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You give Morgan Guillory a puzzle, she won't stop thinking about it until it's
solved.
Hey, any news? We found Roman. Sending you a photo now.
That's not Roman.
I think someone's been on my tail the past few days.
Maybe you should just hide the bag, because whoever Roman's running from
not want what's inside getting out.
If we could just keep this between us.
We'll keep the circle small. Let's run this pack of photos through facial
recognition. Who are you? I want that backpack.
A theft of major artwork.
Painted by Rembrandt in 1645.
The thief wanted this painting for a reason.
Reese just flew in to help us find our missing painting.
I'm an art recovery specialist.
If I can recover the Rembrandt safely, the insurance company can avoid cutting
rather large check.
Do you have any idea who it might be?
Well, the internet seems to think so. Some call him Jean Baptiste.
If we find the young girl, we should be returning it to Miriam Weissman, not the
foster. So you go back to the crime scene on your own without a police
But if we didn't, we wouldn't have gotten it.
Detective Kerenick and I can handle it from here. Are you kicking me off the
case? Don't worry, the ransomware will turn up soon enough.
That's our guy! Let's go!
He's getting away!
Some baptism might not exist.
It could be a myth. A guard shot him in the left shoulder, and he fled empty
-handed. I'm down at the museum, and you're going to want to see this.
Our case just got blown wide open.
That is not okay.
No, you're big mad.
Yo, what's the problem?
You scared me. That's where I work.
Sorry. You love this kind of stuff, though.
Not this kind of stuff, okay?
Okay, I'm sorry. I just couldn't wait to see you. I've been thinking about you
all day.
All day?
Oh, most of the day.
Okay, let's go.
Yeah, let's get out of here.
Where are my keys?
Whoa.
And you didn't see anyone leaving the area before you found her? No one.
Yeah, if she hadn't dropped her keys, we might not have even noticed her.
I don't think we're digging anything.
Well, does this have something to do with the painting that got stolen?
Morgan, you called her?
I did.
You remember the museum director.
Cyrus Caro, 48.
Cause of death.
One forced trauma to the back of the head. Possibly his own tire iron, which
missing from his trunk.
So, our friend here has a $20 million painting stolen from his museum, and two
days later he winds up dead.
What are the odds those things aren't connected?
Either he knew something about the theft, or he knew who did.
Maybe they got to him before he could get to us. Any chance we're looking at
Jean -Baptiste?
Not likely.
Jean -Baptiste stole paintings from across the world. Cyrus wasn't a
Maybe he and Jean Baptiste were working together.
You think he's the one who called you? Set up the ransom?
I didn't recognize the voice, but he did hand me the Polaroid. So we can't be
sure if our Vic was a witness or an accomplice.
When was he killed?
Well, ME established time of death within the last hour.
Oh, thank God.
It's just good that we got here so quickly.
He was wearing this at the museum.
Yeah, so why would our killer leave a watch worth 200 grand on the ground? Why
go through all that trouble to take it off his wrist just to what? Forget it?
Well, it's fake.
Yeah, if it was real, the second hand would glide and not jump around when it
ticks, plus the engraving's too shallow. Our techs will take a look.
Sounds good. I'm going to skip out for a little bit.
Everything all right? Yeah, just kids stuff.
You need a ride?
No, I want to walk.
And a bit that needs to be emptied. Sorry,
just grabbed my towel. Made a mess. It's okay.
I got it. Sure.
Morgan.
Morgan. You followed me? You showed up to a crime scene and left two minutes
later. Yes, I followed you.
What the hell's going on?
I think Reese is Jean -Baptiste.
Reese, the art consultant?
No, the peanut butter cup. Yes, same guy. Only I don't think he recovers art.
think he steals it. Or both. I don't know. I just know that there is a crate
his room, and I think our young girl is inside.
It's settled down. It's a painting.
Um, okay, that's it?
You heard he's got an art crate, and now you think he's an international art
thief? No, I saw it. And I also saw a scar on his left shoulder from a bullet
wound, just like Jean -Baptiste, in the same spot.
Okay, well, how did you see a scar?
Huh? The scar.
You said you saw it.
Um... I can tell you're making a face. Could you translate that face for me?
Yeah.
Yeah. You know, he and I, we... Oh.
Oh. You know what? It shocked me, too. I don't know. Can we move past that part?
We have to rethink this entire investigation.
Okay, well, I think you're being a little dramatic.
No. Reese has been with us every step from the heist to the murder. I
that. That's why I need to peek inside that crate.
Morgan, you can't break into someone's room without a warrant. You know that.
Obviously, if I find something important, I'm going to say that I
he invited me in. That doesn't make it better. Morgan, now you're just adding
perjury to an unlawful search.
Good point. I'll jot that down.
Morgan!
Hey. Oh, hello.
Where did you disappear to?
Um, I had to go work on another case.
Oh. Yeah, I know. It's like, I wish people would just stop killing each
all the time.
You know? It's like, it's enough already.
Well, I might head back to my hotel room soon.
Why?
Um, I just, there was so much work to be done over there, right?
What's going on with that watch? Remember that watch?
Are you sure everything's okay?
Yeah, yeah.
Because we kind of got interrupted earlier.
We really did.
Maybe, I don't know, we can pick things up where we left off.
Did you find the painting?
I found a painting. I did not find the painting.
So we have no idea if Risa Jean -Baptiste were our killer. I'm pretty
Jean -Baptiste, but we both know he's not our killer because he has an alibi,
remember? Right.
Well, a scar's not enough of a smoking gun, Morgan. We need more.
Well, I'll find more.
That's how you'll get more that worries me.
You know what?
I don't need this from you right now.
And I don't need Wagner going off on you again, so if you really think Risa Jean
-Baptiste, we need to bring the captain up to speed.
Absolutely not. No.
The only thing you need to do is get the captain to bring me back on the case.
And how should I go about doing that, exactly?
Well, you can start by keeping your mouth shut about everything that
the hotel room.
Hmm. Okay, so lie to my captain about where you were and how we know what we
know. Just come up with something that makes sense and makes the captain trust
me again.
You're making this harder than it needs to be.
So now we need to catch a thief and a murderer.
Detective Carradine, glad you could join us. Captain.
Guillory, I'm sure you'll find another case in need of your unique talents.
They're going to have questions about the victim at the press conference. What
do we know about Cyrus Carroll?
No priors, no kids, unmarried, was born in the Philippines, and got a master's
in sculpture here in L .A. Cyrus was the museum director for five years. We
looked into all the staff after the heist. Nothing flagged. What about his
social media?
This was his last post, taking two hours before he was murdered.
Find out where. What about our ransomware with the tinted windows?
We ran the plates. The car is registered to a Lou Fowler. We put a bolo out on
the car.
Any connections with Sean Baptiste? Nothing yet. We still don't know who he
or if he even exists.
I'm a skeptic, but I'd love to be proven wrong. And the ransomware hasn't called
you again to make any demands?
No, none of my contacts have seen or heard a whisper about the stolen
on the dark web or anywhere else.
Maybe it just hasn't surfaced, or whoever took it has been real careful.
Great. So we're looking for an art thief and a car thief.
who could be the same guy, but the only suspect we've been able to identify is
still Miriam Weissman's grandson.
So will someone find out what he was doing while Detective Karanek and I were
running every red and... My father bought that painting in 1932.
He lived in Krakow. I was the only one in our family that survived.
When the Nazis came, they took everything.
Morgan and I could go by Cyrus' place, see if we could find anything. Just you,
Detective. Morgan's benched. Forrester and Osdell, if there's a connection
between Cyrus and Jean -Baptiste, I want to know.
Let's hope we have a hell of a lot more to say the next time I talk to the
press.
So what's good around here?
Uh, you can have some of my carrots, or somebody else's pretzels.
So this is the consultant's corner, huh?
Where we wait to be called on?
You maybe.
It's not me. I'm out.
Look, about earlier, I truly had no plans.
Honestly, it's fine.
Got a little carried away. It's all good.
Okay.
So how's the other case coming along?
You know, the one you had to check on. Yeah, good.
Really good. Solved it. Already?
Yep. I know. Some of these cases are tough, you know, and then some are just
kind of open and shut. Real grab bag here at Major Crimes.
Well, congratulations.
I've given it some thought.
I'm going to go with somebody else's pretzels.
Captain, you got a second?
Later, detective.
You know how the press gets if we keep them waiting.
I'd like Morgan back on the Jean Baptiste case with me, sir. Oh, would
You would, too, if you'd worked as many cases with her as I had.
Where'd you go?
I'm not sure I understand.
Back at the crime scene. You took off.
Both of you.
I'm finding it hard to keep track of you two.
So I think you worked this one solo.
Captain.
I work with Morgan on every case.
And I know what I signed up for if she messes up again.
It's on me.
Morgan, can we focus, please?
Fine. What did you say to Wagner to get me back on the case?
I spoke to him cop to cop, and he agreed. Simple as that.
You're not going to let this go, are you? What do you think? Look, Wagner
that you're... Yeah? You're a wild card, okay? But he wants to know everything
that's going on with you.
Same goes for me. If we do that, then we stay on his good side. But if we keep
hiding things from him, it's my ass. But we are hiding things from him. I am
well aware.
Then we need to watch your ass.
Here's Cyrus's apartment.
Whoa, whoa, whoa, whoa, whoa.
Cyrus Lippelbaum?
Someone's in there.
We didn't expect anyone to be here.
We're very sorry for your loss, Emilio.
How long did you know Cyrus?
Cyrus and I started dating a few months ago.
A friend introduced us right when I arrived from Colombia, and we just
He asked me to move in with him almost right away.
When he stopped answering my texts, I started to worry and came home.
That's when I saw the news.
I'm so sorry.
You know, my partner and I met Cyrus.
He seemed like a very sweet man.
I thought we'd be together forever.
Can you think of anybody who might have wanted to hurt him?
Cyrus? No.
And what do you do for work?
I'm a language instructor for IFLA, International Foreign Language
Program.
Well, these sure are beautiful.
Oh, yes, thank you. They're 18th century Italian Baroque. Oh, I know.
I love the floral motif.
Was Cyrus the collector, or were you?
I started getting Cyrus into antiquing. We picked those up last weekend at the
Rose Bowl flea market.
What a find.
This one is so shiny. What do you use to polish yours? Ferric oxide?
Uh, I, uh...
Don't remember what we used, some kind of cleaning product. Why?
Oh, you can use ferric oxide to polish metal.
But if you add a little bit of powdered aluminum to it, you get thermite, which
is a pyrotechnic composition that can burn up to 4 ,500 degrees Fahrenheit. So
people use it for things like welding or making fireworks or grenades.
It can even melt glass.
Like the skylight at the museum.
Wait, you think that I had something to do with the stolen painting?
You know, a byproduct of thermite is aluminum oxide. It's this very fine
Yeah, that's it.
You know, I think we should take this conversation down to the precinct,
Emilio!
You know,
the thing about stolen vehicles is they aren't always so reliable.
Out of the car, sir.
Nice and slow.
Hey, it's Arthur.
We're going to take this.
Okay. I'll go brief Landon.
Arthur, are you okay?
I don't know how things could be better.
What are you talking about?
Some guy, he ambushed me.
I was looking for Roman's backpack.
Who's this?
I got away, but not before he got a few hits in on me, you know. Oh, my God.
How bad is it?
Yeah, I got a hard head.
I'll live.
All right, where are you?
I'm getting patched up right now. Which hospital?
Hospital's asking me questions.
I got my own cut, man. Hey, hold on. Hey, Harold.
Give me a second, all right? Give me one minute.
Thank you, brother.
Morgan, listen to me very carefully, all right?
These people are not playing games.
Whatever's in that backpack that Roman gave me to pick up, they want it, and
they want it real bad.
Do they know I have it? I don't know. If they do, I damn sure didn't tell them
about it.
Okay, this guy, do you think you could identify him and describe him to a
artist?
We talked about this before. I am not going to the police.
Arthur, you just got attacked.
Who knows when they'll find out I have Roman stuff?
Just tell us where you are. We can come to you.
Please.
Mr. and Mrs. Foster. What the hell was that? Greg and I saw your captain's
conference. Then you know we're doing everything we can to find your stolen
painting. Are you? Because we were beginning to wonder if you were only
interested in getting your face on the news. If me standing in front of a
can help catch a murder and a thief. Then what happened with the ransom note?
have a suspect in custody. And I assure you we are working to answer those
questions. Well, it doesn't seem like you have much to show for it. Mr. and
Foster, we know how much the young girl means to you.
Now, I can assure you that Captain Wagner, as well as our entire team in
crimes, is doing everything possible to bring her home. Now, please, let us do
our job. Don't bother.
It's time we hired our own private detective. I think you've kept us
long enough.
You're not listening to me. You got the wrong guy.
No, we want to believe you, Emilio, but you did try to get away from us in a
stolen vehicle.
Twice. And then, there's what we found in your apartment.
Items consistent with the burglary. That's not mine. I've never seen these
before. Then why run?
You see, I think you started dating Cyrus to get access to his museum.
And then you did that whole Mission Impossible act.
A theft, a murder, a ransom.
You had the whole thing planned out.
My relationship with Cyrus wasn't perfect, but I would never hurt him. Not
for $20 million.
Where did you hide the painting?
I'm not hiding anything. But you showed up to the ransom. What, did you get
nervous you weren't going to be able to find a buyer? Because I think you found
out about Reester Cyrus, and Cyrus found out what you were doing, and you
couldn't have that.
Or maybe he discovered this wasn't the first painting you stole.
I don't understand.
Oh, I think you do, Emilio. Or would you prefer the name Jean -Baptiste?
I only heard about the stolen painting because Cyrus told me.
not answering any more questions.
Fine. Don't say another word.
But this court order says that you need to let us check for any identifying
marks on your left shoulder.
Not this one.
Cutting an avocado like a jerk.
I'm glad you survived.
What about you?
Scars? Mm -hmm.
Only have the one.
Pretty sure you've seen it, too.
I don't...
I don't think I have. Oh, that's hard to believe, given your powers of
observation.
Summer 2010, Florence Art Festival.
Things took a very unpleasant turn.
I mean, I didn't see the gun, but I heard the shot.
Luckily for me, it missed my artery.
He's got a whole collection of them, doesn't he? I bet he does.
I served two years in the Colombian Army.
27th Jungle Battalion in Pucallpa.
We look at the side of his hand.
It's all red. Why?
You think he banked it up? No, I think it's ink.
Emilio said he was a language instructor. He probably graded papers
ink, but I didn't see any papers in the apartment.
And what do you do for work? I'm a language instructor.
Maybe he was doing it in an office.
And maybe that office is used for something other than just grading
Guys, let's go!
She left.
Okay, so we're thinking Emilio might have had another reason to be here.
Like hiding the painting or the murder weapon?
It's a lot of boxes. I'll take this room.
All right, let's start it.
Teaching languages could have kept Emilio hopping from one country to
That would be a good cover for an international art piece.
Okay, there's nothing in here except for student paperwork.
Same. What do we have here?
Oh, wow.
I'll call the team to crack it open.
Looks like we found Sean Baptiste.
Good afternoon. I'm Captain Nick Wagner from the LAPD's Major Crimes Division.
Earlier today, our detectives arrested an individual we believe is responsible
for the murder of Cyrus Caro.
While our investigation is not complete, we will soon be returning the stolen
Rembrandt to its rightful owners.
Are there any questions?
Did you inform the Fosters?
Yep, we left word for them.
Well, they'll be glad. There doesn't seem to be any noticeable damage.
Look who's here.
Detectives. Ari, Miriam, what are you doing here?
We came to see the painting.
Morgan invited us.
You Arthur?
You a cop trying to blend in?
I'm a friend of Morgan's.
All right, well, let me just say what I got to say so we can get this thing over
with. I'm listening.
There was a dude hiding in the back of my truck.
I didn't give him what he wanted. He reached for a blade when we got into it.
You get a look at the guy?
Just a couple of glimpses.
Then we spilled out into the street. It all happened pretty fast.
Any information helps.
All right.
White dude.
50s, lean.
Salt -and -pepper hair. He had this big -ass goatee.
He also had a tattoo of some kind of bird peeking out of his shirt right
What are you doing?
We found pictures of some people in Roman's backpack.
One of the guys was somebody we couldn't identify.
That the guy?
Yeah, that's the guy.
Then I'm gonna need you to come down to the precinct with me, make an official
statement. I'm afraid my unofficial statement's just gonna have to stand for
now, sorry.
Your life... Your life could be in danger.
What do you want me to do, huh?
You want me to sit in your lobby till you catch him?
Look, just find the guy, all right? Put a couple of your people on Morgan and
her family. Because trust me, I'm good.
We done here?
All right.
I'm giving you my number.
And you're going to hold on to it. I hope you never see this guy again, but
moment you do, call me.
All right.
You invited her? Yes, I did.
You think the Fosters are going to loan out that painting anytime soon? This
will be the last time Marian Weissman will ever be able to see it. Not to
mention the fact that technically it belongs to her, so none of this is fair.
Well, it's our job to enforce the law, even when it's not.
Oh, yes. Thank you for the reminder.
I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
I have another stolen art piece that requires my services.
Oh.
Is she a provocative young girl this time?
She's a landscape.
Well, Maurice, it would seem that your job here is done. Thank you.
The pleasure's all mine.
And for what it's worth, I really wish the young girl was being returned to me
and Wiseman, too.
That's not her.
That's not her.
What do you mean?
She doesn't have my eyes.
My father always loved that we had the same eyes.
I think she's right.
Carradoc, look at the whites of her eyes. That's too bright.
In 1645, painters used chalk mixes or lead white that had like a creamy
to it. This is brilliant and glaring, more like a modern titanium white which
didn't exist for another three centuries. In 1645, no one could have
with this brightness and clarity. The materials didn't exist.
Sorry for the quick attitude, but I'm due in Palermo tomorrow.
What do you mean it's not her?
Morgan says the one we found is a fake.
Wouldn't the museum have authenticated it? No, not a small museum like the
Harbachian when it comes from a reputable collector like the Fosters. So
supposed to believe she knows just by looking at it? There's an authenticator
the way, but I believe Morgan.
Where is she?
You can take the next one, right?
Thanks, Gina.
Well, I'm not normally one for prolonged buys, but in this case... Do you have
it? I'm sorry, what? Do you have the painting?
Are you serious? You haven't opened that briefcase once since you've been here.
What's inside of it?
So that's why you asked me about my car.
Because you think I'm Jean -Baptiste. And then I did what?
Stole the Rembrandt while no one was looking. Folded it up and hid it in my
briefcase.
I can think of one way we can clear it up.
They're just confidential client files in there, Morgan. Nothing else, I assure
you. There's an unfortunate amount of paperwork that goes without covering.
I bet, yeah.
Okay, as you wish.
I'm sorry, I...
I really thought the one we found at Emilio's office was fake and yours...
the real one. I picked up on that.
So you've been playing me this whole time?
With any of this real?
Morgan, what is this? We asked Daphne to pull DeFoster's insurance policy over
the last 10 years. Now take a look at what they were insuring in 2019.
That's a lot of art.
Now look what they insured a few years later.
Only 12 items. And this year?
Just one. That's right. Now what are the odds that of all the priceless art that
they own, the one piece that gets stolen is the only one that happens to be
insured? I think the art that I saw at their house was fake.
Just like the painting we found. I tracked down black market sales for
the pieces listed on the Foster's 2019 insurance writing.
Then we did some more digging.
They're in debt to some bad people.
So you're saying the Fosters arranged for their own painting to be stolen for
the insurance money?
They loved that painting so much they weren't willing to give it up even when
they went broke.
All right.
Where's it going?
One of them must have gotten an idea. Now, I don't know if it was Greg or
Let's arrange to have our painting stolen and returned to us without anyone
knowing. That way, they could keep both the insurance money and the painting.
But why give over the real thing if you don't have to? Maybe they didn't. Maybe
the Fosters had a forgery made for the museum.
Right. Probably by the same expert who forged the other ones on their wall.
I don't think they'd want their beloved painting getting sliced out of a frame,
do you? So the museum never had the real painting.
It was all a setup. That's right, but nobody robs a museum for free. You guys
remember the watch? I think that Greg and Linda gave Cyrus the watch as a down
payment. And by the time Cyrus realized the watch was a fake, he'd already
stolen the painting, making it look like it was Jean -Baptiste, so we wouldn't
suspect it.
What he didn't know was that painting was fake, too.
He decided he wanted to double -cross the Fosters by putting it up for ransom.
But when the Fosters found out, they confronted him before he could find out
painting was fake.
And by that time, he'd already given the painting to Emilio, who hid it in his
office, believing it was real.
The Fosters couldn't risk the truth getting out. They needed to keep him
so they killed Cyrus.
Again, I'm not sure which one.
Maybe it was both of them. What? Are you kidding me?
Again,
not sure which.
All right, we need to bring the Fosters in for questioning.
They have a yacht.
The Fosters have a yacht. I saw a picture of it at their house. It was
the Easy Monet.
If they go out to ditch the murder weapon, they could try to get away with
murder and the painting.
Forrester, go grab Oz. They'll go to their house.
Karadek, how are your seaweights?
You know this place? Yeah, a friend doctor's boat here.
That's them.
They're casting off. Let's go.
Yep. Yep. It's real or yep? The underlayers are inconsistent with the
available at the time the real Rembrandt was painted.
Mr. and Mrs. Foster, LAPD.
This is Lieutenant Soto.
I'm being followed again.
Arthur, where are you? I'll send you a black and white.
I'm just passing Temple and Grand.
I'm actually on my way to you. Maybe this guy will follow me on the way to
station.
Yeah. Fathers aren't here. Looks like they left in a hurry. And they took
everything of value with them. Mm -hmm.
So they're making a run for it.
All right, thanks.
So you're sure it's a fake?
The best I've ever seen.
How did the lady know?
She didn't have her eyes.
Can you see his license plate?
No, he keeps weaving in between the cars. It's a sedan of some kind.
Look, this guy really knows what he's doing.
Listen, I'll be at you in about 15, 20 minutes' time. All right, well, then
stay on the line with me until you get to the precinct.
Look, I'll be fine, all right?
I'll see you soon. Arthur.
LAPD, stop this boat right now. Right now. Put the gun down.
Is that a flare gun, Greg? You could really hurt someone with that. Put it
I wish that I could, but the LAPD has a few rules, and not dropping my gun in a
situation like this is one of them. Greg, what are you doing? Please stop.
I'm handling it, honey. I'm not handling it. I don't think anyone else needs to
die today, Greg. I don't know what you're talking about.
Maybe we got it wrong, but I'm sure we can work something out. Just put the
flare gun down.
Honey, please. It is over, okay?
Where are we going to go?
How are we going to live?
Where did it go? It was right there. I swear to God.
Where did it?
What you got in there?
Would you believe me if I say the schoolboy's trainers?
How'd you know?
She doesn't have my eye.
Does it matter?
I'm not a murderer, Morgan.
Just a thief.
I do recover art for insurance companies.
And every once in a while you just decide to hang on to one?
So you are Jean -Baptiste?
You know, I don't even know who picked that name.
Wasn't even the first piece of art that I stole.
You can complain to my partner after he arrests you.
I don't think you called him yet.
And I'm wondering if that's because you don't want the young girl going back to
Greg and Linda any more than I do.
And you know that I can get her back where she really belongs.
You stole the painting just to give it away?
You expect me to believe that?
I do.
You're lying.
I'm trying to do the right thing, Morgan.
I have no way of knowing if you're just going to keep it for yourself.
That's true.
I guess you're just going to have to trust me.
Wait,
do you guys think the Fosters are going to get off easy?
The Fosters would have to have a great lawyer for that. I don't think they can
afford it.
You know, if I had that kind of money, I'd buy a Malibu mansion or a WNBA team.
No, I'd start my own animal rescue.
Okay, now I feel bad. He did that on purpose. He definitely did.
I'm going to get more drinks.
He could live at my animal rescue.
As I go.
Still no sign of Arthur?
Not yet, Lieutenant.
I'll call again, but if he doesn't answer this time, put a bolo out on his
truck. You got it.
Hey, heard you guys do an end -of -the -day thing here.
Thought I'd find you.
If you're going to fire me, can I throw a few more drinks on this tab first?
Oh, you're not fired, Morgan.
Too valuable for your team.
And to me.
I'm not letting you go.
Is this how you apologize?
No.
So what's it like sitting out on this arrest?
It's not like you. Oh, no, I didn't sit out. I was kicked out. But thanks for
asking. It sucked.
Oh, don't worry.
He'll be there on the next one.
Did you hear about the painting?
I did.
Oz thinks the Foster's tossed up in the ocean.
At tracks, they seem like the kind of people who are like, if I can't have
nobody can.
Is that really what you think happened?
I don't know. I'm just a consultant.
We questioned the Oz crew.
One of them said that they saw a man in a wetsuit slip over the side of the boat
holding something.
So I was thinking maybe it was Jean Baptiste.
Come on.
I don't think that guy exists.
No?
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