Original subtitles

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[Music]

Heat. Heat.

[Music]

[Applause]

[Music]

Heat. Heat.

[Music]

John, we should have caught up with

that.

>> They camped here last night. Marvin,

we'll catch up with them tomorrow. All

right.

>> I hope so.

>> Hello, ladies. You'll be a man before

you know it. What I do now, Clay? Oh,

you just don't want to play. I don't

want to play. I want to work. You got

to do something. You can look.

Oh, demon. Oh, idiot.

Howdy folks.

[Music]

Ready Damon? Ready?

Well, allow me to introduce myself. My

name is Wendy Harper. H And what might

your be?

>> My name is a happy family. Now, allow me

to offer you a prospective new patent.

and high pressure, hollow ground, steel

and gray, rigid ring, ball bear, and

windmill. Each one guaranteed to toss

3,000 gallons of hot water, cold water,

any kind of water over the tallest tree

that ever grew on the banks of the Swany

River far away. Windy's my name windmill

of my business. And now I'll be glad to

take your order. I don't need a

windmill. Well, now let me show you. I

also carry a sideline of brooms and

mops, mops, kittles, and tails. Uh

shooting irons, scalping knives.

government offers a bounty of $10 each

on hostile Indian scalp. Now, here is a

scalping knife invented by a fellow by

the name of guaranteed to do the job

just as slick as skin in the eyes out of

a potato. Even a baby can use it. No

scalp.

>> Then what about some uh some liver pill,

spices, epic rattlesnakes to oil or some

salt? Or maybe some nice vanilla hair

tonic. Or some bear grease flavored with

all the perfumes of Arabia.

Or maybe I could sell you some nice New

England rum for the snake bite. Or some

pine Virginia soy. Now what about one of

my new patent lightning rods?

Say them kids of look kind of peeky.

What about some of my ground pumpkin

seed worm medicine? Guaranteed to do the

trick like magic.

>> We've got everything we need. Well,

that's my business. Kicking the day,

feathers tomorrow. Well, if I can't sell

something, I always make it a point to

give something away. Here, boy. Here's a

fine hunk of candy for each.

[Music]

>> What's the matter? What's the matter?

>> Now, just a minute. Give me room. Give

me room. Give me room. Here you go.

There now.

[Music]

Just a second, son.

[Music]

Open up.

Wider. Wider.

Ah, just as I thought.

>> What's the matter?

>> This boy's got a tooth that needs to

come out. Now, I'm the last tooth full

of this side of the Rocky Mountains, and

I'll do the job for just one D. What do

you say? Then you'd better take it out.

Now, open your mouth and shut your eyes,

and I'll give you something to make you

wise. Close the little eyes.

>> There you are, Sunny. And you didn't

hurt my

wrong. I'll try again.

>> Even if my brother didn't, I'll kill

you.

>> Hey, stop that. Take that gun away from

him. It might go off.

>> Don't do that.

You must never say that again.

Well, I got to be going. Here's the

dollar. Oh, thank you. Well, goodbye.

[Music]

When did you leave St. Joe?

>> Yesterday. We missed the wagon train. We

hope to catch up with it tomorrow. Well,

pretty rusty, I call it, but with these

planes full of Indians and desperate

carriages. Well, good luck, Mr. Knox.

Well, good luck to you.

[Music]

Gety up there, Damon. Giddy up,

[Applause]

you're so little. You're hardly big

enough to go home. But our Lord gave us

a command.

Thou shalt not fear.

[Music]

The command was running.

Come children,

the little prayer that I taught you.

It's our only prayer, children, and no

one else has one just like it. Now then,

if I should die before the night, I

should die before the night. I ask our

Lord,

>> I ask our Lord. I ask our Lord. with all

my might.

>> With all my might to take my soul.

>> Take my soul and keep it fast.

>> Keep it at fast until I see his face at

last.

Now I see his face at last.

[Music]

Heat.

Heat.

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Heat. Heat.

[Music]

[Laughter]

[Music]

[Music]

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it. Cut. Hey.

I think I'll keep them.

I'll hit the horses. Get the wagon. Get

off the trail.

[Music]

Mama.

Mama.

Mama.

Oh, mama.

[Music]

Did you find anything crazy?

>> No, mom.

Not even a foot trap.

I guess he did. No, Asa isn't dead.

Perhaps it'd be better for him to see

why would be a paw.

[Music]

Come on, the long way back to St. Gil.

We'll get there somehow.

[Music]

Ah, good morning gents. Permit me to

offer you a prospectus of our new

patent. High pressure hollow ground seal

and grade rigid frame ball bearing

windmill. Each one guaranteed.

>> Ah, good morning Mary.

>> Good morning, Mrs. Knox. Good morning,

Mary.

>> Good morning. Has the day arrived yet?

I'm expecting my father.

>> Not yet. Now, allow me to offer you a

catalog.

>> Has that bunch of dogs arrived from the

rain? I'm looking for my son.

>> No, not yet. Now allow me to offer you a

catalog. Here comes the steak. Mel,

>> good morning, Mr. Chrisman. Glad to have

you back.

>> How are you? Still going strong, I see.

>> Yes, sir. Great. You know what? It's

Hello, honey.

>> Oh, hello, father. It's so good to have

you home again. We came to meet you with

the buddy.

>> Oh, did you? Hello, Mark.

>> Where's Clint?

>> We'll be here at any minute now.

>> Well, what's the news for the East, Mr.

Chrisman? What about the California

Mail? Well, boys, it's decided. The Pony

Express is going through. We've got to

get the mail to California and get it

there fast.

>> How are you going to do it?

>> My firm, Major Wadell, and Russell are

going to give their service. We're going

to get the mail from St. Joe to

Sacramento in less than 10 days.

>> 10 days? Why you can't do that?

>> It's going to be done.

>> Howdy, sir. I'm a reporter from the

Missouri State Democrat. Would you mind

giving me some details of your

enterprise? Well, to begin with, we're

going to call this service the Pony

Express.

>> The Pony Express.

>> There'll be 190 stations spread across

the country. We'll need 80 of the

keenest and hardest riding men in the

West for its riders and 500 of the best

blooded American horses for its riding

stock.

Hey, here comes some of your stock now.

Mr. Christmas,

>> hello mom. Alo

>> and Mary.

Oh gone, you look great.

>> You look great yourself.

>> Sweet Applejack right out of the barrel

by quick.

>> Hello, Mr. Crystal.

>> Hello, Clint.

>> Hey, did you get what you went after in

Washington?

>> Yes, Clint. The press is going through.

>> I want to talk to you about that. I'd

like to be the first to volunteer. But

print up that bunch of broom tales of

yours and get them in the oval in

corrals before they kick this town to

pieces.

>> I guess you're right at that.

>> So you work on the Missouri state. Do

you know a company that works on that

table for the name of

>> you wouldn't let P join the Pony

Express?

>> Why not?

>> Why? Because well, just because.

>> Well, that depends on whatever you and

Martha say about that, honey. But I'm

going to need men like Clint.

Don't you, Mary? You know I do.

>> Yes, I guess I do. I loved his father.

>> That is going to be dangerous. I don't

like the idea of Clint going.

>> No, Mary. We women of the West are not

afraid. Where our men go, we follow. Do

you understand?

>> Yes, I understand.

Well, come now and help me do the

shopping, and we'll have a very special

dinner for your father and Clint

tonight.

Now, my good people, the time has come

when boats are going without sails. The

time will come when wagons will go

without horses. and when machines will

skim through the air like birds. And in

the meantime, what you need is bigger

and better windmills. Hey, I bought one

of your windmills and it wouldn't work.

>> Well, I guaranteed it to work on the

Swany River. Now, you take it back there

and if it don't work, you'll get your

money back.

Just a minute, young man.

Can I interest you in one of our new

windmills?

>> If I needed one, I'd just hire you and

put you in a field and let you spout hot

air. Now see here, young man,

>> take your paw off of my shoulder

and don't ever do that again unless you

want to find out what a period means.

>> Here, hold this.

If I thought he that he means he

punctuates his words with bullets when

>> pay for a pony express rider isn't high.

It's $50 to $100 a month and found

depending on the danger of the roof.

>> Well, I'm asking for the hardest relay.

>> What's your name?

>> Ace Carter.

>> How old are you?

>> Well, I'm over 21, I reckon.

>> Where are you from?

>> Our Kansas country around Fort Smith.

Carry any credentials? Yeah, these.

You're quite handy with your six guns.

Well, I really didn't try.

What do you call that?

That's called the border rule. I sort of

figured a man riding a Pony Express,

sixes full, would be a good hand to draw

to.

1 2 3 4 5 6

Oh, I see. Of course, I didn't count the

Indians.

Well,

>> I don't know.

>> I've just about decided that I've been

insulted. I'm a man of peace, but when I

get the dander up, I'm a ripped tail

roller from Carl Canyon. I'm a diamond

back with 10 rattles in a button. I'm a

heal, a monster, a two-tailed scorpion,

a tarantula, all rolled up into one. I'm

a curly wolf, and when I howl,

Wait a minute. Don't shoot. Don't shoot.

Clint just went in there and

if I didn't have a iron and that I'd

run.

[Laughter]

>> I'm going to wait. I'm going to

percolate him.

>> Hey Wendy, throw it at him. You'll do

better.

>> There's that south pass run to Cheyenne.

That's the one I'd like to have.

>> That's the most dangerous stretch of

country on the route.

Why do you want that particular run?

>> That's a man's job and the rider will

have to take a man's chances.

>> That's out past country is yours.

>> It is.

>> I'd like to have a man on that relay I

know a little more about. You may be a

good writer. You may be handy with a

gun. In fact, you might be just a little

too quick on the trigger.

>> Listen, Mr. Christmas.

>> I don't know anything about you except

what you've told me. I'd like a little

time to think it over.

When?

>> Say an hour.

All right. I'll be around.

>> And if you do fill out Adam, be sure you

don't miss them.

>> Okay. Why don't you watch where you're

going?

>> Sorry, I didn't see you.

>> Well, take a good look. You think you'll

know me when you see me again?

>> With that face, why not?

Seems to me you take up an awful lot of

room for a young fellow.

Any objections? Not if you'll step aside

and let me through that door.

Well,

Don't be scared. It ain't even loaded.

>> Well, put it away.

>> I'm sorry, but I can't take you.

>> Why not? I think too much of your

mother. She'd never forgive me.

>> Well, you have been nice to mom and me.

Took us in when we came off the planes.

I have to. But I'm disappointed. I sort

of figured on this. It hasn't money so

much, but as being a part of the

greatest thing that ever happened in the

West, the Poly Express.

>> Too bad, Clint. I'd like to have you,

but that's the way it stands.

>> I'll go home, Mr. Block.

>> Now, you just get right into the buggy

and wait here because I want to speak to

your father. All right.

Permit

me, madam.

>> Thank you, my boy. You're a stranger in

St. Joe, aren't you?

>> That's right.

>> Where do you come from?

>> Oh, Southwest.

>> Well, thank you again.

>> I'm perfectly all right.

That your mother

you live here about?

I don't tell him you're death and damn.

>> Oh, no. I can talk.

>> Then there's nothing I can say to change

your mind.

>> No clip. But you'll be doing your part

here in providing the stock for the Pony

Express.

>> Excuse me, George.

>> Mom,

Mr. Tristan won't give me that job I

counted on.

>> Why not?

>> Well, partly on your account. And then

there's Mary.

>> George, the Pony Express is bigger than

any woman or her son or a sweetheart.

Mary and I have talked that over, and

we've decided.

You've promised the people of this

nation something which they think is

impossible, and you've got to make good

on that promise. But it'll take the best

men you can get.

There will be times when bravery and

courage will carry on. And when the

bodies of your men have stood more than

human flesh can endure, when they'll

have to ride through fire and flood and

over mountains and blazing deserts. But

this war against time must be won. The

male must go through.

And so, George, I'm asking you to give

my son a chance.

And if I had my other son, I'd gladly

give him, too.

>> Flint,

the son of such a mother won't fail the

Pony Express. I'm going to enlist you

here and now.

To each rider of the Pony Express, the

company gives one of these.

>> A Bible. Yes. Will you repeat the words

you'll find printed on the fly leaf?

I do hereby swear that while I am in the

employee of the Pony Express, I will be

faithful to my duties and so direct all

my acts as to keep the confidence of my

employers. So help me God.

Thanks, Mr. Chrisman. But what's the

harm in telling me where you live?

>> Why do you want to know?

>> I'd like to come over and see you.

>> I'm afraid you'd be wasting your time.

I'm already engaged.

>> I might be able to make you change your

mind.

>> I don't think so. You see, I'm very much

in love.

>> I just hired the first writer for the

Pony Express. Congratulations.

>> Come on. See you later. See you later.

Now then, then

>> I'm ready to take your applications in

order.

>> Come here, Clint.

>> Well, now you've got what you've always

wanted.

>> Meaning which, the kiss of the job. I

won't tangle with him while these women

folks are around.

Goodbye.

He say anything to you, Mary?

>> No, Clint, he didn't say anything.

>> You get the horse, Clint, and we'll wait

for you.

>> All right, Mom.

>> Well, Tman,

make up your mind. Well, I've decided to

give the run you asked for to another

man, but perhaps we can get together on

another run.

Now, thank you.

So, you're one of those Sunday school

fellas, eh?

Might not do you any harm to learn

something about this.

>> Well, you got my job, but I'll be

meeting up with you again sometime. It's

>> all right with me.

>> Maybe it won't be.

[Music]

Heat. Heat.

[Music]

[Music]

California

back everybody.

Go.

[Music]

Heat

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up

[Music]

here.

[Music]

[Music]

[Music]

Hold it up.

Heat. Heat.

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Heat. Heat.

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Heat.

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Heat.

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Heat. Heat.

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Heat.

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Heat.

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Heat.

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Heat.

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Heat. Heat.

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Heat.

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[Applause]

Heat.

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[Applause]

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Heat. Heat.

[Applause]

[Music]

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Heat. Heat.

[Music]

Just a few more miles. Fonda. South Pass

is only a relay station for the Pony

Express for a few scattered cabins, but

it's going to be your future home.

>> Yes, George. I think this country's

beautiful.

I think it's terrible.

[Music]

Heat. Heat.

[Music]

Oh,

what's the matter? Road clock.

Looks like a rock slide.

Well, well, well. Now, if we only had

one of my new patent high pressure,

hollow ground, steel and gray, rigid

ring ball bear scrapers here. Why? We

could clear that road quicker than you

could say east off top of east.

That's all right, Wendy. But what we

need is a little bit of what you got

right there to help us clear this road.

I know. Get into something.

>> Now, we'll be late getting into South

Pass.

You're right, aren't you, Mary?

>> Well, it's been a long time since I've

seen him. And think how surprised you

be. You didn't expect me for another

month.

>> Now, just for a minute, boys, and I'll

tell you how to do this. I'm to help

you. Only I'm too late for heavy work.

Oh, wait a minute. Less wind than more

bronze. Get to work.

[Music]

get some cut around it now, can't we?

Yeah, I can make it all right now.

Okay, now my back is get rolling again.

Stand right where you are and don't turn

around.

[Music]

Now that goes for anyone else who tries

to look at me.

Only the next time I'll shoot the kill.

Throw that express box down on the other

side. Hurry up.

[Music]

Now you passengers, stand in close to

the coach and drop your valuables on the

ground and don't look back.

[Music]

[Music]

Oh, well, I told you not to look back.

[Music]

Get in that coach and get in quick.

[Applause]

[Music]

Hey, you men help pick up that wounded

messenger.

[Music]

Now get going.

[Applause]

[Music]

[Music]

Heat. Heat.

[Music]

[Applause]

[Music]

Heat. Heat.

[Music]

Heat. Heat.

[Music]

[Music]

I wonder what the matter is. Oh, I don't

know. Maybe it's broken axle. Let us

hope that there's nothing worse.

What do you mean? A hold up.

Pony rider's late, too.

[Music]

I'll be alone in a minute.

>> Well, what's the matter?

>> Hell no. They do a shard way back.

That's the third time in a month. Yeah,

they got me in the shoulder

>> and he got me for $200.

[Music]

>> Yeah, right.

>> What is it? Who's that?

Look.

[Music]

I'm going to do something. What

happened?

[Music]

>> Hello, Mary.

>> Hello, Clint.

>> And and Mom,

[Music]

who did you think

if I knew? Do you think I'd be standing

here through a jerk line across the

gully and threw me like a steer? Never

saw him at all. And that's funny.

What's funny about it? Nothing except

the stage being held up about the same

time. No stage held up. Yes. And it

looked like the same number done both

jobs. He robbed me of $200.

>> What he look like? You never got to look

at him. Well, get after him. Lynch him.

You won't have to look very far.

[Music]

What do you mean?

[Music]

>> Nothing in particular.

>> Yes. Your mother saw him.

>> Did you see a face, Mom?

>> Yes.

>> Could you identify him?

>> Yes.

>> Wait a minute, man. Wait a minute.

Talk cheap, but you've got to get the

man before you can hang him. And there

will be no lynching. Men who resort to

lynch law are as sad as the outlaws

themselves. I've been sent out here to

put an end to this sort of thing. This

man must be caught. Yes, but he must be

dealt with according to law. Take yours,

Mary.

>> All right. I got a ranch in the

[Music]

>> I'll take this for shoot for me and ride

to the next station. Yeah, do it. You

sit for 8 hours now. I thought you'd

only hold me back. Oh, one of you boys

show mom and Mac where my cabin is.

>> I hope he brings back my $1,000. How

much?

$5.

Heat.

[Music]

Heat.

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Heat. Heat.

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Heat. Heat.

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Heat.

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Heat.

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Heat. Heat.

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Heat. Heat.

[Music]

Stay right where you are. Right on your

knees.

[Music]

I didn't miss you. What's What's holding

you up?

A miracle perhaps. But you wouldn't

understand what a miracle is.

That saved your life.

>> That saved million lives.

>> You're not going to.

>> What do you think?

>> Well, you think so much of that book.

Why don't you live by it? Ain't that the

book that says, "Thou shalt not kill."

>> Yeah.

Well, what are you waiting for? Why

don't you shoot? Why don't you get it

over with?

>> Take that.

[Music]

I wouldn't send any man soul where yours

is going without a chance.

Open the cover. Read what you'll find

there.

[Music]

[Applause]

[Music]

It ain't all here.

>> I'll tell you what it is.

>> No, wait a minute.

[Music]

I think I I remember it

until I see his face at last.

Well, there. That's it.

Where did you hear that? I don't know.

Some woman somewhere.

Long time ago when I was a kid, maybe.

It's a

What are you all about? You're afraid to

kill? You're afraid of this book? If you

haven't got the nerve to do it, give me

the gun and I'll do it myself.

Get on your feet.

[Music]

Start walking.

Not your heart.

[Music]

Hello.

Hey boy.

They caught that road engine. I guess

you suspicion Clint wrong.

Oh, is that so?

Good work, Vince.

What's the matter? Nothing, Mr.

Christensen. I think you better go for

Judge Beagley right away.

>> You're right. Those men are in a

dangerous mood.

>> I can take care of them and him, too.

So, we get the law organized. It won't

be long.

[Music]

>> We don't have to wait for Chrisman or

Judge Beasley either.

>> You're right, Steve. We don't need the

law. We know what to do.

I This will do the job when we get it

under his left ear.

[Music]

Get inside quick. I'll take care of

this. Mother, watch him be tricky. Mary,

you better go in, too.

[Music]

What's the idea, boys? We'll thank you

to push that road agent out the door. We

aim to fit this nice little neck tie on

him, don't we, boy?

We might as well give him a hat to put a

crimp in your little party, but you

don't get him. Get out of our way,

Clint.

>> I wouldn't if I were you. He's bluffing.

He wouldn't dare to

see. Maybe he means it.

[Music]

He's bluffing. He wouldn't dare shoot a

citizen. The tide ain't we 7 to one.

Wait.

Mom, send that drone agent out here.

Mary, you and mom better stay in the

house

here.

[Music]

Well, there he is, boys.

You want him? Come on and take him.

Which one of you is going to be the

first to step up?

[Music]

Get in there.

[Music]

Now go back where you came from.

When Mr. Chrisman gets here with Judge

Beasley, I'll turn the road agent over

to him. It's a hanging place.

[Music]

Stay back before I let you have her.

Well, you wouldn't do that. Oh, wouldn't

he? Life is just as sweet to me as it is

to you. And I don't bluff. And I mean

what I say. You take one more step and

I'll kill you.

[Music]

You know, uh, that shot I cut Steve's

rope with was the last load of pistols.

G to me,

[Music]

>> leave here with me for a few moments.

>> But mommy,

>> you've always done as I asked you to.

[Music]

I think I understand.

[Music]

What's problem, Clint?

[Music]

I love you, Clint. I gave up a great

deal to come here to be with you, to

marry you and make a home for you. Don't

you think I have the right to know?

>> Yes, Mary. I think you have that right.

There's a

there's something I didn't want to tell

you, but that boy in there is my

brother.

And in knowing that you brought him in,

it took a lot of courage to do that.

Clint,

>> is there anything I can do for you

before you have to go?

>> No.

>> Are you afraid to die?

>> Well, I can't exactly say I'm pleased

about it.

I guess it has to happen today,

tomorrow

sometime.

[Music]

Isn't there someone you'd like to send

some word to?

[Music]

I haven't got anybody to send any word

to.

>> Your mother perhaps.

>> Mother,

if I had a mother,

I don't guess she'd exactly be proud of

me right now, would she? Oh, anything

would be better not knowing where you

are or whether you were alive or dead.

[Music]

If I were your son,

would you want to know?

>> Yes.

[Music]

Why did you do that?

because

you might be my son.

Oh, no.

No. You're You're dead wrong, ma'am.

Your son's in there. I'm glad I didn't

kill him. That little Bible that saved

his life. And that prayer in it. It's a

right pretty one, too.

I wonder where I heard that before.

[Music]

I guess it doesn't matter.

There'd be a lot of folks back in

Missouri. Glad when that Pony Express

brings the word back that Hey Carter

stumped his last trick.

>> What did you say your name on?

>> Hey,

it's all I've ever known.

Yeah.

[Music]

Hey,

Clint.

All right, Clint. Bring the prisoner.

You have to come too, Martha. You're the

principal witness.

[Music]

Come on, judge. All you got to do is

pronounce him. Turn him over.

[Music]

By the authority invested in me by the

federal government of the United States,

I now declare this court to be

impatient.

prisoner. You are charged with being a

road agent, robbing the US mail, and

other unknown crimes, any of which are

punishable by death. Are you guilty or

not guilty?

[Music]

Not guilty.

First, witness take the stand.

[Music]

Pull up your right hand. To tell the

truth, the whole truth on nothing but

the truth. Help the guard.

>> I do. Stay down.

Is that the man that robbed the coach?

>> I can't swear to never seen his face.

Next witness.

>> And I was frightened, so I didn't turn

around to look at him.

>> Well, I couldn't exactly swear. But if

he is, he's the fellow that got my

$5,000.

$5.

>> The road agent had his guns on us from

the back. He threatened to shoot if we

turned around. I was afraid he might do

that and hit one of the women, though I

can't identify him positively. I was

knocked to my horse and fell

unconscious. I didn't actually see him

robbed the male.

Mrs. Knox, when the road agent held up

the stage, you were the only one who saw

his face. Is that right?

Yes.

>> Is it not? Look at the prisoner.

[Music]

>> Is that the man?

No.

>> He's really judged. We know it. What

kind of a court is this?

>> Yeah, that's what I want to know. What

kind of law? According

below our man innocent until he is

proven guilty.

Wait a second judge. There's another

witness.

Well, what do you know? I saw that road

before his wing me and he rode a pigle

horse

[Music]

ride the pin horse

[Music]

judge.

[Music]

I'm

both jobs. I robbed the mail and stole

his horse.

The pinto.

I got you boys. Go ahead and get it over

with.

>> All right. Come on.

>> Wait a minute.

>> Before you do this thing, I've got

something to say. This boy is my

brother.

>> And that's why my mother wouldn't

identify him. And that's why I didn't

kill him when I had him cornered in a

bad land. That's all right, Kent. We'll

take care of that for you.

>> Steve,

seems to me you stood in this very spot

not so many months ago as they're up

around your neck. Accused of horse

stealing. The boys had given you a

chance. Where would you have been? Well,

they couldn't prove nothing.

>> Maybe not. There's just as much excuse

for my brother as there is for you.

Perhaps more.

I'm not going to tell you fellas

anything I can't prove. But I am going

to tell you something you don't know.

Asa and I were kids when our family

crossed the plane. were held up and

robbed. A father was murdered. Haz here

was stolen by the outlaws. He never had

anything wrong. That's true, boys. I

have two.

I'm not asking this chance for his sake

or for my own. But for the sake of our

mother,

she never had the chance or he would

have learned the difference between

right and wrong. If things had happened

differently, I might have been in Ace

Carter's boots. He might have been in

mine.

Well, I uh well,

>> how do we know if we turn him over and

he won't do the same thing right over

again?

>> You have my word and mine. I'll find a

job for you.

>> All right. Case dismissed.

[Music]

>> Look, boy. Here comes the police.

[Music]