Original subtitles

[music]

Hello, let's start with lesson 7.

Before starting the 7th round, let's take a look at what we did up to the 6th round.

From the 7th round, the atmosphere will change from playing outside to going indoors.

So, let's start the class by going over the previous items.

Then let's go in.

Let's take a look at how to draw a car, which we did in Lesson 6.

Simple shapes, especially trucks and other slightly boxy vehicles

Still, I think it was easier to tilt or turn left and right than cars with a streamlined shape.

So, I told you this in class yesterday.

I think things like cars and motorcycles start from interest and observation.

So, take a look at whether it's your father's car, your car, your uncle's car, or your boyfriend's car.

If you pay attention to vehicles, they can be used as many props when drawing.

If you use those things, your drawing will become more unique.

And while drawing cars and other vehicles,

Women in particular are weak in mechanical things and things like that.

The same goes for men, if they are not interested.

So, it will be very helpful in having fun with this and understanding it structurally.

So it helps a lot with such training.

Because I did that. While drawing these types of machinery and industrial products, I drew industrial items.

It was also good to apply things like perspective.

Then things like structural understanding.

Why does it look like this and why does it move like this?

At first, I was also interested in external things, just the external shape.

As I became interested, I started digging into it.

So, as I did it, I learned some structural things.

As I get to know these principles little by little, how it works.

I think I found it more fun.

And I think it helped me with my drawing as well.

So, I think it would be good for you to find that kind of fun, too.

I did some work on cars and trucks yesterday, but I haven't done much with them.

In the case of a truck, I will draw it in a preview style today.

My father’s truck is parked like this in front of the house.

When drawing a picture. You guys will probably see it when I do it.

Things I experienced in the past, things I saw

I'm looking for it in my head. As I draw, I keep looking for images.

Things I saw, when I went to my grandfather's house

The rural scenery I saw or the truck I saw while driving.

I keep looking at images of various different cars and things like this.

I get ideas and hints from there.

Because they are outdoor scenes, I saw as much as possible.

If you fill in the things you have seen around you one by one,

They start to look like the real world.

Do a lot of things like that, like observing the surrounding scenery.

(Things that might be found in the countryside)

The fertilizer bag, the fertilizer bag I drew right now.

These days, people of today's generation don't often go to the countryside.

But in my case, I went a lot.

Even though I live now, it's almost semi-rural, semi-rural.

This is the side of the yard where my father's car is parked in the outdoor scene.

Now, the main character comes in.

I'm coming here with a happy heart.

When people think of us as flat things,

By applying things like three-dimensional lines or contour lines on a flat surface,

It brings out the volume one by one, creating three-dimensional effects.

And again, by interpreting it in a box-shaped, three-dimensional format,

For those who find it difficult to draw realistic figures at first,

And for those of you who can't immediately think of a realistic image,

It's best to go to a data warehouse or see the model in person and draw it.

But if that kind of environment doesn't exist, things like photos,

These days, there are so many good videos and photos on the Internet and elsewhere.

Look for poses or things like that there.

And the best thing is, as I told you last time,

The best thing was to see it in person and draw it.

But I also started drawing by seeing and drawing.

I followed another cartoonist's guide and watched it again.

Or I started by looking at a model or a photo and drawing it.

At some point, I started drawing things that interested me at the time rather than just that.

So, rather than drawing from what I saw, I naturally moved on to drawing what I saw.

I drew what I saw. This is something a little different, folks.

Things like the teaching method and the way one looks at the material are completely different.

When I look at and draw something, I just look at a model or something like that and draw it.

Or they say it's a copycat when they're just drawing after their favorite author.

But I didn't find that much interest there.

Rather than that, I'm interested in what I'm interested in right now, bicycles.

Bicycle You can just draw what's in the picture, but

First of all, the closest thing to my eyes was the bicycle my father was riding.

So, the bike my father rides.

But the bike was too big for me to ride.

Then again, it wasn't the shape of a bike I wanted.

So, I started with my father's bicycle.

My ultimate goal was to own a bicycle.

Let's start there and if there's no one around who has the bike I want,

Now, it was about gathering data and things like that.

So, one by one, the images I observed piled up.

At first, I was just drawing simple shapes.

I was just drawing after looking at my father's bicycle.

As I collect data and continue to accumulate knowledge one by one,

The drawings were a little rough at first, but I had to gradually solidify them.

Ah, if you do it like this, it looks like this.

And since he kept drawing bicycles, I fell in love with him and naturally became a kid who was good at drawing bicycles.

I just keep doing that.

As a result, my friends complimented me on how good I was at drawing bicycles.

And he thought he had drawn it well, so the bicycles kept appearing again and again.

Also, bicycles often appear in diaries, and I think that's the way it is.

That's why other kids don't often appear on bicycles in my pictures.

Also, it doesn't appear often in diaries, but in my case it appears often.

Because it was well drawn.

Now, people appear too.

Then, things to do today. Because it's a rural area.

There must also be a dog, but the animals will probably be different in class D.

So today I'm just going to make an appearance. Appearance only.

Because I'm teaching the class.

Especially when I tried things like online lectures, it was very difficult at first.

Because there was no response to this, it felt like I was teaching against a wall.

In the past, I also took classes since my first year in college.

I also taught students during my first year of college.

During class, we made eye contact, asked questions, and responded to the answers.

This online class was really difficult at first because you just had to look at the screen and talk to yourself.

But now that we are living in the coronavirus situation, I have gotten used to it.

Even now, I still think it's not as fun as when I was taking classes in the past.

From my perspective.

So it's a bit weird, but I've gotten used to it a lot.

Since it is a farming village, there may be things like cultivators nearby.

Cultivators, please draw it.

There is no need to draw it.

Now the tiller.

There was a time when I was very interested in farm equipment, so I thought about drawing robots that transform into farm equipment, like Transformers.

I just finished thinking about it.

In particular, if you look at agricultural equipment and heavy equipment, they are shaped exactly for their intended use.

There aren't a lot of unnecessary things.

So, there are a lot of fun parts to draw because there are things that are clear about what I do and what it is used for.

(tiller sound)

In the past, my grandfather used to ride the tiller a lot.

But what did you feel when you looked at the tiller these days? In the past, when it started, you had to turn it by hand from the other side.

You should have self-started the car yourself.

But that's not the case these days.

Last time I looked at it, I saw that if I just turned it like a car, it would start on its own.

Wow, it used to be really cool to see my grandfather turning the engine on.

(tiller sound)

Then, you had to go up the stairs to your old grandfather's house.

When you go up the stairs, it looks a bit like a hill.

Up here, the gate to my grandfather's house was now up here.

But since it was an old house at that time, it is not a complete hanok.

It just had something like a plastic roof on top.

There are more rural areas like this now.

The thing hanging next to it was called a roof, but it wasn't a tin roof, it was something like a tin roof.

I rarely use it, but they say it contains carcinogens.

When I was young, I remember it looked like a school, but there was a trash can behind it.

What is that? What are the many problems these days?

What is that yellow thing that comes out when you clean the school roof?

There is one with fiberglass. There were a lot of things like that.

I was just kicking things like that and playing around. Oh, I'm anxious.

So, when you enter this gate, you come across a D-shaped building.

First of all, I felt this way outside today.

And here, outside, there was a furnace outside, which was strange.

This room was the living room. It was a room where guests came.

So there is a way to enter here and here is from the outside.

And this was a warehouse. storage.

And it's a dirt road. Of course it's a dirt road.

And here, there was a pile of miscellaneous things like crackers and things that were released from prison last year.

There are probably things you can remember for a long time.

I still remember the restaurant I went to kindergarten in. The classroom is a mess, but the cafeteria is strange.

Even if my memory tells me to draw it now, I can do it. Why is that? Then I remember the smell too.

I really don’t know why that restaurant paid so much for handmade dishes when I was in kindergarten.

These days, it would probably be a big deal or something I would hate, but back then, I did a lot of handmade items during lunch time.

I think I ate sujebi for about 3 days when I went there for a week.

So, as soon as I walked in, I could smell that sujebi broth. I can still smell that smell. anchovy.

So I think I ate a lot of sujebi. Sujebi.

So the dining room chairs and desk were covered with this plastic.

So when I touched it, it stuck together. It stuck together. I still remember that feeling.

So if you go up the slope a little bit further up the hill here, what was there?

There was a pig pen in the back.

So, my grandmother always took the leftover scraps from cooking breakfast, lunch, and dinner to the pig pen.

So I followed him every day back then.

It was so fun to see that pig eating.

The sight of him eating Kochokkochok.

So, I used to go to Guyeong with Grandma Guyeong every day.

When you say things like this, it really sounds like Noh land.

As for the story, I remember going to McDonald's with my grandmother and eating a cheeseburger.

It has to be like this.

This pig pen was very poorly built.

And going up like this was a slightly hilly road.

And the tree is big.

This is what I drew.

I think natural objects are really more difficult to draw than artificial objects.

From my perspective, this artifact has standards.

They are all printed at the factory, including how many meters are in length, where are they positioned, what are the left and right, and what are the angles.

Natural objects are rarely the same.

So, even trees of the same species have slightly different shapes.

I drew this because there are so many species.

I think it’s really hard to draw natural objects this well.

It's difficult and tricky.

But if you draw natural objects well, it has a better effect than other things, I feel.

Everyone, try drawing a lot of natural objects.

There was also something similar to a warehouse. There's also something like an old warehouse with containers in it.

It was a road that went straight down like this from a high place like this.

Downhill.

Now we are in this scenery.

Originally, there were various fields over here that my grandmother grew.

There was a field where we grew eggplants and melons.

So in the summer, when it comes to melons, I pick them right away and just wipe them with my hands.

I have memories of just peeling the skin off with my teeth and eating it all.

It's dry and doesn't taste like the one in the refrigerator.

It tasted lukewarm because it was heated by the sun. tepid.

At that time, it was time to cut firewood. Because it was time to cut firewood.

My grandfather always brings a lot of firewood and other things.

I think he carried things like leaves and branches on his back even in the mountains.

You were really good at catching sparrows back then, sparrows.

I don't know if they sell that these days. What is that?

I don't know if sparrow meat is sold at a food stall or something. I used to sell it.

Now it was a warehouse. storage.

But I didn't really like going into this warehouse. The atmosphere was a bit scary.

I repeat, there are a lot of spider webs. So, I remember not going to this warehouse often.

And here, it's made of mud walls and things like this.

Here, in the collapsed area, you could just see what looked like a frame inside an earthen wall. Used to make mud walls.

There is also a plastic bag of fertilizer on the door. If you want to use it now.

In the past, plastic fertilizer bags were very tough and good.

So I sold it, but I couldn't put it on the outside so I had to mount it. Plastic fertilizer bag.

So the door was very flimsy.

But since it was a rural area back then, it wasn't a time when thieves would occur even if people walked around with their doors open.

Even though it was a warehouse that contained fertilizer and stored various fields, the door was very flimsy.

And if you leave it alone, a lot of things like grass will grow around it.

Today, let’s take a look at the scenery of this house.

Things I did in the car, then people, things I look at intellectually when drawing people, space 1.2 points 2 o'clock now

You just need to be at about eye level. It hangs at this level, so everyone is hanging on that side at eye level to get rid of the slight hill below.

Same here. all.

So, it may seem like I just drew it, but I'm drawing it so that I can fit all the points at the eye level I set.

Now then, let’s go into this house.

This is an indoor drawing. Indoors is no different from outdoors.

First of all, it seems a bit comfortable to be able to play within the space and within the specified specifications, but it still feels a bit frustrating in some ways.

There is a bit of a difference between drawing a wide space and drawing a narrow space, but still practice in narrow spaces. It's best to start with the space you're most familiar with.

So, let’s take a look at the structure of this house. My grandma’s house was Mieumja-hyung. A taster.

Our letters are fine. korean. So, it is a structure with a courtyard. Courtyard.

Right? So, here is the main gate. Awesome. When you open this gate and enter, this is Sarangchae.

This was Sarangchae. Sarangchae. This is the Sarangchae where guests or relatives would sleep here when they came.

This place was like a grain warehouse, not a warehouse.

And this is now the main floor. grandma. My grandmother's room was here, my grandmother and grandfather's room was here, and this is just the main floor.

Next, this was my aunt’s room. Aunt’s room. This is also my aunt’s room. And this was the kitchen. kitchen.

This is the kitchen, this is the backyard, and there's a pig glass here in the back next to the backyard. Pig glass.

It's in this shape. Now form. This is the form.

Then, if you think about the spaces you use the most, what do you look at? If it's not your room, it's the bathroom.

You can do the most with these things. Then think about your own room now. Your room.

Oh, what does my room look like? Where is the bed and where is the desk?

That's right. You must be observing all of these things to some extent in your daily life.

You just have to think about it. Then I will think about it too. Now, grandma’s room.

In particular, let’s take a look at the main hall. Daecheongmaru side.

This also sets our eye level.

I say this every time, but I don't just decide on an eye level; I already have decided on what I need to draw in my head.

Ah, in order to draw this, I decided that it would be best to draw at this eye level, so I decided on that eye level.

It's not like I'm just drawing a line without any meaning.

You set your eye level to find the part that can best represent the picture set according to your needs.

Well, it's decided. Then there is the floor, the daecheongmaru and the pillars.

Now, these pillars can also be extended at eye level to raise the toe-sil point.

Now, this is the rubber room. A little more from the tosil point that comes from here and there.

And if you use the same high-scoring loss that I wrote about earlier, what will happen here is just the icing on the cake.

I can see another pillar in the distance.

I said that because I was a drinker. Then, since I have drawn this side of the main hall, the other side will be this way.

Now, it's a little narrow, but there's a bit of a gap here.

So, you can just use the Tosil point that you used for this. Because it is a non-eumja, you can use the same Tosil point that you used together.

I remember that the roof on this side was connected with plastic on this side and the roof on this side.

It looked like it had been repaired.

And since this is a dark area where almost no light comes in, I think it's okay to press boldly when pressing.

Well, it was Maru. Her floors were modern and her grandmother always cleaned the floors well.

Now, we are going to place things like objects here.

Now, let's take a look at the floor using the same Tosil point that we used in the beginning.

If you continue with the lines, as I said, as long as it doesn't deviate from eye level, all you have to do is draw countless dots that do not deviate from eye level for any object and place the object. on the floor of space.

If you think that you are inserting a block into a real negotiation block, it is the same as inserting a block into the negotiation board that I have set up.

And in front of this, there is one that is just like that.

I put one in. Then if you look at this too,

If you have trouble with a simple circular shape, just think of it as a square box like this.

Then this box too

like this

Then it's settled in. It's right on top of the floor.

Then here is the pillar. Now, when erecting pillars here, it would be nice if all the pillars were exactly aligned with each other, but in rural areas, like Korean buildings, they are spread out in a straight line like Japanese or Chinese buildings, so it feels like they fit together.

In the case of Korean-style buildings, especially if you look at them, the pillars here and there may be out of alignment, so in many cases, a more natural look is preserved. Characteristics of our country.

If you look at it for the first time here, it looks like Japan is a bit like this, but China is sagging more sharply, and Korea is sagging gently to the side, about halfway between Japan and Japan.

That kind of feeling. If the pillars are set up like this, you can adjust the pillars on this side a little bit like this. It doesn't matter if it's a little off. Anyway, naturally.

There was also a middle kitchen here. This kitchen is barely used.

And it seems like there were some things that were a bit of a burden between the fireworks and fireworks. And instead of conceding the element he used, he used the same conceding he made when he wrote this earlier.

Well, if you do it this way. The pillar is

The stones here are perfect, and this is Marumichi. Marumichi. Marumichi of fear. Whenever I look, my grandmother, who passed away three years ago, is always there.

I haven’t watched Marumichi much before. I was really scared. Here, there is something similar to fertilizer food, or dried peppers and just put them in a fertilizer or something and leave them there.

The door was an old door. Midazi Moon. If you open it like this, it's not even glass. At this time, it was window paper. Window paper.

There were things like colanders and dried corn hanging on the walls.

Now here is the floor. It comes down, and things like regular shoes are here and there, and they just fall off and then go down again by another ton. One more ton.

So, this side of the courtyard had a structure where the floor came down once and then went down again.

So it was like this, and when the floor ended here, there was a hollow here, and there was a fireplace. There was a fireplace in this room where you could light a fire.

So in this part, the wall here was black because of the fire in the furnace.

Now, this is the main gate. Love body. The drop is now bent this way.

Now, what does it mean that the pillars are like this?

If it's 1 point, you can't draw an angle. However, even if it was slightly off from before, what would have happened to the slope? If the pillar were like that, it would have to come down vertically.

But look at the pillars now. The slopes are like this. This is 3 points. 3 points.

When you first decide whether to draw with 2 or 3 points, you can decide as you like.

If I want to draw a landscape that is a little further away, or if I still want to go inside and take a closer picture, 3 points.

If you want to draw an expression from a little further away, you can draw it with 2 points.

Point 1 is almost never drawn. almost.

Now, it's the same here as well. The floors are connected here too.

Because it's D-shaped and it's the same as the pillar. And the headstone is made exactly like this, and there are also some stones here so that you can put shoes and things like that. Maru.

So, because it is D-shaped, depending on where the light comes from, this side is dark and this side is bright, and if it goes the opposite way, this side is bright and this side is dark, and so on.

Depending on the current atmosphere, if the light comes like this, this side is mostly dark. So no light comes on.

So it's a little gentle here.

This is the main gate. gate.

And you can see the tree here a little bit on this side. Next to that roof. Because it's over here.

So, if you look at the drawing now, I have made a triad of the situation in my head.

When I turn it, it should look like this and that. I'm drawing it while roughly calculating.

There is one more visit here too.

It's Maru. There was a TV on this side of the floor. I remember there was a TV and a refrigerator over here.

refrigerator. This is the cupboard. There was also a cupboard with a lot of old dishes, and this was my grandmother and grandfather's room.

And on this floor, there is a water pipe on the side of the courtyard towards the kitchen.

I raised the water with a pump. I had to pour a little water in and pump it every morning.

Well then

The interior space was drawn like this.

It is made of three points: two dots at the end and dots coming up from both sides and bottom.

Then, insert a person here. if here

Let's say I'm lying here and reading a book.

Now then, what happens after the pillar? What if there was a saint?

If my grandmother were here when I stood there, I think she would have been less than 160 feet tall.

I don't think he was that short for someone from the past.

When my grandmother wrote it, the thought remained here to some extent. Then she said Han here is 160 and here is 170. Her grandmother's height is about 160.

Then, if you compare me when I lie down, I am in the 4th or 5th grade of elementary school.

So let’s say it’s 40 to 50 per meter. 40, 30 I was really small.

Anyway, when you hit it like that, if you look at the person lying here, you can see it all the way from the point at eye level.

Now and

Let's take a look.

So let's say it's like this.

This is the side that touches the floor. Then how will this change?

Come on, grow up, grow up

ruler

Now this is the side that touches the floor.

Come on, grow up, grow up

Now bye

Look at the three-dimensional surfaces of Jaranara.

Pung

Right? And sleep

Just like this

Now, I guess I should read the comic book, right?

Lie down and have it

Right? First consider only the parts that touch the floor.

When I straighten my legs and stay there

Then, if I am like this, my grandmother is sitting next to me.

Then, grandmothers still have to be a little more equal than elementary school students. Right?

Then, you can use this Seosiljeom when drawing the grandmother here too.

Please use Seosil branch here.

Now, grandma, the floor is

This is how grandma catches it. her grandmother

The floor surface I'm sitting on looks like this, right?

Grandma is here and then here

Grandma's pelvis and then her stomach

Then grandma's breasts

Well, it’s okay because it’s below chest eye level. Can you see the top of the shoulder?

You can see the top and then the grandmother's head

This is also below eye level, so you can think of the surface of the water purifier being slightly visible.

Now, in this case

Here comes the grandmother. Her grandmother had straight hair

Our ship owner, do you want to eat anything? Should we catch a chicken today? Just like this

Since it's summer, isn't it nice when the ship owner fanns the side to keep you cool while reading a comic book?

Then, just sit like this.

Then, the owner, the grandmother, and this are the wooden floor.

Now, just use this line

The wooden floor was really fun. I think I can still smell the wooden floor.

And the floor is made of a single piece of wood and is supposed to be woven like this. like this

There's a lot of stuff stuck in between. Well, of course there is food stuck in it.

If you clean it every day, something else gets pushed in and gets in between.

Then I was always digging out things like chopsticks with it. Lie still

It was a lot of fun, but digging it up was fun.

Now, it goes like this, and even my grandfather is sitting here.

Then, as long as there isn't that much of a difference in equal measure, it's over 2 meters.

Unless you are over 100 kg, your body type is almost the same.

The grandfather is in his 170s and the grandmother is in his 120s. There is a difference of about 10cm, and depending on the posture, they sit curled up.

It doesn't make much of a difference whether you correct your nose a little or sit straight.

So, you can think of it as almost similar. Doing this with her grandma

Just follow grandma’s eyes. Go in the same way

Now, if you look at this eye level as is, it is also below the eye level here.

You can think of the crown of the head as slightly visible. I can see a little bit.

And you can think of the faces as being almost the same size. all the way

So it gets a little wider, so of course it becomes bigger than my grandmother. Because it keeps coming like this

Then, if you draw the neck and write it as is,

The upper part of the shoulder and the chest.

then abdomen pelvis

grandfather legs thigh legs

Sleep like this and then

Now, grandpa is right here

wearing running

If my grandfather didn't smoke, let's say he smokes.

And wearing just silver pants

My grandfather liked it a little thin. Snow crab

Now, even grandpa, you will come to this space in the summer.

What are you going to do now that summer vacation has started? So I'm really going to keep playing.

I asked, and my grandfather said hey, you can’t do that.

And if there is another person next to you, your aunt comes out from the side.

If you think about the eaves here, the size of the 160 grandma was similar, so it feels like that, and it is a little behind the eaves, so if the grandma said it would be an eaves, it would have been raised a little further back.

My aunt came out.

And it's far away, but my aunt is here, and my second aunt is here. It's far away, but it's a bit far.

And there's someone coming in behind me.

People and sizes in indoor spaces, right? So, comparing size proportions is something that I can calculate surrounding objects, things like common sense.

When calculating the interior, the best thing is a chair or something, the door height is almost the same.

It doesn't matter if it's 2m tall. Normally, people who are taller than 2m at home have to bow their heads slightly to enter, and we don't have to worry about getting caught even if we just walk around.

So, in that sense, you can estimate the size in your daily life by comparing it with objects around you and guessing the size of the person.

Now, let's go a little further in here. If you turn from this side to the other side, other essential items are starting to appear.

There was also a TV or something like a janjjang that holds a janjjang bowl. These days, there isn't one, but when you put rice in it and press it down, there was a rice container.

There's nothing like that these days when it comes to being wet.

Now, let's look at the angle slightly from the room side, and now let's change the angle from the yard side to the room side.

Why do you draw it exactly like a square? Why do you look at the floor from the yard?

Let's lower the eye height a little bit here. Then, it was here before. Then we lowered the eye height a little bit.

And here too, take note of things like what is literally eye level here.

Now I went down

Okay, Maru, Okay, this Maru line, take a vanishing point from this eye level line and go all the way there.

And work over there

Now, if you align this line with the end of the floor here and the line here, it will be the same.

And what is this? It's a pillar. Another pillar movement.

And there's this pillar here too.

That's right, so the vanishing points that we used together are connected vertically and horizontally, so you can just use the ones that we used together as is.

And as I said before, there is a rock here where you can leave things like shoes.

It happens like this

so here are the shoes

Back then, my grandparents went around wearing rubber shoes and wore rubber shoes.

And this is under the floor. Under the floor of fear.

Everyone, you may have seen the movie The Visit Visitor, but there's a movie directed by Samalan that you didn't know about. It's directed by Night Samalan, directed by Six Sense.

There's a movie called The Visitor, and if you watch it, it's really scary.

It's a scary story about grandparents.

And as I said before, there is a yard that goes further down the hill where the yard is cut off.

And match the vanishing point with the line you wrote.

In grandma and grandpa's room

When it's over, this tangerine

There was a TV here. If the floor was square like this, the TV was facing the front, but it was slightly crooked toward the floor.

How about an explanation? Then the floor is like this. If you say the floor is like this, then the floor is like this.

This part that protrudes slightly is the rubber room and this is the grandmother and grandfather's room.

This was the floor. It was an opposite floor. Then the TV was set up like this. It wasn't placed like this, it was placed a little like this.

So I saw people gathered together like this and moved like this.

So the TV here is an old TV. An old TV TV with a lid that closes.

So, if it's above eye level, you can see the bottom. If you look at it from an angle, it won't feel like this.

This feeling

Right, and there was an old cupboard next to it.

There were all these wires and there was a back window over here. There was a back window.

Guys, it would have been really cool if this had been left open.

There were a lot of things on the TV that looked like something was working.

Now, the symbols here always keep rising at the eye level I set.

Because it is a square, you can just use the same vanishing point that you used when talking about a red square.

It feels different because only the TV is slightly crooked. The TV is like this. The bottom is like this now.

The rest is just a point in time

This cupboard had something similar to a mandarin duck painted on it, and was painted in brown to display old antique furniture.

And this is now the visit to grandparents was here.

The door has a chin like an old door.

There are some suitable things hanging on the wall here, like dried corn, dried garlic, etc.

Now, the floor here is a split floor as I said before.

just floor furniture

You can just use the same vanishing point as you used.

Now, if it goes like this, from the yard side, you will see the floor where the grandmother and grandfather are.

So, when you draw these props, look at the TV. The TV is also a box. They are all box-shaped. Boxes.

The old TV door swings open here. The brown liver is not as flat as it is now. Shit, shit, yeah.

What's called controlling the channel here

My legs feel great. I have four legs.

It was like this, so these things are still happening now, just like the last time we came to class.

Eye level, this vanishing point. In addition to those two eye levels, there is now a slope. So, what comes together with wit is made of 3 points, 3 points.

Right

If 2 points fall from a bit far away, I want to draw it as 2 points. Then 2 points is

Come down vertically. Go down vertically.

If it just happens like this

The legs are slightly spread out towards zero.

There are these differences. The feeling of 2 points and 3 points is a bit closer and a bit further away.

So everything, what is this, whether it’s Janjjang or TV

When you draw a bicycle, it's the same as when you draw a stationary car. You can try using boxes like that, and then the thickness expressions. Always.

In order to feel these details more conveniently, if the thickness is expressed well, some parts are thick and some parts are thin, and some parts are sharply separated, making these differences more noticeable.

If you draw with those features in mind, it will look much more detailed and better drawn.

Even the boots with the old man's shoes on them

Now, if a person goes in here, it's the same. The grandmother in the front here, her hands, her pelvis.

Since it's below eye level, you can see the top. Then, the stomach. Well, from here, it's almost like this. It's also slightly above eye level, and then

chest

Then I turned the old lady's head slightly who was looking at me.

Since it is above eye level, you can see a little bit under the chin, and the nose is also visible.

Now, pull it forward and go all the way down to the bottom of the leg here. The foot on this side goes to the row, and I turn it to come to the row.

Then I'm lying here

Chest, stomach, pelvis, legs, head, grandfather must be over here, grandfather.

If this happens, this pose will become the pose seen from the other side.

Well, I've talked about it a lot before. First of all, let's finish the interior space with Lecture 7 by drawing the interior space.

[thank you]