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1
00:00:03,500 --> 00:00:04,800
- PREVIOUSLY ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
2
00:00:04,800 --> 00:00:06,200
- KELSEY IS IN NEW YORK
3
00:00:06,200 --> 00:00:07,370
DOING THE MUSICAL
LA CAGE AUX FOLLES,
4
00:00:07,367 --> 00:00:09,567
AND WE WILL BE JOINING HIM
THIS SUMMER.
5
00:00:09,567 --> 00:00:10,797
- BYE, BABE!
6
00:00:10,800 --> 00:00:12,570
- BYE!
7
00:00:12,567 --> 00:00:14,227
[sighs]
8
00:00:14,233 --> 00:00:16,433
- OH, MY GOD!
9
00:00:16,433 --> 00:00:17,973
- RUSSELL.
10
00:00:17,967 --> 00:00:19,967
RUSSELL AND I TALKED QUITE
A BIT ABOUT GETTING A PUPPY,
11
00:00:19,967 --> 00:00:22,267
AND I THOUGHT WE WERE
ON THE SAME PAGE,
12
00:00:22,266 --> 00:00:23,926
BUT OBVIOUSLY I WAS WRONG.
13
00:00:23,934 --> 00:00:25,974
- [laughs]
14
00:00:25,967 --> 00:00:28,697
- CAMILLE SAID,
"I'M LEAVING FOR HAWAII."
15
00:00:28,700 --> 00:00:29,970
SO I SAID,
"IS KELSEY MEETING YOU?"
16
00:00:29,967 --> 00:00:31,367
SHE SAID, "NO."
17
00:00:31,367 --> 00:00:33,927
- AND THEN SHE CAME OUT
WITH A REAL SNIDE COMMENT.
18
00:00:33,934 --> 00:00:36,504
- SHE SAID, "WHY WOULD
ANYBODY BE INTERESTED IN YOU
19
00:00:36,500 --> 00:00:37,800
WITHOUT KELSEY THERE?"
20
00:00:37,800 --> 00:00:39,800
- I WOULD NEVER
THINK SOMETHING LIKE THAT.
21
00:00:39,800 --> 00:00:42,070
I WOULD NEVER SAY
SOMETHING LIKE THAT.
22
00:00:42,066 --> 00:00:43,696
- DON'T THROW JABS AT ME,
23
00:00:43,700 --> 00:00:48,000
BECAUSE I WILL
STAND UP FOR MYSELF.
24
00:00:48,000 --> 00:00:49,770
- IT MAY LOOK LIKE
I HAVE IT ALL,
25
00:00:49,767 --> 00:00:51,027
BUT I WANT MORE.
26
00:00:53,533 --> 00:00:55,603
- IN BEVERLY HILLS,
IT'S WHO YOU KNOW,
27
00:00:55,600 --> 00:00:58,630
AND I KNOW EVERYONE.
28
00:00:58,633 --> 00:01:01,303
- MONEY IS WHAT I HAVE,
NOT WHO I AM.
29
00:01:04,033 --> 00:01:06,833
- I WAS A CHILD STAR,
BUT NOW MY MOST IMPORTANT ROLE
30
00:01:06,834 --> 00:01:07,934
IS BEING A MOTHER.
31
00:01:10,266 --> 00:01:12,166
- IN A TOWN FULL OF PHONIES,
32
00:01:12,166 --> 00:01:13,466
I'M NOT AFRAID TO BE ME.
33
00:01:15,734 --> 00:01:17,934
- IT'S TIME FOR ME TO COME
OUT OF MY HUSBAND'S SHADOW
34
00:01:17,934 --> 00:01:19,974
AND SHINE.
35
00:01:34,800 --> 00:01:37,070
- CEDRIC?
- YEAH?
36
00:01:37,066 --> 00:01:39,426
- HEY, MORNING, DARLING.
37
00:01:39,433 --> 00:01:40,703
DO ME A FAVOR.
38
00:01:40,700 --> 00:01:41,970
CAN YOU JUST
HELP ME OPEN THAT?
39
00:01:41,967 --> 00:01:42,967
IT'S TRICKY.
40
00:01:42,967 --> 00:01:45,327
TIRED?
41
00:01:45,333 --> 00:01:46,633
- ARE YOU KIDDING ME?
42
00:01:46,633 --> 00:01:48,333
- I KNOW,
IT'S TOO EARLY.
43
00:01:48,333 --> 00:01:49,433
BUT IF WE DON'T
GET THERE EARLY,
44
00:01:49,433 --> 00:01:50,703
IT'S A HOLIDAY WEEKEND,
YOU KNOW?
45
00:01:50,700 --> 00:01:52,430
- YEAH.
46
00:01:52,433 --> 00:01:53,873
- CEDRIC,
HE DOES WORK FOR US,
47
00:01:53,867 --> 00:01:55,697
AND IT IS
AN UNUSUAL RELATIONSHIP.
48
00:01:55,700 --> 00:01:57,730
HE'S LIKE A MEMBER
OF THE FAMILY.
49
00:01:57,734 --> 00:01:59,674
SO SOMETIMES THERE IS
THAT DIVIDING LINE
50
00:01:59,667 --> 00:02:01,567
WHICH IS DIFFICULT
WHEN I HAVE TO KICK HIS BUTT
51
00:02:01,567 --> 00:02:02,927
OVER SOMETHING AT WORK.
52
00:02:02,934 --> 00:02:04,134
TEA, DARLING?
53
00:02:04,133 --> 00:02:05,533
- YES, PLEASE.
- SUGAR?
54
00:02:05,533 --> 00:02:07,273
- THREE SUGARS.
55
00:02:07,266 --> 00:02:08,426
- THREE SUGARS?
56
00:02:08,433 --> 00:02:09,603
- I KNOW, I NEED MY SUGAR FIX
IN THE MORNING.
57
00:02:09,600 --> 00:02:10,900
- YOU NEVER HAVE THREE.
- I DO.
58
00:02:10,900 --> 00:02:12,730
WHAT DO YOU MEAN,
I NEVER HAVE IT?
59
00:02:12,734 --> 00:02:14,434
I DON'T--
WHAT DO YOU MEAN?
60
00:02:14,433 --> 00:02:16,473
I NEED MY SUGAR FIX.
61
00:02:16,467 --> 00:02:17,967
- I GUESS EVENTUALLY
HE'S GONNA MOVE OUT,
62
00:02:17,967 --> 00:02:21,967
AND HE WANTS
TO GET MARRIED.
63
00:02:21,967 --> 00:02:23,127
HE WANTS CHILDREN.
64
00:02:23,133 --> 00:02:25,903
HE WANTS TO BE A HOUSEWIFE.
65
00:02:25,900 --> 00:02:27,530
CEDRIC, COME ON.
66
00:02:27,533 --> 00:02:28,773
- OKAY, I'M COMING.
67
00:02:28,767 --> 00:02:30,267
I'M COMING,
I'M COMING, I'M COMING.
68
00:02:34,900 --> 00:02:37,800
- OKAY, SO WE'RE GONNA
GET THE FLOWERS.
69
00:02:37,800 --> 00:02:40,270
WE'RE GONNA GO BACK TO BLANCA.
- YEAH.
70
00:02:40,266 --> 00:02:41,926
- DO EVERYTHING
PRETTY QUICKLY,
71
00:02:41,934 --> 00:02:45,004
'CAUSE IT OPENS
AT, LIKE, 11:30.
72
00:02:46,567 --> 00:02:48,927
HEY, [indistinct].
73
00:02:48,934 --> 00:02:51,774
- HELLO.
- HOW ARE YOU?
74
00:02:51,767 --> 00:02:53,397
THESE FLOWER ARRANGEMENTS,
75
00:02:53,400 --> 00:02:56,630
EVEN THOUGH THEY ARE
A GIGANTIC PAIN IN THE ASS,
76
00:02:56,633 --> 00:02:59,173
IT'S REALLY ALL ABOUT
THE PRESENTATION.
77
00:02:59,166 --> 00:03:00,866
- THAT'S GOOD.
AND THAT.
78
00:03:00,867 --> 00:03:02,967
THAT'S GREAT.
IT'S ALL WHITE TODAY.
79
00:03:02,967 --> 00:03:04,467
- GREAT, GREAT.
80
00:03:04,467 --> 00:03:05,767
- I NEED TO KEEP BUSY.
81
00:03:05,767 --> 00:03:08,327
I'M ONE OF THOSE WOMEN,
THE LUNCHING AND SHOPPING,
82
00:03:08,333 --> 00:03:10,003
IT'S FUN BUT THAT'S NOT
REALLY SOMETHING
83
00:03:10,000 --> 00:03:12,400
I WANT TO SPEND MY TIME
OR MY LIFE DOING.
84
00:03:12,400 --> 00:03:13,830
CEDRIC?
85
00:03:13,834 --> 00:03:17,174
BEND OVER.
IT'S NOT GONNA HURT A BIT.
86
00:03:17,166 --> 00:03:19,096
- THAT'S WHAT
YOU SAID LAST TIME.
87
00:03:19,100 --> 00:03:21,330
- BEND OVER.
COME ON, TAKE IT LIKE A MAN.
88
00:03:21,333 --> 00:03:23,333
- ARE YOU TRYING
TO SAY SOMETHING, LISA?
89
00:03:23,333 --> 00:03:25,673
DO YOU FIND ME IRRESISTIBLE
THIS MORNING OR SOMETHING?
90
00:03:25,667 --> 00:03:27,297
- NO, I DON'T ACTUALLY,
CEDRIC.
91
00:03:27,300 --> 00:03:29,130
I'M ONE OF THE VERY FEW
PEOPLE THAT DON'T.
92
00:03:29,133 --> 00:03:33,233
- WITH LISA, WE HAVE
A VERY CLOSE RELATIONSHIP.
93
00:03:33,233 --> 00:03:34,733
I DON'T HAVE
A FAMILY OF MY OWN,
94
00:03:34,734 --> 00:03:37,904
SO I'VE KIND OF ADOPTED THEM
TO THEIR DISMAY.
95
00:03:37,900 --> 00:03:39,070
LIKE THIS?
96
00:03:39,066 --> 00:03:40,196
SHE WORKS A LOT,
SHE WORKS REALLY HARD,
97
00:03:40,200 --> 00:03:42,530
AND I LEARN
FROM WHAT SHE DOES.
98
00:03:42,533 --> 00:03:44,703
- OKAY, NOW IF
YOU COULD PUT THIS
99
00:03:44,700 --> 00:03:46,270
ALL THE WAY AROUND THE EDGE.
100
00:03:46,266 --> 00:03:48,066
HE'S, LIKE,
BEING A REALLY GOOD STUDENT,
101
00:03:48,066 --> 00:03:49,966
BECAUSE NOW I THINK
IF I WENT AWAY
102
00:03:49,967 --> 00:03:53,397
HE COULD ALMOST DO WHAT I DO
AT THE RESTAURANT,
103
00:03:53,400 --> 00:03:54,830
WHICH IS GREAT
BECAUSE I DO SOMETIMES.
104
00:03:54,834 --> 00:03:56,004
I CAN'T BE THERE
ALL THE TIME.
105
00:03:56,000 --> 00:03:58,200
I LOVE IT.
I JUST LOVE IT.
106
00:03:58,200 --> 00:04:00,200
I DON'T KNOW WHY I LOVE IT
SO MUCH, BUT I DO.
107
00:04:00,200 --> 00:04:01,630
I NEVER GET TIRED OF IT.
108
00:04:01,633 --> 00:04:03,633
- IT LOOKS GREAT.
109
00:04:14,033 --> 00:04:16,903
- WHY DIDN'T YOU GUYS
COME WITH US TO HAWAII?
110
00:04:16,900 --> 00:04:17,930
I WAS SO DISAPPOINTED.
111
00:04:17,934 --> 00:04:19,034
I REALLY WANTED
YOU AND TRICIA TO GO.
112
00:04:19,033 --> 00:04:20,333
- I'M KNOW.
I'M SORRY, WE--
113
00:04:20,333 --> 00:04:21,573
YOU KNOW,
WE'RE BOTH WORKING SO...
114
00:04:21,567 --> 00:04:23,167
- I KNOW.
- WE COULDN'T GET AWAY.
115
00:04:23,166 --> 00:04:26,266
AND WE'VE BEEN AWAY
FROM THE BABY A LOT,
116
00:04:26,266 --> 00:04:27,726
AND I CAN'T KEEP
LEAVING HER.
117
00:04:27,734 --> 00:04:29,404
AND WE'RE GOING TO NEW YORK
WITH YOU GUYS TOMORROW.
118
00:04:29,400 --> 00:04:30,770
- YEAH, WE LEAVE
FOR NEW YORK.
119
00:04:30,767 --> 00:04:32,627
KELSEY'S IN NEW YORK
120
00:04:32,633 --> 00:04:33,833
DOING THE PLAY
LA CAGE AUX FOLLES.
121
00:04:33,834 --> 00:04:35,934
SO I'M VERY EXCITED
TO FLY THE LADIES IN
122
00:04:35,934 --> 00:04:37,604
AND MY CLOSE FRIENDS
TO SEE THE OPENING.
123
00:04:37,600 --> 00:04:39,730
- WERE THE GUYS OKAY
IN VEGAS?
124
00:04:39,734 --> 00:04:41,034
WAS EVERYTHING COOL?
125
00:04:41,033 --> 00:04:42,433
LIKE, WAS IT COOL
THAT I SHOWED UP THERE?
126
00:04:42,433 --> 00:04:44,873
WERE THEY JUST LIKE,
"WHAT IS THIS GUY?"
127
00:04:44,867 --> 00:04:46,167
- I THINK WHEN
YOU FIRST WALKED IN,
128
00:04:46,166 --> 00:04:47,796
EVERYBODY WAS LIKE,
"WHY IS HE HERE?
129
00:04:47,800 --> 00:04:49,030
WHO IS THAT?"
130
00:04:49,033 --> 00:04:50,103
- HI, HOW ARE YOU?
131
00:04:50,100 --> 00:04:51,500
- HI.
- HI, HOW ARE YOU?
132
00:04:51,500 --> 00:04:53,430
- FINE.
- IT'S NICE TO SEE YOU.
133
00:04:53,433 --> 00:04:54,633
- HI.
134
00:04:54,633 --> 00:04:57,133
- I'VE BEEN SO LONELY.
135
00:04:57,133 --> 00:04:59,073
- SO IS--ARE YOU KELSEY?
- I'M NOT KELSEY.
136
00:04:59,066 --> 00:05:01,596
[laughter]
137
00:05:01,600 --> 00:05:03,230
- IT WAS FUN.
- IT WAS FUN.
138
00:05:03,233 --> 00:05:04,703
HOW IS EVERYONE
GETTING ALONG?
139
00:05:04,700 --> 00:05:07,600
- KYLE AND I JUST HAD
A LITTLE TIFF.
140
00:05:09,133 --> 00:05:11,603
SHE SAID SOMETHING I THOUGHT
WAS A LITTLE DEMEANING.
141
00:05:11,600 --> 00:05:13,600
SHE REALLY STARTED
QUESTIONING ME A LOT.
142
00:05:13,600 --> 00:05:17,730
I FELT LIKE I WAS BEING
INTERROGATED BY HER.
143
00:05:17,734 --> 00:05:19,234
AND IT WASN'T
JUST ONE QUESTION.
144
00:05:19,233 --> 00:05:21,003
"OH, WHERE ARE YOU GOING
FOR SPRING BREAK?"
145
00:05:21,000 --> 00:05:22,630
IT KEPT GOING AND GOING.
146
00:05:22,633 --> 00:05:25,503
SHE SAID, "WHY WOULD ANYBODY
BE INTERESTED IN BEING WITH YOU
147
00:05:25,500 --> 00:05:27,000
WITHOUT KELSEY THERE?"
148
00:05:27,000 --> 00:05:31,030
AND I THOUGHT, OUCH, WOW.
AM I THAT INVISIBLE?
149
00:05:31,033 --> 00:05:33,073
IS IT ALL ABOUT KELSEY?
150
00:05:33,066 --> 00:05:35,826
WELL, I HAVEN'T SEEN KYLE
SINCE THAT LAST RUN-IN,
151
00:05:35,834 --> 00:05:37,774
AND I DON'T KNOW WHAT
KYLE'S GONNA BE LIKE.
152
00:05:37,767 --> 00:05:40,267
THING IS I JUST DIDN'T
EXPECT HER
153
00:05:40,266 --> 00:05:42,326
TO ASK ME SO MANY QUESTIONS
AND COME AFTER ME
154
00:05:42,333 --> 00:05:46,433
ABOUT MY VACATION
WITH MY KIDS TO HAWAII.
155
00:05:46,433 --> 00:05:49,633
IT JUST--I JUST DIDN'T
EXPECT THAT.
156
00:05:49,633 --> 00:05:51,033
AND I WAS JUST STANDING UP
FOR MYSELF.
157
00:05:51,033 --> 00:05:52,633
- WELL, HAVE YOU GUYS
TALKED ABOUT IT?
158
00:05:52,633 --> 00:05:54,333
HAVE YOU CALLED AND SAID,
"HEY, I'M SO SORRY," OR--
159
00:05:54,333 --> 00:05:56,873
- I STILL FEEL A LITTLE
UNEASY ABOUT IT.
160
00:05:56,867 --> 00:06:00,127
AND WE'LL SEE WHAT HAPPENS
IN NEW YORK.
161
00:06:10,633 --> 00:06:11,933
[doorbell chimes]
162
00:06:16,934 --> 00:06:18,534
- HI.
- HI, HOW ARE YOU?
163
00:06:18,533 --> 00:06:21,303
- HOW ARE YOU?
GOOD TO SEE YOU.
164
00:06:21,300 --> 00:06:24,100
- GOOD TO SEE YOU, HONEY.
- THANKS FOR PICKING ME UP.
165
00:06:24,100 --> 00:06:26,000
- [gasps]
WHO IS THIS?
166
00:06:26,000 --> 00:06:27,830
- THIS IS SNOWBALL,
APPARENTLY.
167
00:06:27,834 --> 00:06:30,574
- OH, EVERY KID NAMES THEIR
WHITE DOG "SNOWBALL."
168
00:06:30,567 --> 00:06:32,497
I'VE HAD A SNOWBALL OR TWO.
169
00:06:32,500 --> 00:06:34,630
OH, MY GOSH,
SHE'S SO SWEET.
170
00:06:34,633 --> 00:06:36,573
DID YOU JUST GET HER?
- YES.
171
00:06:36,567 --> 00:06:38,367
KENNEDY GOT HIM
FOR HER BIRTHDAY
172
00:06:38,367 --> 00:06:40,027
FROM HER FATHER.
- OH, HE'S SO CUTE.
173
00:06:40,033 --> 00:06:41,373
HI.
174
00:06:41,367 --> 00:06:43,197
- THAT'S A WHOLE NOTHER STORY.
THAT'S KENNEDY.
175
00:06:43,200 --> 00:06:44,330
THIS IS KYLE.
176
00:06:44,333 --> 00:06:46,773
- LOOK HOW CUTE YOU ARE
WITH YOUR PINK TUTU.
177
00:06:46,767 --> 00:06:48,267
SO CUTE.
178
00:06:48,266 --> 00:06:51,226
- I KNEW THAT I DID NOT
HAVE TIME FOR A PUPPY.
179
00:06:51,233 --> 00:06:52,733
I KNEW IT WOULD BECOME
MY RESPONSIBILITY.
180
00:06:52,734 --> 00:06:54,774
AND NOW EVERYTHING I DO
REVOLVES AROUND THIS DOG.
181
00:06:54,767 --> 00:06:56,497
THIS IS EXACTLY
WHY I DID NOT WANT A DOG.
182
00:06:56,500 --> 00:06:58,430
WELL, ALL RIGHT, WHAT ARE
WE GONNA GO LOOK AT TODAY?
183
00:06:58,433 --> 00:06:59,933
SOME DRESSES?
184
00:06:59,934 --> 00:07:01,274
IS THAT WHAT YOU'RE GONNA
WEAR TO THE PREMIERE?
185
00:07:01,266 --> 00:07:02,966
- I'M LOOKING FORWARD
TO GOING SHOPPING WITH TAYLOR
186
00:07:02,967 --> 00:07:04,867
AND FINDING SOME CLOTHES
FOR NEW YORK.
187
00:07:04,867 --> 00:07:07,797
EVEN THOUGH CAMILLE AND I
ARE NOT GETTING ALONG THAT WELL,
188
00:07:07,800 --> 00:07:09,170
I'M EXCITED TO GO,
189
00:07:09,166 --> 00:07:11,896
AND I COULD ALWAYS USE
A LITTLE RETAIL THERAPY.
190
00:07:11,900 --> 00:07:13,770
- IT'S ALWAYS HARD
TO LEAVE THEM
191
00:07:13,767 --> 00:07:16,497
ON A DAY WHEN THEY DON'T
HAVE SCHOOL, YOU KNOW?
192
00:07:16,500 --> 00:07:18,100
- I KNOW,
YOU FEEL GUILTY, RIGHT?
193
00:07:18,100 --> 00:07:19,430
- YES.
- BUT THEY LOVE IT.
194
00:07:19,433 --> 00:07:21,873
IT'S GOOD FOR THEM TO HAVE TIME
WITH THEIR DADS TOO.
195
00:07:21,867 --> 00:07:23,197
- I KNOW, I MEAN,
IT'S JUST LUNCH,
196
00:07:23,200 --> 00:07:24,670
SO THEY'LL PROBABLY
BOTH SURVIVE.
197
00:07:24,667 --> 00:07:26,297
- I THINK THEY'LL SURVIVE.
198
00:07:26,300 --> 00:07:28,300
ALTHOUGH YOU NEVER KNOW.
MY HUSBAND--
199
00:07:28,300 --> 00:07:29,630
- WHAT SCARES ME IS WHAT
SHE WILL PROBABLY
200
00:07:29,633 --> 00:07:31,133
BE EATING FOR LUNCH.
201
00:07:31,133 --> 00:07:33,203
- THAT'S FUNNY.
202
00:07:44,633 --> 00:07:45,833
HI THERE.
- HI.
203
00:07:45,834 --> 00:07:47,034
- HEY, NONY.
204
00:07:47,033 --> 00:07:48,603
- HOW ARE YOU?
- GOOD TO SEE YOU, SWEETHEART.
205
00:07:48,600 --> 00:07:49,930
- GOOD TO SEE YOU.
THIS IS TAYLOR.
206
00:07:49,934 --> 00:07:51,434
- HI.
- THIS IS NONY.
207
00:07:51,433 --> 00:07:53,333
THIS IS HER STORE.
- PLEASURE, WELCOME.
208
00:07:53,333 --> 00:07:55,773
- THANK YOU FOR HAVING US.
- ANYTIME.
209
00:07:55,767 --> 00:07:57,327
- WE'RE IN HERE
TO LOOK CUTE,
210
00:07:57,333 --> 00:07:59,573
'CAUSE WE'RE GOING
TO NEW YORK FOR A PREMIERE
211
00:07:59,567 --> 00:08:02,897
OF OUR FRIEND'S HUSBAND,
AND WE WANT SOME CUTE DRESSES.
212
00:08:02,900 --> 00:08:04,870
- I THINK WE CAN FIND
A FEW IN HERE.
213
00:08:04,867 --> 00:08:06,397
- I'M SURE WE CAN.
214
00:08:06,400 --> 00:08:08,870
NONY, WHO OWNS THE STORE,
ALSO HELPS ME WITH MY CLOTHING.
215
00:08:08,867 --> 00:08:10,497
SHE'S A GREAT DESIGNER
AND STYLIST.
216
00:08:10,500 --> 00:08:13,630
SOME WOMEN IN BEVERLY HILLS
USE A STYLIST EVERY DAY.
217
00:08:13,633 --> 00:08:17,303
I ONLY DO WHEN I HAVE TO LOOK
EXTRA FABULOUS.
218
00:08:17,300 --> 00:08:18,700
YOU COULD JUST WEAR THIS
WITH A LITTLE BLOUSE
219
00:08:18,700 --> 00:08:21,200
FOR THE PREMIERE.
- YEAH.
220
00:08:21,200 --> 00:08:23,170
- TRUST ME, I'M TRYING
TO MAKE YOU LOOK GOOD.
221
00:08:23,166 --> 00:08:24,396
[laughter]
222
00:08:24,400 --> 00:08:26,870
- KYLE, I'M STARTING
NOT TO TRUST YOU.
223
00:08:26,867 --> 00:08:28,067
KYLE, DO YOU THINK
IT WILL BE WEIRD
224
00:08:28,066 --> 00:08:29,466
THAT WE'RE IN NEW YORK
WITHOUT OUR HUSBANDS
225
00:08:29,467 --> 00:08:30,497
AND I HAVE SOMEBODY ELSE'S
HANDS ALL OVER ME?
226
00:08:30,500 --> 00:08:31,530
- I KNOW, I SAID--
227
00:08:31,533 --> 00:08:33,103
I SAID I THINK IT'S ADORABLE
228
00:08:33,100 --> 00:08:34,330
BUT IT SENDS
THE WRONG MESSAGE.
229
00:08:34,333 --> 00:08:35,833
- ESPECIALLY ONE RIGHT THERE.
230
00:08:35,834 --> 00:08:37,104
- LET'S START
TRYING STUFF ON.
231
00:08:37,100 --> 00:08:38,270
- OKAY, LET'S DO IT.
232
00:08:49,200 --> 00:08:50,670
- HI.
- HI.
233
00:08:50,667 --> 00:08:53,397
- HOW ARE YOU?
- GOOD. HOW ARE YOU?
234
00:08:53,400 --> 00:08:54,870
- I DON'T KNOW,
EVERY TIME I'M IN NEW YORK
235
00:08:54,867 --> 00:08:57,697
I END UP WEARING
BLACK, BLACK, BLACK, BLACK.
236
00:08:57,700 --> 00:08:59,100
- I'M ALWAYS IN BLACK TOO.
237
00:08:59,100 --> 00:09:01,630
- I'M SICK OF BLACK.
238
00:09:01,633 --> 00:09:03,533
CHECK THESE OUT.
THESE ARE REALLY CUTE.
239
00:09:03,533 --> 00:09:05,433
- THOSE ARE REALLY CUTE.
I LIKE THOSE.
240
00:09:05,433 --> 00:09:06,473
- YEAH.
241
00:09:06,467 --> 00:09:08,397
HAVE YOU EVEN STARTED
PACKING YET?
242
00:09:08,400 --> 00:09:13,370
I'LL PROBABLY DO IT
MIDNIGHT THE NIGHT BEFORE.
243
00:09:13,367 --> 00:09:15,767
- I ACTUALLY--
I DID LAY OUT SOME STUFF,
244
00:09:15,767 --> 00:09:18,767
BECAUSE I WANTED WHITNEY
TO HELP ME A LITTLE BIT.
245
00:09:18,767 --> 00:09:19,797
- YEAH.
246
00:09:19,800 --> 00:09:20,930
- KYLE AND I ARE JUST
VERY DIFFERENT.
247
00:09:20,934 --> 00:09:22,804
KYLE HAS A LOT
OF GOOD FRIENDS.
248
00:09:22,800 --> 00:09:24,300
I DON'T.
249
00:09:24,300 --> 00:09:26,630
I PICK MY FRIENDS CAREFULLY.
250
00:09:26,633 --> 00:09:28,173
BUT THERE'S SOMETHING
ABOUT ADRIENNE,
251
00:09:28,166 --> 00:09:29,896
I FEEL A REAL
CONNECTION WITH HER.
252
00:09:29,900 --> 00:09:32,230
ADRIENNE IS ABOUT FAMILY.
253
00:09:32,233 --> 00:09:33,773
I'M THE SAME WAY.
254
00:09:33,767 --> 00:09:35,627
- OH, THAT LOOKS GOOD ON YOU.
255
00:09:35,633 --> 00:09:36,973
YOU LOOK GOOD.
256
00:09:36,967 --> 00:09:38,467
- YOU THINK?
- YES.
257
00:09:38,467 --> 00:09:41,367
- REALLY?
- OH, YES.
258
00:09:41,367 --> 00:09:43,727
- OOH.
259
00:09:43,734 --> 00:09:45,204
OOH.
260
00:09:45,200 --> 00:09:47,870
I FEEL SO MATURE.
261
00:09:47,867 --> 00:09:48,927
- THIS IS PRETTY.
262
00:09:48,934 --> 00:09:51,034
- I THINK IT'S GREAT ON YOU.
263
00:09:51,033 --> 00:09:53,473
- NO, THIS IS LIKE--
I NEED IMPLANTS FOR THIS.
264
00:09:53,467 --> 00:09:57,527
I NEED TO BE LIKE THIS
AND LIKE THIS.
265
00:09:59,967 --> 00:10:01,397
- I DON'T WEAR
A LOT OF BOWS.
266
00:10:01,400 --> 00:10:03,200
- MAYBE SOMETHING
TO EDGE IT UP A LITTLE BIT?
267
00:10:03,200 --> 00:10:05,370
- OKAY, LET'S PUT
A LEATHER BELT ON IT THEN.
268
00:10:05,367 --> 00:10:08,067
- I HAD A LOT OF FUN
SHOPPING WITH TAYLOR.
269
00:10:08,066 --> 00:10:10,566
SHE'S MAYBE SKINNY,
MAYBE, LIKE, A TRIPLE-ZERO.
270
00:10:10,567 --> 00:10:13,797
AND I'M, LIKE, A TWO-FOUR,
WHICH IS HUGE,
271
00:10:13,800 --> 00:10:15,500
BEVERLY HILLS STANDARDS.
272
00:10:15,500 --> 00:10:17,270
I'VE GOT, LIKE, BRA CHUBB.
273
00:10:17,266 --> 00:10:19,526
- NO, YOU DON'T.
- YES, I DO.
274
00:10:19,533 --> 00:10:21,403
- LOOK AT THIS.
275
00:10:21,400 --> 00:10:23,370
[phone rings]
- OH, MY PHONE.
276
00:10:23,367 --> 00:10:25,127
[ringing continues]
277
00:10:27,367 --> 00:10:29,427
- THAT'S CUTE.
- IT IS CUTE.
278
00:10:29,433 --> 00:10:31,533
- HELLO?
279
00:10:31,533 --> 00:10:34,433
YEAH.
280
00:10:34,433 --> 00:10:37,973
[gasps]
OH, YOU'RE KIDDING ME.
281
00:10:37,967 --> 00:10:42,397
TODAY?
JUST NOW?
282
00:10:42,400 --> 00:10:46,670
OKAY, LET ME--
OKAY, I'M ON MY WAY HOME.
283
00:10:46,667 --> 00:10:49,297
I'LL BE THERE
IN A MINUTE.
284
00:10:49,300 --> 00:10:50,500
- WHAT HAPPENED?
- BYE.
285
00:10:50,500 --> 00:10:53,270
- WHAT HAPPENED?
- MY MOM'S--UM, OOH.
286
00:10:53,266 --> 00:10:55,766
- YOUR MOM WHAT?
- I GOTTA GO.
287
00:10:55,767 --> 00:10:58,167
- MY MOM'S BROTHER JUST DIED,
MY UNCLE.
288
00:10:58,166 --> 00:10:59,596
- RIGHT NOW?
289
00:10:59,600 --> 00:11:01,230
- YEAH, THAT'S--MY BROTHER'S
BEEN TRYING TO CALL ME.
290
00:11:01,233 --> 00:11:03,473
OH, I FEEL REALLY BAD.
291
00:11:03,467 --> 00:11:05,697
- OH, MY GOD.
- OH, MY GOD.
292
00:11:05,700 --> 00:11:07,370
SO I GOTTA GO.
- OH, MY GOD, I'M SO SORRY.
293
00:11:10,367 --> 00:11:12,197
SHE KEPT SAYING, "IT'S NOT ME
THAT I'M WORRIED ABOUT.
294
00:11:12,200 --> 00:11:14,230
IT'S MY MOM."
295
00:11:14,233 --> 00:11:15,933
BUT IT WAS HER.
296
00:11:15,934 --> 00:11:17,274
I SAW IT.
297
00:11:17,266 --> 00:11:21,126
- [sighs]
- OH.
298
00:11:21,133 --> 00:11:23,003
- SO I'M GONNA--
I'M GONNA ACTUALLY LEAVE.
299
00:11:23,000 --> 00:11:24,330
- OKAY.
OKAY, BYE.
300
00:11:24,333 --> 00:11:26,303
I'M SO SORRY.
OKAY, ALL RIGHT.
301
00:11:26,300 --> 00:11:28,130
- THANKS.
302
00:11:37,834 --> 00:11:39,274
- COMING UP...
303
00:11:39,266 --> 00:11:41,596
- AND WHEN I SIMPLY
TOUCH YOUR HANDS
304
00:11:41,600 --> 00:11:44,200
AND I SAY THE WORDS
"LET GO,"
305
00:11:44,200 --> 00:11:45,570
LET THE HANDS DROP
RIGHT ONTO YOUR LAP.
306
00:11:45,567 --> 00:11:46,897
LET GO!
HANDS DROPPING DOWN.
307
00:11:46,900 --> 00:11:49,600
LOWER JAW RELAXING.
ERASED, ERASED.
308
00:12:00,567 --> 00:12:02,727
- AM I THE ONLY ONE
DRINKING WINE?
309
00:12:02,734 --> 00:12:05,504
- NO, CAMILLE'S DRINKING WINE.
I'M DRINKING BEER.
310
00:12:05,500 --> 00:12:08,000
- THIS IS TO OUR TRIP
TO NEW YORK.
311
00:12:08,000 --> 00:12:09,470
HERE, CHEERS.
- AND SUCCESS.
312
00:12:09,467 --> 00:12:11,997
- OUR SUCCESSFUL,
SAFE JOURNEY TO NEW YORK.
313
00:12:12,000 --> 00:12:13,770
- WHOO-HOO.
- WHOO-HOO!
314
00:12:13,767 --> 00:12:16,427
- I'M GONNA SIT BY TRISH.
315
00:12:16,433 --> 00:12:18,333
- YEAH, LET HIM SIT NEXT TO ME
SO I CAN FLIRT WITH HIM.
316
00:12:18,333 --> 00:12:20,603
I KNOW THAT'S--
- NO, THIS IS PERFECT.
317
00:12:20,600 --> 00:12:22,400
YOU KNOW I'M ALWAYS HAPPY
TO LEND YOU MY HUSBAND
318
00:12:22,400 --> 00:12:23,900
WHEN YOURS ISN'T AROUND.
319
00:12:23,900 --> 00:12:25,530
- WE HAVE AN UNDERSTANDING.
320
00:12:25,533 --> 00:12:26,903
- EXACTLY.
321
00:12:26,900 --> 00:12:28,300
- THAT'S HOW WE ROLL.
322
00:12:28,300 --> 00:12:29,430
IF THEY ONLY KNEW.
323
00:12:29,433 --> 00:12:30,673
- [indistinct]
324
00:12:30,667 --> 00:12:32,097
- IT'S ADRIENNE.
OH, MY GOD.
325
00:12:32,100 --> 00:12:34,330
ADRIENNE'S UNCLE PASSED AWAY.
ADRIENNE.
326
00:12:34,333 --> 00:12:36,303
- HI, HONEY.
327
00:12:36,300 --> 00:12:38,500
- I'M SO SORRY.
328
00:12:38,500 --> 00:12:40,230
OH, MY GOD.
I'M SO SORRY.
329
00:12:40,233 --> 00:12:42,773
- NO, I FEEL TERRIBLE THAT
I'M NOT GONNA BE THERE.
330
00:12:42,767 --> 00:12:44,367
- NO, I'M SORRY FOR YOU.
331
00:12:44,367 --> 00:12:46,627
OH, MY GOD, NO,
PLEASE DON'T APOLOGIZE.
332
00:12:46,633 --> 00:12:48,003
WE COMPLETELY UNDERSTAND.
333
00:12:48,000 --> 00:12:50,970
- IT'S KIND OF SHOCKING TOO.
334
00:12:50,967 --> 00:12:53,297
ACTUALLY, YOU KNOW, THAT
HE PASSED AWAY SO SUDDENLY.
335
00:12:53,300 --> 00:12:55,400
AND I'M REALLY SORRY,
BUT I KNOW IT'LL BE WONDERFUL.
336
00:12:55,400 --> 00:12:56,530
KELSEY WILL BE GREAT.
337
00:12:56,533 --> 00:12:57,903
AND WE MISS YOU
AND WE LOVE YOU.
338
00:12:57,900 --> 00:13:00,170
AND THANKS FOR BEING
UNDERSTANDING.
339
00:13:00,166 --> 00:13:02,326
AND, YOU KNOW, ALL THE GIRLS
WILL BE OUT THERE,
340
00:13:02,333 --> 00:13:04,003
SO I'M SURE YOU'LL HAVE
A WONDERFUL TIME.
341
00:13:04,000 --> 00:13:05,470
PLEASE GIVE KELSEY MY LOVE.
342
00:13:05,467 --> 00:13:07,297
- BYE-BYE.
- THANKS, BYE.
343
00:13:07,300 --> 00:13:09,000
[phone beeps]
344
00:13:09,000 --> 00:13:10,830
- I FEEL SO TERRIBLE.
345
00:13:10,834 --> 00:13:13,734
- THAT'S AWFUL.
- OH, MY GOD.
346
00:13:13,734 --> 00:13:14,834
NICOLE, YOU WANT
TO TAKE THAT?
347
00:13:14,834 --> 00:13:16,134
THANK YOU.
348
00:13:16,133 --> 00:13:17,733
THE PAST TWO WEEKS,
349
00:13:17,734 --> 00:13:19,234
THE ODDEST THINGS
HAVE BEEN HAPPENING.
350
00:13:19,233 --> 00:13:20,973
SO SOMETHING
WITH THE MOON.
351
00:13:20,967 --> 00:13:23,027
THE FULL MOON
WAS TWO WEEKS AGO, SO--
352
00:13:23,033 --> 00:13:24,503
- MERCURY, WASN'T IT?
353
00:13:24,500 --> 00:13:26,200
- OH, MERCURY'S BACK
IN RETROGRADE?
354
00:13:26,200 --> 00:13:28,670
THAT'S BAD FOR VIRGOS,
AND I'M A VIRGO,
355
00:13:28,667 --> 00:13:30,497
SO THAT STINKS, RIGHT?
356
00:13:30,500 --> 00:13:32,300
SCOTT'S A VIRGO.
357
00:13:32,300 --> 00:13:35,370
THAT MEANS, UH,
TOUGH TIMES FOR US.
358
00:13:35,367 --> 00:13:37,027
[laughter]
359
00:13:37,033 --> 00:13:38,273
OH, MY GOD.
- HERE, BOOZE IT UP.
360
00:13:38,266 --> 00:13:39,926
- BOOZE IT UP.
361
00:13:39,934 --> 00:13:42,274
- YEAH, PLEASE, SOME MORE
CHARDONNAY'S PRETTY GOOD.
362
00:13:42,266 --> 00:13:44,626
WHEN ADRIENNE GAVE ME
THE NEWS ABOUT HER UNCLE,
363
00:13:44,633 --> 00:13:45,933
I JUST FELT SO BAD
FOR HER AND HER FAMILY
364
00:13:45,934 --> 00:13:47,104
'CAUSE I KNOW
THEY WERE SO CLOSE,
365
00:13:47,100 --> 00:13:48,870
BUT THEN I ALSO
THOUGHT TO MYSELF,
366
00:13:48,867 --> 00:13:51,727
OH, I JUST HOPE
NOTHING ELSE GOES WRONG.
367
00:13:51,734 --> 00:13:53,434
LET'S DRINK TO LIFE
AND GOOD TIMES
368
00:13:53,433 --> 00:13:55,403
AND HAPPINESS.
369
00:13:55,400 --> 00:13:56,870
- CARL, THANKS FOR COOKING
FOR US.
370
00:13:56,867 --> 00:13:59,027
- I KNOW, TO CARL!
- THANK YOU.
371
00:13:59,033 --> 00:14:01,973
- THIS IS WHY I LOVE
HAVING CARL AROUND.
372
00:14:15,000 --> 00:14:16,330
- HELLO?
373
00:14:16,333 --> 00:14:17,703
- OH, HI.
374
00:14:17,700 --> 00:14:19,130
- WHAT ARE YOU DOING?
ARE YOU IN THE CUPBOARD?
375
00:14:19,133 --> 00:14:20,903
- I WAS JUST GETTING
THE BABY SOMETHING TO EAT.
376
00:14:20,900 --> 00:14:22,570
SHE WON'T EAT HER BREAKFAST.
HELLO, HOW ARE YOU?
377
00:14:22,567 --> 00:14:23,897
- HOW ARE YOU?
I'M GOOD.
378
00:14:23,900 --> 00:14:25,600
IS HE HERE YET?
- NO.
379
00:14:25,600 --> 00:14:27,470
- ARE YOU OKAY?
380
00:14:27,467 --> 00:14:28,697
- WHAT HAVE YOU
GOTTEN ME INTO?
381
00:14:28,700 --> 00:14:31,130
I FEEL LIKE YOU'RE DOING THIS
TO SABOTAGE ME.
382
00:14:31,133 --> 00:14:32,603
I'VE KNOWN LISA
FOR A LONG TIME,
383
00:14:32,600 --> 00:14:35,470
AND SHE ALWAYS LOVES
TO TEASE ME
384
00:14:35,467 --> 00:14:37,367
ABOUT MY FEAR OF FLYING.
385
00:14:37,367 --> 00:14:39,927
SO SHE SUGGESTED THAT I SEE
THIS HYPNOTHERAPIST
386
00:14:39,934 --> 00:14:41,474
BEFORE FLYING TO NEW YORK.
387
00:14:41,467 --> 00:14:43,667
- SHE'S A PAIN IN THE BUTT
WHEN IT COMES TO FLYING.
388
00:14:46,000 --> 00:14:49,270
- HOLY [bleep].
WHY IS THAT HAPPENING?
389
00:14:49,266 --> 00:14:50,966
- THE WHEELS ARE GOING UP.
390
00:14:50,967 --> 00:14:52,827
- WELL, WHAT ARE YOU
SCARED ABOUT?
391
00:14:52,834 --> 00:14:54,174
THAT YOU'LL BE
OUT OF CONTROL?
392
00:14:54,166 --> 00:14:55,826
SEE, THAT'S YOU,
ISN'T IT?
393
00:14:55,834 --> 00:14:57,204
YOU DON'T LIKE TO BE
OUT OF CONTROL.
394
00:14:57,200 --> 00:14:58,300
- MOMMY!
395
00:14:58,300 --> 00:15:00,130
- I'M JUST SCARED THAT--
396
00:15:00,133 --> 00:15:01,373
I DON'T KNOW,
I DON'T LIKE BEING--
397
00:15:01,367 --> 00:15:03,097
YEAH, I DON'T LIKE
BEING OUT OF CONTROL.
398
00:15:03,100 --> 00:15:05,870
- I DID MENTION TO HER
TO SEE THIS HYPNOTIST.
399
00:15:05,867 --> 00:15:07,327
AND I SAID,
"YOU'LL BE, YOU KNOW,
400
00:15:07,333 --> 00:15:09,703
STANDING ON THE WINGS BY THE
TIME HE'S FINISHED WITH YOU."
401
00:15:09,700 --> 00:15:11,930
LOOK, I DON'T WANT TO GO
ON ALL THESE TRIPS WITH YOU,
402
00:15:11,934 --> 00:15:13,734
CLUTCHING, DIGGING YOUR NAILS
INTO MY HAND, OKAY?
403
00:15:13,734 --> 00:15:15,874
WE'VE GOT ANOTHER ONE
THIS WEEKEND.
404
00:15:15,867 --> 00:15:17,927
- AHH!
- NO, NO--
405
00:15:17,934 --> 00:15:20,074
- DO YOU LIKE THE WAY I PUT
MY FEET ON THE CEILING?
406
00:15:20,066 --> 00:15:22,166
- NO, I DON'T LIKE THAT.
- IT MAKES ME FEEL SAFER.
407
00:15:22,166 --> 00:15:23,326
- WE'RE GONNA GO FOR IT.
408
00:15:23,333 --> 00:15:25,033
[doorbell chimes]
409
00:15:25,033 --> 00:15:27,333
- I'M GONNA KILL YOU.
I'M GONNA KILL YOU.
410
00:15:27,333 --> 00:15:29,203
- THIS ISN'T HIM.
411
00:15:29,200 --> 00:15:31,100
HE'S A SALESMAN.
412
00:15:31,100 --> 00:15:32,830
THAT'S NOT HIM.
KIDDING.
413
00:15:32,834 --> 00:15:34,234
- HI, I'M HYPNOTHERAPIST
TOM SILVER.
414
00:15:34,233 --> 00:15:35,273
- HI, HOW ARE YOU?
415
00:15:35,266 --> 00:15:38,466
- NICE TO MEET YOU.
I'M SORRY, COME ON IN.
416
00:15:38,467 --> 00:15:40,297
- IT'S GONNA BE FINE.
SHE'S A LITTLE SCARED.
417
00:15:40,300 --> 00:15:42,530
- WELL, I'LL EXPLAIN THE WHOLE
SCIENCE AND EVERYTHING
418
00:15:42,533 --> 00:15:44,033
BEFORE WE BEGIN.
419
00:15:44,033 --> 00:15:45,173
- LET ME JUST HAVE A LITTLE
TALK WITH HIM FIRST.
420
00:15:45,166 --> 00:15:46,766
- NO, NO,
ABSOLUTELY NOT.
421
00:15:46,767 --> 00:15:48,227
NO, NO, NO.
422
00:15:48,233 --> 00:15:49,733
THERE'LL BE NO SECRETS
HERE TODAY.
423
00:15:49,734 --> 00:15:52,804
- I MEAN,
I WAS UP TO NO GOOD.
424
00:15:52,800 --> 00:15:54,670
I WANTED TO HAVE HER, WHEN THEY
SAID FASTEN THE SEAT BELTS,
425
00:15:54,667 --> 00:15:55,797
QUACK LIKE A DUCK.
[dog barks]
426
00:15:55,800 --> 00:15:57,230
NOT BARK LIKE A DOG.
427
00:15:57,233 --> 00:15:59,733
- WHAT I WANNA DO IS I'M GONNA
PUT THIS E.E.G. ON YOU
428
00:15:59,734 --> 00:16:02,434
JUST TO SEE HOW RECEPTIVE YOU
BEFORE WE DO THE HYPNOSIS, OKAY?
429
00:16:02,433 --> 00:16:03,473
- AN E.E.G.?
430
00:16:03,467 --> 00:16:04,797
- ELECTROENCEPHALOGRAPH,
431
00:16:04,800 --> 00:16:05,930
BRAIN WAVE FREQUENCY
MONITORING DEVICE.
432
00:16:05,934 --> 00:16:07,174
- NOT LIKE AN E.K.G.
- NO, NO.
433
00:16:07,166 --> 00:16:10,926
NOW THIS HAS
A LITTLE ELECTRODE,
434
00:16:10,934 --> 00:16:12,634
WHICH IS NO ELECTRICAL CURRENT.
435
00:16:12,633 --> 00:16:14,133
IT'S NOT LIKE THE OLD DAYS.
436
00:16:14,133 --> 00:16:16,603
YOU KNOW, SO YOU JUST FEEL
CALM AND RELAXED.
437
00:16:16,600 --> 00:16:18,700
- WHERE DOES THAT GO?
438
00:16:18,700 --> 00:16:19,830
- THIS IS GONNA GO
ON YOUR FOREHEAD.
439
00:16:19,834 --> 00:16:21,104
- OH, OKAY.
- OKAY.
440
00:16:21,100 --> 00:16:22,970
- I WAS THINKING, OKAY,
IS THIS GUY KOSHER?
441
00:16:22,967 --> 00:16:24,397
THIS ISN'T WHAT
I SIGNED UP FOR.
442
00:16:24,400 --> 00:16:25,770
I THOUGHT, WHAT,
HAS HE COME TO GIVE US
443
00:16:25,767 --> 00:16:27,427
ELECTRIC SHOCK TREATMENT
OR SOMETHING?
444
00:16:27,433 --> 00:16:28,733
- CAN YOU MOVE YOUR HAIR BACK
A LITTLE BIT?
445
00:16:28,734 --> 00:16:30,104
THANKS.
446
00:16:30,100 --> 00:16:31,700
- NOW I'M SCARED,
BECAUSE OSTENSIBLY
447
00:16:31,700 --> 00:16:33,500
I'M RESPONSIBLE FOR THIS.
448
00:16:33,500 --> 00:16:35,300
- ARE YOU BEING SERIOUS
RIGHT NOW?
449
00:16:35,300 --> 00:16:37,070
- I'M SERIOUS.
- I'M GONNA KILL YOU, LISA.
450
00:16:37,066 --> 00:16:38,566
- OKAY.
451
00:16:38,567 --> 00:16:39,827
- IT'S GONNA BE GOOD.
- THIS IS A SCIENCE.
452
00:16:39,834 --> 00:16:41,634
- ALL THE WAY TO NEW YORK
HAVING TO GET--
453
00:16:41,633 --> 00:16:43,303
- DO I HAVE TO WEAR THIS
TO NEW YORK?
454
00:16:43,300 --> 00:16:45,070
- NO, NO, BUT CAN WE
PUT THIS AROUND?
455
00:16:45,066 --> 00:16:46,666
LOOK AT THIS, LOOK AT ALL
THIS EMOTION GOING ON.
456
00:16:46,667 --> 00:16:49,127
MAN, YOU ARE AMPLITUDED OUT
RIGHT THERE.
457
00:16:49,133 --> 00:16:50,933
- THAT'S MY BRAIN WAVES?
- YEAH.
458
00:16:50,934 --> 00:16:52,434
- WHAT?
459
00:16:52,433 --> 00:16:53,573
- MEANING YOU'RE FEELING
A LOT OF EMOTION GOING ON.
460
00:16:53,567 --> 00:16:54,927
- WHAT IS THIS?
461
00:16:54,934 --> 00:16:56,434
- NOW LOOK,
NOW IT'S CHANGING A LITTLE.
462
00:16:56,433 --> 00:16:58,473
- THIS IS YOUR BEST LOOK.
LET ME HAVE A LOOK.
463
00:16:58,467 --> 00:17:00,397
YOU LOOK LIKE POCAHONTAS.
- OKAY.
464
00:17:00,400 --> 00:17:02,200
- I WAS A LITTLE APPREHENSIVE.
465
00:17:02,200 --> 00:17:04,630
WHO KNOWS WHAT HE WAS GONNA
GET ME TO SAY OR DO?
466
00:17:04,633 --> 00:17:07,673
- WE'RE GONNA--YOU CAN BOTH
DO IT TOGETHER.
467
00:17:07,667 --> 00:17:09,467
- I KNEW I WAS GOING ON A TRIP
WITH HER FOR SIX HOURS
468
00:17:09,467 --> 00:17:11,497
AND WOULD PROBABLY
BE SITTING NEXT TO HER,
469
00:17:11,500 --> 00:17:13,530
SO I THOUGHT, I'M GONNA
GIVE THIS A WHIRL.
470
00:17:13,533 --> 00:17:15,203
- I NOTICE THAT
YOU HAVE DROPPED DOWN,
471
00:17:15,200 --> 00:17:16,570
A LITTLE BIT MORE RELAXED
PHYSICALLY.
472
00:17:16,567 --> 00:17:18,227
SO IT'S GONNA WORK.
473
00:17:18,233 --> 00:17:19,803
JUST ALLOW ME
TO HELP YOU TODAY, OKAY?
474
00:17:19,800 --> 00:17:21,370
OKAY, SO LET'S TAKE
THE HEADBAND OFF,
475
00:17:21,367 --> 00:17:23,427
'CAUSE WE'RE NOT GONNA
NEED THAT RIGHT NOW.
476
00:17:23,433 --> 00:17:27,033
I WANT YOU TO TAKE THREE SLOW,
DEEP BREATHS IN AND OUT.
477
00:17:27,033 --> 00:17:29,473
SO WITH YOUR EYES CLOSED NOW,
ON THE COUNT OF THREE
478
00:17:29,467 --> 00:17:31,327
I WANT YOU TO LIFT YOUR LEFT
HAND UP IN FRONT OF YOUR FACE,
479
00:17:31,333 --> 00:17:32,973
ONLY WHEN I REACH THREE.
480
00:17:32,967 --> 00:17:34,967
ONE, TWO, THREE.
LEFT HAND IN FRONT OF YOUR FACE.
481
00:17:34,967 --> 00:17:36,667
I WANT YOU TO IMAGINE
THERE'S A POWERFUL MAGNET
482
00:17:36,667 --> 00:17:38,097
IN THE PALM OF THAT HAND,
483
00:17:38,100 --> 00:17:40,130
AN IMAGINARY MAGNET
ON YOUR FACE AND FOREHEAD.
484
00:17:40,133 --> 00:17:42,403
AND ON THE COUNT OF THREE,
SLOWLY AND INSTANTLY
485
00:17:42,400 --> 00:17:44,200
LET THAT HAND
PULL IN TOWARDS YOUR FACE.
486
00:17:44,200 --> 00:17:45,670
- WHEN HE TOLD ME
TO CLOSE MY EYES
487
00:17:45,667 --> 00:17:46,827
AND WAS TALKING LIKE THAT,
488
00:17:46,834 --> 00:17:48,274
I THOUGHT IT WAS GONNA
BE LIKE THE MOVIES,
489
00:17:48,266 --> 00:17:52,596
WHERE I WAS GONNA BE LIKE--
HAD NO IDEA WHAT WAS GOING ON.
490
00:17:52,600 --> 00:17:55,530
IT WASN'T LIKE THAT,
BUT IT WAS ALMOST LIKE THAT.
491
00:17:55,533 --> 00:17:57,033
IT WAS WEIRD.
492
00:17:57,033 --> 00:17:59,733
- I WANT YOU TO LET YOUR HAND
DROP RIGHT ONTO YOUR LAP
493
00:17:59,734 --> 00:18:02,004
AND GO INTO
A WONDERFUL RECEPTIVE STATE
494
00:18:02,000 --> 00:18:03,200
OF HYPNOSIS.
495
00:18:03,200 --> 00:18:04,270
THREE, TWO, ONE, ZERO.
496
00:18:04,266 --> 00:18:05,196
LET GO.
HANDS DROPPING DOWN NOW.
497
00:18:05,200 --> 00:18:06,570
JUST REST YOUR HEAD BACK
498
00:18:06,567 --> 00:18:08,297
INTO THE PILLOW
WITH YOUR EYES CLOSED.
499
00:18:08,300 --> 00:18:09,470
AND ON THE COUNT OF THREE,
500
00:18:09,467 --> 00:18:10,667
I WANT YOU TO LET
YOUR RIGHT HAND
501
00:18:10,667 --> 00:18:12,227
GO ALL THE WAY UP
INTO THE AIR.
502
00:18:12,233 --> 00:18:14,503
ONE, TWO, THREE, RIGHT HAND
ALL THE WAY UP INTO THE AIR.
503
00:18:14,500 --> 00:18:16,230
I WANT YOU TO IMAGINE
THAT HAND IN THE AIR
504
00:18:16,233 --> 00:18:20,073
REPRESENTED 100%
OF WHATEVER THAT EMOTION WAS
505
00:18:20,066 --> 00:18:23,296
THAT YOU WANT TO DELETE
AND REMOVE AND ERASE
506
00:18:23,300 --> 00:18:24,700
OUT OF YOUR MIND TODAY.
507
00:18:24,700 --> 00:18:27,070
AND WHEN I SIMPLY
TOUCH YOUR HANDS
508
00:18:27,066 --> 00:18:29,566
AND I SAY THE WORDS
"LET GO,"
509
00:18:29,567 --> 00:18:30,867
WHEN I SAY
THOSE TWO WORDS,
510
00:18:30,867 --> 00:18:32,097
LET THE HANDS DROP
RIGHT ONTO YOUR LAP.
511
00:18:32,100 --> 00:18:33,200
LET GO.
HANDS DROPPING DOWN.
512
00:18:33,200 --> 00:18:34,400
LOWER JAW RELAXING.
513
00:18:34,400 --> 00:18:37,170
AND ERASED.
LOWER JAW RELAXING.
514
00:18:37,166 --> 00:18:39,566
ERASED AND DELETED.
515
00:18:39,567 --> 00:18:41,067
ON THE COUNT OF FIVE,
I'LL SAY "FULLY REFRESHED."
516
00:18:41,066 --> 00:18:43,066
YOU'LL OPEN YOUR EYES.
ONE, TWO, THREE, FOUR, FIVE.
517
00:18:43,066 --> 00:18:45,666
FULLY REFRESHED.
EYES OPEN.
518
00:18:45,667 --> 00:18:47,467
COMING BACK.
EXCELLENT.
519
00:18:47,467 --> 00:18:49,527
BOY, YOU BOTH DID WONDERFUL.
520
00:18:49,533 --> 00:18:51,503
THAT WAS NICE.
521
00:18:51,500 --> 00:18:53,630
- I STARTED SEEING, LIKE,
BRIGHT COLORS, BLUE.
522
00:18:53,633 --> 00:18:56,133
AND THEN I JUST KINDA
WENT LIMP.
523
00:18:56,133 --> 00:18:59,603
- I KNOW THE RESULTS
ARE GONNA BE FABULOUS.
524
00:18:59,600 --> 00:19:01,330
AND I'M GLAD TO COME OVER
AND TO HELP YOU.
525
00:19:01,333 --> 00:19:02,503
- WELL, I THANK YOU SO MUCH.
526
00:19:02,500 --> 00:19:03,600
- OH, GOSH,
IT WAS MY PLEASURE.
527
00:19:03,600 --> 00:19:05,570
- I REALLY, REALLY
APPRECIATE IT.
528
00:19:05,567 --> 00:19:07,097
- OH, THANK YOU.
THIS IS WONDERFUL.
529
00:19:07,100 --> 00:19:08,370
- I HAVE A FEELING
THAT IT'S GONNA WORK.
530
00:19:08,367 --> 00:19:10,597
I'M VERY POSITIVE.
531
00:19:10,600 --> 00:19:11,770
- SEE, THAT'S IT EXACTLY.
532
00:19:11,767 --> 00:19:12,967
YEAH. JUST KNOW
IT'S GONNA WORK.
533
00:19:12,967 --> 00:19:14,427
- I FELT LIKE I WAS--
534
00:19:14,433 --> 00:19:17,133
HAD TAKEN SOMETHING,
OR I DON'T KNOW WHAT.
535
00:19:17,133 --> 00:19:19,303
SOMETHING HE DID WITH THOSE
ELECTRODES ON MY HEAD
536
00:19:19,300 --> 00:19:22,700
MADE ME FEEL STRANGE.
537
00:19:22,700 --> 00:19:24,870
AND THAT, TO ME,
MEANS IT MUST BE WORKING.
538
00:19:24,867 --> 00:19:26,367
- ALL RIGHT,
BYE-BYE, YOU GUYS.
539
00:19:26,367 --> 00:19:28,097
- THANK YOU SO MUCH.
- MY PLEASURE, BYE.
540
00:19:28,100 --> 00:19:29,670
- TAKE CARE.
- ALL RIGHTY, TAKE CARE.
541
00:19:29,667 --> 00:19:33,227
- I DIDN'T FEEL
IT WAS AS INTENSE FOR ME
542
00:19:33,233 --> 00:19:34,573
AS IT WAS FOR KYLE.
543
00:19:34,567 --> 00:19:36,427
SHE GOT INTO IT
MORE THAN I DID.
544
00:19:36,433 --> 00:19:37,873
BUT MAYBE SHE HAD
A LOT MORE INVESTED IN IT
545
00:19:37,867 --> 00:19:40,127
BECAUSE SHE REALLY
WANTS IT TO WORK.
546
00:19:40,133 --> 00:19:41,733
I THOUGHT I WAS GOING
TO LAUGH AT SOME OF IT.
547
00:19:41,734 --> 00:19:43,134
DID YOU?
548
00:19:43,133 --> 00:19:44,333
BECAUSE HE SAID,
"WHEN YOU FEEL MY HAND,"
549
00:19:44,333 --> 00:19:46,273
I THOUGHT, OH, YEAH.
550
00:19:46,266 --> 00:19:47,666
- [laughs]
551
00:19:47,667 --> 00:19:50,167
I REALLY THOUGHT
HE WAS GONNA GO, "HEAL!"
552
00:19:50,166 --> 00:19:51,596
[both laugh]
553
00:19:53,500 --> 00:19:55,270
- COMING UP...
554
00:19:55,266 --> 00:19:57,626
- I MIGHT HAVE TO DO
SOME PILLOW FIGHTING HERE.
555
00:19:57,633 --> 00:19:59,973
- I'M NOT GONNA PRETEND
THAT 13 YEARS OF MARRIAGE
556
00:19:59,967 --> 00:20:01,197
IS EASY ALL THE TIME.
557
00:20:01,200 --> 00:20:03,470
LET'S GO GET A DRINK.
558
00:20:15,400 --> 00:20:16,730
- HELLO.
559
00:20:16,734 --> 00:20:18,274
- XOCH!
- HEY, HOW ARE YOU?
560
00:20:18,266 --> 00:20:20,396
- HI.
561
00:20:20,400 --> 00:20:22,170
- GOOD TO SEE YOU.
IT'S BEEN SUCH A LONG TIME.
562
00:20:22,166 --> 00:20:23,196
- I KNOW, WEEKS.
563
00:20:23,200 --> 00:20:24,330
- COME ON IN, GUYS.
564
00:20:24,333 --> 00:20:26,103
I JUST ARRIVED
TO NEW YORK CITY,
565
00:20:26,100 --> 00:20:27,400
AND I WAS SO EXCITED
566
00:20:27,400 --> 00:20:29,300
TO SEE THE APARTMENT
FOR THE FIRST TIME.
567
00:20:29,300 --> 00:20:30,630
I THINK WE DID A NICE JOB
568
00:20:30,633 --> 00:20:32,173
FOR THE AMOUNT OF TIME
THAT WE HAD.
569
00:20:32,166 --> 00:20:34,826
KENNEDY DID THIS.
DOESN'T IT LOOK AMAZING?
570
00:20:34,834 --> 00:20:36,274
YOU CAN'T GET
EVERYTHING THAT YOU WANT.
571
00:20:36,266 --> 00:20:38,626
LOOK IT, THE LIVING ROOM
CAME OUT SO COOL.
572
00:20:38,633 --> 00:20:41,073
LOOK AT HOW COOL THIS IS.
IT'S VERY CHIC.
573
00:20:41,066 --> 00:20:44,596
- VERY CHIC.
- OH, MY GOD, VERY CHIC.
574
00:20:44,600 --> 00:20:45,700
- NICE KITCHEN.
575
00:20:45,700 --> 00:20:47,030
- I LOVE THE WALL OF GLASS.
576
00:20:47,033 --> 00:20:49,033
- YEAH, I LOVE THAT.
- I LOVE BIG WINDOWS.
577
00:20:49,033 --> 00:20:50,473
- THIS IS AWESOME.
578
00:20:50,467 --> 00:20:52,227
- YEAH, IT'S GREAT,
I LOVE IT.
579
00:20:52,233 --> 00:20:54,973
- REALLY, REALLY, NICE.
- WHAT DO YOU THINK JUDE?
580
00:20:54,967 --> 00:20:59,067
THIS IS GONNA BE YOUR NEW HOME
FOR A WHILE, HUH?
581
00:20:59,066 --> 00:21:00,596
WELL, LESS THAN A YEAR.
HALF A YEAR.
582
00:21:00,600 --> 00:21:01,630
HERE.
583
00:21:01,633 --> 00:21:03,103
SO THIS IS THE MASTER.
584
00:21:03,100 --> 00:21:05,030
- BEAUTIFUL.
- HOW MANY BEDROOMS?
585
00:21:05,033 --> 00:21:07,303
- THERE'S ONLY THREE.
IT'S SMALL.
586
00:21:07,300 --> 00:21:08,430
- SO THIS IS, LIKE,
THE KIDS--
587
00:21:08,433 --> 00:21:09,603
- FOR US, IT'S SMALL.
588
00:21:09,600 --> 00:21:11,100
THIS IS A SMALL APARTMENT
FOR US.
589
00:21:11,100 --> 00:21:12,900
- THE KIDS ARE SHARING A ROOM?
- YES, THEY'RE SHARING A ROOM.
590
00:21:12,900 --> 00:21:13,930
HOW CUTE IS THIS?
591
00:21:13,934 --> 00:21:15,174
THE ONLY THING
IS THE APARTMENT
592
00:21:15,166 --> 00:21:16,626
IS A LITTLE SMALL FOR US.
593
00:21:16,633 --> 00:21:18,703
IT'S ABOUT
3,500 SQUARE FEET, BUT--
594
00:21:18,700 --> 00:21:20,500
I ADMIT,
THAT SOUNDS PRETTY OBNOXIOUS--
595
00:21:20,500 --> 00:21:22,030
BUT FOR US IT'S SMALL.
596
00:21:22,033 --> 00:21:24,873
YOU KNOW, WITH THE STAFF
AND THE NANNIES AND THE KIDS
597
00:21:24,867 --> 00:21:28,067
AND MY HUSBAND,
HOW IT ALL WORKS OUT.
598
00:21:28,066 --> 00:21:30,866
- MY KINDA BATHTUB, BABY.
599
00:21:30,867 --> 00:21:33,167
- I MEAN, YOU KNOW,
I'M USED TO LIVING
600
00:21:33,166 --> 00:21:35,096
IN A SUBSTANTIAL-SIZED HOUSE
AND NOW--
601
00:21:35,100 --> 00:21:36,470
BUT IT'S A COOL PAD.
602
00:21:36,467 --> 00:21:37,827
I MEAN--
603
00:21:37,834 --> 00:21:39,874
I MEAN, IT IS SMALL FOR US,
CONSIDERING--
604
00:21:39,867 --> 00:21:41,697
- YOU KNOW, YOU'RE NOT GONNA
HAVE A BUNCH OF PEOPLE HERE.
605
00:21:41,700 --> 00:21:43,400
- AND I'M STILL DECIDING
WHETHER I WANT
606
00:21:43,400 --> 00:21:46,000
TO MOVE IN FULL-TIME OR NOT.
607
00:21:46,000 --> 00:21:48,530
I DON'T KNOW IF I CAN SPEND
A SUMMER OR A YEAR
608
00:21:48,533 --> 00:21:52,703
IN THIS CONFINED SPACE.
609
00:21:52,700 --> 00:21:55,270
- HELLO.
610
00:21:55,266 --> 00:21:58,166
- DADDY!
- DUDE, WHO IS IT?
611
00:21:58,166 --> 00:22:00,196
- OH, HONEY.
HONEY, HONEY.
612
00:22:00,200 --> 00:22:01,570
- WHO'S THAT?
613
00:22:01,567 --> 00:22:03,197
COME ON, COME ON,
COME ON, COME ON.
614
00:22:03,200 --> 00:22:04,730
- WHERE'S THAT BOY?
615
00:22:04,734 --> 00:22:06,704
OH.
HI, JUDEY.
616
00:22:10,266 --> 00:22:11,826
[muffled speaking]
- HEY.
617
00:22:11,834 --> 00:22:13,304
DON'T A GET A LITTLE SUGAR?
618
00:22:13,300 --> 00:22:17,030
- YEAH.
- OH, HONEY.
619
00:22:17,033 --> 00:22:19,733
HOW WAS YOUR DAY?
620
00:22:19,734 --> 00:22:21,004
HOW WAS THE SHOW?
621
00:22:21,000 --> 00:22:22,330
- IT'S GOOD.
- IT'S GOOD?
622
00:22:22,333 --> 00:22:23,773
- YEAH.
- HOW'S YOUR VOICE?
623
00:22:23,767 --> 00:22:26,427
- IT'S DOING FINE.
- AND YOU'VE GOT SIDEBURNS.
624
00:22:26,433 --> 00:22:28,073
- I HAVE '70S SIDEBURNS.
625
00:22:28,066 --> 00:22:29,126
- [laughs]
626
00:22:29,133 --> 00:22:30,873
I HAVE A WHOLE NEW MAN
IN BED NOW.
627
00:22:30,867 --> 00:22:32,597
- YES, YES, YOU DO.
628
00:22:32,600 --> 00:22:34,470
- THE WORST PART OF KELSEY
BEING GONE FOR A YEAR
629
00:22:34,467 --> 00:22:36,097
IS GOING THROUGH IT
WITH THE CHILDREN.
630
00:22:36,100 --> 00:22:37,330
THEY MISS DAD.
631
00:22:37,333 --> 00:22:38,733
- UNHAND THAT CHILD.
632
00:22:38,734 --> 00:22:40,574
- I DON'T KNOW
WHERE HE WENT.
633
00:22:40,567 --> 00:22:41,667
- ALL RIGHT, OH.
634
00:22:41,667 --> 00:22:42,897
- I DON'T KNOW
WHERE HE WENT.
635
00:22:42,900 --> 00:22:44,070
- I THINK HE'S RIGHT HERE.
636
00:22:44,066 --> 00:22:46,096
OH, OH, OH, OH, OH.
637
00:22:46,100 --> 00:22:47,600
- [laughs]
638
00:22:47,600 --> 00:22:50,300
- OH, OH, OH.
[laughs]
639
00:22:50,300 --> 00:22:51,930
ARE YOU GONNA HIT ME?
640
00:22:51,934 --> 00:22:53,304
[chuckles]
- WELCOME HOME, DAD.
641
00:22:53,300 --> 00:22:54,330
- GIVE ME YOUR BEST SHOT.
642
00:22:54,333 --> 00:22:56,173
[chuckles]
643
00:22:56,166 --> 00:22:58,226
AH!
644
00:22:58,233 --> 00:23:00,273
[laughing and grunting]
645
00:23:00,266 --> 00:23:02,026
AH.
646
00:23:02,033 --> 00:23:05,303
[laughter]
647
00:23:05,300 --> 00:23:06,930
- MY HUSBAND WANTS TO STAY
648
00:23:06,934 --> 00:23:08,504
IN NEW YORK CITY
AS OF RIGHT NOW.
649
00:23:08,500 --> 00:23:10,570
I THINK HE'S IN HIS HONEYMOON
STAGE WITH THE PLAY,
650
00:23:10,567 --> 00:23:13,327
SO GIVE HIM A YEAR.
651
00:23:13,333 --> 00:23:15,603
I'LL SEE HOW HE FEELS THEN.
652
00:23:15,600 --> 00:23:17,330
- [laughs]
HOW'S THAT?
653
00:23:17,333 --> 00:23:20,073
WHOA, LOOK OUT.
OH, NO, INCOMING.
654
00:23:20,066 --> 00:23:21,526
- I DON'T KNOW,
I M MIGHT HAVE TO DO
655
00:23:21,533 --> 00:23:23,133
SOME PILLOW FIGHTING HERE.
656
00:23:23,133 --> 00:23:25,673
[grunts]
657
00:23:25,667 --> 00:23:29,067
- I'VE SPENT 13 YEARS
GETTING TO KNOW CAMILLE
658
00:23:29,066 --> 00:23:32,066
IN A WAY THAT OTHERS
JUST DON'T.
659
00:23:32,066 --> 00:23:34,796
AND I'M NOT GONNA
PRETEND THAT,
660
00:23:34,800 --> 00:23:38,000
YOU KNOW, 13 YEARS OF MARRIAGE
IS EASY ALL THE TIME.
661
00:23:38,000 --> 00:23:40,870
THAT'S--WOULD BE
A LITTLE BIT RIDICULOUS
662
00:23:40,867 --> 00:23:42,167
TO CLAIM
THAT WE'VE JUST LIVED
663
00:23:42,166 --> 00:23:44,496
IN CONNUBIAL BLISS
ALL THESE YEARS.
664
00:23:44,500 --> 00:23:46,000
[all screaming]
665
00:23:46,000 --> 00:23:47,430
- OH, CUT IT OUT.
666
00:23:47,433 --> 00:23:49,603
YOU KNOW WHAT, LET'S--
LET'S GO GET A DRINK.
667
00:23:49,600 --> 00:23:50,870
[laughs]
668
00:24:02,166 --> 00:24:04,996
- A PICTURE I.D.,
HE'LL TAKE CARE OF EVERYTHING.
669
00:24:05,000 --> 00:24:06,870
- A PICTURE I.D.?
JUST JOKING.
670
00:24:06,867 --> 00:24:08,767
- OH!
SHE GOT ME.
671
00:24:08,767 --> 00:24:11,867
- IT FELT ODD TO ME TO BE GOING
TO NEW YORK WITHOUT ADRIENNE.
672
00:24:11,867 --> 00:24:14,027
- WELCOME TO VIRGIN AMERICA.
- THANK YOU.
673
00:24:14,033 --> 00:24:15,373
- GOING TO NEW YORK
WITH US TODAY?
674
00:24:15,367 --> 00:24:16,567
- I AM.
675
00:24:16,567 --> 00:24:17,967
I WAS A LITTLE WORRIED
ABOUT HER
676
00:24:17,967 --> 00:24:19,397
WITH ALL SHE HAD GOING ON,
AND I MISSED HER.
677
00:24:19,400 --> 00:24:21,700
- YOUR FIRST TIME
TO TRAVEL WITH US?
678
00:24:21,700 --> 00:24:23,770
- OH, NO.
HUNDREDS OF TIMES.
679
00:24:23,767 --> 00:24:25,567
I KNOW RICHARD.
HE'S A FRIEND OF MINE.
680
00:24:25,567 --> 00:24:27,827
- OH, FANTASTIC.
681
00:24:27,834 --> 00:24:29,204
- I'M LOOKING FORWARD
TO GOING.
682
00:24:29,200 --> 00:24:32,530
I WANT TO SEE KELSEY DRESS UP
IN WOMEN'S UNDERWEAR.
683
00:24:34,600 --> 00:24:36,430
- I WAS REALLY
CURIOUS TO SEE
684
00:24:36,433 --> 00:24:38,133
IF THE HYPNOTIST HAD WORKED.
685
00:24:38,133 --> 00:24:39,703
HI, HOW ARE YOU?
686
00:24:39,700 --> 00:24:41,200
- HI, WELCOME
TO VIRGIN AMERICA.
687
00:24:41,200 --> 00:24:44,170
- USUALLY THE DAYS
LEADING UP TO GOING,
688
00:24:44,166 --> 00:24:46,526
I ALREADY START WORKING
THIS NUMBER ON MYSELF OF,
689
00:24:46,533 --> 00:24:48,803
"OH, MY GOD, I'VE GOT
TO GET ON A PLANE IN 48 HOURS.
690
00:24:48,800 --> 00:24:50,200
OH, MY GOD, 24 HOURS."
691
00:24:50,200 --> 00:24:52,030
RIGHT NOW,
I'M STILL ON THE GROUND,
692
00:24:52,033 --> 00:24:54,433
BUT WE'LL SEE HOW I DO
AFTER WE TAKE OFF.
693
00:25:03,767 --> 00:25:04,767
- YOU'RE FAST.
694
00:25:04,767 --> 00:25:05,967
THAT'S GOOD.
695
00:25:05,967 --> 00:25:07,467
USUALLY IN CALIFORNIA
THEY'RE VERY SLOW.
696
00:25:07,467 --> 00:25:10,697
EVERYTHING'S A LITTLE SLOWER
IN CALIFORNIA.
697
00:25:10,700 --> 00:25:13,170
MY MOM LIVES IN NEW JERSEY.
698
00:25:13,166 --> 00:25:14,766
I'VE BEEN TRAVELING, LIKE,
THREE DIFFERENT TIME ZONES
699
00:25:14,767 --> 00:25:16,627
AND I REALLY NEEDED
TO GET MY NAILS DONE,
700
00:25:16,633 --> 00:25:18,303
SO I REALLY WANTED
TO SEE MY MOM.
701
00:25:18,300 --> 00:25:19,500
SO I CALLED HER UP,
I SAID, "JOIN ME."
702
00:25:19,500 --> 00:25:20,800
HOW ARE YOU FEELING?
703
00:25:20,800 --> 00:25:22,770
- I'M DOING WELL.
I'M DOING VERY WELL.
704
00:25:22,767 --> 00:25:24,427
- YOU LOOK GOOD...
- I FEEL GOOD.
705
00:25:24,433 --> 00:25:26,573
- CONSIDERING EVERYTHING
YOU'VE BEEN THROUGH, AND--
706
00:25:26,567 --> 00:25:28,067
- IT'S BEEN A JOURNEY.
707
00:25:28,066 --> 00:25:31,126
I'M GLAD THAT KELSEY FOUND
A REALLY GREAT DOCTOR FOR YOU.
708
00:25:31,133 --> 00:25:33,033
SO MY MOM,
ABOUT TWO MONTHS AGO,
709
00:25:33,033 --> 00:25:36,433
FOUND OUT
THAT SHE HAD CANCER.
710
00:25:36,433 --> 00:25:38,703
SHE'S GOING THROUGH CHEMO,
BUT IT'S GOOD.
711
00:25:38,700 --> 00:25:40,570
IT'S MORE OF
A TOPICAL CHEMOTHERAPY.
712
00:25:40,567 --> 00:25:42,927
AND THE PROGNOSIS
AT THIS POINT IS REALLY GOOD.
713
00:25:42,934 --> 00:25:45,704
- I'M HERE,
AND I'M DOING WONDERFULLY.
714
00:25:45,700 --> 00:25:47,500
- UNFORTUNATELY,
THIS GENETIC GENE
715
00:25:47,500 --> 00:25:49,030
IS IN OUR FAMILY TOO.
716
00:25:49,033 --> 00:25:52,273
I WENT FOR THE BRCA1 AND
THE BRCA2 SCREENING, TESTING,
717
00:25:52,266 --> 00:25:53,666
THE GENOME TESTING.
- YES.
718
00:25:53,667 --> 00:25:56,727
- I TESTED POSITIVE
FOR THE SAME MUTATION.
719
00:25:56,734 --> 00:25:59,404
SO THAT'S WHY
I THOUGHT IMMEDIATELY,
720
00:25:59,400 --> 00:26:02,700
OH, MY GOD,
MAYBE I'M BEING PARANOID,
721
00:26:02,700 --> 00:26:04,670
BUT I GET MORE TESTS DONE
PER YEAR THAN--
722
00:26:04,667 --> 00:26:06,127
I JUST GOT OUT
OF THE DOCTOR.
723
00:26:06,133 --> 00:26:09,503
I WENT INTO UCLA,
OH, WHAT WAS IT, MONDAY,
724
00:26:09,500 --> 00:26:11,800
AND HAD A BATTERY
OF TESTS DONE.
725
00:26:11,800 --> 00:26:13,900
I'M STILL RECOVERING
FROM THAT.
726
00:26:13,900 --> 00:26:15,500
THEN I'M ON A PLANE.
727
00:26:15,500 --> 00:26:16,870
AND I'M WORKING.
728
00:26:16,867 --> 00:26:18,627
I'M PRODUCING THIS SHOW
FOR NICKELODEON.
729
00:26:18,633 --> 00:26:20,233
WELL, TRYING.
WE'RE IN DEVELOPMENT.
730
00:26:20,233 --> 00:26:21,633
- WONDERFUL.
- AND I'M PACKING THE KIDS.
731
00:26:21,633 --> 00:26:23,203
AND WE'RE STILL
ON HAWAII TIME, SO--
732
00:26:23,200 --> 00:26:25,070
- I KNOW, IT'S A LOT.
733
00:26:25,066 --> 00:26:26,496
- I'M TIRED.
734
00:26:26,500 --> 00:26:28,670
I COULD GO HOME AND SLEEP
FOR TWO DAYS STRAIGHT
735
00:26:28,667 --> 00:26:29,897
AND BE VERY HAPPY.
736
00:26:29,900 --> 00:26:31,970
I'M REALLY TIRED.
737
00:26:31,967 --> 00:26:33,367
AND WITH KELSEY
AND ALL THIS HAPPENING,
738
00:26:33,367 --> 00:26:35,097
KELSEY HAS MOVED.
- I KNOW.
739
00:26:35,100 --> 00:26:37,070
- SO I'VE BEEN ALL ALONE
WITH THE KIDS.
740
00:26:37,066 --> 00:26:39,096
WELL, THANK GOD
THAT I HAVE NICOLE
741
00:26:39,100 --> 00:26:40,900
AND MY "BLOND-TOURAGE,"
I CALL THEM.
742
00:26:40,900 --> 00:26:42,000
MY STAFF.
743
00:26:42,000 --> 00:26:43,500
THANK GOD.
- I KNOW.
744
00:26:43,500 --> 00:26:44,700
- 'CAUSE USUALLY
WHEN YOU GO THROUGH THIS
745
00:26:44,700 --> 00:26:46,000
AND A FAMILY MEMBER'S SICK,
746
00:26:46,000 --> 00:26:47,670
YOU HAVE YOUR HUSBAND
OR YOUR LOVED ONE THERE
747
00:26:47,667 --> 00:26:49,527
WITH YOU OR YOUR--
748
00:26:49,533 --> 00:26:51,173
THANK GOD I HAVE MY FRIENDS.
749
00:26:51,166 --> 00:26:52,926
MY MOM AND I ARE VERY CLOSE.
750
00:26:52,934 --> 00:26:54,134
SHE'S FANTASTIC.
751
00:26:54,133 --> 00:26:55,573
SHE'S ALWAYS
BEEN THERE FOR ME.
752
00:26:55,567 --> 00:26:57,997
- I THINK YOU HAVE
TO FEEL POSITIVE ABOUT IT.
753
00:26:58,000 --> 00:27:00,870
I THINK THAT'S WHAT LIFE
IS ALL ABOUT.
754
00:27:00,867 --> 00:27:03,097
SURROUND YOURSELF
WITH POSITIVE PEOPLE.
755
00:27:03,100 --> 00:27:05,630
- POSITIVE ENERGY.
- ALL THE TIME.
756
00:27:13,133 --> 00:27:14,833
- SO WHERE'S CAMILLE?
757
00:27:14,834 --> 00:27:16,934
- SHE'S IN NEW YORK ALREADY.
758
00:27:16,934 --> 00:27:18,974
- WHAT DO YOU MEAN,
SHE'S ALREADY IN NEW YORK?
759
00:27:18,967 --> 00:27:20,767
- BECAUSE OF THE SITUATION
WITH KYLE?
760
00:27:20,767 --> 00:27:21,967
- WAIT A MINUTE,
I'M CONFUSED.
761
00:27:21,967 --> 00:27:23,427
- I WANT THE TRUTH.
762
00:27:23,433 --> 00:27:25,403
- IT'S NOT BECAUSE OF ME.
- IT'S BECAUSE OF YOU.
763
00:27:25,400 --> 00:27:27,270
- YOU'RE BEING RIDICULOUS.
764
00:27:27,266 --> 00:27:29,596
I THINK SHE WENT
TO SPEND TIME WITH KELSEY.
765
00:27:29,600 --> 00:27:30,800
- NO, SHE DIDN'T WANT
TO FLY WITH ALL OF--
766
00:27:30,800 --> 00:27:31,930
- I THINK SHE'S MISSING
HER HUSBAND.
767
00:27:31,934 --> 00:27:33,804
- THESE BLOODY SHOES
ARE KILLING ME.
768
00:27:33,800 --> 00:27:37,700
- OH, HERE, 37-B.
769
00:27:37,700 --> 00:27:39,600
GOING TO NEW YORK THIS WEEKEND
WILL BE THE FIRST TIME
770
00:27:39,600 --> 00:27:42,870
I'VE SEEN CAMILLE SINCE WE HAD
A LITTLE INCIDENT IN VEGAS.
771
00:27:42,867 --> 00:27:44,497
- I JUST THINK
THE WHOLE THING'S
772
00:27:44,500 --> 00:27:47,570
GOTTEN KIND OF, LIKE,
BLOWN OUT OF PROPORTION.
773
00:27:47,567 --> 00:27:50,397
- I THINK KYLE SHOULD JUST
BRING IT UP TO HER AND ASK HER
774
00:27:50,400 --> 00:27:53,300
AND TELL HER, "THAT'S CERTAINLY
NOT WHAT I MEANT,
775
00:27:53,300 --> 00:27:54,830
IF THAT'S HOW
IT WAS INTERPRETED."
776
00:27:54,834 --> 00:27:58,374
- I FEEL THAT CAMILLE
IS A VERY SENSITIVE PERSON
777
00:27:58,367 --> 00:28:00,567
AND THAT MAYBE
SHE MISINTERPRETED
778
00:28:00,567 --> 00:28:02,497
WHAT MY SISTER HAD SAID.
779
00:28:02,500 --> 00:28:05,700
- WELL, I'M JUST GONNA TALK
TO HER WHEN WE GET THERE.
780
00:28:05,700 --> 00:28:07,370
I WANT TO HAVE FUN
THIS WEEKEND.
781
00:28:07,367 --> 00:28:08,997
I DON'T WANT TO HAVE THAT
HANGING OVER ME.
782
00:28:09,000 --> 00:28:11,330
- NO, I THINK SHE DEFINITELY
WANTS TO TALK TO YOU TOO.
783
00:28:11,333 --> 00:28:12,573
- WHAT DID SHE SAY?
784
00:28:12,567 --> 00:28:14,667
- WELL, SHE WAS UPSET.
785
00:28:14,667 --> 00:28:17,227
- SHE WAS UPSET?
- YEAH, SHE WAS UPSET.
786
00:28:17,233 --> 00:28:18,633
- WHAT IS SHE UPSET ABOUT?
787
00:28:18,633 --> 00:28:20,403
- YOU KNOW WHAT,
IT GOT DIFFICULT
788
00:28:20,400 --> 00:28:23,000
BECAUSE I KEPT
SAYING TO HER,
789
00:28:23,000 --> 00:28:24,170
"I DIDN'T HEAR IT,
790
00:28:24,166 --> 00:28:26,026
BUT I KNOW IT WAS MEANT
WITH GOOD INTENTION."
791
00:28:26,033 --> 00:28:28,203
I THINK YOU MISINTERPRETED IT,
I REALLY DO.
792
00:28:28,200 --> 00:28:30,270
- SO YOU DIDN'T HEAR THAT PART?
- NO, I DIDN'T HEAR IT.
793
00:28:30,266 --> 00:28:31,566
- THAT'S WHAT
SHE SAID TO ME.
794
00:28:31,567 --> 00:28:33,097
- I DON'T THINK THAT
SHE MEANT THAT AT ALL.
795
00:28:33,100 --> 00:28:35,030
I DON'T UNDERSTAND
ANY OF IT.
796
00:28:35,033 --> 00:28:36,773
- LET ME JUST TELL YOU.
797
00:28:36,767 --> 00:28:38,367
OKAY, I SAID TO HER,
798
00:28:38,367 --> 00:28:40,367
"IS KELSEY MEETING YOU
IN HAWAII?"
799
00:28:40,367 --> 00:28:42,267
AND SHE SAID, "NO."
AND I SAID, "OH, REALLY?"
800
00:28:42,266 --> 00:28:43,966
AND I THOUGHT,
OH, THAT'S BRAVE.
801
00:28:43,967 --> 00:28:45,797
BECAUSE MY FIRST THOUGHT WAS--
- BUT WHY WAS SHE UPSET?
802
00:28:45,800 --> 00:28:48,030
- WELL, LET ME FINISH.
MY FIRST THOUGHT WAS,
803
00:28:48,033 --> 00:28:50,433
OH, MY GOSH, THAT'S BRAVE
OF HER BECAUSE--
804
00:28:50,433 --> 00:28:51,803
I MEAN, FOR ME
TO GO ON A VACATION
805
00:28:51,800 --> 00:28:54,700
WITH JUST YOUR KIDS
WITH NO HUSBAND AND NO FRIENDS
806
00:28:54,700 --> 00:28:56,330
IS--THAT'S, YOU KNOW.
807
00:28:56,333 --> 00:28:57,833
I ACTUALLY THOUGHT, WOW.
808
00:28:57,834 --> 00:28:59,734
AND ALSO, TOO BAD
THAT HE DOESN'T GET TO SPEND
809
00:28:59,734 --> 00:29:01,574
SPRING BREAK
WITH THIS FAMILY.
810
00:29:01,567 --> 00:29:03,327
I DON'T KNOW,
THAT'S WHAT I'M SAYING.
811
00:29:03,333 --> 00:29:04,933
I DON'T KNOW.
812
00:29:04,934 --> 00:29:06,474
MY HUSBAND DOES BUSINESS
WITH KELSEY AND CAMILLE.
813
00:29:06,467 --> 00:29:08,397
AND HIS CLIENTS
ARE VERY IMPORTANT TO HIM.
814
00:29:08,400 --> 00:29:10,530
AND IF THEY DON'T
DO BUSINESS WITH HIM,
815
00:29:10,533 --> 00:29:12,473
IF AFFECTS HIM FINANCIALLY.
816
00:29:12,467 --> 00:29:15,967
I REALLY FEEL BAD BECAUSE
IT'S BETWEEN CAMILLE AND I,
817
00:29:15,967 --> 00:29:19,967
NOT BETWEEN MAURICIO
AND KELSEY AND CAMILLE.
818
00:29:19,967 --> 00:29:21,497
- THIS IS RIDICULOUS.
SORT IT OUT.
819
00:29:21,500 --> 00:29:22,900
I WANT TO HAVE
A NICE WEEKEND.
820
00:29:22,900 --> 00:29:24,600
IT'S RIDICULOUS.
- WELL, WE WILL.
821
00:29:24,600 --> 00:29:28,400
I'M NOT GONNA LET IT
AFFECT THE WEEKEND.
822
00:29:28,400 --> 00:29:30,730
I DON'T WANT THERE TO BE
ANY UNCOMFORTABLE FEELINGS.
823
00:29:30,734 --> 00:29:32,004
WE HAVEN'T SEEN EACH OTHER
SINCE VEGAS.
824
00:29:32,000 --> 00:29:33,330
AND I'M NOT REALLY SURE
WHAT HAPPENED,
825
00:29:33,333 --> 00:29:35,003
BUT I DON'T WANT
ANY PROBLEMS.
826
00:29:35,000 --> 00:29:36,900
I JUST WANT TO HAVE FUN.
827
00:29:36,900 --> 00:29:38,470
WE JUST KINDA LIKE
START FROM SCRATCH.
828
00:29:38,467 --> 00:29:40,327
- WELL, I SAW IT ALL,
AND THEN KYLE CRYING,
829
00:29:40,333 --> 00:29:42,833
AND THEN CAMILLE LIKE THIS
ON THE PLANE.
830
00:29:42,834 --> 00:29:44,834
SO IT WAS LIKE--
831
00:29:44,834 --> 00:29:46,634
- I THINK SHE MADE HER FEEL
LIKE SHE WAS INSIGNIFICANT
832
00:29:46,633 --> 00:29:48,003
WITHOUT KELSEY.
833
00:29:48,000 --> 00:29:49,530
- SHE'S FEELING INSECURE.
834
00:29:49,533 --> 00:29:50,573
- YEAH.
835
00:29:50,567 --> 00:29:52,027
THAT'S WHAT I AM GETTING
836
00:29:52,033 --> 00:29:53,933
FROM WHAT KYLE
837
00:29:53,934 --> 00:29:55,534
AND LISA'S CONVERSATION
WITH CAMILLE,
838
00:29:55,533 --> 00:29:57,873
BUT I DIDN'T TALK TO HER
ABOUT THAT AT ALL.
839
00:29:57,867 --> 00:30:00,167
- MYSELF GROWING UP
AS A CHILD ACTRESS,
840
00:30:00,166 --> 00:30:02,296
I HAD NOT A WHOLE LOT
OF FRIENDS.
841
00:30:02,300 --> 00:30:04,470
AND ONE OF MY FRIENDS
SPECIFICALLY TOLD ME
842
00:30:04,467 --> 00:30:06,467
IT TAKES
A SPECIAL KIND OF FRIEND
843
00:30:06,467 --> 00:30:09,527
TO BE WITH A CELEBRITY.
844
00:30:09,533 --> 00:30:11,933
YOU KNOW, "STEP ASIDE.
CAN WE TAKE YOUR PICTURE?"
845
00:30:11,934 --> 00:30:14,204
AND IT CAN BE DIFFICULT.
846
00:30:14,200 --> 00:30:15,830
AND SO MY FRIEND TOLD ME
847
00:30:15,834 --> 00:30:18,904
THAT SHE HAD FELT INSECURE
SOMETIMES BEING WITH ME.
848
00:30:18,900 --> 00:30:21,400
- SO OBVIOUSLY
SHE'S INSECURE.
849
00:30:21,400 --> 00:30:23,830
YOU KNOW,
I'M NOT A PSYCHIATRIST,
850
00:30:23,834 --> 00:30:26,334
BUT THAT'S A CLEAN CASE
OF PROJECTING.
851
00:30:26,333 --> 00:30:30,173
SO WE NEITHER--YOU KNOW.
WELL, HELLO.
852
00:30:30,166 --> 00:30:31,326
YOU'RE THINKING THAT, NOT ME.
853
00:30:31,333 --> 00:30:33,573
DON'T PUT WORDS IN MY MOUTH.
854
00:30:33,567 --> 00:30:35,167
- HOPEFULLY EVERYTHING'S
GONNA BE OKAY
855
00:30:35,166 --> 00:30:36,496
BETWEEN THE GIRLS.
856
00:30:36,500 --> 00:30:39,000
IT'S LIKE A STORM
IN A BLOODY TEA CUP.
857
00:30:41,767 --> 00:30:43,767
BECAUSE, YOU KNOW,
THESE THINGS,
858
00:30:43,767 --> 00:30:45,867
THEY HAVE A HABIT OF KIND OF
ROLLING AROUND
859
00:30:45,867 --> 00:30:47,397
AND THEN EXPLODING LATER.
860
00:30:47,400 --> 00:30:48,770
- WHATEVER, MOVING ON.
861
00:30:48,767 --> 00:30:51,197
MOVING ON.
862
00:30:51,200 --> 00:30:54,770
- MOVING ON.
- [sighs]
863
00:30:54,767 --> 00:30:56,367
- COMING UP...
864
00:30:56,367 --> 00:30:58,267
- YOU CAN PUT ON
YOUR LITTLE VOICE
865
00:30:58,266 --> 00:31:00,166
AND TRY TO ACT
ALL SWEET, OKAY?
866
00:31:00,166 --> 00:31:02,496
- BUT YOU LIKE TO THROW
LITTLE DIGS AT ME.
867
00:31:02,500 --> 00:31:03,970
- THAT IS SUCH BULL[bleep].
868
00:31:10,433 --> 00:31:11,773
- HEY, KYLE.
869
00:31:11,767 --> 00:31:14,427
I HEAR YOU HAVE A LITTLE BIT
OF FEAR OF FLYING.
870
00:31:14,433 --> 00:31:15,803
WOULD YOU LIKE TO COME UP
TO THE COCKPIT?
871
00:31:15,800 --> 00:31:17,330
[laughter]
872
00:31:17,333 --> 00:31:18,473
- YES, I DO.
873
00:31:18,467 --> 00:31:19,727
OH, MY GOD.
874
00:31:19,734 --> 00:31:21,834
I KNOW HOW TO FLY.
875
00:31:21,834 --> 00:31:24,404
OH, MY GOD,
THIS IS SO COOL.
876
00:31:24,400 --> 00:31:26,730
SHOULD WE TELL THE GIRLS
THAT I'M GONNA FLY THE PLANE?
877
00:31:26,734 --> 00:31:28,804
[indistinct]
878
00:31:28,800 --> 00:31:30,130
BUT ISN'T THERE, LIKE,
SOMETHING MISSING?
879
00:31:30,133 --> 00:31:31,273
I FEEL LIKE THERE'S,
LIKE, AN EXTRA--
880
00:31:31,266 --> 00:31:32,096
- THIS IS
A DIFFERENT AIRCRAFT.
881
00:31:32,100 --> 00:31:33,100
- WHERE'S THE STEERING WHEEL?
882
00:31:33,100 --> 00:31:34,100
- SEE THE SIDE STICK
RIGHT THERE?
883
00:31:34,100 --> 00:31:35,630
- OH, I DON'T WANT
TO TOUCH THAT.
884
00:31:35,633 --> 00:31:37,303
- NO, PUSH IT, PUSH IT.
885
00:31:37,300 --> 00:31:39,130
SEE?
886
00:31:39,133 --> 00:31:40,673
HA HA.
887
00:31:40,667 --> 00:31:41,867
- [makes buzzing sound]
888
00:31:41,867 --> 00:31:43,927
- THAT'S HOW WE DO IT.
- OH, MY GOD.
889
00:31:43,934 --> 00:31:45,534
- SHE DOES KNOW HER STUFF.
890
00:31:45,533 --> 00:31:47,233
- GOING INTO THE COCKPIT
TO MEET THE PILOTS,
891
00:31:47,233 --> 00:31:48,933
I THINK IT MADE ME
FEEL BETTER.
892
00:31:48,934 --> 00:31:52,074
BUT THEN I FEEL THE HYPNOTIST
REALLY HELPED ME A LOT.
893
00:31:52,066 --> 00:31:55,666
I DEFINITELY FELT
A DEEPER SENSE OF CALM.
894
00:31:55,667 --> 00:31:56,997
YOU GUYS ARE BOTH
FLYING THE PLANE?
895
00:31:57,000 --> 00:31:58,500
- WE ARE, YES.
896
00:31:58,500 --> 00:31:59,830
- AND YOU'RE, LIKE,
HANDSOME AND EVERYTHING.
897
00:31:59,834 --> 00:32:01,534
THIS IS GOOD, THIS IS GOOD.
I'M FEELING BETTER NOW.
898
00:32:01,533 --> 00:32:03,403
[chuckles]
HE IS HANDSOME.
899
00:32:03,400 --> 00:32:04,800
- REALLY CUTE.
900
00:32:15,000 --> 00:32:16,400
- WHAT, DID YOU WANT
TO HAVE DINNER,
901
00:32:16,400 --> 00:32:17,630
OR DO YOU WANT
TO HAVE APPETIZERS?
902
00:32:17,633 --> 00:32:18,633
- APPETIZERS.
903
00:32:18,633 --> 00:32:20,503
- WHO'S MISSING THEIR WIFE?
904
00:32:20,500 --> 00:32:24,370
I MEAN, ARE YOU MISSING
YOUR WIVES?
905
00:32:24,367 --> 00:32:25,667
- IT'S ONLY BEEN
A FEW HOURS.
906
00:32:25,667 --> 00:32:26,997
- THEY JUST LEFT.
907
00:32:27,000 --> 00:32:29,430
- NO, BUT I FEEL LIKE
MY ARM'S BEEN CUT OFF.
908
00:32:29,433 --> 00:32:30,573
- AWW.
909
00:32:30,567 --> 00:32:32,597
- YOU CAN'T BE ALONE
WITHOUT LISA.
910
00:32:32,600 --> 00:32:35,730
- NO, THIS ONE IS A--
- I'VE BEEN MARRIED 28 YEARS.
911
00:32:35,734 --> 00:32:36,834
- 28 YEARS.
912
00:32:36,834 --> 00:32:38,774
- THAT'S INCREDIBLE.
- FIRST WIFE?
913
00:32:38,767 --> 00:32:40,297
- I MARRIED HER
WHEN SHE WAS 21.
914
00:32:40,300 --> 00:32:42,530
- CONGRATULATIONS.
915
00:32:42,533 --> 00:32:43,973
- YOU KNOW, IT'S HARD.
916
00:32:43,967 --> 00:32:46,927
- I'VE BEEN MARRIED LONGER
THAN YOU THREE PUT TOGETHER.
917
00:32:46,934 --> 00:32:48,474
- SO, KEN,
GIVE US A SECRET.
918
00:32:48,467 --> 00:32:51,567
HOW DO YOU MAKE IT
LAST FOREVER?
919
00:32:51,567 --> 00:32:56,227
- NEVER GO TO BED,
GO TO SLEEP, IN A FIGHT.
920
00:32:56,233 --> 00:32:58,003
- BUT YOU KNOW WHAT,
I JUST HEARD THAT RECENTLY.
921
00:32:58,000 --> 00:32:59,270
I STILL HAVE TO LEARN THAT.
922
00:32:59,266 --> 00:33:01,126
- I GO TO BED MAD,
923
00:33:01,133 --> 00:33:02,733
AND I'M NOT GONNA
DO THAT ANYMORE.
924
00:33:02,734 --> 00:33:04,034
- YOU'RE NOT GONNA
DO THAT ANYMORE.
925
00:33:04,033 --> 00:33:05,033
YOU'RE JUST GONNA CHANGE
JUST LIKE THAT.
926
00:33:05,033 --> 00:33:06,833
- THAT'S WHY, AS A GUY,
927
00:33:06,834 --> 00:33:09,774
YOU'D BETTER--YOU'D RATHER
BE HAPPY THAN RIGHT.
928
00:33:09,767 --> 00:33:11,427
BUT FROM THE POINT OF VIEW
929
00:33:11,433 --> 00:33:13,573
OF, LIKE, GETTING, LIKE,
EIGHT GUYS TOGETHER
930
00:33:13,567 --> 00:33:15,327
OR EIGHT GIRLS AND A GUY,
931
00:33:15,333 --> 00:33:17,573
THE CONVERSATION
AT A DINNER TABLE
932
00:33:17,567 --> 00:33:19,667
WITH EIGHT GIRLS IS JUST
SO MUCH MORE INTERESTING
933
00:33:19,667 --> 00:33:21,427
AND JUICY THAN EIGHT GUYS.
934
00:33:21,433 --> 00:33:23,403
- I MEAN,
EVEN TONIGHT'S BORING.
935
00:33:23,400 --> 00:33:25,170
- [laughs]
936
00:33:25,166 --> 00:33:27,396
- THAT'S--YOU KNOW,
THAT'S RIDICULOUS.
937
00:33:27,400 --> 00:33:28,730
HE'S GOT TO HANG OUT
WITH THE GUYS.
938
00:33:28,734 --> 00:33:30,504
LET THEM HAVE
THEIR OWN GOSSIP,
939
00:33:30,500 --> 00:33:32,530
AND LET THE GUYS HANG OUT
AND TALK ABOUT OUR OWN STUFF.
940
00:33:32,533 --> 00:33:35,473
- ARE YOU MISSING
YOUR WOMEN NOW?
941
00:33:35,467 --> 00:33:37,297
- YEAH.
- WHAT ARE THEY DOING NOW?
942
00:33:37,300 --> 00:33:38,430
- THEY'RE GOING OUT TONIGHT,
FOR SURE.
943
00:33:38,433 --> 00:33:39,903
- THEY'RE GOING OUT?
- FOR SURE.
944
00:33:39,900 --> 00:33:41,930
- I THINK THEY'RE DEFINITELY
GOING TO THE BAR.
945
00:33:41,934 --> 00:33:43,574
- THEY'RE DEFINITELY
GOING OUT TONIGHT.
946
00:33:43,567 --> 00:33:44,897
- THEY'RE REFRESHING.
947
00:33:44,900 --> 00:33:46,300
- WHAT DO YOU THINK,
THAT ALL THE GIRLS
948
00:33:46,300 --> 00:33:48,100
ARE ON A GIRLS' TRIP
BUT THEY'RE STAYING HOME?
949
00:33:48,100 --> 00:33:49,430
ARE YOU KIDDING ME?
950
00:33:49,433 --> 00:33:50,933
THAT'S SO NAIVE.
951
00:33:54,567 --> 00:33:57,197
- WHO WANTS TO GO GRAB
A HOT DOG AND SOME COFFEE?
952
00:33:57,200 --> 00:33:58,770
WE'RE IN NEW YORK NOW.
953
00:33:58,767 --> 00:34:00,567
- LET'S DO IT.
954
00:34:00,567 --> 00:34:03,427
- FLYING TO NEW YORK,
I WAS MUCH CALMER
955
00:34:03,433 --> 00:34:05,233
THAN USUAL, DEFINITELY.
956
00:34:05,233 --> 00:34:08,303
I FEEL THE HYPNOTIST
REALLY HELPED ME A LOT.
957
00:34:08,300 --> 00:34:11,130
I WASN'T AS STRESSED-OUT-FEELING
THE WHOLE FLIGHT.
958
00:34:11,133 --> 00:34:13,733
[cork pops]
- OH!
959
00:34:13,734 --> 00:34:16,634
- HERE'S TO A FANTASTIC
WEEKEND, CHEERS.
960
00:34:16,633 --> 00:34:19,703
- BEING HERE IN NEW YORK
AND HAVING THE BEST TIME.
961
00:34:19,700 --> 00:34:24,070
- TO FRIENDSHIPS.
962
00:34:24,066 --> 00:34:27,026
AND TO MEN YOU WANT.
963
00:34:27,033 --> 00:34:28,203
[laughter]
964
00:34:28,200 --> 00:34:29,900
- YEAH, GOOD LUCK
WITH THAT ONE.
965
00:34:38,767 --> 00:34:40,367
- THANK YOU.
966
00:34:40,367 --> 00:34:42,167
- OH, MY, MY.
967
00:34:42,166 --> 00:34:44,496
- I DON'T WANT THERE TO BE
ANY UNCOMFORTABLE FEELINGS.
968
00:34:44,500 --> 00:34:46,000
WE HAVEN'T SEEN EACH OTHER
SINCE VEGAS.
969
00:34:46,000 --> 00:34:48,000
- WELCOME.
- WHAT A BEAUTIFUL OUTFIT.
970
00:34:48,000 --> 00:34:50,430
- WELCOME TO NEW YORK.
- THANK YOU.
971
00:34:50,433 --> 00:34:52,173
- HI, KIM.
HEY!
972
00:34:52,166 --> 00:34:54,726
- GORGEOUS.
973
00:34:54,734 --> 00:34:56,034
- THIS LOOKS GOOD.
974
00:34:56,033 --> 00:34:57,373
THIS IS GONNA GO FINE.
975
00:34:57,367 --> 00:35:00,327
- LOOK AT THIS.
NICE.
976
00:35:00,333 --> 00:35:02,033
- IT'S LIKE A PARTY HOTEL.
977
00:35:02,033 --> 00:35:03,473
[overlapping chatter]
978
00:35:03,467 --> 00:35:04,897
- OKAY.
979
00:35:04,900 --> 00:35:07,800
- OH, WOW, THIS IS
REALLY PRETTY, HUH?
980
00:35:07,800 --> 00:35:09,230
- LOOK.
- OH, THAT'S SWEET.
981
00:35:09,233 --> 00:35:11,673
- THAT IS SWEET.
982
00:35:11,667 --> 00:35:12,667
- AWW.
983
00:35:12,667 --> 00:35:14,097
- THANK YOU, DARLING.
984
00:35:14,100 --> 00:35:16,000
- WE WENT UP AND LOOKED
AT THIS BEAUTIFUL SUITE,
985
00:35:16,000 --> 00:35:17,800
AND EVERYTHING SEEMED GOOD,
COPACETIC.
986
00:35:17,800 --> 00:35:18,930
EVERYBODY WAS HAPPY.
987
00:35:18,934 --> 00:35:20,234
- I JUST WANT
TO TALK TO YOU,
988
00:35:20,233 --> 00:35:21,603
BECAUSE WE HAVEN'T SEEN
EACH OTHER SINCE VEGAS.
989
00:35:21,600 --> 00:35:23,630
AND I KNOW THERE WAS
SOME MISCOMMUNICATION
990
00:35:23,633 --> 00:35:26,473
WITH THE TWO OF US.
991
00:35:26,467 --> 00:35:27,997
AND I JUST WANT YOU TO KNOW,
992
00:35:28,000 --> 00:35:30,070
BECAUSE NOW I THINK
THAT YOU MISUNDERSTOOD
993
00:35:30,066 --> 00:35:32,126
WHEN I WAS ASKING YOU
ABOUT YOUR VACATION.
994
00:35:32,133 --> 00:35:33,503
I HONESTLY MEANT,
995
00:35:33,500 --> 00:35:35,670
"IS YOUR HUSBAND MEETING YOU
FOR YOUR SPRING BREAK?"
996
00:35:35,667 --> 00:35:38,267
I SWEAR TO YOU, MY HAND
TO GOD, THAT'S WHAT I MEANT.
997
00:35:38,266 --> 00:35:41,696
- WELL, WHAT YOU SAID WAS,
"I DON'T UNDERSTAND WHY--"
998
00:35:41,700 --> 00:35:43,700
- NO, YOU HEARD THAT.
YOU HEARD THAT.
999
00:35:43,700 --> 00:35:45,870
I NEVER SAID THAT, CAMILLE.
MY HAND TO GOD.
1000
00:35:50,467 --> 00:35:51,767
I WOULD NEVER SAY THAT.
1001
00:35:51,767 --> 00:35:53,497
- I SWEAR I HEARD THAT.
1002
00:35:53,500 --> 00:35:56,200
- I WANT YOU TO KNOW
I WOULD NEVER SAY THAT.
1003
00:35:56,200 --> 00:35:57,730
WHY AM I FRIENDS WITH YOU?
1004
00:35:57,734 --> 00:36:00,134
- MY GOAL WITH KYLE
WAS TO SMOOTH THINGS OVER.
1005
00:36:00,133 --> 00:36:02,973
IT WAS NEVER
TO HAVE CONTROVERSY.
1006
00:36:02,967 --> 00:36:05,767
OKAY, SUPPOSEDLY I THOUGHT
I HEARD YOU SAY THAT.
1007
00:36:05,767 --> 00:36:09,397
- NEVER WOULD THOSE WORDS
EVER COME OUT OF MY MOUTH.
1008
00:36:09,400 --> 00:36:10,770
- AND WHEN I HEARD THAT,
1009
00:36:10,767 --> 00:36:12,427
I WANT, OH, MY GOD,
WHY WOULD SHE SAY THAT?
1010
00:36:12,433 --> 00:36:15,203
"WHY WOULD ANYBODY BE INTERESTED
IN YOU WITHOUT KELSEY?"
1011
00:36:15,200 --> 00:36:17,530
- OH, MY GOD, NEVER.
- AND I JUST--
1012
00:36:17,533 --> 00:36:18,773
THAT'S WHAT MADE ME SAY,
1013
00:36:18,767 --> 00:36:20,867
"OH, WHY ARE YOU
INTERROGATING ME?"
1014
00:36:20,867 --> 00:36:24,167
- I DON'T LIKE HAVING ANY
BAD FEELINGS WITH ANYONE.
1015
00:36:24,166 --> 00:36:26,666
THESE KIND OF THINGS, LIKE,
TORTURE ME.
1016
00:36:26,667 --> 00:36:27,997
THEY, LIKE,
EAT ME UP INSIDE.
1017
00:36:28,000 --> 00:36:29,500
I DON'T WANT THAT.
1018
00:36:29,500 --> 00:36:31,200
I WOULD NEVER WANT YOU TO THINK
I'M THAT KIND OF PERSON,
1019
00:36:31,200 --> 00:36:32,400
'CAUSE I'M SO NOT,
1020
00:36:32,400 --> 00:36:33,970
ESPECIALLY FROM ME,
WHEN I'M LIKE--
1021
00:36:33,967 --> 00:36:36,827
- I KNOW, YOU REACHED OUT
TO ME FROM THE VERY BEGINNING.
1022
00:36:36,834 --> 00:36:38,574
- WHEN I HEARD YOU THOUGHT
I SAID THAT, I WAS--
1023
00:36:38,567 --> 00:36:40,397
- YEAH, I DID, SO OKAY.
1024
00:36:40,400 --> 00:36:42,170
- LET ME KNOW
IF THEY NEED A REFEREE.
1025
00:36:42,166 --> 00:36:45,266
- I DON'T THINK KYLE'S
AFRAID OF CONFRONTATION.
1026
00:36:45,266 --> 00:36:48,966
I THINK AS MUCH AS SHE DOESN'T
LIKE CONFRONTATION,
1027
00:36:48,967 --> 00:36:50,297
KYLE'S NOT AFRAID OF IT.
1028
00:36:50,300 --> 00:36:52,100
SHE LIKES TO GET TO THE POINT
OF WHAT'S GOING ON
1029
00:36:52,100 --> 00:36:53,470
AND DEAL WITH IT.
1030
00:36:53,467 --> 00:36:55,267
- ALSO, YOU KNOW, I CALLED--
1031
00:36:55,266 --> 00:36:56,926
I KEPT CALLING A FEW TIMES,
AND YOU NEVER, EVER CALLED ME.
1032
00:36:56,934 --> 00:36:58,634
AND I FINALLY WAS LIKE--
LISA HAD SAID,
1033
00:36:58,633 --> 00:37:00,433
"WHY DON'T YOU CALL HER
AND PATCH THINGS UP?"
1034
00:37:00,433 --> 00:37:01,933
- I DIDN'T GET THOSE CALLS.
1035
00:37:01,934 --> 00:37:03,534
- YEAH, BUT YOU'VE NEVER MADE
AN EFFORT TO CALL ME.
1036
00:37:03,533 --> 00:37:05,503
SO IT'S ALWAYS ME CALLING YOU
AND MAKING AN EFFORT.
1037
00:37:05,500 --> 00:37:07,730
- SO I UNDERSTAND THAT.
- DO YOU SEE WHAT I'M SAYING?
1038
00:37:07,734 --> 00:37:09,004
SO I KINDA JUST WENT,
I'M GONNA BACK OFF.
1039
00:37:09,000 --> 00:37:10,070
- OH, OKAY,
I'M JUST REALLY SHY,
1040
00:37:10,066 --> 00:37:11,796
AND YOU NEED
TO KNOW THAT ABOUT ME.
1041
00:37:11,800 --> 00:37:13,170
I'M REALLY SHY,
AND SOMETIMES I FEEL LIKE
1042
00:37:13,166 --> 00:37:14,496
I DON'T WANT TO IMPOSE.
1043
00:37:14,500 --> 00:37:15,870
- FIRST OF ALL,
DON'T BE INSECURE
1044
00:37:15,867 --> 00:37:17,067
AND DON'T BE SHY,
1045
00:37:17,066 --> 00:37:18,626
BECAUSE YOU DON'T NEED
TO FEEL THAT WAY.
1046
00:37:18,633 --> 00:37:19,873
- I DON'T FEEL INSECURE.
1047
00:37:19,867 --> 00:37:21,467
I JUST REALLY FEEL--
I'M SO SHY.
1048
00:37:21,467 --> 00:37:23,227
I'M, LIKE, DEATHLY SHY.
1049
00:37:23,233 --> 00:37:24,803
SHE BROUGHT UP INSECURITY,
1050
00:37:24,800 --> 00:37:26,670
AND I WENT,
WHERE'S THAT COMING FROM?
1051
00:37:26,667 --> 00:37:28,427
WHAT DOES THAT HAVE TO DO
WITH RETURNING A PHONE CALL?
1052
00:37:28,433 --> 00:37:29,603
THAT DOESN'T MAKE ANY SENSE.
1053
00:37:29,600 --> 00:37:30,770
THAT DOESN'T CONNECT
IN ANY WAY.
1054
00:37:30,767 --> 00:37:31,997
- YOU GOTTA UNDERSTAND,
1055
00:37:32,000 --> 00:37:33,470
I FEEL LIKE AN OUTSIDER.
1056
00:37:33,467 --> 00:37:34,997
- WHY?
1057
00:37:35,000 --> 00:37:36,300
I WANTED YOU TO MEET
WITH THEM,
1058
00:37:36,300 --> 00:37:37,470
AND EVERYONE LOVES YOU,
1059
00:37:37,467 --> 00:37:38,827
AND EVERYONE THINKS
YOU'RE GREAT.
1060
00:37:38,834 --> 00:37:39,704
I DON'T WANT YOU
TO FEEL LIKE THAT.
1061
00:37:39,700 --> 00:37:41,230
- OKAY, LET'S JUST LET IT--
1062
00:37:41,233 --> 00:37:42,873
- I'M REALLY GLAD
WE CLEARED IT UP THOUGH.
1063
00:37:42,867 --> 00:37:44,797
OKAY.
- OKAY, GOOD.
1064
00:37:44,800 --> 00:37:46,270
- I FELT BAD.
I REALLY, REALLY DID.
1065
00:37:46,266 --> 00:37:48,926
I WANT US TO HAVE FUN.
I'M HERE TO HAVE FUN.
1066
00:37:48,934 --> 00:37:51,004
I'M EXCITED TO SEE
YOUR HUSBAND'S SHOW.
1067
00:37:51,000 --> 00:37:52,330
- I'M OVER IT.
LET'S PUT THIS IN THE PAST.
1068
00:37:52,333 --> 00:37:54,103
LET'S MOVE ON.
IT'S JUST A MISUNDERSTANDING.
1069
00:37:54,100 --> 00:37:55,370
- WELL, I'M GLAD
WE CLEARED IT UP.
1070
00:37:55,367 --> 00:37:57,297
- THEY'RE LAUGHING, YAY.
1071
00:37:57,300 --> 00:37:58,570
- THEY'RE GOOD.
1072
00:37:58,567 --> 00:38:01,397
I KNEW AS SOON AS THEY SPOKE
THEY'D BE FINE.
1073
00:38:01,400 --> 00:38:02,770
- OKAY, LET'S--
1074
00:38:02,767 --> 00:38:05,797
- MOVING ON, HAVING FUN.
1075
00:38:05,800 --> 00:38:07,400
- HELLO.
- HI.
1076
00:38:07,400 --> 00:38:08,430
- ALL RIGHT, GIRLS,
1077
00:38:08,433 --> 00:38:09,973
SO WHAT ARE WE DOING NOW?
1078
00:38:09,967 --> 00:38:11,797
ARE WE GOING OUT?
ARE YOU GOING OUT?
1079
00:38:11,800 --> 00:38:13,130
- I WOULD LOVE
FOR EVERYBODY TO GO OUT.
1080
00:38:13,133 --> 00:38:14,133
WE SHOULD GO OUT.
1081
00:38:14,133 --> 00:38:15,903
- SHOULD WE GO,
LIKE, BRUSH UP
1082
00:38:15,900 --> 00:38:17,530
AND THEN MEET YOU
DOWNSTAIRS IN THE LOBBY?
1083
00:38:17,533 --> 00:38:18,633
DO YOU WANT TO DO THAT?
1084
00:38:18,633 --> 00:38:20,233
- YEAH.
- YEAH?
1085
00:38:20,233 --> 00:38:21,773
WE'LL SEE YOU IN THE LOBBY.
1086
00:38:21,767 --> 00:38:23,327
- OKAY, WE'LL SEE YOU
IN A LITTLE BIT.
1087
00:38:23,333 --> 00:38:24,803
- OKAY, SEE YOU
IN A LITTLE BIT.
1088
00:38:24,800 --> 00:38:26,600
- YOU LOOK BEAUTIFUL.
- THANK YOU.
1089
00:38:28,367 --> 00:38:29,767
- YOU WANT TO JUST
HANG OUT WITH ME, HONEY?
1090
00:38:29,767 --> 00:38:31,727
- YEAH, I'M HERE WITH YOU.
1091
00:38:31,734 --> 00:38:33,874
- ALL RIGHT.
1092
00:38:33,867 --> 00:38:35,367
- HOW'S ADRIENNE DOING?
1093
00:38:35,367 --> 00:38:37,227
- YOU KNOW, I WAS JUST
GONNA CALL HER MAYBE
1094
00:38:37,233 --> 00:38:38,603
AND SEE IF I COULD GET HER
AND JUST--
1095
00:38:38,600 --> 00:38:40,500
BUT IT'S KIND OF GETTING LATE.
1096
00:38:40,500 --> 00:38:42,400
PROBABLY GOING TO BED.
I'LL JUST SEND HER A TEXT.
1097
00:38:42,400 --> 00:38:43,530
I'M JUST GONNA TELL HER--
1098
00:38:43,533 --> 00:38:45,273
- YEAH, I REALLY WISH
SHE WAS HERE.
1099
00:38:45,266 --> 00:38:48,596
I MEAN, YOU KNOW, I UNDERSTAND
UNDER THE CIRCUMSTANCES, BUT...
1100
00:38:48,600 --> 00:38:50,230
- MY EXPECTATIONS
FOR THE REST OF THE EVENING
1101
00:38:50,233 --> 00:38:54,403
WERE EVERYTHING
WAS GONNA BE FINE.
1102
00:38:54,400 --> 00:38:56,700
HOW WRONG I WAS.
1103
00:39:00,934 --> 00:39:03,804
- NO, I DON'T UNDERSTAND WHY
INSECURITY PLAYS INTO THIS.
1104
00:39:03,800 --> 00:39:05,770
- WHY WOULD YOU SAY THAT?
1105
00:39:09,266 --> 00:39:11,196
- WHAT THE HELL
JUST HAPPENED?
1106
00:39:11,200 --> 00:39:13,270
- I'M A LITTLE CONFUSED.
1107
00:39:13,266 --> 00:39:14,626
- YEAH, ME TOO.
1108
00:39:14,633 --> 00:39:15,873
- THAT'S WHAT I'M GONNA SAY.
1109
00:39:15,867 --> 00:39:17,227
- I JUST DIDN'T KNOW
1110
00:39:17,233 --> 00:39:18,803
WHY YOU'D THINK
I'M SO INSECURE.
1111
00:39:18,800 --> 00:39:20,900
YOU SAID IT.
I DIDN'T SAY IT.
1112
00:39:24,367 --> 00:39:27,327
- WHEN I LEFT CAMILLE UPSTAIRS
AND TAYLOR,
1113
00:39:27,333 --> 00:39:29,973
EVERYTHING WAS HUNKY-DORY.
1114
00:39:29,967 --> 00:39:32,227
AND THEN SUDDENLY
SHE COMES DOWN,
1115
00:39:32,233 --> 00:39:34,573
HER FEELINGS WENT
FROM THERE TO THERE.
1116
00:39:34,567 --> 00:39:37,627
SHE CHANGED 180 DEGREES.
1117
00:39:37,633 --> 00:39:39,173
- I DON'T KNOW WHAT YOU ARE,
BUT ALL I KNOW
1118
00:39:39,166 --> 00:39:40,296
IS I WAS TRYING
TO BE NICE IN THE ROOM
1119
00:39:40,300 --> 00:39:41,400
AND I THOUGHT WE FIXED IT,
1120
00:39:41,400 --> 00:39:42,570
AND YOU CAME DOWN HERE
AND WERE RUDE.
1121
00:39:42,567 --> 00:39:44,627
SO THAT'S ALL I KNOW.
1122
00:39:44,633 --> 00:39:46,603
DOES SHE HAVE
AN IDENTICAL TWIN?
1123
00:39:46,600 --> 00:39:49,870
ARE THERE TWO CAMILLES?
I'M NOT SURE.
1124
00:39:49,867 --> 00:39:51,697
- SO IF THAT
WAS SAID UPSTAIRS
1125
00:39:51,700 --> 00:39:54,030
AND EVERYTHING WAS CALM
WHEN YOU GUYS HAD A DRINK,
1126
00:39:54,033 --> 00:39:58,733
THEN WHAT HAPPENED
BETWEEN THEN TO SUDDENLY POW?
1127
00:39:58,734 --> 00:40:01,234
- WELL, I THOUGHT ABOUT IT
AND I SAID,
1128
00:40:01,233 --> 00:40:03,473
HMM, WHEN WE'RE TRYING
TO APOLOGIZE TO ONE ANOTHER,
1129
00:40:03,467 --> 00:40:06,297
I THINK IT'S NICE
TO BE OPEN AND HONEST.
1130
00:40:06,300 --> 00:40:08,570
BUT I THINK THROWING
A LITTLE DIG ABOUT INSECURITY--
1131
00:40:08,567 --> 00:40:09,827
- WELL, IT'S ONLY
A DIG TO SOMEONE
1132
00:40:09,834 --> 00:40:11,704
WHO IS, LIKE,
PARANOID ABOUT THAT.
1133
00:40:11,700 --> 00:40:13,530
'CAUSE IF SOMEONE SAID,
"DON'T BE INSECURE ABOUT THAT,"
1134
00:40:13,533 --> 00:40:15,533
I WOULD BE LIKE, "OKAY,
YOU KNOW, THEN I WON'T BE."
1135
00:40:15,533 --> 00:40:18,303
- I DON'T THINK
THAT'S SINCERE.
1136
00:40:18,300 --> 00:40:20,830
- YOU CAN PUT ON
YOUR LITTLE VOICE
1137
00:40:20,834 --> 00:40:23,634
AND TRY TO ACT
ALL SWEET, OKAY?
1138
00:40:23,633 --> 00:40:26,233
- BUT YOU LIKE TO THROW
LITTLE DIGS AT ME.
1139
00:40:26,233 --> 00:40:27,773
- THAT IS SUCH BULL[bleep].
1140
00:40:27,767 --> 00:40:29,867
- I'M SO ABOVE THIS.
1141
00:40:29,867 --> 00:40:34,127
- YOU KNOW WHAT,
YOU NEED TO GET HELP.
1142
00:40:34,133 --> 00:40:35,773
- COMING UP...
1143
00:40:35,767 --> 00:40:38,027
- I DON'T THINK THAT.
YOU THINK THAT.
1144
00:40:38,033 --> 00:40:40,133
- NO, YOU SAID IT TO ME.
YOU SAID IT.
1145
00:40:40,133 --> 00:40:41,403
I WOULDN'T MAKE THAT UP.
1146
00:40:41,400 --> 00:40:44,500
- YOU'RE SUCH
A [bleep] LIAR, CAMILLE.
1147
00:40:52,934 --> 00:40:54,234
- I'M SO ABOVE THIS.
1148
00:40:54,233 --> 00:40:56,503
- YOU KNOW WHAT,
YOU NEED TO GET HELP.
1149
00:40:56,500 --> 00:40:57,930
- WHY DO YOU JUST KEEP DIGGING?
1150
00:40:57,934 --> 00:40:59,874
THOSE ARE SUCH
MEAN THINGS TO SAY.
1151
00:40:59,867 --> 00:41:02,627
- THE CONVERSATION YOU GUYS
HAD IN THE ROOM WENT OKAY.
1152
00:41:02,633 --> 00:41:04,033
- YEAH, BUT HONESTLY,
1153
00:41:04,033 --> 00:41:05,503
I'M GONNA BE HONEST
ABOUT THAT CONVERSATION.
1154
00:41:05,500 --> 00:41:08,030
I REALLY FEEL THAT, I MEAN,
1155
00:41:08,033 --> 00:41:10,373
I REALLY DID HEAR YOU SAY
WHAT YOU DID.
1156
00:41:10,367 --> 00:41:12,227
I MEAN, YOU KEEP TELLING ME
YOU DIDN'T SAY THAT.
1157
00:41:12,233 --> 00:41:13,833
- YOU'RE STILL
OBVIOUSLY THINKING
1158
00:41:13,834 --> 00:41:15,404
THAT I WAS BEING RUDE
ABOUT HAWAII, STILL.
1159
00:41:15,400 --> 00:41:17,500
- I'M JUST NOT USED TO GETTING
INTERROGATED LIKE THAT.
1160
00:41:17,500 --> 00:41:18,930
- SEE, NOW YOU ADMIT.
1161
00:41:18,934 --> 00:41:19,974
YOU THOUGHT THAT MY ASKING
ABOUT YOUR VACATION--
1162
00:41:19,967 --> 00:41:21,767
- YOU ASKED ME
A LOT OF QUESTIONS.
1163
00:41:21,767 --> 00:41:23,127
- I WAS BEING NICE TO YOU.
1164
00:41:23,133 --> 00:41:25,003
NOW I'M NOT EVEN GONNA
ASK YOU ANY QUESTIONS, OKAY?
1165
00:41:25,000 --> 00:41:28,530
'CAUSE OBVIOUSLY
YOU TWIST EVERYTHING.
1166
00:41:28,533 --> 00:41:30,703
- I'M NOT TWISTING ANYTHING.
1167
00:41:30,700 --> 00:41:32,800
I'M JUST--
I'M NOT TWISTING ANYTHING.
1168
00:41:36,166 --> 00:41:39,526
- YOU NEED TO GET
A THERAPIST IMMEDIATELY.
1169
00:41:39,533 --> 00:41:42,133
- WHY DO YOU KEEP
THROWING DIGS?
1170
00:41:42,133 --> 00:41:44,203
- BECAUSE I WOULD NEVER
SAY SOMETHING LIKE THAT.
1171
00:41:44,200 --> 00:41:46,170
FIRST OF ALL,
I DON'T THINK THAT, "A,"
1172
00:41:46,166 --> 00:41:47,466
AND "B," I WOULD NEVER
SAY THAT.
1173
00:41:47,467 --> 00:41:49,467
EVEN IF I DID THINK IT,
I WOULD NEVER SAY THAT.
1174
00:41:49,467 --> 00:41:51,127
- YOU DID SAY IT.
- WHO TALKS LIKE THAT?
1175
00:41:51,133 --> 00:41:53,073
I DON'T THINK THAT.
YOU THINK THAT.
1176
00:41:53,066 --> 00:41:54,226
- NO, YOU SAID IT TO ME.
1177
00:41:54,233 --> 00:41:55,333
I'M NOT LIKE THAT.
1178
00:41:55,333 --> 00:41:57,473
I'M REALLY NOT
LIKE THAT, KYLE.
1179
00:41:57,467 --> 00:41:59,227
- GET YOUR STORY STRAIGHT.
1180
00:41:59,233 --> 00:42:01,173
- I'VE SEEN KYLE
GET UPSET BEFORE.
1181
00:42:01,166 --> 00:42:04,296
BUT THIS WAS--
SHE WAS REALLY UPSET.
1182
00:42:04,300 --> 00:42:05,730
- I WAS ASKING
EVERYBODY ABOUT,
1183
00:42:05,734 --> 00:42:07,374
"WHAT ARE YOU DOING
FOR YOUR SPRING BREAK?"
1184
00:42:07,367 --> 00:42:09,727
THAT'S NORMAL CONVERSATION
BETWEEN FRIENDS, CAMILLE.
1185
00:42:09,734 --> 00:42:11,374
- YEAH, BUT I DON'T REALLY
KNOW YOU THAT WELL.
1186
00:42:11,367 --> 00:42:14,067
- OH, THEN I WON'T ASK YOU
ANY MORE QUESTIONS, OKAY?
1187
00:42:14,066 --> 00:42:15,496
I WILL NOT ASK YOU
ANY MORE QUESTIONS, BELIEVE ME,
1188
00:42:15,500 --> 00:42:17,300
BECAUSE YOU'RE PARANOID
AND DELUSIONAL.
1189
00:42:17,300 --> 00:42:19,200
- THIS IS SO OUT OF--
1190
00:42:19,200 --> 00:42:20,500
- YOU'RE JUST
COVERING YOUR ASS.
1191
00:42:20,500 --> 00:42:21,770
- I HAVE NO--
1192
00:42:21,767 --> 00:42:23,097
I DON'T HAVE ANY REASON
TO COVER MY ASS.
1193
00:42:23,100 --> 00:42:24,830
I DIDN'T SAY ANYTHING.
- YOU SAID IT.
1194
00:42:24,834 --> 00:42:27,704
YOU SAID IT.
I WOULDN'T MAKE IT UP.
1195
00:42:27,700 --> 00:42:29,700
I JUST--
I WOULDN'T MAKE THAT UP.
1196
00:42:29,700 --> 00:42:32,400
I HAVE NO REASON TO.
1197
00:42:32,400 --> 00:42:34,670
- I JUST FELT LIKE EVERYONE'S
FEELINGS WERE GETTING HURT
1198
00:42:34,667 --> 00:42:36,197
AND NOTHING WAS GETTING
ACCOMPLISHED.
1199
00:42:36,200 --> 00:42:38,800
- WELL, THAT'S SUCH
BULL[bleep], CAMILLE.
1200
00:42:38,800 --> 00:42:40,770
- AND THE MORE
I STOOD UP FOR MYSELF,
1201
00:42:40,767 --> 00:42:43,597
JUST--SHE JUST KEPT
GETTING MADDER AND MADDER.
1202
00:42:43,600 --> 00:42:45,870
I KNEW I WAS WINNING.
1203
00:42:45,867 --> 00:42:48,027
I JUST KNOW, COME ON.
1204
00:42:48,033 --> 00:42:50,873
YOU KNOW, THE PERSON
THAT REMAINS IN CONTROL
1205
00:42:50,867 --> 00:42:52,367
IS THE ONE THAT WINS.
1206
00:42:52,367 --> 00:42:54,227
SHE LOST HER COOL.
1207
00:42:54,233 --> 00:42:56,503
SORRY, KYLE, YOU LOSE.
1208
00:42:56,500 --> 00:42:58,530
WELL, SHE KEEPS
ATTACKING ME.
1209
00:42:58,533 --> 00:43:00,603
- I'M NOT ATTACKING.
I'M DEFENDING MYSELF.
1210
00:43:00,600 --> 00:43:02,570
AND IF YOU'RE SAYING
I SAID THINGS I DIDN'T SAY,
1211
00:43:02,567 --> 00:43:04,667
THEN WHAT AM I
SUPPOSED TO SAY?
1212
00:43:04,667 --> 00:43:07,027
- YOU DID SAY THAT, KYLE.
YES, YOU DID.
1213
00:43:07,033 --> 00:43:10,373
I SWEAR ON MY MOTHER,
WHO HAS CANCER,
1214
00:43:10,367 --> 00:43:14,067
YOU DID SAY THAT.
1215
00:43:14,066 --> 00:43:15,566
- YOU THINK THAT I SAID THAT.
1216
00:43:15,567 --> 00:43:17,427
- NO, YOU DID SAY IT.
YOU SAID IT.
1217
00:43:17,433 --> 00:43:19,503
- OH, MY GOD, CAMILLE.
1218
00:43:19,500 --> 00:43:21,070
- YOU JUST CAN'T COP TO IT.
1219
00:43:21,066 --> 00:43:24,226
I'M JUST--I DON'T KNOW WHY
YOU JUST CAN'T COP TO IT.
1220
00:43:24,233 --> 00:43:27,673
- YOU'RE SUCH
A [bleep] LIAR, CAMILLE.
1221
00:43:32,700 --> 00:43:36,130
- NEXT TIME ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
1222
00:43:36,133 --> 00:43:37,973
- DO NOT [bleep]
DRAG ME INTO THIS.
1223
00:43:37,967 --> 00:43:39,627
- OH, REALLY?
DON'T PISS ME OFF.
1224
00:43:39,633 --> 00:43:40,833
- DO NOT UPSET ME.
1225
00:43:40,834 --> 00:43:42,204
I'M ABOUT
TO TAKE YOU OUT BACK
1226
00:43:42,200 --> 00:43:45,000
AND PULL SOME OKLAHOMA
ON YOUR ASS.
1227
00:43:45,000 --> 00:43:46,670
- CAMILLE, STRAIGHT AHEAD.
RIGHT HERE, PLEASE.
1228
00:43:46,667 --> 00:43:49,497
- VERY NICE, CAMILLE.
1229
00:43:49,500 --> 00:43:51,500
- HOW ARE YOU?
- I'M WELL.
1230
00:43:51,500 --> 00:43:53,330
- IT WAS SO AWKWARD
AND UNCOMFORTABLE.
1231
00:43:53,333 --> 00:43:55,573
WHY DID I COME?
1232
00:43:55,567 --> 00:43:56,897
- HOW ARE YOU?
- I'M WELL.
1233
00:43:56,900 --> 00:43:58,400
- SHE VERBALLY ASSAULTED ME.
1234
00:43:58,400 --> 00:43:59,830
I WILL NOT ACCEPT THAT.
1235
00:43:59,834 --> 00:44:01,734
- WHAT HAVE I DONE?
1236
00:44:01,734 --> 00:44:04,034
- TO LEARN MORE ABOUT
THE HOUSEWIVES,
1237
00:44:04,033 --> 00:44:05,803
GO TO BRAVOTV.COM.
1238
00:44:05,800 --> 00:44:08,800
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