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Music
Art Direction
Assistant Editors
Editing
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Cinematography
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Directed by Lisandro Alonso
Screenplay - Lisandro Alonso, Salvador Roselli
Cast
Main Cast
I don't even know where...
- Penalty. - Doesn't count.
What happened?
- I just need one more try. - Yeah, right...
I let you play and look what happens.
One more fry...
I pressed the wrong button.
- How's it going? - Hey.
- Have some maté, Tachu. - Everything OK?
Yes. You need to go check...
...the rudder's oil level at the stern.
- Is it leaking a lot? - Alittle.
You may need to add some.
I'll go take a look.
Are you crazy?
You can't sleep in here! Get out!
- Want to go get coffee? - Sure.
Hello, Nacho.
- Hello, Captain. - How are you?
- Fine. So far, so good. - Any news?
We still have about seven hours at sea before we reach Ushuaia.
- The weather? - Bad.
Snow, strong winds.
- Miserable, as usual. - I bet.
OK, but everything's under control.
- Captain, do you have a minute? - Excuse me.
- What is it? - I need to go ashore in Ushuaia.
I was born there. I'd like to see if my mother's still alive.
- All right. - She used to live by a sawmill.
- Haven't seen her in a long time? - No.
- How much time do you need? - A couple of days.
It'll depend on how long we stay in port.
Sort it out with him. Go see the purser.
He'll give you the details and your money.
- Good luck. - Thanks.
- See that he gets what he needs. - No problem.
Bye. Call me if you need anything.
Farrel, we leave on Thursday without fail.
- Morning, how are you doing? - Good.
Are you going to Tolhuin?
No, I'm loading here, in La Turbera.
- Are you going there? - Yes.
After the bridge, at Pastoriza's, someone might be heading that way.
And is the road to the sawmill open?
It was closed yesterday, but I think they reopened it.
- Great, thanks. - Have a good trip.
- Good morning. - Morning. How are you doing?
Wait a minute.
You playing or not?
There.
- Help yourself to some coffee. - Thank you.
- What did you play? - The 8.
I don't believe it.
What a numbskull, I should have taken it.
I don't believe it.
Give me a good card, at least.
Play a good one for me. Five...
Like that one?
There, I can trump that.
You're done after that one.
Don't bother checking.
Who's dealing?
- Me. - Go ahead.
Bye, see you tomorrow.
Three, four, five, six, seven, eight.
- Don't cheat. - Count them.
One, two, three, four, five, six, seven...
- You've eight cards. - Right. Eight.
Take that!
Ready to go?
Get in front, Mariela. You, hop in the back.
Tell me when you need to get off.
Hello. Is there a place to eat here?
- There's the canteen over there. - Great, thank you.
- How are you doing? - Are you still serving?
Yes, have a seat. I'll bring you something.
Great, thank you.
Thank you.
Alpha Sierra to hase camp. Over.
Alpha Sierra to hase camp. Over.
I'm listening. Over.
Evening, Torres. How is everyone? Is work coming along OK?
Good evening. Yes, work is fine.
I'll send up the truck.
Is there a lot of snow on the road?
No, it snowed a bit last night but the road is clear.
Listen, ask Trujillo and Velazquez
to round up the sheep by the day after tomorrow.
Can that be done? Over.
OK, I'll tell Velazquez
to tell Trujillo about rounding up the sheep. Over.
Good. Do you need fuel?
The boss says we have some left.
But next week we'll need 400 litres brought up.
And Nazarena? Is she any better?
No, she's getting worse. No improvement.
OK, understood.
If we're not snowed in, the truck leaves Friday.
Fine, we'll expect it on Friday.
All right. Over and out.
Over and out.
- Tell Torres to serve dinner. - I'll go and tell him.
Torres, you can serve dinner.
Torres!
Come, Analia. I'll walk you home.
I got him.
You can go.
What are you doing here?
Not long after you left, Analia was born.
Nobody here knows you now.
Not even your mother. She's sick.
I don't know why you came back.
You left me one heck of a legacy.
What are you hoping to find?
I know you can hear me. I'll leave you the maté.
- Hello. - Hi. How are you doing?
- Can I have one? - Yes, right away.
Thanks for everything.
Hi, how are you? I brought you some fresh bread.
Have a piece.
What are you drawing?
- A heart. - A heart...
Will you give me money?
Will you give me money?
Your legs hurt...
...don't they?
Do you know who I am?
I see so many people that I don't know or recognise.
I'm Farrel.
Farrel?
Your hands are freezing.
Leave them like that.
With all these blankets, it gets so hot
that when you go outside...
...you're cold.
Isn't that right?
It's me, Farrel.
- What did you say? - Farrel!
Your hands are freezing.
Can you give me some money?
Here. And don't let anyone take it away from you.
Come over here.
Do you have the money on you?
It's yours. Keep it. I'm going to give you something.
Here.
I'm off.
Go to the canteen, I won't be long.
A little more, it will do you good.
- Give me some bread. Dip it. - Yes, I've dipped it.
You have to eat, you know?
He was in a hurry for his bread.
Go get the dinner from Torres.
Have a little more.
Thank goodness Farrel left again.
- Do you like the music? - Yes.
Analia, here you go.
- A drop of gin? - Sure.
- Is everything OK at the sawmill? - They got a lot done today,
but they're running out of wood. Delivery is slow.
Are they fixing the engine on Saturday?
Yes, the mechanic is coming on Saturday. He'll fix it.
- And how's Trujillo? - He's all right.
Always running after animals.
He looks after Nazarena.
Analia!
Damned animals.
- Did you catch anything? - No, nothing.
Come on, let's go see the foxes.
Don't walk too fast.
Let's go, Analia, I caught a fox!
Let's go, I caught a nice fox.
You almost fell.
You have to be careful on the snow.
It can be tricky.
We still have the sheep to tend to. It's getting late.
We'll have to take it off the mould.
He's a beauty. The one we caught is bigger.
Take the traps and go feed the sheep.
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