.

Come on.

So once you're up, I
don't want your eyes

to be down anymore, OK?

Because you--

Where do I look exactly?

You can look--

if you want to look around--

So scared I'm going to trip.

You're not going to trip.

It's a flat surface.

So you're not going to trip.

Yeah, just exactly
what you're doing.

OK, stop.

And kind of lean your weight.

There you go.
Look around.

Smile.
- Smile.

Smile.

OK.

All right.

So let's start
from the beginning.

And when you walk
up the stairs I want

you to be perfectly poised.

You have to, Sophia.

Do one little thing, and you're
gonna feel more confident.

Sophia is 13.

She looks like she's 17,
but she's only 13 years old.

And she doesn't like to be
the centre of attention.

Just, please, Sophia.

Just go do it.

As a child, I actually was shy.

And my mum sort of
pushed me into acting

to help me overcome my shyness.

It's for Children's Hospital.

Be--

I know.

KYLE RICHARDS: So when
Sophia feels like that,

I respect that, but I also
know sometimes you have

to fake it till you make it.

Get out there.

Please, do that.

Please, just go walk up on that.

That's so uncomfortable.

You're going to
feel better walking--

Can I practise with her?

OK, fine.

Can we go together?

Thank you.

Dammit.

Well, if I fall, I fall.

Here, babe.

OK.

This one, too.

Maybe.

JOYCE GIRAUD: Oh,
this is cute, too.

Let me try this.

Yeah.

My dress is stuck up my butt.

So I can take off the
underwear and go commando.

I'm going commando.

KYLE RICHARDS: Hi.

You look beautiful.

KYLE RICHARDS: How are you?

Thank you so much
for being here.

I'm happy to be here.

Thank you so much.

Are you well?

I am well.

Good to see you.

This is beautiful.

And we just met your partner.

You did?

Lizzie, yes.

This is Kathy [INAUDIBLE].

KYLE RICHARDS: How are you?

So nice to meet you.

KYLE RICHARDS: So
nice to meet you.

And thank you for
doing this for us.

JAMIE LEE CURTIS: Thank
you for doing this.

Are you kidding?

I'm thrilled.

I'm really proud of you guys.

Well, you also,
very inspiring.

KATHY: That is true.

She is.

She really is.

You know how long
I've known Jamie?

No, tell me.

Since, well, I think
I was seven years old.

KATHY: Wow.

You were a kid yourself.

No, I was 19, you were 7.

And Jamie, we did the
movie "Halloween" together.

TOMMY: I saw the [INAUDIBLE].

Oh, Tommy, Stop it.

You're scaring Lizzie.

Tommy, stop it.

Now there's nobody out there.

I know I always say
this when I see you,

but I always remember this.

It sticks in my mind.

I remember the night
that I wrapped filming.

You were still shooting.

It was a night shoot, as most
of, you know, the nights were.

And Jamie said,
stop, I want to take

Kyle back to her dressing room.

And you carried me all
the way from the set down

to my dressing room.

I'll never forget that.
Look, I have like goosebumps.

Because she was in the
middle of shooting.

And I just remember, she
showed that, you know,

caring, nurturing
side even at that age.

And I mean, you were--
you were 19 years old.

You were baby yourself.
- Well, just--

KATHY: Yeah, but she'd also--

KYLE RICHARDS:
You're an old soul.

I'm a little sensitive.

And going back to Children's
hospital, I will say, though,

and coming to the events,
and hearing you speak,

it really has inspired me a lot.

And you're so selfless.

And I really admire
your lot for that.

I appreciate that.

Hi.

How are you?

What's up, Brandi?

How are you?

OK.

Nice to see you.
BRANDI GLANVILLE: You, too

MAURICIO: I love it.

That's cute.

What's up, man?

Hi, gorgeous.

Hello, hello.

Hi, hi.

How are you, pal?

Great to see you.

Hi, how are you?

Hi.

Thank you for being here.

Kyle's and my fashion
sense is probably not

on the same planet.

I like her jewellery though.

LISA VANDERPUMP: Hello.

How are you?

KIM RICHARDS: How are you?
LISA VANDERPUMP: I'm good.

How are you?

I'm good.

Hectic.

BRANDI GLANVILLE:
Hi, how are you?

KIM RICHARDS: I took--

Congratulations here.
Unbelievable.

Thank you.
Thank you so much.

I've never been to the store.
It's stunning.

We missed the dinner
the other night.

Yes.

Yes, you did miss something.

I heard it was an
interesting dinner.

It was-- it was too much.

I've never been at
a dinner like this.

So--
KYLE RICHARDS: Oh, my God.

Well, I have--
- Yeah.

[LAUGHING]
- I'll see you out there.

I'm collecting the models.

MICHAEL OHOVEN: Yes.

LISA VANDERPUMP: Did you
talk to Joyce, or not?

No.

It's not the right place.

No.

I'll speak to her another time.

It's just hard when you have
people that you don't even

know you and they're
trying to take

you down with every- with
all, like, I'm a bully,

I'm a racist.

There's a lot more people
trying to build you up.

You've got to keep
it in perspective.

Really.

It's a-- it's a lot.

I see that with you.

[MUSIC PLAYING]

[CHEERING]

I have a question, why do
models always look unhappy?

You know, really?

Have you ever seen them smile?

They're always like this.

They're always very
angry and very mean.

Anyway, I'm really thrilled,
thrilled to be here.

For those who don't know
me, I'm Jamie Curtis.

I am here on behalf of
Children's Hospital Los

Angeles.

[APPLAUSE]

Thank you.

Also, it is my great thrill to
be able to announce tonight,

if I may, do I have permission?

Yes.

OK.

That Kyle and Mauricio have
joined the first families

at Children's Hospital
of Los Angeles, which

is a very specific
level of giving,

and it is a big
level of advocacy.

And they're me and countless
others, my friend Melanie

Griffith and Antonio,
in establishing

a level of giving which
allows the hospital

to do their great work.

And so I'm making this
announcement tonight on behalf

of Children's
Hospital Los Angeles

in receiving that
beautiful donation.

[APPLAUSE]

I think it's just important to
give back to the things that

really mean the most to you.

I can't imagine what
these children go through,

and their families go through.

And Mauricio was
sick as a child.

He spent a lot of time
in a Children's Hospital.

He was born with an
illness called neutropenia.

He had a very small
percent chance of living.

And thank God he survived.

And thank you both.

And the work that you
are doing here tonight

and the work that we will
continue to do together

will change the lives of
these children forever.

And so I'm thrilled to be here.

[APPLAUSE]

[MUSIC PLAYING]

KYLE RICHARDS: Wooo-hoo.

[CHEERING]

Beautiful.

Yay.

Gorgeous.

[CHEERING]

Good job, honey.

Good job.

When Sophia got up there and
she started strutting her stuff,

I was thinking,
yes, that's my girl.

Work it, girls.

Work it.

Woo!

Work it, Brandi.

CARLTON GEBBIA:
Brandi is very sexy.

I was just-- I was blown away.

She looked incredible.

[CHEERING]

JOYCE GIRAUD: I don't know why
when you're in the catwalk you

just give that
sexy, little look,

I don't know why we
do that as models.

[APPLAUSE]

KYLE RICHARDS: I feel
proud of the clothing,

the models, the store.

And I feel most proud
about raising this money

for Children's Hospital.

Thank you all.

And have fun, and
shop for a good cause.

And have a good night.

Thanks, everybody.

[APPLAUSE]

You should have
been right up there.

You should have.

- No.
- Yes.

It was good.
It was good.

Yes, you should have.

You OK?

I'd love that.

Let's [INAUDIBLE].

You want to do that?

But nobody else.

JOYCE GIRAUD: If she wants
to move forward with me,

she needs to stop making
excuses for Brandi.

Now I need to be aware.

First time, shame on you.

Second time, shame on me.

Third time, I'm just an idiot.

NARRATOR (VOICEOVER): Coming up.

I feel I constantly
chastise her.

What's chastise?

LISA VANDERPUMP: I don't know.

Reprimand.

Oh, OK.

You don't know
that means either.

For God's sake.

CARLTON GEBBIA: I remember
the bloody movie "Halloween".

Are you kidding me?
- She's unbelievable.

One of my favourite movies.

I did not know that was you.

I was the little girl she
was babysitting in the movie.

That's hysterical.

And she's such an
incredible human being.

CARLTON GEBBIA: I was impressed.

You know, I think that
being a child actor

is probably one of the
toughest things to do.

And I really enjoy that movie.

Maybe now she'll
cut me some slack.

And by the way, it's
a phenomenal charity.

It really is.

The fact that Kyle
was in probably one

of my favourite movies,
"Halloween", does

have change my opinion on her?

That would be a no.

[MUSIC PLAYING]

[DOOR BELL RINGING]

Come along.

No, this way.

We're going to-- there she is.

Look at the puppy.

Why, you look gorgeous.

I'm a slab.

Oh, no, you're
always beautiful.

Here, this is for you.

You don't have to give me
presents every time you see me.

Well, I'm coming to your home.

I never come empty handed.

Sit down here, darling.

Do you fancy a cup of tea?

Or a drink?

Or a glass of champagne?

I'll have a cup
of tea with you.

This looks gorgeous.

JOYCE GIRAUD: Thank you.
Thank you.

I think it matches
your home, right?

I know.
It does.

All the pink.
LISA VANDERPUMP: I love it here.

Yeah, it's beautiful.

It's so relaxing, right?
- Yeah.

JOYCE GIRAUD: Very peaceful.

I feel like I'm
in the country.

I can't really apologise
for the other night,

because I tried to stop it.

Well, I can apologise.

And I hated it.

And there was so many
reasons that we didn't

want it to end up like that.

You know, and I-- when you
told me, let's start fresh--

Is that OK like that?

With milk?

Yes, it's fantastic.

- OK, good.
- Thank you.

Rocio, verdad?
- Yeah.

Muchas gracias.

De nada.

You're very close with
Brandi, and I understand that.

But that being said, I feel like
Brandi throughout a long time

has been attacking me.

And you guys just
make excuses for her.

Look, I'm not making
excuses for her.

But she is my friend, OK?

And one of the
things I can't say

is that she has been going
through like a really

tough time lately.

I mean, she has.

That's an excuse.

I've allowed a lot with Brandi.

If she's in a bad place--

LISA VANDERPUMP: She's got
a lot of great friends.

I get it.

LISA VANDERPUMP: Well,
you've got mutual friends.

Everybody has--
we actually do not.

We have mutual acquaintances.

I did speak to Cristal, the
person we have in common.

And Cristal told me that she's
seen Brandi twice in her life.

She said, I have never
spoken to this woman.

How dare this woman be
putting words in my mouth.

How dare she be talking [BEEP].

Those were Cristal's words.

Well, Joyce is kind of
a formidable opponent.

Let's be honest about that.

But you know, I think
she's actually a good girl.

I really do.

I just got off to a
bad start with her.

And she needs to give Brandi
a little bit of a break.

I mean, I felt a little
responsible at dinner.

And that's why I was
trying to say, hey--

You're not responsible
for her actions.

That's the beauty of it.

You're not her mum.

But you're you're
just her friend.

But I do feel it.

I feel I constantly
chastise her.

Like what?
LISA VANDERPUMP: I feel like--

What's that word?

I constantly chastise her.

What's chastise?

LISA VANDERPUMP: I don't know.

I don't even know that word.

That's new in my vocabulary.

It's got nothing
to do with chastity.

JOYCE GIRAUD: What is that word?

It's to do with
telling her off.

JOYCE GIRAUD: It sounds nice.
What?

LISA VANDERPUMP: Chastise.

Chastise.

Tell her off.

Tell her off?
What?

You mean--

Telling her off
means to reprimand.

Oh, OK.

You don't know what
that means either.

[LAUGHING]

For God's sake.

NARRAOTR (VOICEOVER): Next
time on "The Real Housewives

of Beverly Hills".

Ooh.

[LAUGHING]

BRANDI GLANVILLE:
Drinking and pole dancing,

they don't mix for me.

Little jealous.

Yay.

KIM RICHARDS: Tonight is a
special night for Kimberly.

I've never been more
grateful and proud.

[CHEERING]

KIM RICHARDS: I really love you.

Yet a little scared.

Kimberly's graduation,
you didn't make.

I was in Missouri
this weekend.

No my hairdresser
saw you at Sur.

LISA VANDERPUMP: Well, your
hairdresser is dreaming.

I've never bullied you.

- That was being a bully.
- I'm not a bully.

If I was a bully, I would
have knocked your [BEEP] teeth

out by now.

NARRATOR (VOICEOVER): To learn
more about the housewives,

go to bravotv.com.