Original subtitles

- PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

- SOMETIMES IT'S A BALANCING ACT.

- YOU KNEW I WAS VERY SENSITIVE

ABOUT NOT YOU HAVING DEFENDED ME IN THE PAST.

- OKAY, BUT HOWEVER, YOU ALSO HOLD A GRUDGE.

WHAT DID THEY GIVE YOU?

YOU SPOKE TO THE DOCTOR ABOUT THE MEDICINES?

- YEAH, BUT I HAVEN'T EVEN NEEDED ANYTHING.

MY DECISION TO NOT TAKE PAIN MEDICINE

IS REALLY IMPORTANT FOR ME IN MY SOBRIETY.

- CHEERS TO A WONDERFUL WEEKEND IN PARIS.

- I'M ON MY MEDICATION, AND IF I DON'T TAKE IT PROPERLY,

OR, YEAH, IT CAN BE ALL OVER THE PLACE.

- WHAT TIME DID YOU GET HERE, KIM?

- I'VE BEEN HERE FOR DAYS, LISA.

WHOO, FEEL LIKE MARILYN.

- IS EVERYTHING OKAY? - YEAH. [laughs]

[upbeat music]

- LIFE ISN'T ALL DIAMONDS AND ROSE,

BUT IT SHOULD BE.

- MONEY DOESN'T GIVE YOU CLASS.

IT JUST GIVES YOU MONEY.

- KNOW YOUR FRIENDS.

SHOW YOUR ENEMIES THE DOOR.

- I FOUGHT TOO HARD FOR THIS ZIP CODE

TO GO HOME NOW.

- I LIKE TO HAVE FUN, BUT I DON'T PLAY GAMES.

- LIFE IS A JOURNEY,

AND I'M FINDING MYSELF EVERY DAY.

- I'M BORN AND RAISED IN BEVERLY HILLS.

THIS IS MY TOWN.

[French music]

♪♪ ♪♪

- NOW LET'S GO DOWN, AND WE'RE GONNA WALK ON THE SEINE.

- OKAY, 'CAUSE I CAN'T JOG ANYMORE.

- I KNOW, COME ON. CHUG, CHUG, CHUG, CHUG, CHUG.

- OH, YOU'RE SCARING-- - KEEP IT GOING, GIRL.

HERE WE GO.

I LOVE BEING ON THE STREETS OF PARIS.

WE DON'T RUN ALONG THE SEINE EVERY DAY OF OUR LIVES,

SO IT'S EXCITING, IT'S BEAUTIFUL.

OH, THAT WAS GREAT, WASN'T IT? - [laughs] NO, IT WAS HORRIBLE.

- COME ON. THAT'S WHY--

YOU KNOW, I'M GONNA BE A GOOD INFLUENCE IN YOUR LIFE.

- I KNOW, I DON'T LIKE IT. - NO MORE DANCING--

- I FEEL LIKE IF IN TEN YEARS

I LOOK LIKE YOLANDA LOOKS-- SHE'S TEN YEARS OLDER THAN ME--

I WILL BE A VERY LUCKY WOMAN.

SO I BETTER START DRINKING GREEN [bleep] AND JOGGING.

- WHAT YEAR WERE YOU HERE? IN '80--NO--

- '90--'90... - '90, SEE?

- '91 OR '92. - I LIVED HERE IN '90--

I MEAN, I STARTED LIVING HERE IN '90--

I MEAN IN '80-- '80--YOU KNOW, '83.

SO, LIKE, EXACTLY--

- SO WE'RE, LIKE, A DECADE APART FOR HERE,

BUT IT'S THE--I MEAN, IT'S THE SAME [bleep].

IT'S THE SAME CLUBS, THE SAME PROMOTERS, THE SAME AGENTS.

- THE SAME LIFESTYLE, YEAH. - I MEAN, THIS--

IT'S SO WEIRD, IT'S LIKE COMING BACK HERE, NOTHING CHANGES.

- NO.

- MY MODELING DAYS WERE MY HAPPIEST DAYS EVER.

I MET PEOPLE FROM ALL WALKS OF LIFE, FROM ALL OVER THE WORLD.

I'M STILL FRIENDS WITH A LOT OF THE GIRLS I MET OVERSEAS.

- FIRST TIME I WAS ON THE CATWALK,

ONE OF THE GIRLS CAME THIS WAY, AND I CAME THIS WAY,

AND SHE WENT ON PURPOSELY LIKE THAT,

AND I HAD NEVER WALKED IN HIGH HEELS,

AND I KIND OF FELL OFF THE CATWALK.

AND FROM THAT DAY ON,

I LEARNED TO, LIKE-- - TOUGHEN UP.

- BUT I WAS MILKING COWS AND RIDING HORSES

THE WEEK BEFORE I WAS HERE ON THE CATWALK.

- FOREIGN GIRLS ARE AMAZING.

THAT'S WHY I GET ALONG WITH LISA AND YOLANDA SO WELL.

- OKAY, ENOUGH, I MEAN, LET'S JUST ENJOY THIS BEAUTIFUL VIEW.

LOOK AT THAT, OH, MY GOD. ISN'T THAT GREAT?

- IT'S BEAUTIFUL.

- OH! [laughs]

YAY.

- YOU KNOW, COBBLESTONES AND HIGH HEELS--

NOT A GOOD COMBINATION. - THEY DON'T MIX?

- NO, THEY DON'T.

OH, MY GOSH.

AFTER HAVING A LITTLE BIT OF A ROUGH NIGHT LAST NIGHT,

MY SISTER DEFINITELY IS NOT SEEMING LIKE HERSELF.

I DON'T KNOW WHAT'S GOING ON WITH HER,

BUT I'M CONCERNED.

- THIS BRIDGE HERE--

- OKAY. - IT'S LIKE THE LOVER'S BRIDGE.

PEOPLE THAT ARE IN LOVE WITH EACH OTHER

AND THEY WANT TO STAY TOGETHER FOREVER AND EVER AND EVER,

THEY-- - I KNOW SOMEONE LIKE THAT.

- DO YOU KNOW SOMEBODY LIKE THAT?

- YES, I DO.

- AND THEY COME HERE AND THEY PUT A LITTLE LOCK ON--

- THEY PUT THEIR NAMES ON IT. - THEY PUT THEIR NAMES.

- THAT'S SO ROMANTIC.

- YOU LOCK IT IN THERE, AND THEN YOU--

- THROW AWAY THE KEY? - THROW AWAY THE KEY.

- THAT'S SO CUTE, I LOVE THAT.

- AND THEN IT CAN NEVER BE, YOU KNOW, UNLOCKED AGAIN.

- WE DON'T HAVE A LOCK.

- WELL, I ACTUALLY BROUGHT A SPECIAL LOCK WITH ME.

- YOU DID NOT. - I DID.

- YOU DID, FOR REAL? - YEAH.

- THAT'S SO CUTE, HONEY, I LOVE THAT.

USUALLY MY HUSBAND'S ROMANTIC GESTURES ARE LIMITED

TO BRINGING ME COFFEE IN THE MORNING

OR MAYBE RUNNING ME A BATH NOW AND THEN.

I THINK THAT PARIS IS BRINGING OUT THE ROMANTIC IN HIM.

- WHAT SHOULD WE WRITE?

- "KYLE AND MAURICIO FOREVER."

THEN WE CAN COME BACK, WE CAN SHOW THE KIDS ONE DAY

AND BRING THEM BACK HERE.

WHERE DO WE PUT IT? LET'S FIND A GOOD SPOT.

- UM, OOPS.

I DON'T KNOW ABOUT THE KEY. - WHAT?

- [laughs] - YOU'RE LYING.

- OH, HERE IT IS. THANK GOD.

- [laughs] I WAS LIKE, OH, GOD, YOU FORGOT THE KEY?

- WHEW. - PHEW-EE.

OH, IT IS RAINING. [gasps]

- THAT'S GOOD LUCK. A COUPLE OF RAINS--

A COUPLE OF DROPS ARE GOOD LUCK.

- MM, LET'S PUT THE LOCK ON. WE'RE GONNA--

- WELL, I'M KISSING YOU FIRST.

- HOW 'BOUT RIGHT HERE? - YOU LIKE THAT SPOT?

- WAIT, A GOOD SPOT THAT THE KIDS CAN REMEMBER.

THERE.

AND THERE'S OUR NAMES.

- PERFECT.

- I LOVE IT. - MAKE A WISH.

- US TO BE TOGETHER FOREVER AND HEALTHY AND HAPPY

AND FOR OUR KIDS TO ALWAYS BE HEALTHY AND HAPPY TOO.

- OKAY, READY? - I LOVE YOU MORE THAN ANYTHING.

- IT'S GOING DEEP.

- OKAY, GO.

- [laughs] THANK GOD IT DIDN'T LAND ON THEM.

- [laughs]

- YOU GUYS ARE AWESOME.

I'M SO GLAD WE'RE IN PARIS, I LOVE YOU GUYS.

- WE HAVEN'T REALLY SPENT ANY TIME TOGETHER, KIM, HAVE WE?

- NO, I THINK THAT, UM...

I THINK IT'S ONE OF THE THINGS THAT WHEN I CAME HOME--

WHEN I FIRST SAW YOU, I TOLD YOU YOU WERE--

I SAW SUCH A DIFFERENCE IN YOU,

AND MAYBE IT WAS A DIFFERENCE IN ME,

BUT I REALLY WANTED TO SPEND TIME WITH YOU.

I'VE REALLY ENJOYED THE TIME WHEN WE'RE TOGETHER.

I REALLY--I DO, I ENJOY YOUR COMPANY.

- THANKS, DARLING.

- YOU KNOW, AND I ENJOY YOUR COMPANY TOO, KEN.

YOU KNOW? - THANKS, DARLING.

- I'M REALLY HAVING FUN.

AND I WANT YOU GUYS TO COME OVER FOR DINNER.

- I HAVE SEEN KIM IN A VERY POSITIVE LIGHT

SINCE SHE'S BEEN IN REHAB.

BUT SHE SEEMS TO BE IN A MUCH BETTER SPACE

THAN SHE WAS LAST NIGHT,

BUT SHE STILL SEEMS TO BE RAMBLING A LITTLE BIT.

- YOU'VE HAD ME TO YOUR RESTAURANT,

AND I WOULD LIKE YOU TO COME TO MY HOUSE,

AND I'LL SHOW YOU-- YOU CAN TELL ME--

I MEAN, YOU CAN SHOW ME HOW TO MAKE A GOOD SALAD,

BUT I'LL SHOW YOU-- - OH, I DON'T NEED TO SHOW YOU--

- I'LL MAKE YOU ONE OF MY DINNERS.

- EXACTLY.

- HOW'S YOUR RELATIONSHIP WITH YOUR SISTER NOW?

- YOU KNOW, WHEN I WENT AWAY, SHE WAS VERY SUPPORTIVE

FOR ME TO GO AWAY, BUT SINCE I CAME HOME,

THEN WE JUST STOPPED TALKING.

IT HURTS ME, AND I WANT TO.

I FEEL LIKE I SEE KYLE,

AND SHE'S NICE TO ME.

GIVES ME A HUG AND A KISS, BUT--

BUT I DON'T FEEL LIKE IT'S REAL.

AND...

I JUST WANNA KNOW WHY.

- DO YOU THINK YOU'LL EVER FIGURE IT OUT, THOUGH?

OR YOU DON'T--

- WELL, SHE'S CHANGED. THERE'S SOMETHING DIFFERENT.

THERE'S SOMETHING WRONG WITH MY SISTER.

THERE'S SOMETHING DIFFERENT ABOUT HER.

SHE'S NOT THE SAME PERSON.

- MY RELATIONSHIP'S CHANGED WITH HER.

BIG-TIME. - BUT WHY HAS YOURS CHANGED?

- BECAUSE OF THE WAY SHE TREATED ME.

IT'S ALWAYS NICE TO HAVE A FRIEND

THAT TURNS AROUND AND SAYS,

"YOU KNOW WHAT? I'M ON YOUR SIDE..."

- AND I JUST SAID-- - "SHUT THE [bleep] UP."

- I WILL WORK ON THAT, LIKE I SAID.

AND IT WAS NOT TO HURT YOU. - WORK ON IT.

I JUST KNOW THAT SHE'LL NEVER HAVE MY BACK.

- WHEN I'M NOT WITH HER, I'M SO ANGRY AT HER

BECAUSE I FEEL LIKE, WHY AREN'T WE COMMUNICATING?

SO THEN I GET MAD, AND I FEEL-- - BUT DO YOU TELL HER THAT?

- I DO--I DID, I FINALLY JUST SAID,

"I DON'T KNOW-- DON'T KNOW WHAT'S WRONG,

BUT WHATEVER IT IS, WE NEED TO FIX THIS

BECAUSE I KNOW THERE'S SOMETHING THERE.

THERE'S SOMETHING WRONG.

- SO DOES SHE FEEL THE RELATIONSHIP'S CHANGED WITH HER?

- UH-HUH. - BLOODY HELL, IT'S RAINING.

- I WANNA DO THE LITTLE BICYCLE. I WANNA DO THE BICYCLE.

- MAYBE HERE WOULD BE A GOOD--

A GOOD PLACE TO TALK ABOUT IT.

LIKE, WHEN YOU'RE AWAY, YOU'RE RELAXED TOGETHER.

- I THINK THAT KYLE AND I NEED TO TALK ABOUT IT,

BUT I NEED TO GIVE SOMETHING-- - SORRY, DARLING.

- LET'S GET ON ONE OF THOSE LITTLE BICYCLES.

- LET'S GO. - WE CAN TALK ABOUT IT LATER.

- KEEP WALKING, I WANT TO GET SOME LUNCH BEFORE IT RAINS.

- YOU--YOU KNOW KYLE.

I LOVE THE RAIN.

[laughs]

- NOW, THIS LOOKS GOOD.

- DO THE CARS STOP, OR DO THEY JUST RUN YOU OVER HERE?

- THIS IS GOOD.

ONE MINUTE, KIM SEEMS, LIKE, REALLY DISORIENTED,

AND THE NEXT MINUTE, SHE SEEMS ALMOST FINE.

SHE'S CONFUSING, IT'S KIND OF UP AND DOWN LIKE A BLOODY YO-YO.

- I THINK I'M GONNA HEAD BACK TO THE HOTEL NOW.

I LIKE THE RAIN. I LOVE PARIS'S RAIN.

- COMING UP...

- KIM.

- [knocks]

[French music]

♪♪ ♪♪

- THE WORKMANSHIP IN THAT.

- IT'S BEAUTIFUL. - LOOK AT IT, THE CARVING...

- OH, YOU CAN GO TO THE-- YOU CAN GO UP ON THE TOP.

I DIDN'T KNOW THAT. - YEAH.

I'VE NEVER BEEN ON TOP. - NO.

- YOU'VE NEVER BEEN ON TOP? THAT'S NOT WHAT I'VE HEARD.

- HAVE YOU? [both laugh]

- I WAS ONCE. [laughs] - NAUGHTY.

GIGGY.

GIGGY AT THE NOTRE DAME.

SO CUTE WITH GIGGY-GU. - YOU LOOK SO SIMILAR, YOU TWO.

- DO ONE WITH-- IT'S BEAUTIFUL.

- YOU'VE GOT THE SAME HAIRDRESSER.

- DO ONE--COME ON, ONE PICTURE WITH YOUR--

WITH YOUR HUSBAND.

- OH, GET OFF THE STEP.

- GOOD OUTFIT.

WHERE IS KIM? - SHE WENT BACK TO THE HOTEL.

- I WORRY ABOUT HER BECAUSE HER BEHAVIOR WAS JUST SO OFF.

- TODAY SHE SEEMED A LITTLE BIT MEDICATED, DIDN'T SHE?

SOMETHING. I KNOW SHE WAS-- SHE WAS GOOD.

- YEAH. - BUT...

- I DON'T KNOW.

- SAID SOME STRANGE THINGS, DIDN'T SHE?

- ISN'T THE WHOLE POINT OF COMING OUT OF REHAB

TO BE TOTALLY CLEAN? - YEAH.

- WELL, I JUST WONDER, WHEN YOU COME OUT OF THOSE SITUATIONS,

WHEN THEY GIVE YOU MEDICATION... - YEAH.

- IT COULD GET--YOU'RE TAKING SOMETHING. I DON'T KNOW.

- JUST BECAUSE IT'S A PRESCRIBED PRESCRIPTION...

both: DOESN'T MEAN-- - IT'S OKAY.

- THAT IT'S OKAY.

- KIM HAS TOLD ME SHE'S TAKING PRESCRIPTION DRUGS

TO HELP HER ON HER ROAD TO RECOVERY,

AND I JUST PRAY TO GOD

THAT THIS ISN'T A WHOLE NEW SET OF PROBLEMS.

- I WORRY THAT SHE GOES TO BED AND, YOU KNOW, WHO KNOWS?

DOESN'T-- - YEAH.

- YOU JUST DON'T KNOW.

YOU HEAR SO MANY AWFUL STORIES THESE DAYS...

both: OF PEOPLE NOT WAKING UP.

- LET'S AGREE TO KEEP AN EYE ON HER, YEAH?

- JUST SEE HOW IT PLAYS OUT.

- I'M EXCITED, YOU KNOW, TONIGHT WE'RE GONNA HAVE SO MUCH FUN.

- OH, YEAH. - I CAN'T WAIT.

- HAVE I GOT TO GO? - WHAT DO YOU MEAN,

HAVE YOU GOT TO GO? - YEAH, IT'S A COOKING CLASS

IN PARIS. - IT'S A COOKING CLASS.

PARIS IS ONE OF THE COOKING CAPITALS OF THE WORLD.

SO RATHER THAN JUST EAT OUT EVERY NIGHT,

I THOUGHT IT WOULD BE A LOT OF FUN

TO MAYBE TAKE A COOKING CLASS, SO...

[speaking French]

- I WANNA LEARN SOMETHING AND GO HOME...

- COME ON, THEN, LET'S--

- AND COOK FOR MY HUSBAND.

- LET'S GO AND HAVE A LOOK AT THAT STATUE.

- AND THEN WE'RE GOING IN NOTRE DAME.

- OOH.

- WOW, IT'S STILL BEAUTIFUL TONIGHT.

- IT IS. - WAIT, WHERE'S KIM?

- HOW ARE WE LEAVING WITHOUT KIM?

- YEAH, WHERE'S KIM? - I DON'T KNOW.

WANNA WAIT FOR HER? - WHERE IS KIM?

- I THOUGHT MAYBE SHE WENT DOWN ALREADY.

- WELL, I WAS WITH HER TILL LUNCHTIME, BUT I DON'T KNOW.

- LET ME CALL HER.

- MAYBE I SHOULD JUST RUN UP TO THE ROOM.

MAYBE SHE'S STILL SLEEPING. - I'LL GO UP. I'LL GO UP.

- THIS REMINDS ME OF HAWAII, ALL OVER AGAIN.

WE'VE BEEN WAITING FOR YOU FOR HALF AN HOUR.

HOW LONG ARE YOU GONNA BE?

- KYLE, ARE YOU COMING IN OR NOT?

- NO, I'M NOT COMING IN, I WANT TO KNOW IF YOU'RE COMING.

- JUST HURRY UP. THE BUS IS WAITING.

I FEEL A LITTLE DEJA VU COMING ON IN PARIS.

- I HAVEN'T HAD THAT FEAR

AND WORRIED ABOUT MY SISTER LIKE I USED TO IN A LONG TIME.

I'M GONNA GO TO HER ROOM. I'M GONNA GO TO HER ROOM.

- I'LL GO WITH YOU. I'LL GO WITH HER.

MY HEART IS KIND OF STARTING TO BEAT IN MY CHEST

LIKE I FEEL ANXIETY

BECAUSE YOU HEAR SO MANY AWFUL STORIES THESE DAYS

OF PEOPLE MIXING MEDICATIONS.

AND AT THIS POINT, I'M A BIT WORRIED THAT THAT MIGHT BE,

YOU KNOW, THE SCENARIO.

[knocks]

- [knocks] KIM?

[knocks]

KIM.

I'M SCARED.

I DON'T KNOW WHAT I'M GONNA FIND ON THE OTHER SIDE OF THE DOOR.

- KIM.

- [knocks]

KIM?

- HEY, ARE YOU OKAY?

WHAT ARE YOU DOING? - WHAT'S WRONG?

- WE'RE SUPPOSED TO BE IN THE LOBBY 40 MINUTES AGO.

- WHAT'S WRONG?

- YOU GOTTA QUICKLY GET DRESSED. - I WILL.

- ARE YOU OKAY?

- YEAH. - OKAY.

- THERE IS NO ALCOHOL BOTTLES,

I DON'T SEE ANY MEDICATION BOTTLES,

HER HAIR IS STICKING OUT

AND ALL SLEEPY, I'M LIKE, "OH, THANK GOD, SHE JUST OVERSLEPT."

- OKAY. - I'M SO SORRY, YOU GUYS.

- IT'S OKAY. OKAY, JUST HURRY UP AND GET READY.

WE'LL MEET YOU AT--

WE'LL MEET YOU DOWN THERE. - OKAY.

- KIM HAS BEEN AN ALCOHOLIC FOR MANY YEARS.

I KNOW THAT IT IS A DAILY STRUGGLE FOR HER TO STAY SOBER.

SO I JUST HAVE TO KEEP MY FINGERS CROSSED EVERY DAY

AND HOPE THAT SHE STAYS STRONG.

- I WONDER-- I WONDER WHAT'S HAPPENING,

'CAUSE IN HAWAII WE KIND OF GOT INTO THE SAME THING.

- I KNOW. BUT YOU WERE WITH HER ALL DAY.

SHE WAS FINE, RIGHT?

- THERE'S FINE, AND THERE'S FINE.

- RIGHT, WELL, THERE'S FINE, AND THERE'S KIM.

[both chuckle]

- I DON'T WANT TO OVERREACT, BUT I'M REALLY RATHER ANXIOUS.

I HAVEN'T SEEN HER FOR SIX HOURS.

WE PARTED WAYS BEFORE LUNCH.

BUT THE TROUBLE IS IS I'VE ONLY KNOWN KIM

WHEN SHE HAD THE DRINKING PROBLEM.

- RIGHT. - SO I DON'T REALLY KNOW...

- EXACTLY. - YOU KNOW WHAT I'M SAYING?

- YEAH, EVERY TIME I-- SO I DON'T KNOW. WE'LL SEE.

- HI, GIRLS. - OKAY.

- SHE IS? WHAT WAS SHE DOING? - SHE'S OKAY.

WELL, SHE'S FALLEN ASLEEP. - WELL, SHOULD WE WAIT FOR HER?

- YEAH, OF COURSE.

- WE'RE GONNA WAIT FOR HER. SHE'S GONNA BE A FEW MINUTES.

- SHE'S QUICKLY GETTING DRESSED.

- SHE COULD'VE JUST-- LIKE I SAID, I WAS SLEEPING TOO.

- RIGHT. - YEAH.

- I DIDN'T KNOW THE BOYS WEREN'T COMING.

- NO, THE BOYS-- WELL, THEY'RE COMING LATER.

- AND WHAT ARE WE DOING LATER?

- YOU DON'T WANT TO GO WALKING,

YOU JUST WANT TO GO FIND A CUTE BOY AND KISS.

- I EXERCISED ALL DAY WITH YOU.

WE DID CARTWHEELS, WE SKIPPED, WE RAN, WE JOGGED, WE WALKED.

THAT'S MORE EXERCISE THAN I DO IN A WEEK.

[laughter]

- A YEAR. - YES, IT'S A LOT.

- WHERE IS MY SISTER?

- YEAH, WHERE IS SHE?

- WAIT, DEJA VU. DEJA VU. - WE ARE.

- WHERE IS KIM?

IF I HAD A DOLLAR FOR EVERY TIME I'VE SAID, "WHERE'S KIM?"

I'D BE A BILLIONAIRE.

OH, MY GOSH.

- OH, HERE'S KIM. THERE'S KIM, YOU GUYS.

- OKAY, MY LOVE, WELL, SAY BYE TO THE GIRLS.

KIMMY, HOW ARE YOU FEELING, BABE, ARE YOU AWAKE?

- YEAH, I'M AWAKE. I TOOK A NAP.

AFTER I CAME BACK-- I TOLD YOU I WAS EXHAUSTED.

I'M EXHAUSTED, I'M TOTALLY EX--

AND I FELT LIKE I'VE BEEN ON EUROPEAN TIME.

- DID YOU TAKE ANY SLEEPING PILL OR SOMETHING?

- SLEEPING PILL? THAT WOULD MEAN THAT I HAD RELAPSED.

NO.

- SO HOW LONG DID YOU PASS OUT FOR?

HOURS. I SAW YOU FOUR HOURS AGO. - TWO HOURS.

SO WHOSE IDEA WAS THIS COOKING LESSON?

- LISA.

- WHY DID WE FLY ALL THE WAY TO PARIS TO MAKE OUR OWN DINNER?

- [laughs]

- I'M JUST TRYING TO GET YOU OUT OF YOUR BEDROOM, FOR GOD'S SAKE.

WE'RE SUPPOSED TO BE IN PARIS. - I WAS WITH YOU ALL AFTERNOON.

- NO, THAT WAS THIS MORNING. - OH, NO--CAREFUL NOW.

I SPENT THE DAY WITH LISA.

WE STARTED ABOUT, I THINK, 9:00, SO ALL DAY.

I DON'T--YEAH. 9:00 OR 10:00.

AND AT ABOUT 4:00 OR 5:00, SHE HAD TO LEAVE

BECAUSE SHE HAD TO GO TO...

MAN...

I WAS WITH YOU ALL AFTERNOON. WATCH IT, GIRLFRIEND.

- THAT WAS--NO. - THAT'S NOT COOL.

- THEN WE--THEN WE--

NO, THEN WE LEFT. THEN WE LEFT.

- DON'T GO THERE.

- WE WERE TOGETHER THIS AFTERNOON.

[chuckles] WE WERE. WE WERE TOGETHER--

- DON'T ROCK THAT BOAT.

- OH, OKAY. - WHAT HAPPENED?

- I DON'T KNOW. - WHAT'D I MISS?

- I LEFT YOU, AND--WHAT? - NO. [mumbles]

DON'T TALK TO ME LIKE I STAY IN MY ROOM AND I SLEEP ALL DAY

AND I HA-- BECAUSE THAT'S NOT THE CASE.

- COMING UP...

- DON'T GO IN THERE NOW. - DON'T GO IN THERE.

- CUTTING THE HEAD OF A DUCK?

OH, STOP. [chops, silverware rattles]

- UH! THAT'S ONE. - OH, MY GOD.

- I DON'T UNDERSTAND THAT.

- I DON'T EVEN KNOW WHAT ANY OF THAT WAS ABOUT.

- I DON'T UNDERSTAND THAT.

WASN'T I WITH YOU THIS AFTERNOON?

- I JUST DON'T WANT HER TO GET UPSET

RIGHT BEFORE WE START COOKING. - I DON'T KNOW.

- [sniffles]

I UNDERSTAND COMPLETELY IF THEY WERE FRIGHTENED,

AND THEY THOUGHT MAYBE I WAS DRINKING OR SOMETHING.

BUT KNOCK OUT THE SNIDE COMMENTS.

[sniffles] YOU KNOW? NO JOKES.

LISA, IT'S JUST WHAT SHE DID, IT WAS SO MEAN, I JUST--

- WHAT? I CAN'T UNDERSTAND ANYTHING YOU'RE SAYING.

- I THINK WHAT LISA DID WAS SO MEAN,

AND I'VE WORKED VERY HARD THIS YEAR.

[sobs]

NOBODY KNOWS WHAT I HAVE GONE THROUGH.

WHEN YOU'RE SO DISAPPOINTED

AND YOU DON'T WANT TO LOOK IN THE MIRROR ANYMORE,

THAT'S A HORRIBLE FEELING.

- WHERE ARE THE OTHER GIRLS? THEY ON THE WAY?

- NO, THEY'RE IN THE CAR. SHALL I GO AND GET THEM?

- IF YOU LIKE. - NO.

- OH, COME ON.

- DON'T--I JUST THINK THEY NEED SOME TIME ALONE.

- WHY? - I DON'T KNOW.

I JUST FEEL LIKE KIM'S ON EDGE,

AND ANYTHING ANYONE SAYS TO HER RIGHT NOW IS NOT GONNA GO WELL.

- RIGHT HERE NOW, I DON'T KNOW WHAT HAPPENED.

I HAD TO LAY DOWN, I WAS SO EXHAUSTED. I'M NOT--

AND I WASN'T FEELING GOOD LAST NIGHT.

AND THE TIME CHANGE, I DON'T KNOW,

BUT, YOU KNOW, I DON'T WANT THIS TO BE LIKE

HISTORY REPEATS ITSELF 'CAUSE IT'S NOT LIKE THAT.

- HERE COMES LISA.

- NO, I DON'T WANT HER IN HERE RIGHT NOW.

- ARE YOU COMING? - COULD YOU GIVE US A SECOND?

I WANT TO TALK TO MY SISTER.

- ARE YOU OKAY? - YEAH.

- WHAT'S THE MATTER? - NOTHING.

I JUST WANT TO TALK TO MY SISTER, LISA.

- ARE YOU OKAY OR NOT? DO YOU WANT TO CANCEL IT?

WHAT'S THE MATTER?

- SHE JUST WANTS TO TALK TO ME FOR A MINUTE.

SHE JUST WANTS TO TALK. - BUT DO YOU WANT TO CANCEL IT?

- NO.

- YOU DON'T WANT TO GO IN LIKE THAT, DO YOU?

- NO, I-- - DO YOU?

- I WANNA COME IN, I JUST WANNA TALK TO MY SISTER.

- DARLING, I'LL CANCEL IT, OR SHOULD WE JUST GO AHEAD?

- SHE WANTS TO GO IN,

SHE JUST WANTS TO TALK TO ME FOR A MINUTE.

- WHEN PEOPLE SEE US HAVING KIND OF AN INTIMATE MOMENT,

THEY SHOULD RESPECT THAT.

THEY COME RIGHT OVER AND BE LIKE,

"WHAT ARE YOU TALKING ABOUT?" REALLY?

- NO, SHE'S REALLY CRYING IN THERE.

- SHE IS? - YEAH.

- THAT'S WHAT I'M SAYING. I DON'T THINK THAT THERE'S--

- NO, NO, NO, NO, THEY DON'T WANT US IN THERE.

THEY WERE LIKE, "NO."

SHE SAID, "I WANT TO TALK TO MY SISTER."

- I DON'T THINK ANYONE CAN SAY ANYTHING RIGHT RIGHT NOW...

- I KNOW. - SO I DON'T--

I JUST LET THEM HAVE THEIR-- - SHOULD WE JUST DO IT?

- YEAH, LET'S SHUT THE DOOR.

- I SAID, "DO YOU WANT TO CANCEL IT?"

I WAS JUST BEING LIGHTHEARTED.

THE LAST THING I WANT TO DO IS UPSET KIM,

AND I DON'T KNOW WHY SHE'S OVERREACTING.

WHAT THE HELL IS GOING ON?

- I OVERSLEPT THIS MORNING AS WELL.

- IT'S--IT'S--

- BUT I HAD A-- WHAT I'M TRYING TO--

I DON'T KNOW WHY SHE'S SENSITIVE ABOUT IT.

- YEAH, BUT SHE'S CRYING HER EYES OUT.

OBVIOUSLY, SOMETHING ELSE IS GOING ON.

- WE'VE GONE ON OTHER VACATIONS WITH HER

WHERE SHE WASN'T SHOWING BECAUSE SHE WAS DRUNK,

SO I THINK THAT PEOPLE--

SHE'S THINKING PEOPLE ARE INSINUATING

THAT'S HAPPENING AGAIN, AND THAT'S NOT NECESSARILY THE CASE,

AND SHE'S JUST ULTRA SENSITIVE, WHICH NONE OF US WILL EVER

KNOW WHAT THAT'S LIKE BECAUSE WE'RE NOT IN THAT SITUATION.

- BUT WHAT DO WE DO NOW? SHOULD WE LEAVE?

- NO, WE SHOULD JUST START COOKING.

- I DON'T THINK WE SHOULD START WITHOUT HER.

I THINK-- - HUH?

I DON'T THINK THEY'RE GONNA COME IN.

- I DON'T THINK WE'RE GONNA START WITHOUT HER.

- IT JUST--IT BOTHERED ME, AND IT MADE ME FEEL LIKE

SHE WAS TRYING TO MAKE ALL OF YOU THINK

THAT I JUST WAS IN MY ROOM SLEEPING ALL DAY.

I DON'T KNOW IF I CAN TRUST HER.

- WELL, DON'T LET IT BOTHER YOU. LET'S GO INSIDE.

LET'S GO HAVE FUN.

I THINK THAT LISA IS JOKING AROUND WITH KIM,

BUT WITH A VERY SENSITIVE TOPIC.

SO KIM IS BEING OVERLY SENSITIVE,

AND I CAN UNDERSTAND HER POSITION.

- WE GOT FOOD, WE GOT WINE, WE'RE GOOD TO GO.

- DO YOU NEED ME TO DO ANYTHING WHILE WE'RE WAITING?

- NO, NO, WE'RE COOL. - I FEEL LIKE I'M READY.

WE HAVE MYST-- WE HAVE A MYSTERY POULTRY.

- MYSTERY--MYSTERY ANIMAL.

- OOH, IS THAT RABBIT? NO, IT'S--

- NO, NO, NO. - DEFINITELY SOME SORT OF BIRD.

- WHAT'S GOING ON RIGHT IN THERE?

- NO, NO! [coughs, sputters]

- WHAT DO YOU MEAN, "NO, NO"?

- WE'RE GONNA MAKE, LIKE, DUCK A L'ORANGE OR SOMETHING.

- QUACK, QUACK. - IT'S A DUCK.

THERE'S A DUCK HEAD IN THERE. - QUACK, QUACK.

- A QUACK QUACK WITH A HEAD IS GONNA REALLY--

- WELL, THE HEAD'S GONNA GO BYE-BYE.

WE'RE NOT GONNA EAT THE HEAD.

- TO SEE THESE FURRY QUACK QUACKS LYING ON THE TABLE

WAS JUST TOO MUCH.

- WE NEED TO TAKE THE HEAD-- - NOT CHOP IT OFF.

YOU'VE GOT TO DO THAT SOMEWHERE ELSE.

- SHE'S STARTING TO, LIKE, FEEL SICK.

- OKAY.

- IN HOLLAND, WE USED TO PLAY WITH CHICKEN LEGS

AND RUN AFTER ALL THE KIDS LIKE THAT.

- IF YOU CHOPPED HIS HEAD OFF HERE, I--UGH.

- IT WAS NOT HAPPENING. [laughs]

YOU KNOW, THESE GIRLS ARE FROM BEVERLY HILLS HERE.

- DON'T GO IN THERE NOW. - DON'T GO IN THERE.

- WHAT HAPPENED? - ARE YOU OKAY?

- THEY'RE CUT--THEY'RE-- - ARE YOU OKAY?

- A DUCK-- - THEY'RE CUTTING THE HEADS OFF.

- THERE'S DUCKS WITH REAL HEADS IN THERE.

- OH, STOP! - AND BEAKS.

- THEY WERE GONNA HAVE US CHOP OFF THE DUCKS.

- NO, YOU DON'T WANNA SEE IT.

- I DON'T WANNA HELP, I JUST KIND OF WANNA--

- YOU DON'T WANNA SEE IT.

- THERE'S FIVE OF 'EM HE HAS TO DO.

[chops, silverware rattles] - UH!

THAT'S ONE. - OH, MY GOD.

- IT TOOK ALL THE ROMANCE OUT OF PARIS.

[gags]

- [chops] - [coughing]

- OH, MY GOSH, YOU MEAN IT'S ALIVE.

- NO, NO, THEY'RE NOT ALIVE. - IT'S NOT ALIVE.

- YOU'RE LYING TO ME. - NO, THEY'RE--

- LET'S MOVE IT. [laughs]

- WE DIDN'T SAY IT WAS ALIVE,

WE JUST SAID IT HAD THE HEAD ON THERE.

- WHO CARES?

AS LONG AS IT'S NOT QUACKING WHILE HE'S DOING THE WHACKING,

I'M OKAY.

- SO WHAT ARE YOU GONNA TEACH US TONIGHT?

- OKAY, WE'RE GONNA DO SOME DUCKS WITH SOME GLAZED TURNIPS

AND A CHERRY SAUCE.

OKAY, WITH A LITTLE HERB SALAD. SOME CHERVIL AND SOME CHIVES.

- DUCKS AND TURNIPS IS A TOUGH DISH

TO GET EVERYBODY EXCITED ABOUT.

WHAT ABOUT SOME FRENCH FRIES WITH MAYONNAISE

AND A NICE STEAK?

- WE JUST WANT TO PEEL REAL PRETTY FROM TOP TO BOTTOM.

- AH, YOU PEEL TURNIPS? - YES.

- GIRLS, LET ME KNOW WHEN DINNER'S READY, OKAY? [laughs]

- SO NOW, IT'S DUCK TIME,

AND THEN WE'RE GONNA GO OVER HERE AND COOK.

FIRST I WANT TO FIND THE LEGS. RIGHT THERE.

I WANT TO MAKE TWO CUTS. BOOM AND BOOM.

AND YOU POP THAT BONE OUT JUST LIKE THAT.

- UM, I CAN'T DO THAT.

I'VE NEVER EATEN DUCK IN MY LIFE,

AND I'M REALLY HAPPY I DIDN'T GET TO MEET IT IN PERSON.

- PULL IT TOWARDS YOU,

MAKING SURE YOU PUSH IT-- PUSH IT THIS WAY KIND OF.

THERE YOU GO.

- IS SHE OKAY, SERIOUSLY?

- SHE'S SENSITIVE ABOUT IT.

SHE'S BEEN WORKING REALLY HARD, AND...

- NICE ONE!

- SHE FELT LIKE IT WAS IMPLYING THAT, YOU KNOW,

SOMETHING, AND I SAID, "KIM, YOU SEEM VERY TIRED, THAT'S WHY."

SEE, THIS IS THE THING.

WHEN YOU'VE HAD THAT HISTORY,

PEOPLE IMMEDIATELY GO THERE AND THINK THAT.

YOU KNOW, IF I'M TIRED, I'M LIKE,

"THESE PEOPLE AREN'T GONNA THINK THAT."

- BUT IS THAT-- IT'S NOT MEDICATION.

- I DON'T WANT WHATEVER'S GOING ON BETWEEN KIM AND LISA

TO AFFECT MY FRIENDSHIP WITH LISA.

- BUT, YOU KNOW, MAYBE SHE'S VERY SENSITIVE,

AND IT'S VERY DIFFICULT TO SAY ANYTHING.

- LISA'S STIRRING THE POT.

WHEN I SEE HER OVER THERE TALKING TO KYLE,

I THINK IF YOU HAVE A CONCERN,

PLEASE TELL ME, BECAUSE, AT THIS POINT IN MY LIFE,

I WANT TO KNOW.

- THE SECOND I DON'T SEE HER OR SHE'S LATE, I GET SCARED.

I'M PARANOID, I ADMIT IT.

- THE CHEF SHOULD GIVE HER A BIG POT AND A SPOON.

AND THEN SHE COULD STIR

WHILE SHE'S STIRRING.

[French music]

♪♪ ♪♪

- THIS IS A NICE BUS.

SHOULD WE TRY TO GET ONE OF THESE FOR L.A.?

YOU KNOW, FOR MY FAMILY, I COULD USE IT.

I'VE NEVER BEEN ON--

- YOU KNOW WHAT RESTAURANT WE'RE GOING TO?

- I THINK THE--AREN'T THE GIRLS COOKING FOR US?

- WELL, I KNOW THEY'RE COOKING.

I DIDN'T THINK THEY WERE COOKING FOR US. [laughs]

- I THINK--I THINK WE'RE EATING WHAT THEY'RE COOKING.

I HOPE IT'S NOT BURNT. [laughs]

I LOVE KEN.

WE CAN HAVE AN ARGUMENT AND MOVE ON WITH LIFE.

PICK UP THE PHONE AND CALL AND APOLOGIZE.

- THAT'S BULL[bleep].

WHEN YOU'RE BEING SUED BY SOMEBODY,

MAYBE YOU DON'T WANT TO PICK UP THE PHONE.

- YOU'RE NOT SUPPOSED TO.

- I DON'T THINK THAT ARGUMENT REALLY HAD ANY RESOLUTION TO IT.

HE EXPRESSED HIS OPINION, I EXPRESSED MY OPINION,

THERE WERE DIFFERENCE OF OPINIONS, AND THAT'S IT.

SO WHAT DO YOU THINK THE WOMEN ARE GONNA MAKE FOR US TONIGHT?

- I DON'T KNOW, BUT I HOPE IT'S NOT

ONE OF THOSE WHERE THEY FEED YOU FIVE MEALS

AND SAY, "WHICH IS THE BEST?"

AND THEN YOU DON'T PICK YOUR WIFE'S.

[both laugh]

MAURICIO AND I, WE'VE GOT THE TYPE OF FRIENDSHIP

THAT WE DON'T HOLD GRUDGES.

SOME OF THE LADIES COULD DO

WITH A LITTLE LESSON FROM MAURICIO AND I.

- ESPECIALLY IF YOU END UP PICKING BRANDI'S.

- THAT WOULD BE TERRIBLE. AND YOU PICK KIM'S.

- AND THEN PICK-- [both laugh]

- IT LOOKS WHITE, IT LOOKS LIGHT,

IT'S ABOUT TO GET DARKER.

- WHY DON'T YOU STIR IT? - BECAUSE WE DON'T NEED TO.

THE BEST THING YOU CAN COOK WITH IS YOUR SENSES.

- IF YOU'RE MAKING RICE KRISPIE SQUARES,

YOU WANT TO STIR THE MARSHMALLOWS,

JUST IN CASE YOU GUYS ARE WONDERING.

- THIS IS WHAT IN FRENCH WE CALL "GASTRIQUE."

- GASTRIQUE. - GASTRIQUE.

SWEET AND SOUR. THAT'S FRENCH SWEET AND SOUR.

- THESE ARE SO PRETTY.

- AM I--AM I WHAT YOU CALL A "STIRRER"?

- NO, THAT'S ADRIENNE'S.

I LIKE TO TASTE EVERYTHING AS I'M COOKING IT.

I LIKE TO GET RIGHT IN THERE AND KIND OF KNOW WHAT I'M DOING.

THAT'S DELICIOUS. THAT IS DELICIOUS.

- OW. - OH, COME ON, GIVE IT TO ME.

- OW.

- CAREFUL.

LISA--LISA LIKES IT ROUGH.

- SEND IN THE NEXT TWO LADIES, WHOEVER'S NEXT.

ONE MORE PINCH OF THE-- - OH, SORRY.

- OVER THE SHOULDER? GOOD. GOOD LUCK. GOOD.

GET--GET SOME BUTTER IN THERE. - ME? OKAY.

- OH, YEAH.

- LIKE THIS? - GET IT IN THERE.

- MAS? I MEAN MORE?

- YEAH, MORE, WE NEED-- STIR IT AROUND.

- WHAT YOU DO IS YOU ADD THE BUTTER...

- GO, GO, GO, STIR, STIR, STIR.

- MMM... - YOU'RE HIRED, CHEF.

- THANK YOU.

- AH, I NEED A BREAK. - WORK'S HARD.

- THIS IS SO MUCH WORK. I'M SO TIRED.

COMING UP...

IT'S LIKE YOU ONLY HAVE ROOM FOR BRANDI.

- DON'T BE SILLY.

- IT DOES FEEL LIKE THAT.

I'VE BEEN REPLACED.

- SO WHAT WE WANNA DO IS I'M GONNA PUT A GOOD PINCH OF SALT.

THAT'S SUGAR. - WHERE'S THE SALT?

- ONE MORE PINCH.

- OW.

- [laughs] - OH, THANK YOU.

VOILA.

AAH! - DON'T!

I'M GONNA [bleep] KILL YOU! THAT'S MY HAIR!

- LET'S DANCE, KYLE, LET'S DANCE!

- OOH, AH... - THAT'S WAY TOO MUCH.

- OH-- - I'M JUST KIDDING.

- OH, NICE CHIVES.

[little voice] LOOK THOSE-- LOOK AT THE CHIVES.

- YOU ARE HIRED, YOLANDA. - YOU'RE DOING GOOD.

YOU'RE DOING GOOD. - LOOK AT THOSE CHIVES.

- THAT'S GREAT.

- I ONLY WORK FOR MY HUSBAND, SORRY.

- STIR IT A LITTLE BIT MORE ANGRY TOO, IF YOU LIKE.

- WHAT DO I GET TO DO?

- YOU HAVE A HARD LIFE. I'M COMING, I'M COMING.

DON'T WORRY, I DIDN'T FORGET ABOUT YOU.

THERE'S ONLY ONE RULE IN THE FRENCH KITCHEN.

- WHAT IS IT? - LE CHEF--

LE CHEF A TOUJOURS RAISON.

- WHAT IS THAT? - "THE CHEF IS ALWAYS RIGHT."

- OH. WELL, IT'S IN MY KITCHEN AS WELL. [chuckles]

MINE IS LIMP, SO I FEEL LIKE IT'S NOT GONNA BE--

- IF IT'S LIMP AND NOT PRETTY, WE DON'T WANT IT.

- THEY'RE NOT GONNA BE EXCITED ABOUT THAT.

- I'M NOT--NO. [laughs]

- ARE YOU MAKING IT LIMP?

- NO, I DON'T MAKE IT LIMP. IT'S THE HEAT.

- YOU GOTTA GET RID OF THE LIMP ONES.

- WELL, THAT'S WHAT I'M TRYING TO DO.

- HEY, THEY'RE SINGLE. THEY SHOULD BE FLIRTING.

ISN'T THAT WHAT SINGLE PEOPLE DO? THEY FLIRT.

- DO YOU WANNA-- YOU WANNA EAT MY CHERRY?

- DID YOU REALLY JUST SAY THAT?

- WELL, I MEAN, SOMEBODY HAD TO.

- WHAT'D SHE SAY? - AND IT WOULD BE YOU....

- "DO YOU WANNA EAT MY CHERRY?" - OR ME.

- I FLIRT A LOT WITH EVERYONE.

SORRY. [chuckles]

- ARE WE YOUR MOST ANNOYING STUDENTS?

- NO. - NO, JUST YOU TWO.

- MOST DIFFICULT. [laughs]

- I WANT TO COOK THE DUCK BREAST IN ITS OWN FAT.

- YES. - SO THE FAT GOES AWAY.

[sizzling]

- KITCHEN SHOES.

- OOH, HEELS IN THE KITCHEN. - AAH.

- NICE JOB. - NICE.

- NICELY DONE. WATCH--WATCH YOU DON'T HIT--

- TAKE THE DUCK BREAST OUT AND PUT IT ON THE RACK.

- OH, TAKE THE DUCK BREAST OUT. OKAY.

IS THIS ONE DONE? - YEAH. YUP.

- I THINK SHE MIGHT TRY A BITE,

A LITTLE ONE, MAYBE THAT ONE.

- COME ON, LADIES, WE GOTTA FOCUS, LADIES.

- OKAY, LOOK WHAT I DID FOR MY HUSBAND.

HEY, DON'T RUIN MY HEART. LOOK HOW CUTE.

- GO, LADIES, GO, LADIES, GO.

- I NEED MORE DUCK. - YES, CHEF.

- HOW AM I GONNA PUT MY HUSBAND'S INITIALS ON HERE?

- YOUR HUSBAND'S NOT HERE. - BUT I LOVE HIM.

- HERE WE GO, HERE WE GO.

- OKAY. OKAY.

- WHAT IS THAT? "F.U."?

- DO YOU LIKE MINE? - IT'S--OH--[chuckles]

- YOU HAVE TO WRITE "F.U." IF YOU'RE USING CHERRY SAUCE.

DUH. PORN 101.

- COME ON, NOW, LET'S SEE THAT HIP WORK.

COME ON.

- HELLO. - ALL RIGHT.

- HEY.

- HOW YOU DOING? - WOW, HELLO, HOW ARE YOU?

- ALEX. NICE TO MEET YOU. - ALEX, NICE TO MEET YOU.

MAURICIO. - MAURICIO, NICE TO MEET YOU.

- BONSOIR.

- GIGGY. - GIGGY. [laughs]

OH, MY GIG-GIG.

HELLO, MY SEXY. HELLO, DARLING.

- BON APPETIT.

- BON APPETIT, MES AMIS. BON APPETIT.

- CHEERS. SALUD. - CHEERS, YOU GUYS.

- THANK YOU, ALEX, FOR EVERYTHING.

- THANK YOU. - MERCI.

- SALUD. - CHEERS, SALUD.

[glasses clinking]

- OH, THIS LOOKS BEAUTIFUL, DARLING.

- OH, I LOVE YOU.

- OH, IT'S REALLY GOOD. - IT'S GOOD?

- THANK YOU SO MUCH, ALEX. - HERE WE GO.

- THEY SWEATED OVER THE STOVE.

[indistinct chatter]

- DUCK FEELS LIKE A BROWN PIECE OF BUBBLE GUM.

IT'S VERY GOOD.

BUT I DIDN'T WANNA BE RUDE.

[chatter]

- I'LL SEND YOU MY CARD, OKAY?

AND I'LL SEND YOU THE RECIPES THAT WE DID.

- YOU HAVE CHERRY ALL OVER YOU.

- OKAY, THANK YOU.

- I FEEL LIKE I'M KYLE NOW. NOW I'M WIPING YOU UP.

SHE'S ALWAYS WIPING YOU UP. SORRY.

I AM FEELING A LITTLE BIT PROTECTIVE OVER KIM

BECAUSE I DON'T WANT HER TO LOOK A MESS,

AND I DON'T WANT KYLE WIPING--

LIKE, I JUST--I LIKE HER, YOU KNOW, I'M FEELING SORRY FOR HER.

I'M JUST TRYING TO LOOK AFTER HER.

- CHEERS, DARLING. - I THINK LAST YEAR...

I WASN'T REALLY ALL THERE. - I FEEL GREAT RIGHT NOW.

- MY SISTER'S CONSTANTLY TRYING TO, LIKE, HELP ME

BECAUSE I WASN'T HELPING MYSELF.

- I THINK THAT NOW I'M OKAY.

YOU KNOW, I'LL LET HER DO HER ONE THING BECAUSE SH--

I THINK SHE LIKES IT. - YEAH.

- AND IT'S A HABIT.

- I DON'T KNOW WHY THAT BOTHERS ME. IT JUST DOES.

I FEEL LIKE IT'S, LIKE, ALMOST POINTING OUT YOUR IMPERFECTIONS

TO EVERYONE IN THE GROUP.

- DID I EVER THINK I'D BE SITTING

NEXT TO BRANDI IN PARIS HAVING A CONVERSATION?

PROBABLY NOT.

BUT I ACTUALLY AM GETTING ALONG WITH HER.

AND I LIKE BRANDI. I THINK. YEAH.

- WE DIDN'T GET OFF TO A GOOD START.

- WHY? - SO WHAT HAPPENED.

SO SHE SAID, "WHY DID YOU DECIDE TO DO--

WHO DECIDED TO DO THE COOKING?" SO I SAID, "I DID."

AND SO SHE'S LIKE, "WHY?"

AND I SAID, "TO GET YOU OUT OF THE BEDROOM."

'CAUSE WE WAITED AN HOUR TO GET HER OUT OF THE BEDROOM.

- RIGHT. - SHE SAID, "I DON'T LIKE THAT."

AND SHE KIND OF REALLY GOT UPSET.

I SAID, "WHAT ARE YOU TALKING ABOUT?"

"I WAS WITH YOU ALL AFTERNOON."

SO I SAID, "NO, YOU WEREN'T."

- RIGHT.

- "I WAS WITH YOU. DON'T EVEN GO THERE."

AND I WAS LIKE, "WHAT IS SHE TALKING ABOUT?"

- WE ALREADY TALKED ABOUT THAT.

WE DON'T WANT TO TALK ABOUT THAT ANYMORE.

- UM, COOKING TIME, LET'S SAY 15--

- LISA'S KIND OF ANNOYING ME

BECAUSE SHE KEEPS PULLING PEOPLE ASIDE TO TALK ABOUT KIM.

KIM IS RIGHT THERE.

YOU KNOW, IT'S DISRESPECTFUL.

- THANK YOU FOR DINNER, EVERYBODY.

- YOU'RE VERY WELCOME.

- THANK YOU SO MUCH. YEAH. THANKS.

- YOU GUYS HAVE A GOOD NIGHT.

- WHERE'S KIM? - OKAY, THERE SHE IS. LET'S GO.

- OH, I LOVE YOU. MWAH. AND YOU TOO. MWAH.

- DEAR GOSH.

- GOOD NIGHT. SEE YOU TOMORROW FOR SHOPPING.

- YOU KNOW, IT'S LIKE, OKAY, YOU WALK OUT OF YOUR FRONT DOOR,

YOU GO LIKE, I GO LEFT HERE OR RIGHT THERE.

- EXACTLY. - IT WOULDN'T BE--

- YOU'D NEVER MAKE IT PAST THE STREET.

- OH, WAIT, LET'S GO IN HERE.

- I LOVE THAT STORE. THEY HAVE SO MUCH COOL STUFF.

- MY STORE OPENING IS RIGHT AROUND THE CORNER.

I WANNA CHECK OUT THE LATEST TRENDS FOR MY STORE.

THIS IS 14,000? - ISN'T THAT CRAZY?

- WE'LL TAKE TWO. [laughs] - $14,000.

- FOR THIS? - THAT'S CRAZY. YEAH.

- [gasps]

YOU FOUND A BATHING SUIT OF ALL THE THINGS IN HERE?

- [laughs] WELL, THESE ARE THE ONES THAT--

- THOSE ARE SO SHORT.

[laughs - I NEED THE LONGER ONE, RIGHT?

- HONEY--[laughs]

- 46,000.

OH, MY GOD. - [gasps] THAT'S STUNNING.

- OH, MY GOSH.

- WILL YOU TRY THIS ON? - YEAH, IT'LL FIT ME GREAT.

- [laughs]

MM, MM, MM. THIS IS VERY ME.

WHERE'S A MIRROR?

- IT'S VERY ME TOO. HAND IT OVER.

- I LIKE THIS ONE.

OH, I REALLY LIKE THIS BAG. - THAT'S A BEAUTIFUL BAG.

- I LIKE THE WALKING STICK FOR EFFECT. [laughs]

YOU KNOW, 'CAUSE I'M GONNA BE CARRYING A LOT OF THESE THINGS,

SO I CAN'T REALLY BUY IT HERE.

IT'S STUPID FOR ME TO BUY.

- HOW ARE YOU, BABE? YOU LOOK SO PRETTY THIS MORNING.

- THANK YOU.

- YOU GOOD? - YEAH.

JUST STILL UPSET ABOUT LAST NIGHT, THE WHOLE THING.

- STILL. - YEAH.

- I KNOW, THAT WAS JUST AN AWKWARD SITUATION, WASN'T IT?

- IT WAS WRONG, YOU KNOW, I FEEL LIKE--

I CAN UNDERSTAND THAT MY SISTER WOULD HAVE CONCERN,

YOU KNOW, IF I DIDN'T COME DOWNSTAIRS.

I MEAN, THAT'S AN HONEST CONCERN YOU WOULD HAVE.

- WHEN WE WALKED UP TO YOUR ROOM,

LIKE, MY HEART WAS POUNDING A LITTLE BIT,

AND I THOUGHT, OH, MY GOD, WHAT IF SOMETHING'S REALLY WRONG?

MAYBE THE MEDICATION IS MAKING HER A LITTLE SLEEPY,

OR WHATEVER, SO THAT WAS THE WORRY.

- THE MEDICATION I'M ON, JUST SO YOU KNOW--

THOSE MEDICATIONS, THEY-- NOTHING MAKES ME TIRED.

THEY HELP KEEP ME SOBER. - OKAY, GOOD.

- BUT SEE, LIKE, YESTERDAY

WHEN LISA WAS SAYING SHE WAS CONCERNED--

- I DON'T BELIEVE LISA'S CONCERN.

I THINK SHE'S A BIG-- I THINK IT'S ALL FAKE AND PHONY.

- IF IT WAS REALLY TRULY BECAUSE SHE'S WORRIED,

THEN, YOU KNOW, CHECK YOUR PHONE.

HAS SHE CHECKED ON YOU TODAY YET?

- THE ONLY PEOPLE THAT HAVE CALLED IS YOU AND KYLE.

IF SOMEBODY HAS A CONCERN, THEY COME TO YOU, AND THEY SAY IT.

- YOU NEED TO HAVE A CONVERSATION WITH HER

AND SAY SOMETHING LIKE THAT.

- WE ALL NEED TO HAVE ONE.

YOU NEED TO HAVE ONE WITH HER

BECAUSE SHE HAS A PROBLEM WITH YOU.

I DIDN'T REALIZE SHE WAS LIKE THAT.

- SHE'S STILL HOLDING ONTO THAT I DIDN'T

SIDE WITH HER WITH HER FIGHT WITH ADRIENNE.

LIKE, SOMETIMES WHEN WE'RE WITH ALL OF US, SHE'LL BE NICE,

AND THEN OTHER TIMES, YOU KNOW,

SHE WON'T EVEN LOOK ME IN THE FACE.

AND I STAYED NEUTRAL. I'M SOR--

I'VE APOLOGIZED TILL I'M BLUE IN THE FACE.

- SAY THAT TO ME.

YOU FEEL REALLY BAD ABOUT NOT DEFENDING ME.

AND THEN I'LL MOVE ON.

- I APOLOGIZED TO YOU A THOUSAND TIMES.

I SAID, "I'M SORRY I DIDN'T DEFEND YOU WITH ADRIENNE."

I'M OVER BEING PUNISHED.

YOU KNOW, IT'S LIKE, I MEAN, MOVE ON IN LIFE, OR LET IT GO.

- BUT THIS IS-- SHE'S NOT MOVING ON.

DO YOU REALIZE SHE HAS THE SAME PROBLEM WITH YOU.

WHICH--PUT IT AWAY.

- I BELIEVE LISA HOLDS A GRUDGE.

I WANNA MOVE FORWARD AND HAVE EVERYTHING BE GREAT AGAIN,

AND IT JUST KEEPS COMING UP OVER AND OVER AGAIN.

- WELL, THAT WAS FUN. - WHAT DID YOU GET?

- THE BLACK DRESS AND A BLACK SWEATER.

MERCI. BYE-BYE.

- MERCI. AU REVOIR.

- I'M REALLY HAPPY TO BE IN PARIS WITH MY SISTER.

JUST SPENDING THE QUALITY TIME WITH HER

THAT WE HAVEN'T HAD IN A WHILE FEELS REALLY GOOD.

BUT I WANT YOU GUYS TO KNOW ALSO,

THAT AS STRONG AS I FEEL IN MY SOBRIETY,

I GET SCARED TOO.

THIS IS ME. IT'S MY LIFE.

I DON'T WANNA LOSE THIS. I LOVE BEING SOBER.

I LOVE BEING HAPPY AND ENJOYING MY LIFE.

- WELL, ON THAT NOTE, WE BOUGHT YOU A PRESENT,

SINCE I SAW YOU WERE LOOKING AT A BAG, SO...

- OH. - OH, MAURICIO.

- THANKS, MAURICE.

- SHARING MY LOVELY DAY. - I LOVE YOU. THANK YOU.

- [chuckles]

- AW. - I LOVE THIS SO MUCH.

- [gasps] OH, THAT IS BEAUTIFUL.

- I'M GONNA GO WITH KEN.

I'M GONNA GO ON A SEGWAY TOUR

OF THE CITY AND JUST GO HAVE FUN WITH HIM.

BYE. SEE YOU LATER. - THAT WAS REALLY NICE OF YOU.

- BYE. - BYE.

- THANK YOU SO MUCH. - HAVE FUN.

YOU'RE VERY WELCOME. - BYE, HONEY.

- BYE, SUGAR BEAN. - BYE, HAVE FUN. [laughs]

- THAT WAS REALLY NICE OF YOU.

- MAURICE AND I ARE WORKING ON OUR FRIENDSHIP,

AND I'LL CHERISH THAT PURSE

'CAUSE I THINK IT WAS REALLY FROM HIS HEART.

- BYE. - BYE. SEE YOU GUYS LATER.

- LOVE YOU.

- I'M LOOKING FORWARD TO GOING

ALL OVER PARIS ON ONE OF THESE THINGS.

- WHERE ARE WE GONNA GO?

- I DON'T KNOW, HOPEFULLY WE'LL SEE THE EIFFEL TOWER,

THE WHATEVER, MAN, THE ARC DE TRIOMPHE.

DO YOU KNOW HOW TO WORK THESE THINGS?

- NO, THEY CAN'T BE THAT HARD.

- I'M TOURING THE MOST ROMANTIC CITY IN THE WORLD

ON A SEGWAY WITH KEN.

WHOO. - WHOO. [laughs]

- OOH. YEE-HOO.

- YEE-HOO.

- APRES VOUS, S'IL VOUS PLAIT. - [laughs]

OOH!

- WOW, CHECK THIS OUT.

YOU KNOW WHAT THIS IS, RIGHT? - OH.

YEAH, THIS IS LOUIS XIV, ISN'T IT?

- KING LOUIS THE-- HIS PRIVATE CHURCH.

AND NAPOLEON BONAPARTE IS BURIED UNDER THERE.

DO YOU KNOW WHAT ELSE HE DID, WHICH IS KIND OF COOL?

- NO. - THAT THE GIRLS WOULD LIKE?

- WHAT?

- HE WAS THE ONE THAT INVENTED THE HIGH HEEL.

- OH, WHY? HE WAS SHORT? - NO, HE WAS NOT SHORT AT ALL.

HE WAS AN ATHLETE, BUT HE LIKED TO LOOK AT HIS CALVES.

SO HE, UH... - OH, RIGHT.

SO THE HIGH HEEL SHOWED OFF HIS CALVES.

- THE HIGH HEEL SHOWED OFF HIS CALF.

- MAURICIO KNEW ALL ABOUT WHO INVENTED HIGH HEELS.

I WONDER WHY.

- IT HURTS, MAN.

- I THINK HE'S GOT A FETISH FOR HIGH HEELS.

YOU CAN DANCE ON THESE THINGS, YOU KNOW.

- AMAZING.

- AND WE COULD DO THIS ALL DAY, YEAH?

- COME ON. - ALL RIGHT.

- HAVE YOU BEEN UP BEFORE?

- I HAVEN'T, I'VE DRIVEN PAST IT BEFORE LAST TIME I WAS HERE,

BUT I'VE NEVER GONE IN LIKE THIS.

- IT'S AMAZING.

- IT'S UNBELIEVABLY HUGE. [laughs]

- WOW, IT'S PRETTY, ISN'T IT?

- ISN'T IT GORGEOUS? - REALLY.

- OH, MY GOD, LOOK AT THIS VIEW.

IT'S INCREDIBLE.

- I DID NOT REALIZE HOW HIGH UP WE WERE.

- WHOO!

- OH!

- YOLANDA, DON'T JOKE AROUND LIKE THAT!

- THAT'S NOT FUNNY.

- IT WAS A LITTLE SCARY.

- COME ON. YOLANDA. - NO! NO! NO!

- YOLANDA, GET DOWN.

- OH, MY GOD, YOU GUYS ARE SUCH A DRAMA QUEEN.

- OH, MY GOD.

- SO THIS IS WHAT WE'RE GONNA DO TONIGHT.

- WHAT ARE WE DOING TONIGHT? - THE BOAT.

- YES. WE'RE GONNA HAVE FUN. - I KNOW, RIGHT?

I'VE HAD A REALLY GOOD TRIP.

- ME TOO. - ASIDE FROM LISA. [laughs]

- OH, MY GOD.

- BEAUTIFUL, HUH?

- I DO WANT TO TALK TO YOU. - ALL RIGHT.

COME OVER HERE.

- IT FEELS LIKE THAT THE AIR STILL NEEDS TO BE CLEARED

WHEN I'M WITH YOU, AND I FEEL THAT SEPARATION.

I FEEL LIKE I'M--

IF WE'RE GONNA MOVE FORWARD, WE NEED TO MOVE FORWARD.

IF YOU DON'T WANT IT TO BE THE SAME, IT WON'T BE THE SAME.

BUT I NEED TO KNOW THAT 'CAUSE I DON'T NEED--

I DON'T WANT TO KEEP MAKING THIS EFFORT

AND FEELING HURT BY YOU.

- I DON'T UNDERSTAND WHERE I HURT YOU.

I THOUGHT OUR ISSUES HAD BEEN RESOLVED,

AND KYLE KEEPS BRINGING IT UP.

OVER AND OVER AND OVER AND OVER AGAIN.

- IT HURTS ME WHEN YOU ACT--

[sighs] YOU KNOW WHAT I'M SAYING, LISA.

- WHEN? WHEN ARE WE TALKING ABOUT?

- WHEN YOU'RE JUST DIFFERENT TOWARDS ME

AND YOU ACT DISTANT AND ODD, AND THEN THAT--

AND THEN OTHER GIRLS TELL ME THAT YOU SAID, OH...

- OH, THEY DON'T SAY--

- KIM TOLD ME THAT AT LUNCH YESTERDAY YOU SAID--

- I SAID OUR RELATIONSHIP'S CHANGED.

AND SHE SAID HERS HAS.

AND SHE SAID, "YEAH." IT'S OUT THERE, YOU KNOW.

THERE WERE THINGS YOU SAID TO ME THAT WERE PRETTY MEAN.

- I WILL SAY, THOUGH, BEING IN A FRIENDSHIP WITH YOU

IS LIKE PLAYING CHESS WITH BOBBY FISCHER.

EVERY MOVE IS SO CALCULATED. - THANKS, KYLE.

- I'M JUST SAYING THE TRUTH. - IT'S TRUE.

- I'M SORRY, WHAT YOU'RE DOING RIGHT NOW IS DOING THAT TO ME.

- SO OKAY, FINE.

- I DO FEEL LIKE YOU DO THAT SOMETIMES.

I DIDN'T SAY THAT TO HURT YOU. THAT'S WHAT I REALLY FEL--

- WELL, THAT IS HURTFUL. SO I'M SORRY.

KYLE DOESN'T UNDERSTAND THAT SHE CHANGED THE GOAL POSTS.

SHE DECIDED NOT TO DEFEND ME,

SHE DECIDED TO TALK BEHIND MY BACK

AND BE COMPLICIT IN ALL THAT WENT DOWN.

- COMING UP...

- THAT'S NOT ACCUSING, THAT'S SAYING. YOU CAN SAY--

- THAT'S NOT NICE TO SAY THAT. I'M SORRY, IT ISN'T.

- WELL, THAT'S WHAT I FEEL.

- WELL, I FEEL LIKE WE'VE GOT-- I FEEL LIKE WE'VE CO--

WE'RE, LIKE--WE'RE COVERING THE ENTIRE CITY, DON'T YOU?

- FANTASTIC, YEAH. - IT'S SO COOL.

- AND WHAT A WAY TO SEE PARIS, EH?

- I LOVE IT. - I LOVE IT TOO.

- I LOVE IT.

ARE YOU RACING ME?

THERE'S NO WAY YOU CAN BEAT ME, SIR!

[chuckles]

LOOK AT THIS.

I THINK THE GIRLS ARE UP THERE.

- I THINK I CAN SEE THE GIRLS AT THE TOP THERE.

- YEAH, RIGHT. [laughs]

- I WONDER IF THEY'RE UP THERE STILL NOW.

DO YOU THINK WE SHOULD GO AND SAY HI?

- NO, LET'S JUST KEEP GOING. [chuckles]

- LET'S GO.

- DID YOU NOT FEEL THAT WE SORTED IT ALL OUT

AND WE GOT IT STRAIGHT?

- I SORT OF DID, BUT THEN KIM TELLS ME YESTERDAY--

- I SAID MY RELATIONSHIP'S CHANGED.

THAT'S ALL I SAID WITH YOU. AND IT HAS.

MAYBE I SHOULD LIE AND SAY,

"OH, THE FRIENDSHIP'S EXACTLY THE SAME AS IT IS."

BUT DO I LOOK TO HER TO DEFEND ME? NO, I DON'T.

YOU WANT IT TO BE THE SAME AS IT WAS,

BUT DON'T YOU REALIZE

THAT YOU KEEP SAYING THINGS, "YOU'RE MANIPULATIVE,

YOU HOLD A GRUDGE, YOU DO THIS, YOU DO THAT."

I NEVER ACCUSE YOU OF ANYTHING.

- WELL, THAT'S NOT ACCUSING, THAT'S SAYING--YOU CAN SAY--

- THAT'S NOT NICE TO SAY THAT. I'M SORRY, IT ISN'T.

- WELL, THAT'S WHAT I FEEL.

- OKAY, WELL, I'M SORRY YOU FEEL THAT WAY.

- IF YOU'RE STILL TALKING ABOUT IT.

- I'M SORRY YOU FEEL LIKE THAT.

- I MEAN, WE HAVE TO BE ABLE TO BE HONEST.

TO ME, IF YOU HAVE THAT FRIENDSHIP,

YOU DON'T JUST THROW IT ASIDE OVER A SILLY ARGUMENT.

AND I FEEL LIKE SOMETIMES YOU PURPOSELY--

- WE'VE HAD FUN TOGETHER. WE'VE LAUGHED TOGETHER.

- BUT IT'S LIKE, YOU KNOW, NOW YOU--

IT'S LIKE YOU ONLY HAVE ROOM FOR BRANDI.

- DON'T BE SILLY.

- YES, IT DOES FEEL LIKE THAT.

I KNOW THAT SHE AND BRANDI ARE CLOSE NOW.

IT SEEMS LIKE A LITTLE BIT OF A MISMATCHED PAIR.

BUT I'VE BEEN REPLACED.

- YOU CAN HAVE MORE THAN ONE FRIEND,

WE CAN ALL HAVE MORE THAN ONE FRIEND.

I DON'T UNDERSTAND.

WHY GET MAD AT SOMEONE ELSE FOR DEFENDING--

SHE'S DEFENDING ME, YOU KNOW,

LIKE, 'CAUSE EVERYONE'S ATTACKING ME,

AND SHE'S DEFENDING ME.

WHY DOES THAT BOTHER KYLE? I DON'T UNDERSTAND.

SHUT THE [bleep] UP.

- I'M NOT OKAY WITH THAT.

- BUT SHE WAS DEFENDING YOUR SISTER.

- IT'S INAPPROPRIATE.

AND FOR YOU TO SAY ANYTHING OTHER THAN THAT IS WRONG.

- BRANDI HAS NEVER SHOWN ME ANYTHING

OTHER THAN BEING A LOYAL AND TRUE FRIEND.

I'M NOT SAYING JEALOUSY, BUT THERE'S SOME KIND OF--

MAYBE MISGIVINGS, UM, FROM KYLE.

- SO HOW'S YOUR LOVE LIFE?

- THERE'S A GUY I'VE BEEN ON A FEW DATES WITH,

THERE'S A GUY I KISSED, I MEAN, I CAN'T COMPLAIN.

IT'S BETTER THAN NOBODY. THAT'S THE WAY I LOOK AT IT.

- CAN YOU IMAGINE...

"YOU'RE NOT THE ONE, BUT YOU'RE BETTER THAN NOBODY."

- WELL, YOU CAN'T--[laughs] YOU CAN'T SAY THAT TO HIM.

- YOU'RE BETTER THAN NOBODY. I JUST WANT YOU TO KNOW THAT.

I WANT TO BE UP FRONT ABOUT THIS.

- LIKE I'M DATING PEOPLE

THAT I DON'T THINK THAT I'M GONNA MARRY THEM

OR THAT I'M GONNA FALL IN LOVE, BUT YOU NEVER KNOW.

YOU JUST DON'T KNOW.

- I FEEL BRANDI AND I HAVE MADE...

NOT BABY STEPS, WE'RE MAKING BIGGER STEPS.

- DON'T LOOK AT ME LIKE THAT. DON'T CRY.

- YOU STILL DIDN'T SAY YOU LOVE ME.

- SO I HAVE TO SAY, "I LOVE YOU," TO MOVE ON?

IS THAT WHAT YOU WANT? - [laughs]

- IS THAT WHAT YOU WANT? - YEAH, I DO.

- OKAY, I [bleep] LOVE YOU. PLEASE SHUT UP?

- YEAH. - OKAY.

DON'T TREAT ME LIKE [bleep] AGAIN, THEN.

- I'M TELLING YOU, I DIDN'T TREAT YOU LIKE [bleep].

- YOU DID. - NO, YOU--

- YOU DIDN'T INVITE ME OUT.

"WHY AREN'T YOU MY FRIEND ANYMORE?

AND WE'RE NOT THE SAME." I KNOW.

BUT IT'S CHANGED. SO WHAT?

WHAT DO YOU WANT? YOU WANT ME TO KISS YOU OR SOMETHING?

- YES. AH! - LET'S GO.

WE'RE FINE. I'M OVER IT.

- NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

all: CHEERS. - CHEERS, EVERYBODY.

- I THINK WE'RE HAVING A PERFECT MOMENT RIGHT NOW.

- THIS IS A PERFECT MOMENT. - KYLE!

- OH, IT WAS. [laughs] - SHUT UP.

- OH, BIG SMILE.

- THE OPENING OF MY STORE IS FINALLY HERE.

- THIS IS GORGEOUS. - I WILL TAKE THAT.

- THAT IS, LIKE, A $3,000 DRESS.

- YOU'RE A REAL ASS[bleep]. IF YOU HAVE A PROBLEM WITH ME--

- SO THAT'S WHAT I WANTED TO EXPLAIN TO YOU.

BUT WHAT I WAS GONNA SAY TO YOU

IS YOU'RE GONNA HAVE TO LET ME TALK BEFORE YOU TALK.

- EVERY TIME MY PHONE RANG IN THE NIGHT,

IS YOU'RE GONNA HAVE TO LET ME TALK BEFORE YOU TALK.

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