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When I first read the book,
I was blown away
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because the way Maggie was writing it,
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it was emotional world-building,
not just factual.
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There is a pulse to her writing
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and I thought, "Wow, if she's willing to
write the screenplay with me,
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then we could create something magical."
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Great. And cut. Reset.
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[O'Farrell] Chloé Zhao.
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As soon as I heard her name, I thought,
"Yes, she's the woman for the job."
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With a lot of her work,
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she's in a very interesting dialogue
with art and authenticity,
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and the relationship between the two
and how they pull together and pull apart.
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I think that's what makes her
so brilliant.
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The narrative of the book and the film
is about why we need art,
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why we make it, you know,
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where it comes from,
where it's pulled from in your soul.
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The way Chloé has worked
bringing this to life,
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it's been a journey.
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It's never just been an end product.
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From day one, Chloé's asked us all to
come towards the story with an open heart
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and has been such a brave artist to
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weave everybody's skin into
this tapestry that she's created,
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and that's a really rare experience.
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[crew member 1] Okay, stand by.
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- [crew member 2] Stand by.
- [crew member 1] Lock it up.
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- [crew member 3] Stand by.
- Slide down.
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Her greatest talent is knowing exactly
what kind of culture she wants on set.
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The atmosphere that she's crafted
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gives you all of the freedom and
creativity to put your best foot forward.
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She's just been an absolutely
extraordinary presence on set.
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And I think she's brought
a really feminine energy
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to the filmmaking process.
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It's been really brilliant
watching her work
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and seeing her very unique take
on the material.
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All feelings or emotions are welcome
once you step on the set.
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And when you're in that kind of
environment, it becomes the ecosystem,
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and I don't need to force the actors
to get anywhere that
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they themselves don't lead me to,
and already feel supported.
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- Reset, back to one.
- That was the most complex shot we did.
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- [crew member] Was it?
- That was harder than the stunt.
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We're there to capture the truth that
comes through one moment after another.
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So when your actors are
operating at that vibration,
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something is going to come through.
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- Give her to me.
- I'll make sure it gets a decent burial.
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Give me my child!
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[Zhao] Whether it's a scream
or the tiny little twitch,
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my job is to nurture that.
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Chloé is like no other director
I've ever worked with.
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She loves going deep into
all of the characters,
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she really wants the performances to
feel truthful.
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I don't know. Just stress to people
that you're going to perform.
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I mean, like,
you're thinking about performing.
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Do you think he's thinking
about that there?
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- In the moment?
- I don't think he is.
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I think he makes the decision...
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- On the way there.
- ...on the way there.
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- Which I think is funnier.
- Okay. Okay. I like that idea.
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After a phase of swimming in
the river of grief,
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we've got to do our "Dance Takes,"
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you know, where you dance together
after difficult scenes.
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Emotion is just energy in motion,
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so the best way to discharge
these emotions
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is just shake your body.
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We do it every Friday,
but we do it very professionally.
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It's called "Dance Takes."
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So we'll redo the scene,
at least the end of it,
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and then music
will get cued in at the perfect time.
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The edge between deep, deep grief
and ecstatic joy is a very fine line.
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And once the permission is given to
go over the precipice...
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[exhales deeply] ...you know,
and I think that's what life is about.
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You know, season's changes.
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You have to have winter to
appreciate spring.
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Thanks, Chloé. Come on in.
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It was particularly fun the day
when Chloé ended up working
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as a supporting artist
in the Globe Theatre.
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Oh, I love, I loved the outfit.
I wish every day we could wear that.
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That's so pretty and it was lovely.
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[cheering]
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[Buckley] Chloé is an extraordinary leader
and an extraordinary artist.
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There's just poetry pouring out of her.
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She's such a sensitive,
instinctive, curious director.
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She's invited me into a way of working
that I didn't even understand I could do.
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I just want to say that
I've never seen such a juxtaposition
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between tragedy and joy.
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It's amazing.
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Chloé, it all-- Thank you.
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[cheering]
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[Zhao] Ah!
7580
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