Original subtitles

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- Hello, Anne.

My name is Adrian.

I'm from Romania.

And I wanna make a movie with you.

Let me take this camera away from the tripod.

Okay.

So, this is my house.

This is where I live currently.

Let's show you.

This is my yard, okay.

Let me show you inside.

This is the kitchen.

This is my mother.

Say hello.

- Hello.

- Okay, she's my mother's room, okay.

Pictures with me

when I was very little.

My mother, very young.

And me again, me with my mother.

This is my room.

Okay.

I wanna show you my attic.

My movie is called "Be My Cat"

'cause I love cats.

And I wrote a script.

And first, I needed a great actress

to play the leading role.

And for years, I could not find that actress.

And now, oh my god,

I saw you in Dark Knight Rises

and I saw you playing that catwoman in that suit.

Oh my god, in that lovely, in that lovable catsuit.

And at that moment I thought oh my god,

this is it.

Anne, you're my actress.

I need to work with you to make this movie.

And I can't go there.

I can't go in Hollywood.

I can't, I simply can't.

This is where I can create.

This is where I can make great things.

Here in my attic, in my house.

This is a film I'm making right now

to convince you to come here

and make that movie with me

and play that role.

I even convinced three Romanian actresses

to play in this film to show you

how I'm gonna work with you on "Be My Cat",

in the movie that I want to make with you.

And they don't know, they don't know.

I lied to them, okay.

Oh my god.

I have to walk.

I have to walk out of my yard now.

But there's no other way.

There's not much, only 500 meters to the pension

that I rated to film this film.

The actresses don't know that this is only

a means to cut the tool,

this is only a personal film only for you.

They think that I'm making a real movie

for cinema, you know.

This will be our secret, okay?

I didn't make a face to face casting call.

I made only an online casting.

They sent me pictures and videos with them.

So this is my room, rented at this pension.

And I found out a lot of great things,

how to work with actors, you know.

I will show you those things

when I will work with these actresses.

With the actresses that will come

in a couple of days.

You will see, you will see

and I know your psychology, I know you

'cause I saw a lot.

I saw thousands of clips with you.

I saw all your movies.

And I know your psychology and I created this role.

I adapted it especially for you.

And the movie had a great script

and you will see, you will see some scenes

when I will work with these actresses.

You will see that this is a great opportunity

for you to win another Oscar.

And I plan, I already told

I plan to raise all the money

and make a great movie and treat you well,

treat you in my home very well.

Personally, I will take care of you personally.

And I will make, I need to go campaign

to raise money to send the movie

to thousands of film festivals around the world.

And we will be, oh my god.

You are already famous.

But I will make you, oh my god.

I will make you a cornerstone,

something so, I will make you

something so strong in the history of cinema

that all the people around the world will worship you.

I promise you that.

Okay.

Oh my god.

Okay, and.

I already feel that we are,

I already feel that we are so connected.

Hello Anne.

Now I'm in front of the,

of the pension

where I'm staying right now.

And I'm waiting for the first actress to come.

(speaking in foreign language)

I'm gonna speak in english, Adrian.

Hello, hello.

She's Sonia, okay.

- Nice to meet you.

- Hello, Adrian, nice to meet you.

Hello.

I'm gonna film you.

And we're gonna film the whole process of welcoming you

and also we're gonna speak in English.

So, let's take your bags, all your luggages.

Okay, let me help you, okay.

We're gonna take her bags right now.

We are gonna shoot now the scene, where the actress,

this actress is playing at a local theater.

And she's a great actress, she has great ambitions

of winning the Oscar, okay?

My character is staying here at this house.

He is a guy who is obsessed with this actress, okay?

And he is watching this actress passing day after day

on this street, okay?

Home from her show to her,

- Can I get my bag because I'm thinking that,

- [Adrian] Okay, please please get your bag.

And now we are gonna shoot one of those moments

because she has this character that I am playing,

and a video camera, okay?

And he films her, the actress, okay?

The object of his desires, okay?

He films that so now we are gonna shoot.

I will be in character, okay.

I will be this guy.

And I'm gonna shoot you.

I'm gonna film you, okay, while you pass by.

Okay, let's try.

- Can I listen to music?

- [Adrian] Okay.

- This is what I do when I walk on the street.

- Okay, okay, okay, okay.

I'm sorry Anne for all these people talking behind me.

They are drunk people.

They are all drunk people drinking in this bar.

Okay.

Okay, cut.

It doesn't matter what you're doing.

You can do everything you like.

You can scream, you can hit me, you can look everything.

What is important, only these two things I'm asking

from you only these two things.

One, I cannot get closer than one meter to you.

And second, you do not, you are not allowed to run.

You do not run.

And you must resolve these two things

at the same time.

- Okay.

- [Adrian] Okay?

Let's see how it works.

Stop, stop.

I got closer than one meter.

Again.

Stop, I got closer than one meter, again.

- [Sonia] I don't know how to do this.

- [Adrian] I don't care, you must find a solution.

- [Sonia] But you are running after.

- [Adrian] I have, I am allowed to run.

You have to find the solution to keep me

at one meter without running.

- Sorry, if you run and I'm,

- But no, I don't care, I don't care.

I do not care about you not being able to do something.

I want you to be able to do something.

Find a solution.

You do not want to find a solution.

You like being comfortable right now.

- No, I don't.

- Yes, yes, yes!

You like being comfortable right now.

You're not listening to me.

- I am.

- No, you are not listening to me.

There is one meter between us.

I must not cross that one meter.

- Okay, I understand but if you do run and I don't,

how can we?

- I don't know, I don't know.

You find a solution.

You are the actress, you are the actress.

- [Sonia] Yes, but I'm not supposed to give solutions.

- Yes, yes, yes, you are supposed

to give solutions.

If I give you a solution then that thing

would not be something real.

Just think about some person in real life.

- But in real life I am allowed to run, I'm sorry.

- [Adrian] What are you?

- In real life, I am allowed to run.

- [Adrian] No, you are not allowed to run.

- In real life, I am.

- [Adrian] I want you to solve this situation.

- This is not possible.

- Solve it, solve this situation.

Solve this situation.

I got closer, I got closer than one meter!

Oh my god, I got closer.

- Sorry, it's impossible.

- [Adrian] No, it is not impossible.

- You do run, I can't.

- [Adrian] I can show you a lot of things.

I can show you a lot of things but I do not want to show.

I do not want to show you.

- Show me one of them, okay?

And I will do something else.

- [Adrian] No, no.

- But it's not possible.

- Oh my god, fuck, you're a shit actress,

you know that?

No!

- 'Cause I can't run, you talk about real life.

- You don't want to find a solution to this thing.

- [Sonia] I do want to find a solution.

But you talk me about reacting how we do in real life.

And in real life, I would run.

- So you say that you cannot stop me.

Okay but now I gave you a theme.

Something you need to respect.

You see that without running you cannot stop me.

- No, I cannot stop you.

- What's happening here?

I think something is burning.

Oh, 40 minutes of shooting, let's see what's burning.

(speaking in foreign language)

A lot of things happening, you see,

when we are making this movie.

The atmosphere is so charged with our emotions.

This happens, this happens, I'm not joking.

This happens when an actor starts to create.

When an actor starts to go through something.

When you're on the stage, when you're onstage.

When you're onstage, you know,

that's why that's the trick,

these black walls, these black walls on the stage,

they keep all the actors' energy inside

contained within the theater.

But when the actor starts to manifest theirself

outside of the theater like in this shooting,

the energy, whoosh.

It explodes everywhere.

That's why that fire there.

So this guy needs to be rejected by this actress.

Let's do that.

Think, okay?

- But she must have a reason to reject him.

This guy only says hello, she has no reason

to reject him that brutally.

- Try, try something brutal and then we will see

if it's okay or not.

First we try it then we think.

First we do then we think.

Hello.

- Go away, I don't want to see you in my life, okay?

I hate you.

You are disgusting, you are ugly,

you smell like shit.

You are a loser!

You won't do anything with your life, okay?

- [Adrian] But I will be everyday here for you.

- No, no.

Stop today.

- [Adrian] I won't stop.

- Stop right now!

You are a loser!

- [Adrian] But you can't do a thing to stop me

because I love you.

- Yes I can!

- [Adrian] But I love you.

You can't do a thing because I love you.

- I'm gonna hit you.

I'm gonna call the police.

They're gonna put you in prison.

- [Adrian] No they won't because I love you.

- No, you don't love me, go away!

- [Adrian] No the police will,

- I hate you.

- [Adrian] The police will empathize with me.

- No, they won't, they won't, you piece of shit!

- [Adrian] No, no, no.

See, now you love me too.

- No I don't.

- [Adrian] Yes, you calm down so you love me too.

- I don't, okay.

I don't love you.

- [Adrian] You're lying, you're lying.

- No I'm not lying.

I hate you.

I hate you, I've never hated anyone in my life.

I am gonna.

You shut up.

- [Adrian] You love me, you love me.

- Go away!

Go away!

No, don't touch me!

- [Adrian] You love me, you love me.

You love me, you love me.

- You idiot, don't touch me.

Don't!

Don't!

- You love me, let's go inside.

Let's go inside.

Oh my god you love me so much!

- No, I don't!

- [Adrian] Yes, you love me.

- No!

- [Adrian] Yes!

- Go!

- [Adrian] Yes!

- Go away!

- [Adrian] I'll wait you tomorrow.

- No!

- [Adrian] Well yes!

I'll wait you tomorrow in the same place.

- No, don't do that, no!

- [Adrian] Yes, I'll wait you tomorrow.

Yes.

- Don't.

- You love me.

(laughing) she loves me, oh my god. (laughing)

You love me, I love you, I love you.

I now know you love me. (laughing)

You love me. (laughing)

Wow, my god.

So this actress actually loves this guy.

She is telling him that she doesn't love him

just because of her pride or something like this.

(panting)

You look behind so,

- I did.

So, if you don't leave me, I call the police.

And your goddamn movie will not ever be made, okay?

- [Adrian] So wait a minute, you are not talking

with me in character?

- No, stop feeling rejected.

If I call the police right now,

you won't do your movie.

I'm calling.

So stop, now!

- [Adrian] You don't have the courage

to call the police right now.

Oh fuck.

Don't call.

Don't call the police.

Don't call.

(speaking in foreign language)

- I'm gonna take my luggage and go away.

- [Adrian] Why?

- To make you feel rejected.

To see how it feels.

If you want realism in your life.

Feel rejected 'cause I'm not going to play

in your goddamn movie.

- [Adrian] But you're already playing in it.

- Not anymore.

- [Adrian] Well you are.

You just don't realize.

We have to shoot only one night scene, please.

Please understand.

I know you're mad right now.

- Okay, I understand but you talk to the police

and you explain the whole situation because I can't.

- Really called the police, oh my god.

So you really called the police?

Oh my god.

(police speaking in foreign language)

(speaking in foreign language)

So here's the thing.

We're gonna shoot the moment

when this creepy guy is

in one night,

how can I say this to you?

You see?

You had one late rehearsal at the theater.

You didn't expect to be so late.

But it got very late.

And you had to go at a very late hour at home

on foot walking, you know?

And this guy ,this creepy guy

because you rejected him yesterday,

he abducts you, okay?

Yeah, it's okay.

- Okay.

- Now I find the situation.

I lift you.

- Ah okay.

- And then you, because you're, well,

your whole um,

the whole thing, your whole power when your struggle

is in your legs.

But if I lift you up,

then you don't have anything to grab.

- I'll be fine, okay.

- I'm gonna put some water, I wanna be more realistic.

- With water?

- Yes, with water.

It gonna smell like,

like formal because,

like chloroform because it's in a bottle of,

it was some sanitary alcohol inside, okay?

- Okay.

- Let me put some more.

So that was the police. (laughing)

We don't wanna make this scene

when the police is.

Okay, stay right there.

Okay, when I say, when I see,

when I say action, you.

- [Sonia] Okay.

- I put more substance on this material.

I will put this material now on her face

and you will see Anne what will happen.

It's a surprise.

I'm nervous.

I'm really, really nervous now.

(exhaling)

Action!

Okay.

So.

This is the actress.

Okay, there are people coming.

Let me grab her here.

(laughing)

I had real chloroform on this tissue, in that bottle.

There was real chloro, (laughing) oh my god.

She's now, she's now, look at her.

She's so asleep right now. (laughing)

Okay let me see.

Somebody, no.

But this is not a problem.

Even if somebody would come now,

they see that we are making a movie

and they won't believe

that she's really passed out, you know?

(laughing)

This guy now that I'm playing right now,

he is obsessed by this actress, I already told you.

And now, now he has this actress.

He had this actress only for himself.

This is a catsuit, see?

Yeah this is a catsuit.

And gloves for the cat suit.

And also for the cat suit.

And this guy is undressing the girl.

He's undressing her.

And he's dressing her with the cat suit.

And then you will see what.

Anne, please don't be jealous of me.

I'm not doing all this.

I'm not enjoying doing all this.

I mean, it's not me undressing the girl.

It's the character that I'm playing.

You know Anne, he's undressing the girl.

Do you understand?

Anne, hello.

This is a sacrifice that I'm making,

do you understand?

This is real acting.

When you give everything you have for a role.

And I'm a great actor, Anne.

This way, you can see.

You can see now that I am a,

oh my god, Anne, I deserve you, okay?

I deserve you on all levels.

I deserve you as an actor,

as a producer, as a director, as a man,

everything, I deserve you.

Because I can make, especially now

in this moment I deserve you as an actor

because I can make this sacrifice for this role.

I would never do something like this in real life.

Me, Adrian, I would never do something like this.

Don't get it wrong, Anne, please.

Please understand this, okay?

Because I know you can understand

because you're an actress.

If you do not understand this, then you're not

a real actress.

But you are a real actress.

You're a great actress because I saw your acting

and I, I know that you can understand.

So please understand, okay?

Nobody will watch this scene.

Only you will watch this scene.

But they will be so authentic

and you will be convinced.

And then you will work the same way

that I work with these actresses, you will work with me.

Do you understand?

And then people will see this sacrifices

from you and from me on the movie

that I'm gonna make with you, "Be My Cat".

Will see these sacrifices.

People will see that we sacrificed everything,

our whole lives, our whole personal life

for the sake of this movie.

And the people will, all the people around the world

will be stunned by what they will see.

It's nine a.m. in the morning.

I couldn't sleep.

Worked the entire night.

Just wasn't able to sleep, you know.

Mmm, only just for a couple of minutes.

This is her, the actress.

I covered her still.

She is still tied up in the catwoman suit.

Still, she is little passed out.

Just be calm.

Lay on the bed, okay?

Okay?

Okay, now, let's talk.

You are playing this character, okay?

No, no, no, no.

(speaking in foreign language)

Don't make me, don't make me.

(speaking in foreign language)

Don't make me cut you, okay?

Please, please, I don't wanna cut you.

I don't wanna hurt you.

But listen to me.

Don't look at that thing at the door,

just listen to me.

Just listen to me

- Aah!

- Okay, I will.

(shouting in foreign language)

Shh.

(shouting in foreign language)

The people know that.

(shouting in foreign language)

I told everyone in this pension,

I told everyone in this pension

(shouting in foreign language)

I told everyone in this pension

that we are making the movie.

The people know that we are making the movie,

a horror movie with an actress yelling.

So there's no point in yelling, okay?

There's no point in yelling.

Everyone knows.

I think I'm gonna put a little bit more

of chloroform on you.

Not too much, just very, very.

Just a, just a drop.

Just a drop, not too much.

Okay, don't move.

I wanna put this on your face, okay?

Don't move, don't move.

Okay, okay, that's enough.

I think it's enough for you to.

Oh, a little bit more.

Okay.

Okay.

Sonia, do you hear me?

This guy, he's about to kill the person

that he loves the most.

And that person is dressed in a cat suit.

And you Sonia, you will make this sacrifice.

You will die for this role.

Do you realize that by making this sacrifice

that by dying in character,

do you realize that you do the ultimate role,

an actor's life?

So,

it wasn't that hard.

This character that I have just played.

You see, Anne, I'm still in character right now, because,

Oh my god.

She is so dead.

Oh my god.

Oh my god.

It was so hard.

It was so fucking hard to carry her.

Let me show you where I've put her.

Okay, so.

So, where is it.

Okay, look it, right in here.

(panting)

Nobody will find out about her here. (laughing)

Okay, I need to go out right now.

Oh my god, I panicked.

I don't know where to, where from,

where I need to, where is the way out.

Okay, okay, okay, okay.

Okay, okay, okay.

Okay now then.

Close the door.

Nobody saw me.

I know I'm looking, I'm checking if you can see me.

Nobody saw me.

She's just down there.

I'm gonna close the camera

because I have things to think around now.

I have to think of a lot of things.

I have to be very careful

to have alibis, you know,

in case somebody will wonder about her,

her disappearance, okay?

I'm gonna close the camera.

I'm gonna open it later, okay?

Bye, bye.

I don't like boys and I don't like dogs.

I like only girls.

The girls are so sweet and cute just like cats.

I love girls and cats.

So sweet and cute, and oh my god.

I don't like boys and dogs,

they are all bullies.

Mean, mean, mean people and mean animals.

Boys and dogs, they are the same.

A boy and a dog are the same thing, you know.

Both brute, they are brute, grr.

They are both bullies.

But girls and cats, they're so sweet and innocent.

My god, that's why I wrote this script

of this movie that I wanna make with you

about this guy obsessed with cats and actresses.

This is inspired from my love of cats.

Because I'm in love with cats.

His obsession, I'm not obsessed with cats.

I only love cats.

But this guy, he is obsessed with cats

and he is obsessed with having back his cat

that he loved so much but he killed her.

From a mistake, he killed her

as I killed my own cat when I was playing with her

when I was tying her neck with ropes and,

oh my god, a dead cat.

So I was telling you that,

because of this guy, because of my experiences

with killing my cat that I love so much,

this guy is obsessed with cats

and he also killed his cat.

The character in my movie.

And he wants to bring that,

he wants to bring her back in the form

of a beautiful girl,

of a beautiful catwoman.

Ah, Anne!

And you will play this girl.

And you will play an actress.

You're an actress and you will play an actress

in my movie.

At the end of filming with me,

you will be changed forever.

I promise you this.

Psychologically, emotionally, even physically.

You Anne, will be another person

at the end of the shooting.

And I will also be another man.

An irreversible transformation

by letting yourself to do this,

you are sacrificing your ego.

And by sacrificing your ego, your soul is released.

Your soul will be released from your ego.

And my soul will be also released.

And we will be so free and happy to be together.

Our souls will be together forever.

(laughing)

Anne!

Anne.

The people who will see this process

will empathize with it.

And by empathizing with it, guess what?

Millions of people will free their souls

from their ego.

Oh my god, oh my god.

Oh my god, oh my god, oh my god.

Millions of people will free their souls

from their ego.

And the world will be a better place.

And this way, I will,

and this way, I will forever,

I will accomplish my biggest dream

of changing the world.

And I will change the world with you, Anne.

This is a revolutionary song.

A revolutionary Romanian song.

(song playing in foreign language)

So happy, Anne.

He is saying,

we will not live.

We will not leave this place and go home

until we won't win our freedom.

(singing in foreign language)

Okay, now we're in the taxi.

(speaking in foreign language)

So Anne, she's the actress.

Okay.

Wow, hello.

In English please.

- What a long journey, oh my god.

- [Adrian] How was your trip?

- Awesome.

- [Adrian] Awesome, okay. (laughing)

Okay, wow.

Let's go inside this cab.

So, this is Flori.

- Hello.

- [Adrian] We are filming the whole process

of making this film, of making "Be My Cat"

because we wanna make a documentary, you know?

We wanna make a documentary about making this film.

- Okay.

- [Adrian] You look different than those picture

that you gave me when I made the casting call.

- That was a long time ago.

- [Adrian] Okay.

- In what way?

- [Adrian] We will talk about these things, okay?

Well the actress needs to be skinny.

- And I'm not skinny enough for you?

- [Adrian] No, you're.

Anne Hathaway model.

This actress looks like Anne Hathaway.

Did you see Anne Hathaway in the Dark Knight Rises?

- Yes, I saw her.

- [Adrian] And?

- I don't like her.

- [Adrian] You don't like her?

Okay.

- She's a horse person, she's not an actress.

- [Adrian] She's a what?

She's not an actress?

- No, she's not.

- [Adrian] Why?

- Because she don't know how to act.

- [Adrian] She doesn't know how to act?

- Yes.

- [Adrian] But you know how to act.

- Yes.

- [Adrian] You are better than Anne Hathaway.

- Yes.

- [Adrian] Okay, so if you're better than Anne Hathaway

how come you sent me old pictures,

old casting pictures?

- Because I told you,

I want to see you.

- [Adrian] You wanted to see me?

- Yeah.

- [Adrian] See me?

- Yes, you.

- [Adrian] Why?

- Why are you so surprised?

- [Adrian] Why?

- Why.

- [Adrian] Exactly, why.

So you are,

you are not interested in this role?

- Yes I am.

But,

- [Adrian] But what?

- But I believe that you are

you are a nice guy, you know.

- Okay.

So my actress,

my actress believes that I'm a nice guy.

Okay.

Let me just a moment to process

what your attitude and what you're saying

to me right now.

- I'm not good for you or what?

Say something.

- [Adrian] No, you're not good for my character.

The character that I'm playing in this movie

because we need to play together, you know.

He wants a skinny girl.

- And I'm, I believe I am skinny.

- [Adrian] No you're not.

Give me a solution, say something

because I'm not responsible at all

for what you just did.

I'm responsible for this movie.

This movie has to be perfect.

But I'm not responsible for the fact

that you send me the wrong pictures.

That you send me old pictures

when you were younger and skinnier.

And now you're fat and said

you're not interested in the movie.

aNd in your role you say you're interested in me.

And I'm not responsible for these things.

So please tell me.

Please give me a solution.

- No, I'm interested.

- [Adrian] No, no, no, you just said

you're interested in me, I'm a nice guy.

I don't want you to be interested in me.

I want you to be interested in this role,

in this character that you're playing right now.

- Yes and I am.

And you are a nice guy.

- Oh my god, oh my god.

- [Flori] Why are you so surprised?

- These actress is, fuck.

You know, fuck!

- [Flori] You know, I want to do that movie.

- Yes.

- With you, I want.

- [Adrian] Please, don't come closer.

Just stay at maximum one meter and a half from me, okay?

This is one meter, go.

- I'm scaring you?

- [Adrian] Go back please, go back.

Go back.

Okay, okay, that's perfect.

So I'm now stuck with an actress filming this

"Be My Cat" movie.

An actress with whom I've made a contract.

And I spent a lot of money for her to come here,

in the woods from the other side of the country.

I spent a lot of money on things, on food.

And now she,

Okay, if you do not give me,

if you do not give me a solution,

- But I will give you a solution.

- Okay, give it to me.

The solution.

Oh my god.

Just talk.

Just open your mouth and say something, the solution.

- It's very easy, you know.

Just fuck me and that is all.

- Oh my god.

Oh my fucking god.

Oh my god.

Oh my god.

Oh my fucking god.

Anne, please, please,

I didn't expect something like this

from this actress.

She wants me to fuck her, no.

Please don't be jealous.

I will find a way to deal with her.

I promise you.

So I think the bus.

Hello.

(speaking in foreign language))

In English please.

- Okay, hi.

Already hi.

I have to take my luggage.

- [Adrian] Okay, okay, let's take them.

We're gonna film the whole process

of making this movie, you know?

She is Flori, a second actress.

- This man from the bus told me he's prepared.

He has someone, his family who's working

at the police station.

And if I have any troubles,

and he wanted to see you.

He was very nervous.

- [Adrian] Why?

- I don't know.

- [Adrian] But what did you told him?

What did you tell him?

- He asked me why I'm going to Radauti and I told him.

And he was very suspicious.

- [Adrian] How, oh he was very suspicious

of someone from Radauti making a movie?

(laughing) Okay, there are not,

there aren't people in Radauti making movies.

- He thought it was some other kind of movies.

- [Adrian] Oh, okay I see, okay.

- I think she has, have something in common

with Anne Hathaway?

- [Adrian] (laughing) Wow, wow.

Yes, she's a big Anne Hathaway fan.

- Yes I am.

- [Adrian] Just look at her.

The makeup also, yes.

She always dress, usually.

She's always dressing and putting her makeup

like Anne Hathaway.

Saw all her movies.

- Yes.

(Adrian laughing)

I love her.

- [Adrian] Come.

I wanna show you the place.

Oh, so dark in here.

I must change the camera settings.

18 decibels, okay.

Outdoors.

This is the thing.

Okay.

We're gonna take this mattress off this place.

This is the bed.

I'm gonna put something on the bed.

I must find something.

I think I'm gonna find some, some things in the attic.

This will go on the floor.

Because you have to make this place look like

this guy that I'm playing.

He wants to make this like an operation room,

like in the hospital.

You know, like in the surgical room.

Please, hold this thing and just film me.

Don't touch any button.

If you see the red thing then it's filming.

Wait for me to get the tripod

for the camera.

I forgot my keys.

(woman laughing)

- [Flori] A ghost.

(laughing)

- [Woman] Oh I think he needs other settings.

Maybe a bit dark.

Those are weird.

- This is for to, maybe.

- [Woman] It's the sharpest thing.

- [Adrian] Don't touch it.

- Well.

(laughing)

(banging)

Boo, haha!

Okay, um.

Let me think.

Undress, and on the bed.

Okay, and I will tie you.

I brought some ropes.

(laughing)

- [Flori] Really?

- [Woman] Nice tattoo.

- [Flori] Thank you.

- Lay down.

Lay down, okay?

Lay down, okay.

Your legs, please.

(Flori laughing)

Please, please.

(laughing)

- [Woman] I can't see her face.

- No. (laughing)

- You must be tied for real.

Okay?

- But you are hurting me right now.

- No.

- Yes you are.

- No, no.

They aren't too tight.

- This is.

- No, no, it's okay.

- It is not okay.

- It's okay.

- No.

- Don't worry, it's okay.

It won't be for long.

Just a few minutes.

Right now, I need you out of this place, okay?

- Where?

- [Adrian] To your room, back to your room.

It has to be, thank you, thank you for helping me to,

because we're gonna film right now this scene, okay?

- [Woman] Okay.

- But why?

Why she can't stay here?

- [Adrian] She can't stay in here.

- Why she can't.

- [Adrian] Because this is an, this must be realistic.

I don't want anybody around here.

It won't be long, just for 10 minutes.

- But I'm an actress.

- [Adrian] Okay, I know, I know, I know, I know.

It's okay, it's okay.

Okay, so please.

- [Woman] Okay I will be out here.

If you need anything,

- [Adrian] Okay, I will call you, I will call you, okay.

(laughing)

- [Woman] Good luck.

- [Adrian] Okay.

I'm not, I lied to you, I'm not making a movie.

(laughing)

So now Anne, we're alone.

I'm alone with the actress.

And as I told you, I had a surprise for you.

You see, this is the actress ,she's tied.

She thinks that I'm gonna use fake blood.

This syrup, this mix of strawberry syrup.

(laughing)

And red paint.

And chunks of meat.

But um, that would be fake you know.

If we are going to use fake blood

made of syrup and red paint,

this would not be realistic, you know.

So this would,

I'm not talking with you right now.

I'm talking with Anne.

This actress named Flori,

she will make under my direction,

she will be physically transformed.

Like genuinely transformed at all levels.

She will suffer physically for this performance.

She will make the ultimate sacrifice, okay?

So.

I'm gonna use this knife.

I don't wanna shock you.

I really don't wanna shock you with this thing, like.

So I won't use,

I won't let you see.

This is why I put this white thing.

I'm gonna cut.

(laughing)

I'm gonna cut her.

I'm gonna cut her, I'm gonna cut on the shoulders

and her belly first.

I'm gonna put this white thing below the bed

because I think there will be a lot of blood

during this operation.

(whistling)

(humming)

And now I need,

I need to cut a little bit deeper.

Just please, don't cry, don't cry.

- No, please no!

(shouting)

Fuck you!

Fuck you!

No, no!

Fuck you!

No, no!

(screaming)

- As you can see, Anne.

- No, please, no.

- She's in pain right now, okay?

- No!

(screaming)

Please!

Fuck you, fuck you!

- [Adrian] Yes, yes, yes, you will.

Well, you won't.

Just hear the place with me, just silence.

- Please, please.

- [Adrian] Okay, I will, I will.

Just hear the music.

(song in foreign language)

- No!

No!

Fuck you!

- I'm gonna cut your throat if you bite that thing,

that rope, okay?

I'm gonna cut your throat, I'm gonna kill you right now.

If you untie yourself, I'm gonna kill you right now.

I'm gonna cut your throat!

So.

I'll cut a big chunk of meat.

(screaming)

- Fuck you!

(screaming)

(shouting in foreign language)

- [Adrian] Whoah, whoah, whoah

it's okay, she needs to scream to record the camera, okay.

We need to record the screaming on the camera, okay?

- [Man] Is this blood?

- [Adrian] No, this is fake blood.

This is fake blood, okay?

- Okay, just.

(speaking in foreign language)

- [Adrian] Let's find a place to sit best.

That way.

Oh, the something got,

I forgot the lyrics.

(siren sounding)

- People are dying, okay.

Hello Anne.

Now it's time, it's dark, very dark outside.

You see?

It's night.

It's almost 12 in the night.

And I think the wounds, her wounds.

The wounds of Flori healed by now.

And I have this gorgeous catwoman suit, you see?

And I will dress her in this catwoman suit.

And this time, she will be thin.

And she will be cat, be my cat.

Okay Anne.

Let's go.

Okay.

All right, see.

Okay.

Okay.

She should be asleep for now

because I put some chloroform on her face last night.

And I put a lot of chloroform on her face.

I didn't want her to yell all this time, you know.

Because nobody knows that she is in here inside this,

okay.

Let's see.

I'm gonna dress her with this catwoman suit

and you will see the transformation, okay.

And you will see, you will see, Anne,

you will see my directing skills in this.

My power as a director to totally transform

the body of the actor.

Just think Anne.

If I had this power to transform a totally shit person

in a shiny person like this,

just imagine what power I would have on you

because you are already shiny.

You are already a gorgeous woman, a cat woman.

Thin and beautiful and intelligent.

Imagine what I could do with you.

I could make you god, Anne.

I could make you a god of the actors, just imagine.

Just imagine, Anne.

Okay, I'm gonna dress her in this catwoman suit

right now, okay?

Fuck, Anne.

Fuck.

I'm not sure if now

I'm me or if I'm playing that guy

in the movie "Be My Cat."

Oh my god Anne, I am the character.

I have become the character in "Be My Cat."

You know Anne, I'm the character now.

I'm the character in "Be My Cat."

Oh my god, Anne.

Though I'm prepared, now I'm prepared

to work with you, Anne.

Now I'm prepared to work with you.

Anne, now I'm prepared to work with you.

Oh my god.

I don't need the third actress, Alexandra.

I don't need her.

I will tell her to go home.

I will tell her to go home.

I don't need her.

Oh my god, I don't need her.

I'm prepared to work with you on this movie, Anne.

Oh my god.

I'm ready for you.

I'm ready to be your acting partner in this movie.

Because now I'm the character.

I have become the character.

Oh my god, oh my god, oh my god.

Oh my god, I'm so happy.

Oh my god!

Uh, Anne.

I have a problem.

There's a lot of blood in here.

There's a lot of blood and she's not breathing.

Anne, I need to go and cut some things.

Just wait for me to cut some,

to cut some plastic bags and to have something

to wrap her body, okay?

Anne, Anne please.

Just wait for me here.

Okay I know it's dark.

Please don't be scared, okay?

There's no one in here.

We can hear only some noises from above us,

from the first floor.

Okay, so there's no one here.

Just her and she's dead, okay?

Okay, Anne?

Okay, Anne.

(footsteps clacking)

(Alexandra speaking in foreign language)

- Flori.

(speaking in foreign language)

Flori?

(shouting in foreign language)

- Everybody knows that we are making a movie, please,

don't scream, okay?

Shh, shh.

(Alexandra speaking in foreign language)

Shh, shh.

(Alexandra speaking in foreign language)

In English please.

In English, please.

- [Alexandra] Okay, okay.

- Just come, come.

- [Alexandra] Leave the knife.

- Come, please.

- [Alexandra] Leave the knife.

- Come.

Come, come.

Take the chair.

Take the chair.

Okay.

Put the chair

What are you gonna do with the camera?

- [Alexandra] What?

- [Adrian] What are you doing with the camera?

- [Alexandra] I don't know.

I don't care about the camera.

Can I just,

- [Adrian] Close the door.

Okay.

Put the camera on that chair facing me.

Okay.

And you go in that corner of the room.

I won't take, just don't take the camera.

I'm not, I just wanna take the camera.

I won't do anything to you, okay?

Don't run.

Okay so.

I just wanna take the camera, okay?

- [Alexandra] Okay.

Okay.

- Don't run.

If you run, I'm gonna cut you.

Okay?

And you will scream and nobody will come, okay?

I know it's late at night

but people know that we are shooting a movie

right now, okay?

They think that we're making a film, okay?

And they won't come to rescue you.

(muttering in foreign language)

Just in English.

- You're a psychopath, that's what I said.

- [Adrian] Oh, I'm a psychopath, okay.

Just wanna film you.

What should I do with you now?

I'm gonna, I'm gonna.

- If you let me go,

- [Adrian] Don't talk right now.

Now I'm thinking, okay?

While I'm thinking, you do not talk.

I'm gonna get closer to you, because I like.

I'm not gonna cut you right now.

Okay.

So, I just wanna speak with you.

That's all, okay?

- Okay.

- [Adrian] Okay?

- Okay.

- [Adrian] Okay, okay.

But I'm ready.

- Okay.

- No, I'm ready to cut you in case you do,

you're doing something, okay?

I'm ready to cut your throat.

- I'll stay here.

- Okay, go and take the tripod

and bring it to me.

Just, just, just, very,

don't make a lot of noise, okay?

But in order to convince Anne to play

in my movie, Anne Hathaway,

I needed to film some scenes from the movie "Be My Cat"

with other actresses.

I lied about making a movie with you.

So Anne, what?

I don't know what to do with her.

I really don't know.

The clock is ticking, 30 minutes.

So when I'm talking to Anne, you think

about a solution, okay?

Think or die. (laughing)

(humming)

- Don't show this to Anne.

(laughing)

I can talk to her and convince her

that you're the greatest director ever

and I want to work with you so much.

But I'm just, I'm not ready.

- [Adrian] So you're telling me

that you will speak to Anne?

- If you want me to.

Why don't you?

- [Adrian] Don't give me bullshit.

You don't have the relations, you are nothing,

you're an actress from Romania.

Anne is an actress from Hollywood.

Don't give me bullshit, okay?

31, 31 minutes.

- Did you try to talk to her?

- [Adrian] 31 minutes.

31 minutes or the knife will go in your throat.

Ju ju ju! (laughing)

- So what, you like her as,

- Psycho scene, ju ju ju ju.

Hah, hahaha.

(humming)

Anne, I already told you what this,

this song, the verse, the lines what they mean.

(singing in foreign language)

We won't go home from this place

until we win our freedom.

This, like,

have meaning, you know?

That's why I love this song.

(humming)

Don't!

- I'm sorry.

I'm sorry I lend you.

I'm sorry.

I'm sorry, please.

I'm sorry.

I swear I won't do it again, I swear.

I just don't know what to do

to get out from here without being hurt.

- This bitch wanted to escape.

- [Alexandra] I'm sorry.

- This bitch wanted to escape.

I just, I just, I will kill you with one hand.

Trust me, okay?

Okay?

Don't, I want to.

Don't touch that thing.

I wanna see your hands.

Okay.

- Tell me about this movie again.

Tell me about them.

I think it's great that you're doing this for someone.

- [Adrian] Okay, so?

- It's a great gift.

- [Adrian] It's a great what?

- Gift, gift.

I would be flattered if someone would do

what you did to convince me to play

in his movie.

When I go to castings, or auditions,

I want to convince the director to play in his movie.

I wanted to play in your movie.

- [Adrian] Okay.

- And the other way around,

the director to convince an actor

and to give him such a gift and such a sacrifice.

- [Adrian] Okay.

- This is amazing really.

If you put the knife down, I won't leave

and we can still talk about this.

Like artists.

I mean it.

- I like this girl, you know.

But I didn't,

I'm not in love with her, you know.

She's just cute.

Because she looks like you, you know.

She's thin, she's cute and she,

you know Anne?

I love only you, Anne.

I don't wanna kill you.

No, Anne, I don't wanna kill her.

- [Alexandra] That's great.

- [Adrian] Yeah, I know it's great.

- Not about just killing me.

It's great, you love her.

- [Adrian] Yeah, I know it's great, I love her.

- Why don't you do more than just,

if you just go to her?

I don't know.

If you love someone, you have to be,

like in your movie, like in the scene

with him and her, the lovers.

You go and meet her and the connection

will be different.

It's different when you have eye contact.

Through a camera is different.

- [Adrian] I can't.

- Why?

- [Adrian] I have a fear of slipping out of my town.

I can't, I can't.

It's not an option.

- Come on.

- [Adrian] I had some problems.

I was bullied like in school.

I don't know why I'm telling you all this.

I was bullied in school, in high school.

Every time I had to deal with people,

bad things happen to me.

I don't like people.

I don't like being around people.

I don't like being vulnerable to people.

I don't like stepping out of my house

and I never step out of my town.

I can't go to Anne to meet her.

And I must send her.

I need to make this movie, you know.

- And you expect her to come here?

- [Adrian] Yes, I wanna make,

not here in this.

I wanna make the movie in my house.

Now it's mother there.

I must get rid of my mother.

I must kill my mother in order to be with Anne

in my home.

- I don't think so.

You cannot expect to sacrifice someone else

from your love and be understood in this love.

You have,

- [Adrian] Sorry, I can't, I can't.

- You have to make a sacrifice,

not sacrifice other people.

- [Adrian] I already sacrificed myself.

I found myself in this character, you know.

- It's not enough.

- [Adrian] What, what,

what are you saying to me right now?

What do you want me to do

in your mind to be enough?

- The biggest fear.

You just told me.

You have to pass through that.

You understand?

You have to go.

If I were you I would just leave now.

- [Adrian] And do what?

- And go to Anne!

And tell her everything you feel for her,

everything you're doing for her.

And she will understand.

- [Adrian] The situation is not okay

between the two of us right now.

- Why?

- [Adrian] Because we are too personal.

- I like being open.

- [Adrian] Yeah, I know you like but

it will be very hard for me to kill you in the end

because you, I'm afraid that you

will not convince me.

- You know what?

You can kill me, I don't care.

If this is what you have to do to go to Anne

and be with her.

I'm okay.

If you love her that much.

I'm okay, I'm here, and I won't fight.

- [Adrian] Move.

I need,

just move, just open the door.

Just shh.

Open this door.

Shh, shh, shh.

Don't make noise.

Shh.

Go in there.

And stay there, okay?

Please, don't make noise.

I need to pack my bags.

I need to pack my bags and run.

I need to take a bus.

Stay at a hotel somewhere, somewhere.

Okay?

- Good luck.

- [Adrian] Thank you.

- Thank you.

- [Adrian] Shh, shh, wait, wait.

So, please don't call the police.

Well I don't trust you.

You will call the police.

I know that you're faking right now.

No, no, I know.

- I will give you time.

At least that's what I do, what I can do.

- [Adrian] Just give me like 10 minutes.

Just stay in here.

I will be in the building, okay?

Just don't scream.

It's late at night.

If you scream, I will hear.

And I will be the first to come

before anybody else will hear you.

Okay?

Don't laugh.

Because if you do this, I will kill, you, trust me.

- I'm happy for you.

- [Adrian] Are you really happy for me?

- Yes.

- [Adrian] Yes?

- Yes.

- [Adrian] Don't make Anne jealous.

- [Alexandra] I won't.

- [Adrian] I would love to come in there with you but,

hah, I'm with Anne.

- [Alexandra] You have to try with her first.

- [Adrian] What?

- You have to try with her first.

- Yes I know, it was just a joke, Anne.

Don't be jealous.

You know that it was just a joke, okay?

- Hi Anne.

He's a great guy.

Good love, good luck.

- [Adrian] Here you can talk with Anne.

Four minutes.

- I wish you the best love relationship

and marriage and kids and everything.

- Kids, hahaha.

I want kids.

I want kids with Anne.

Oh my god.

Thank you.

Thank you Alexandra

for okay, I think you're right.

I want kids with Anne.

Oh my god, I want a family with Anne.

Three minutes of shooting.

I want a family with Anne.

Anne, I want a family with you.

Mmm.

Fuck, I don't, I don't feel the need anymore

to talk to the camera, to talk with Anne.

- Go and talk to her.

- Because I, oh fuck I don't feel the need

to talk with the camera.

Oh my god.

- You're ready.

- I think I don't need to make the movie neither.

I think I'm ready to go and talk with to Anne.

I don't, I'm, oh my god.

Oh my god.

Oh my god.

I used to look at this camera as Anne

and speak to her, but right now

I feel like she's a real person.

There and, I really can take the bus

and then the plane.

And meet her and,

children, family, and (mumbling)

Two minutes.

When ah.

I don't even feel the need to record all this.

(laughing)

Tell me one last word and after, just think.

You have 20 seconds to give me one last word

and then I will close the camera.

- I give you half an hour to run and go get her

and be happy and I'm glad for you--

- [Adrian] Just one word.

One word now, one word.

- Love.

- Sheesh!

(song in foreign language)