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1
00:00:02,335 --> 00:00:05,671
♪ WORKIN' ON THE NIGHT MOVES ♪
2
00:00:05,839 --> 00:00:09,717
♪ TRYIN' TO LOSE THEM
AWKWARD TEENAGE BLUES ♪
3
00:00:09,884 --> 00:00:13,554
♪ WORKIN' ON THE NIGHT MOVES ♪
4
00:00:13,722 --> 00:00:17,307
♪ MMM-MMM ♪
5
00:00:17,475 --> 00:00:19,727
♪ IT WAS SUMMERTIME ♪
6
00:00:21,980 --> 00:00:23,939
WHAT ARE YOU DOING?
7
00:00:24,107 --> 00:00:26,066
NOTHING.
8
00:00:33,908 --> 00:00:41,908
♪♪♪
9
00:00:43,001 --> 00:00:45,169
HOW'S IT GOING BACK THERE?
10
00:00:47,088 --> 00:00:48,797
OKAY, DONNA, JUST FOR THAT,
11
00:00:48,965 --> 00:00:51,592
I'M NOT TAKING YOUR BRA OFF.
12
00:00:51,760 --> 00:00:54,094
WELL, YOU WEREN'T
TAKING IT OFF ANYWAY.
13
00:00:56,056 --> 00:00:58,766
HELLO, HOUSE OF CHICKEN?
14
00:01:00,226 --> 00:01:04,021
HOW BIG ARE YOUR WINGS?
15
00:01:05,231 --> 00:01:06,815
BREASTS.
16
00:01:06,983 --> 00:01:09,318
OH.
17
00:01:09,486 --> 00:01:13,072
HOW BIG ARE YOUR BREASTS?
18
00:01:14,657 --> 00:01:17,576
THIS IS FEZ, WHO IS THIS?
19
00:01:18,995 --> 00:01:20,746
OH, WHEW.
20
00:01:20,914 --> 00:01:24,249
MY FIRST PRANK CALL.
21
00:01:24,417 --> 00:01:27,419
EVERY NIGHT WITH YOU
IS AN ADVENTURE.
22
00:01:27,587 --> 00:01:29,546
YEAH, FEZ, IT'S
A REAL ROLLER COASTER,
23
00:01:29,714 --> 00:01:32,174
AIN'T IT?
24
00:01:32,342 --> 00:01:35,260
HYDE, HOW COME YOU DON'T
HAVE A GIRLFRIEND?
25
00:01:36,096 --> 00:01:38,931
MAYBE IF YOU DID SOMETHING
WITH YOUR HAIR, LIKE...
26
00:01:46,272 --> 00:01:47,648
HEY, YOU.
27
00:01:47,816 --> 00:01:51,985
IS THERE A MOTEL
IN THIS PUKE HOLE?
28
00:01:52,153 --> 00:01:55,572
THERE'S A SLEEPY TIME LODGE
THREE PUKE HOLES OVER.
29
00:01:56,658 --> 00:01:59,118
THANKS. I'M CHRISSY.
30
00:01:59,285 --> 00:02:00,369
I'M HYDE.
31
00:02:00,537 --> 00:02:02,287
WHO CARES?
32
00:02:02,455 --> 00:02:05,290
YOU WANT TO HOP ON
MY VESPA AND, UH,
33
00:02:05,458 --> 00:02:08,919
SHOW ME WHERE IT IS?
34
00:02:12,841 --> 00:02:16,135
MOTHER OF GOD,
I THINK I LOVE YOU.
35
00:02:16,970 --> 00:02:19,179
LOVE IS AN OUTDATED CONCEPT
36
00:02:19,347 --> 00:02:23,851
USED BY INDUSTRIALISTS
TO KEEP WOMEN SUBSERVIENT.
37
00:02:25,645 --> 00:02:28,981
♪ I AM AN ANTICHRIST ♪
38
00:02:29,149 --> 00:02:32,276
♪ I AM AN ANARCHIST ♪
39
00:02:32,443 --> 00:02:34,111
♪ DON'T KNOW WHAT I WANT ♪
40
00:02:34,279 --> 00:02:36,029
♪ BUT I KNOW HOW TO GET IT ♪
41
00:02:36,197 --> 00:02:38,824
♪ I WANT TO DESTROY... ♪
42
00:02:38,992 --> 00:02:42,452
MOTHER OF GOD, I DO LOVE YOU.
43
00:02:44,330 --> 00:02:48,041
♪ HANGIN' OUT ♪
44
00:02:48,209 --> 00:02:51,503
♪ DOWN THE STREET ♪
45
00:02:51,671 --> 00:02:55,424
♪ THE SAME OLD THING ♪
46
00:02:55,592 --> 00:02:58,677
♪ WE DID LAST WEEK ♪
47
00:02:58,845 --> 00:03:02,681
♪ NOT A THING TO DO ♪
48
00:03:02,849 --> 00:03:05,976
♪ BUT TALK TO YOU ♪
49
00:03:06,144 --> 00:03:08,645
♪ WHOA, YEAH ♪
50
00:03:08,813 --> 00:03:10,772
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER AND FOX BROADCASTING
51
00:03:10,940 --> 00:03:13,817
HELLO, WISCONSIN!
52
00:03:16,654 --> 00:03:20,115
[BEEPING] BLEEP! BLEEP!
53
00:03:21,701 --> 00:03:24,328
DAMN.
54
00:03:24,495 --> 00:03:27,623
DAMN!
55
00:03:27,790 --> 00:03:30,709
DAMN!!
56
00:03:31,753 --> 00:03:33,503
WHAT HAPPENED?
57
00:03:33,671 --> 00:03:34,713
WHAT HAP...
58
00:03:34,881 --> 00:03:37,633
YOU JUST BEAT ME 15-NOTHING.
59
00:03:39,052 --> 00:03:40,385
SO WHAT?
60
00:03:40,553 --> 00:03:44,598
I MEAN, HITTING A BALL
WITH 2 PADDLES IS SO BORING.
61
00:03:44,766 --> 00:03:47,100
I NEED A NEW CHALLENGE.
SOMETHING TOTALLY DIFFERENT.
62
00:03:47,268 --> 00:03:50,729
I NEED TO HIT THE BALL WITH...
63
00:03:51,439 --> 00:03:54,107
WITH SMALLER PADDLES.
64
00:03:54,609 --> 00:03:55,984
WHERE'S RED KEEP HIS TOOLS?
65
00:03:56,152 --> 00:03:57,569
OH, NO, NOT RED'S PONG.
66
00:03:57,737 --> 00:03:59,238
I DON'T THINK YOU SHOULD
BE GOING UP THERE...
67
00:03:59,405 --> 00:04:01,114
THE GARAGE. OF COURSE.
68
00:04:01,282 --> 00:04:02,722
OKAY, YOU KNOW,
IF YOU SCREW THAT UP,
69
00:04:02,742 --> 00:04:04,076
HE'S GONNA BLAME ME.
70
00:04:04,244 --> 00:04:06,870
I KNOW.
71
00:04:07,538 --> 00:04:12,501
♪♪♪
72
00:04:32,105 --> 00:04:34,345
WHO WOULD HAVE THOUGHT I'D
MEET A RADICAL NUMBER LIKE YOU
73
00:04:34,440 --> 00:04:37,901
IN A SLAG-HEAP TOWN LIKE THIS.
74
00:04:38,695 --> 00:04:41,446
I CAN'T BELIEVE YOU'RE JUST
PASSIN' THROUGH, MAN.
75
00:04:41,614 --> 00:04:44,783
YOU'RE DARK, YOU'RE OBNOXIOUS,
76
00:04:44,951 --> 00:04:48,328
YOU'RE DANGEROUSLY PARANOID.
77
00:04:48,496 --> 00:04:52,165
UNTIL TONIGHT, I DIDN'T EVEN
KNOW A GIRL LIKE YOU EXISTED.
78
00:04:52,333 --> 00:04:55,794
HAS IT OCCURRED TO YOU
THAT WE'RE ON A BED.
79
00:04:55,962 --> 00:04:59,673
OH, MAN, THIS IS SO PERFECT.
80
00:04:59,841 --> 00:05:04,052
YOU'RE EASY TOO?
81
00:05:04,220 --> 00:05:06,471
YEAH.
82
00:05:06,639 --> 00:05:09,558
SEE, THE ESTABLISHMENT DOESN'T
WANT US HAVING SEX
83
00:05:09,726 --> 00:05:11,601
BECAUSE THEY KNOW IT MAKES US
FEEL GOOD, RIGHT?
84
00:05:11,769 --> 00:05:12,769
YEAH.
85
00:05:12,854 --> 00:05:14,354
SO, IF WE CAN FEEL GOOD
ON OUR OWN,
86
00:05:14,522 --> 00:05:16,690
WHAT DO WE NEED
THE ESTABLISHMENT FOR?
87
00:05:16,858 --> 00:05:22,779
SO EVERY TIME WE HAVE SEX,
IT'S A HUGE PROTEST.
88
00:05:22,947 --> 00:05:24,698
YOU KNOW WHAT?
89
00:05:24,866 --> 00:05:29,453
I THINK I FEEL
A HUGE PROTEST COMING ON.
90
00:05:32,999 --> 00:05:34,333
THANK YOU SO MUCH FOR HELPING
91
00:05:34,500 --> 00:05:36,209
WITH MY HOME-EC PROJECT,
MRS. FORMAN.
92
00:05:36,377 --> 00:05:37,669
WELL, YOU'RE WELCOME, HONEY.
93
00:05:37,837 --> 00:05:41,131
NOW, JACKIE, HAVE YOU EVER
MADE A PIE BEFORE?
94
00:05:41,299 --> 00:05:42,799
NO, I DON'T REALLY COOK MUCH.
95
00:05:42,967 --> 00:05:46,136
I JUST PLAN ON
GETTING BY ON MY LOOKS.
96
00:05:47,013 --> 00:05:49,473
OKAY, THEN.
97
00:05:55,104 --> 00:05:57,064
MICHAEL.
98
00:05:57,231 --> 00:06:00,442
JACKIE.
99
00:06:00,610 --> 00:06:02,152
WHAT ARE YOU DOING HERE?
100
00:06:02,320 --> 00:06:04,488
I'M BAKING A PIE.
101
00:06:04,655 --> 00:06:07,574
I'M MAKING SMALL PADDLES.
102
00:06:10,411 --> 00:06:14,414
FINE.
103
00:06:20,213 --> 00:06:23,840
SO, DONNA, WHAT SAY YOU AND I
TAKE A LITTLE DRIVE TONIGHT?
104
00:06:24,967 --> 00:06:26,176
I DON'T KNOW.
105
00:06:26,344 --> 00:06:30,180
DO YOU THINK YOU CAN
UNLOCK THE CAR?
106
00:06:33,518 --> 00:06:35,602
HMM, WHERE SHOULD
THE THREE OF US GO
107
00:06:35,770 --> 00:06:39,481
ON OUR DRIVE?
108
00:06:40,233 --> 00:06:43,693
ACTUALLY, FEZ, JUST
DONNA AND I ARE GONNA...
109
00:06:44,570 --> 00:06:47,864
OH, I SEE.
110
00:06:50,493 --> 00:06:55,956
SO YOU ARE GOING TO DITCH ME.
JUST LIKE HYDE.
111
00:06:59,210 --> 00:07:00,585
EVERY DAY...
112
00:07:00,753 --> 00:07:04,464
I AM HERE WITH
MY HEART ON MY SLEEVE.
113
00:07:04,632 --> 00:07:10,011
HOPING ONLY FOR FRIENDSHIP...
AND ACCEPTANCE.
114
00:07:10,179 --> 00:07:12,848
AND WHAT DO I GET?
115
00:07:13,015 --> 00:07:21,015
ABANDONMENT. LONELINESS.
116
00:07:22,483 --> 00:07:27,237
WHEN IS IT FEZ'S TURN?
117
00:07:27,405 --> 00:07:31,491
WHERE IS MY WHORE?
118
00:07:41,711 --> 00:07:42,919
DAMN YOU, HYDE.
119
00:07:43,087 --> 00:07:46,339
DID YOU GO HORSEBACK RIDING
WITHOUT ME?
120
00:07:48,634 --> 00:07:50,886
NO.
121
00:07:51,137 --> 00:07:53,680
I JUST MET THE MOST
AMAZING WOMAN...
122
00:07:53,848 --> 00:07:55,015
CHRISSY.
123
00:07:55,183 --> 00:07:56,600
AND SHE JUST DITCHED
HER ENTIRE LIFE
124
00:07:56,767 --> 00:07:58,643
TO START OVER IN NEW YORK, MAN.
125
00:07:58,811 --> 00:08:01,062
WAIT. W-W-W-WAIT.
126
00:08:01,230 --> 00:08:03,190
WHY IS SHE... WHY IS SHE
GOING TO NEW YORK?
127
00:08:03,357 --> 00:08:04,816
SHE'S GONNA START A PUNK BAND.
128
00:08:04,984 --> 00:08:07,527
A PUNK BAND! HEH-HEH.
129
00:08:07,695 --> 00:08:12,491
COOL. WHAT IS PUNK ANYWAYS?
130
00:08:12,658 --> 00:08:15,827
PUNK IS THE NIHILISTIC OUTCRY
AGAINST THE CORPORATE
131
00:08:15,995 --> 00:08:17,287
ROCK 'N' ROLL TAKEOVER.
132
00:08:17,455 --> 00:08:19,956
IT'S THE SOUNDTRACK
TO THE REVOLUTION, MAN.
133
00:08:20,124 --> 00:08:21,484
I THOUGHT YOU SAID
BLUE OYSTER CULT
134
00:08:21,501 --> 00:08:23,877
WAS THE SOUNDTRACK
TO THE REVOLUTION.
135
00:08:24,045 --> 00:08:25,045
YEAH.
136
00:08:25,171 --> 00:08:26,755
LOOK, THE POINT IS IS THAT...
137
00:08:26,923 --> 00:08:28,673
SHE ASKED ME TO GO WITH HER.
138
00:08:28,841 --> 00:08:32,385
WHOA, WHOA, WHY WOULD YOU
WANT TO GO TO NEW YORK?
139
00:08:32,553 --> 00:08:33,845
WELL, IT'S A BIG CITY, MAN.
140
00:08:34,013 --> 00:08:35,430
THE BARS ARE OPEN 'TIL 4:00.
141
00:08:35,598 --> 00:08:37,057
IT'S WHERE ALL
THE MUSIC'S HAPPENING.
142
00:08:37,225 --> 00:08:39,684
HEY, IF I CAN MAKE IT THERE...
143
00:08:39,852 --> 00:08:42,771
YOU CAN'T MAKE IT THERE.
144
00:08:42,939 --> 00:08:44,523
BUT IF I CAN MAKE IT THERE...
145
00:08:44,690 --> 00:08:46,525
BUT YOU WON'T MAKE IT THERE!
146
00:08:46,692 --> 00:08:49,736
WOULD YOU JUST LISTEN?
147
00:08:49,904 --> 00:08:52,322
IF I CAN MAKE IT THERE...
148
00:08:52,490 --> 00:08:56,493
DAMN IT, FORMAN, NOW I
LOST MY TRAIN OF THOUGHT!
149
00:09:01,874 --> 00:09:03,083
KELSO, YOU HAVE 10 SECONDS
TO TELL ME
150
00:09:03,251 --> 00:09:04,251
WHAT YOU'RE DOING.
151
00:09:04,335 --> 00:09:05,335
I CAN EXPLAIN.
152
00:09:05,378 --> 00:09:06,378
NINE SECONDS.
153
00:09:06,379 --> 00:09:07,379
EIGHT.
154
00:09:07,547 --> 00:09:08,547
SEE...
155
00:09:08,548 --> 00:09:09,381
OKAY, BUT THIS COUNTING IS...
156
00:09:09,549 --> 00:09:10,549
THREE.
157
00:09:10,633 --> 00:09:11,633
WHAT?! NO!
158
00:09:11,676 --> 00:09:12,717
THERE'S NO WAY THAT
WAS 5 SECONDS.
159
00:09:12,885 --> 00:09:13,885
IT IS NOW. THREE.
160
00:09:13,970 --> 00:09:14,970
I JUST WANTED...
161
00:09:15,096 --> 00:09:16,096
TWO.
162
00:09:16,097 --> 00:09:17,097
SMALLER PADDLES!
163
00:09:17,265 --> 00:09:18,306
TIME!
164
00:09:18,474 --> 00:09:19,724
DON'T HURT ME!
165
00:09:19,892 --> 00:09:21,393
SMALLER PADDLES? IS IT BROKEN?
166
00:09:21,561 --> 00:09:23,061
OKAY, I'M TOO GOOD AT PONG.
167
00:09:23,229 --> 00:09:25,146
IT'S A CURSE.
168
00:09:25,314 --> 00:09:26,314
I KNOW WHAT YOU MEAN.
169
00:09:26,482 --> 00:09:27,482
IT'S BORING.
170
00:09:27,567 --> 00:09:28,942
I HAVEN'T PLAYED THIS THING
IN OVER A MONTH.
171
00:09:29,110 --> 00:09:30,193
RIGHT, RIGHT, EXACTLY.
172
00:09:30,361 --> 00:09:32,571
OKAY, NOW, STAY WITH ME HERE.
173
00:09:32,738 --> 00:09:34,239
THAT'S WHY I TOOK IT APART.
174
00:09:34,407 --> 00:09:37,534
SEE, SMALLER PADDLES
EQUAL BIGGER FUN.
175
00:09:38,953 --> 00:09:41,162
YOU MAY HAVE SOMETHING THERE.
176
00:09:41,330 --> 00:09:42,622
WE'LL GIVE IT A TRY.
177
00:09:42,790 --> 00:09:45,000
SEEING AS YOU ALREADY OPENED IT.
178
00:09:45,710 --> 00:09:46,960
GREAT.
179
00:09:47,128 --> 00:09:49,087
AND HEY, IF WE CAN'T
PUT IT BACK TOGETHER,
180
00:09:49,255 --> 00:09:52,173
YOU OWE ME 118 BUCKS!
181
00:09:53,301 --> 00:09:55,635
I DON'T HAVE 118 BUCKS.
182
00:09:55,803 --> 00:09:59,180
WELL, THEN,
I'LL HAVE TO KILL YA.
183
00:09:59,348 --> 00:10:01,474
HEH-HEH-HEH HEH-HEH-HEH!
184
00:10:01,642 --> 00:10:03,935
HEH-HEH-HEH.
185
00:10:04,103 --> 00:10:05,604
[COUGHING]
186
00:10:05,771 --> 00:10:07,689
OKAY, OKAY.
187
00:10:07,857 --> 00:10:09,274
JACKIE, ALL RIGHT, HONEY,
188
00:10:09,442 --> 00:10:11,568
LET'S... LET'S JUST REVIEW.
189
00:10:11,736 --> 00:10:15,655
WHAT DO YOU THINK WENT WRONG
WITH THIS PIE?
190
00:10:15,823 --> 00:10:16,823
TOO MANY EGGS?
191
00:10:16,991 --> 00:10:18,783
NO.
192
00:10:18,951 --> 00:10:20,201
THE PAN WAS TOO SMALL?
193
00:10:20,369 --> 00:10:22,787
NOT EVEN CLOSE.
194
00:10:22,955 --> 00:10:25,457
IS IT BECAUSE MICHAEL
DOESN'T LOVE ME ANYMORE?
195
00:10:25,625 --> 00:10:27,167
ALMOST. HEH.
196
00:10:27,335 --> 00:10:29,753
IT'S BECAUSE YOU WERE TALKING
ON THE PHONE ABOUT MICHAEL
197
00:10:29,920 --> 00:10:31,963
INSTEAD OF WATCHING THE PIE
LIKE YOU PROMISED ME
198
00:10:32,131 --> 00:10:34,466
YOU WOULD THIS TIME.
199
00:10:34,634 --> 00:10:37,469
AGAIN!
200
00:10:37,637 --> 00:10:40,930
YOU LIAR. HA-HA-HA-HA-HA.
201
00:10:43,100 --> 00:10:44,142
I DON'T KNOW, HYDE.
202
00:10:44,310 --> 00:10:46,186
I MEAN, HERE YOU'RE
THE COOL GUY,
203
00:10:46,354 --> 00:10:48,855
BUT DO YOU KNOW HOW MANY
COOL GUYS LIVE IN NEW YORK?
204
00:10:49,023 --> 00:10:53,735
THERE'S LIKE... LOU REED, MAN.
205
00:10:53,903 --> 00:10:57,197
DO YOU WANT TO MESS WITH THAT?
206
00:10:57,365 --> 00:10:59,157
WHY DO YOU WANT
TO LEAVE POINT PLACE?
207
00:10:59,325 --> 00:11:01,868
IT IS FUN.
208
00:11:02,036 --> 00:11:03,995
YEAH, IT IS FUN, MAN.
209
00:11:04,163 --> 00:11:07,582
AND I'M GONNA MISS THE HELL
OUT OF YOU GUYS,
210
00:11:07,750 --> 00:11:09,668
BUT CHRISSY'S COOL.
211
00:11:09,835 --> 00:11:12,629
AND IT'S THE BIG APPLE, MAN!
212
00:11:12,797 --> 00:11:15,215
HEY, DO YOU THINK LOU REED'S
IN THE PHONE BOOK?
213
00:11:15,383 --> 00:11:18,510
BECAUSE I BET
HE'D REALLY LIKE ME.
214
00:11:18,678 --> 00:11:21,638
LOU REED.
215
00:11:21,806 --> 00:11:23,848
WHERE ARE YOU GOIN'?
216
00:11:24,016 --> 00:11:27,560
WHO'S CHRISSY?
217
00:11:27,728 --> 00:11:29,104
IT'S NOT SO BAD HERE, MAN.
218
00:11:29,271 --> 00:11:31,856
WE GOT THE TV AND...
PEANUT BUTTER,
219
00:11:32,024 --> 00:11:35,527
AND I GOT THIS THING.
220
00:11:35,695 --> 00:11:39,489
WELL, THE BALL PART
ROLLED UNDER THE DRYER.
221
00:11:39,657 --> 00:11:42,367
HYDE, YOU CANNOT LEAVE.
222
00:11:42,535 --> 00:11:45,328
YOU GAVE ME
MY FIRST BEER, REMEMBER?
223
00:11:45,496 --> 00:11:49,916
AND THEN I THREW UP ON THAT COP.
224
00:11:50,084 --> 00:11:53,503
THAT WAS A GOOD TIME, MAN.
225
00:11:53,671 --> 00:11:54,879
WAIT A MINUTE.
226
00:11:55,047 --> 00:11:56,881
BACK UP!
227
00:11:57,049 --> 00:11:59,467
NOBODY TELLS ME ANYTHING.
228
00:11:59,635 --> 00:12:03,680
WHAT'S THE BALL DOIN'
UNDER THE DRYER?
229
00:12:11,897 --> 00:12:15,692
SO, HYDE'S LIKE...
HYDE'S LIKE REALLY LEAVING.
230
00:12:15,860 --> 00:12:18,820
YEAH.
231
00:12:23,200 --> 00:12:29,080
IT'S LIKE... TIME'S
JUST PASSING US BY.
232
00:12:29,248 --> 00:12:30,665
YOU KNOW?
233
00:12:30,833 --> 00:12:33,668
YOU'VE GOT TO LIKE...
SEIZE THE DAY.
234
00:12:33,836 --> 00:12:35,795
YOU ARE SO RIGHT. YEAH.
235
00:12:40,426 --> 00:12:43,344
[LAUGHS]
236
00:12:44,096 --> 00:12:45,096
OKAY, WHAT'S SO FUNNY?
237
00:12:45,264 --> 00:12:46,765
NOTHING. NOTHING.
238
00:12:46,932 --> 00:12:48,933
NO, TELL ME.
239
00:12:49,101 --> 00:12:51,936
I KNOW YOU'RE GOING FOR THE BRA.
240
00:12:53,272 --> 00:12:55,690
HOW... HOW DID YOU KNOW?
241
00:12:55,858 --> 00:12:57,378
IT'S JUST EVERY TIME
YOU GO FOR MY BRA,
242
00:12:57,443 --> 00:13:01,780
YOUR LIPS STOP MOVING.
243
00:13:04,116 --> 00:13:09,162
SO, UM, YOU'RE REALLY
NOT HAVING ANY... ANY FUN?
244
00:13:09,330 --> 00:13:12,832
NO, I'M HAVING A GOOD TIME.
245
00:13:13,000 --> 00:13:14,400
I WOULD JUST LIKE
A LITTLE ATTENTION
246
00:13:14,502 --> 00:13:18,129
WHILE YOU'RE STRUGGLING
WITH MY UNDERWEAR.
247
00:13:18,798 --> 00:13:21,299
I'M HERE TOO.
248
00:13:21,467 --> 00:13:24,093
IT DOESN'T ALWAYS
HAVE TO BE ABOUT THE TWINS.
249
00:13:29,308 --> 00:13:31,476
THE TWINS? HA-HA.
250
00:13:31,644 --> 00:13:36,981
IS THAT WHAT YOU CALL THEM?
THAT IS SO VERY HOT.
251
00:13:40,569 --> 00:13:42,153
OKAY.
252
00:13:42,321 --> 00:13:44,405
[GROANS]
253
00:13:45,407 --> 00:13:48,243
TAKE ME HOME.
254
00:13:48,410 --> 00:13:50,328
YEAH.
255
00:13:50,496 --> 00:13:55,291
JACKIE, JUST TAKE THE MONEY
AND BUY A PIE.
256
00:13:57,753 --> 00:14:03,550
MRS. FORMAN, IF I BUY A PIE,
THAT'S CHEATING, AND I'LL FAIL.
257
00:14:03,717 --> 00:14:08,137
TRUST ME, IF YOU BAKE IT,
YOU'LL FAIL TOO.
258
00:14:09,390 --> 00:14:11,558
WHAT'S THIS ABOUT HYDE
MOVING TO NEW YORK?
259
00:14:11,725 --> 00:14:13,518
NO, NO, HE'S ONLY 17.
260
00:14:13,686 --> 00:14:15,937
HIS MOTHER WOULD NEVER
LET HIM DO THAT.
261
00:14:16,105 --> 00:14:18,857
ACTUALLY, MICHAEL TOLD ME
THAT HYDE'S MOM DRINKS A LOT,
262
00:14:19,024 --> 00:14:20,567
SO SHE PROBABLY WON'T EVEN CARE.
263
00:14:20,734 --> 00:14:23,152
YOU KNOW,
DRUNK PEOPLE ARE LIKE THAT.
264
00:14:27,157 --> 00:14:30,243
OKAY... LET'S MAKE ANOTHER PIE.
265
00:14:30,411 --> 00:14:32,704
I WILL MAKE THE FILLING,
266
00:14:32,872 --> 00:14:36,165
AND I WILL MAKE THE CRUST.
267
00:14:36,333 --> 00:14:39,210
BUT WHAT WILL I MAKE?
268
00:14:39,378 --> 00:14:40,920
YOU WILL GO INTO THE LIVING ROOM
269
00:14:41,088 --> 00:14:44,257
AND MAKE ME A DRINK.
270
00:14:47,052 --> 00:14:49,429
HE CAN'T JUST DROP OUT
OF HIGH SCHOOL,
271
00:14:49,597 --> 00:14:53,266
AND NEW YORK CITY IS NO PLACE
FOR A 17-YEAR-OLD KID.
272
00:14:53,434 --> 00:14:57,604
IT'S SODOM AND GOMORRAH...
WITH A SUBWAY.
273
00:14:57,771 --> 00:14:59,439
WE'LL HAVE TO HAVE
A TALK WITH HIM.
274
00:14:59,607 --> 00:15:01,774
HIS MOM SURE AS HELL
WON'T DO IT...
275
00:15:01,942 --> 00:15:07,030
AND SOMEBODY'S GOT TO BEAT
SOME SENSE INTO THAT IDIOT.
276
00:15:07,197 --> 00:15:10,408
OH, RED, YOU DO CARE.
277
00:15:12,286 --> 00:15:15,371
ARE YOU READY TO ROCK AND ROLL?
278
00:15:16,206 --> 00:15:17,916
WE DON'T THINK
THAT YOU SHOULD GO.
279
00:15:18,083 --> 00:15:19,792
NEW YORK IS A DANGEROUS PLACE.
280
00:15:19,960 --> 00:15:22,754
A YOUNG MAN TODAY NEEDS
A HIGH SCHOOL DIPLOMA.
281
00:15:22,922 --> 00:15:25,340
IN NEW YORK, YOU GET MUGGED
FOR NO GOOD REASON.
282
00:15:25,507 --> 00:15:27,427
DO YOU HAVE ANY IDEA WHAT
THE JOB MARKET IS LIKE?
283
00:15:27,593 --> 00:15:31,512
THE PEOPLE ARE RUDE...
AND YOU HAVE FEELINGS.
284
00:15:31,680 --> 00:15:34,599
WITHOUT THAT SHEEPSKIN,
YOU ARE NOTHING...
285
00:15:34,767 --> 00:15:38,645
AND NOT THE KIND OF NOTHING
THAT YOU ARE NOW.
286
00:15:38,812 --> 00:15:41,648
AN EVEN LOWER,
MORE PATHETIC NOTHING.
287
00:15:41,815 --> 00:15:44,150
THEY SPIT.
THAT'S RIGHT, THEY SPIT.
288
00:15:44,318 --> 00:15:45,918
WHAT ARE YOU GOING
TO PUT ON YOUR RESUME?
289
00:15:45,945 --> 00:15:49,113
DUMB ASS?
290
00:15:52,618 --> 00:15:55,828
I'M NOT AFRAID OF ANYTHING,
AND I'M GOING!
291
00:16:01,543 --> 00:16:04,545
WELL, THAT DIDN'T GO THAT GREAT.
292
00:16:04,713 --> 00:16:07,590
WAY TO GO, KITTY.
293
00:16:14,974 --> 00:16:16,516
HEY, HEY, HEY, DON'T TOUCH.
294
00:16:16,684 --> 00:16:20,353
I'M ABOUT TO TAKE OFF
THE DOOHICKEY.
295
00:16:20,521 --> 00:16:21,980
OKAY.
296
00:16:22,147 --> 00:16:23,523
RED!
297
00:16:23,691 --> 00:16:25,817
DON'T YOU THINK WE SHOULD
DISCONNECT THE TRANSISTOR
298
00:16:25,985 --> 00:16:30,947
FROM THE SECONDARY
CIRCUIT BOARD FIRST?
299
00:16:32,783 --> 00:16:34,826
WELL, SURE.
300
00:16:34,994 --> 00:16:39,872
AND THEN WE'LL, UH,
WORK ON THE, UH...
301
00:16:40,040 --> 00:16:41,666
DOOHICKEY.
302
00:16:41,834 --> 00:16:44,836
BITCHIN'.
303
00:16:47,339 --> 00:16:48,673
(STEVE) IT IS TOO MY SUITCASE!
304
00:16:48,841 --> 00:16:50,925
(EDNA) NOTHING IN
THIS HOUSE IS YOURS!
305
00:16:51,093 --> 00:16:53,720
SHUT UP!
306
00:16:53,887 --> 00:16:56,014
[MUTTERS] BITCH!
307
00:16:59,226 --> 00:17:01,561
SO YOUR MOM'S TAKING IT
PRETTY HARD, HUH?
308
00:17:01,729 --> 00:17:05,565
OH, I HAVEN'T TOLD HER YET.
309
00:17:06,692 --> 00:17:11,320
SO, HYDE, YOU'RE, LIKE, REALLY
GOING THROUGH WITH THIS.
310
00:17:11,488 --> 00:17:13,614
YEAH, MAN.
311
00:17:15,826 --> 00:17:18,411
I MEAN, YOU KNOW, I KNOW
PEOPLE SPIT ON YOU THERE,
312
00:17:18,579 --> 00:17:23,041
AND THE RAT'S ARE AS BIG
AS YOUR HEAD OR WHATEVER.
313
00:17:23,208 --> 00:17:24,542
BUT THIS MIGHT BE
314
00:17:24,710 --> 00:17:27,628
MY ONLY CHANCE
TO ESCAPE, FORMAN.
315
00:17:27,796 --> 00:17:30,131
HEY, YOU CAN'T LEAVE NOW.
316
00:17:30,299 --> 00:17:31,779
HYDE, WE'RE FINALLY
GETTING OLD ENOUGH
317
00:17:31,842 --> 00:17:34,677
TO DO SOME SERIOUS
DAMAGE TO THIS TOWN.
318
00:17:34,845 --> 00:17:36,262
REMEMBER, WE WERE GOING
TO PAINT THAT POT LEAF
319
00:17:36,430 --> 00:17:38,765
ON THE WATER TOWER?
320
00:17:38,932 --> 00:17:42,643
VANDALISM, WHILE TEMPTING,
IS NOT ENOUGH REASON
321
00:17:42,811 --> 00:17:45,229
FOR ME TO STAY.
322
00:17:45,397 --> 00:17:47,940
PLUS, YOU CAN DO THAT
WITHOUT ME.
323
00:17:48,108 --> 00:17:51,110
BUT WE WON'T DO THAT
WITHOUT YOU.
324
00:17:51,278 --> 00:17:52,862
HYDE, YOU'RE THE REASON
WE DO SO MANY STUPID,
325
00:17:53,030 --> 00:17:56,032
SENSELESS THINGS.
326
00:17:56,200 --> 00:18:00,286
YEAH, THAT IS TRUE.
327
00:18:00,454 --> 00:18:03,164
HYDE, I'VE NEVER TOLD THIS
TO ANOTHER HUMAN BEING,
328
00:18:03,332 --> 00:18:10,671
BUT I... I... CANNOT
GET DONNA'S BRA OFF.
329
00:18:18,597 --> 00:18:19,806
HOOKS OR SNAPS?
330
00:18:19,973 --> 00:18:23,101
BOTH, SHE KEEPS
THROWING ME CHANGE-UPS.
331
00:18:23,268 --> 00:18:25,144
ALL RIGHT,
HERE'S WHAT YOU DO, OKAY?
332
00:18:25,312 --> 00:18:29,023
YOU BUY A BRA, THEN YOU
PRACTICE ON IT AT HOME.
333
00:18:29,191 --> 00:18:33,027
THEN YOU GIVE IT
TO DONNA AS A GIFT.
334
00:18:33,195 --> 00:18:37,281
SEE?! THAT'S BRILLIANT!
335
00:18:37,449 --> 00:18:41,244
YOU'RE LIKE AN EVIL GENIUS, MAN.
336
00:18:42,621 --> 00:18:45,790
♪ ALLISON ♪
337
00:18:45,958 --> 00:18:50,962
♪ I KNOW THIS WORLD
IS KILLING YOU ♪
338
00:18:51,130 --> 00:18:55,383
♪ OH, OH, ALLISON... ♪
339
00:18:55,551 --> 00:18:57,718
WHERE'S YOUR BAG?
340
00:18:59,054 --> 00:19:01,889
YOU'RE NOT GOING.
341
00:19:02,057 --> 00:19:04,600
NO.
342
00:19:06,812 --> 00:19:10,773
BUT I'D LIKE TO MOUNT ANOTHER
PROTEST IF YOU HAVE THE TIME.
343
00:19:26,415 --> 00:19:27,582
HERE'S MY, UH...
344
00:19:27,749 --> 00:19:30,042
MY FRIEND'S NUMBER IN NEW YORK.
345
00:19:30,210 --> 00:19:32,170
DON'T CALL ME!
346
00:19:33,422 --> 00:19:36,007
YEAH, I WON'T.
347
00:19:36,800 --> 00:19:40,845
HEY, CHRISSY, DO YOU MIND
IF I STEAL THE TOWELS?
348
00:19:41,013 --> 00:19:44,307
SORRY. I ALREADY GOT 'EM.
349
00:19:46,768 --> 00:19:51,522
♪ ALLISON ♪
350
00:19:51,690 --> 00:19:56,444
♪ I KNOW THIS WORLD
IS KILLING YOU ♪
351
00:19:56,612 --> 00:20:01,532
♪ OH, ALLISON... ♪
352
00:20:01,700 --> 00:20:03,868
WELL, KELSO, GOOD LUCK.
353
00:20:04,036 --> 00:20:06,412
YEAH, SHE'S BEEN
A GREAT RIDE, MAN.
354
00:20:08,707 --> 00:20:09,832
IT WORKS!
355
00:20:10,000 --> 00:20:11,751
SMALLER PADDLES!
356
00:20:11,919 --> 00:20:13,252
(TOGETHER) YEAH!
357
00:20:13,420 --> 00:20:16,839
CONGRATULATIONS, SON.
YOU HAVE SEEN THE FUTURE.
358
00:20:17,007 --> 00:20:18,287
YEAH, YEAH,
YOU'RE SO RIGHT, RED.
359
00:20:18,383 --> 00:20:21,219
HOME COMPUTERS,
THAT IS THE FUTURE!
360
00:20:21,386 --> 00:20:23,262
NO, NO, NO, NO, NOT COMPUTERS...
361
00:20:23,430 --> 00:20:25,890
SOLDERING!
362
00:20:26,058 --> 00:20:28,559
THE FUTURE IS SOLDERING.
363
00:20:28,727 --> 00:20:31,145
[SCOFFS] COMPUTERS.
364
00:20:32,189 --> 00:20:35,316
WELL, WHAT DO YOU KNOW?
WE'RE PARKED AGAIN.
365
00:20:36,860 --> 00:20:40,321
RIGHT, BUT THIS TIME
I JUST WANT TO TALK.
366
00:20:41,865 --> 00:20:44,033
DONNA, I AM REALLY SORRY
IF I DID ANYTHING
367
00:20:44,201 --> 00:20:46,786
TO MAKE YOU FEEL UNCOMFORTABLE.
368
00:20:46,954 --> 00:20:49,580
OH, THANKS.
369
00:20:49,748 --> 00:20:52,917
I GUESS PART OF THAT'S MY FAULT.
370
00:20:53,085 --> 00:20:56,754
BUT I THINK I KNOW SOMETHING
THAT'LL MAKE YOU FEEL BETTER.
371
00:20:56,922 --> 00:20:57,964
OKAY.
372
00:20:58,131 --> 00:21:00,007
[CLEARS THROAT]
373
00:21:00,175 --> 00:21:03,427
WELL, YOU KNOW, I'VE BEEN
HAVING A ROUGH TIME LATELY.
374
00:21:03,595 --> 00:21:04,762
BECAUSE NOW THAT WE'RE
BOYFRIEND AND GIRLFRIEND
375
00:21:04,930 --> 00:21:06,410
AND NOW THAT
YOU KNOW I'M ON THE PILL,
376
00:21:06,473 --> 00:21:07,913
IT'S LIKE YOU'RE ALWAYS
PAWING AT ME.
377
00:21:07,933 --> 00:21:09,613
AND I WANT TO FOOL AROUND,
BUT THEN I THINK
378
00:21:09,685 --> 00:21:11,269
IF YOU GET TO SECOND BASE,
FROM THERE YOU'LL HAVE
379
00:21:11,436 --> 00:21:12,516
A PRETTY GOOD VIEW OF HOME.
380
00:21:12,646 --> 00:21:14,105
AND IF THAT HAPPENS,
WHO KNOWS WHAT WILL HAPPEN
381
00:21:14,273 --> 00:21:14,939
TO YOU AND ME?
382
00:21:15,107 --> 00:21:16,440
BECAUSE LOOK WHAT HAPPENED
TO JACKIE AND KELSO,
383
00:21:16,608 --> 00:21:17,775
AND SEX CHANGES EVERYTHING,
384
00:21:17,943 --> 00:21:19,735
AND THAT REALLY, REALLY SUCKS.
385
00:21:19,903 --> 00:21:23,281
[SIGHS]
386
00:21:23,448 --> 00:21:25,908
OKAY.
387
00:21:26,535 --> 00:21:27,975
UM, SO WHAT PART OF THAT
WAS SUPPOSED
388
00:21:27,995 --> 00:21:29,537
TO MAKE ME FEEL BETTER?
389
00:21:29,705 --> 00:21:31,080
OH...
390
00:21:31,248 --> 00:21:37,670
UM...
391
00:21:37,838 --> 00:21:40,840
I'M NOT WEARING A BRA.
392
00:21:46,638 --> 00:21:49,098
YOU ARE THE BEST
GIRLFRIEND EVER.
393
00:21:49,266 --> 00:21:50,975
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER AND FOX BROADCASTING
394
00:21:51,143 --> 00:21:54,061
CAPTIONING PERFORMED BY THE
NATIONAL CAPTIONING INSTITUTE, INC.
395
00:22:04,865 --> 00:22:06,365
YOU SURPRISED TO SEE ME?
396
00:22:06,533 --> 00:22:09,994
NAH, I KNEW YOU'D STAY.
397
00:22:10,162 --> 00:22:12,747
YEAH, WE'VE BEEN FRIENDS
WAY TOO LONG.
398
00:22:12,914 --> 00:22:14,165
NO, CHRISSY JUST DROVE
BY WITH SOME GUY
399
00:22:14,333 --> 00:22:17,793
ON THE BACK OF HER BIKE.
400
00:22:20,547 --> 00:22:23,299
POOR KID.
401
00:22:23,467 --> 00:22:25,051
SHE'S GRIEVING.
402
00:22:25,218 --> 00:22:28,898
PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT
PERMISSION OF NATIONAL CAPTIONING INSTITUTE
27351
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