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These are the user uploaded subtitles that are being translated: 1 00:00:03,300 --> 00:00:05,230 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,233 --> 00:00:06,533 - SOMETIMES IT'S A BALANCING ACT. 3 00:00:06,533 --> 00:00:08,373 - YOU KNEW I WAS VERY SENSITIVE 4 00:00:08,367 --> 00:00:10,097 ABOUT NOT YOU HAVING DEFENDED ME IN THE PAST. 5 00:00:10,100 --> 00:00:14,200 - OKAY, BUT HOWEVER, YOU ALSO HOLD A GRUDGE. 6 00:00:14,200 --> 00:00:15,370 WHAT DID THEY GIVE YOU? 7 00:00:15,367 --> 00:00:16,627 YOU SPOKE TO THE DOCTOR ABOUT THE MEDICINES? 8 00:00:16,633 --> 00:00:18,433 - YEAH, BUT I HAVEN'T EVEN NEEDED ANYTHING. 9 00:00:18,433 --> 00:00:20,833 MY DECISION TO NOT TAKE PAIN MEDICINE 10 00:00:20,834 --> 00:00:24,234 IS REALLY IMPORTANT FOR ME IN MY SOBRIETY. 11 00:00:26,567 --> 00:00:29,167 - CHEERS TO A WONDERFUL WEEKEND IN PARIS. 12 00:00:29,166 --> 00:00:33,396 - I'M ON MY MEDICATION, AND IF I DON'T TAKE IT PROPERLY, 13 00:00:33,400 --> 00:00:36,030 OR, YEAH, IT CAN BE ALL OVER THE PLACE. 14 00:00:36,033 --> 00:00:37,573 - WHAT TIME DID YOU GET HERE, KIM? 15 00:00:37,567 --> 00:00:39,527 - I'VE BEEN HERE FOR DAYS, LISA. 16 00:00:39,533 --> 00:00:41,333 WHOO, FEEL LIKE MARILYN. 17 00:00:41,333 --> 00:00:44,003 - IS EVERYTHING OKAY? - YEAH. [laughs] 18 00:00:46,934 --> 00:00:48,504 [upbeat music] 19 00:00:48,500 --> 00:00:50,730 - LIFE ISN'T ALL DIAMONDS AND ROSE, 20 00:00:50,734 --> 00:00:53,574 BUT IT SHOULD BE. 21 00:00:53,567 --> 00:00:54,797 - MONEY DOESN'T GIVE YOU CLASS. 22 00:00:54,800 --> 00:00:57,770 IT JUST GIVES YOU MONEY. 23 00:00:57,767 --> 00:00:58,897 - KNOW YOUR FRIENDS. 24 00:00:58,900 --> 00:01:02,300 SHOW YOUR ENEMIES THE DOOR. 25 00:01:02,300 --> 00:01:04,200 - I FOUGHT TOO HARD FOR THIS ZIP CODE 26 00:01:04,200 --> 00:01:07,130 TO GO HOME NOW. 27 00:01:07,133 --> 00:01:11,673 - I LIKE TO HAVE FUN, BUT I DON'T PLAY GAMES. 28 00:01:11,667 --> 00:01:12,727 - LIFE IS A JOURNEY, 29 00:01:12,734 --> 00:01:16,604 AND I'M FINDING MYSELF EVERY DAY. 30 00:01:16,600 --> 00:01:18,570 - I'M BORN AND RAISED IN BEVERLY HILLS. 31 00:01:18,567 --> 00:01:21,567 THIS IS MY TOWN. 32 00:01:29,433 --> 00:01:32,433 [French music] 33 00:01:32,433 --> 00:01:40,473 ♪♪ ♪♪ 34 00:01:48,166 --> 00:01:50,396 - NOW LET'S GO DOWN, AND WE'RE GONNA WALK ON THE SEINE. 35 00:01:50,400 --> 00:01:52,470 - OKAY, 'CAUSE I CAN'T JOG ANYMORE. 36 00:01:52,467 --> 00:01:54,697 - I KNOW, COME ON. CHUG, CHUG, CHUG, CHUG, CHUG. 37 00:01:54,700 --> 00:01:57,330 - OH, YOU'RE SCARING-- - KEEP IT GOING, GIRL. 38 00:01:57,333 --> 00:01:59,133 HERE WE GO. 39 00:01:59,133 --> 00:02:01,933 I LOVE BEING ON THE STREETS OF PARIS. 40 00:02:01,934 --> 00:02:03,504 WE DON'T RUN ALONG THE SEINE EVERY DAY OF OUR LIVES, 41 00:02:03,500 --> 00:02:05,430 SO IT'S EXCITING, IT'S BEAUTIFUL. 42 00:02:05,433 --> 00:02:08,673 OH, THAT WAS GREAT, WASN'T IT? - [laughs] NO, IT WAS HORRIBLE. 43 00:02:08,667 --> 00:02:10,127 - COME ON. THAT'S WHY-- 44 00:02:10,133 --> 00:02:12,133 YOU KNOW, I'M GONNA BE A GOOD INFLUENCE IN YOUR LIFE. 45 00:02:12,133 --> 00:02:14,273 - I KNOW, I DON'T LIKE IT. - NO MORE DANCING-- 46 00:02:14,266 --> 00:02:16,026 - I FEEL LIKE IF IN TEN YEARS 47 00:02:16,033 --> 00:02:18,433 I LOOK LIKE YOLANDA LOOKS-- SHE'S TEN YEARS OLDER THAN ME-- 48 00:02:18,433 --> 00:02:20,173 I WILL BE A VERY LUCKY WOMAN. 49 00:02:20,166 --> 00:02:23,296 SO I BETTER START DRINKING GREEN [bleep] AND JOGGING. 50 00:02:23,300 --> 00:02:26,030 - WHAT YEAR WERE YOU HERE? IN '80--NO-- 51 00:02:26,033 --> 00:02:27,673 - '90--'90... - '90, SEE? 52 00:02:27,667 --> 00:02:30,327 - '91 OR '92. - I LIVED HERE IN '90-- 53 00:02:30,333 --> 00:02:32,633 I MEAN, I STARTED LIVING HERE IN '90-- 54 00:02:32,633 --> 00:02:34,903 I MEAN IN '80-- '80--YOU KNOW, '83. 55 00:02:34,900 --> 00:02:36,170 SO, LIKE, EXACTLY-- 56 00:02:36,166 --> 00:02:37,526 - SO WE'RE, LIKE, A DECADE APART FOR HERE, 57 00:02:37,533 --> 00:02:39,033 BUT IT'S THE--I MEAN, IT'S THE SAME [bleep]. 58 00:02:39,033 --> 00:02:41,473 IT'S THE SAME CLUBS, THE SAME PROMOTERS, THE SAME AGENTS. 59 00:02:41,467 --> 00:02:43,497 - THE SAME LIFESTYLE, YEAH. - I MEAN, THIS-- 60 00:02:43,500 --> 00:02:45,530 IT'S SO WEIRD, IT'S LIKE COMING BACK HERE, NOTHING CHANGES. 61 00:02:45,533 --> 00:02:46,773 - NO. 62 00:02:46,767 --> 00:02:49,197 - MY MODELING DAYS WERE MY HAPPIEST DAYS EVER. 63 00:02:49,200 --> 00:02:52,330 I MET PEOPLE FROM ALL WALKS OF LIFE, FROM ALL OVER THE WORLD. 64 00:02:52,333 --> 00:02:55,173 I'M STILL FRIENDS WITH A LOT OF THE GIRLS I MET OVERSEAS. 65 00:02:55,166 --> 00:02:56,696 - FIRST TIME I WAS ON THE CATWALK, 66 00:02:56,700 --> 00:02:59,300 ONE OF THE GIRLS CAME THIS WAY, AND I CAME THIS WAY, 67 00:02:59,300 --> 00:03:01,030 AND SHE WENT ON PURPOSELY LIKE THAT, 68 00:03:01,033 --> 00:03:02,573 AND I HAD NEVER WALKED IN HIGH HEELS, 69 00:03:02,567 --> 00:03:04,527 AND I KIND OF FELL OFF THE CATWALK. 70 00:03:04,533 --> 00:03:06,133 AND FROM THAT DAY ON, 71 00:03:06,133 --> 00:03:07,833 I LEARNED TO, LIKE-- - TOUGHEN UP. 72 00:03:07,834 --> 00:03:10,274 - BUT I WAS MILKING COWS AND RIDING HORSES 73 00:03:10,266 --> 00:03:11,996 THE WEEK BEFORE I WAS HERE ON THE CATWALK. 74 00:03:12,000 --> 00:03:13,500 - FOREIGN GIRLS ARE AMAZING. 75 00:03:13,500 --> 00:03:16,530 THAT'S WHY I GET ALONG WITH LISA AND YOLANDA SO WELL. 76 00:03:16,533 --> 00:03:19,633 - OKAY, ENOUGH, I MEAN, LET'S JUST ENJOY THIS BEAUTIFUL VIEW. 77 00:03:19,633 --> 00:03:21,273 LOOK AT THAT, OH, MY GOD. ISN'T THAT GREAT? 78 00:03:21,266 --> 00:03:24,466 - IT'S BEAUTIFUL. 79 00:03:24,467 --> 00:03:27,897 - OH! [laughs] 80 00:03:29,800 --> 00:03:32,000 YAY. 81 00:03:38,667 --> 00:03:40,797 - YOU KNOW, COBBLESTONES AND HIGH HEELS-- 82 00:03:40,800 --> 00:03:43,030 NOT A GOOD COMBINATION. - THEY DON'T MIX? 83 00:03:43,033 --> 00:03:45,273 - NO, THEY DON'T. 84 00:03:45,266 --> 00:03:47,426 OH, MY GOSH. 85 00:03:47,433 --> 00:03:49,933 AFTER HAVING A LITTLE BIT OF A ROUGH NIGHT LAST NIGHT, 86 00:03:49,934 --> 00:03:52,904 MY SISTER DEFINITELY IS NOT SEEMING LIKE HERSELF. 87 00:03:52,900 --> 00:03:54,800 I DON'T KNOW WHAT'S GOING ON WITH HER, 88 00:03:54,800 --> 00:03:56,100 BUT I'M CONCERNED. 89 00:03:56,100 --> 00:03:57,230 - THIS BRIDGE HERE-- 90 00:03:57,233 --> 00:03:59,473 - OKAY. - IT'S LIKE THE LOVER'S BRIDGE. 91 00:03:59,467 --> 00:04:01,127 PEOPLE THAT ARE IN LOVE WITH EACH OTHER 92 00:04:01,133 --> 00:04:03,333 AND THEY WANT TO STAY TOGETHER FOREVER AND EVER AND EVER, 93 00:04:03,333 --> 00:04:04,273 THEY-- - I KNOW SOMEONE LIKE THAT. 94 00:04:04,266 --> 00:04:05,296 - DO YOU KNOW SOMEBODY LIKE THAT? 95 00:04:05,300 --> 00:04:06,570 - YES, I DO. 96 00:04:06,567 --> 00:04:09,867 - AND THEY COME HERE AND THEY PUT A LITTLE LOCK ON-- 97 00:04:09,867 --> 00:04:12,197 - THEY PUT THEIR NAMES ON IT. - THEY PUT THEIR NAMES. 98 00:04:12,200 --> 00:04:13,500 - THAT'S SO ROMANTIC. 99 00:04:13,500 --> 00:04:17,600 - YOU LOCK IT IN THERE, AND THEN YOU-- 100 00:04:17,600 --> 00:04:19,470 - THROW AWAY THE KEY? - THROW AWAY THE KEY. 101 00:04:19,467 --> 00:04:20,827 - THAT'S SO CUTE, I LOVE THAT. 102 00:04:20,834 --> 00:04:23,904 - AND THEN IT CAN NEVER BE, YOU KNOW, UNLOCKED AGAIN. 103 00:04:23,900 --> 00:04:25,470 - WE DON'T HAVE A LOCK. 104 00:04:25,467 --> 00:04:28,167 - WELL, I ACTUALLY BROUGHT A SPECIAL LOCK WITH ME. 105 00:04:28,166 --> 00:04:29,896 - YOU DID NOT. - I DID. 106 00:04:29,900 --> 00:04:31,270 - YOU DID, FOR REAL? - YEAH. 107 00:04:31,266 --> 00:04:34,026 - THAT'S SO CUTE, HONEY, I LOVE THAT. 108 00:04:34,033 --> 00:04:36,133 USUALLY MY HUSBAND'S ROMANTIC GESTURES ARE LIMITED 109 00:04:36,133 --> 00:04:39,103 TO BRINGING ME COFFEE IN THE MORNING 110 00:04:39,100 --> 00:04:41,230 OR MAYBE RUNNING ME A BATH NOW AND THEN. 111 00:04:41,233 --> 00:04:44,103 I THINK THAT PARIS IS BRINGING OUT THE ROMANTIC IN HIM. 112 00:04:44,100 --> 00:04:45,100 - WHAT SHOULD WE WRITE? 113 00:04:45,100 --> 00:04:47,400 - "KYLE AND MAURICIO FOREVER." 114 00:04:47,400 --> 00:04:49,030 THEN WE CAN COME BACK, WE CAN SHOW THE KIDS ONE DAY 115 00:04:49,033 --> 00:04:50,233 AND BRING THEM BACK HERE. 116 00:04:50,233 --> 00:04:52,003 WHERE DO WE PUT IT? LET'S FIND A GOOD SPOT. 117 00:04:52,000 --> 00:04:53,200 - UM, OOPS. 118 00:04:53,200 --> 00:04:56,170 I DON'T KNOW ABOUT THE KEY. - WHAT? 119 00:04:56,166 --> 00:04:57,126 - [laughs] - YOU'RE LYING. 120 00:04:57,133 --> 00:04:58,873 - OH, HERE IT IS. THANK GOD. 121 00:04:58,867 --> 00:05:00,997 - [laughs] I WAS LIKE, OH, GOD, YOU FORGOT THE KEY? 122 00:05:01,000 --> 00:05:03,330 - WHEW. - PHEW-EE. 123 00:05:03,333 --> 00:05:05,673 OH, IT IS RAINING. [gasps] 124 00:05:05,667 --> 00:05:07,267 - THAT'S GOOD LUCK. A COUPLE OF RAINS-- 125 00:05:07,266 --> 00:05:10,266 A COUPLE OF DROPS ARE GOOD LUCK. 126 00:05:12,700 --> 00:05:15,100 - MM, LET'S PUT THE LOCK ON. WE'RE GONNA-- 127 00:05:15,100 --> 00:05:16,300 - WELL, I'M KISSING YOU FIRST. 128 00:05:16,300 --> 00:05:18,930 - HOW 'BOUT RIGHT HERE? - YOU LIKE THAT SPOT? 129 00:05:18,934 --> 00:05:21,034 - WAIT, A GOOD SPOT THAT THE KIDS CAN REMEMBER. 130 00:05:21,033 --> 00:05:24,603 THERE. 131 00:05:24,600 --> 00:05:26,830 AND THERE'S OUR NAMES. 132 00:05:26,834 --> 00:05:28,404 - PERFECT. 133 00:05:28,400 --> 00:05:29,930 - I LOVE IT. - MAKE A WISH. 134 00:05:29,934 --> 00:05:33,234 - US TO BE TOGETHER FOREVER AND HEALTHY AND HAPPY 135 00:05:33,233 --> 00:05:36,233 AND FOR OUR KIDS TO ALWAYS BE HEALTHY AND HAPPY TOO. 136 00:05:36,233 --> 00:05:37,633 - OKAY, READY? - I LOVE YOU MORE THAN ANYTHING. 137 00:05:37,633 --> 00:05:38,533 - IT'S GOING DEEP. 138 00:05:38,533 --> 00:05:43,233 - OKAY, GO. 139 00:05:43,233 --> 00:05:44,933 - [laughs] THANK GOD IT DIDN'T LAND ON THEM. 140 00:05:44,934 --> 00:05:46,934 - [laughs] 141 00:05:52,867 --> 00:05:55,067 - YOU GUYS ARE AWESOME. 142 00:05:55,066 --> 00:05:57,796 I'M SO GLAD WE'RE IN PARIS, I LOVE YOU GUYS. 143 00:05:57,800 --> 00:06:01,200 - WE HAVEN'T REALLY SPENT ANY TIME TOGETHER, KIM, HAVE WE? 144 00:06:01,200 --> 00:06:04,770 - NO, I THINK THAT, UM... 145 00:06:04,767 --> 00:06:07,067 I THINK IT'S ONE OF THE THINGS THAT WHEN I CAME HOME-- 146 00:06:07,066 --> 00:06:09,266 WHEN I FIRST SAW YOU, I TOLD YOU YOU WERE-- 147 00:06:09,266 --> 00:06:10,766 I SAW SUCH A DIFFERENCE IN YOU, 148 00:06:10,767 --> 00:06:13,167 AND MAYBE IT WAS A DIFFERENCE IN ME, 149 00:06:13,166 --> 00:06:15,096 BUT I REALLY WANTED TO SPEND TIME WITH YOU. 150 00:06:15,100 --> 00:06:17,500 I'VE REALLY ENJOYED THE TIME WHEN WE'RE TOGETHER. 151 00:06:17,500 --> 00:06:20,730 I REALLY--I DO, I ENJOY YOUR COMPANY. 152 00:06:20,734 --> 00:06:22,334 - THANKS, DARLING. 153 00:06:22,333 --> 00:06:24,633 - YOU KNOW, AND I ENJOY YOUR COMPANY TOO, KEN. 154 00:06:24,633 --> 00:06:25,833 YOU KNOW? - THANKS, DARLING. 155 00:06:25,834 --> 00:06:27,674 - I'M REALLY HAVING FUN. 156 00:06:27,667 --> 00:06:29,097 AND I WANT YOU GUYS TO COME OVER FOR DINNER. 157 00:06:29,100 --> 00:06:33,470 - I HAVE SEEN KIM IN A VERY POSITIVE LIGHT 158 00:06:33,467 --> 00:06:35,097 SINCE SHE'S BEEN IN REHAB. 159 00:06:35,100 --> 00:06:37,600 BUT SHE SEEMS TO BE IN A MUCH BETTER SPACE 160 00:06:37,600 --> 00:06:38,970 THAN SHE WAS LAST NIGHT, 161 00:06:38,967 --> 00:06:41,497 BUT SHE STILL SEEMS TO BE RAMBLING A LITTLE BIT. 162 00:06:41,500 --> 00:06:43,300 - YOU'VE HAD ME TO YOUR RESTAURANT, 163 00:06:43,300 --> 00:06:45,330 AND I WOULD LIKE YOU TO COME TO MY HOUSE, 164 00:06:45,333 --> 00:06:47,233 AND I'LL SHOW YOU-- YOU CAN TELL ME-- 165 00:06:47,233 --> 00:06:49,733 I MEAN, YOU CAN SHOW ME HOW TO MAKE A GOOD SALAD, 166 00:06:49,734 --> 00:06:50,774 BUT I'LL SHOW YOU-- - OH, I DON'T NEED TO SHOW YOU-- 167 00:06:50,767 --> 00:06:51,727 - I'LL MAKE YOU ONE OF MY DINNERS. 168 00:06:51,734 --> 00:06:53,074 - EXACTLY. 169 00:06:53,066 --> 00:06:56,566 - HOW'S YOUR RELATIONSHIP WITH YOUR SISTER NOW? 170 00:06:56,567 --> 00:07:00,597 - YOU KNOW, WHEN I WENT AWAY, SHE WAS VERY SUPPORTIVE 171 00:07:00,600 --> 00:07:03,700 FOR ME TO GO AWAY, BUT SINCE I CAME HOME, 172 00:07:03,700 --> 00:07:05,500 THEN WE JUST STOPPED TALKING. 173 00:07:05,500 --> 00:07:07,970 IT HURTS ME, AND I WANT TO. 174 00:07:07,967 --> 00:07:10,067 I FEEL LIKE I SEE KYLE, 175 00:07:10,066 --> 00:07:11,796 AND SHE'S NICE TO ME. 176 00:07:11,800 --> 00:07:14,570 GIVES ME A HUG AND A KISS, BUT-- 177 00:07:14,567 --> 00:07:16,367 BUT I DON'T FEEL LIKE IT'S REAL. 178 00:07:16,367 --> 00:07:19,727 AND... 179 00:07:19,734 --> 00:07:21,404 I JUST WANNA KNOW WHY. 180 00:07:21,400 --> 00:07:23,200 - DO YOU THINK YOU'LL EVER FIGURE IT OUT, THOUGH? 181 00:07:23,200 --> 00:07:24,630 OR YOU DON'T-- 182 00:07:24,633 --> 00:07:26,533 - WELL, SHE'S CHANGED. THERE'S SOMETHING DIFFERENT. 183 00:07:26,533 --> 00:07:28,533 THERE'S SOMETHING WRONG WITH MY SISTER. 184 00:07:28,533 --> 00:07:29,773 THERE'S SOMETHING DIFFERENT ABOUT HER. 185 00:07:29,767 --> 00:07:32,327 SHE'S NOT THE SAME PERSON. 186 00:07:32,333 --> 00:07:33,933 - MY RELATIONSHIP'S CHANGED WITH HER. 187 00:07:33,934 --> 00:07:36,174 BIG-TIME. - BUT WHY HAS YOURS CHANGED? 188 00:07:36,166 --> 00:07:39,396 - BECAUSE OF THE WAY SHE TREATED ME. 189 00:07:39,400 --> 00:07:40,430 IT'S ALWAYS NICE TO HAVE A FRIEND 190 00:07:40,433 --> 00:07:42,173 THAT TURNS AROUND AND SAYS, 191 00:07:42,166 --> 00:07:43,626 "YOU KNOW WHAT? I'M ON YOUR SIDE..." 192 00:07:43,633 --> 00:07:45,733 - AND I JUST SAID-- - "SHUT THE [bleep] UP." 193 00:07:45,734 --> 00:07:47,334 - I WILL WORK ON THAT, LIKE I SAID. 194 00:07:47,333 --> 00:07:49,033 AND IT WAS NOT TO HURT YOU. - WORK ON IT. 195 00:07:49,033 --> 00:07:51,603 I JUST KNOW THAT SHE'LL NEVER HAVE MY BACK. 196 00:07:51,600 --> 00:07:54,370 - WHEN I'M NOT WITH HER, I'M SO ANGRY AT HER 197 00:07:54,367 --> 00:07:57,567 BECAUSE I FEEL LIKE, WHY AREN'T WE COMMUNICATING? 198 00:07:57,567 --> 00:08:00,367 SO THEN I GET MAD, AND I FEEL-- - BUT DO YOU TELL HER THAT? 199 00:08:00,367 --> 00:08:02,697 - I DO--I DID, I FINALLY JUST SAID, 200 00:08:02,700 --> 00:08:05,530 "I DON'T KNOW-- DON'T KNOW WHAT'S WRONG, 201 00:08:05,533 --> 00:08:06,873 BUT WHATEVER IT IS, WE NEED TO FIX THIS 202 00:08:06,867 --> 00:08:07,867 BECAUSE I KNOW THERE'S SOMETHING THERE. 203 00:08:07,867 --> 00:08:09,267 THERE'S SOMETHING WRONG. 204 00:08:09,266 --> 00:08:12,326 - SO DOES SHE FEEL THE RELATIONSHIP'S CHANGED WITH HER? 205 00:08:12,333 --> 00:08:13,573 - UH-HUH. - BLOODY HELL, IT'S RAINING. 206 00:08:13,567 --> 00:08:15,627 - I WANNA DO THE LITTLE BICYCLE. I WANNA DO THE BICYCLE. 207 00:08:15,633 --> 00:08:16,633 - MAYBE HERE WOULD BE A GOOD-- 208 00:08:16,633 --> 00:08:19,003 A GOOD PLACE TO TALK ABOUT IT. 209 00:08:19,000 --> 00:08:20,930 LIKE, WHEN YOU'RE AWAY, YOU'RE RELAXED TOGETHER. 210 00:08:20,934 --> 00:08:22,534 - I THINK THAT KYLE AND I NEED TO TALK ABOUT IT, 211 00:08:22,533 --> 00:08:24,603 BUT I NEED TO GIVE SOMETHING-- - SORRY, DARLING. 212 00:08:24,600 --> 00:08:25,900 - LET'S GET ON ONE OF THOSE LITTLE BICYCLES. 213 00:08:25,900 --> 00:08:27,770 - LET'S GO. - WE CAN TALK ABOUT IT LATER. 214 00:08:27,767 --> 00:08:29,297 - KEEP WALKING, I WANT TO GET SOME LUNCH BEFORE IT RAINS. 215 00:08:29,300 --> 00:08:32,330 - YOU--YOU KNOW KYLE. 216 00:08:32,333 --> 00:08:33,473 I LOVE THE RAIN. 217 00:08:33,467 --> 00:08:35,927 [laughs] 218 00:08:35,934 --> 00:08:37,234 - NOW, THIS LOOKS GOOD. 219 00:08:37,233 --> 00:08:38,233 - DO THE CARS STOP, OR DO THEY JUST RUN YOU OVER HERE? 220 00:08:38,233 --> 00:08:39,833 - THIS IS GOOD. 221 00:08:39,834 --> 00:08:43,104 ONE MINUTE, KIM SEEMS, LIKE, REALLY DISORIENTED, 222 00:08:43,100 --> 00:08:46,130 AND THE NEXT MINUTE, SHE SEEMS ALMOST FINE. 223 00:08:46,133 --> 00:08:49,033 SHE'S CONFUSING, IT'S KIND OF UP AND DOWN LIKE A BLOODY YO-YO. 224 00:08:49,033 --> 00:08:51,233 - I THINK I'M GONNA HEAD BACK TO THE HOTEL NOW. 225 00:08:51,233 --> 00:08:54,733 I LIKE THE RAIN. I LOVE PARIS'S RAIN. 226 00:08:54,734 --> 00:08:56,174 - COMING UP... 227 00:08:56,166 --> 00:09:01,166 - KIM. 228 00:09:01,166 --> 00:09:03,826 - [knocks] 229 00:09:06,867 --> 00:09:10,127 [French music] 230 00:09:10,133 --> 00:09:18,303 ♪♪ ♪♪ 231 00:09:22,600 --> 00:09:24,170 - THE WORKMANSHIP IN THAT. 232 00:09:24,166 --> 00:09:25,596 - IT'S BEAUTIFUL. - LOOK AT IT, THE CARVING... 233 00:09:25,600 --> 00:09:27,300 - OH, YOU CAN GO TO THE-- YOU CAN GO UP ON THE TOP. 234 00:09:27,300 --> 00:09:28,500 I DIDN'T KNOW THAT. - YEAH. 235 00:09:28,500 --> 00:09:30,200 I'VE NEVER BEEN ON TOP. - NO. 236 00:09:30,200 --> 00:09:32,100 - YOU'VE NEVER BEEN ON TOP? THAT'S NOT WHAT I'VE HEARD. 237 00:09:32,100 --> 00:09:33,830 - HAVE YOU? [both laugh] 238 00:09:33,834 --> 00:09:35,534 - I WAS ONCE. [laughs] - NAUGHTY. 239 00:09:35,533 --> 00:09:36,833 GIGGY. 240 00:09:36,834 --> 00:09:40,234 GIGGY AT THE NOTRE DAME. 241 00:09:40,233 --> 00:09:42,333 SO CUTE WITH GIGGY-GU. - YOU LOOK SO SIMILAR, YOU TWO. 242 00:09:42,333 --> 00:09:43,703 - DO ONE WITH-- IT'S BEAUTIFUL. 243 00:09:43,700 --> 00:09:44,830 - YOU'VE GOT THE SAME HAIRDRESSER. 244 00:09:44,834 --> 00:09:45,804 - DO ONE--COME ON, ONE PICTURE WITH YOUR-- 245 00:09:45,800 --> 00:09:47,930 WITH YOUR HUSBAND. 246 00:09:47,934 --> 00:09:49,104 - OH, GET OFF THE STEP. 247 00:09:49,100 --> 00:09:51,400 - GOOD OUTFIT. 248 00:09:51,400 --> 00:09:53,970 WHERE IS KIM? - SHE WENT BACK TO THE HOTEL. 249 00:09:53,967 --> 00:09:57,627 - I WORRY ABOUT HER BECAUSE HER BEHAVIOR WAS JUST SO OFF. 250 00:09:57,633 --> 00:10:00,233 - TODAY SHE SEEMED A LITTLE BIT MEDICATED, DIDN'T SHE? 251 00:10:00,233 --> 00:10:01,703 SOMETHING. I KNOW SHE WAS-- SHE WAS GOOD. 252 00:10:01,700 --> 00:10:02,700 - YEAH. - BUT... 253 00:10:02,700 --> 00:10:04,000 - I DON'T KNOW. 254 00:10:04,000 --> 00:10:05,130 - SAID SOME STRANGE THINGS, DIDN'T SHE? 255 00:10:05,133 --> 00:10:06,733 - ISN'T THE WHOLE POINT OF COMING OUT OF REHAB 256 00:10:06,734 --> 00:10:08,174 TO BE TOTALLY CLEAN? - YEAH. 257 00:10:08,166 --> 00:10:10,666 - WELL, I JUST WONDER, WHEN YOU COME OUT OF THOSE SITUATIONS, 258 00:10:10,667 --> 00:10:12,897 WHEN THEY GIVE YOU MEDICATION... - YEAH. 259 00:10:12,900 --> 00:10:15,230 - IT COULD GET--YOU'RE TAKING SOMETHING. I DON'T KNOW. 260 00:10:15,233 --> 00:10:17,673 - JUST BECAUSE IT'S A PRESCRIBED PRESCRIPTION... 261 00:10:17,667 --> 00:10:18,667 both: DOESN'T MEAN-- - IT'S OKAY. 262 00:10:18,667 --> 00:10:19,997 - THAT IT'S OKAY. 263 00:10:20,000 --> 00:10:22,900 - KIM HAS TOLD ME SHE'S TAKING PRESCRIPTION DRUGS 264 00:10:22,900 --> 00:10:25,700 TO HELP HER ON HER ROAD TO RECOVERY, 265 00:10:25,700 --> 00:10:27,900 AND I JUST PRAY TO GOD 266 00:10:27,900 --> 00:10:30,800 THAT THIS ISN'T A WHOLE NEW SET OF PROBLEMS. 267 00:10:30,800 --> 00:10:34,230 - I WORRY THAT SHE GOES TO BED AND, YOU KNOW, WHO KNOWS? 268 00:10:34,233 --> 00:10:35,773 DOESN'T-- - YEAH. 269 00:10:35,767 --> 00:10:37,027 - YOU JUST DON'T KNOW. 270 00:10:37,033 --> 00:10:38,103 YOU HEAR SO MANY AWFUL STORIES THESE DAYS... 271 00:10:38,100 --> 00:10:39,730 both: OF PEOPLE NOT WAKING UP. 272 00:10:39,734 --> 00:10:41,904 - LET'S AGREE TO KEEP AN EYE ON HER, YEAH? 273 00:10:41,900 --> 00:10:43,970 - JUST SEE HOW IT PLAYS OUT. 274 00:10:43,967 --> 00:10:46,827 - I'M EXCITED, YOU KNOW, TONIGHT WE'RE GONNA HAVE SO MUCH FUN. 275 00:10:46,834 --> 00:10:48,404 - OH, YEAH. - I CAN'T WAIT. 276 00:10:48,400 --> 00:10:49,770 - HAVE I GOT TO GO? - WHAT DO YOU MEAN, 277 00:10:49,767 --> 00:10:50,797 HAVE YOU GOT TO GO? - YEAH, IT'S A COOKING CLASS 278 00:10:50,800 --> 00:10:52,130 IN PARIS. - IT'S A COOKING CLASS. 279 00:10:52,133 --> 00:10:55,703 PARIS IS ONE OF THE COOKING CAPITALS OF THE WORLD. 280 00:10:55,700 --> 00:10:58,200 SO RATHER THAN JUST EAT OUT EVERY NIGHT, 281 00:10:58,200 --> 00:10:59,270 I THOUGHT IT WOULD BE A LOT OF FUN 282 00:10:59,266 --> 00:11:02,026 TO MAYBE TAKE A COOKING CLASS, SO... 283 00:11:02,033 --> 00:11:03,333 [speaking French] 284 00:11:03,333 --> 00:11:04,773 - I WANNA LEARN SOMETHING AND GO HOME... 285 00:11:04,767 --> 00:11:05,727 - COME ON, THEN, LET'S-- 286 00:11:05,734 --> 00:11:07,004 - AND COOK FOR MY HUSBAND. 287 00:11:07,000 --> 00:11:08,300 - LET'S GO AND HAVE A LOOK AT THAT STATUE. 288 00:11:08,300 --> 00:11:11,470 - AND THEN WE'RE GOING IN NOTRE DAME. 289 00:11:27,400 --> 00:11:28,530 - OOH. 290 00:11:28,533 --> 00:11:30,033 - WOW, IT'S STILL BEAUTIFUL TONIGHT. 291 00:11:30,033 --> 00:11:31,803 - IT IS. - WAIT, WHERE'S KIM? 292 00:11:31,800 --> 00:11:32,930 - HOW ARE WE LEAVING WITHOUT KIM? 293 00:11:32,934 --> 00:11:34,274 - YEAH, WHERE'S KIM? - I DON'T KNOW. 294 00:11:34,266 --> 00:11:35,426 WANNA WAIT FOR HER? - WHERE IS KIM? 295 00:11:35,433 --> 00:11:37,433 - I THOUGHT MAYBE SHE WENT DOWN ALREADY. 296 00:11:37,433 --> 00:11:39,803 - WELL, I WAS WITH HER TILL LUNCHTIME, BUT I DON'T KNOW. 297 00:11:39,800 --> 00:11:42,200 - LET ME CALL HER. 298 00:11:42,200 --> 00:11:44,170 - MAYBE I SHOULD JUST RUN UP TO THE ROOM. 299 00:11:44,166 --> 00:11:45,766 MAYBE SHE'S STILL SLEEPING. - I'LL GO UP. I'LL GO UP. 300 00:11:45,767 --> 00:11:47,667 - THIS REMINDS ME OF HAWAII, ALL OVER AGAIN. 301 00:11:47,667 --> 00:11:49,897 WE'VE BEEN WAITING FOR YOU FOR HALF AN HOUR. 302 00:11:49,900 --> 00:11:50,970 HOW LONG ARE YOU GONNA BE? 303 00:11:50,967 --> 00:11:52,497 - KYLE, ARE YOU COMING IN OR NOT? 304 00:11:52,500 --> 00:11:53,930 - NO, I'M NOT COMING IN, I WANT TO KNOW IF YOU'RE COMING. 305 00:11:53,934 --> 00:11:55,574 - JUST HURRY UP. THE BUS IS WAITING. 306 00:11:55,567 --> 00:11:58,497 I FEEL A LITTLE DEJA VU COMING ON IN PARIS. 307 00:11:58,500 --> 00:12:01,070 - I HAVEN'T HAD THAT FEAR 308 00:12:01,066 --> 00:12:04,096 AND WORRIED ABOUT MY SISTER LIKE I USED TO IN A LONG TIME. 309 00:12:04,100 --> 00:12:06,230 I'M GONNA GO TO HER ROOM. I'M GONNA GO TO HER ROOM. 310 00:12:06,233 --> 00:12:08,503 - I'LL GO WITH YOU. I'LL GO WITH HER. 311 00:12:08,500 --> 00:12:10,230 MY HEART IS KIND OF STARTING TO BEAT IN MY CHEST 312 00:12:10,233 --> 00:12:12,273 LIKE I FEEL ANXIETY 313 00:12:12,266 --> 00:12:15,226 BECAUSE YOU HEAR SO MANY AWFUL STORIES THESE DAYS 314 00:12:15,233 --> 00:12:17,173 OF PEOPLE MIXING MEDICATIONS. 315 00:12:17,166 --> 00:12:20,526 AND AT THIS POINT, I'M A BIT WORRIED THAT THAT MIGHT BE, 316 00:12:20,533 --> 00:12:21,573 YOU KNOW, THE SCENARIO. 317 00:12:21,567 --> 00:12:24,227 [knocks] 318 00:12:24,233 --> 00:12:28,833 - [knocks] KIM? 319 00:12:28,834 --> 00:12:30,304 [knocks] 320 00:12:30,300 --> 00:12:32,130 KIM. 321 00:12:32,133 --> 00:12:33,703 I'M SCARED. 322 00:12:33,700 --> 00:12:36,270 I DON'T KNOW WHAT I'M GONNA FIND ON THE OTHER SIDE OF THE DOOR. 323 00:12:36,266 --> 00:12:41,266 - KIM. 324 00:12:41,266 --> 00:12:45,726 - [knocks] 325 00:12:45,734 --> 00:12:47,304 KIM? 326 00:12:47,300 --> 00:12:49,130 - HEY, ARE YOU OKAY? 327 00:12:49,133 --> 00:12:50,573 WHAT ARE YOU DOING? - WHAT'S WRONG? 328 00:12:50,567 --> 00:12:53,667 - WE'RE SUPPOSED TO BE IN THE LOBBY 40 MINUTES AGO. 329 00:12:53,667 --> 00:12:54,767 - WHAT'S WRONG? 330 00:12:54,767 --> 00:12:56,597 - YOU GOTTA QUICKLY GET DRESSED. - I WILL. 331 00:12:56,600 --> 00:12:57,630 - ARE YOU OKAY? 332 00:12:57,633 --> 00:12:59,003 - YEAH. - OKAY. 333 00:12:59,000 --> 00:13:00,700 - THERE IS NO ALCOHOL BOTTLES, 334 00:13:00,700 --> 00:13:01,970 I DON'T SEE ANY MEDICATION BOTTLES, 335 00:13:01,967 --> 00:13:03,467 HER HAIR IS STICKING OUT 336 00:13:03,467 --> 00:13:07,197 AND ALL SLEEPY, I'M LIKE, "OH, THANK GOD, SHE JUST OVERSLEPT." 337 00:13:07,200 --> 00:13:09,800 - OKAY. - I'M SO SORRY, YOU GUYS. 338 00:13:09,800 --> 00:13:11,200 - IT'S OKAY. OKAY, JUST HURRY UP AND GET READY. 339 00:13:11,200 --> 00:13:12,230 WE'LL MEET YOU AT-- 340 00:13:12,233 --> 00:13:13,403 WE'LL MEET YOU DOWN THERE. - OKAY. 341 00:13:13,400 --> 00:13:17,130 - KIM HAS BEEN AN ALCOHOLIC FOR MANY YEARS. 342 00:13:17,133 --> 00:13:20,933 I KNOW THAT IT IS A DAILY STRUGGLE FOR HER TO STAY SOBER. 343 00:13:20,934 --> 00:13:22,874 SO I JUST HAVE TO KEEP MY FINGERS CROSSED EVERY DAY 344 00:13:22,867 --> 00:13:24,967 AND HOPE THAT SHE STAYS STRONG. 345 00:13:24,967 --> 00:13:27,027 - I WONDER-- I WONDER WHAT'S HAPPENING, 346 00:13:27,033 --> 00:13:28,473 'CAUSE IN HAWAII WE KIND OF GOT INTO THE SAME THING. 347 00:13:28,467 --> 00:13:30,797 - I KNOW. BUT YOU WERE WITH HER ALL DAY. 348 00:13:30,800 --> 00:13:31,970 SHE WAS FINE, RIGHT? 349 00:13:31,967 --> 00:13:33,567 - THERE'S FINE, AND THERE'S FINE. 350 00:13:33,567 --> 00:13:35,297 - RIGHT, WELL, THERE'S FINE, AND THERE'S KIM. 351 00:13:35,300 --> 00:13:36,830 [both chuckle] 352 00:13:36,834 --> 00:13:40,634 - I DON'T WANT TO OVERREACT, BUT I'M REALLY RATHER ANXIOUS. 353 00:13:40,633 --> 00:13:42,403 I HAVEN'T SEEN HER FOR SIX HOURS. 354 00:13:42,400 --> 00:13:44,700 WE PARTED WAYS BEFORE LUNCH. 355 00:13:44,700 --> 00:13:47,300 BUT THE TROUBLE IS IS I'VE ONLY KNOWN KIM 356 00:13:47,300 --> 00:13:48,930 WHEN SHE HAD THE DRINKING PROBLEM. 357 00:13:48,934 --> 00:13:50,374 - RIGHT. - SO I DON'T REALLY KNOW... 358 00:13:50,367 --> 00:13:51,897 - EXACTLY. - YOU KNOW WHAT I'M SAYING? 359 00:13:51,900 --> 00:13:54,100 - YEAH, EVERY TIME I-- SO I DON'T KNOW. WE'LL SEE. 360 00:13:54,100 --> 00:13:55,370 - HI, GIRLS. - OKAY. 361 00:13:55,367 --> 00:13:57,967 - SHE IS? WHAT WAS SHE DOING? - SHE'S OKAY. 362 00:13:57,967 --> 00:13:59,327 WELL, SHE'S FALLEN ASLEEP. - WELL, SHOULD WE WAIT FOR HER? 363 00:13:59,333 --> 00:14:00,933 - YEAH, OF COURSE. 364 00:14:00,934 --> 00:14:01,904 - WE'RE GONNA WAIT FOR HER. SHE'S GONNA BE A FEW MINUTES. 365 00:14:01,900 --> 00:14:03,600 - SHE'S QUICKLY GETTING DRESSED. 366 00:14:03,600 --> 00:14:06,970 - SHE COULD'VE JUST-- LIKE I SAID, I WAS SLEEPING TOO. 367 00:14:06,967 --> 00:14:08,167 - RIGHT. - YEAH. 368 00:14:08,166 --> 00:14:09,326 - I DIDN'T KNOW THE BOYS WEREN'T COMING. 369 00:14:09,333 --> 00:14:10,773 - NO, THE BOYS-- WELL, THEY'RE COMING LATER. 370 00:14:10,767 --> 00:14:12,067 - AND WHAT ARE WE DOING LATER? 371 00:14:12,066 --> 00:14:13,726 - YOU DON'T WANT TO GO WALKING, 372 00:14:13,734 --> 00:14:16,234 YOU JUST WANT TO GO FIND A CUTE BOY AND KISS. 373 00:14:16,233 --> 00:14:18,103 - I EXERCISED ALL DAY WITH YOU. 374 00:14:18,100 --> 00:14:21,100 WE DID CARTWHEELS, WE SKIPPED, WE RAN, WE JOGGED, WE WALKED. 375 00:14:21,100 --> 00:14:23,130 THAT'S MORE EXERCISE THAN I DO IN A WEEK. 376 00:14:23,133 --> 00:14:24,273 [laughter] 377 00:14:24,266 --> 00:14:28,726 - A YEAR. - YES, IT'S A LOT. 378 00:14:28,734 --> 00:14:31,734 - WHERE IS MY SISTER? 379 00:14:31,734 --> 00:14:32,904 - YEAH, WHERE IS SHE? 380 00:14:32,900 --> 00:14:35,970 - WAIT, DEJA VU. DEJA VU. - WE ARE. 381 00:14:35,967 --> 00:14:37,467 - WHERE IS KIM? 382 00:14:37,467 --> 00:14:41,197 IF I HAD A DOLLAR FOR EVERY TIME I'VE SAID, "WHERE'S KIM?" 383 00:14:41,200 --> 00:14:45,100 I'D BE A BILLIONAIRE. 384 00:14:50,266 --> 00:14:51,666 OH, MY GOSH. 385 00:14:51,667 --> 00:14:53,067 - OH, HERE'S KIM. THERE'S KIM, YOU GUYS. 386 00:14:53,066 --> 00:14:56,526 - OKAY, MY LOVE, WELL, SAY BYE TO THE GIRLS. 387 00:14:59,433 --> 00:15:01,403 KIMMY, HOW ARE YOU FEELING, BABE, ARE YOU AWAKE? 388 00:15:01,400 --> 00:15:03,900 - YEAH, I'M AWAKE. I TOOK A NAP. 389 00:15:03,900 --> 00:15:05,900 AFTER I CAME BACK-- I TOLD YOU I WAS EXHAUSTED. 390 00:15:05,900 --> 00:15:08,700 I'M EXHAUSTED, I'M TOTALLY EX-- 391 00:15:08,700 --> 00:15:11,170 AND I FELT LIKE I'VE BEEN ON EUROPEAN TIME. 392 00:15:11,166 --> 00:15:15,226 - DID YOU TAKE ANY SLEEPING PILL OR SOMETHING? 393 00:15:15,233 --> 00:15:18,233 - SLEEPING PILL? THAT WOULD MEAN THAT I HAD RELAPSED. 394 00:15:18,233 --> 00:15:19,933 NO. 395 00:15:19,934 --> 00:15:21,074 - SO HOW LONG DID YOU PASS OUT FOR? 396 00:15:21,066 --> 00:15:22,966 HOURS. I SAW YOU FOUR HOURS AGO. - TWO HOURS. 397 00:15:22,967 --> 00:15:25,667 SO WHOSE IDEA WAS THIS COOKING LESSON? 398 00:15:25,667 --> 00:15:27,067 - LISA. 399 00:15:27,066 --> 00:15:30,126 - WHY DID WE FLY ALL THE WAY TO PARIS TO MAKE OUR OWN DINNER? 400 00:15:30,133 --> 00:15:31,733 - [laughs] 401 00:15:31,734 --> 00:15:34,274 - I'M JUST TRYING TO GET YOU OUT OF YOUR BEDROOM, FOR GOD'S SAKE. 402 00:15:34,266 --> 00:15:35,866 WE'RE SUPPOSED TO BE IN PARIS. - I WAS WITH YOU ALL AFTERNOON. 403 00:15:35,867 --> 00:15:37,827 - NO, THAT WAS THIS MORNING. - OH, NO--CAREFUL NOW. 404 00:15:37,834 --> 00:15:40,534 I SPENT THE DAY WITH LISA. 405 00:15:40,533 --> 00:15:43,203 WE STARTED ABOUT, I THINK, 9:00, SO ALL DAY. 406 00:15:43,200 --> 00:15:45,000 I DON'T--YEAH. 9:00 OR 10:00. 407 00:15:45,000 --> 00:15:47,200 AND AT ABOUT 4:00 OR 5:00, SHE HAD TO LEAVE 408 00:15:47,200 --> 00:15:49,930 BECAUSE SHE HAD TO GO TO... 409 00:15:49,934 --> 00:15:53,004 MAN... 410 00:15:53,000 --> 00:15:55,500 I WAS WITH YOU ALL AFTERNOON. WATCH IT, GIRLFRIEND. 411 00:15:55,500 --> 00:15:57,100 - THAT WAS--NO. - THAT'S NOT COOL. 412 00:15:57,100 --> 00:15:58,100 - THEN WE--THEN WE-- 413 00:15:58,100 --> 00:15:59,930 NO, THEN WE LEFT. THEN WE LEFT. 414 00:15:59,934 --> 00:16:01,274 - DON'T GO THERE. 415 00:16:01,266 --> 00:16:04,366 - WE WERE TOGETHER THIS AFTERNOON. 416 00:16:04,367 --> 00:16:06,267 [chuckles] WE WERE. WE WERE TOGETHER-- 417 00:16:06,266 --> 00:16:07,326 - DON'T ROCK THAT BOAT. 418 00:16:07,333 --> 00:16:09,333 - OH, OKAY. - WHAT HAPPENED? 419 00:16:09,333 --> 00:16:11,373 - I DON'T KNOW. - WHAT'D I MISS? 420 00:16:11,367 --> 00:16:14,897 - I LEFT YOU, AND--WHAT? - NO. [mumbles] 421 00:16:14,900 --> 00:16:17,830 DON'T TALK TO ME LIKE I STAY IN MY ROOM AND I SLEEP ALL DAY 422 00:16:17,834 --> 00:16:22,474 AND I HA-- BECAUSE THAT'S NOT THE CASE. 423 00:16:22,467 --> 00:16:23,997 - COMING UP... 424 00:16:24,000 --> 00:16:25,700 - DON'T GO IN THERE NOW. - DON'T GO IN THERE. 425 00:16:25,700 --> 00:16:26,870 - CUTTING THE HEAD OF A DUCK? 426 00:16:26,867 --> 00:16:29,227 OH, STOP. [chops, silverware rattles] 427 00:16:29,233 --> 00:16:30,903 - UH! THAT'S ONE. - OH, MY GOD. 428 00:16:37,800 --> 00:16:39,270 - I DON'T UNDERSTAND THAT. 429 00:16:39,266 --> 00:16:40,296 - I DON'T EVEN KNOW WHAT ANY OF THAT WAS ABOUT. 430 00:16:40,300 --> 00:16:41,330 - I DON'T UNDERSTAND THAT. 431 00:16:41,333 --> 00:16:42,403 WASN'T I WITH YOU THIS AFTERNOON? 432 00:16:42,400 --> 00:16:43,600 - I JUST DON'T WANT HER TO GET UPSET 433 00:16:43,600 --> 00:16:45,670 RIGHT BEFORE WE START COOKING. - I DON'T KNOW. 434 00:16:45,667 --> 00:16:48,697 - [sniffles] 435 00:16:48,700 --> 00:16:51,100 I UNDERSTAND COMPLETELY IF THEY WERE FRIGHTENED, 436 00:16:51,100 --> 00:16:53,300 AND THEY THOUGHT MAYBE I WAS DRINKING OR SOMETHING. 437 00:16:53,300 --> 00:16:56,100 BUT KNOCK OUT THE SNIDE COMMENTS. 438 00:16:56,100 --> 00:16:58,170 [sniffles] YOU KNOW? NO JOKES. 439 00:16:58,166 --> 00:17:02,296 LISA, IT'S JUST WHAT SHE DID, IT WAS SO MEAN, I JUST-- 440 00:17:02,300 --> 00:17:03,700 - WHAT? I CAN'T UNDERSTAND ANYTHING YOU'RE SAYING. 441 00:17:03,700 --> 00:17:06,370 - I THINK WHAT LISA DID WAS SO MEAN, 442 00:17:06,367 --> 00:17:08,467 AND I'VE WORKED VERY HARD THIS YEAR. 443 00:17:08,467 --> 00:17:09,997 [sobs] 444 00:17:10,000 --> 00:17:12,330 NOBODY KNOWS WHAT I HAVE GONE THROUGH. 445 00:17:12,333 --> 00:17:14,033 WHEN YOU'RE SO DISAPPOINTED 446 00:17:14,033 --> 00:17:15,733 AND YOU DON'T WANT TO LOOK IN THE MIRROR ANYMORE, 447 00:17:15,734 --> 00:17:18,274 THAT'S A HORRIBLE FEELING. 448 00:17:18,266 --> 00:17:19,996 - WHERE ARE THE OTHER GIRLS? THEY ON THE WAY? 449 00:17:20,000 --> 00:17:21,630 - NO, THEY'RE IN THE CAR. SHALL I GO AND GET THEM? 450 00:17:21,633 --> 00:17:22,903 - IF YOU LIKE. - NO. 451 00:17:22,900 --> 00:17:24,230 - OH, COME ON. 452 00:17:24,233 --> 00:17:25,233 - DON'T--I JUST THINK THEY NEED SOME TIME ALONE. 453 00:17:25,233 --> 00:17:26,633 - WHY? - I DON'T KNOW. 454 00:17:26,633 --> 00:17:28,403 I JUST FEEL LIKE KIM'S ON EDGE, 455 00:17:28,400 --> 00:17:31,500 AND ANYTHING ANYONE SAYS TO HER RIGHT NOW IS NOT GONNA GO WELL. 456 00:17:31,500 --> 00:17:33,330 - RIGHT HERE NOW, I DON'T KNOW WHAT HAPPENED. 457 00:17:33,333 --> 00:17:35,633 I HAD TO LAY DOWN, I WAS SO EXHAUSTED. I'M NOT-- 458 00:17:35,633 --> 00:17:37,633 AND I WASN'T FEELING GOOD LAST NIGHT. 459 00:17:37,633 --> 00:17:39,133 AND THE TIME CHANGE, I DON'T KNOW, 460 00:17:39,133 --> 00:17:40,573 BUT, YOU KNOW, I DON'T WANT THIS TO BE LIKE 461 00:17:40,567 --> 00:17:42,397 HISTORY REPEATS ITSELF 'CAUSE IT'S NOT LIKE THAT. 462 00:17:42,400 --> 00:17:44,170 - HERE COMES LISA. 463 00:17:44,166 --> 00:17:47,226 - NO, I DON'T WANT HER IN HERE RIGHT NOW. 464 00:17:47,233 --> 00:17:49,003 - ARE YOU COMING? - COULD YOU GIVE US A SECOND? 465 00:17:49,000 --> 00:17:50,630 I WANT TO TALK TO MY SISTER. 466 00:17:50,633 --> 00:17:54,633 - ARE YOU OKAY? - YEAH. 467 00:17:54,633 --> 00:17:55,833 - WHAT'S THE MATTER? - NOTHING. 468 00:17:55,834 --> 00:17:57,474 I JUST WANT TO TALK TO MY SISTER, LISA. 469 00:17:57,467 --> 00:17:59,567 - ARE YOU OKAY OR NOT? DO YOU WANT TO CANCEL IT? 470 00:17:59,567 --> 00:18:00,797 WHAT'S THE MATTER? 471 00:18:00,800 --> 00:18:02,300 - SHE JUST WANTS TO TALK TO ME FOR A MINUTE. 472 00:18:02,300 --> 00:18:03,600 SHE JUST WANTS TO TALK. - BUT DO YOU WANT TO CANCEL IT? 473 00:18:03,600 --> 00:18:04,870 - NO. 474 00:18:04,867 --> 00:18:05,867 - YOU DON'T WANT TO GO IN LIKE THAT, DO YOU? 475 00:18:05,867 --> 00:18:07,197 - NO, I-- - DO YOU? 476 00:18:07,200 --> 00:18:09,230 - I WANNA COME IN, I JUST WANNA TALK TO MY SISTER. 477 00:18:09,233 --> 00:18:11,373 - DARLING, I'LL CANCEL IT, OR SHOULD WE JUST GO AHEAD? 478 00:18:11,367 --> 00:18:12,627 - SHE WANTS TO GO IN, 479 00:18:12,633 --> 00:18:15,673 SHE JUST WANTS TO TALK TO ME FOR A MINUTE. 480 00:18:18,100 --> 00:18:21,300 - WHEN PEOPLE SEE US HAVING KIND OF AN INTIMATE MOMENT, 481 00:18:21,300 --> 00:18:23,400 THEY SHOULD RESPECT THAT. 482 00:18:23,400 --> 00:18:24,430 THEY COME RIGHT OVER AND BE LIKE, 483 00:18:24,433 --> 00:18:25,973 "WHAT ARE YOU TALKING ABOUT?" REALLY? 484 00:18:25,967 --> 00:18:26,967 - NO, SHE'S REALLY CRYING IN THERE. 485 00:18:26,967 --> 00:18:28,667 - SHE IS? - YEAH. 486 00:18:28,667 --> 00:18:29,997 - THAT'S WHAT I'M SAYING. I DON'T THINK THAT THERE'S-- 487 00:18:30,000 --> 00:18:33,470 - NO, NO, NO, NO, THEY DON'T WANT US IN THERE. 488 00:18:33,467 --> 00:18:34,927 THEY WERE LIKE, "NO." 489 00:18:34,934 --> 00:18:36,434 SHE SAID, "I WANT TO TALK TO MY SISTER." 490 00:18:36,433 --> 00:18:37,903 - I DON'T THINK ANYONE CAN SAY ANYTHING RIGHT RIGHT NOW... 491 00:18:37,900 --> 00:18:39,170 - I KNOW. - SO I DON'T-- 492 00:18:39,166 --> 00:18:40,996 I JUST LET THEM HAVE THEIR-- - SHOULD WE JUST DO IT? 493 00:18:41,000 --> 00:18:42,100 - YEAH, LET'S SHUT THE DOOR. 494 00:18:42,100 --> 00:18:43,070 - I SAID, "DO YOU WANT TO CANCEL IT?" 495 00:18:43,066 --> 00:18:44,696 I WAS JUST BEING LIGHTHEARTED. 496 00:18:44,700 --> 00:18:47,730 THE LAST THING I WANT TO DO IS UPSET KIM, 497 00:18:47,734 --> 00:18:49,374 AND I DON'T KNOW WHY SHE'S OVERREACTING. 498 00:18:49,367 --> 00:18:50,667 WHAT THE HELL IS GOING ON? 499 00:18:50,667 --> 00:18:51,797 - I OVERSLEPT THIS MORNING AS WELL. 500 00:18:51,800 --> 00:18:52,970 - IT'S--IT'S-- 501 00:18:52,967 --> 00:18:54,197 - BUT I HAD A-- WHAT I'M TRYING TO-- 502 00:18:54,200 --> 00:18:55,500 I DON'T KNOW WHY SHE'S SENSITIVE ABOUT IT. 503 00:18:55,500 --> 00:18:57,900 - YEAH, BUT SHE'S CRYING HER EYES OUT. 504 00:18:57,900 --> 00:18:59,300 OBVIOUSLY, SOMETHING ELSE IS GOING ON. 505 00:18:59,300 --> 00:19:01,170 - WE'VE GONE ON OTHER VACATIONS WITH HER 506 00:19:01,166 --> 00:19:04,166 WHERE SHE WASN'T SHOWING BECAUSE SHE WAS DRUNK, 507 00:19:04,166 --> 00:19:05,326 SO I THINK THAT PEOPLE-- 508 00:19:05,333 --> 00:19:06,903 SHE'S THINKING PEOPLE ARE INSINUATING 509 00:19:06,900 --> 00:19:09,530 THAT'S HAPPENING AGAIN, AND THAT'S NOT NECESSARILY THE CASE, 510 00:19:09,533 --> 00:19:11,873 AND SHE'S JUST ULTRA SENSITIVE, WHICH NONE OF US WILL EVER 511 00:19:11,867 --> 00:19:13,767 KNOW WHAT THAT'S LIKE BECAUSE WE'RE NOT IN THAT SITUATION. 512 00:19:13,767 --> 00:19:14,797 - BUT WHAT DO WE DO NOW? SHOULD WE LEAVE? 513 00:19:14,800 --> 00:19:16,070 - NO, WE SHOULD JUST START COOKING. 514 00:19:16,066 --> 00:19:17,066 - I DON'T THINK WE SHOULD START WITHOUT HER. 515 00:19:17,066 --> 00:19:18,296 I THINK-- - HUH? 516 00:19:18,300 --> 00:19:19,630 I DON'T THINK THEY'RE GONNA COME IN. 517 00:19:19,633 --> 00:19:20,933 - I DON'T THINK WE'RE GONNA START WITHOUT HER. 518 00:19:20,934 --> 00:19:24,074 - IT JUST--IT BOTHERED ME, AND IT MADE ME FEEL LIKE 519 00:19:24,066 --> 00:19:26,696 SHE WAS TRYING TO MAKE ALL OF YOU THINK 520 00:19:26,700 --> 00:19:28,730 THAT I JUST WAS IN MY ROOM SLEEPING ALL DAY. 521 00:19:28,734 --> 00:19:30,774 I DON'T KNOW IF I CAN TRUST HER. 522 00:19:30,767 --> 00:19:33,867 - WELL, DON'T LET IT BOTHER YOU. LET'S GO INSIDE. 523 00:19:33,867 --> 00:19:35,727 LET'S GO HAVE FUN. 524 00:19:35,734 --> 00:19:38,174 I THINK THAT LISA IS JOKING AROUND WITH KIM, 525 00:19:38,166 --> 00:19:40,066 BUT WITH A VERY SENSITIVE TOPIC. 526 00:19:40,066 --> 00:19:43,726 SO KIM IS BEING OVERLY SENSITIVE, 527 00:19:43,734 --> 00:19:47,274 AND I CAN UNDERSTAND HER POSITION. 528 00:19:54,300 --> 00:19:56,000 - WE GOT FOOD, WE GOT WINE, WE'RE GOOD TO GO. 529 00:19:56,000 --> 00:19:57,330 - DO YOU NEED ME TO DO ANYTHING WHILE WE'RE WAITING? 530 00:19:57,333 --> 00:19:59,303 - NO, NO, WE'RE COOL. - I FEEL LIKE I'M READY. 531 00:19:59,300 --> 00:20:01,030 WE HAVE MYST-- WE HAVE A MYSTERY POULTRY. 532 00:20:01,033 --> 00:20:02,633 - MYSTERY--MYSTERY ANIMAL. 533 00:20:02,633 --> 00:20:03,903 - OOH, IS THAT RABBIT? NO, IT'S-- 534 00:20:03,900 --> 00:20:05,670 - NO, NO, NO. - DEFINITELY SOME SORT OF BIRD. 535 00:20:05,667 --> 00:20:08,197 - WHAT'S GOING ON RIGHT IN THERE? 536 00:20:08,200 --> 00:20:11,470 - NO, NO! [coughs, sputters] 537 00:20:11,467 --> 00:20:12,997 - WHAT DO YOU MEAN, "NO, NO"? 538 00:20:13,000 --> 00:20:14,800 - WE'RE GONNA MAKE, LIKE, DUCK A L'ORANGE OR SOMETHING. 539 00:20:14,800 --> 00:20:16,070 - QUACK, QUACK. - IT'S A DUCK. 540 00:20:16,066 --> 00:20:17,296 THERE'S A DUCK HEAD IN THERE. - QUACK, QUACK. 541 00:20:17,300 --> 00:20:19,070 - A QUACK QUACK WITH A HEAD IS GONNA REALLY-- 542 00:20:19,066 --> 00:20:20,166 - WELL, THE HEAD'S GONNA GO BYE-BYE. 543 00:20:20,166 --> 00:20:21,426 WE'RE NOT GONNA EAT THE HEAD. 544 00:20:21,433 --> 00:20:25,033 - TO SEE THESE FURRY QUACK QUACKS LYING ON THE TABLE 545 00:20:25,033 --> 00:20:26,773 WAS JUST TOO MUCH. 546 00:20:26,767 --> 00:20:28,867 - WE NEED TO TAKE THE HEAD-- - NOT CHOP IT OFF. 547 00:20:28,867 --> 00:20:30,267 YOU'VE GOT TO DO THAT SOMEWHERE ELSE. 548 00:20:30,266 --> 00:20:32,226 - SHE'S STARTING TO, LIKE, FEEL SICK. 549 00:20:32,233 --> 00:20:33,403 - OKAY. 550 00:20:33,400 --> 00:20:34,730 - IN HOLLAND, WE USED TO PLAY WITH CHICKEN LEGS 551 00:20:34,734 --> 00:20:36,134 AND RUN AFTER ALL THE KIDS LIKE THAT. 552 00:20:36,133 --> 00:20:38,903 - IF YOU CHOPPED HIS HEAD OFF HERE, I--UGH. 553 00:20:38,900 --> 00:20:40,370 - IT WAS NOT HAPPENING. [laughs] 554 00:20:40,367 --> 00:20:43,127 YOU KNOW, THESE GIRLS ARE FROM BEVERLY HILLS HERE. 555 00:20:43,133 --> 00:20:45,073 - DON'T GO IN THERE NOW. - DON'T GO IN THERE. 556 00:20:45,066 --> 00:20:46,266 - WHAT HAPPENED? - ARE YOU OKAY? 557 00:20:46,266 --> 00:20:47,696 - THEY'RE CUT--THEY'RE-- - ARE YOU OKAY? 558 00:20:47,700 --> 00:20:50,670 - A DUCK-- - THEY'RE CUTTING THE HEADS OFF. 559 00:20:50,667 --> 00:20:51,967 - THERE'S DUCKS WITH REAL HEADS IN THERE. 560 00:20:51,967 --> 00:20:53,197 - OH, STOP! - AND BEAKS. 561 00:20:53,200 --> 00:20:54,230 - THEY WERE GONNA HAVE US CHOP OFF THE DUCKS. 562 00:20:54,233 --> 00:20:55,503 - NO, YOU DON'T WANNA SEE IT. 563 00:20:55,500 --> 00:20:56,500 - I DON'T WANNA HELP, I JUST KIND OF WANNA-- 564 00:20:56,500 --> 00:20:57,670 - YOU DON'T WANNA SEE IT. 565 00:20:57,667 --> 00:20:58,897 - THERE'S FIVE OF 'EM HE HAS TO DO. 566 00:20:58,900 --> 00:20:59,870 [chops, silverware rattles] - UH! 567 00:20:59,867 --> 00:21:01,027 THAT'S ONE. - OH, MY GOD. 568 00:21:01,033 --> 00:21:02,373 - IT TOOK ALL THE ROMANCE OUT OF PARIS. 569 00:21:02,367 --> 00:21:04,197 [gags] 570 00:21:04,200 --> 00:21:05,570 - [chops] - [coughing] 571 00:21:05,567 --> 00:21:08,127 - OH, MY GOSH, YOU MEAN IT'S ALIVE. 572 00:21:08,133 --> 00:21:10,173 - NO, NO, THEY'RE NOT ALIVE. - IT'S NOT ALIVE. 573 00:21:10,166 --> 00:21:11,796 - YOU'RE LYING TO ME. - NO, THEY'RE-- 574 00:21:11,800 --> 00:21:12,930 - LET'S MOVE IT. [laughs] 575 00:21:12,934 --> 00:21:14,304 - WE DIDN'T SAY IT WAS ALIVE, 576 00:21:14,300 --> 00:21:15,330 WE JUST SAID IT HAD THE HEAD ON THERE. 577 00:21:15,333 --> 00:21:16,933 - WHO CARES? 578 00:21:16,934 --> 00:21:18,434 AS LONG AS IT'S NOT QUACKING WHILE HE'S DOING THE WHACKING, 579 00:21:18,433 --> 00:21:19,573 I'M OKAY. 580 00:21:19,567 --> 00:21:21,167 - SO WHAT ARE YOU GONNA TEACH US TONIGHT? 581 00:21:21,166 --> 00:21:24,026 - OKAY, WE'RE GONNA DO SOME DUCKS WITH SOME GLAZED TURNIPS 582 00:21:24,033 --> 00:21:25,473 AND A CHERRY SAUCE. 583 00:21:25,467 --> 00:21:28,267 OKAY, WITH A LITTLE HERB SALAD. SOME CHERVIL AND SOME CHIVES. 584 00:21:28,266 --> 00:21:30,366 - DUCKS AND TURNIPS IS A TOUGH DISH 585 00:21:30,367 --> 00:21:31,997 TO GET EVERYBODY EXCITED ABOUT. 586 00:21:32,000 --> 00:21:33,970 WHAT ABOUT SOME FRENCH FRIES WITH MAYONNAISE 587 00:21:33,967 --> 00:21:35,227 AND A NICE STEAK? 588 00:21:35,233 --> 00:21:37,333 - WE JUST WANT TO PEEL REAL PRETTY FROM TOP TO BOTTOM. 589 00:21:37,333 --> 00:21:39,533 - AH, YOU PEEL TURNIPS? - YES. 590 00:21:39,533 --> 00:21:42,333 - GIRLS, LET ME KNOW WHEN DINNER'S READY, OKAY? [laughs] 591 00:21:42,333 --> 00:21:43,573 - SO NOW, IT'S DUCK TIME, 592 00:21:43,567 --> 00:21:44,797 AND THEN WE'RE GONNA GO OVER HERE AND COOK. 593 00:21:44,800 --> 00:21:47,100 FIRST I WANT TO FIND THE LEGS. RIGHT THERE. 594 00:21:47,100 --> 00:21:49,970 I WANT TO MAKE TWO CUTS. BOOM AND BOOM. 595 00:21:49,967 --> 00:21:51,327 AND YOU POP THAT BONE OUT JUST LIKE THAT. 596 00:21:51,333 --> 00:21:52,803 - UM, I CAN'T DO THAT. 597 00:21:52,800 --> 00:21:54,770 I'VE NEVER EATEN DUCK IN MY LIFE, 598 00:21:54,767 --> 00:21:57,027 AND I'M REALLY HAPPY I DIDN'T GET TO MEET IT IN PERSON. 599 00:21:57,033 --> 00:21:58,433 - PULL IT TOWARDS YOU, 600 00:21:58,433 --> 00:21:59,703 MAKING SURE YOU PUSH IT-- PUSH IT THIS WAY KIND OF. 601 00:21:59,700 --> 00:22:00,730 THERE YOU GO. 602 00:22:00,734 --> 00:22:02,634 - IS SHE OKAY, SERIOUSLY? 603 00:22:02,633 --> 00:22:04,433 - SHE'S SENSITIVE ABOUT IT. 604 00:22:04,433 --> 00:22:05,573 SHE'S BEEN WORKING REALLY HARD, AND... 605 00:22:05,567 --> 00:22:06,697 - NICE ONE! 606 00:22:06,700 --> 00:22:08,370 - SHE FELT LIKE IT WAS IMPLYING THAT, YOU KNOW, 607 00:22:08,367 --> 00:22:11,927 SOMETHING, AND I SAID, "KIM, YOU SEEM VERY TIRED, THAT'S WHY." 608 00:22:11,934 --> 00:22:13,874 SEE, THIS IS THE THING. 609 00:22:13,867 --> 00:22:15,797 WHEN YOU'VE HAD THAT HISTORY, 610 00:22:15,800 --> 00:22:18,000 PEOPLE IMMEDIATELY GO THERE AND THINK THAT. 611 00:22:18,000 --> 00:22:19,200 YOU KNOW, IF I'M TIRED, I'M LIKE, 612 00:22:19,200 --> 00:22:20,330 "THESE PEOPLE AREN'T GONNA THINK THAT." 613 00:22:20,333 --> 00:22:22,103 - BUT IS THAT-- IT'S NOT MEDICATION. 614 00:22:22,100 --> 00:22:25,300 - I DON'T WANT WHATEVER'S GOING ON BETWEEN KIM AND LISA 615 00:22:25,300 --> 00:22:27,600 TO AFFECT MY FRIENDSHIP WITH LISA. 616 00:22:27,600 --> 00:22:29,400 - BUT, YOU KNOW, MAYBE SHE'S VERY SENSITIVE, 617 00:22:29,400 --> 00:22:30,770 AND IT'S VERY DIFFICULT TO SAY ANYTHING. 618 00:22:30,767 --> 00:22:33,067 - LISA'S STIRRING THE POT. 619 00:22:33,066 --> 00:22:34,026 WHEN I SEE HER OVER THERE TALKING TO KYLE, 620 00:22:34,033 --> 00:22:35,473 I THINK IF YOU HAVE A CONCERN, 621 00:22:35,467 --> 00:22:37,897 PLEASE TELL ME, BECAUSE, AT THIS POINT IN MY LIFE, 622 00:22:37,900 --> 00:22:39,500 I WANT TO KNOW. 623 00:22:39,500 --> 00:22:43,130 - THE SECOND I DON'T SEE HER OR SHE'S LATE, I GET SCARED. 624 00:22:43,133 --> 00:22:44,603 I'M PARANOID, I ADMIT IT. 625 00:22:44,600 --> 00:22:48,030 - THE CHEF SHOULD GIVE HER A BIG POT AND A SPOON. 626 00:22:48,033 --> 00:22:50,703 AND THEN SHE COULD STIR 627 00:22:50,700 --> 00:22:53,870 WHILE SHE'S STIRRING. 628 00:22:53,867 --> 00:22:57,697 [French music] 629 00:22:57,700 --> 00:23:03,670 ♪♪ ♪♪ 630 00:23:03,667 --> 00:23:05,127 - THIS IS A NICE BUS. 631 00:23:05,133 --> 00:23:06,203 SHOULD WE TRY TO GET ONE OF THESE FOR L.A.? 632 00:23:06,200 --> 00:23:08,870 YOU KNOW, FOR MY FAMILY, I COULD USE IT. 633 00:23:08,867 --> 00:23:10,027 I'VE NEVER BEEN ON-- 634 00:23:10,033 --> 00:23:11,533 - YOU KNOW WHAT RESTAURANT WE'RE GOING TO? 635 00:23:11,533 --> 00:23:14,573 - I THINK THE--AREN'T THE GIRLS COOKING FOR US? 636 00:23:14,567 --> 00:23:15,897 - WELL, I KNOW THEY'RE COOKING. 637 00:23:15,900 --> 00:23:17,770 I DIDN'T THINK THEY WERE COOKING FOR US. [laughs] 638 00:23:17,767 --> 00:23:20,227 - I THINK--I THINK WE'RE EATING WHAT THEY'RE COOKING. 639 00:23:20,233 --> 00:23:23,503 I HOPE IT'S NOT BURNT. [laughs] 640 00:23:23,500 --> 00:23:24,670 I LOVE KEN. 641 00:23:24,667 --> 00:23:27,067 WE CAN HAVE AN ARGUMENT AND MOVE ON WITH LIFE. 642 00:23:27,066 --> 00:23:28,726 PICK UP THE PHONE AND CALL AND APOLOGIZE. 643 00:23:28,734 --> 00:23:30,074 - THAT'S BULL[bleep]. 644 00:23:30,066 --> 00:23:31,426 WHEN YOU'RE BEING SUED BY SOMEBODY, 645 00:23:31,433 --> 00:23:32,433 MAYBE YOU DON'T WANT TO PICK UP THE PHONE. 646 00:23:32,433 --> 00:23:33,933 - YOU'RE NOT SUPPOSED TO. 647 00:23:33,934 --> 00:23:36,634 - I DON'T THINK THAT ARGUMENT REALLY HAD ANY RESOLUTION TO IT. 648 00:23:36,633 --> 00:23:38,873 HE EXPRESSED HIS OPINION, I EXPRESSED MY OPINION, 649 00:23:38,867 --> 00:23:41,027 THERE WERE DIFFERENCE OF OPINIONS, AND THAT'S IT. 650 00:23:41,033 --> 00:23:43,103 SO WHAT DO YOU THINK THE WOMEN ARE GONNA MAKE FOR US TONIGHT? 651 00:23:43,100 --> 00:23:44,430 - I DON'T KNOW, BUT I HOPE IT'S NOT 652 00:23:44,433 --> 00:23:45,603 ONE OF THOSE WHERE THEY FEED YOU FIVE MEALS 653 00:23:45,600 --> 00:23:47,500 AND SAY, "WHICH IS THE BEST?" 654 00:23:47,500 --> 00:23:48,500 AND THEN YOU DON'T PICK YOUR WIFE'S. 655 00:23:48,500 --> 00:23:50,900 [both laugh] 656 00:23:50,900 --> 00:23:53,970 MAURICIO AND I, WE'VE GOT THE TYPE OF FRIENDSHIP 657 00:23:53,967 --> 00:23:56,097 THAT WE DON'T HOLD GRUDGES. 658 00:23:56,100 --> 00:23:57,970 SOME OF THE LADIES COULD DO 659 00:23:57,967 --> 00:23:59,997 WITH A LITTLE LESSON FROM MAURICIO AND I. 660 00:24:00,000 --> 00:24:02,070 - ESPECIALLY IF YOU END UP PICKING BRANDI'S. 661 00:24:02,066 --> 00:24:04,666 - THAT WOULD BE TERRIBLE. AND YOU PICK KIM'S. 662 00:24:04,667 --> 00:24:07,827 - AND THEN PICK-- [both laugh] 663 00:24:09,500 --> 00:24:10,500 - IT LOOKS WHITE, IT LOOKS LIGHT, 664 00:24:10,500 --> 00:24:11,870 IT'S ABOUT TO GET DARKER. 665 00:24:11,867 --> 00:24:13,527 - WHY DON'T YOU STIR IT? - BECAUSE WE DON'T NEED TO. 666 00:24:13,533 --> 00:24:15,333 THE BEST THING YOU CAN COOK WITH IS YOUR SENSES. 667 00:24:15,333 --> 00:24:17,703 - IF YOU'RE MAKING RICE KRISPIE SQUARES, 668 00:24:17,700 --> 00:24:19,530 YOU WANT TO STIR THE MARSHMALLOWS, 669 00:24:19,533 --> 00:24:20,903 JUST IN CASE YOU GUYS ARE WONDERING. 670 00:24:20,900 --> 00:24:22,670 - THIS IS WHAT IN FRENCH WE CALL "GASTRIQUE." 671 00:24:22,667 --> 00:24:24,467 - GASTRIQUE. - GASTRIQUE. 672 00:24:24,467 --> 00:24:25,897 SWEET AND SOUR. THAT'S FRENCH SWEET AND SOUR. 673 00:24:25,900 --> 00:24:29,530 - THESE ARE SO PRETTY. 674 00:24:29,533 --> 00:24:32,003 - AM I--AM I WHAT YOU CALL A "STIRRER"? 675 00:24:32,000 --> 00:24:33,300 - NO, THAT'S ADRIENNE'S. 676 00:24:33,300 --> 00:24:35,600 I LIKE TO TASTE EVERYTHING AS I'M COOKING IT. 677 00:24:35,600 --> 00:24:38,170 I LIKE TO GET RIGHT IN THERE AND KIND OF KNOW WHAT I'M DOING. 678 00:24:38,166 --> 00:24:41,026 THAT'S DELICIOUS. THAT IS DELICIOUS. 679 00:24:41,033 --> 00:24:44,203 - OW. - OH, COME ON, GIVE IT TO ME. 680 00:24:44,200 --> 00:24:47,130 - OW. 681 00:24:47,133 --> 00:24:48,133 - CAREFUL. 682 00:24:48,133 --> 00:24:49,703 LISA--LISA LIKES IT ROUGH. 683 00:24:49,700 --> 00:24:51,830 - SEND IN THE NEXT TWO LADIES, WHOEVER'S NEXT. 684 00:24:51,834 --> 00:24:54,104 ONE MORE PINCH OF THE-- - OH, SORRY. 685 00:24:54,100 --> 00:24:56,000 - OVER THE SHOULDER? GOOD. GOOD LUCK. GOOD. 686 00:24:56,000 --> 00:24:57,670 GET--GET SOME BUTTER IN THERE. - ME? OKAY. 687 00:24:57,667 --> 00:24:58,697 - OH, YEAH. 688 00:24:58,700 --> 00:25:01,270 - LIKE THIS? - GET IT IN THERE. 689 00:25:01,266 --> 00:25:02,666 - MAS? I MEAN MORE? 690 00:25:02,667 --> 00:25:04,097 - YEAH, MORE, WE NEED-- STIR IT AROUND. 691 00:25:04,100 --> 00:25:06,270 - WHAT YOU DO IS YOU ADD THE BUTTER... 692 00:25:06,266 --> 00:25:07,866 - GO, GO, GO, STIR, STIR, STIR. 693 00:25:07,867 --> 00:25:09,597 - MMM... - YOU'RE HIRED, CHEF. 694 00:25:09,600 --> 00:25:11,000 - THANK YOU. 695 00:25:11,000 --> 00:25:13,700 - AH, I NEED A BREAK. - WORK'S HARD. 696 00:25:13,700 --> 00:25:16,570 - THIS IS SO MUCH WORK. I'M SO TIRED. 697 00:25:16,567 --> 00:25:17,967 COMING UP... 698 00:25:17,967 --> 00:25:19,867 IT'S LIKE YOU ONLY HAVE ROOM FOR BRANDI. 699 00:25:19,867 --> 00:25:21,067 - DON'T BE SILLY. 700 00:25:21,066 --> 00:25:22,066 - IT DOES FEEL LIKE THAT. 701 00:25:22,066 --> 00:25:24,866 I'VE BEEN REPLACED. 702 00:25:31,166 --> 00:25:33,666 - SO WHAT WE WANNA DO IS I'M GONNA PUT A GOOD PINCH OF SALT. 703 00:25:33,667 --> 00:25:35,367 THAT'S SUGAR. - WHERE'S THE SALT? 704 00:25:35,367 --> 00:25:36,467 - ONE MORE PINCH. 705 00:25:36,467 --> 00:25:37,767 - OW. 706 00:25:37,767 --> 00:25:40,127 - [laughs] - OH, THANK YOU. 707 00:25:40,133 --> 00:25:41,273 VOILA. 708 00:25:41,266 --> 00:25:43,226 AAH! - DON'T! 709 00:25:43,233 --> 00:25:45,173 I'M GONNA [bleep] KILL YOU! THAT'S MY HAIR! 710 00:25:45,166 --> 00:25:47,866 - LET'S DANCE, KYLE, LET'S DANCE! 711 00:25:47,867 --> 00:25:49,827 - OOH, AH... - THAT'S WAY TOO MUCH. 712 00:25:49,834 --> 00:25:50,834 - OH-- - I'M JUST KIDDING. 713 00:25:50,834 --> 00:25:52,904 - OH, NICE CHIVES. 714 00:25:52,900 --> 00:25:55,130 [little voice] LOOK THOSE-- LOOK AT THE CHIVES. 715 00:25:55,133 --> 00:25:56,603 - YOU ARE HIRED, YOLANDA. - YOU'RE DOING GOOD. 716 00:25:56,600 --> 00:25:57,570 YOU'RE DOING GOOD. - LOOK AT THOSE CHIVES. 717 00:25:57,567 --> 00:25:58,727 - THAT'S GREAT. 718 00:25:58,734 --> 00:26:00,704 - I ONLY WORK FOR MY HUSBAND, SORRY. 719 00:26:00,700 --> 00:26:02,230 - STIR IT A LITTLE BIT MORE ANGRY TOO, IF YOU LIKE. 720 00:26:02,233 --> 00:26:05,273 - WHAT DO I GET TO DO? 721 00:26:05,266 --> 00:26:07,226 - YOU HAVE A HARD LIFE. I'M COMING, I'M COMING. 722 00:26:07,233 --> 00:26:08,633 DON'T WORRY, I DIDN'T FORGET ABOUT YOU. 723 00:26:08,633 --> 00:26:09,833 THERE'S ONLY ONE RULE IN THE FRENCH KITCHEN. 724 00:26:09,834 --> 00:26:11,074 - WHAT IS IT? - LE CHEF-- 725 00:26:11,066 --> 00:26:12,226 LE CHEF A TOUJOURS RAISON. 726 00:26:12,233 --> 00:26:13,873 - WHAT IS THAT? - "THE CHEF IS ALWAYS RIGHT." 727 00:26:13,867 --> 00:26:16,227 - OH. WELL, IT'S IN MY KITCHEN AS WELL. [chuckles] 728 00:26:16,233 --> 00:26:18,203 MINE IS LIMP, SO I FEEL LIKE IT'S NOT GONNA BE-- 729 00:26:18,200 --> 00:26:19,530 - IF IT'S LIMP AND NOT PRETTY, WE DON'T WANT IT. 730 00:26:19,533 --> 00:26:20,833 - THEY'RE NOT GONNA BE EXCITED ABOUT THAT. 731 00:26:20,834 --> 00:26:22,134 - I'M NOT--NO. [laughs] 732 00:26:22,133 --> 00:26:23,573 - ARE YOU MAKING IT LIMP? 733 00:26:23,567 --> 00:26:25,297 - NO, I DON'T MAKE IT LIMP. IT'S THE HEAT. 734 00:26:25,300 --> 00:26:26,830 - YOU GOTTA GET RID OF THE LIMP ONES. 735 00:26:26,834 --> 00:26:28,504 - WELL, THAT'S WHAT I'M TRYING TO DO. 736 00:26:28,500 --> 00:26:31,700 - HEY, THEY'RE SINGLE. THEY SHOULD BE FLIRTING. 737 00:26:31,700 --> 00:26:33,570 ISN'T THAT WHAT SINGLE PEOPLE DO? THEY FLIRT. 738 00:26:33,567 --> 00:26:36,127 - DO YOU WANNA-- YOU WANNA EAT MY CHERRY? 739 00:26:36,133 --> 00:26:37,173 - DID YOU REALLY JUST SAY THAT? 740 00:26:37,166 --> 00:26:39,166 - WELL, I MEAN, SOMEBODY HAD TO. 741 00:26:39,166 --> 00:26:40,266 - WHAT'D SHE SAY? - AND IT WOULD BE YOU.... 742 00:26:40,266 --> 00:26:42,126 - "DO YOU WANNA EAT MY CHERRY?" - OR ME. 743 00:26:42,133 --> 00:26:44,003 - I FLIRT A LOT WITH EVERYONE. 744 00:26:44,000 --> 00:26:46,530 SORRY. [chuckles] 745 00:26:46,533 --> 00:26:49,133 - ARE WE YOUR MOST ANNOYING STUDENTS? 746 00:26:49,133 --> 00:26:50,573 - NO. - NO, JUST YOU TWO. 747 00:26:50,567 --> 00:26:53,197 - MOST DIFFICULT. [laughs] 748 00:26:53,200 --> 00:26:55,470 - I WANT TO COOK THE DUCK BREAST IN ITS OWN FAT. 749 00:26:55,467 --> 00:26:57,597 - YES. - SO THE FAT GOES AWAY. 750 00:26:57,600 --> 00:26:58,970 [sizzling] 751 00:26:58,967 --> 00:27:00,197 - KITCHEN SHOES. 752 00:27:00,200 --> 00:27:02,770 - OOH, HEELS IN THE KITCHEN. - AAH. 753 00:27:02,767 --> 00:27:04,227 - NICE JOB. - NICE. 754 00:27:04,233 --> 00:27:06,403 - NICELY DONE. WATCH--WATCH YOU DON'T HIT-- 755 00:27:06,400 --> 00:27:07,700 - TAKE THE DUCK BREAST OUT AND PUT IT ON THE RACK. 756 00:27:07,700 --> 00:27:09,570 - OH, TAKE THE DUCK BREAST OUT. OKAY. 757 00:27:09,567 --> 00:27:11,667 IS THIS ONE DONE? - YEAH. YUP. 758 00:27:11,667 --> 00:27:13,697 - I THINK SHE MIGHT TRY A BITE, 759 00:27:13,700 --> 00:27:14,800 A LITTLE ONE, MAYBE THAT ONE. 760 00:27:14,800 --> 00:27:16,730 - COME ON, LADIES, WE GOTTA FOCUS, LADIES. 761 00:27:16,734 --> 00:27:17,934 - OKAY, LOOK WHAT I DID FOR MY HUSBAND. 762 00:27:17,934 --> 00:27:20,034 HEY, DON'T RUIN MY HEART. LOOK HOW CUTE. 763 00:27:20,033 --> 00:27:21,033 - GO, LADIES, GO, LADIES, GO. 764 00:27:21,033 --> 00:27:22,673 - I NEED MORE DUCK. - YES, CHEF. 765 00:27:22,667 --> 00:27:25,267 - HOW AM I GONNA PUT MY HUSBAND'S INITIALS ON HERE? 766 00:27:25,266 --> 00:27:27,666 - YOUR HUSBAND'S NOT HERE. - BUT I LOVE HIM. 767 00:27:27,667 --> 00:27:28,967 - HERE WE GO, HERE WE GO. 768 00:27:28,967 --> 00:27:30,527 - OKAY. OKAY. 769 00:27:30,533 --> 00:27:32,903 - WHAT IS THAT? "F.U."? 770 00:27:32,900 --> 00:27:37,770 - DO YOU LIKE MINE? - IT'S--OH--[chuckles] 771 00:27:37,767 --> 00:27:40,527 - YOU HAVE TO WRITE "F.U." IF YOU'RE USING CHERRY SAUCE. 772 00:27:40,533 --> 00:27:42,573 DUH. PORN 101. 773 00:27:42,567 --> 00:27:44,227 - COME ON, NOW, LET'S SEE THAT HIP WORK. 774 00:27:44,233 --> 00:27:45,273 COME ON. 775 00:27:45,266 --> 00:27:47,726 - HELLO. - ALL RIGHT. 776 00:27:47,734 --> 00:27:49,374 - HEY. 777 00:27:49,367 --> 00:27:50,827 - HOW YOU DOING? - WOW, HELLO, HOW ARE YOU? 778 00:27:50,834 --> 00:27:52,534 - ALEX. NICE TO MEET YOU. - ALEX, NICE TO MEET YOU. 779 00:27:52,533 --> 00:27:53,973 MAURICIO. - MAURICIO, NICE TO MEET YOU. 780 00:27:53,967 --> 00:27:54,927 - BONSOIR. 781 00:27:54,934 --> 00:27:57,104 - GIGGY. - GIGGY. [laughs] 782 00:27:57,100 --> 00:28:00,800 OH, MY GIG-GIG. 783 00:28:00,800 --> 00:28:02,730 HELLO, MY SEXY. HELLO, DARLING. 784 00:28:02,734 --> 00:28:03,904 - BON APPETIT. 785 00:28:03,900 --> 00:28:05,470 - BON APPETIT, MES AMIS. BON APPETIT. 786 00:28:05,467 --> 00:28:07,297 - CHEERS. SALUD. - CHEERS, YOU GUYS. 787 00:28:07,300 --> 00:28:09,000 - THANK YOU, ALEX, FOR EVERYTHING. 788 00:28:09,000 --> 00:28:10,400 - THANK YOU. - MERCI. 789 00:28:10,400 --> 00:28:11,370 - SALUD. - CHEERS, SALUD. 790 00:28:11,367 --> 00:28:12,467 [glasses clinking] 791 00:28:12,467 --> 00:28:13,867 - OH, THIS LOOKS BEAUTIFUL, DARLING. 792 00:28:13,867 --> 00:28:15,067 - OH, I LOVE YOU. 793 00:28:15,066 --> 00:28:17,126 - OH, IT'S REALLY GOOD. - IT'S GOOD? 794 00:28:17,133 --> 00:28:18,203 - THANK YOU SO MUCH, ALEX. - HERE WE GO. 795 00:28:18,200 --> 00:28:21,670 - THEY SWEATED OVER THE STOVE. 796 00:28:24,100 --> 00:28:26,100 [indistinct chatter] 797 00:28:26,100 --> 00:28:29,430 - DUCK FEELS LIKE A BROWN PIECE OF BUBBLE GUM. 798 00:28:29,433 --> 00:28:30,673 IT'S VERY GOOD. 799 00:28:30,667 --> 00:28:32,267 BUT I DIDN'T WANNA BE RUDE. 800 00:28:32,266 --> 00:28:36,966 [chatter] 801 00:28:36,967 --> 00:28:38,697 - I'LL SEND YOU MY CARD, OKAY? 802 00:28:38,700 --> 00:28:39,830 AND I'LL SEND YOU THE RECIPES THAT WE DID. 803 00:28:39,834 --> 00:28:43,404 - YOU HAVE CHERRY ALL OVER YOU. 804 00:28:43,400 --> 00:28:44,900 - OKAY, THANK YOU. 805 00:28:44,900 --> 00:28:46,830 - I FEEL LIKE I'M KYLE NOW. NOW I'M WIPING YOU UP. 806 00:28:46,834 --> 00:28:48,474 SHE'S ALWAYS WIPING YOU UP. SORRY. 807 00:28:48,467 --> 00:28:49,997 I AM FEELING A LITTLE BIT PROTECTIVE OVER KIM 808 00:28:50,000 --> 00:28:52,030 BECAUSE I DON'T WANT HER TO LOOK A MESS, 809 00:28:52,033 --> 00:28:53,533 AND I DON'T WANT KYLE WIPING-- 810 00:28:53,533 --> 00:28:57,403 LIKE, I JUST--I LIKE HER, YOU KNOW, I'M FEELING SORRY FOR HER. 811 00:28:57,400 --> 00:28:58,730 I'M JUST TRYING TO LOOK AFTER HER. 812 00:28:58,734 --> 00:29:00,674 - CHEERS, DARLING. - I THINK LAST YEAR... 813 00:29:00,667 --> 00:29:05,497 I WASN'T REALLY ALL THERE. - I FEEL GREAT RIGHT NOW. 814 00:29:05,500 --> 00:29:08,500 - MY SISTER'S CONSTANTLY TRYING TO, LIKE, HELP ME 815 00:29:08,500 --> 00:29:10,070 BECAUSE I WASN'T HELPING MYSELF. 816 00:29:10,066 --> 00:29:13,666 - I THINK THAT NOW I'M OKAY. 817 00:29:13,667 --> 00:29:16,827 YOU KNOW, I'LL LET HER DO HER ONE THING BECAUSE SH-- 818 00:29:16,834 --> 00:29:17,874 I THINK SHE LIKES IT. - YEAH. 819 00:29:17,867 --> 00:29:19,127 - AND IT'S A HABIT. 820 00:29:19,133 --> 00:29:21,003 - I DON'T KNOW WHY THAT BOTHERS ME. IT JUST DOES. 821 00:29:21,000 --> 00:29:22,470 I FEEL LIKE IT'S, LIKE, ALMOST POINTING OUT YOUR IMPERFECTIONS 822 00:29:22,467 --> 00:29:24,227 TO EVERYONE IN THE GROUP. 823 00:29:24,233 --> 00:29:26,003 - DID I EVER THINK I'D BE SITTING 824 00:29:26,000 --> 00:29:27,570 NEXT TO BRANDI IN PARIS HAVING A CONVERSATION? 825 00:29:27,567 --> 00:29:28,627 PROBABLY NOT. 826 00:29:28,633 --> 00:29:30,973 BUT I ACTUALLY AM GETTING ALONG WITH HER. 827 00:29:30,967 --> 00:29:34,697 AND I LIKE BRANDI. I THINK. YEAH. 828 00:29:34,700 --> 00:29:37,200 - WE DIDN'T GET OFF TO A GOOD START. 829 00:29:37,200 --> 00:29:38,370 - WHY? - SO WHAT HAPPENED. 830 00:29:38,367 --> 00:29:41,627 SO SHE SAID, "WHY DID YOU DECIDE TO DO-- 831 00:29:41,633 --> 00:29:44,473 WHO DECIDED TO DO THE COOKING?" SO I SAID, "I DID." 832 00:29:44,467 --> 00:29:46,167 AND SO SHE'S LIKE, "WHY?" 833 00:29:46,166 --> 00:29:48,496 AND I SAID, "TO GET YOU OUT OF THE BEDROOM." 834 00:29:48,500 --> 00:29:50,900 'CAUSE WE WAITED AN HOUR TO GET HER OUT OF THE BEDROOM. 835 00:29:50,900 --> 00:29:52,200 - RIGHT. - SHE SAID, "I DON'T LIKE THAT." 836 00:29:52,200 --> 00:29:53,470 AND SHE KIND OF REALLY GOT UPSET. 837 00:29:53,467 --> 00:29:54,767 I SAID, "WHAT ARE YOU TALKING ABOUT?" 838 00:29:54,767 --> 00:29:56,627 "I WAS WITH YOU ALL AFTERNOON." 839 00:29:56,633 --> 00:29:57,633 SO I SAID, "NO, YOU WEREN'T." 840 00:29:57,633 --> 00:29:59,033 - RIGHT. 841 00:29:59,033 --> 00:30:00,933 - "I WAS WITH YOU. DON'T EVEN GO THERE." 842 00:30:00,934 --> 00:30:01,934 AND I WAS LIKE, "WHAT IS SHE TALKING ABOUT?" 843 00:30:01,934 --> 00:30:03,204 - WE ALREADY TALKED ABOUT THAT. 844 00:30:03,200 --> 00:30:05,000 WE DON'T WANT TO TALK ABOUT THAT ANYMORE. 845 00:30:05,000 --> 00:30:06,500 - UM, COOKING TIME, LET'S SAY 15-- 846 00:30:06,500 --> 00:30:08,030 - LISA'S KIND OF ANNOYING ME 847 00:30:08,033 --> 00:30:10,633 BECAUSE SHE KEEPS PULLING PEOPLE ASIDE TO TALK ABOUT KIM. 848 00:30:10,633 --> 00:30:12,503 KIM IS RIGHT THERE. 849 00:30:12,500 --> 00:30:13,930 YOU KNOW, IT'S DISRESPECTFUL. 850 00:30:13,934 --> 00:30:14,934 - THANK YOU FOR DINNER, EVERYBODY. 851 00:30:14,934 --> 00:30:15,974 - YOU'RE VERY WELCOME. 852 00:30:15,967 --> 00:30:16,967 - THANK YOU SO MUCH. YEAH. THANKS. 853 00:30:16,967 --> 00:30:18,897 - YOU GUYS HAVE A GOOD NIGHT. 854 00:30:18,900 --> 00:30:22,070 - WHERE'S KIM? - OKAY, THERE SHE IS. LET'S GO. 855 00:30:29,000 --> 00:30:33,600 - OH, I LOVE YOU. MWAH. AND YOU TOO. MWAH. 856 00:30:33,600 --> 00:30:36,770 - DEAR GOSH. 857 00:30:38,633 --> 00:30:41,903 - GOOD NIGHT. SEE YOU TOMORROW FOR SHOPPING. 858 00:30:50,200 --> 00:30:53,530 - YOU KNOW, IT'S LIKE, OKAY, YOU WALK OUT OF YOUR FRONT DOOR, 859 00:30:53,533 --> 00:30:55,303 YOU GO LIKE, I GO LEFT HERE OR RIGHT THERE. 860 00:30:55,300 --> 00:30:56,430 - EXACTLY. - IT WOULDN'T BE-- 861 00:30:56,433 --> 00:30:57,433 - YOU'D NEVER MAKE IT PAST THE STREET. 862 00:30:57,433 --> 00:30:58,733 - OH, WAIT, LET'S GO IN HERE. 863 00:30:58,734 --> 00:31:01,204 - I LOVE THAT STORE. THEY HAVE SO MUCH COOL STUFF. 864 00:31:01,200 --> 00:31:03,670 - MY STORE OPENING IS RIGHT AROUND THE CORNER. 865 00:31:03,667 --> 00:31:06,827 I WANNA CHECK OUT THE LATEST TRENDS FOR MY STORE. 866 00:31:06,834 --> 00:31:08,934 THIS IS 14,000? - ISN'T THAT CRAZY? 867 00:31:08,934 --> 00:31:11,074 - WE'LL TAKE TWO. [laughs] - $14,000. 868 00:31:11,066 --> 00:31:12,326 - FOR THIS? - THAT'S CRAZY. YEAH. 869 00:31:12,333 --> 00:31:15,933 - [gasps] 870 00:31:15,934 --> 00:31:18,474 YOU FOUND A BATHING SUIT OF ALL THE THINGS IN HERE? 871 00:31:18,467 --> 00:31:20,127 - [laughs] WELL, THESE ARE THE ONES THAT-- 872 00:31:20,133 --> 00:31:21,303 - THOSE ARE SO SHORT. 873 00:31:21,300 --> 00:31:24,070 [laughs - I NEED THE LONGER ONE, RIGHT? 874 00:31:24,066 --> 00:31:25,966 - HONEY--[laughs] 875 00:31:25,967 --> 00:31:27,297 - 46,000. 876 00:31:27,300 --> 00:31:29,670 OH, MY GOD. - [gasps] THAT'S STUNNING. 877 00:31:29,667 --> 00:31:31,367 - OH, MY GOSH. 878 00:31:31,367 --> 00:31:33,967 - WILL YOU TRY THIS ON? - YEAH, IT'LL FIT ME GREAT. 879 00:31:33,967 --> 00:31:35,827 - [laughs] 880 00:31:35,834 --> 00:31:40,534 MM, MM, MM. THIS IS VERY ME. 881 00:31:40,533 --> 00:31:41,673 WHERE'S A MIRROR? 882 00:31:41,667 --> 00:31:43,997 - IT'S VERY ME TOO. HAND IT OVER. 883 00:31:44,000 --> 00:31:46,230 - I LIKE THIS ONE. 884 00:31:49,834 --> 00:31:52,674 OH, I REALLY LIKE THIS BAG. - THAT'S A BEAUTIFUL BAG. 885 00:31:52,667 --> 00:31:55,527 - I LIKE THE WALKING STICK FOR EFFECT. [laughs] 886 00:31:55,533 --> 00:31:58,803 YOU KNOW, 'CAUSE I'M GONNA BE CARRYING A LOT OF THESE THINGS, 887 00:31:58,800 --> 00:31:59,830 SO I CAN'T REALLY BUY IT HERE. 888 00:31:59,834 --> 00:32:04,104 IT'S STUPID FOR ME TO BUY. 889 00:32:04,100 --> 00:32:06,430 - HOW ARE YOU, BABE? YOU LOOK SO PRETTY THIS MORNING. 890 00:32:06,433 --> 00:32:07,473 - THANK YOU. 891 00:32:07,467 --> 00:32:09,127 - YOU GOOD? - YEAH. 892 00:32:09,133 --> 00:32:10,473 JUST STILL UPSET ABOUT LAST NIGHT, THE WHOLE THING. 893 00:32:10,467 --> 00:32:11,867 - STILL. - YEAH. 894 00:32:11,867 --> 00:32:15,197 - I KNOW, THAT WAS JUST AN AWKWARD SITUATION, WASN'T IT? 895 00:32:15,200 --> 00:32:17,130 - IT WAS WRONG, YOU KNOW, I FEEL LIKE-- 896 00:32:17,133 --> 00:32:20,403 I CAN UNDERSTAND THAT MY SISTER WOULD HAVE CONCERN, 897 00:32:20,400 --> 00:32:21,970 YOU KNOW, IF I DIDN'T COME DOWNSTAIRS. 898 00:32:21,967 --> 00:32:23,627 I MEAN, THAT'S AN HONEST CONCERN YOU WOULD HAVE. 899 00:32:23,633 --> 00:32:25,603 - WHEN WE WALKED UP TO YOUR ROOM, 900 00:32:25,600 --> 00:32:27,100 LIKE, MY HEART WAS POUNDING A LITTLE BIT, 901 00:32:27,100 --> 00:32:28,970 AND I THOUGHT, OH, MY GOD, WHAT IF SOMETHING'S REALLY WRONG? 902 00:32:28,967 --> 00:32:31,467 MAYBE THE MEDICATION IS MAKING HER A LITTLE SLEEPY, 903 00:32:31,467 --> 00:32:32,667 OR WHATEVER, SO THAT WAS THE WORRY. 904 00:32:32,667 --> 00:32:34,267 - THE MEDICATION I'M ON, JUST SO YOU KNOW-- 905 00:32:34,266 --> 00:32:37,826 THOSE MEDICATIONS, THEY-- NOTHING MAKES ME TIRED. 906 00:32:37,834 --> 00:32:39,434 THEY HELP KEEP ME SOBER. - OKAY, GOOD. 907 00:32:39,433 --> 00:32:40,733 - BUT SEE, LIKE, YESTERDAY 908 00:32:40,734 --> 00:32:41,874 WHEN LISA WAS SAYING SHE WAS CONCERNED-- 909 00:32:41,867 --> 00:32:44,767 - I DON'T BELIEVE LISA'S CONCERN. 910 00:32:44,767 --> 00:32:46,597 I THINK SHE'S A BIG-- I THINK IT'S ALL FAKE AND PHONY. 911 00:32:46,600 --> 00:32:49,700 - IF IT WAS REALLY TRULY BECAUSE SHE'S WORRIED, 912 00:32:49,700 --> 00:32:51,330 THEN, YOU KNOW, CHECK YOUR PHONE. 913 00:32:51,333 --> 00:32:52,603 HAS SHE CHECKED ON YOU TODAY YET? 914 00:32:52,600 --> 00:32:55,400 - THE ONLY PEOPLE THAT HAVE CALLED IS YOU AND KYLE. 915 00:32:55,400 --> 00:32:58,200 IF SOMEBODY HAS A CONCERN, THEY COME TO YOU, AND THEY SAY IT. 916 00:32:58,200 --> 00:33:00,330 - YOU NEED TO HAVE A CONVERSATION WITH HER 917 00:33:00,333 --> 00:33:01,503 AND SAY SOMETHING LIKE THAT. 918 00:33:01,500 --> 00:33:02,500 - WE ALL NEED TO HAVE ONE. 919 00:33:02,500 --> 00:33:03,500 YOU NEED TO HAVE ONE WITH HER 920 00:33:03,500 --> 00:33:04,770 BECAUSE SHE HAS A PROBLEM WITH YOU. 921 00:33:04,767 --> 00:33:05,997 I DIDN'T REALIZE SHE WAS LIKE THAT. 922 00:33:06,000 --> 00:33:07,830 - SHE'S STILL HOLDING ONTO THAT I DIDN'T 923 00:33:07,834 --> 00:33:09,634 SIDE WITH HER WITH HER FIGHT WITH ADRIENNE. 924 00:33:09,633 --> 00:33:11,973 LIKE, SOMETIMES WHEN WE'RE WITH ALL OF US, SHE'LL BE NICE, 925 00:33:11,967 --> 00:33:13,097 AND THEN OTHER TIMES, YOU KNOW, 926 00:33:13,100 --> 00:33:14,300 SHE WON'T EVEN LOOK ME IN THE FACE. 927 00:33:14,300 --> 00:33:15,700 AND I STAYED NEUTRAL. I'M SOR-- 928 00:33:15,700 --> 00:33:17,370 I'VE APOLOGIZED TILL I'M BLUE IN THE FACE. 929 00:33:17,367 --> 00:33:18,727 - SAY THAT TO ME. 930 00:33:18,734 --> 00:33:20,334 YOU FEEL REALLY BAD ABOUT NOT DEFENDING ME. 931 00:33:20,333 --> 00:33:21,433 AND THEN I'LL MOVE ON. 932 00:33:21,433 --> 00:33:23,073 - I APOLOGIZED TO YOU A THOUSAND TIMES. 933 00:33:23,066 --> 00:33:26,166 I SAID, "I'M SORRY I DIDN'T DEFEND YOU WITH ADRIENNE." 934 00:33:26,166 --> 00:33:27,796 I'M OVER BEING PUNISHED. 935 00:33:27,800 --> 00:33:29,970 YOU KNOW, IT'S LIKE, I MEAN, MOVE ON IN LIFE, OR LET IT GO. 936 00:33:29,967 --> 00:33:31,867 - BUT THIS IS-- SHE'S NOT MOVING ON. 937 00:33:31,867 --> 00:33:33,727 DO YOU REALIZE SHE HAS THE SAME PROBLEM WITH YOU. 938 00:33:33,734 --> 00:33:35,034 WHICH--PUT IT AWAY. 939 00:33:35,033 --> 00:33:37,403 - I BELIEVE LISA HOLDS A GRUDGE. 940 00:33:37,400 --> 00:33:39,530 I WANNA MOVE FORWARD AND HAVE EVERYTHING BE GREAT AGAIN, 941 00:33:39,533 --> 00:33:41,673 AND IT JUST KEEPS COMING UP OVER AND OVER AGAIN. 942 00:33:41,667 --> 00:33:43,327 - WELL, THAT WAS FUN. - WHAT DID YOU GET? 943 00:33:43,333 --> 00:33:45,603 - THE BLACK DRESS AND A BLACK SWEATER. 944 00:33:45,600 --> 00:33:47,900 MERCI. BYE-BYE. 945 00:33:47,900 --> 00:33:49,700 - MERCI. AU REVOIR. 946 00:33:53,066 --> 00:33:55,526 - I'M REALLY HAPPY TO BE IN PARIS WITH MY SISTER. 947 00:33:55,533 --> 00:33:57,203 JUST SPENDING THE QUALITY TIME WITH HER 948 00:33:57,200 --> 00:33:59,530 THAT WE HAVEN'T HAD IN A WHILE FEELS REALLY GOOD. 949 00:33:59,533 --> 00:34:02,633 BUT I WANT YOU GUYS TO KNOW ALSO, 950 00:34:02,633 --> 00:34:05,233 THAT AS STRONG AS I FEEL IN MY SOBRIETY, 951 00:34:05,233 --> 00:34:06,473 I GET SCARED TOO. 952 00:34:06,467 --> 00:34:08,567 THIS IS ME. IT'S MY LIFE. 953 00:34:08,567 --> 00:34:10,997 I DON'T WANNA LOSE THIS. I LOVE BEING SOBER. 954 00:34:11,000 --> 00:34:13,700 I LOVE BEING HAPPY AND ENJOYING MY LIFE. 955 00:34:13,700 --> 00:34:15,570 - WELL, ON THAT NOTE, WE BOUGHT YOU A PRESENT, 956 00:34:15,567 --> 00:34:17,397 SINCE I SAW YOU WERE LOOKING AT A BAG, SO... 957 00:34:17,400 --> 00:34:18,400 - OH. - OH, MAURICIO. 958 00:34:18,400 --> 00:34:19,930 - THANKS, MAURICE. 959 00:34:19,934 --> 00:34:22,574 - SHARING MY LOVELY DAY. - I LOVE YOU. THANK YOU. 960 00:34:22,567 --> 00:34:23,597 - [chuckles] 961 00:34:23,600 --> 00:34:26,670 - AW. - I LOVE THIS SO MUCH. 962 00:34:26,667 --> 00:34:29,967 - [gasps] OH, THAT IS BEAUTIFUL. 963 00:34:29,967 --> 00:34:31,297 - I'M GONNA GO WITH KEN. 964 00:34:31,300 --> 00:34:32,470 I'M GONNA GO ON A SEGWAY TOUR 965 00:34:32,467 --> 00:34:34,167 OF THE CITY AND JUST GO HAVE FUN WITH HIM. 966 00:34:34,166 --> 00:34:36,096 BYE. SEE YOU LATER. - THAT WAS REALLY NICE OF YOU. 967 00:34:36,100 --> 00:34:37,430 - BYE. - BYE. 968 00:34:37,433 --> 00:34:38,673 - THANK YOU SO MUCH. - HAVE FUN. 969 00:34:38,667 --> 00:34:39,997 YOU'RE VERY WELCOME. - BYE, HONEY. 970 00:34:40,000 --> 00:34:42,070 - BYE, SUGAR BEAN. - BYE, HAVE FUN. [laughs] 971 00:34:42,066 --> 00:34:43,326 - THAT WAS REALLY NICE OF YOU. 972 00:34:43,333 --> 00:34:45,203 - MAURICE AND I ARE WORKING ON OUR FRIENDSHIP, 973 00:34:45,200 --> 00:34:46,570 AND I'LL CHERISH THAT PURSE 974 00:34:46,567 --> 00:34:48,427 'CAUSE I THINK IT WAS REALLY FROM HIS HEART. 975 00:34:48,433 --> 00:34:50,473 - BYE. - BYE. SEE YOU GUYS LATER. 976 00:34:50,467 --> 00:34:53,397 - LOVE YOU. 977 00:35:01,100 --> 00:35:03,000 - I'M LOOKING FORWARD TO GOING 978 00:35:03,000 --> 00:35:05,430 ALL OVER PARIS ON ONE OF THESE THINGS. 979 00:35:05,433 --> 00:35:07,073 - WHERE ARE WE GONNA GO? 980 00:35:07,066 --> 00:35:09,126 - I DON'T KNOW, HOPEFULLY WE'LL SEE THE EIFFEL TOWER, 981 00:35:09,133 --> 00:35:11,203 THE WHATEVER, MAN, THE ARC DE TRIOMPHE. 982 00:35:11,200 --> 00:35:12,530 DO YOU KNOW HOW TO WORK THESE THINGS? 983 00:35:12,533 --> 00:35:14,603 - NO, THEY CAN'T BE THAT HARD. 984 00:35:14,600 --> 00:35:17,700 - I'M TOURING THE MOST ROMANTIC CITY IN THE WORLD 985 00:35:17,700 --> 00:35:20,170 ON A SEGWAY WITH KEN. 986 00:35:20,166 --> 00:35:24,366 WHOO. - WHOO. [laughs] 987 00:35:24,367 --> 00:35:27,567 - OOH. YEE-HOO. 988 00:35:27,567 --> 00:35:29,127 - YEE-HOO. 989 00:35:31,834 --> 00:35:33,734 - APRES VOUS, S'IL VOUS PLAIT. - [laughs] 990 00:35:33,734 --> 00:35:37,804 OOH! 991 00:35:37,800 --> 00:35:38,870 - WOW, CHECK THIS OUT. 992 00:35:38,867 --> 00:35:41,227 YOU KNOW WHAT THIS IS, RIGHT? - OH. 993 00:35:41,233 --> 00:35:43,603 YEAH, THIS IS LOUIS XIV, ISN'T IT? 994 00:35:43,600 --> 00:35:45,270 - KING LOUIS THE-- HIS PRIVATE CHURCH. 995 00:35:45,266 --> 00:35:47,866 AND NAPOLEON BONAPARTE IS BURIED UNDER THERE. 996 00:35:47,867 --> 00:35:49,767 DO YOU KNOW WHAT ELSE HE DID, WHICH IS KIND OF COOL? 997 00:35:49,767 --> 00:35:50,867 - NO. - THAT THE GIRLS WOULD LIKE? 998 00:35:50,867 --> 00:35:51,997 - WHAT? 999 00:35:52,000 --> 00:35:54,300 - HE WAS THE ONE THAT INVENTED THE HIGH HEEL. 1000 00:35:54,300 --> 00:35:56,570 - OH, WHY? HE WAS SHORT? - NO, HE WAS NOT SHORT AT ALL. 1001 00:35:56,567 --> 00:35:59,327 HE WAS AN ATHLETE, BUT HE LIKED TO LOOK AT HIS CALVES. 1002 00:35:59,333 --> 00:36:00,603 SO HE, UH... - OH, RIGHT. 1003 00:36:00,600 --> 00:36:01,870 SO THE HIGH HEEL SHOWED OFF HIS CALVES. 1004 00:36:01,867 --> 00:36:03,327 - THE HIGH HEEL SHOWED OFF HIS CALF. 1005 00:36:03,333 --> 00:36:05,803 - MAURICIO KNEW ALL ABOUT WHO INVENTED HIGH HEELS. 1006 00:36:05,800 --> 00:36:08,730 I WONDER WHY. 1007 00:36:08,734 --> 00:36:10,134 - IT HURTS, MAN. 1008 00:36:10,133 --> 00:36:13,433 - I THINK HE'S GOT A FETISH FOR HIGH HEELS. 1009 00:36:13,433 --> 00:36:15,033 YOU CAN DANCE ON THESE THINGS, YOU KNOW. 1010 00:36:15,033 --> 00:36:16,673 - AMAZING. 1011 00:36:16,667 --> 00:36:18,797 - AND WE COULD DO THIS ALL DAY, YEAH? 1012 00:36:18,800 --> 00:36:22,270 - COME ON. - ALL RIGHT. 1013 00:36:24,400 --> 00:36:25,970 - HAVE YOU BEEN UP BEFORE? 1014 00:36:25,967 --> 00:36:27,727 - I HAVEN'T, I'VE DRIVEN PAST IT BEFORE LAST TIME I WAS HERE, 1015 00:36:27,734 --> 00:36:29,374 BUT I'VE NEVER GONE IN LIKE THIS. 1016 00:36:29,367 --> 00:36:30,597 - IT'S AMAZING. 1017 00:36:30,600 --> 00:36:33,100 - IT'S UNBELIEVABLY HUGE. [laughs] 1018 00:36:33,100 --> 00:36:34,730 - WOW, IT'S PRETTY, ISN'T IT? 1019 00:36:34,734 --> 00:36:37,104 - ISN'T IT GORGEOUS? - REALLY. 1020 00:36:37,100 --> 00:36:38,570 - OH, MY GOD, LOOK AT THIS VIEW. 1021 00:36:38,567 --> 00:36:39,767 IT'S INCREDIBLE. 1022 00:36:39,767 --> 00:36:41,567 - I DID NOT REALIZE HOW HIGH UP WE WERE. 1023 00:36:41,567 --> 00:36:42,997 - WHOO! 1024 00:36:43,000 --> 00:36:44,170 - OH! 1025 00:36:44,166 --> 00:36:45,896 - YOLANDA, DON'T JOKE AROUND LIKE THAT! 1026 00:36:45,900 --> 00:36:46,900 - THAT'S NOT FUNNY. 1027 00:36:46,900 --> 00:36:47,970 - IT WAS A LITTLE SCARY. 1028 00:36:47,967 --> 00:36:50,827 - COME ON. YOLANDA. - NO! NO! NO! 1029 00:36:50,834 --> 00:36:52,974 - YOLANDA, GET DOWN. 1030 00:36:52,967 --> 00:36:54,827 - OH, MY GOD, YOU GUYS ARE SUCH A DRAMA QUEEN. 1031 00:36:54,834 --> 00:36:56,834 - OH, MY GOD. 1032 00:36:56,834 --> 00:36:58,904 - SO THIS IS WHAT WE'RE GONNA DO TONIGHT. 1033 00:36:58,900 --> 00:37:01,230 - WHAT ARE WE DOING TONIGHT? - THE BOAT. 1034 00:37:01,233 --> 00:37:03,633 - YES. WE'RE GONNA HAVE FUN. - I KNOW, RIGHT? 1035 00:37:03,633 --> 00:37:05,033 I'VE HAD A REALLY GOOD TRIP. 1036 00:37:05,033 --> 00:37:07,273 - ME TOO. - ASIDE FROM LISA. [laughs] 1037 00:37:07,266 --> 00:37:08,596 - OH, MY GOD. 1038 00:37:08,600 --> 00:37:11,070 - BEAUTIFUL, HUH? 1039 00:37:11,066 --> 00:37:13,726 - I DO WANT TO TALK TO YOU. - ALL RIGHT. 1040 00:37:13,734 --> 00:37:16,104 COME OVER HERE. 1041 00:37:16,100 --> 00:37:18,330 - IT FEELS LIKE THAT THE AIR STILL NEEDS TO BE CLEARED 1042 00:37:18,333 --> 00:37:20,303 WHEN I'M WITH YOU, AND I FEEL THAT SEPARATION. 1043 00:37:20,300 --> 00:37:21,630 I FEEL LIKE I'M-- 1044 00:37:21,633 --> 00:37:23,733 IF WE'RE GONNA MOVE FORWARD, WE NEED TO MOVE FORWARD. 1045 00:37:23,734 --> 00:37:25,474 IF YOU DON'T WANT IT TO BE THE SAME, IT WON'T BE THE SAME. 1046 00:37:25,467 --> 00:37:27,197 BUT I NEED TO KNOW THAT 'CAUSE I DON'T NEED-- 1047 00:37:27,200 --> 00:37:29,500 I DON'T WANT TO KEEP MAKING THIS EFFORT 1048 00:37:29,500 --> 00:37:30,770 AND FEELING HURT BY YOU. 1049 00:37:30,767 --> 00:37:32,927 - I DON'T UNDERSTAND WHERE I HURT YOU. 1050 00:37:32,934 --> 00:37:34,474 I THOUGHT OUR ISSUES HAD BEEN RESOLVED, 1051 00:37:34,467 --> 00:37:35,997 AND KYLE KEEPS BRINGING IT UP. 1052 00:37:36,000 --> 00:37:38,230 OVER AND OVER AND OVER AND OVER AGAIN. 1053 00:37:38,233 --> 00:37:39,803 - IT HURTS ME WHEN YOU ACT-- 1054 00:37:39,800 --> 00:37:42,330 [sighs] YOU KNOW WHAT I'M SAYING, LISA. 1055 00:37:42,333 --> 00:37:44,033 - WHEN? WHEN ARE WE TALKING ABOUT? 1056 00:37:44,033 --> 00:37:45,833 - WHEN YOU'RE JUST DIFFERENT TOWARDS ME 1057 00:37:45,834 --> 00:37:48,104 AND YOU ACT DISTANT AND ODD, AND THEN THAT-- 1058 00:37:48,100 --> 00:37:50,670 AND THEN OTHER GIRLS TELL ME THAT YOU SAID, OH... 1059 00:37:50,667 --> 00:37:51,927 - OH, THEY DON'T SAY-- 1060 00:37:51,934 --> 00:37:53,174 - KIM TOLD ME THAT AT LUNCH YESTERDAY YOU SAID-- 1061 00:37:53,166 --> 00:37:54,996 - I SAID OUR RELATIONSHIP'S CHANGED. 1062 00:37:55,000 --> 00:37:56,870 AND SHE SAID HERS HAS. 1063 00:37:56,867 --> 00:37:59,097 AND SHE SAID, "YEAH." IT'S OUT THERE, YOU KNOW. 1064 00:37:59,100 --> 00:38:01,830 THERE WERE THINGS YOU SAID TO ME THAT WERE PRETTY MEAN. 1065 00:38:01,834 --> 00:38:04,404 - I WILL SAY, THOUGH, BEING IN A FRIENDSHIP WITH YOU 1066 00:38:04,400 --> 00:38:07,100 IS LIKE PLAYING CHESS WITH BOBBY FISCHER. 1067 00:38:07,100 --> 00:38:10,970 EVERY MOVE IS SO CALCULATED. - THANKS, KYLE. 1068 00:38:10,967 --> 00:38:12,527 - I'M JUST SAYING THE TRUTH. - IT'S TRUE. 1069 00:38:12,533 --> 00:38:14,533 - I'M SORRY, WHAT YOU'RE DOING RIGHT NOW IS DOING THAT TO ME. 1070 00:38:14,533 --> 00:38:15,933 - SO OKAY, FINE. 1071 00:38:15,934 --> 00:38:17,504 - I DO FEEL LIKE YOU DO THAT SOMETIMES. 1072 00:38:17,500 --> 00:38:19,500 I DIDN'T SAY THAT TO HURT YOU. THAT'S WHAT I REALLY FEL-- 1073 00:38:19,500 --> 00:38:22,270 - WELL, THAT IS HURTFUL. SO I'M SORRY. 1074 00:38:22,266 --> 00:38:25,926 KYLE DOESN'T UNDERSTAND THAT SHE CHANGED THE GOAL POSTS. 1075 00:38:25,934 --> 00:38:28,634 SHE DECIDED NOT TO DEFEND ME, 1076 00:38:28,633 --> 00:38:31,703 SHE DECIDED TO TALK BEHIND MY BACK 1077 00:38:31,700 --> 00:38:35,070 AND BE COMPLICIT IN ALL THAT WENT DOWN. 1078 00:38:39,133 --> 00:38:40,873 - COMING UP... 1079 00:38:40,867 --> 00:38:42,367 - THAT'S NOT ACCUSING, THAT'S SAYING. YOU CAN SAY-- 1080 00:38:42,367 --> 00:38:44,767 - THAT'S NOT NICE TO SAY THAT. I'M SORRY, IT ISN'T. 1081 00:38:49,900 --> 00:38:55,930 - WELL, THAT'S WHAT I FEEL. 1082 00:38:55,934 --> 00:38:57,904 - WELL, I FEEL LIKE WE'VE GOT-- I FEEL LIKE WE'VE CO-- 1083 00:38:57,900 --> 00:38:59,670 WE'RE, LIKE--WE'RE COVERING THE ENTIRE CITY, DON'T YOU? 1084 00:38:59,667 --> 00:39:02,067 - FANTASTIC, YEAH. - IT'S SO COOL. 1085 00:39:02,066 --> 00:39:03,066 - AND WHAT A WAY TO SEE PARIS, EH? 1086 00:39:03,066 --> 00:39:04,796 - I LOVE IT. - I LOVE IT TOO. 1087 00:39:04,800 --> 00:39:06,570 - I LOVE IT. 1088 00:39:06,567 --> 00:39:08,127 ARE YOU RACING ME? 1089 00:39:08,133 --> 00:39:10,703 THERE'S NO WAY YOU CAN BEAT ME, SIR! 1090 00:39:10,700 --> 00:39:12,130 [chuckles] 1091 00:39:15,266 --> 00:39:16,226 LOOK AT THIS. 1092 00:39:16,233 --> 00:39:18,373 I THINK THE GIRLS ARE UP THERE. 1093 00:39:18,367 --> 00:39:20,827 - I THINK I CAN SEE THE GIRLS AT THE TOP THERE. 1094 00:39:20,834 --> 00:39:23,834 - YEAH, RIGHT. [laughs] 1095 00:39:23,834 --> 00:39:25,434 - I WONDER IF THEY'RE UP THERE STILL NOW. 1096 00:39:25,433 --> 00:39:27,403 DO YOU THINK WE SHOULD GO AND SAY HI? 1097 00:39:27,400 --> 00:39:31,030 - NO, LET'S JUST KEEP GOING. [chuckles] 1098 00:39:32,667 --> 00:39:35,997 - LET'S GO. 1099 00:39:46,400 --> 00:39:49,230 - DID YOU NOT FEEL THAT WE SORTED IT ALL OUT 1100 00:39:49,233 --> 00:39:50,673 AND WE GOT IT STRAIGHT? 1101 00:39:50,667 --> 00:39:53,097 - I SORT OF DID, BUT THEN KIM TELLS ME YESTERDAY-- 1102 00:39:53,100 --> 00:39:55,300 - I SAID MY RELATIONSHIP'S CHANGED. 1103 00:39:55,300 --> 00:39:58,130 THAT'S ALL I SAID WITH YOU. AND IT HAS. 1104 00:39:58,133 --> 00:39:59,673 MAYBE I SHOULD LIE AND SAY, 1105 00:39:59,667 --> 00:40:02,067 "OH, THE FRIENDSHIP'S EXACTLY THE SAME AS IT IS." 1106 00:40:02,066 --> 00:40:04,996 BUT DO I LOOK TO HER TO DEFEND ME? NO, I DON'T. 1107 00:40:05,000 --> 00:40:06,600 YOU WANT IT TO BE THE SAME AS IT WAS, 1108 00:40:06,600 --> 00:40:07,930 BUT DON'T YOU REALIZE 1109 00:40:07,934 --> 00:40:09,704 THAT YOU KEEP SAYING THINGS, "YOU'RE MANIPULATIVE, 1110 00:40:09,700 --> 00:40:11,330 YOU HOLD A GRUDGE, YOU DO THIS, YOU DO THAT." 1111 00:40:11,333 --> 00:40:12,933 I NEVER ACCUSE YOU OF ANYTHING. 1112 00:40:12,934 --> 00:40:14,504 - WELL, THAT'S NOT ACCUSING, THAT'S SAYING--YOU CAN SAY-- 1113 00:40:14,500 --> 00:40:16,670 - THAT'S NOT NICE TO SAY THAT. I'M SORRY, IT ISN'T. 1114 00:40:16,667 --> 00:40:17,927 - WELL, THAT'S WHAT I FEEL. 1115 00:40:17,934 --> 00:40:19,074 - OKAY, WELL, I'M SORRY YOU FEEL THAT WAY. 1116 00:40:19,066 --> 00:40:20,126 - IF YOU'RE STILL TALKING ABOUT IT. 1117 00:40:20,133 --> 00:40:22,103 - I'M SORRY YOU FEEL LIKE THAT. 1118 00:40:22,100 --> 00:40:24,130 - I MEAN, WE HAVE TO BE ABLE TO BE HONEST. 1119 00:40:24,133 --> 00:40:27,873 TO ME, IF YOU HAVE THAT FRIENDSHIP, 1120 00:40:27,867 --> 00:40:32,167 YOU DON'T JUST THROW IT ASIDE OVER A SILLY ARGUMENT. 1121 00:40:32,166 --> 00:40:33,566 AND I FEEL LIKE SOMETIMES YOU PURPOSELY-- 1122 00:40:33,567 --> 00:40:35,897 - WE'VE HAD FUN TOGETHER. WE'VE LAUGHED TOGETHER. 1123 00:40:35,900 --> 00:40:37,830 - BUT IT'S LIKE, YOU KNOW, NOW YOU-- 1124 00:40:37,834 --> 00:40:40,004 IT'S LIKE YOU ONLY HAVE ROOM FOR BRANDI. 1125 00:40:40,000 --> 00:40:42,370 - DON'T BE SILLY. 1126 00:40:42,367 --> 00:40:44,027 - YES, IT DOES FEEL LIKE THAT. 1127 00:40:44,033 --> 00:40:46,503 I KNOW THAT SHE AND BRANDI ARE CLOSE NOW. 1128 00:40:46,500 --> 00:40:49,130 IT SEEMS LIKE A LITTLE BIT OF A MISMATCHED PAIR. 1129 00:40:49,133 --> 00:40:52,233 BUT I'VE BEEN REPLACED. 1130 00:40:52,233 --> 00:40:53,273 - YOU CAN HAVE MORE THAN ONE FRIEND, 1131 00:40:53,266 --> 00:40:54,266 WE CAN ALL HAVE MORE THAN ONE FRIEND. 1132 00:40:54,266 --> 00:40:55,396 I DON'T UNDERSTAND. 1133 00:40:55,400 --> 00:40:57,100 WHY GET MAD AT SOMEONE ELSE FOR DEFENDING-- 1134 00:40:57,100 --> 00:40:58,370 SHE'S DEFENDING ME, YOU KNOW, 1135 00:40:58,367 --> 00:40:59,427 LIKE, 'CAUSE EVERYONE'S ATTACKING ME, 1136 00:40:59,433 --> 00:41:00,733 AND SHE'S DEFENDING ME. 1137 00:41:00,734 --> 00:41:02,404 WHY DOES THAT BOTHER KYLE? I DON'T UNDERSTAND. 1138 00:41:02,400 --> 00:41:04,070 SHUT THE [bleep] UP. 1139 00:41:04,066 --> 00:41:05,226 - I'M NOT OKAY WITH THAT. 1140 00:41:05,233 --> 00:41:06,933 - BUT SHE WAS DEFENDING YOUR SISTER. 1141 00:41:06,934 --> 00:41:08,304 - IT'S INAPPROPRIATE. 1142 00:41:08,300 --> 00:41:10,670 AND FOR YOU TO SAY ANYTHING OTHER THAN THAT IS WRONG. 1143 00:41:10,667 --> 00:41:13,027 - BRANDI HAS NEVER SHOWN ME ANYTHING 1144 00:41:13,033 --> 00:41:15,203 OTHER THAN BEING A LOYAL AND TRUE FRIEND. 1145 00:41:15,200 --> 00:41:19,100 I'M NOT SAYING JEALOUSY, BUT THERE'S SOME KIND OF-- 1146 00:41:19,100 --> 00:41:21,900 MAYBE MISGIVINGS, UM, FROM KYLE. 1147 00:41:21,900 --> 00:41:23,700 - SO HOW'S YOUR LOVE LIFE? 1148 00:41:23,700 --> 00:41:25,530 - THERE'S A GUY I'VE BEEN ON A FEW DATES WITH, 1149 00:41:25,533 --> 00:41:27,373 THERE'S A GUY I KISSED, I MEAN, I CAN'T COMPLAIN. 1150 00:41:27,367 --> 00:41:29,767 IT'S BETTER THAN NOBODY. THAT'S THE WAY I LOOK AT IT. 1151 00:41:29,767 --> 00:41:31,167 - CAN YOU IMAGINE... 1152 00:41:31,166 --> 00:41:33,296 "YOU'RE NOT THE ONE, BUT YOU'RE BETTER THAN NOBODY." 1153 00:41:33,300 --> 00:41:35,000 - WELL, YOU CAN'T--[laughs] YOU CAN'T SAY THAT TO HIM. 1154 00:41:35,000 --> 00:41:37,570 - YOU'RE BETTER THAN NOBODY. I JUST WANT YOU TO KNOW THAT. 1155 00:41:37,567 --> 00:41:39,567 I WANT TO BE UP FRONT ABOUT THIS. 1156 00:41:39,567 --> 00:41:40,967 - LIKE I'M DATING PEOPLE 1157 00:41:40,967 --> 00:41:42,527 THAT I DON'T THINK THAT I'M GONNA MARRY THEM 1158 00:41:42,533 --> 00:41:44,703 OR THAT I'M GONNA FALL IN LOVE, BUT YOU NEVER KNOW. 1159 00:41:44,700 --> 00:41:46,770 YOU JUST DON'T KNOW. 1160 00:41:46,767 --> 00:41:48,497 - I FEEL BRANDI AND I HAVE MADE... 1161 00:41:48,500 --> 00:41:52,370 NOT BABY STEPS, WE'RE MAKING BIGGER STEPS. 1162 00:41:52,367 --> 00:41:57,267 - DON'T LOOK AT ME LIKE THAT. DON'T CRY. 1163 00:41:57,266 --> 00:41:59,366 - YOU STILL DIDN'T SAY YOU LOVE ME. 1164 00:41:59,367 --> 00:42:01,467 - SO I HAVE TO SAY, "I LOVE YOU," TO MOVE ON? 1165 00:42:01,467 --> 00:42:02,797 IS THAT WHAT YOU WANT? - [laughs] 1166 00:42:02,800 --> 00:42:04,530 - IS THAT WHAT YOU WANT? - YEAH, I DO. 1167 00:42:04,533 --> 00:42:06,403 - OKAY, I [bleep] LOVE YOU. PLEASE SHUT UP? 1168 00:42:06,400 --> 00:42:07,730 - YEAH. - OKAY. 1169 00:42:07,734 --> 00:42:09,804 DON'T TREAT ME LIKE [bleep] AGAIN, THEN. 1170 00:42:09,800 --> 00:42:11,700 - I'M TELLING YOU, I DIDN'T TREAT YOU LIKE [bleep]. 1171 00:42:11,700 --> 00:42:12,730 - YOU DID. - NO, YOU-- 1172 00:42:12,734 --> 00:42:14,004 - YOU DIDN'T INVITE ME OUT. 1173 00:42:14,000 --> 00:42:16,230 "WHY AREN'T YOU MY FRIEND ANYMORE? 1174 00:42:16,233 --> 00:42:18,603 AND WE'RE NOT THE SAME." I KNOW. 1175 00:42:18,600 --> 00:42:21,700 BUT IT'S CHANGED. SO WHAT? 1176 00:42:21,700 --> 00:42:23,270 WHAT DO YOU WANT? YOU WANT ME TO KISS YOU OR SOMETHING? 1177 00:42:23,266 --> 00:42:24,726 - YES. AH! - LET'S GO. 1178 00:42:24,734 --> 00:42:28,834 WE'RE FINE. I'M OVER IT. 1179 00:42:28,834 --> 00:42:31,934 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1180 00:42:31,934 --> 00:42:33,404 all: CHEERS. - CHEERS, EVERYBODY. 1181 00:42:33,400 --> 00:42:35,530 - I THINK WE'RE HAVING A PERFECT MOMENT RIGHT NOW. 1182 00:42:35,533 --> 00:42:37,533 - THIS IS A PERFECT MOMENT. - KYLE! 1183 00:42:37,533 --> 00:42:40,373 - OH, IT WAS. [laughs] - SHUT UP. 1184 00:42:40,367 --> 00:42:42,167 - OH, BIG SMILE. 1185 00:42:42,166 --> 00:42:43,796 - THE OPENING OF MY STORE IS FINALLY HERE. 1186 00:42:43,800 --> 00:42:45,630 - THIS IS GORGEOUS. - I WILL TAKE THAT. 1187 00:42:45,633 --> 00:42:47,933 - THAT IS, LIKE, A $3,000 DRESS. 1188 00:42:47,934 --> 00:42:51,004 - YOU'RE A REAL ASS[bleep]. IF YOU HAVE A PROBLEM WITH ME-- 1189 00:42:51,000 --> 00:42:52,470 - SO THAT'S WHAT I WANTED TO EXPLAIN TO YOU. 1190 00:42:52,467 --> 00:42:53,827 BUT WHAT I WAS GONNA SAY TO YOU 1191 00:42:53,834 --> 00:42:56,834 IS YOU'RE GONNA HAVE TO LET ME TALK BEFORE YOU TALK. 1192 00:42:56,834 --> 00:42:58,804 - EVERY TIME MY PHONE RANG IN THE NIGHT, 1193 00:42:58,800 --> 00:43:02,900 IS YOU'RE GONNA HAVE TO LET ME TALK BEFORE YOU TALK. 1194 00:43:02,900 --> 00:43:04,370 TO LEARN MORE ABOUT THE HOUSEWIVES, 1195 00:43:04,367 --> 00:43:05,897 GO TO BRAVOTV.COM. 86122