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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,934 --> 00:00:04,204 - PREVIOUSLY ON 2 00:00:04,200 --> 00:00:05,500 THE REAL HOUSEWIVES OF BEVERLY HILLS... 3 00:00:05,500 --> 00:00:06,470 - HI, HOW ARE YOU? YOLANDA. 4 00:00:06,467 --> 00:00:08,297 - NICE TO MEET YOU. 5 00:00:08,300 --> 00:00:09,930 - YOUR EX-HUSBAND IS MOHAMED. - YES. 6 00:00:09,934 --> 00:00:11,574 IT'S A SMALL TOWN. - YEAH. 7 00:00:11,567 --> 00:00:13,897 YOU KNOW EVERYONE. YOU'VE SLEPT WITH EVERYONE. 8 00:00:13,900 --> 00:00:15,330 IT'S ALL GOOD. IT'S ALL GOOD. 9 00:00:15,333 --> 00:00:16,903 - WE JUST SLEPT WITH EVERY GUY IN THIS TOWN. 10 00:00:16,900 --> 00:00:18,000 INTERESTING. 11 00:00:18,000 --> 00:00:19,800 - I LOVE THE FLOWERS. 12 00:00:19,800 --> 00:00:21,200 - KIMBERLY'S PROM IS COMING UP, 13 00:00:21,200 --> 00:00:25,300 AND I WANT HER TO FEEL THE MOST BEAUTIFUL. 14 00:00:25,300 --> 00:00:28,200 - LOOK AT THE BIRTHDAY GIRL! 15 00:00:30,333 --> 00:00:32,033 WILL YOU COME, AND YOU AND ADRIENNE, 16 00:00:32,033 --> 00:00:33,833 WE CAN ALL SIT DOWN, AND YOU GUYS CAN TALK? 17 00:00:33,834 --> 00:00:36,104 - I DON'T WANNA--I'M NOT EVEN INTERESTED IN THAT. 18 00:00:36,100 --> 00:00:37,100 - I THOUGHT THAT WE WERE GONNA SEE, 19 00:00:37,100 --> 00:00:40,070 UH, LISA WHEN WE GOT HERE. 20 00:00:40,066 --> 00:00:42,466 - SHE LEFT. - WHY? ON PURPOSE? 21 00:00:42,467 --> 00:00:44,797 TO COME EARLY AND LEAVE BEFORE WE WERE HERE? 22 00:00:44,800 --> 00:00:47,130 - I WOULD THINK SOMEBODY AS BUSY AS HER 23 00:00:47,133 --> 00:00:51,633 WOULD'VE MOVED ON A LONG TIME AGO. 24 00:00:51,633 --> 00:00:53,203 [upbeat music] 25 00:00:53,200 --> 00:00:55,400 - LIFE ISN'T ALL DIAMONDS AND ROSE, 26 00:00:55,400 --> 00:00:58,230 BUT IT SHOULD BE. 27 00:00:58,233 --> 00:00:59,533 - MONEY DOESN'T GIVE YOU CLASS. 28 00:00:59,533 --> 00:01:02,473 IT JUST GIVES YOU MONEY. 29 00:01:02,467 --> 00:01:06,997 - KNOW YOUR FRIENDS. SHOW YOUR ENEMIES THE DOOR. 30 00:01:07,000 --> 00:01:08,900 - I FOUGHT TOO HARD FOR THIS ZIP CODE 31 00:01:08,900 --> 00:01:11,800 TO GO HOME NOW. 32 00:01:11,800 --> 00:01:16,370 - I LIKE TO HAVE FUN, BUT I DON'T PLAY GAMES. 33 00:01:16,367 --> 00:01:17,427 - LIFE IS A JOURNEY, 34 00:01:17,433 --> 00:01:21,273 AND I'M FINDING MYSELF EVERY DAY. 35 00:01:21,266 --> 00:01:23,266 - I'M BORN AND RAISED IN BEVERLY HILLS. 36 00:01:23,266 --> 00:01:25,226 THIS IS MY TOWN. 37 00:01:41,567 --> 00:01:43,227 - HELLO. - HELLO! 38 00:01:43,233 --> 00:01:44,273 - HOW ARE YOU? HOW ARE YOU? 39 00:01:44,266 --> 00:01:45,866 WHAT DO YOU WANT? - [giggles] 40 00:01:45,867 --> 00:01:47,797 - HOW YOU BEEN? - GOOD. HOW ARE YOU? 41 00:01:47,800 --> 00:01:49,470 - I'M GOOD, I'M GOOD. 42 00:01:49,467 --> 00:01:52,297 KIMBERLY? - YEP? 43 00:01:52,300 --> 00:01:53,400 both: HI! 44 00:01:53,400 --> 00:01:56,430 - HAPPY PROM DAY. - THANKS. 45 00:01:56,433 --> 00:01:58,133 - YEAH, IT'S A SPECIAL DAY. 46 00:01:58,133 --> 00:01:59,773 WE'RE EXCITED. - YAY! ARE YOU SO EXCITED? 47 00:01:59,767 --> 00:02:01,527 - YEAH, I'M REALLY EXCITED. NERVOUS. 48 00:02:01,533 --> 00:02:03,733 - I'VE DONE THREE PROMS WITH MY OTHER KIDS, 49 00:02:03,734 --> 00:02:05,634 AND THEY'VE BEEN AMAZING. 50 00:02:05,633 --> 00:02:07,203 AND KIMBERLY'S MY YOUNGEST, 51 00:02:07,200 --> 00:02:09,700 AND I'VE MISSED OUT ON SOME TIME, 52 00:02:09,700 --> 00:02:12,130 AND I WANNA MAKE SURE THAT EVERY DAY 53 00:02:12,133 --> 00:02:13,573 IS JUST THE BEST I CAN MAKE IT. 54 00:02:13,567 --> 00:02:14,627 I WANT YOU TO DO ME ONE FAVOR. 55 00:02:14,633 --> 00:02:16,773 THIS IS FROM AMMA, THE HUGGING SAINT. 56 00:02:16,767 --> 00:02:18,227 - [groans] - I KNOW, RIGHT? 57 00:02:18,233 --> 00:02:19,203 - I DON'T-- - COULD YOU JUST PUT IT ON? 58 00:02:19,200 --> 00:02:20,900 - YOU--NO. - JUST PUT IT ON-- 59 00:02:20,900 --> 00:02:22,600 - I'LL HOLD IT, I'LL HOLD IT. - IT'S REALLY GOOD VIBES. 60 00:02:22,600 --> 00:02:24,330 - I GOT IT. - SHE'S A HUGGER. 61 00:02:24,333 --> 00:02:25,603 - VIBES. - YOU'LL FEEL HUGGED AND LOVED. 62 00:02:25,600 --> 00:02:28,670 - YOU'LL FEEL SO LOVED. - SHE'S SUCH A NUT. 63 00:02:28,667 --> 00:02:30,767 SHE'S MORE FREAKED OUT THAN I AM TODAY. 64 00:02:30,767 --> 00:02:33,197 - YEAH, I THINK SHE'S MORE EXCITED ABOUT PROM THAN YOU. 65 00:02:33,200 --> 00:02:35,300 - I MISSED OUT ON EVERYTHING AS A CHILD. 66 00:02:35,300 --> 00:02:38,100 SERIOUSLY, I WENT TO A PROFESSIONAL SCHOOL 67 00:02:38,100 --> 00:02:39,700 FOR CHILDREN THAT WORKED IN THE INDUSTRY. 68 00:02:39,700 --> 00:02:40,970 SO THE KIDS THAT WENT TO MY SCHOOL 69 00:02:40,967 --> 00:02:42,727 WERE, LIKE, KRISTY AND JIMMY MCNICHOL, 70 00:02:42,734 --> 00:02:46,334 AND LEIF GARRETT, AND THEY'RE ALL THE TEEN THROBS. 71 00:02:46,333 --> 00:02:49,233 MY PROM WAS LIKE... HMM, NOTHING. 72 00:02:49,233 --> 00:02:50,473 PASS THE SALT. 73 00:02:50,467 --> 00:02:53,127 I AM MAKING THIS THE MOST AMAZING EXPERIENCE 74 00:02:53,133 --> 00:02:54,203 SHE'S EVER HAD. 75 00:02:54,200 --> 00:02:56,430 LOOK AT MY CHICKEN SALAD. 76 00:02:56,433 --> 00:02:58,073 - OH, THAT LOOKS DELICIOUS. 77 00:02:58,066 --> 00:03:00,726 - I'M STILL PUTTING IN WALNUTS. 78 00:03:00,734 --> 00:03:01,734 LOOK. 79 00:03:01,734 --> 00:03:03,034 APPLE. 80 00:03:03,033 --> 00:03:04,333 - PERFECT. 81 00:03:04,333 --> 00:03:06,133 - I BOUGHT HORS D'OEUVRES... 82 00:03:06,133 --> 00:03:07,703 - OKAY, HOLD REAL STILL. 83 00:03:07,700 --> 00:03:09,170 - JUICES, SODAS. 84 00:03:09,166 --> 00:03:10,596 - YOUR CHIN UP JUST A LITTLE BIT. 85 00:03:10,600 --> 00:03:12,600 - THINGS. THINGS AND THINGS. 86 00:03:19,066 --> 00:03:21,796 I WOULD LIKE KIMBERLY'S PROM TO JUST BE THE BEGINNING 87 00:03:21,800 --> 00:03:26,300 OF A WHOLE NEW MEMORY FOR HER. 88 00:03:26,300 --> 00:03:27,800 SHOULD I LEAVE THAT OFF? 89 00:03:27,800 --> 00:03:28,800 OR SHOULD I PUT THAT BACK ON? 90 00:03:28,800 --> 00:03:32,530 I WANNA GET...MY CUPCAKES. - MOM! 91 00:03:32,533 --> 00:03:34,573 - LET ME TAKE IT--OH, YES! - I'M READY. 92 00:03:34,567 --> 00:03:37,427 - YEAH. 93 00:03:37,433 --> 00:03:39,103 YOU LOOK SO BEAUTIFUL. 94 00:03:39,100 --> 00:03:40,600 - YEAH? - YEAH. 95 00:03:40,600 --> 00:03:43,930 - [giggles] - OH, MY GOSH, YOU ARE SO TALL. 96 00:03:43,934 --> 00:03:45,774 OH, MY GOSH. 97 00:03:45,767 --> 00:03:47,727 - YOU LIKE IT? - YOU LOOK REALLY BEAUTIFUL. 98 00:03:50,533 --> 00:03:51,773 [exhales] 99 00:03:51,767 --> 00:03:54,067 [doorbell chimes Star Spangled Banner] 100 00:03:54,066 --> 00:03:56,166 - WHAT A GREAT DOORBELL. - [squeals] 101 00:03:56,166 --> 00:04:04,026 ♪♪ ♪♪ 102 00:04:04,033 --> 00:04:05,133 HI! - HEY. 103 00:04:05,133 --> 00:04:06,333 - OH, MY GOSH, YOU LOOK SO HANDSOME. 104 00:04:06,333 --> 00:04:07,503 LET ME SEE. - THANK YOU. 105 00:04:07,500 --> 00:04:09,430 - YOU READY TO SEE THE GIRL? - DEFINITELY. 106 00:04:09,433 --> 00:04:10,573 - COME ON. LET'S GO THIS WAY. 107 00:04:10,567 --> 00:04:14,967 - YOU LOOK BEAUTIFUL. 108 00:04:14,967 --> 00:04:18,627 - WOW. - HI! 109 00:04:18,633 --> 00:04:19,873 OH. 110 00:04:19,867 --> 00:04:21,697 - HEY. - MM, WHAT'S UP? 111 00:04:21,700 --> 00:04:23,930 - GOD, YOU LOOK UNBELIEVABLE. - THANK YOU. 112 00:04:23,934 --> 00:04:27,374 YOU LOOK SO HANDSOME. 113 00:04:27,367 --> 00:04:30,927 - KIMBERLY'S BOYFRIEND, HE'S, LIKE, THIS BIG GUY, YOU KNOW? 114 00:04:30,934 --> 00:04:32,374 HE'S 20 YEARS OLD. 115 00:04:32,367 --> 00:04:34,967 HE'S, LIKE, A MAN, EVEN THOUGH HE'S GOT A BOY FACE. 116 00:04:34,967 --> 00:04:36,627 [growls] BURLY. BUT I'M OKAY. 117 00:04:36,633 --> 00:04:38,473 HE'S A GOOD BOY. 118 00:04:38,467 --> 00:04:41,927 MY RIGHT. - [groans] SO MY LEFT. 119 00:04:41,934 --> 00:04:43,834 - WHY DON'T YOU HAVE A LITTLE GLASS OF LEMONADE BEFORE YOU GO? 120 00:04:43,834 --> 00:04:44,834 - NO, WE'RE NOT DOING-- 121 00:04:44,834 --> 00:04:46,234 - OKAY. - WE HAVE TO GO. 122 00:04:46,233 --> 00:04:47,733 - FIVE MINUTES. - NO, REALLY. I CAN'T. 123 00:04:47,734 --> 00:04:49,134 - YOU'RE NOT LEAVING. - NO, IT'S TIME. 124 00:04:49,133 --> 00:04:51,073 - LET'S JUST SIT DOWN. - IT'S TIME TO GO. 125 00:04:51,066 --> 00:04:54,126 - I LOVE YOU. BE CAREFUL, HAVE FUN. 126 00:04:54,133 --> 00:04:56,003 POOL'S HEATED, AND EVERYTHING'S READY FOR WHEN YOU GUYS 127 00:04:56,000 --> 00:04:57,500 ARE GONNA GET BACK, OKAY? 128 00:04:57,500 --> 00:04:59,000 - BYE. - ALL RIGHT, BYE. 129 00:04:59,000 --> 00:05:01,070 MMM, TAKE CARE OF MY GIRL TONIGHT, REMEMBER. 130 00:05:01,066 --> 00:05:02,126 - I DEFINITELY WILL. - I LOVE YOU. 131 00:05:02,133 --> 00:05:03,203 - I LOVE YOU SO MUCH. 132 00:05:03,200 --> 00:05:04,300 BE CAREFUL, HAVE FUN. - SEE YA. 133 00:05:04,300 --> 00:05:05,370 - BYE, HONEY. BYE, NICK. 134 00:05:05,367 --> 00:05:06,597 - BYE. 135 00:05:06,600 --> 00:05:08,030 - CALL ME! - I WILL, I WILL! 136 00:05:08,033 --> 00:05:11,833 - I'LL BE CALLING YOU. 137 00:05:11,834 --> 00:05:14,034 [sighs] 138 00:05:14,033 --> 00:05:16,203 [sniffles] 139 00:05:19,934 --> 00:05:21,934 [sighs] 140 00:05:34,033 --> 00:05:35,373 [buzzer sounds] 141 00:05:35,367 --> 00:05:38,327 [phone rings, doorbell chimes] 142 00:05:40,333 --> 00:05:41,673 - HELLO, RICHARD. 143 00:05:41,667 --> 00:05:42,927 - HI, YOLANDA. GOOD AFTERNOON. 144 00:05:42,934 --> 00:05:44,634 - HOW ARE YOU? - I'M FINE, THANK YOU. 145 00:05:44,633 --> 00:05:46,173 - NICE TO SEE YOU. 146 00:05:46,166 --> 00:05:49,396 YOU LOOK ALWAYS SO PROPER AND ENGLISH AND GORGEOUS. 147 00:05:49,400 --> 00:05:51,630 - WELL, THAT'S A LOVELY COMPLIMENT COMING FROM YOU, YES, 148 00:05:51,633 --> 00:05:53,433 FROM A BEAUTIFUL LADY LIKE YOURSELF. 149 00:05:53,433 --> 00:05:56,003 YOU LOOK LIKE A PIECE OF ART. - [laughs] 150 00:05:56,000 --> 00:05:58,170 RICHARD, OUR CATERER, IS INCREDIBLE. 151 00:05:58,166 --> 00:06:00,526 HE'S WORKED WITH MY HUSBAND FOR 25 YEARS, 152 00:06:00,533 --> 00:06:02,103 SO I KIND OF ADOPTED HIM. 153 00:06:02,100 --> 00:06:03,770 I INVITED MY GROUP OF GIRLFRIENDS 154 00:06:03,767 --> 00:06:05,167 FOR DINNER MONDAY NIGHT. 155 00:06:05,166 --> 00:06:06,526 - AND SEE YOUR BEAUTIFUL NEW HOME. 156 00:06:06,533 --> 00:06:08,073 - AND SEE OUR BEAUTIFUL NEW HOME. 157 00:06:08,066 --> 00:06:09,366 I'M, LIKE, THE HOSTESS OF THE MOSTEST. 158 00:06:09,367 --> 00:06:11,297 I LOVE HOSTING DINNER PARTIES. 159 00:06:11,300 --> 00:06:13,670 WE LIKE TO MIX OUR CLOSE FRIENDS 160 00:06:13,667 --> 00:06:15,797 WITH FRIENDS FROM THE MUSIC BUSINESS: 161 00:06:15,800 --> 00:06:20,370 BARBRA STREISAND OR BABYFACE OR KENNY G OR WHOEVER. 162 00:06:20,367 --> 00:06:22,227 IT'S ALWAYS A FUN COMBINATION. 163 00:06:22,233 --> 00:06:23,433 I WAS THINKING PROBABLY START 164 00:06:23,433 --> 00:06:24,903 WITH MY FAVORITE, COCONUT SHRIMP... 165 00:06:24,900 --> 00:06:26,000 - YES. 166 00:06:26,000 --> 00:06:28,630 - THE, UH, TEMPURA AVOCADO ROLLS... 167 00:06:28,633 --> 00:06:31,533 - YES. - UH, THE-- 168 00:06:31,533 --> 00:06:33,973 WHAT'S THAT NICE-- THE GOAT CHEESE THING? 169 00:06:33,967 --> 00:06:35,827 - GOAT CHEESE AND FIG IN PUFF PASTRY. 170 00:06:35,834 --> 00:06:41,074 - I LOVE THAT. - YES. 171 00:06:41,066 --> 00:06:43,996 - AND, UH, FILET MIGNON? - OKAY. 172 00:06:44,000 --> 00:06:46,730 MAYBE A CHICKEN FOIE GRAS DIJON MUSTARD SAUCE, 173 00:06:46,734 --> 00:06:50,134 OR WITH PORTOBELLO MUSHROOMS AND A MARSALA WINE SAUCE? 174 00:06:50,133 --> 00:06:51,673 - YEAH, MAYBE-- LET'S DO THE PORTOBELLO-- 175 00:06:51,667 --> 00:06:52,827 - PORTOBELLO MUSHROOM? - UH, YEAH. 176 00:06:52,834 --> 00:06:54,974 I THINK I WANT TO DO THE COCKTAILS OUTSIDE... 177 00:06:54,967 --> 00:06:56,227 - GOOD IDEA. 178 00:06:56,233 --> 00:06:58,473 - UM, BECAUSE IT LOOKS LIKE IT'S-- 179 00:06:58,467 --> 00:06:59,767 THE WEATHER HAS BEEN SO BEAUTIFUL, ISN'T IT? 180 00:06:59,767 --> 00:07:00,997 - YES. 181 00:07:01,000 --> 00:07:02,800 - IT'S A GREAT HOUSE FOR ENTERTAINING. 182 00:07:02,800 --> 00:07:04,500 I THINK ABOUT 12,000 SQUARE FEET. 183 00:07:04,500 --> 00:07:06,600 EVERYTHING OPENS UP TO THE OUTSIDE, 184 00:07:06,600 --> 00:07:08,730 AND ON A BEAUTIFUL NIGHT, PEOPLE CAN JUST MINGLE 185 00:07:08,734 --> 00:07:10,134 FROM ONE ROOM TO THE OTHER 186 00:07:10,133 --> 00:07:12,973 AND, AND-- IT'S A VERY ROMANTIC HOUSE. 187 00:07:12,967 --> 00:07:15,167 SO I THOUGHT MAYBE WE'LL SET UP A LITTLE, 188 00:07:15,166 --> 00:07:17,996 EH, YOU KNOW, BAR STATION OUT HERE. 189 00:07:18,000 --> 00:07:20,270 - OH, THIS'LL BE PERFECT. - YEAH, I THINK IT'LL BE NICE. 190 00:07:20,266 --> 00:07:22,596 IF IT'S WARM ENOUGH, YOU KNOW, PEOPLE CAN WANDER AROUND, 191 00:07:22,600 --> 00:07:23,600 HAVE A COCKTAIL... - YES. 192 00:07:23,600 --> 00:07:24,970 - HAVE SOME HORS D'OEUVRES. 193 00:07:24,967 --> 00:07:26,527 - ARE WE HAVING ALL LADY FRIENDS? 194 00:07:26,533 --> 00:07:28,633 OR WILL THEIR HUSBANDS OR BOYFRIENDS-- 195 00:07:28,633 --> 00:07:29,973 - WELL, IT'S, YOU KNOW-- 196 00:07:29,967 --> 00:07:32,597 YOU KNOW MY FRIEND LISA THAT I MET THROUGH MOHAMED? 197 00:07:32,600 --> 00:07:34,100 - YES. - IT'S ALL HER GIRLFRIENDS. 198 00:07:34,100 --> 00:07:36,470 AND SOME OF THEM ARE SINGLE, AND SOME OF THEM ARE HUSBANDS. 199 00:07:36,467 --> 00:07:40,127 SO I INVITED EVERYBODY AND SEE WHO STICKS, RIGHT? 200 00:07:40,133 --> 00:07:43,003 - A-A-AFTER AN EVENING HERE OF SEEING YOU AND DAVID, 201 00:07:43,000 --> 00:07:44,830 THEY'LL ALL WANT TO BE MARRIED. 202 00:07:44,834 --> 00:07:47,074 - WHAT MAKES ME A GREAT HOSTESS IS THAT I LOVE PEOPLE, 203 00:07:47,066 --> 00:07:48,796 AND I GUESS YOU CAN FEEL THAT. 204 00:07:48,800 --> 00:07:50,370 WHEN SOMEBODY COMES TO MY HOUSE, 205 00:07:50,367 --> 00:07:52,727 THEY LEAVE KNOWING THAT I EMBRACED THEM, 206 00:07:52,734 --> 00:07:56,274 I MADE THEM FEEL SPECIAL, YOU KNOW, IN MY HOME. 207 00:07:56,266 --> 00:07:57,596 - WHEN ARE YOU EVER GOING 208 00:07:57,600 --> 00:07:58,970 TO OPEN UP THAT BEAUTIFUL BOTTLE 209 00:07:58,967 --> 00:08:00,997 THAT OPRAH PRESENTED TO YOU AND DAVID? 210 00:08:01,000 --> 00:08:02,270 '45 MOUTON. 211 00:08:02,266 --> 00:08:03,796 I DON'T KNOW HOW MANY-- - 1945. 212 00:08:03,800 --> 00:08:05,430 - 1945, YES. 213 00:08:05,433 --> 00:08:07,433 - WELL, MAYBE WE SHOULD DO IT FOR OUR ANNIVERSARY THIS YEAR? 214 00:08:07,433 --> 00:08:08,903 - THAT WOULD BE MARVELOUS. 215 00:08:08,900 --> 00:08:10,570 - BECAUSE IT'S NOT A WINE YOU JUST WANT TO OPEN, RIGHT? 216 00:08:10,567 --> 00:08:13,297 BY INVITING LISA'S FRIENDS, I HOPE THAT THEY SEE 217 00:08:13,300 --> 00:08:14,630 WHAT KIND OF PERSON I AM. 218 00:08:14,633 --> 00:08:16,733 I HOPE THEIR HEART IS FILLED WITH LOVE. 219 00:08:16,734 --> 00:08:18,134 BUT I THINK YOU KNOW SOME OF THEM. 220 00:08:18,133 --> 00:08:19,273 - I THINK I'VE MET SEVERAL OF THEM 221 00:08:19,266 --> 00:08:21,096 OVER AT THE, UH, GRAMMERS' HOUSE. 222 00:08:21,100 --> 00:08:22,230 - YEAH, YEAH. 223 00:08:22,233 --> 00:08:23,803 - CAMILLE'S HOUSE, YES. 224 00:08:23,800 --> 00:08:25,370 ANYTHING ELSE FOR ME? - NOPE. 225 00:08:25,367 --> 00:08:26,827 - OKAY. 226 00:08:26,834 --> 00:08:28,174 OKAY? - THANK YOU, RICHARD. 227 00:08:28,166 --> 00:08:29,866 HAVE A WONDERFUL DAY. - THANK YOU, APPRECIATE-- 228 00:08:29,867 --> 00:08:31,427 - AND THANKS FOR THE BEAUTIFUL DRESS-UP. 229 00:08:31,433 --> 00:08:33,633 - OH, MY PLEASURE. SAY A BIG "HI" TO DAVID FOR ME. 230 00:08:33,633 --> 00:08:35,633 - I WILL, I WILL, I WILL. 231 00:08:46,533 --> 00:08:48,103 - YOU NEED TO START WITH GOING OVER THE THINGS 232 00:08:48,100 --> 00:08:49,430 THAT YOU MADE THE MISTAKES ON. 233 00:08:49,433 --> 00:08:51,633 THAT WAY, YOU DON'T MAKE THE SAME MISTAKE AGAIN. 234 00:08:51,633 --> 00:08:55,133 ALEXIA IS GETTING HER DRIVER'S LICENSE AND A CAR SOON, 235 00:08:55,133 --> 00:08:59,733 WHICH HAS BEEN FUN AND VERY SCARY. 236 00:08:59,734 --> 00:09:01,934 "IF YOU ARE TOWING ANOTHER VEHICLE OR--" 237 00:09:01,934 --> 00:09:02,974 TOWING? 238 00:09:02,967 --> 00:09:04,697 WHEN WOULD YOU EVER BE TOWING? 239 00:09:04,700 --> 00:09:07,400 "SOLID YELLOW LINES SEPARATE: 240 00:09:07,400 --> 00:09:10,370 "'A', TRAFFIC LANES ON ONE-WAY STREETS, 241 00:09:10,367 --> 00:09:12,397 "BICYCLE LANES FROM THE REGULAR TRAFFIC, 242 00:09:12,400 --> 00:09:14,930 VEHICLES GOING IN OPPOSITE DIRECTIONS." 243 00:09:14,934 --> 00:09:17,134 - IS IT THE BICYCLES? 244 00:09:17,133 --> 00:09:19,973 - MM. "VEHICLES GOING IN OPPOSITE DIRECTIONS." 245 00:09:19,967 --> 00:09:21,227 THAT'S NOT GOOD. 246 00:09:21,233 --> 00:09:22,473 ANY PARENT WHO HAS TRIED 247 00:09:22,467 --> 00:09:26,027 TO TEACH THEIR TEENAGE CHILD HOW TO DRIVE... 248 00:09:26,033 --> 00:09:27,373 GOD BLESS YOU. 249 00:09:27,367 --> 00:09:30,167 THIS IS SOMETHING YOU SHOULD BE WORKING ON ALL THE TIME. 250 00:09:30,166 --> 00:09:32,366 - WHAT? PARALLEL PARKING? - PARALLEL PARKING. 251 00:09:32,367 --> 00:09:34,367 - IS THAT INSIDE OR OUTSIDE THE CAR? 252 00:09:34,367 --> 00:09:35,727 [blows] - A BUG? 253 00:09:35,734 --> 00:09:37,304 WHAT WOULD YOU DO, REALLY, IF A SPIDER WAS IN THE CAR, 254 00:09:37,300 --> 00:09:39,100 AND YOU WERE ON THE FREEWAY? 255 00:09:39,100 --> 00:09:40,170 - I--YOU BETTER HOPE FOR THE BEST. 256 00:09:40,166 --> 00:09:41,366 - YOU KNOW WHAT HAPPENED TO ME ONCE? 257 00:09:41,367 --> 00:09:44,827 I STOLE AUNT KIM'S FERRARI. - [laughs] 258 00:09:44,834 --> 00:09:45,834 - I WAS 16. 259 00:09:45,834 --> 00:09:48,174 I WAS DRIVING DOWN RODEO DRIVE, 260 00:09:48,166 --> 00:09:50,226 THINKING I WAS COOLIO WITH THE TOP DOWN, 261 00:09:50,233 --> 00:09:51,303 AND A BEE FLEW IN THE CAR. 262 00:09:51,300 --> 00:09:52,300 - OH, MY GOD. 263 00:09:52,300 --> 00:09:54,230 - AND YOU KNOW HOW ALLERGIC I AM? 264 00:09:54,233 --> 00:09:56,233 I STARTED SCREAMING, AND JUMPED OUT OF THE CAR, 265 00:09:56,233 --> 00:09:57,503 AND LEFT IT ROLLING. 266 00:09:57,500 --> 00:10:00,800 AND A STRANGER, A TOURIST, JUMPED IN THE CAR 267 00:10:00,800 --> 00:10:02,230 AND TOOK IT OVER AND SAVED IT. 268 00:10:02,233 --> 00:10:03,533 IT WAS GONNA CRASH. 269 00:10:03,533 --> 00:10:04,773 DO YOU KNOW HOW EMBARASSING THAT WAS? 270 00:10:04,767 --> 00:10:06,227 ALL BECAUSE OF A BEE. - YOU READY? 271 00:10:06,233 --> 00:10:08,103 - YEP, I THINK. 272 00:10:08,100 --> 00:10:09,930 [engine revving] 273 00:10:09,934 --> 00:10:11,634 - OKAY. 274 00:10:11,633 --> 00:10:15,203 - OKAY, PULL PARALLEL, NEXT TO MY CAR. 275 00:10:15,200 --> 00:10:17,570 - IS THAT WHY IT'S CALLED "PARALLEL PARKING"? 276 00:10:17,567 --> 00:10:19,767 - WELL, WE ARE PARALLEL NEXT TO THE SIDEWALK. 277 00:10:19,767 --> 00:10:21,427 OKAY. YOU WANNA GET CLOSE-- 278 00:10:21,433 --> 00:10:25,003 OKAY, NOW, TURN YOUR WHEEL ALL THE WAY THIS WAY. 279 00:10:25,000 --> 00:10:27,230 - CAN YOU HEAR THE CAR FOR A SECOND? 280 00:10:27,233 --> 00:10:30,503 - THAT'S BECAUSE YOU HAVE THE EMERGENCY BRAKE ON! 281 00:10:30,500 --> 00:10:31,670 - WHAT DO YOU MEAN? WHERE? 282 00:10:31,667 --> 00:10:32,997 OH, MY GOD! WAIT, WHERE? 283 00:10:33,000 --> 00:10:34,470 - OKAY, THAT'S GOOD. YOU'RE GOING STRAIGHT. 284 00:10:34,467 --> 00:10:35,667 KEEP GOING. 285 00:10:35,667 --> 00:10:39,067 - [squealing] 286 00:10:39,066 --> 00:10:40,966 - NOW, TURN ALL THE WAY THIS WAY. 287 00:10:40,967 --> 00:10:42,267 - WHAT AM I EVEN DOING? 288 00:10:42,266 --> 00:10:43,626 - I DON'T KNOW WHAT YOU'RE DOING. 289 00:10:43,633 --> 00:10:47,133 NOW, LOOK, WE ARE SIDEWAYS. [giggling] 290 00:10:47,133 --> 00:10:48,673 - I HATE THIS. I HATE THIS. 291 00:10:48,667 --> 00:10:51,367 - YOU HATE THIS? YOU THINK THIS IS FUN FOR ME? 292 00:10:51,367 --> 00:10:53,997 I THINK I LOSE 5 POUNDS EVERY TIME I DRIVE WITH HER. 293 00:10:54,000 --> 00:10:56,070 - AAH! - NO, NO, NO, NO, NO. OKAY. 294 00:10:56,066 --> 00:10:57,496 [squeals] 295 00:10:57,500 --> 00:11:00,030 THIS IS--HEY! THIS IS ONE OF YOUR BETTER ONES. 296 00:11:00,033 --> 00:11:01,503 - OKAY. 297 00:11:01,500 --> 00:11:04,100 - WAIT, OKAY, YOU'RE STILL, LIKE, 4 FEET FROM THE CURB. 298 00:11:04,100 --> 00:11:07,470 - WAIT, OKAY. - OKAY, LET ME SEE HOW-- 299 00:11:07,467 --> 00:11:09,427 OKAY, LET ME LOOK NOW. 300 00:11:09,433 --> 00:11:11,303 WELL, THIS IS BETTER. 301 00:11:11,300 --> 00:11:13,430 - HOW CLOSE ARE WE? - 2 FEET, MAYBE. 302 00:11:13,433 --> 00:11:16,973 IT'S A LITTLE CROOKED, BUT IT'S GOOD. 303 00:11:16,967 --> 00:11:18,727 I'M HAPPY. 304 00:11:18,734 --> 00:11:22,234 THAT ONLY TOOK 45 MINUTES. [laughs] 305 00:11:22,233 --> 00:11:23,273 - WAIT. 306 00:11:23,266 --> 00:11:24,426 - COMING UP... 307 00:11:24,433 --> 00:11:26,873 - IF SHE THINKS I LACKED THAT MUCH INTEGRITY-- 308 00:11:26,867 --> 00:11:27,967 WHAT SHE ACCUSED ME OF-- 309 00:11:27,967 --> 00:11:28,967 WHY WOULD SHE WANNA BE AROUND ME? 310 00:11:28,967 --> 00:11:31,897 SIMPLE AS THAT. 311 00:11:41,400 --> 00:11:42,930 - YOU NEED A BATH. 312 00:11:42,934 --> 00:11:44,704 NO, YOU CAN'T HAVE ANY OF THOSE. 313 00:11:51,400 --> 00:11:53,000 [rhythmic knock on door] 314 00:11:53,000 --> 00:11:54,000 [dog barks] 315 00:11:54,000 --> 00:11:55,670 CHLOE, SHH, SHH, SHH, SHH, SHH. 316 00:11:58,300 --> 00:12:00,270 HELLO. - HELLO! HELLO. 317 00:12:00,266 --> 00:12:01,366 - HE'S BARKING AT YOU. HI. 318 00:12:01,367 --> 00:12:04,127 - HI. HOW ARE YOU? - GOOD. HOW ARE YOU? 319 00:12:04,133 --> 00:12:06,033 YOU LOOK PRETTY. WHERE YOU OFF TO? 320 00:12:06,033 --> 00:12:07,333 - DO I SMELL CATTLE IN HERE? 321 00:12:07,333 --> 00:12:09,833 - IF MAURICIO SAW THIS ON MY HARDWOOD FLOORS-- 322 00:12:09,834 --> 00:12:12,234 - THE PARTY'S STARTED. - PORTIA! 323 00:12:12,233 --> 00:12:13,433 - ONE OF US CAN HAVE OUR ANIMAL COOKIES. 324 00:12:13,433 --> 00:12:15,103 - DOG BISCUITS? - NO, NOT DOG BISCUITS. 325 00:12:15,100 --> 00:12:16,530 - [laughs] - ANIMAL COOKIES. 326 00:12:16,533 --> 00:12:17,733 - 'CAUSE YOU KNOW, OUT OF EVERYBODY, 327 00:12:17,734 --> 00:12:19,574 I'M THE ONLY ONE THAT WOULD EAT DOG BISCUITS. 328 00:12:19,567 --> 00:12:21,527 - I WILL GET THE TEACUPS. 329 00:12:21,533 --> 00:12:23,173 - [sighs] 330 00:12:23,166 --> 00:12:24,226 - SO... 331 00:12:24,233 --> 00:12:26,703 - DON'T TELL ANYBODY. 332 00:12:26,700 --> 00:12:29,330 DO NOT TELL ANYBODY. 333 00:12:29,333 --> 00:12:30,803 - OKAY. 334 00:12:30,800 --> 00:12:34,830 - OH, SHE'S BACK. 335 00:12:34,834 --> 00:12:37,334 - WE HAD FUN, UM, SATURDAY. THAT WAS SO MUCH FUN. 336 00:12:37,333 --> 00:12:39,233 - I JUST THOUGHT... 337 00:12:39,233 --> 00:12:40,903 - YOU WERE ESCAPING. - NO, I WASN'T. 338 00:12:40,900 --> 00:12:43,270 I MEAN, I DID HAVE A MEETING THERE WITH KEN 339 00:12:43,266 --> 00:12:44,826 THAT I DIDN'T REALLY WANT TO CHANGE. 340 00:12:44,834 --> 00:12:48,304 BUT I JUST FELT THAT FOUR-YEAR-OLD BIRTHDAY PARTY... 341 00:12:48,300 --> 00:12:49,730 - WHO-- - IS NOT THE PLACE! 342 00:12:49,734 --> 00:12:51,434 IT'S NOT THE TIME, YOU KNOW? 343 00:12:51,433 --> 00:12:53,433 I HAVEN'T SEEN ADRIENNE AND PAUL FOR MONTHS, 344 00:12:53,433 --> 00:12:56,103 AND I'M ACTUALLY QUITE GLAD THAT WE DIDN'T CROSS PATHS 345 00:12:56,100 --> 00:12:57,330 AT PORTIA'S BIRTHDAY. 346 00:12:57,333 --> 00:12:58,773 - I ACTUALLY KIND OF THOUGHT, 347 00:12:58,767 --> 00:13:00,397 WELL, MAYBE IT'S A GOOD PLACE FOR EVERYONE TO MEET, 348 00:13:00,400 --> 00:13:02,300 BECAUSE IT IS A FOUR-YEAR-OLD'S BIRTHDAY PARTY. 349 00:13:02,300 --> 00:13:03,600 ADRIENNE ASKED ME-- 350 00:13:03,600 --> 00:13:05,730 I KNOW THAT YOU DIDN'T WANT ME 351 00:13:05,734 --> 00:13:07,534 SETTING UP A MEETING WITH YOU GUYS. 352 00:13:07,533 --> 00:13:09,203 BUT THEN SHE ASKED ME TO. 353 00:13:09,200 --> 00:13:10,370 - RIGHT. 354 00:13:10,367 --> 00:13:13,397 - I REALLY WANT LISA AND ADRIENNE TO TALK, 355 00:13:13,400 --> 00:13:15,400 BECAUSE THIS IS CHILDISH AND RIDICULOUS. 356 00:13:15,400 --> 00:13:17,270 IT'S AFFECTING OUR ENTIRE GROUP. 357 00:13:17,266 --> 00:13:19,726 - IF SHE THINKS I LACKED THAT MUCH INTEGRITY-- 358 00:13:19,734 --> 00:13:20,734 WHAT SHE ACCUSED ME OF-- 359 00:13:20,734 --> 00:13:21,774 WHY WOULD SHE WANNA BE AROUND ME? 360 00:13:21,767 --> 00:13:22,767 SIMPLE AS THAT. 361 00:13:22,767 --> 00:13:24,267 - YOU'VE NEVER SOLD A STORY. 362 00:13:24,266 --> 00:13:26,296 - I'VE NEVER SOLD A STORY IN MY LIFE... 363 00:13:26,300 --> 00:13:27,700 - I DON'T BELIEVE THAT FOR A MINUTE. 364 00:13:27,700 --> 00:13:29,330 - AND I WON'T BE ACCUSED OF THAT. 365 00:13:29,333 --> 00:13:31,073 I JUST THINK IT'S SUCH AN INSULT, 366 00:13:31,066 --> 00:13:34,026 SUCH A LOW BLOW, SUCH A CHARACTER ASSASSINATION, 367 00:13:34,033 --> 00:13:37,473 AND I'VE LOST RESPECT FOR A LOT OF THE SITUATION. 368 00:13:37,467 --> 00:13:38,667 - YOU'VE SEEN A LITTLE BIT OF EACH OTHER IN BETWEEN-- 369 00:13:38,667 --> 00:13:40,727 - NO. NEVER. 370 00:13:40,734 --> 00:13:42,934 EVEN WHEN I MOVED, I MOVED OUT OF THE HOUSE. 371 00:13:42,934 --> 00:13:44,474 NOBODY CAME ACROSS FROM-- 372 00:13:44,467 --> 00:13:45,567 - I KNOW, BUT SHE THINKS, YOU KNOW, 373 00:13:45,567 --> 00:13:46,967 LIKE, YOU DIDN'T SAY GOOD-BYE. 374 00:13:46,967 --> 00:13:49,297 AND YOU'RE, LIKE, SHE DIDN'T SAY SAYONARA. 375 00:13:49,300 --> 00:13:50,400 - I JUST DON'T LIKE TO BE INSULTED 376 00:13:50,400 --> 00:13:52,000 AND ACCUSED OF THINGS I DON'T DO. 377 00:13:52,000 --> 00:13:53,970 - I THINK PAUL IS UPSET TOO, BECAUSE I SAID TO PAUL, 378 00:13:53,967 --> 00:13:55,297 "WELL, ONCE THE GIRLS GET PAST THIS, 379 00:13:55,300 --> 00:13:56,300 ARE YOU GONNA BE OKAY?" 380 00:13:56,300 --> 00:13:57,800 'CAUSE HE SEEMS VERY, LIKE-- 381 00:13:57,800 --> 00:13:59,870 - GETS ON MY NERVES, TO BE HONEST, IT REALLY DOES. 382 00:13:59,867 --> 00:14:01,467 IF ADRIENNE'S GOT SOMETHING TO SAY TO ME-- 383 00:14:01,467 --> 00:14:02,827 AND IT SHOULD START WITH AN APOLOGY-- 384 00:14:02,834 --> 00:14:03,934 THEN I'M WILLING TO LISTEN. 385 00:14:03,934 --> 00:14:06,104 APART FROM THAT, NO, I'M NOT READY 386 00:14:06,100 --> 00:14:08,500 TO RESUME MY RELATIONSHIP WITH HER. 387 00:14:08,500 --> 00:14:09,730 - BUT YOU'RE GONNA TALK WITH HER EVENTUALLY? 388 00:14:09,734 --> 00:14:12,174 - YEAH, YEAH. IT'S ALL GOING TO BE GOOD. 389 00:14:12,166 --> 00:14:14,066 WELL, THE HOUSE LOOKS GORGEOUS. 390 00:14:14,066 --> 00:14:15,896 - YOU SEE MY DINING ROOM? - YEAH, OF COURSE. 391 00:14:15,900 --> 00:14:17,000 - IT'S COMING ALONG, WITH THE COLOR. 392 00:14:17,000 --> 00:14:19,030 - YEAH. 393 00:14:25,300 --> 00:14:27,570 - SO PRETTY, EH? FROM HOLLAND. 394 00:14:27,567 --> 00:14:29,027 - WOW. 395 00:14:29,033 --> 00:14:30,633 - I WAS AT THE FLOWER MARKET TODAY. 396 00:14:30,633 --> 00:14:32,573 THERE WERE SO MANY TULIPS. 397 00:14:32,567 --> 00:14:36,127 - THEY LOOK SO FRESH. - YEAH, THEY'RE GORGEOUS. 398 00:14:36,133 --> 00:14:38,503 I SHOULD'VE BEEN MARTHA STEWART'S DAUGHTER. 399 00:14:38,500 --> 00:14:39,600 WOW, BEAUTIFUL. 400 00:14:39,600 --> 00:14:40,770 - YES. 401 00:14:40,767 --> 00:14:43,167 - I LOVE TO GO TO THE FLOWER MART DOWNTOWN 402 00:14:43,166 --> 00:14:44,566 AT 5:00 A.M. 403 00:14:44,567 --> 00:14:47,097 JUST TO BUY BEAUTIFUL FLOWERS THAT CAME FROM HOLLAND. 404 00:14:47,100 --> 00:14:49,800 I THINK I'M GONNA GO GET SOME ROSE PETALS. 405 00:14:49,800 --> 00:14:52,130 ARE THE PINK ROSES OUT YET? 406 00:14:52,133 --> 00:14:54,173 - YES, WE HAVE A FEW ONES. 407 00:14:54,166 --> 00:14:56,126 - WHEN I GIVE A DINNER PARTY, 408 00:14:56,133 --> 00:14:58,703 FOR ME, IT'S ABOUT THE WHOLE EXPERIENCE. 409 00:14:58,700 --> 00:15:02,430 THE COLORS, THE CANDLES, EVERYTHING HAS TO BE PERFECT. 410 00:15:05,600 --> 00:15:07,570 [scissors snip] 411 00:15:10,433 --> 00:15:12,473 MM-HMM. 412 00:15:18,934 --> 00:15:21,374 YOU KNOW, I HAVE A HUGE LEMON GROVE, 413 00:15:21,367 --> 00:15:23,967 AND I PLANTED LIKE, YOU KNOW, 50 TREES, 414 00:15:23,967 --> 00:15:27,767 NOT IMAGINING HOW MANY LEMONS 1 TREE GIVES. 415 00:15:27,767 --> 00:15:29,527 SO NOW I HAVE, LIKE, HUNDREDS OF LEMONS 416 00:15:29,533 --> 00:15:31,373 COMING OUT OF THIS LEMON ORCHARD, 417 00:15:31,367 --> 00:15:32,967 NOT KNOWING WHAT TO DO WITH IT. 418 00:15:32,967 --> 00:15:34,167 WOW. THAT'S PRETTY. 419 00:15:34,166 --> 00:15:35,726 - THANK YOU. 420 00:15:35,734 --> 00:15:37,534 - WHAT ARE THOSE? - THESE ARE PEPPERS. 421 00:15:37,533 --> 00:15:40,303 PEPPERS AND RADISHES AND-- - RICHARD! 422 00:15:40,300 --> 00:15:41,570 - VERY SEASONAL. - YES? 423 00:15:41,567 --> 00:15:44,627 - SO HOW ARE YOU, MY FRIEND? - VERY WELL, THANK YOU. 424 00:15:44,633 --> 00:15:47,133 ALI HAS A BEAUTIFUL WATERMELON SALAD PREPARED. 425 00:15:47,133 --> 00:15:48,903 AND THEN, IF THE LADIES ARE GOOD, 426 00:15:48,900 --> 00:15:50,630 AND THEY'VE EATEN ALL OF THEIR DINNER, 427 00:15:50,633 --> 00:15:52,773 I HAVE A BEAUTIFUL CHOCOLATE DESSERT FOR EVERYBODY. 428 00:15:52,767 --> 00:15:54,167 - MMM, MMM. 429 00:15:54,166 --> 00:15:56,066 MY HUSBAND'S FAVORITE. - YES, YES. 430 00:15:56,066 --> 00:15:58,226 - SO WILL YOU TELL ALBERTA TO PUT THE CANDLES ON, 431 00:15:58,233 --> 00:16:02,373 LIKE, AT, UH, 6:45? 432 00:16:02,367 --> 00:16:03,767 - YES, MA'AM? 433 00:16:03,767 --> 00:16:05,797 - WE'LL PUT THE TALLEST GIRLS ON THIS SIDE, 434 00:16:05,800 --> 00:16:07,400 AND THE TALLEST PEOPLE ON THIS SIDE, 435 00:16:07,400 --> 00:16:09,730 AND THE SMALLEST PEOPLE ON THAT SIDE. 436 00:16:09,734 --> 00:16:12,934 [laughter] 437 00:16:12,934 --> 00:16:14,904 WE'LL ASK FOR THEIR MEASUREMENTS WHEN THEY COME IN. 438 00:16:14,900 --> 00:16:16,330 I'VE DECIDED TO DO THE DINNER 439 00:16:16,333 --> 00:16:18,633 IN THE KITCHEN AND THE FAMILY ROOM, 440 00:16:18,633 --> 00:16:20,773 'CAUSE WE LIVE IN 12,000 SQUARE FEET, 441 00:16:20,767 --> 00:16:23,697 BUT WE REALLY LIVE IN THE KITCHEN AND THE FAMILY ROOM. 442 00:16:23,700 --> 00:16:25,670 THE REST OF THE HOUSE, WE PROBABLY NEVER USE. 443 00:16:25,667 --> 00:16:27,297 - PLEASE, PLEASE, HAVE ONE. - OH, YOU WANT TO TRY IT? 444 00:16:27,300 --> 00:16:29,000 - NO, NO, THEY'RE QUAIL EGGS. 445 00:16:29,000 --> 00:16:30,470 EWW! - NO? 446 00:16:30,467 --> 00:16:33,027 - WHAT HAPPENED TO MY ESCARGOT THAT WAS ON THE FLOWERS? 447 00:16:33,033 --> 00:16:36,233 - WE, UH, BLENDED THAT IN THE SAUCE. 448 00:16:36,233 --> 00:16:38,573 - OOH, THAT'S DISGUSTING. - [laughs] 449 00:16:38,567 --> 00:16:39,967 - ALL RIGHT, THIS LOOKS ALL VERY GOOD. 450 00:16:39,967 --> 00:16:41,867 I'M GONNA GO AND GET READY AND CHANGE 451 00:16:41,867 --> 00:16:43,567 AND TRY TO LOOK PRETTY. 452 00:16:43,567 --> 00:16:45,067 MAYBE DO MY HAIR. 453 00:16:45,066 --> 00:16:46,996 - THAT'LL BE THE EASIEST THING FOR YOU TO DO, YOUNG LADY. 454 00:16:47,000 --> 00:16:48,870 - OH, YOU'RE JUST BIASED. SEE YOU LATER. 455 00:16:48,867 --> 00:16:51,267 - NO, YOU'RE A VERY GORGEOUS YOUNG LADY. 456 00:17:05,834 --> 00:17:08,134 - HI, HOW ARE YOU? - GOOD, HOW ARE YOU DOING? 457 00:17:08,133 --> 00:17:09,403 - GOOD, THANK YOU. 458 00:17:09,400 --> 00:17:11,370 ALL READY TO GO TO MALIBU, RIGHT? 459 00:17:11,367 --> 00:17:13,997 - SURE THING. - AWESOME. 460 00:17:14,000 --> 00:17:16,200 WILL YOU GRAB MY HAND HERE? I DON'T LIKE THIS. 461 00:17:16,200 --> 00:17:17,770 STEPS ARE NOT MY THING LATELY. 462 00:17:17,767 --> 00:17:19,527 THANK YOU. 463 00:17:19,533 --> 00:17:20,633 WELL, HI, THERE. - HI, DARLING. 464 00:17:20,633 --> 00:17:21,673 - HOW ARE YOU? - HEY, KIM. 465 00:17:21,667 --> 00:17:23,227 - HI! - HERE, LET ME MOVE OVER. 466 00:17:23,233 --> 00:17:25,903 - LOOKIN' GOOD, GIRL. - OH, WELL. 467 00:17:25,900 --> 00:17:27,330 - [grunts] 468 00:17:27,333 --> 00:17:28,973 - HI. - ALWAYS EATIN'. 469 00:17:28,967 --> 00:17:30,467 YOLANDA OBVIOUSLY CALLED YOU. 470 00:17:30,467 --> 00:17:33,427 - SHE DID, AND SHE SEEMS, YOU KNOW, LOVELY ON THE PHONE. 471 00:17:33,433 --> 00:17:35,003 I HAVE NOT MET HER YET. 472 00:17:35,000 --> 00:17:36,700 - HER AURA IS SO WONDERFUL. 473 00:17:36,700 --> 00:17:38,800 - WHO, YOLANDA? both: YEAH. 474 00:17:38,800 --> 00:17:40,470 - SHE'S REALLY JUST A GOOD PERSON. 475 00:17:40,467 --> 00:17:42,827 SHE'S ONE OF THOSE PEOPLE, AND SHE'S... 476 00:17:42,834 --> 00:17:44,934 "I KNEW," YOU KNOW, I FORGET HOW SHE SAID, 477 00:17:44,934 --> 00:17:47,674 LIKE, "I KNEW--YOU AND YOU, WE GET ALONG SO WELL." 478 00:17:47,667 --> 00:17:49,467 AND I SAID, "YOU'RE A VIRGO." 479 00:17:49,467 --> 00:17:50,767 AND SHE GOES-- 480 00:17:50,767 --> 00:17:53,127 - IS SHE A VIRGO? - NO. SHE'S A CAPRICORN. 481 00:17:53,133 --> 00:17:55,573 I GO--I GO, "OH." - OH. 482 00:17:55,567 --> 00:17:58,197 [laughter] 483 00:17:58,200 --> 00:17:59,900 - HOW ARE YOU FEELING NOW OVERALL? JUST-- 484 00:17:59,900 --> 00:18:02,170 - FEEL HEALTHY. I FEEL, YOU KNOW, BETTER. 485 00:18:02,166 --> 00:18:04,626 I MEAN, THERE'S DEFINITELY DAYS THAT I HAVE-- 486 00:18:04,633 --> 00:18:06,433 THAT DEFINITELY ARE ROUGHER THAN OTHERS. 487 00:18:06,433 --> 00:18:08,733 I-I HAVE MY CHALLENGES WITH RELATIONSHIPS 488 00:18:08,734 --> 00:18:10,274 OR PEOPLE OR CERTAIN THINGS. 489 00:18:10,266 --> 00:18:11,496 - WELL, THAT'S LIFE. 490 00:18:11,500 --> 00:18:12,770 - YOU KNOW, THERE'S DEFINITELY THE DAYS-- 491 00:18:12,767 --> 00:18:14,097 I THINK SOMETIMES, WHEN I HAVE THESE, 492 00:18:14,100 --> 00:18:16,030 LIKE, I HAVE AN INTERACTION WITH SOMEBODY 493 00:18:16,033 --> 00:18:17,503 THAT JUST KIND OF GETS THE MOST OF ME-- 494 00:18:17,500 --> 00:18:19,070 - LIKE LISA? - MM. 495 00:18:19,066 --> 00:18:20,696 - TAKE A DEEP BREATH. - YEAH. 496 00:18:20,700 --> 00:18:23,270 - COUNT TO TEN. IT'S VERY DIFFICULT TO DO. 497 00:18:23,266 --> 00:18:24,366 WE ALL HAVE TO LEARN THAT. 498 00:18:24,367 --> 00:18:25,797 - NOT TO REACT. - YES, YES. 499 00:18:25,800 --> 00:18:27,700 THIS IS THE FIRST TIME I'M SEEING LISA 500 00:18:27,700 --> 00:18:29,230 IN SEVERAL MONTHS. 501 00:18:29,233 --> 00:18:31,473 I KNOW I'LL BE ON MY BEST BEHAVIOR. 502 00:18:31,467 --> 00:18:34,067 I HOPE SHE'S ALSO. 503 00:18:34,066 --> 00:18:36,726 I THINK YOU HAVE TO KIND OF GET OVER IT AND MOVE ON. 504 00:18:36,734 --> 00:18:37,934 - RIGHT. 505 00:18:37,934 --> 00:18:39,704 - AND THERE'S BIGGER THINGS TO WORRY ABOUT. 506 00:18:39,700 --> 00:18:41,400 - I JUST DON'T UNDERSTAND THIS WOMAN. 507 00:18:41,400 --> 00:18:44,570 WELL, IT'LL BE INTERESTING TO SEE HOW SHE RESPONDS TONIGHT, 508 00:18:44,567 --> 00:18:48,297 BUT IN FRONT OF PEOPLE, THOUGH, SHE MIGHT BE, "HI," 509 00:18:48,300 --> 00:18:49,930 AND MAYBE TRY TO GIVE ME A KISS ON BOTH SIDES, 510 00:18:49,934 --> 00:18:52,004 WHICH, OBVIOUSLY, I'M NOT. 511 00:18:52,000 --> 00:18:53,570 LISA OWES ADRIENNE AN APOLOGY. 512 00:18:53,567 --> 00:18:54,867 SHE MADE NEGATIVE COMMENTS 513 00:18:54,867 --> 00:18:57,867 ABOUT ADRIENNE'S INCREDIBLY BEAUTIFUL SHOES, 514 00:18:57,867 --> 00:18:59,997 MADE COMMENTS ABOUT OUR DOG JACKPOT, 515 00:19:00,000 --> 00:19:01,270 CALLING HIM "CRACKPOT." 516 00:19:01,266 --> 00:19:03,296 WHEN THEY MOVED, THEY DIDN'T SAY GOOD-BYE. 517 00:19:03,300 --> 00:19:05,300 AS A MATTER OF FACT, WHAT-- THEY SAID THAT THEY'RE GONNA 518 00:19:05,300 --> 00:19:08,200 THROW THEIR UNWANTED BELONGINGS OVER OUR GATE. 519 00:19:08,200 --> 00:19:10,200 MAYBE LISA'S ABOVE APOLOGIES. 520 00:19:10,200 --> 00:19:12,900 - I'M TRYING TO MOVE FORWARD... - YEAH, THAT'S WHY-- 521 00:19:12,900 --> 00:19:15,300 - AND NOT SWEAT THE SMALL STUFF. - PAUL? 522 00:19:15,300 --> 00:19:17,000 WHY YOU GOTTA BRING THIS-- SHE'S TRYING TO MOVE FORWARD? 523 00:19:17,000 --> 00:19:18,270 - WAIT A MINUTE. HOLD ON. SHE CAN MOVE FORWARD. 524 00:19:18,266 --> 00:19:20,296 - NO, NO, NO. - PAUL'S NOT MOVING FORWARD. 525 00:19:20,300 --> 00:19:21,770 - I GOTTA TELL YOU, THAT WAS SO INSULTING TO ME. 526 00:19:21,767 --> 00:19:23,667 - BUT IT'S REALLY HARD, BECAUSE-- 527 00:19:23,667 --> 00:19:25,267 LET'S JUST SEE WHAT HAPPENS WHEN WE GET THERE, 528 00:19:25,266 --> 00:19:26,996 'CAUSE THIS COULD GO EITHER WAY. 529 00:19:27,000 --> 00:19:29,000 THIS IS YOLANDA'S FIRST DINNER PARTY 530 00:19:29,000 --> 00:19:30,730 WHERE ALL OF US ARE GETTING TOGETHER. 531 00:19:30,734 --> 00:19:32,934 YOU TWO BETTER KEEP IT TOGETHER. 532 00:19:32,934 --> 00:19:35,334 - I HAVE A THOUSAND THINGS GOING ON, SO THIS IS-- 533 00:19:35,333 --> 00:19:37,373 THIS IS NOT SOMETHING THAT ENCROACHES ON MY LIFE. 534 00:19:43,734 --> 00:19:45,004 - COMING UP... 535 00:19:45,000 --> 00:19:48,700 - SHE HAS SLEPT WITH EVERY MAN IN BEVERLY HILLS. 536 00:19:48,700 --> 00:19:51,030 - THERE'S NOTHING MORE UGLY THAN A DRUNK WOMAN. 537 00:20:15,800 --> 00:20:18,400 - YOU KNOW, I DREW EVERY INCH OF THIS HOUSE, 538 00:20:18,400 --> 00:20:21,230 EVERY DETAIL, EVERY INCH, EVERY-- 539 00:20:21,233 --> 00:20:23,873 AND IT KILL-- LIKE, IT KILLED MY BRAIN. 540 00:20:23,867 --> 00:20:25,897 WHEN YOU BUILD A HOUSE, THE PUNCH OF A HOUSE 541 00:20:25,900 --> 00:20:27,630 IS WHEN YOU HAVE A VIEW RIGHT AWAY, 542 00:20:27,633 --> 00:20:29,403 SO WHEN YOU COME INTO MY FRONT DOORS, 543 00:20:29,400 --> 00:20:32,600 THE FIRST THING YOU SEE IS THIS BEAUTIFUL OCEAN, 544 00:20:32,600 --> 00:20:35,700 FROM SANTA MONICA TO MALIBU PIER. 545 00:20:35,700 --> 00:20:37,670 AND YOU GO TO THE KITCHEN, YOU HAVE ANOTHER PUNCH 546 00:20:37,667 --> 00:20:40,927 OF THIS BEAUTIFUL INFINITY POOL AND NATURE. 547 00:20:40,934 --> 00:20:44,634 I MEAN, I WORKED ON IT WITH A HUNDRED GUYS EVERY DAY. 548 00:20:44,633 --> 00:20:46,773 THE PEOPLE IN THAT BUSINESS, I MEAN, 549 00:20:46,767 --> 00:20:48,327 "OH, I'LL BE THERE MONDAY AT 8:00." 550 00:20:48,333 --> 00:20:51,033 - RIGHT. - NEVER SHOW UP, NEVER CALLED. 551 00:20:51,033 --> 00:20:52,473 - LIKE MUSICIANS. 552 00:20:52,467 --> 00:20:54,727 - IT'S, LIKE, YOU KNOW, DISAPPOINTMENT IN HUMANKIND. 553 00:20:54,734 --> 00:20:56,704 YOU KNOW? - YEAH. 554 00:21:00,700 --> 00:21:03,230 - ALL OF US. - HONEY, PUT YOUR PHONE AWAY. 555 00:21:03,233 --> 00:21:06,873 [sighs] 556 00:21:06,867 --> 00:21:08,027 - OH, GIVE ME MY GIFT. 557 00:21:08,033 --> 00:21:10,103 - DON'T EVEN THINK IT. IT'S MY GIFT. 558 00:21:10,100 --> 00:21:12,030 WHERE'S YOUR GIFT? TAYLOR? 559 00:21:12,033 --> 00:21:13,473 [imitates Yolanda] HOW RUDE! 560 00:21:13,467 --> 00:21:15,367 - I KNOW. [giggles] - YOU ASKED FOR IT. 561 00:21:15,367 --> 00:21:17,967 [giggles] 562 00:21:17,967 --> 00:21:19,127 ARE YOU GONNA PUT YOUR PHONE AWAY? 563 00:21:19,133 --> 00:21:20,973 NO MORE BUSINESS? - MY PHONE IS GONE. 564 00:21:20,967 --> 00:21:22,497 - OKAY. - AWW. 565 00:21:22,500 --> 00:21:23,700 - HONEY, YOU HAVE TWO WIVES TONIGHT. 566 00:21:23,700 --> 00:21:24,830 - HOW SWEET. 567 00:21:24,834 --> 00:21:26,404 - I LIKE THAT. THAT SOUNDS LIKE FUN. 568 00:21:26,400 --> 00:21:27,370 - WE'RE SHARING. 569 00:21:27,367 --> 00:21:29,097 [laughter] 570 00:21:29,100 --> 00:21:30,200 - OH, HI. 571 00:21:30,200 --> 00:21:32,130 both: GOOD EVENING. - HOW ARE YOU? 572 00:21:32,133 --> 00:21:33,603 - VERY WELL. NICE TO SEE YOU AGAIN. 573 00:21:33,600 --> 00:21:34,930 - NICE TO SEE YOU. HOW ARE YOU? 574 00:21:34,934 --> 00:21:37,104 OH, HELLO. HOW ARE YOU? - FROM CAMILLE'S? 575 00:21:37,100 --> 00:21:38,770 - YES, OF COURSE. - YES, YOU LOOK VERY FAMILIAR. 576 00:21:38,767 --> 00:21:40,627 YOU WORK HERE TOO? - YEAH. 577 00:21:40,633 --> 00:21:42,103 - OH, WHAT A COINKYDINK. - HE WORKS ALL OVER MALIBU. 578 00:21:42,100 --> 00:21:43,530 [laughter] 579 00:21:43,533 --> 00:21:46,473 - YOU'VE GOT TO BE KIDDING ME. CAMILLE'S BUTLER? 580 00:21:46,467 --> 00:21:48,727 PLEASE NOT ANOTHER DINNER PARTY FROM HELL. 581 00:21:48,734 --> 00:21:49,704 - HELLO. - HOW ARE YOU? 582 00:21:49,700 --> 00:21:51,930 - HI, GIRLS! - GOOD TO SEE YOU. 583 00:21:51,934 --> 00:21:53,404 - NICE TO SEE YOU. HOW ARE YOU? 584 00:21:53,400 --> 00:21:55,500 - PRETTY GOOD, THANK YOU. HAVE A LITTLE GIFT FOR YOU. 585 00:21:55,500 --> 00:21:57,570 - YOU'RE SO SWEET. - IT'S ACTUALLY FROM ME. 586 00:21:57,567 --> 00:21:59,227 [laughter] - HOW ARE YOU? 587 00:21:59,233 --> 00:22:01,473 NICE TO SEE YOU, GIRLS. - NICE TO SEE YOU TOO. 588 00:22:01,467 --> 00:22:02,997 YOUR HOUSE IS BEAUTIFUL. 589 00:22:03,000 --> 00:22:05,000 I SEE PERFECTION. 590 00:22:05,000 --> 00:22:06,830 EVERYTHING IS PRISTINE. 591 00:22:06,834 --> 00:22:08,374 - NICE TO SEE YOU. - HEY, HOW ARE YOU? WELCOME. 592 00:22:08,367 --> 00:22:10,097 - THANK YOU, THANK YOU. - LOOK AT THIS GORGEOUS VIEW. 593 00:22:10,100 --> 00:22:12,370 - YEAH, WELL, IT'S-- IT'S A LITTLE HAZY TODAY. 594 00:22:12,367 --> 00:22:13,967 USUALLY, YOU CAN SEE ALL OVER THERE. 595 00:22:13,967 --> 00:22:16,227 - OH, THAT IS BEAUTIFUL. 596 00:22:16,233 --> 00:22:18,403 OH, MY GOSH. AM I IN A RESTAURANT? 597 00:22:18,400 --> 00:22:19,900 - THIS IS MY REFRIGERATOR. - THAT'S A REFRIGERATOR? 598 00:22:19,900 --> 00:22:21,730 - WOW. - YOU'VE GOTTA BE KIDDING ME. 599 00:22:21,734 --> 00:22:23,904 - NO, I DESIGNED THIS. - SHE'S CLEARLY A PERFECTIONIST. 600 00:22:23,900 --> 00:22:27,130 HER FRUITS AND VEGETABLES ARE COLOR-COORDINATED. 601 00:22:27,133 --> 00:22:28,433 YOU CAN'T HAVE ANY MESS. 602 00:22:28,433 --> 00:22:30,903 WHAT HAPPENS, LIKE-- THE LEFTOVERS IN THE TUPPERWARE? 603 00:22:30,900 --> 00:22:32,400 - YOU KNOW, THOSE SMALL REFRIGERATORS, 604 00:22:32,400 --> 00:22:34,070 WHERE DO YOU PUT ALL THAT STUFF? 605 00:22:34,066 --> 00:22:35,996 IF IT'S NOT ALL LINED UP AND LOOKING PRETTY, 606 00:22:36,000 --> 00:22:37,830 I CAN'T BE-- - A LITTLE OCD? 607 00:22:37,834 --> 00:22:38,874 - COMPLETELY... - WE LIKE OCD. 608 00:22:38,867 --> 00:22:39,927 - NOT A LITTLE, A LOT. 609 00:22:39,934 --> 00:22:41,704 - I LIKE THAT. A LITTLE OCD IS GOOD. 610 00:22:41,700 --> 00:22:46,300 [overlapping chatter] 611 00:22:47,867 --> 00:22:49,597 ISN'T THIS HOUSE, UM, SO BEAUTIFUL? 612 00:22:49,600 --> 00:22:50,700 - UNBELIEVABLE. 613 00:22:50,700 --> 00:22:52,170 - HI, HOW ARE YOU? - GOOD, HOW ARE YOU? 614 00:22:52,166 --> 00:22:53,496 WOULD YOU CARE FOR-- - OH, MY GOSH, WHAT IS THAT? 615 00:22:53,500 --> 00:22:55,030 THAT LOOKS-- 616 00:22:55,033 --> 00:22:57,073 - IT'S A FRIED TEMPURA WITH ROASTED EGGPLANT AND SCALLOPS. 617 00:22:57,066 --> 00:22:58,596 - THOSE? YES. - AND A SCALLOP. 618 00:22:58,600 --> 00:22:59,930 - MM-HMM. - OKAY. 619 00:22:59,934 --> 00:23:01,704 THIS LOOKS LIKE IT'S GOING TO BE HARD TO EAT. 620 00:23:01,700 --> 00:23:03,500 - I WAS GONNA SAY, I'M NOT SURE IF I CAN FIT THIS IN MY MOUTH. 621 00:23:03,500 --> 00:23:04,570 - YOU HAVE BIG LIPS AND A BIG MOUTH. 622 00:23:04,567 --> 00:23:06,297 YOU CAN PUT ANYTHING IN YOUR MOUTH. 623 00:23:06,300 --> 00:23:07,970 NOT TO BE RUDE, BUT IT'S TRUE. - HI, NICE TO MEET YOU. 624 00:23:07,967 --> 00:23:09,527 - NICE TO MEET YOU. [laughter] 625 00:23:09,533 --> 00:23:10,933 - OOH! [laughs] 626 00:23:10,934 --> 00:23:11,934 - HELLO. - WELL, GOOD EVENING. 627 00:23:11,934 --> 00:23:13,634 both: HELLO. - HI. 628 00:23:13,633 --> 00:23:14,803 - NICE TO SEE YOU AGAIN. RICHARD, RICHARD. 629 00:23:14,800 --> 00:23:15,870 I MET YOU AT CAMILLE GRAMMER'S HOUSE. 630 00:23:15,867 --> 00:23:16,927 - SEEN YOU BEFORE. 631 00:23:16,934 --> 00:23:18,904 - OH, YES, YES, HI. - KEN, RIGHT? 632 00:23:18,900 --> 00:23:19,930 NICE TO SEE YOU. - HEY, RICHARD. 633 00:23:19,934 --> 00:23:22,334 - LISA! - HELLO! 634 00:23:22,333 --> 00:23:24,933 - HELLO, DARLING. - HOW ARE YOU? 635 00:23:24,934 --> 00:23:27,504 - AW, LOOKIE HERE. - HELLO, BEAUTIFUL. 636 00:23:27,500 --> 00:23:29,770 HOW ARE YOU? - MWAH. 637 00:23:29,767 --> 00:23:31,197 both: HOW ARE YOU? 638 00:23:31,200 --> 00:23:32,230 - GOOD. - COME HERE, DARLING. 639 00:23:32,233 --> 00:23:33,573 - MWAH. MWAH. 640 00:23:33,567 --> 00:23:34,667 - ISN'T THIS VIEW UNBELIEVABLE? - THIS IS AMAZING. 641 00:23:34,667 --> 00:23:36,427 - I KNOW. WONDERFUL, ISN'T IT? 642 00:23:36,433 --> 00:23:37,973 - I LOVE IT. - GORGEOUS. 643 00:23:37,967 --> 00:23:40,127 - LISA AND HER HUSBAND KEN. - HI, KEN. 644 00:23:40,133 --> 00:23:41,133 - HOW ARE YOU? - WHAT'S UP, MY BROTHER? 645 00:23:41,133 --> 00:23:42,533 - MWAH. 646 00:23:42,533 --> 00:23:45,633 YOU'RE LIKE A COMBINATION OF ROD STEWART AND GIGGY, 647 00:23:45,633 --> 00:23:46,633 THE COLORING AND EVERYTHING. 648 00:23:46,633 --> 00:23:48,303 - [laughs] 649 00:23:48,300 --> 00:23:49,970 - THAT'S VERY FUNNY! - DOESN'T HE? 650 00:23:49,967 --> 00:23:52,967 - FUNNY OF YOU! [laughter] 651 00:23:52,967 --> 00:23:55,427 - DID YOU RECOGNIZE THE BUTLER? 652 00:23:55,433 --> 00:23:56,973 - OH, YES, THE GUY FROM-- 653 00:23:56,967 --> 00:23:57,967 - THE DINNER PARTY AT THE HOUSE. 654 00:23:57,967 --> 00:23:59,397 - YEAH. - AT CAMILLE'S HOUSE. 655 00:23:59,400 --> 00:24:01,100 - OH, HOPEFULLY, THAT'S NOT A SIGN. 656 00:24:01,100 --> 00:24:03,730 YES, NO, HE SAID, "YES, WE'VE MET BEFORE." 657 00:24:03,734 --> 00:24:05,504 WHEN MOHAMED THREW A BIRTHDAY PARTY FOR ME, 658 00:24:05,500 --> 00:24:06,770 HE WAS THERE AS WELL. 659 00:24:06,767 --> 00:24:08,197 YOU DON'T REMEMBER THAT? - YES! 660 00:24:08,200 --> 00:24:10,600 AND I WAS THINKING, "THIS MAN IS STALKING US." 661 00:24:10,600 --> 00:24:11,870 I REMEMBER YOUR BIRTHDAY, I LOOKED UP. 662 00:24:11,867 --> 00:24:13,267 I'M LIKE, "WAIT, YOU WERE AT CAMILLE'S. 663 00:24:13,266 --> 00:24:14,726 NOW YOU'RE AT MOHAMED'S." NOW HE'S HERE? 664 00:24:14,734 --> 00:24:15,904 - YEAH. 665 00:24:15,900 --> 00:24:17,400 - HE'S A SPY. - YEAH. 666 00:24:17,400 --> 00:24:19,330 - I WANT YOU TO TASTE MY FOOD FIRST, JUST TO BE SURE. 667 00:24:19,333 --> 00:24:20,703 - YEAH. [laughter] 668 00:24:20,700 --> 00:24:23,530 EXACTLY. - FOR SURE. 669 00:24:27,533 --> 00:24:29,503 - WELL, HERE WE GO. 670 00:24:29,500 --> 00:24:31,830 HERE WE GO. 671 00:24:31,834 --> 00:24:34,674 - PAUL'S COMPLAINTS AGAINST LISA AND KEN ARE LEGITIMATE, 672 00:24:34,667 --> 00:24:37,167 AND THIS IS NOT THE RIGHT TIME, NOT THE RIGHT PLACE. 673 00:24:37,166 --> 00:24:39,696 - AAH! HELLO. - HI, GUYS. 674 00:24:39,700 --> 00:24:41,430 - HI. HOW ARE YOU? [kissing] 675 00:24:41,433 --> 00:24:42,503 - GOOD. HOW ARE YOU? 676 00:24:42,500 --> 00:24:44,170 - WHEN I WALK UP TO THE GROUP TO SAY HI, 677 00:24:44,166 --> 00:24:46,766 LISA JUST TURNS AND WALKS AWAY. 678 00:24:46,767 --> 00:24:48,997 JUST...NOT COOL. 679 00:24:49,000 --> 00:24:51,100 - OH, HELLO, BUTTERCUP. 680 00:24:51,100 --> 00:24:53,370 HOW ARE YOU? 681 00:24:53,367 --> 00:24:56,027 YOU GOOD? YOU GOOD? 682 00:24:56,033 --> 00:24:57,833 WHAT'S THAT FACE? - HMM? 683 00:24:57,834 --> 00:24:59,134 OH, NOTHING, NOTHING. JUST... 684 00:24:59,133 --> 00:25:00,733 I'M NOT GONNA SAY HI TO THAT ONE, THAT'S ALL. 685 00:25:00,734 --> 00:25:02,434 OH, COME ON. - [bleep] THAT. 686 00:25:02,433 --> 00:25:04,003 AFTER WHAT SHE DID TO US, I'M NOT GONNA DO THAT. 687 00:25:04,000 --> 00:25:05,330 [bleep] NO. 688 00:25:05,333 --> 00:25:06,603 - BE NICE, PLEASE. 689 00:25:06,600 --> 00:25:08,530 - NOPE. ABSOLUTELY NOT. 690 00:25:08,533 --> 00:25:11,733 - HI. [overlapping chatter] 691 00:25:11,734 --> 00:25:15,774 - I'M NOT PARTICULARLY TALKING TO ADRIENNE AND PAUL MUCH, 692 00:25:15,767 --> 00:25:17,127 BUT, YOU KNOW, IT'S FINE. 693 00:25:17,133 --> 00:25:20,273 WE'RE CIVILIZED ADULTS. 694 00:25:20,266 --> 00:25:23,666 WELL, ONE OF US IS, ANYWAY. 695 00:25:23,667 --> 00:25:25,227 - PAUL'S AN EMOTIONAL MAN. 696 00:25:25,233 --> 00:25:26,433 - AND I DON'T LIKE THAT [bleep]. 697 00:25:26,433 --> 00:25:28,203 IT'S VERY, VERY SIMPLE. 698 00:25:28,200 --> 00:25:30,500 - BUT YOU ENJOYED IT SO MUCH. 699 00:25:30,500 --> 00:25:35,000 [overlapping chatter] 700 00:25:36,934 --> 00:25:38,334 - HOW WEIRD IS THAT... - HI. HOW ARE YOU? 701 00:25:38,333 --> 00:25:39,773 - HE WORKS FOR MOHAMED, DAVID, AND CAMILLE? 702 00:25:39,767 --> 00:25:41,597 - YOU HAVE A CHOICE OF-- 703 00:25:41,600 --> 00:25:43,530 - "WOULD YOU LIKE A COCKTAIL?" 704 00:25:43,533 --> 00:25:44,873 YOU REMEMBER THAT? - YES! 705 00:25:44,867 --> 00:25:47,727 - WHO'S--WHO'S THIS GUY? I KNOW HIM. 706 00:25:47,734 --> 00:25:50,004 WITH THE BLOND HAIR. - OH, HE'S CHRIS BOTTI. 707 00:25:50,000 --> 00:25:52,770 YOU KNOW, THE MOST FAMOUS TRUMPET PLAYER IN THE WORLD. 708 00:25:52,767 --> 00:25:55,027 I'D ACTUALLY INVITED CHRIS BOTTI 709 00:25:55,033 --> 00:25:57,103 TO SIT NEXT TO BRANDI, 710 00:25:57,100 --> 00:25:58,970 MAYBE SET UP ONE OF THE GIRLS WITH A CUTE GUY. 711 00:25:58,967 --> 00:26:00,397 BUT BRANDI COULDN'T MAKE IT. 712 00:26:00,400 --> 00:26:02,870 - OH, HE SIGNED UP FOR THIS BUNCH, TO HAVE DINNER WITH US? 713 00:26:02,867 --> 00:26:04,527 - YEAH, HE'S-- - [laughs] 714 00:26:04,533 --> 00:26:05,903 - HE'S DOING ME A FAVOR. I KNOW. 715 00:26:05,900 --> 00:26:08,930 I THINK THAT WE NEED SOME NICE-LOOKING GUYS 716 00:26:08,934 --> 00:26:10,734 THAT--YOU KNOW, WITH ALL THESE GIRLS. 717 00:26:10,734 --> 00:26:12,374 - YOU'RE OKAY WITH EVERYBODY, RIGHT? 718 00:26:12,367 --> 00:26:13,367 - I'M OKAY WITH EVERYBODY... - OH. 719 00:26:13,367 --> 00:26:14,597 - I THINK. - ME TOO. 720 00:26:14,600 --> 00:26:15,570 - WHAT'S UP, GUYS? - HOW ARE YOU? 721 00:26:15,567 --> 00:26:16,897 GOOD TO SEE YOU. 722 00:26:16,900 --> 00:26:18,200 - CAN YOU IMAGINE THAT WE'RE ACTUALLY HERE TO-- 723 00:26:18,200 --> 00:26:19,730 HEY, KEN. - HOW ARE YOU DOING? 724 00:26:19,734 --> 00:26:21,734 - DOING ALL RIGHT. - YOUR HOME IS SO BEAUTIFUL. 725 00:26:21,734 --> 00:26:23,504 - YOLANDA. - OH, MY GOD, WELL, YES. 726 00:26:23,500 --> 00:26:24,570 I'M IMPRESSED. - KIM. 727 00:26:24,567 --> 00:26:25,767 HOW ARE YOU, KIM? - NICE TO SEE YOU. 728 00:26:25,767 --> 00:26:26,767 ARE YOU GUYS-- YOU GUYS ARE RELATED, RIGHT? 729 00:26:26,767 --> 00:26:27,767 - THAT'S MY SISTER. 730 00:26:27,767 --> 00:26:28,997 - I GOT IT. - YEAH. 731 00:26:29,000 --> 00:26:30,570 - WHAT'S UP, KEN? GOOD TO SEE YOU, BUDDY. 732 00:26:30,567 --> 00:26:32,827 - DAVID FOSTER WAS MARRIED 733 00:26:32,834 --> 00:26:34,634 TO ONE OF MY BEST FRIENDS, LINDA THOMPSON. 734 00:26:34,633 --> 00:26:36,103 - HI, KYLE, HOW ARE YOU? - HELLO, HONEY. 735 00:26:36,100 --> 00:26:37,300 HOW ARE YOU? - TAYLOR. 736 00:26:37,300 --> 00:26:39,370 - I MEAN "TAYLOR." NO, THAT'S KYLE. 737 00:26:39,367 --> 00:26:41,367 - KYLE. I'M TAYLOR. - DON'T CONFUSE ME. 738 00:26:41,367 --> 00:26:42,927 THAT'S TAYLOR. - AND I'M PAUL. 739 00:26:42,934 --> 00:26:44,374 - I GOT IT. - COME ON, DAVID. 740 00:26:44,367 --> 00:26:45,367 YOU CAN'T REMEMBER MY NAME? 741 00:26:45,367 --> 00:26:46,997 - HEY, LISA. - HELLO, DARLING. 742 00:26:47,000 --> 00:26:49,200 - HOW ARE YOU, HONEY? - I KNOW DAVID PRETTY WELL. 743 00:26:49,200 --> 00:26:50,770 I THINK HE'S A LOT OF FUN. 744 00:26:50,767 --> 00:26:52,197 HE'S A GREAT CHARACTER. 745 00:26:52,200 --> 00:26:54,270 A COUPLE OF TIMES HE HAS PLAYED THE PIANO, 746 00:26:54,266 --> 00:26:55,426 GOT ME UP TO SING. 747 00:26:55,433 --> 00:26:57,133 - HEY, GUYS, LET'S SIT DOWN FOR DINNER. 748 00:26:57,133 --> 00:26:58,373 ARE YOU HUNGRY? - YEAH. 749 00:26:58,367 --> 00:26:59,827 both: LET'S GO. 750 00:26:59,834 --> 00:27:01,604 - WHERE AM I? - THERE ARE. 751 00:27:01,600 --> 00:27:03,870 - WHERE ARE YOU? HERE, NEXT TO MY HUSBAND. 752 00:27:03,867 --> 00:27:05,627 - OKAY, WHO'LL SAY IT WITH ME? 753 00:27:05,633 --> 00:27:07,133 THIS LOOKS BEAUTIFUL! 754 00:27:07,133 --> 00:27:09,403 - WELL, NICE TO MEET YOU, YEAH. 755 00:27:09,400 --> 00:27:10,400 - WE MISSED YOU AT THE RESTAURANT LAST WEEK, 756 00:27:10,400 --> 00:27:11,730 I HEARD... - I KNOW. 757 00:27:11,734 --> 00:27:12,774 - BECAUSE YOU GUYS DIDN'T COME, BUT THAT'S OKAY. 758 00:27:12,767 --> 00:27:14,227 - THAT'S NOT TRUE. 759 00:27:14,233 --> 00:27:15,403 - WELL, WE DIDN'T COME BECAUSE WE WEREN'T INVITED. 760 00:27:15,400 --> 00:27:16,730 - I'VE ALREADY TOLD YOU THAT HE DOES THAT. 761 00:27:16,734 --> 00:27:19,134 YEAH, THERE'S TENSION BETWEEN ADRIENNE AND LISA. 762 00:27:19,133 --> 00:27:21,433 IT'S GETTING WORSE AND WORSE AND WORSE. 763 00:27:21,433 --> 00:27:23,333 - WHAT GREAT EARRINGS YOU'VE GOT ON. 764 00:27:23,333 --> 00:27:24,333 - THANK YOU, THANK YOU. 765 00:27:24,333 --> 00:27:26,073 GREAT WAY TO CHANGE THE SUBJECT. 766 00:27:26,066 --> 00:27:28,526 [overlapping chatter] 767 00:27:28,533 --> 00:27:31,573 - I MIGHT, ON THE SURFACE, BE POLITE AND TOLERANT. 768 00:27:31,567 --> 00:27:34,927 BUT I NEED AN APOLOGY, IT'S SIMPLE AS THAT. 769 00:27:37,033 --> 00:27:41,373 [overlapping chatter] 770 00:27:41,367 --> 00:27:43,067 - THAT'S NICE. 771 00:27:43,066 --> 00:27:45,326 - HE IS A GENIUS. - HE IS, YEAH. 772 00:27:45,333 --> 00:27:48,073 - YOUR SALAD, THIS EVENING, IS, UM, UM, 773 00:27:48,066 --> 00:27:50,926 WATERMELON SALAD WITH BUFFALO MOZZARELLA. 774 00:27:50,934 --> 00:27:54,004 AND IT HAS A LITTLE MANGO COULIS AND A LITTLE BALSAMIC GLAZE. 775 00:27:54,000 --> 00:27:55,830 SHAVED PARMESAN ON TOP. 776 00:27:55,834 --> 00:27:57,204 - OWE YOU ONE. both: BON APPETIT. 777 00:27:57,200 --> 00:27:58,330 - THANK YOU. 778 00:27:58,333 --> 00:27:59,433 - WE EAT LIKE THIS EVERY NIGHT, OF COURSE. 779 00:27:59,433 --> 00:28:00,933 - OF COURSE. [laughter] 780 00:28:00,934 --> 00:28:02,804 - YOLANDA, AS A HOSTESS, 781 00:28:02,800 --> 00:28:05,770 IS NOTHING SHORT OF STUNNING AND SPECTACULAR. 782 00:28:05,767 --> 00:28:08,827 I'M SHOCKED NOW AT HOW MANY WOMEN 783 00:28:08,834 --> 00:28:11,574 DON'T KNOW HOW TO BE A GREAT HOMEMAKER/HOSTESS. 784 00:28:11,567 --> 00:28:15,297 SHE JUST GETS EVERYTHING RIGHT AND WITHOUT BEING FROUFROU, 785 00:28:15,300 --> 00:28:18,670 BECAUSE I HATE, HATE, HATE FROUFROU. 786 00:28:18,667 --> 00:28:21,127 - I'M 50. MY WHOLE BODY'S COVERED IN BOTOX. 787 00:28:21,133 --> 00:28:22,533 - 50? - I'M LIKE...I'M 50. 788 00:28:22,533 --> 00:28:23,773 - IN WHAT? - NO WAY. 789 00:28:23,767 --> 00:28:24,927 - YEAH, IN 4 MONTHS, I'M 50. 790 00:28:24,934 --> 00:28:25,934 - OH, COME ON. - HOW GREAT DOES HE LOOK? 791 00:28:25,934 --> 00:28:27,504 - YEAH, THAT LOOKS GOOD. - AMAZING. 792 00:28:27,500 --> 00:28:29,070 - OH, MY GOD. 793 00:28:29,066 --> 00:28:30,566 - WELL, I'M 65. 794 00:28:30,567 --> 00:28:33,127 - YOU MUST HAVE GONE TO DR. PAUL NASSIF. 795 00:28:33,133 --> 00:28:34,533 - THAT'S RIGHT. - YEAH, I WAS GONNA SAY THAT. 796 00:28:34,533 --> 00:28:36,133 - NO, BUT I PLAY THE TRUMPET, 797 00:28:36,133 --> 00:28:37,473 SO I CAN'T REALLY DO ANYTHING HERE. 798 00:28:37,467 --> 00:28:40,867 BECAUSE OTHERWISE IT... [overlapping interjections] 799 00:28:40,867 --> 00:28:44,397 - [imitates trumpet] - YEAH, YOU NEED THESE MUSCLES. 800 00:28:44,400 --> 00:28:46,770 - WELL, TONIGHT, ACTUALLY WE'VE GOT A PRETTY GOOD TABLE, 801 00:28:46,767 --> 00:28:48,797 BECAUSE MY ARCH NEMESIS IS NOT HERE. 802 00:28:48,800 --> 00:28:50,070 - OH. 803 00:28:50,066 --> 00:28:51,726 - OTHERWISE, SHE WOULD BE GOING DOWN RIGHT NOW. 804 00:28:51,734 --> 00:28:53,934 SHE'S SLEPT WITH EVERYONE IN BEVERLY HILLS. 805 00:28:53,934 --> 00:28:55,574 SHE HAD TO ACTUALLY TRAVEL 806 00:28:55,567 --> 00:28:57,527 TO GO AND FIND SOMEONE TO SLEEP WITH. 807 00:28:57,533 --> 00:28:58,933 - OH, NO. 808 00:28:58,934 --> 00:29:00,634 - LISA, I'M SURE THERE WAS SOME SORT OF A FLIGHT PLAN. 809 00:29:00,633 --> 00:29:03,173 [slurring] SHE TOLD YOLANDA, THE FIRST TIME THEY MET, 810 00:29:03,166 --> 00:29:06,526 THAT SHE HAS SLEPT WITH EVERY MAN IN BEVERLY HILLS. 811 00:29:06,533 --> 00:29:08,773 THERE ARE... 812 00:29:08,767 --> 00:29:11,727 CLOSE TO 16,000 MEN IN BEVERLY HILLS, 813 00:29:11,734 --> 00:29:14,074 AND SHE'S ONLY BEEN DIVORCED FOR A COUPLE OF YEARS. 814 00:29:14,066 --> 00:29:15,366 THAT'S A LOT OF TRACTION. 815 00:29:15,367 --> 00:29:17,797 - TAYLOR SEEMS TIPSY. 816 00:29:17,800 --> 00:29:19,830 YOU KNOW, THE CONVERSATION THAT SHE'S HAVING WITH HIM 817 00:29:19,834 --> 00:29:21,634 IS JUST REALLY INAPPROPRIATE. 818 00:29:21,633 --> 00:29:24,373 THERE IS NOTHING MORE UGLY THAN A DRUNK WOMAN. 819 00:29:24,367 --> 00:29:26,327 - I DIDN'T SAY IT, SHE SAID IT. 820 00:29:26,333 --> 00:29:27,573 - COMING UP... 821 00:29:27,567 --> 00:29:28,867 - SHH. [overlapping chatter] 822 00:29:28,867 --> 00:29:30,267 YOU DON'T SPEAK, YOU DON'T SING. 823 00:29:30,266 --> 00:29:32,866 - REALLY? WE DON'T WANT TO SING? 824 00:29:38,900 --> 00:29:44,900 [overlapping chatter] 825 00:29:56,967 --> 00:29:58,697 - BON APPETIT, GUYS. 826 00:29:58,700 --> 00:30:00,930 - THANK YOU. - AM I THE ONLY HEALTHY-- 827 00:30:00,934 --> 00:30:02,604 - HOW DID YOU TWO MEET? 828 00:30:02,600 --> 00:30:03,970 - YOU'RE SO FAR AWAY. 829 00:30:03,967 --> 00:30:06,297 - WE MET THROUGH HER EX-HUSBAND. 830 00:30:06,300 --> 00:30:08,900 - MOHAMED? - YEAH. 831 00:30:08,900 --> 00:30:10,030 - WHAT? 832 00:30:10,033 --> 00:30:11,333 - I WAS ACTUALLY SINGLE, 833 00:30:11,333 --> 00:30:13,873 AND WAS GONNA MOVE IN WITH MOHAMED. 834 00:30:13,867 --> 00:30:15,197 CAN YOU IMAGINE MOHAMED AND I LIVING TOGETHER? 835 00:30:15,200 --> 00:30:16,970 - YOU GUYS WERE FRIENDS? - YES, WE WERE FRIENDS. 836 00:30:16,967 --> 00:30:19,627 AS I WAS IN HIS HOUSE GOING, "THIS IS GONNA BE NICE, 837 00:30:19,633 --> 00:30:21,103 WE'RE GONNA HAVE FUN," 838 00:30:21,100 --> 00:30:23,170 I KEPT SEEING THESE PICTURES OF THIS BEAUTIFUL WOMAN. 839 00:30:23,166 --> 00:30:24,666 I SAID, "I'D LIKE TO MEET HER. 840 00:30:24,667 --> 00:30:25,727 IS THAT POSSIBLE?" 841 00:30:25,734 --> 00:30:27,034 AND HE SAID, "THAT'S MY EX-WIFE. 842 00:30:27,033 --> 00:30:28,173 YEAH, YOU CAN MEET HER." 843 00:30:28,166 --> 00:30:31,126 THE ARAB CULTURE IS LIKE, 844 00:30:31,133 --> 00:30:32,573 "WELL, I'LL INTRODUCE YOU TO HER, 845 00:30:32,567 --> 00:30:34,697 "BUT I DON'T REALLY WANT ANYTHING TO HAPPEN, 846 00:30:34,700 --> 00:30:36,700 BUT, I'LL JUST--" IN HIS WORDS, IT WAS LIKE-- 847 00:30:36,700 --> 00:30:38,070 - BUT THAT'S HIS CULTURE, NOT YOURS. 848 00:30:38,066 --> 00:30:39,766 - THAT'S IT. THAT'S RIGHT, THAT'S RIGHT. 849 00:30:39,767 --> 00:30:40,767 - THAT'S NOT OUR PROBLEM. - RIGHT. 850 00:30:40,767 --> 00:30:43,267 SO HE INTRODUCED US, AND I MET HER, 851 00:30:43,266 --> 00:30:44,826 AND THIS IS WHAT SHE DID. 852 00:30:44,834 --> 00:30:45,934 I WAS STANDING THERE. 853 00:30:45,934 --> 00:30:47,734 SWEAR TO GOD, SHE WENT, "YOU MUST BE DAVID. 854 00:30:47,734 --> 00:30:49,004 IT'S NICE TO MEET YOU." 855 00:30:49,000 --> 00:30:51,200 AND SHE WENT ALL THE WAY DOWN AND ALL THE WAY UP. 856 00:30:51,200 --> 00:30:52,500 - THE SHOES: VERY IMPORTANT. 857 00:30:52,500 --> 00:30:53,670 - OH, I THOUGHT IT WAS SOMETHING ELSE. 858 00:30:53,667 --> 00:30:54,927 - STOPPED MIDWAY AND THEN WENT ALL THE WAY UP. 859 00:30:54,934 --> 00:30:56,534 - WE KIND OF GOT STUCK IN EACH OTHER'S EYES. 860 00:30:56,533 --> 00:30:58,073 LIKE, WE LOOKED AND WE'RE LIKE-- 861 00:30:58,066 --> 00:30:59,126 - OH, SO IT WAS REALLY LIKE A MOMENT. 862 00:30:59,133 --> 00:31:00,173 both: IT WAS. - YES. 863 00:31:00,166 --> 00:31:01,326 - IT WAS A GREAT MOMENT. - IT WAS LIKE-- 864 00:31:01,333 --> 00:31:04,703 - AND I WAS THERE WHEN HE ASKED YOU TO MARRY HIM. 865 00:31:04,700 --> 00:31:05,800 - YES, ON CHRISTM-- NEW YEAR'S EVE. 866 00:31:05,800 --> 00:31:07,300 - YES. - ON CHRISTMAS EVE. 867 00:31:07,300 --> 00:31:08,530 - YES, HE ASKED ME FIRST, BUT I TURNED HIM DOWN. 868 00:31:08,533 --> 00:31:09,603 SO THEN HE ASKED HER. - I ASKED YOU FIRST. 869 00:31:09,600 --> 00:31:10,930 - [laughs] - YES, SHE TURNED ME DOWN. 870 00:31:10,934 --> 00:31:12,904 - THAT WAS LAST-- - AT MOHAMED'S CHRISTMAS DINNER. 871 00:31:12,900 --> 00:31:14,770 YEAH. - TWO... 872 00:31:14,767 --> 00:31:15,967 - TWO YEARS AGO. - YEARS AGO. 873 00:31:15,967 --> 00:31:17,297 - WELL, YOU AND I SLEPT TOGETHER FIVE YEARS AGO. 874 00:31:17,300 --> 00:31:18,370 DON'T YOU REMEMBER? - OH, GOD, YEAH, ABSOLUTELY. 875 00:31:18,367 --> 00:31:19,667 IT WAS MAGNIFICENT. 876 00:31:19,667 --> 00:31:21,367 DAVID AND I HAVE QUITE A GOOD RAPPORT. 877 00:31:21,367 --> 00:31:22,967 I LIKE THEM VERY MUCH AS A COUPLE. 878 00:31:22,967 --> 00:31:24,197 I HAVEN'T SLEPT WITH ANYBODY IN FIVE YEARS. 879 00:31:24,200 --> 00:31:26,830 DON'T WORRY ABOUT THAT. - NOT EVEN YOUR HUSBAND? 880 00:31:26,834 --> 00:31:29,274 - NO. WHY WOULD I DO THAT? 881 00:31:31,400 --> 00:31:37,200 [overlapping chatter] 882 00:31:37,200 --> 00:31:39,400 - WE ALWAYS HAVE A TRADITION AT OUR DINNER PARTIES, 883 00:31:39,400 --> 00:31:41,500 THAT WE DO A LITTLE MUSIC AFTERWARDS. 884 00:31:41,500 --> 00:31:42,770 AND TONIGHT WILL BE NO EXCEPTION. 885 00:31:42,767 --> 00:31:43,897 SO WE'RE GONNA BUST OUT. 886 00:31:43,900 --> 00:31:45,400 CHRIS AND I HAVE BEEN WORKING TOGETHER. 887 00:31:45,400 --> 00:31:48,370 CHRIS BOTTI IS THE MOST AMAZING TRUMPET PLAYER ON THE PLANET. 888 00:31:48,367 --> 00:31:51,197 MICHAEL JOHNS, OF COURSE, FROM AMERICAN IDOL, 889 00:31:51,200 --> 00:31:52,870 AND HAS HAD A HUGE CAREER SINCE THEN. 890 00:31:52,867 --> 00:31:54,167 PLAYS WITH ME ALL THE TIME. 891 00:31:54,166 --> 00:31:55,466 THEY GRACIOUSLY SHOWED UP TONIGHT 892 00:31:55,467 --> 00:31:56,467 TO DO A LITTLE MUSIC. 893 00:31:56,467 --> 00:31:58,767 BUT BESIDES TOASTING ALL OF YOU, 894 00:31:58,767 --> 00:31:59,827 I WANTED TO TOAST MY BEAUTIFUL BRIDE, 895 00:31:59,834 --> 00:32:03,574 BECAUSE SHE HAS MADE MY LIFE... 896 00:32:03,567 --> 00:32:07,067 BETTER THAN I EVER, EVER, EVER THOUGHT IT COULD BE, EVER. 897 00:32:07,066 --> 00:32:09,226 AND THAT'S THE GOD'S HONEST TRUTH. 898 00:32:09,233 --> 00:32:11,033 AND I THANK YOU FOR THAT, BABY. 899 00:32:11,033 --> 00:32:12,833 [applause] 900 00:32:12,834 --> 00:32:13,874 AND WELCOME, EVERYONE. 901 00:32:13,867 --> 00:32:15,727 - YEAH, I LOVE THAT, YEAH. 902 00:32:15,734 --> 00:32:17,104 I SECOND THAT. 903 00:32:17,100 --> 00:32:19,430 - WHAT'S THE MOST FAVORITE SONG YOU'VE EVER WRITTEN? 904 00:32:19,433 --> 00:32:21,333 - IT'S ONE THAT YOU MIGHT NOT KNOW. 905 00:32:21,333 --> 00:32:23,173 SHOOT. - LET'S HEAR IT. 906 00:32:23,166 --> 00:32:24,626 - OKAY, THIS IS MY FAVORITE SONG I WROTE. 907 00:32:24,633 --> 00:32:26,733 - OKAY, YOU WROTE THIS? - YEAH. 908 00:32:26,734 --> 00:32:28,134 [plays Look What You've Done to Me] 909 00:32:28,133 --> 00:32:29,973 - WE'RE GONNA SING IT. [laughter] 910 00:32:29,967 --> 00:32:32,867 - ♪♪ LOOK WHAT YOU'VE DONE TO ME ♪♪ 911 00:32:32,867 --> 00:32:34,927 - NEVER KNEW... 912 00:32:34,934 --> 00:32:37,874 - ♪♪ NEVER KNEW I'D FALL AGAIN ♪♪ 913 00:32:37,867 --> 00:32:40,467 ♪♪ SO EASILY ♪♪ 914 00:32:40,467 --> 00:32:42,227 ♪♪ OH, LOVE ♪♪ 915 00:32:42,233 --> 00:32:43,233 - MY MOM LOVED THAT SONG. 916 00:32:43,233 --> 00:32:45,233 - YOU WOULDN'T LIE TO ME. 917 00:32:45,233 --> 00:32:47,533 - ♪♪ YOU WOULDN'T LIE TO ME ♪♪ 918 00:32:47,533 --> 00:32:48,933 - LEADING ME TO-- - THAT'S RIGHT. 919 00:32:48,934 --> 00:32:54,404 ♪♪ LEADING ME TO FEEL THIS WAY ♪♪ 920 00:32:54,400 --> 00:32:56,730 ♪♪ YEAH ♪♪ 921 00:32:56,734 --> 00:32:58,404 - THAT'S IT. - OH, MY GOD, THAT'S IT? 922 00:32:58,400 --> 00:32:59,470 - THAT WAS MY MOM'S FAVORITE SONG. 923 00:32:59,467 --> 00:33:00,697 - REALLY? 924 00:33:00,700 --> 00:33:03,700 - I DID NOT REALIZE THAT SO MUCH OF HIS MUSIC 925 00:33:03,700 --> 00:33:04,830 I GREW UP LISTENING TO. 926 00:33:04,834 --> 00:33:06,504 WE WOULD LISTEN TO THAT ON THE 8-TRACKS. 927 00:33:06,500 --> 00:33:07,800 - WHEN TRAVOLTA TAKES THE GIRL UP THE-- 928 00:33:07,800 --> 00:33:09,530 - IN MY MOM'S SEVILLE ON AN 8-TRACK. 929 00:33:09,533 --> 00:33:10,903 - URBAN COWBOY. [laughter] 930 00:33:10,900 --> 00:33:12,230 - I SWEAR TO GOD! 931 00:33:12,233 --> 00:33:13,673 - OH, MY GOSH. 932 00:33:13,667 --> 00:33:16,367 - THAT WAS, LIKE, A HUGE PART OF MY GROWING UP. 933 00:33:16,367 --> 00:33:17,497 THAT WAS A HUGE PART OF MY GROWING UP... 934 00:33:17,500 --> 00:33:18,900 - I'LL GET BACK TO YOU. - WITH MY MOM. 935 00:33:18,900 --> 00:33:20,170 - YOU KNOW, BOZ WAS... 936 00:33:20,166 --> 00:33:22,296 - GROWING UP, I MEAN, I REMEMBER JUST LITERALLY 937 00:33:22,300 --> 00:33:23,900 THAT WAS ALL MY MOM WOULD LISTEN TO IN MY CAR. 938 00:33:23,900 --> 00:33:25,870 - HE WAS THE STRANGEST GUY TO WRITE WITH, 939 00:33:25,867 --> 00:33:27,667 BECAUSE HE CAME 940 00:33:27,667 --> 00:33:29,067 TO MY LITTLE HOUSE IN NORTH HOLLYWOOD, 941 00:33:29,066 --> 00:33:31,026 WHICH WAS EXCITING ENOUGH-- BOZ SCAGGS WAS IN MY HOUSE. 942 00:33:31,033 --> 00:33:32,073 - YOU HAD A LITTLE HOUSE IN NORTH HOLLYWOOD, 943 00:33:32,066 --> 00:33:33,066 NOW YOU HAVE THIS. 944 00:33:33,066 --> 00:33:35,626 - RIGHT, BUT-- AND MANY IN BETWEEN, 945 00:33:35,633 --> 00:33:37,703 THAT I GAVE AWAY, BUT THAT'S ANOTHER STORY. 946 00:33:37,700 --> 00:33:39,700 - TO SOME EX-WIVES. - YEAH. 947 00:33:39,700 --> 00:33:40,770 - [guffaws] I FIGURED. 948 00:33:40,767 --> 00:33:42,727 - THREE, TO BE EXACT. 949 00:33:42,734 --> 00:33:44,174 BUT HE CAME OVER. 950 00:33:44,166 --> 00:33:45,896 AND HE SAT WITH HIS PEN AND PAPER. 951 00:33:45,900 --> 00:33:47,030 AND I WAS EXCITED TO BE WITH HIM, 952 00:33:47,033 --> 00:33:49,333 'CAUSE, YOU KNOW, UM-- 953 00:33:49,333 --> 00:33:51,103 AND I PLAYED AND PLAYED AND PLAYED 954 00:33:51,100 --> 00:33:52,330 FOR THREE HOURS 955 00:33:52,333 --> 00:33:54,503 EVERYTHING I COULD IMAGINE THAT HE WOULD LIKE, 956 00:33:54,500 --> 00:33:56,100 AND HE DIDN'T SAY A WORD. 957 00:33:56,100 --> 00:33:59,300 AND WHAT HAPPENED IS, AFTER THREE HOURS, 958 00:33:59,300 --> 00:34:00,430 AND I'M REALLY GETTING-- 959 00:34:00,433 --> 00:34:01,833 I'M THINKING, "OKAY, THIS IS A BUST. 960 00:34:01,834 --> 00:34:04,034 HE HATES ME. I'LL NEVER WORK AGAIN." 961 00:34:04,033 --> 00:34:06,133 AND THEN, AFTER THREE HOURS, 962 00:34:06,133 --> 00:34:07,103 I WENT LIKE THIS. 963 00:34:07,100 --> 00:34:08,700 LIKE, I FELL INTO THIS. 964 00:34:08,700 --> 00:34:10,000 I WENT... - I'M LOVING THIS. 965 00:34:10,000 --> 00:34:11,430 - I WENT... 966 00:34:11,433 --> 00:34:13,333 I'M PLAYING LIKE... [plays random notes on piano] 967 00:34:13,333 --> 00:34:14,833 WHATEVER I'M PLAYING. AND THEN I WENT... 968 00:34:14,834 --> 00:34:16,704 [plays introduction to Look What You've Done to Me] 969 00:34:16,700 --> 00:34:18,870 HE WENT, "THAT. I WANT TO WRITE THAT." 970 00:34:18,867 --> 00:34:19,997 - JUST THAT LITTLE PIECE? - JUST THAT. 971 00:34:20,000 --> 00:34:21,770 JUST THIS MUCH. [repeats introduction to song] 972 00:34:21,767 --> 00:34:23,197 - CAN YOU DO MORE WITH THAT PIECE? 973 00:34:23,200 --> 00:34:24,730 [continues playing introduction] 974 00:34:24,734 --> 00:34:27,174 OH, MY GOD! - AND HE--AND HE, YOU KNOW. 975 00:34:27,166 --> 00:34:28,196 - DON'T STOP, DAVID. 976 00:34:28,200 --> 00:34:29,330 - AND HE WENT-- HE WENT, 977 00:34:29,333 --> 00:34:30,673 "THAT'S THE ONE WE'RE GONNA WRITE." 978 00:34:30,667 --> 00:34:33,067 - KIM AND I WERE, LIKE, TAKING A WALK DOWN MEMORY LANE. 979 00:34:33,066 --> 00:34:34,096 IT WAS SO FUN. 980 00:34:34,100 --> 00:34:35,500 - THAT'S WHAT YOUR MOM KNEW. 981 00:34:35,500 --> 00:34:37,400 - MY MOM. - AND THAT'S WHAT WE KNEW. 982 00:34:37,400 --> 00:34:40,200 - I'M BIG WITH THE OVER-60s. [laughter] 983 00:34:45,633 --> 00:34:49,103 - MY FRIEND JUST GOT HERE, SO I'M JUST GONNA SAY HI. 984 00:34:49,100 --> 00:34:50,730 HI, NITA. 985 00:34:50,734 --> 00:34:51,934 - HI, BABY! 986 00:34:51,934 --> 00:34:53,174 - HOW ARE YOU, HONEY? 987 00:34:53,166 --> 00:34:54,926 LOOK HOW CUTE YOU ARE. 988 00:34:54,934 --> 00:34:57,374 - OH, LOOK AT YOU. both: HOW ARE YOU? 989 00:34:57,367 --> 00:34:58,627 - ARE YOU HUNGRY? - GOOD, YEAH, A LITTLE BIT. 990 00:34:58,633 --> 00:35:00,303 - YOU WANT TO EAT SOMETHING? COME. 991 00:35:00,300 --> 00:35:01,400 - SURE. 992 00:35:01,400 --> 00:35:03,770 - GUYS, THIS IS MY GIRLFRIEND NITA. 993 00:35:03,767 --> 00:35:04,797 - HELLO. - NITA, HOW ARE YOU? 994 00:35:04,800 --> 00:35:06,000 - HI, EVERYBODY. 995 00:35:06,000 --> 00:35:07,730 - THIS IS A REALLY GREAT DINNER... 996 00:35:07,734 --> 00:35:08,934 FOR A CHANGE. 997 00:35:08,934 --> 00:35:10,374 - SETTLE DOWN. 998 00:35:10,367 --> 00:35:13,127 - ACTUALLY, WE'VE ALL BEEN VERY WELL BEHAVED SO FAR. 999 00:35:13,133 --> 00:35:14,333 WE'RE MAKING POLITE CONVERSATION. 1000 00:35:14,333 --> 00:35:15,533 THAT'S FINE. 1001 00:35:15,533 --> 00:35:17,803 BUT IF SHE WANTS TO RESUME THE RELATIONSHIP, 1002 00:35:17,800 --> 00:35:19,730 THEN SHE HAS TO START WITH AN APOLOGY. 1003 00:35:19,734 --> 00:35:20,734 IT'S AS SIMPLE AS THAT. 1004 00:35:20,734 --> 00:35:22,674 IF NOT, THEN I'M NOT INTERESTED. 1005 00:35:22,667 --> 00:35:25,167 - WHY DON'T WE-- EVERYBODY TAKE YOUR CHAIR, 1006 00:35:25,166 --> 00:35:27,696 AND LET'S MAKE A CIRCLE AROUND THE PIANO... 1007 00:35:27,700 --> 00:35:29,200 - I LOVE THAT. - AND WE'LL DO A LITTLE MUSIC. 1008 00:35:29,200 --> 00:35:31,470 EVERY SINGLE PARTY AT THIS HOUSE 1009 00:35:31,467 --> 00:35:33,097 ENDS UP AROUND THE PIANO. 1010 00:35:33,100 --> 00:35:35,770 - YOU HAVE SO MANY OF THESE. DO YOU MIND IF I TAKE ONE? 1011 00:35:35,767 --> 00:35:36,867 - YOU KNOW, BY THE WAY-- YEAH, GO AHEAD. 1012 00:35:36,867 --> 00:35:37,897 - ARE THESE PARTY FAVORS? 1013 00:35:37,900 --> 00:35:39,200 - THEY'RE PARTY FAVORS. 1014 00:35:39,200 --> 00:35:40,330 EVERYBODY GETS A GRAMMY. 1015 00:35:40,333 --> 00:35:41,603 - I WAS LIKE, "OH, IT'S A GRAMMY." 1016 00:35:41,600 --> 00:35:42,930 THAT'S A GRAMMY? - YEAH, THOSE ARE GRAMMYS. 1017 00:35:42,934 --> 00:35:44,274 - THOSE ARE GRAMMYS? - YEAH, BUT-- 1018 00:35:44,266 --> 00:35:45,396 - I'M TAKING ONE. 1019 00:35:45,400 --> 00:35:47,030 - BUT I DON'T LIKE THEM BEING OUT THERE. 1020 00:35:47,033 --> 00:35:48,633 BUT YOLANDA LIKES IT OUT THERE. 1021 00:35:48,633 --> 00:35:49,873 I DON'T LIKE-- - ARE YOU KIDDING ME? 1022 00:35:49,867 --> 00:35:51,097 - I KEPT THEM IN MY MOTHER'S HOUSE FOR YEARS, 1023 00:35:51,100 --> 00:35:52,370 'CAUSE I DIDN'T WANT THEM OUT, 1024 00:35:52,367 --> 00:35:53,467 BUT SHE THINKS IT'S COOL TO HAVE THEM OUT. 1025 00:35:53,467 --> 00:35:54,567 - I'VE NEVER SEEN A GRAMMY IN REAL LIFE. 1026 00:35:54,567 --> 00:35:56,127 - YOU HAVEN'T? - YOU HAVE SO MANY. 1027 00:35:56,133 --> 00:35:58,633 YOU DON'T CARE IF I TAKE ONE OR TWO, DO YOU? 1028 00:35:58,633 --> 00:36:00,673 - THESE WERE BEFORE 1985. 1029 00:36:00,667 --> 00:36:02,967 SINGING IS A MANDATORY PART OF COMING TO THE DINNER PARTIES. 1030 00:36:02,967 --> 00:36:04,527 IT DOESN'T MATTER WHO'S HERE. 1031 00:36:04,533 --> 00:36:05,833 KENNY G WILL COME OVER AND HE'LL PLAY, 1032 00:36:05,834 --> 00:36:06,904 OR, YOU KNOW, LIKE, OPRAH WINFREY. 1033 00:36:06,900 --> 00:36:08,500 IT DOESN'T MATTER. 1034 00:36:08,500 --> 00:36:11,770 NITA SANG ALL THE DEMOS TO THE BODYGUARD FOR WHITNEY. 1035 00:36:11,767 --> 00:36:13,567 - OH, REALLY? - WHITNEY COPIED HER LATER. 1036 00:36:13,567 --> 00:36:15,027 - OH, REALLY? - YES, ABSOLUTELY. 1037 00:36:15,033 --> 00:36:16,333 - THAT REALLY MAKES ME FEEL GOOD. 1038 00:36:16,333 --> 00:36:17,603 - LET'S DO AMAZING GRACE. CAN WE DO IT? 1039 00:36:17,600 --> 00:36:19,000 - NO, NO, NO. - WE GOT TO WAIT FOR CHRIS. 1040 00:36:19,000 --> 00:36:23,070 both: ♪♪ AMAZING GRACE ♪♪ - ADRIENNE. 1041 00:36:23,066 --> 00:36:24,696 - UH, WHICH SONG WE WERE DOING? 1042 00:36:24,700 --> 00:36:27,730 both: ♪♪ HOW SWEET THE SOUND ♪♪ - I DON'T EVEN REMEMBER IT. 1043 00:36:27,734 --> 00:36:30,804 - REALLY? ARE YOU GUYS GONNA SING WITH NITA IN THE ROOM? 1044 00:36:30,800 --> 00:36:33,130 SERIOUSLY? - [laughs] 1045 00:36:33,133 --> 00:36:34,933 - WE HAVE NITA AND MICHAEL AND CHRIS 1046 00:36:34,934 --> 00:36:36,534 THAT ARE GONNA DO THE SONG. YOU'LL HAVE TO LISTEN. 1047 00:36:36,533 --> 00:36:37,673 - WE'RE NOT SINGING. 1048 00:36:37,667 --> 00:36:38,927 WE'RE JUST LISTENING. - SHH! 1049 00:36:38,934 --> 00:36:41,034 YOU DON'T SPEAK, YOU DON'T SING. 1050 00:36:41,033 --> 00:36:43,033 - RIGHT. - [imitates a lock clicking] 1051 00:36:43,033 --> 00:36:44,273 [laughter] 1052 00:36:44,266 --> 00:36:46,596 - YOU'RE NOT PROFESSIONAL, BUT SHE CAN SING. 1053 00:36:46,600 --> 00:36:48,230 I REALLY DON'T WANT TO START SINGING 1054 00:36:48,233 --> 00:36:49,673 AND HAVE EVERYBODY LOOK AND THINK, 1055 00:36:49,667 --> 00:36:51,527 "IS SHE TRYING TO, LIKE, RUIN THE SONG?" 1056 00:36:51,533 --> 00:36:53,503 I MEAN, REALLY, I COULD RUIN TWINKLE, TWINKLE. 1057 00:36:53,500 --> 00:36:55,970 - WE'RE NOT REALLY WORTHY OF SINGING WITH YOU GUYS. 1058 00:36:55,967 --> 00:36:57,697 NO, NO! WE DON'T WANT TO SING! 1059 00:36:57,700 --> 00:36:59,800 WE DON'T-- REALLY, WE DON'T WANT TO SING. 1060 00:36:59,800 --> 00:37:01,100 WE DON'T WANT TO BE A PART OF IT. 1061 00:37:01,100 --> 00:37:02,530 WE'RE NOT ALLOWED TO SING? 1062 00:37:02,533 --> 00:37:04,233 LIGHTEN UP. WE'RE ALL JUST HERE TO HAVE A GOOD TIME. 1063 00:37:04,233 --> 00:37:05,773 WHAT DIFFERENCE DOES IT MAKE? 1064 00:37:05,767 --> 00:37:07,427 WE'RE NOT MAKING AN ALBUM HERE. 1065 00:37:07,433 --> 00:37:11,373 I MEAN, WHY DON'T WE JUST NOT SING? 1066 00:37:11,367 --> 00:37:13,767 I MEAN, I GOT A GREAT IDEA. - I GOT A BETTER IDEA. 1067 00:37:13,767 --> 00:37:15,467 - WE PROBABLY SOUND LIKE A LOAD OF CATS 1068 00:37:15,467 --> 00:37:16,497 THAT ARE BEING STRANGLED, 1069 00:37:16,500 --> 00:37:17,500 SO I THINK PROBABLY IT'S BEST. 1070 00:37:17,500 --> 00:37:18,530 [piano and trumpet play] - GO. 1071 00:37:18,533 --> 00:37:23,673 - ♪♪ AMAZING GRACE ♪♪ 1072 00:37:23,667 --> 00:37:27,427 ♪♪ HOW SWEET THE SOUND ♪♪ 1073 00:37:27,433 --> 00:37:28,573 - THAT SAVED-- 1074 00:37:28,567 --> 00:37:33,197 - ♪♪ THAT SAVED A WRETCH ♪♪ 1075 00:37:33,200 --> 00:37:36,470 ♪♪ LIKE ME ♪♪ 1076 00:37:36,467 --> 00:37:38,327 ♪♪ OH ♪♪ 1077 00:37:38,333 --> 00:37:43,933 ♪♪ I ONCE WAS LOST ♪♪ 1078 00:37:43,934 --> 00:37:48,974 ♪♪ BUT NOW I AM FOUND ♪♪ 1079 00:37:48,967 --> 00:37:51,567 ♪♪ WAS BLIND ♪♪ 1080 00:37:51,567 --> 00:37:58,867 ♪♪ BUT NOW I SEE ♪♪ 1081 00:37:58,867 --> 00:38:00,367 - [plays Danny Boy] 1082 00:38:00,367 --> 00:38:05,227 [overlapping chatter] 1083 00:38:05,233 --> 00:38:09,303 [piano and trumpet continue song] 1084 00:38:09,300 --> 00:38:11,500 - THAT'S SO SAD, THOUGH. 1085 00:38:11,500 --> 00:38:12,600 - OH, THAT'S KIND OF SAD. 1086 00:38:12,600 --> 00:38:14,730 - HAVEN'T I HAD ENOUGH SADNESS? 1087 00:38:14,734 --> 00:38:16,834 DANNY BOY? THIS IS HORRIBLE. 1088 00:38:16,834 --> 00:38:18,704 OF ALL THE SONGS IN THE WORLD, 1089 00:38:18,700 --> 00:38:20,700 I'VE GOT TO LISTEN TO AN IRISH FUNERAL SONG? 1090 00:38:20,700 --> 00:38:22,370 OH, GOOD GRIEF! 1091 00:38:22,367 --> 00:38:27,197 ♪♪ ♪♪ 1092 00:38:27,200 --> 00:38:30,000 - USUALLY WHEN MY HUSBAND STARTS PLAYING THE PIANO, 1093 00:38:30,000 --> 00:38:31,800 EVERYBODY'S SILENT. 1094 00:38:31,800 --> 00:38:34,470 THESE GIRLS DIDN'T GET THAT MEMO. 1095 00:38:34,467 --> 00:38:35,497 - DAVID... [music stops] 1096 00:38:35,500 --> 00:38:36,800 SHE HAS A LITTLE BAD MEMORIES RIGHT NOW. 1097 00:38:36,800 --> 00:38:38,630 SO GIVE HER A LITTLE BIT SOMETHING UPBEAT RIGHT NOW... 1098 00:38:38,633 --> 00:38:41,173 - OKAY. - IF YOU CAN. 1099 00:38:41,166 --> 00:38:44,896 - YOU KNOW, IT WAS A NICE NIGHT, UNTIL TAYLOR TOLD MY HUSBAND 1100 00:38:44,900 --> 00:38:45,970 TO CHANGE THAT SONG. 1101 00:38:45,967 --> 00:38:47,197 SHUT UP, YOU KNOW. 1102 00:38:47,200 --> 00:38:49,300 DON'T SPEAK. MY HUSBAND IS AT THE PIANO. 1103 00:38:49,300 --> 00:38:50,900 THANK YOU, EVERYBODY, FOR COMING. 1104 00:38:50,900 --> 00:38:53,400 IT WAS REALLY NICE TO GET TO KNOW YOU BETTER 1105 00:38:53,400 --> 00:38:54,430 AND SPEND MORE TIME. 1106 00:38:54,433 --> 00:38:56,373 AND I HOPE TO SEE YOU ALL SOON. 1107 00:38:56,367 --> 00:38:57,597 AND THEN WE GO TO BED. 1108 00:38:57,600 --> 00:38:59,030 - NOW I'M IN A ROTTEN MOOD. 1109 00:38:59,033 --> 00:39:00,403 SO THANKS FOR DINNER, YOLANDA. 1110 00:39:00,400 --> 00:39:02,630 - THANK YOU SO MUCH. - YOU'RE WELCOME. 1111 00:39:02,633 --> 00:39:05,073 - SUCH A BEAUTIFUL NIGHT. both: THANK YOU. 1112 00:39:05,066 --> 00:39:06,866 - MUSIC AND THEN NIGHT-NIGHT. 1113 00:39:06,867 --> 00:39:09,327 I NEED MY SLEEP. 1114 00:39:12,867 --> 00:39:14,027 - COMING UP... 1115 00:39:14,033 --> 00:39:15,373 - I MEAN, IT WAS AWKWARD THE OTHER NIGHT 1116 00:39:15,367 --> 00:39:16,767 AT DAVID AND YOLANDA'S. 1117 00:39:16,767 --> 00:39:17,867 AND SO WHAT ARE WE GONNA DO? 1118 00:39:17,867 --> 00:39:19,267 EVERY TIME WE'RE TOGETHER, 1119 00:39:19,266 --> 00:39:20,366 ARE WE GONNA SIT THERE AND LOOK AT EACH OTHER 1120 00:39:20,367 --> 00:39:21,497 ALL NIGHT AGAIN? 1121 00:39:21,500 --> 00:39:23,900 - I THINK THEY'RE BOTH DESPICABLE. 1122 00:39:27,133 --> 00:39:28,803 [trumpet plays When the Saints Go Marching In] 1123 00:39:28,800 --> 00:39:30,000 - OH! 1124 00:39:30,000 --> 00:39:33,570 - ♪ OH, WHEN THE SAINTS GO MARCHING IN ♪ 1125 00:39:33,567 --> 00:39:37,567 ♪ I WANT TO BE IN THAT NUMBER ♪♪ 1126 00:39:37,567 --> 00:39:49,097 ♪♪ OH, WHEN THE SAINTS GO MARCHING IN ♪♪ 1127 00:39:49,100 --> 00:39:52,800 ♪♪ LORD, I WANT TO BE IN THAT NUMBER ♪♪ 1128 00:39:52,800 --> 00:39:57,830 ♪♪ WHEN THE SAINTS GO MARCHING IN ♪♪ 1129 00:39:57,834 --> 00:40:00,704 [cheers and applause] 1130 00:40:00,700 --> 00:40:03,230 - OKAY, THAT'S IT. THANK YOU, MY LOVE. 1131 00:40:03,233 --> 00:40:04,973 - YOU'RE WELCOME, BABY. 1132 00:40:14,367 --> 00:40:15,627 - SEE, GIGGY? 1133 00:40:15,633 --> 00:40:17,633 IF YOU HAD FUR... 1134 00:40:17,633 --> 00:40:19,933 IT'S A LOT OF WORK, RIGHT? 1135 00:40:19,934 --> 00:40:21,334 HEY. - OH, HI. 1136 00:40:21,333 --> 00:40:22,473 - HI, DARLING. 1137 00:40:22,467 --> 00:40:23,727 - WHAT'S HAPPENING? 1138 00:40:23,734 --> 00:40:24,874 - HUH? - WHERE ARE YOU GOING? 1139 00:40:24,867 --> 00:40:29,597 - I AM GOING-- 1140 00:40:29,600 --> 00:40:31,370 YOU'RE NOT GONNA LIKE THIS-- 1141 00:40:31,367 --> 00:40:32,897 TO HAVE A DRINK WITH ADRIENNE. 1142 00:40:32,900 --> 00:40:35,470 AFTER THE KIND OF AWKWARDNESS 1143 00:40:35,467 --> 00:40:37,867 AT YOLANDA AND DAVID'S DINNER PARTY, 1144 00:40:37,867 --> 00:40:40,697 ADRIENNE'S ASKED ME IF I WOULD COME AND MEET HER. 1145 00:40:40,700 --> 00:40:42,500 - IS SHE GOING TO APOLOGIZE? 1146 00:40:42,500 --> 00:40:43,770 - WHO KNOWS? 1147 00:40:43,767 --> 00:40:46,597 BUT I JUST FEEL THAT I HAVE TO GO, REALLY. 1148 00:40:46,600 --> 00:40:48,730 - BECAUSE SHE OWES YOU AN APOLOGY, THAT'S FOR SURE. 1149 00:40:48,734 --> 00:40:50,604 REMEMBER HOW UPSET YOU WERE 1150 00:40:50,600 --> 00:40:54,500 AFTER THE THINGS SHE SAID ABOUT YOU? 1151 00:40:54,500 --> 00:40:58,370 IT WAS CATTY REMARKS... - I KNOW. 1152 00:40:58,367 --> 00:40:59,467 - AND LIES, ACTUALLY. 1153 00:40:59,467 --> 00:41:00,567 - YEAH, IF I DON'T GO, 1154 00:41:00,567 --> 00:41:01,797 I'M GONNA BE ACCUSED AS THE ONE 1155 00:41:01,800 --> 00:41:03,100 THAT DIDN'T WANT TO LISTEN WHEN, YOU KNOW, 1156 00:41:03,100 --> 00:41:04,270 [mocking] SHE WANTED TO APOLOGIZE. 1157 00:41:04,266 --> 00:41:06,196 - I THINK THEY'RE BOTH DESPICABLE. 1158 00:41:06,200 --> 00:41:07,470 - WELL, I HAVE TO GO. 1159 00:41:07,467 --> 00:41:08,897 I MEAN, IT WAS AWKWARD THE OTHER NIGHT 1160 00:41:08,900 --> 00:41:10,100 AT DAVID AND YOLANDA'S. 1161 00:41:10,100 --> 00:41:11,170 AND SO WHAT ARE WE GONNA DO? 1162 00:41:11,166 --> 00:41:12,366 EVERY TIME WE'RE TOGETHER, 1163 00:41:12,367 --> 00:41:13,667 ARE WE GONNA SIT THERE AND LOOK AT EACH OTHER 1164 00:41:13,667 --> 00:41:15,497 ALL NIGHT AGAIN? 1165 00:41:15,500 --> 00:41:16,800 AND WE CAN NEVER GO FORWARD. 1166 00:41:16,800 --> 00:41:18,430 - I DON'T CARE WHETHER I EVER SEE THEM AGAIN. 1167 00:41:18,433 --> 00:41:20,533 - BUT WE ARE GOING TO SEE THEM AGAIN. 1168 00:41:20,533 --> 00:41:21,603 THAT'S THE POINT. 1169 00:41:21,600 --> 00:41:22,700 REALLY, TRUST ME. 1170 00:41:22,700 --> 00:41:24,030 IF IT WAS DOWN TO ME, 1171 00:41:24,033 --> 00:41:25,273 WOULD I INITIATE MEETING WITH HER? 1172 00:41:25,266 --> 00:41:26,326 ABSOLUTELY NOT. 1173 00:41:26,333 --> 00:41:27,373 YOU WANT TO COME? 1174 00:41:27,367 --> 00:41:28,897 - I WOULD. 1175 00:41:28,900 --> 00:41:30,300 IF I KNEW SHE WAS GOING TO APOLOGIZE, 1176 00:41:30,300 --> 00:41:31,370 I'D LIKE TO BE A FLY ON THE WALL 1177 00:41:31,367 --> 00:41:32,727 AND WATCH HER. 1178 00:41:32,734 --> 00:41:34,604 - DOESN'T SHE HAVE SOMEBODY TO APOLOGIZE FOR HER? 1179 00:41:34,600 --> 00:41:35,970 - NORMALLY, YEAH. 1180 00:41:35,967 --> 00:41:38,427 - I HAVE NO IDEA WHAT ADRIENNE'S GOING TO SAY. 1181 00:41:38,433 --> 00:41:42,003 BUT I'M EXPECTING TO HEAR THE TWO LITTLE WORDS "I'M SORRY." 1182 00:41:42,000 --> 00:41:45,700 OTHERWISE THIS MEETING WILL BE AS SHORT AS SHE IS. 1183 00:41:45,700 --> 00:41:47,730 I'LL PHONE YOU IF I NEED BACKUP. 1184 00:41:47,734 --> 00:41:48,974 - [laughs] 1185 00:42:00,166 --> 00:42:03,266 - AT YOLANDA'S, IT FELT A LITTLE STRANGE FOR ME. 1186 00:42:03,266 --> 00:42:06,026 LISA AND I DIDN'T REALLY INTERACT TOO MUCH. 1187 00:42:06,033 --> 00:42:09,333 I FELT IT WAS TIME TO PUT ALL OUR ISSUES ASIDE. 1188 00:42:12,266 --> 00:42:14,926 HI. - HOW ARE YOU? 1189 00:42:19,533 --> 00:42:20,873 UNLESS THE APOLOGY IS FORTHCOMING, 1190 00:42:20,867 --> 00:42:22,497 I'M OUT OF HERE. 1191 00:42:22,500 --> 00:42:27,170 - UM... 1192 00:42:27,166 --> 00:42:28,496 - NEXT TIME, 1193 00:42:28,500 --> 00:42:30,270 ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1194 00:42:30,266 --> 00:42:33,366 - I FELT THAT YOU TRIED TO HUMILIATE ME. 1195 00:42:33,367 --> 00:42:36,797 I FELT REALLY VIOLATED. 1196 00:42:40,467 --> 00:42:41,797 - WELL, I KNOW WHOSE ROOM THIS IS. 1197 00:42:41,800 --> 00:42:43,300 IT'S NOT MINE. 1198 00:42:43,300 --> 00:42:44,900 - HELLO, DARLING. - HI. 1199 00:42:44,900 --> 00:42:46,230 - THERE'S NOWHERE IN MY PROGRAM 1200 00:42:46,233 --> 00:42:49,133 THAT SAYS I HAVE TO GIVE BRANDI A KISS. 1201 00:42:49,133 --> 00:42:51,603 - I KNOW I'VE APOLOGIZED TO YOU A FEW TIMES. 1202 00:42:51,600 --> 00:42:53,730 - THAT'S 'CAUSE THAT WAS REALLY UNCALLED FOR. 1203 00:42:53,734 --> 00:42:56,504 - UH-OH, SOMEBODY'S CRYING. 1204 00:42:56,500 --> 00:42:57,800 - CALL IT OUT. 1205 00:42:57,800 --> 00:42:59,070 - WHAT DO YOU MEAN? 1206 00:42:59,066 --> 00:43:00,866 - THAT MEANS "SHUT THE [bleep] UP." 1207 00:43:00,867 --> 00:43:01,897 - GOD. 1208 00:43:01,900 --> 00:43:04,000 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1209 00:43:04,000 --> 00:43:05,870 GO TO BRAVOTV.COM. 83524