Original subtitles

-There is a French psychologist

who consulted on the original murders, Dr. Th�o Fouchard.

DIARD: If you see anything, anything at all

that seems off...

come to me.

-You two made wonderful kids.

I�m delighted to be able to co-parent with you.

[sirens wailing]

MARCUS: [speaking French]

-Catch us up.

There is a missing student from St. John�s?

-Henry Sands.

The kids are here on a cultural exchange.

Our students were in Newfoundland

a couple months ago.

-How long has he been missing?

-Ah, give or take 45 minutes?

According to the tour guide Lauriane, Henry was nearby,

then poof, he disappeared.

The group searched the immediate surroundings,

the lab buildings, the bathrooms,

the nearby trails... no sign of him.

-Here�s the list of attendees.

All are accounted for except for Henry�s dad, Carlos Sands.

When the students and chaperones split up to search,

Carlos ran off alone. He hasn�t returned since.

-I gave them explicit instructions

to stay with a buddy. It can be very dangerous here.

-Well, the father, Carlos,

he�s probably out there looking for his kid.

That�s what I�d do regardless of any instructions.

-Hey, Claire! Stay away from the edge!

?

-Those cliffs are pretty treacherous.

Easy to make a misstep.

-Renuf, get the Coast Guard out there

while our officers widen the search everywhere.

-Well, find out anything you can on the father,

see if there�s anything there.

And everyone, everyone here needs to be questioned.

No detail is too small.

-You know as well as I do,

every hour this child is still missing...

-The odds of him still being alive drop dramatically.

[suspenseful music]

[theme music]

?

[slow, suspenseful music]

MARCUS: Our officers haven�t found any trace

of Henry or his father.

La brigade canine est en route.

-That the canine unit? -Yeah.

-Excuse me, why aren�t you guys doing anything?

A child is missing!

-Mom!

-Claire, honey, not now, please.

-We appreciate your concern, ma�am,

but we know what we�re doing.

We have a protocol and we intend to follow it.

-Let�s try and keep our heads here.

FITZ: She�s right.

When did you first realize that Henry was missing?

-We were about to head into the lab and I did a head count

and I was missing one. Henry.

Carlos, Henry�s father,

was barely allowed in past Saint-Pierre customs.

-Sorry, why... why was that?

-Carlos has a criminal record.

In case you haven�t noticed, he�s gone now too.

-Wait, are you suggesting Carlos kidnapped his own son?

-Claire, right?

Was, uh, Henry a friend of yours?

-Not really.

-Well, I�m sure, like all of us,

you�re looking forward to him being found.

-The police dog needs something of Henry�s to pick up his scent

to help find him.

-His jacket. It�s on the bus.

I told him he�d be cold, but he didn�t believe me.

-Let�s go get the coat, okay?

MARCUS: Tour guide is something else.

-She�s implying that Carlos, the father, he kidnapped Henry.

Parental abductions...

-They make up a large portion of missing child cases.

-Father�s full name is Carlos Sands.

He�s a social worker.

Lives in St. John�s, Newfoundland.

-Criminal record?

-Marijuana trafficking charge in Canada.

It�s over a decade old, but more recently,

Carlos and his partner Edwin filed for divorce.

-Get the husband, Edwin, on the phone, ASAP.

FITZ: Criminal record...

could really make a custody battle tricky.

MARCUS: Sometimes the most obvious answer

is the correct one.

We have a child and a father missing...

Going to treat this as a parental abduction.

[sound of dog panting and sniffing]

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ARCH: The Marine Lab has cameras.

Patty�s grabbing footage.

She�ll see if there�s anything of Henry, his father,

or anyone else.

I mean, over 70% of missing children cases

turn out to be runaways.

-Well, that would be optimal.

Trouble in a marriage, you know,

can really have an effect on a kid.

-Lord knows I wanted to disappear

when I was Henry�s age.

-We can call an " Alerte Enl�vement ,"

your Amber Alert,

until we know for certain Henry was forcibly taken.

-Well, his photo�s out there.

We�ve got all the official ports of entry, exits,

they�re on high alert.

The real question is, what if whoever took Henry

has no intention of leaving Saint-Pierre?

CARLOS: Edwin, pick up the phone! It�s important!

Our son is missing! Call me back right away!

-Mr. Sands? We�ve been looking everywhere for you.

-I-I got a little disoriented searching for my son.

Have you found him?

-We�ve got search parties all throughout the area

looking for him.

-Please don�t leave again.

-I�m sorry, you want me to stay put?

-We understand the instinct,

but while you were out here disoriented,

we were wasting valuable resources looking for you

when we should have been focused on Henry.

-When did you last see your son?

-Uh, we were listening to the tour and I got distracted.

I was too busy taking photos.

I wasn�t paying attention.

-Right. Does Henry have a cell phone?

-I-I tried calling. It just rang and then it went dead.

And I can�t get a hold of my partner Edwin

back in St. John�s.

-Our people haven�t been able to get him either.

-Is Edwin often unreachable?

-He has a restaurant that keeps him very busy.

He�s not great at responding at the best of times.

-Tell us about Henry. Anything can be helpful.

-He�s a normal 14-year-old.

He�s moody, funny.

He sleeps too much, he games too much.

He�s just...

he�s the perfect boy, and he�s out there,

and he�s probably scared to death.

FITZ: Can you think of any reason

that may have caused Henry to run away?

-Are you...? No, that�s ridiculous.

-It�s an unpleasant question, for sure,

but it�s definitely not ridiculous.

-We know you and Edwin are going through a divorce.

-Yes, but... no, it�s not like that.

-Does he know anyone in Saint-Pierre?

-Somewhere he might go? -No.

-Has he ever done anything like this before?

-Look, Henry is lost, okay? Do your jobs.

Get your choppers and whatever and find my son!

?

-What�s going on? -The K9 team found this.

-The strap is ripped at the seam.

-Is that blood?

-That is Henry�s backpack.

Henry...

[sighs] His meds.

Okay, if this is his blood-

Henry is a haemophiliac.

If he�s bleeding... Oh my God.

[suspenseful music]

ARCH: Aminocaproic acid. It helps with blood clotting.

-How serious is the condition?

-If Henry has hemophilia,

something as simple as a nosebleed could be fatal.

RENUF: We�ve taken samples of the blood found on the bag

to test to see if it�s even Henry�s.

-It�s been nearly two hours since Henry was noticed missing,

and he�s potentially injured.

-The bag was found a good ways away from the cliff�s edge,

which likely rules out the chance

that he slipped in the ocean.

-Parents Carlos and Edwin Sands...

Edwin is still unreachable.

MARCUS: And what do we know about the couple�s divorce?

Was it messy?

-Show me a divorce that�s not messy.

PATTY: We got a hit.

We ran an image search through the Marine Lab security footage

using a selfie of Henry�s.

Look.

MARCUS: Henry�s being chased.

-Why would he be running away that fast from his father?

ARCH: That�s not Carlos.

The clothing is all wrong,

and, uh, different build too.

-Patty, do you mind rewinding it a little bit

before the guy in the hoodie enters the frame?

[computer key clicks]

ARCH: Look at smile on Henry�s face.

Like he knows who he�s talking to.

-Yeah.

-Yeah, we don�t have an angle that catches the person�s face.

-Yeah, but based on this, we now know

we�re dealing with a kidnapping.

ARCH: Henry Sands was wearing a yellow hoodie,

black T-shirt, blue jeans, and size 7 skater shoes.

We have good reason to believe he�s on foot,

likely within a 5-kilometre radius.

Communicate with airport, ferries, car services.

Search each and every boat.

A child�s life is on the line.

Let�s find Henry Sands.

-What can I do?

-We have a procedure to follow.

You need to stay here in case Henry comes back.

-He�ll want to see you, right? -Yes.

FITZ: Actually, there is something else you could do.

Could you please try and get your husband Edwin to come here?

-Uh, I called his parents, his siblings.

Everyone is worried sick.

I even sent my brother to the restaurant.

It was closed.

-Did you check with any of his staff?

-So stupid of me.

Uh, I�ll try his chef, Jonas.

I should have called him in the first place.

-That�d be great. Thank you.

[line trilling]

-Hey, Carlos, things are crazy for me right now. What�s up?

-Jonas, have you seen Edwin?

I can�t get a hold of him and it�s urgent.

JONAS: I should be asking you.

I haven�t heard from him in days.

-Do you even know what I�m dealing with right now?

-Jonas?

This is Deputy Chief Archambault of the Saint-Pierre Police.

When was the last time you saw Edwin?

JONAS: Carlos, why are you with the police?

Is Edwin in some kind of trouble?

-Henry is missing.

JONAS: Oh my God.

Okay, uh... give me some time.

I�ll see if I can find Edwin.

-Go with Officer Aucoin.

We�ll keep you posted with new information.

-I mean, the kid couldn�t have just vanished into thin air.

-The bag was found in the brush

on the west side of the Marine Lab.

-Right. And the security camera

picked Henry up heading northwest.

-Towards Le Grand Colombier Trail.

MAN: Hey! Over here!

FITZ: The dogs picked up Henry�s scent somewhere around here.

We got an ID.

It�s Henry�s.

He came this way.

Who�s that?

-Ticket stub from Mus�e H�ritage.

?

?

ARCH: This wrapper... it�s from Le Girardin Bakery.

?

FITZ: The museum, the bakery,

it�s all on their tour itinerary.

-Henry was leaving us breadcrumbs.

-We need to find out who owns this property.

[mysterious music]

?

Arch...

Phantom Forest.

It�s a video game my kids play.

Carlos said that Henry was a gamer.

I bet this is his phone.

-The kidnapper must have ditched it

so we couldn�t track him.

-Battery�s dead. -[Arch�s phone buzzing]

-Renuf is meeting us up ahead.

?

RENUF: Owner is Owen Jennings.

No employment listed.

Uh, lives alone.

-Pretty remote. Great place to stay out of view.

Hey, Arch, easy.

You seeing these tracks?

?

Henry�s sneakers were a size 7.

These small ones, they could be his.

And then there�s a larger set beside it.

ARCH: It looks like a... a size 10 or 11?

The gait seems like Henry broke away for a second.

There was a struggle.

FITZ: Renuf, get a team up here.

[police radio buzzes]

?

?

-Owen Jennings?

ARCH: We need to talk.

-Um, what�s all this about?

-You didn�t get the missing person alert?

-Of course, I did, yeah.

I just don�t know how I can help.

-Were you flying this drone today?

-Uh, yeah, I was.

But, uh, I was just getting some landscape shots.

-Yeah, we�re gonna need that footage.

-Oh, no, no, no. You don�t understand.

It�s private. I don�t...

-Owen, there is a missing 14-year-old out there.

Your only answer should be, "Whatever you need."

-Unless there�s something on there

you don�t want us to see.

Arch?

Owen, what�s your shoe size?

-Uh, 10. Why?

-You�re going to need to come with us.

[dramatic music swells]

[helicopter whirring]

[sirens wailing]

-It�s been over three hours

and the police are doing their best,

but my son is still missing.

I need everyone�s help, please.

And Henry...

if you�re hearing this...

I love you very much.

FITZ: You guys, we gotta get back to the station.

-Who is that man? -Mr. Sands, please.

-Did he take my son? -Step back!

-Where is my son?! -Hey!

-I will kill you if you hurt him!

Do you understand that?! I will kill you!

[dramatic music]

[car engine]

?

?

[intriguing music]

?

?

-Not really thinking about pressing charges

on Carlos, are we?

-I don�t see a need for it.

The man�s son is missing.

You can chalk it up to a bad decision.

He�s here to cool off before we set him free.

-I�ve been scrubbing through Owen�s drone footage.

[computer keys clicking]

PATTY: He definitely lingered on the school group,

like he was watching them.

FITZ: Well, Henry�s sure interested in the drone.

And Owen is really interested in Henry.

?

-What�s happening?

-The SD card�s been re-used.

Ugh, it�s distorted.

-It�s kind of important.

-Yeah, I-I�m on it.

-Henry is a gamer.

He would love that drone stuff.

Maybe that was Owen�s lure.

His way to get the boy to follow him.

-I have some good news and some not so good news.

The blood from the backpack?

It�s not Henry�s.

-How do we have the results so fast?

-They can ID blood type. It�s AB.

I checked with his father; Henry�s an O.

-If the blood is not Henry�s, it could be the abductor�s.

-And the... not so good news?

-Owen�s got a criminal record and the details are not great.

FITZ: You have to admit...

filming a minor just before he disappears

is a little suspicious.

-I didn�t even know that was the kid

you were talking about until now.

-His name is Henry Sands.

He�s been missing for almost four hours.

ARCH: This is a repeat offence.

Seattle.

Filming people without consent.

FITZ: In Washington state,

voyeurism is considered a sex crime.

-That was a rookie mistake.

I accidentally flew my drone over some private property.

Look, I paid the fine.

I lost my camera job at the news station.

It was a real low point.

I just thought moving here would give me a fresh start.

-And here he is, repeating the same mistake.

-We searched your house, your property.

Where is Henry?

-I don�t know.

Look, all of this is legit.

I was hired by a software firm to shoot Saint-Pierre

for their immersive travel platform.

I just thought having kids in it would...

make it visually interesting.

-We�ll need a contact.

-Yeah.

You�ll have to consent to a blood test.

-Of course. Whatever it takes.

I don�t want to go through that hell again.

?

[Fitz exhales]

-You okay?

-Yeah, I was just trying to call back home.

You know, the kids are safe.

They�re just... busy, I guess, living their lives.

Don�t wanna talk to their old man.

-It�s a hard case for a parent to work.

-It�s a nightmare.

We�ll find him.

-We have to.

-I took Owen�s SD card to tech support.

They said it shouldn�t take long to retrieve the data.

-Oh, please, check that Owen is working for

who he says he is.

-Mm-hm.

-Patty seem a little sharp to you?

-Mm.

ARCH: Looks like Carlos got a hold of his husband.

CARLOS: I will not calm down!

How do you expect me to calm down?

Edwin, our son is missing!

EDWIN: [phone] I�m sorry, okay? I am- I just feel helpless.

Are those the cops?

Carlos, let me speak with them.

-It�s my husband.

-Edwin?

-Carlos said you arrested a man?

-We�re doing everything we can to find your son.

Have you heard from Henry in the past 24 hours?

EDWIN: We texted last night. Nothing since.

Carlos, I�m on the next flight to Saint-Pierre. I will-

[phone beeps]

-The call dropped.

-His cell must have died. Classic Edwin.

About earlier...

I�m... sorry.

I am not a violent person. I don�t know what got into me.

-Today�s not the day for you to be too hard on yourself.

PATTY: The issue...

the technical issue we have,

we have it sorted.

-We�ll talk soon.

Let us know if he calls you back.

-Thank you.

-Owen�s drone has a 6-kilometre range.

It was over by the Marine Lab...

But he was not anywhere near it.

-Right, so even if he had, like, a jetpack,

he wouldn�t be able to get over and grab Henry in time.

-Mm-hm.

Was there anything else useful on there?

-Mm-hm.

FITZ: See, I knew,

I knew there was something off about her.

-The girl? What do you mean?

-Claire. Her mother is the tour guide.

I asked her if she and Henry were friends,

if they were close, and she said no.

ARCH: They look pretty friendly.

-And this was minutes before he disappeared.

-Let�s go talk to Lauriane and Claire.

LAURIANE: I-I don�t understand.

Claire hardly even knows the boy.

-Have a look. -What�s this?

FITZ: Claire and Henry were together

right before Henry disappeared.

-We�ll need to speak to your daughter.

[phone ringing]

-Yes?

-I accessed Henry�s phone records.

There�s a bunch of calls and texts

to and from a Saint-Pierre number.

I just sent it to you.

-Maybe from Claire?

Okay, Patty. Thank you.

?

-There�s a Saint-John�s portion to this exchange, right?

It was a few weeks ago?

-Yeah.

-Is it possible Claire and Henry hit it off?

Exchanged numbers?

-My daughter is not allowed to have a cell phone.

-So, you�re sure Claire won�t pick up if I dial this number?

[tense music]

[line trilling]

[phone ringing]

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[dramatic music swells]

[ominous music]

?

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ARCH: Do you want to explain why there are numerous texts

and phone calls between you and a missing 14-year-old boy?

Maybe you were right. Maybe...

Claire and Henry are closer than I thought.

-Mm.

LAURIANE: She could have easily borrowed my phone.

-"Good morning, sweetheart.

"Remember what I said last night?

"You can stay here. It would be special."

FITZ: Hmm.

Those are not texts from your daughter to Henry.

-Where�s Claire?

You can�t hold her.

ARCH: She�s waiting to chat with our consulting psychologist,

Dr. Fouchard.

I would also be curious to hear you explain

how this isn�t grooming.

-[scoffs]

You have the wrong...

No, look...

After everything I witnessed in St. John�s,

I was just concerned.

-"Witnessed"?

What did you witness?

-Henry�s parents, Edwin and Carlos,

they had multiple arguments in front of Henry,

in front of all of us.

Edwin accused Carlos of putting Henry in danger.

-What kind of danger?

-He told me all about Carlos� history with drugs.

-Right. Carlos� drug history...

consists of a trafficking charge for marijuana in Canada

which was thrown out once that drug was legalized there.

Were there any other drug issues you knew about?

-No.

But is- is that any way to raise a child?

Trafficking is bad enough.

-So, why were you texting the boy?

-I wanted Henry to know he had a refuge.

Away from a toxic environment.

-Do you know where Henry is now?

-I do not.

-We�re going to have to speak with your daughter.

And you are going to stay right here.

ARCH: You buy that?

-I dunno. It�s pretty weird...

how she insinuated herself into those people�s lives.

-Slight overreach, yes.

-But she�s not a groomer.

Speaking of overreach...

why did you invite the serial killer whisperer

to come work on a child abduction case?

-Fitz...

he has decades of therapeutic practice.

-Dr. Theo.

-Thank you for coming in so quickly.

-Of course. If I can be of service.

-We need you to help us to get Claire to talk.

She�s scared, but she could have information

to help us find Henry.

-It can be hard pulling anything out of a teenager

once they�ve shut down.

THEO: Well, child psychology is complex.

Fears and instincts, they�re still developing.

-Well, she knows something she�s not telling us,

that�s for sure.

-If we want Claire to talk,

we�re gonna have to meet her on her level.

Make her feel safe and find an opening.

THEO: So, this is kind of weird.

Scary, even.

I hope you know how much we appreciate

you speaking with us.

-I don�t know what to say.

-Henry and you were talking just before he went missing.

Was he upset about anything?

FITZ: Phantom Forest? The game?

My kids, they�re obsessed.

Are you a tank or defensive?

-Healer.

I love being able to fix the other players.

-My daughter, she�s a healer too.

She says the other players, they would be toast without her.

-They would.

-You played with Henry?

-He�s a tank.

-My son�s a tank too. [chuckles]

And your mother probably doesn�t know

that you and Henry, you can... talk through the video game?

?

-This must be really exciting for you both.

Henry and you on this trip...

after playing so much together?

-I guess so.

-You know, when I was a kid...

I was terrified of my dad.

If I had a secret or I had done something wrong,

he was the last person I would want to know.

You know how that feels, right?

That sinking feeling in the pit of your stomach

when you�re holding on so tight to something.

-Yeah.

-And when I finally told the truth...

it was never as bad as I thought it was gonna be.

-I�m sorry I lied to you earlier.

But my mom can�t find out.

THEO: Anything you say stays between us.

-We�re in love, me and Henry.

ARCH: Claire, if Henry is so important to you,

aren�t you worried that he�s gone missing?

-I think he�s with his dad.

-Which one? Edwin or Carlos?

-I�m not sure. She just said that his dad

was taking him away.

THEO: Did you and Henry talk about that?

How that made him feel?

-Upset, that we had to say goodbye...

maybe forever.

But...

he said he didn�t want it to be like Madrid.

-What about Madrid?

What did Henry mean by that?

-I don�t know. He didn�t want to say.

FITZ: Explain this to me...

She said his father was taking him away?

You said... "she." Who�s the "she," Claire?

Is it your mom?

[tense music]

?

FITZ: The father took Henry?

What was the plan, Lauriane?

-I gave Edwin the itinerary.

We were supposed to meet up tomorrow.

He was gonna take Henry somewhere safe.

But then...

Henry was gone, and I...

I-I just didn�t know what went wrong.

I haven�t been able to reach Edwin.

I panicked.

I just wanted to help.

To make sure Henry was safe.

-Well, he�s not exactly safe right now, is he?

[breathing with exertion]

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HENRY: Aah!

Where are we going?

[dramatic music swells up]

THEO: Inspector?

You, uh, gave me the break that led to Claire opening up.

I appreciate it.

-Well, let�s just hope it leads to something real.

If Henry is with the father,

the odds of him being in danger are reduced significantly.

-Thanks for bringing me in.

Anything you need, do not hesitate.

Anytime.

?

-You heard him. Anytime.

[playful music]

ARCH: [sighs]

Do you think Carlos found out what Edwin and Lauriane

were scheming, and...

took his son before they could?

-Maybe.

Edwin�s flight gets in real soon.

Maybe we pick up Carlos, bring him to the airport,

get them together, and see what they�re hiding.

CARLOS: This whole thing is absurd.

Is this really necessary?

FITZ: As soon as your husband gets off that plane,

we need to make sure that he comes directly to us.

-We have a witness claiming in a sworn statement

that at least one of Henry�s parents put him in danger.

-Anything you�re not telling us, Carlos?

-Lauriane...

I saw her at the station.

That woman is the definition of busybody.

I have no idea why Edwin befriended her.

-So, is it true?

Did either of you put your son in danger?

-I work at a methadone clinic.

I had to bring Henry to work with me once.

Edwin blew a fuse.

I�m sure Lauriane heard all about it.

ARCH: And Madrid?

What happened there?

-You heard about that, too?

Huh.

Okay.

Yeah, we are a married couple with problems.

We fought.

That doesn�t mean that Edwin would ever hurt our son.

-What were you fighting about?

-The restaurant.

How he had no time for us. His family.

How he was never around.

[sighs] I gave Edwin an ultimatum.

The business or us.

-Were you concerned you�d lose custody of Henry in the divorce?

-Wait- you think, what?

That I took Henry to avoid losing him?

-Well, a divorce can make normal people

do abnormal things.

-No. We agreed to joint custody.

I want Edwin in Henry�s life, and he wants me in his.

-According to the agent, Edwin wasn�t on this flight.

He actually arrived yesterday morning.

-Sorry, how did we miss that?

Haven�t we been monitoring the ports of entry?

-Yeah, only since Henry�s disappearance.

How could we have known to search before?

?

We found this in one of the rental lockers.

It�s Edwin�s.

[phone ringing]

-Yes?

-Arch, we have a problem.

We found fabric.

It matches the yellow sweatshirt Henry was wearing.

It was caught on a fence, and there was blood on it.

-Okay, until it�s confirmed, we should assume it�s Henry�s.

Thank you.

-It�s a bunch of tropical clothes.

-Henry�s.

FITZ: Two boarding passes.

One for Edwin, one for Henry.

To Lisbon. Through Paris.

-Patty, get Carlos back to the station.

-What... Am I under arrest?

-You�re not leaving our sight until we figure out

where the hell your husband is.

?

Send out a blast.

We need to find Edwin Sands.

RENUF: [phone] Come meet me at the Marine Lab.

I have an idea.

?

RENUF: It�s, uh, good of you to help, Owen.

-Oh, I get it.

There�s a kid out there. I want to help.

-Right, so, he was lost in the interior.

-If Henry is bleeding, we don�t have much time.

?

ARCH: What is this?

Owen, take us closer?

FITZ: Looks like a person there by that big rock.

It�s Edwin.

ARCH: Yeah, but... I don�t see Henry.

?

HENRY: Please... help me.

[suspenseful music]

?

[music swells up]

[mysterious music]

?

?

-Lisbon, tomorrow morning.

-Just a little vacay.

ARCH: According to your custody order,

it�s illegal for you to take your son

across international lines

without written consent from Carlos.

-Well, Carlos was going to come too.

-Well, that�s funny.

I don�t see his name on either of those.

-Where do you have Henry?

-I don�t have him.

They do.

-Who�s "they"? -It was all his idea.

My idiot head chef and business partner.

-Jonas.

-He and I dreamed of opening a restaurant together

since culinary school.

The teacher told us, "You wanna make a million dollars

"in the restaurant business?

"Start with 2 million dollars."

He was right.

-The restaurant�s going under. We get it.

Where is Henry?

ARCH: If you don�t tell us what the hell is going on

in 30 seconds, I swear to God, Edwin,

I will not be held responsible for what I�ll do to you.

-No, no, wait. Jonas...

he borrowed money from some bad people.

-What do you mean, "bad people"?

EDWIN: That�s my doorbell cam.

These guys are loan sharks.

-You borrowed money from loan sharks?

-Not me. Jonas did that.

I didn�t know anything about it until these guys showed up.

They threatened me.

Henry, Carlos...

-How much?

-200 grand.

We couldn�t pay it back.

They were going to hurt us.

So, I took off right away; came here to get Henry and flee.

-But...? -But they followed me...

I think. I think I led them right to us.

They took my boy.

-Okay, you need to tell us right now.

Have these kidnappers made contact with you?

Have they made any ransom demands?

Anything?

-I had coordinates.

The place where you found me, I went there; there was nothing.

-You better hope that child is still alive.

-They told me they were gonna kill Henry

if I went to the cops.

-Show us the coordinates.

Any idea where those coordinates are?

MARCUS: Right... there.

-We picked Edwin up here.

-Exactly where the dogs lost Henry�s scent.

-There�s only some woods and boglands.

-No, no.

There are tunnels...

underground... everywhere around there.

-The old ones the rumrunners used to use?

FITZ: Exactly.

Al Capone, all those guys during prohibition,

they used to use the tunnels to smuggle their booze illegally.

And I know how to get to �em.

ARCH: There are recordings on here

from Edwin�s Ring camera.

See if we can ID the men who came for them.

You�re with us.

?

[Henry breathing slowly]

?

?

?

?

-Voila.

-Of course your little Al Capone fetish

turns out to be useful.

-This entrance was locked up years ago.

-Yeah, well, it looks like someone unlocked it.

[gate creaks open]

?

RENUF: [exhales]

The hatch up there is welded shut.

It�s a dead end.

ARCH: All the other tunnels are sealed as well.

-So, they would have had to have been in here.

-Look.

-Ooh...

Gourmet mac and cheese.

-Pretty fancy.

-Fitz, Edwin and Jonas� restaurant

is called Apex Cuisine.

-So, what, the loan sharks, before they grab Henry,

they stacked up on a bunch of takeout mac and cheese?

-Or it wasn�t loan sharks.

-There�s more blood. Guys...

This is very bad.

?

ARCH: Without his meds, Henry will bleed out.

-I scrubbed through Edwin�s doorbell camera app.

It has an algorithm that logs and groups repeat guests.

Guess who shows up more than once?

ARCH: Jonas�s loan sharks.

How often have they been to Edwin�s house?

-A bunch of times over the month.

ARCH: Edwin keeps lying to us.

ARCH: Do you want us to tell Carlos, or will you?

-Tell him... what?

FITZ: That takeout container is from your husband�s restaurant.

We found it where we believe Henry was being held.

Guess what was inside?

Truffle mac and cheese.

-Henry�s favourite.

The only people who know that are us.

And...

Jonas.

Edwin... did Jonas take Henry?

-Does Carlos know about the loan sharks?

-Loan sharks? What�s he talking about?

Why are these men at our house?

-No more lies.

It wasn�t Jonas who got into debt with these guys.

You not only knew about it...

-You set it up.

-Edwin?

ARCH: Your restaurant has multiple lines of credit

in Jonas�s name, but...

he�s the chef.

He doesn�t take care of the books.

You do.

FITZ: Your husband borrowed money from those men.

He was trying to dig himself

out of a mountain of debt and fraud.

-Edwin, you- you said

the bank wouldn�t lend you any more money.

Did you take out loans in Jonas�s name?

-I thought I could handle it!

The loan sharks...

then they got angry and they... they came for Jonas.

FITZ: Who has your son?

-Jonas, he must have grabbed Henry as collateral.

He wanted the money to pay the men back.

-Get up.

-Jonas...

Look, I know you have Henry.

Please, let�s work this out.

-[scoffs] Now you wanna work it out?

Those guys threatened to kill me!

Look what they did to me!

They took a finger, Ed!

And you need to pay back everything that you owe them.

They�re gonna kill me!

-I will do whatever it takes,

but please let me speak to Henry.

-If you hurt him, Jonas, I swear to God, I will-

-You�re with the cops?

Edwin!

[phone beeps]

-[sighs]

?

-[sighs]

I�ll try to trace the location of the phone, but...

-He�s probably removed the SIM card by now.

-And he�s in a van. He could be anywhere.

-Patty, we were recording that call, right?

Can you just pull it back a few frames?

ARCH: The green light on Jonas� face.

I know where it�s coming from.

If Jonas does care about Henry...

-Maybe he wants to help him.

[suspenseful music]

?

[music intensifies]

?

?

?

FITZ: Looks like Jonas was trying to find meds for Henry.

ARCH: Grabbed things to bandage him up.

Fitz, what if Jonas was too late?

-Well, at least we know he doesn�t want Henry to die.

-We need officers to search every drug store, clinics...

-We gotta check out the hospital.

-Yeah.

ARCH: A man matching Jonas�s description

was just seen outside of the emerg entrance

at Saint-Pierre Hospital.

FITZ: Renuf is meeting us there.

FITZ: Hey, Jonas!

Jonas!

Stop right there!

Put him down!

-He wasn�t supposed to get hurt.

-He did, though!

We need the doctors to get to him.

JONAS: Edwin left me to deal with those horrible men!

I had no choice.

Don�t... come any closer!

-Easy. -Jonas...

You brought Henry here.

I�m sure you don�t want to do this.

-I needed to protect myself!

Needed leverage to make Edwin help me.

I was so messed up...

I forgot about Henry�s condition.

-It�s all right.

-[crying] He wouldn�t stop bleeding.

FITZ: We�re on the same side here.

We want to help him, right?

Let him go. Let him go. Let him...

I got him.

FITZ: Help! Help us, please!

[sombre music]

[Jonas crying]

?

["Just Let it Go" by James Bay playing]

?

? From walking home and talking loads ?

?

? To seeing shows in evening clothes with you ?

?

? Now we�re sleeping at the edge ?

? Holding something we don�t need ?

?

? All this delusion in our heads ?

? Is gonna bring us to our knees ?

? So, come on, let it go ?

? Just let it be... ?

-Oh, wait, we need to wait for Patty.

RENUF: Well, she was tired.

It was a long day, so she went to bed.

MARCUS: Long day, but a successful one.

These cases don�t always end up with this kind of outcome.

But Henry�s gonna be okay,

and the people responsible are facing the consequences

of their actions. You can all sleep well tonight.

ARCH: Sant�. RENUF: Sant� .

-You guys, gimme a sec.

?

?

-And...

how are you?

-Oh, fine.

-Hmm, no, you�re not.

-No.

-It�s just this case, you know?

Henry... my kids back home.

Watching Edwin and Carlos just...

destroy their relationship.

Hit here a little.

-Mm-hm.

Have you spoken to Meredith about...

-About the baby that is or isn�t mine?

No.

Every time I�m on the phone with her, you know,

O�Brien�s within earshot or the kids are around.

It�s not exactly like I speak to her every day anymore, so...

-Mm.

-Hey...

I kind of feel like I wanna get drunk.

You wanna get drunk with me tonight?

-[phone chimes] -[chuckles]

-You wanna get drunk with me?

-Um...

Yeah...

I would love to, but...

[sighs]

Rain check?

-Yeah.

No. It...

Pfft, it, um...

It�s fine. It�s probably best

for me to go home and go to bed anyway, so...

-I�m sorry.

Night.

-Night.

?

[distant voices]

-Genevi�ve Archambault.

What are the chances I would see you here?

-Oh, well, I�d say pretty good,

considering you texted me to meet you.

-Hmm, no wonder you�re such a good cop!

So, what�d you have in mind for our little, um...

date?

Can I call it that?

-You can.

We can walk, and, uh...

you can talk to me about that story

you shared with Claire.

Your dad.

-I may have exaggerated a little.

He was an imposing figure.

But I kept my secrets from him.

-Oh... What kind of secrets?

-Oh, wouldn�t you like to know?

-I would.

-Maybe over ice cream?

-Ice cream?

At this hour?

Where?

-Your place?

-I do have ice cream.

But let�s just start with a walk.

? Leave it to the breeze ?

?

? Let the ashes fall ?

? Forget about me ?

?

? Come on, let it go ?

? Just let it be ?

? Why don�t you be you ?

? And I�ll be me? ?

?

? And I�ll be me. ?

?

[ominous music]

?

?

PATTY: Arch�s transfer request to Saint-Pierre...?

?

?

?

?

?

?

?

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