Original subtitles

Previously on When Calls the Heart...

Nathan needs me to show him where I buried the transformer.

Oh! Look out!

What happened?

He hit his head on a rock.

Do you know when that car was coming towards us,

the only thing I could think about was you three.

[Edie] Thank you, to both of you.

Horses can't resist him.

We should use the money from the jam

to buy up Bill's half the café.

It's Minnie's Café.

[Rosemary] It's from my theater days back in New York.

[Gwen] Do you ever miss it?

I suppose I do,

but life wouldn't be an adventure without change.

Christopher's gone.

Well, without him, we don't have a case.

[Elizabeth] Inspiration is a funny thing.

It can show up when you least expect.

When you didn't even know you needed it.

[exhales]

After losing her playhouse in the fire,

Rosemary needed a new challenge.

" The Mark of Zorro ".

Oh, great choice, Mike.

I loved that one when it came out.

Bound to be a classic.

Is there anything the pictures can't do?

[chuckles]

Touché!

Moving pictures... they're the way of the future.

The way of the future.

Oh!

The weapons you use pierce deep, señorita.

It's from the movie.

That's very good.

You want to be a sword fighter?

No, Lee.

I want to burn with passion.

I want to be seized with an idea that won't let me go.

I want to scrape together every person, prop,

and piece of equipment in this little town

and make something out of nothing

that no one will ever forget.

Mmhm.

Are you sure this doesn't have something to do with that

missed opportunity you had with that film producer

a few years ago? What was his name again?

This has nothing to do with the past.

This is about now.

Lee, I want to feel alive.

You- you have your construction company.

Mmhm.

Building with bricks and mortar.

I also want to build something.

A dream.

Oh, Lee, the silver screen calls.

I am helpless to resist.

Hmm.

There she is.

There's my Rosie.

Welcome back, sweetheart.

[smooch]

[Elizabeth] In typical Rosemary fashion,

she's enlisting the entire town to help.

But first, she needs a story.

And that's where I come in.

But inspiration has a fickle twin.

[Elizabeth] "'Oh my goodness.' Mary says.

'Third time this week

all the morning's baking has disappeared."

A pie caper?

"When pies fly, secrets crumble."

I'm just not hearing a lot of daring do in stolen pastries.

- [Lee] Yeah. - [Rosemary] Yeah.

- What else you got? - Mmhm.

Well, um...

- Ah. - Sorry I'm late.

Oh. Hi, Opal.

You know, I can come find you later.

Took me forever to find my dad's comptometer.

What on earth do you need that for?

We have brought Opal here on as fellow producer.

Because we've all heard horror stories about moving pictures

blowing through their coffers.

Well, you do have impressive math scores.

So she is here to keep us on time, but more importantly,

- [Lee snaps fingers] - On budget.

Mmhm.

What a wonderful opportunity, Opal.

Did I miss anything?

No. You haven't missed anything. Come, come.

Elizabeth was just getting to the good stuff.

- Yes. - Proceed.

Ahem. Um...

Well, when the great Tony McAllister,

mountain climber extraordinaire,

ascends his highest--

No mountains.

What?

Too expensive to get the crew and equipment that far.

And that up.

[laughs] That's my girl.

Okay.

Ah.

Sybil Featherstone is the world's greatest gem thief.

Ooh! Gems. On screen.

Can't see the colors. Won't pop.

Mhm. Elizabeth.

- Thank you. - Thank you.

- For your creativity. - Mmhm.

But we need a story with

romance and passion and adventure,

all with a bubbling core

of humanity's most primal need.

The search for meaning.

Oh, and some swashbuckling too, perhaps.

Oh, I have one with a pirate and a bear.

Mm-mm. Budget.

- And no bears. - [sighs]

Talking dog, on the other hand, that sells.

What happened to humanity's most primal need?

Commercial success is also

right there at the top of the list.

Yeah, and make it funny.

Not that funny, Lee.

No, no, no, not that funny. We're not doing slapstick.

Elizabeth. Remember.

Write what you know.

Pour your soul into it.

And we're gonna need you to turn it in by tomorrow.

- Tomorrow?! - It's a tight schedule.

Time is money.

We believe in you.

Now, off you go.

[claps]

That went well.

Mm?

♪

[knocking]

Come in.

[exhales]

[Nathan] Hey. You're up late.

I thought you might have been Rosemary

here to breathe down my neck.

Directors, right.

You have no idea.

I think I actually may have stumbled upon a story

that meets all of the requirements.

Hey, how's your wound healing?

Good.

Yeah. Faith said there's no infection.

Oh. Thank goodness.

So, are you able to tell me what this is about yet?

Well, until I'm told otherwise, it is about a dashing Mountie

and his belle, the school teacher.

That would never happen.

[laughs]

They told me to write what I know.

What's the plot?

Well...

Millie, the school teacher,

gets kidnaped by a notorious bandit,

and Apollo, the Mountie--

Apollo?

Yes, Apollo. He's very handsome.

He risks it all to save his true love before it's too late.

And does Apollo get the bad guy and save the girl?

I'm not gonna spoil the ending.

But do you think you could help me

with the Mountie investigation part?

I need insight

into your incredible investigative prowess.

Uh, I don't know if I'm really the right man for the job.

What?

Real life investigations are painstaking and complicated.

Really, they rely more on luck than... prowess.

Well, maybe you could help me

with the painstaking and complicated parts.

I'll come by in the morning.

We can read the script together over a fresh pot of coffee.

They need it by tomorrow.

Well, I'd better leave you to it.

Happy writing, beautiful.

Thank you for stopping by, handsome.

And with that added complicated layer,

Apollo went from being just handsome

to also brilliant and courageous.

Mmm.

I checked all the hotels at Cape Fullerton

and yet there's still no sign of him.

What about his fiancé and her parents?

Could Christopher be with them?

No, I've spoken with Rachel almost every day,

and she's just as worried as I am.

Well, it's been a week since we called in that alert.

He could be anywhere by now.

That's why I'm concerned for his safety.

Well, we're doing our best to find him, Henry.

That's a promise.

Well, I'll let you know if I hear anything.

Thanks, Henry.

You know, I feel for him.

They were just starting to get on solid ground with each other.

Then there's our case.

No star witness, no evidence.

Just slipped right through our fingers.

I was thinking of asking Georgie

to look through our files with us.

And that Pioneer Electric trial's right around the corner.

A fresh set of eyes might catch something we missed.

Do it.

I'm going to call in a new alert.

Highest priority.

We got to find Christopher.

This is going to be a hit, Elizabeth.

You really like it?

Oh, the way Apollo comes out of nowhere and springs that trap

that we'd all forgotten about. - Yes.

Oh, I love it.

Nathan gave me so many expert details.

Wonderful. Now I have a few suggestions.

We'll get into that later.

But clearly you must play Millie the schoolteacher.

Oh, no. No, no.

I- I am not an actress.

Who better?

You practically wrote yourself.

And Constable Grant has to play the Mountie.

Mm. Yes. Apollo, our daring hero.

Think about the built-in chemistry, hmm?

I definitely don't think Nathan will be interested.

His uniform won't fit anyone else.

He's doing it.

I'll go see Allie about casting Scout

as Terry the Talking Terrier.

Is she that intimidating in class?

I don't think it's that noticeable when she's in a herd.

Anyway, can I get back to you about playing Millie?

Yes, of course you can.

But I won't take no for an answer.

I would play the role myself, naturally, but

I have to focus all of my powers on the director's chair.

Well--

And my days of kissing co-stars are long gone.

Well, I mean, not that long, but gone nonetheless.

Right. The kiss.

Mm. The most important plot point in a romance.

I don't want to kiss a random co-star.

Thus, I leave casting Nathan to you.

Now, about these story changes--

Oh! You said "suggestions".

Of course.

All changes start with suggestions.

A dog wouldn't say that.

You know, part of me wants to just file

a class-action lawsuit

and get all the claimants paid out that way.

Oh, I get it.

But you'd only be letting National Insurance off the hook

if they claim bankruptcy.

Now you sound like the other part of me.

It's all just so frustrating.

Yes, and not surprising.

It is a nascent industry, rife with greed.

Mmhm. Let's sell as many policies as possible

without any thought of how we might pay them out

in the future.

I like your fire, counselor. You are going places.

In fact.

What's this?

When all of this hubbub is over,

you should give them a call.

I already put in a word.

The Franklin and Sons Foundation.

The big philanthropic organization in Union City.

Nestor Franklin, an old pal and one of the sons,

would like to talk to you about their work

with legal aid societies.

Wow. Um...

Thank you, Georgie.

But I'm happy with my life in Hope Valley.

With the work I already have.

Suit yourself.

I admire a woman who goes it alone.

Well, how'd they like it?

They loved it! I think.

Rosemary had some strongly-worded suggestions.

But most importantly,

they want you to play Apollo.

What?

Rosemary convinced me to play Millie,

and there's a certain plot point

that I'd rather you were a part of.

Ah. Well, I'm curious about that, but you know

I'm in the middle of a pretty important

investigation right now.

I know, I know. It's only if you have time.

But maybe a break would do you good.

And it's like you said, sometimes the best ideas

come from doing something else.

I don't know if I'm an actor.

Danny DiMarco would like a word.

Come on. It'll be fun.

Let's do it together so I don't have to...

kiss anyone else.

Well, why didn't you lead with that?

Yes, of course I'll do it.

Who knows?

Maybe I'll give Buster Keaton a run for his money.

Oh, I like your confidence, Apollo.

How hard can this acting thing be?

I appreciate your persistence on this, Constable.

Thank you.

A bartender in Union City said that he is certain

he saw Christopher at the Highland Pub last night.

It's almost like he wants you to find him.

Well, if it was Christopher.

And even if it was him, there's no guarantee

we can catch up to him before the trial.

Well, without him, all we have is a bunch of burnt concrete.

And this map from Pioneer Electric,

which we know is fraudulent.

But good luck proving that in court.

There's no cartouche.

Oh, is that unusual?

Well, most map makers like to take credit for their work.

Pride of craft.

It's a fraudulent map.

Probably didn't want to put a signature on it.

And yet I know who made this map.

Edie Martell and I have been poring over coverage maps

from National Insurance.

Look at the compass roses. They are identical.

The same man made both of these maps.

Clement Skoggins.

I told you she was good.

So, National Insurance and Pioneer Electric

used the same map maker.

Coincidence? Sure. But suspect? Really?

Well, there are plenty of map makers

that Pioneer Electric could have hired.

But it's not just that.

If the cause of the fire turns out to be arson

instead of corporate negligence,

National Insurance doesn't have to pay out

nearly as much to its clients.

Whoa.

That's why they've been slow rolling the claims.

National insurance wanted Toby and Cooper to take the fall.

And then for us to make it official,

because then Pioneer Electric gets off the hook.

And National Insurance saves a bundle.

If these two companies are colluding,

then our investigation goes from a simple corporate cover up

to a conspiracy to defraud thousands of people.

The mapmaker. The mapmaker is the key.

We've got to find this map.

I think we should get some tangible evidence in first.

Bank records.

Yeah, but that could take a while to get a warrant.

Well, leave it to me.

I'm a forensic investigator.

I have friends who owe me.

And some who might even be a little bit afraid of me.

How hard can it be to find some decent costumes around here?

Ugh!

We didn't have much time to prepare other options.

Rosemary, are you sure that Ned's character

needs to be such a character?

I have a vision, Faith.

And Ned is not just any character.

He is Neil Fearnley.

He is the heart of this entire story!

I found some more from last year's Halloween party.

Oh, yes.

Yes. This is perfect.

I need to try this on Ned right now!

Let's go!

Edie, I'm so sorry we're interrupting.

- Yes, you're obviously busy. - Actually,

- I could use some- - More tea?

A biscuit, perhaps?

Oh, those both sound lovely, but I was thinking more, um...

wise counsel.

Ooh.

Lucas has been all out of sorts ever since Fernando showed up.

Oh, speaking of the devil.

Hello!

Oh.

Hello.

Buenos dias, señoritas.

Good morning.

Good morning.

Mrs. Sou-Hickam.

Thank you.

Doctor Carter.

Thank you.

Only in town a week

and already he knows everybody's name.

Yeah.

So, Fernando, will you be working on the film?

Ah, yes. May I?

Please.

Mr. Coulter and an angry little señorita

put me in charge of the lighting.

Moving pictures are but

flickers of light dancing on a screen.

I will be the maestro leading this dance.

Wow. I've never heard it put quite that way.

And you, Edith, will you join the dance?

Oh, no. I'm- I'm not really one for make believe.

Mm.

But fun.

Now that's a different story.

Oh!

[laughs]

[Spanish guitar music] - [Faith] Okay.

[ladies laughing]

Bravo, Fernando.

Very good.

You must all visit me on set.

Ladies.

Oh! Are you sure Lucas has nothing to worry about?

That's just Fernando.

He isn't happy until

he's cast his little spell on everyone.

It doesn't work on me anymore,

Well...

does Fernando know that?

Oh. I was just about to ring you.

Third letter this month.

Very observant of you, and hopefully not the last.

No stamp, no return address.

Very clandestine.

It's just a letter.

Behold, you are looking at the newest addition to

" The Scarlet Heart ".

Rosemary's movie. She cast me.

I heard. Congratulations.

Thank you.

I- I thought you'd be more excited.

Oh, I am. Of course, dear.

You'll be marvelous.

- It's Molly. - Hmm?

She's keeping something from me.

We've never had secrets.

Oh, we don't get to know everything, my love.

Mm. Now, then, which part is it?

It is the main villain.

- [gasps] - Yes.

Ask and ye shall receive.

The bank statement of Clement P. Skoggins.

Quick work, Inspector.

You're more feared than you even knew.

You'll note Skoggins received

a $500 payment from Pioneer Electric.

That's a lot of money for a map.

About 20 times the going rate.

Well, it certainly looks like he's been paid off, but...

not enough to bring him in.

Well, maybe, if somebody might need his services.

Intrigue and espionage.

My favorites.

[clears throat]

Mr. Skoggins.

The same.

Miss Waggenmeister, I presume?

Indeed.

Thank you for coming on such short notice. Please.

No need to thank me.

Short notice is just another way of saying

I get paid faster.

Well, then let's get right to it.

I need some maps made for a financial client.

They are willing to pay handsomely.

My normal rate is more than adequate.

And what might that be?

Uh, $25 for the initial design,

and $5 for each duplication.

Well, then somebody better tell Pioneer Electric

they got a bum deal.

What's this?

Because they paid you $500 for the same service.

Did they not?

Um... where did you get this?

I...

Let me tell you what this looks like, Clement.

It looks like you were paid handsomely

to create a fraudulent map.

A map that you backdated to help Pioneer Electric

hide the location of a burnt out transformer

that caused a fire and burned down a town.

Which means that you can be charged

with participating in a conspiracy to obstruct justice.

Do you want to add lying

to an RCMP officer to that charge?

I'm just an artist, a draftsman.

I- I help people find their way.

Well, then help yourself.

If you cooperate, this will go much easier for you.

Am I under arrest?

Not yet, no.

Then we're done here.

[sighs]

That could have gone better.

Maybe.

I don't know. He seems spooked enough.

Enough to make a call?

Eh, we'll see.

If anything comes through,

you know where to find me.

Oh, uh, break a leg, Apollo.

[clicks teeth]

[chuckles]

Thank you.

Looking good, Ned.

Oh, that's Neil Fearnley to you, Apollo.

You'll never take me alive!

Mei, this looks wonderful.

And yes, the jacket. Very good.

Now, Ned, listen.

Neil Fearnley is the linchpin.

Without his quiet acts of self-sacrifice,

Apollo would never have his chance to shine.

Mwah. Go!

[gasps]

There they are. My stars.

Such chemistry. Such charisma. Oh!

There you are.

What is this?

They're new story pages. I fixed a few things.

I wasn't aware anything was broken.

They're still mostly your words.

I just helped it sing a little.

Wait a minute.

Where's Millie? Who's Octavia?

You are, my dear.

You are.

[gasps]

- Lee! - Yes?

What is this traffic light still doing here?

I asked for it to be removed hours ago!

Who's in charge here?

Well, clearly I am.

Yes, you are.

Which is why I asked for it to be removed.

[clicks teeth]

Showbiz.

[both laugh]

He may not make the call for a while,

if he calls.

Oh, he'll make the call.

Do you miss it? The thrill of the hunt?

You set him up, I take him down?

Oh, is that how it worked?

I thought I was the one who took him down.

They never really see you coming, do they?

Operator. How may I direct your call?

[Skoggins] Pioneer Electric. Mr. Shelby Whittaker.

[Operator] Please hold.

Whittaker speaking.

[Skoggins] They're onto us!

And I'm not taking the fall for this.

[Whittaker] Pipe down. Who is this?

[Skoggins] It's me, Skoggins!

Some sneaky broad said she needed a map,

and the coppers were all over me.

[Whittaker] Keep your mouth shut.

Someone could be listening.

[hangs up]

Is that enough to work with?

[hangs up]

There's nothing about collusion or bribery or starting a fire,

but yeah, it's something.

Whitaker seems to know what he's doing.

Maybe. But that mapmaker's a chump.

And who's he calling a "sneaky broad"?

He's not wrong.

I wear it with pride.

[laughs]

I realize how much I've missed this.

What?

The thrill of the hunt? Hmm?

No, I've...

I've hunted enough for one life.

You know, I didn't ask you here

just to help Edie settle insurance claims.

And, you know that's not why I came.

It's a magical town.

I can see why you're here.

What are you doing here?

I'm in charge of the lighting, remember?

No, I know. I- I mean here.

In Hope Valley.

Well, I'm a builder.

- I have business. - Ah.

So you just happen to show up where I am living?

I can't speak for fate, Edith.

It brought us together once, maybe it has again.

No.

Not this time.

Fernando, I-

I'm sorry that I left,

but I- I know now that it wasn't how it was supposed to be.

It wasn't a true marriage of minds,

where both people grow because they inspire each other.

Uh-huh.

Well...

the Governor's a lucky man.

- I don't know about that. - I do.

And he should too.

Good luck, Nando.

Snacks are for the crew.

Okay.

Oh. Uh, Mei?

Are we almost ready?

- Nearly. - Okay.

Time is money, people. Places, places.

[Rosemary] All right, all right.

Take one.

Roll camera.

Rolling.

And, action!

[jaunty, old-time music]

♪

Oh!

Cut!

- I'm so sorry, Rosemary. - No, no, no.

I think I came in a little hot.

It's all right. It's all right.

It's first-time jitters.

Let's just shake it off and we'll try again.

All right?

Uh. Places, everyone!

Take two.

Roll camera!

- Rolling. - And action!

[jaunty old-time music]

Oh. Uh, cut!

It's wonderful.

- Oh! - Okay.

- I love it. - Yeah.

Uh, just let's try to forget that the camera is even here.

At all. Uh-huh.

It's just Octavia and Apollo against the world.

- You got it. - Uh-huh.

You are a cunning and heroic Mountie,

animated by justice.

Ooh! Just channel you.

- [Elizabeth] Rosemary? - Uh-huh?

How am I doing?

Marvelous. Just, uh... find your center.

Find my center?

[Rosemary] Righto! Take three.

Roll camera.

Rolling.

And action!

[jaunty music]

[Opal] Why is she walking like that?

Why does he look like a mummy?

I can hear you.

- [Nathan] Am I supposed to be-- - [Rosemary] Shh!

Pretend we're not here.

Uh, just-- let's go in for the kiss.

[Elizabeth laughing]

Okay. Let's cut.

[Elizabeth] My goodness.

Uh, let's take ten.

I thought--

...on that side.

There's something uh, wrong with the camera.

There's nothing wrong with the camera.

I mean, there's something very wrong with the camera.

Oh!

- [Elizabeth] Rosemary. - Uh-huh.

I know we got off to a rocky start,

but I actually think we're getting the hang of things now.

Absolutely.

Uh, but, you know, one thing I didn't foresee

when I cast both of you,

is, uh, you two are actually too real.

You know, all of this is kind of nonsense

compared to what you two, actually--

Rosemary?

Mmhm.

Are you firing me?

You're still the writer.

I didn't even want to do this.

Hold on a minute.

I only agreed to this because of Elizabeth.

I'm not kissing anyone else.

No, of course not.

I think that's for the best.

Absurd.

[Lee] Hey, hey, hey, hey!

Did you just fire our two leads?

What now? We have a schedule!

- This is not a crisis. - [Lee] Mmhmm.

It's an opportunity.

We just need to find someone...

undeniable.

You know, I could offer my services--

May I have assistance with my light, por favor?

Thank you, caballero. Beautiful.

Now, gently.

[Fernando] Easy.

Tilt her down.

Yes.

[upbeat piano music]

♪

♪

[music concludes]

Cut!

Brilliant!

[applause] - Brilliant.

I suppose that's what you call chemistry.

- Sweetheart? - Yes?

Brilliant. Absolutely brilliant.

Feels good to be back.

Moving on!

I would like to formally rescind my offer.

- Obviously. - [speaking Spanish]

Let's get you two ready for your next scene.

Elizabeth?

Thank you for taking this all in stride.

It's as I always say, limitations breed creativity.

About that.

Yes?

We need some rewrites.

A location fell through,

and Scout's part went to Gwen in a bear suit.

I thought you said no bears.

I got a deal on the suit.

Well?

Next set up!

Fine. I will make the changes.

Is there a chair for me?

Can we get an apple box for the writer?

I'm still Mrs. Thornton to you.

[Edie] There you are.

I came by earlier, but you were out.

I had some business.

Well, I was hoping that I could lure you away for some gin.

The card game, of course.

I saw you and Fernando.

I thought I made it clear--

You don't owe me any explanations, Edie.

Clearly I do.

There is nothing between Fernando and me.

And if that wasn't clear to him before,

well, it certainly is now.

I see.

So...?

What do you say?

It is not that I don't believe you.

[sighs]

But I've been here before,

and people don't always know their hearts.

Well,

you may have been here before, Lucas, but...

we haven't.

Yes, I just...

I don't want to be questioning and wondering,

doubting you.

It's not what you deserve.

Okay, well, what can I do?

I think I just need time.

How much time?

I don't know.

I don't want to make you a promise that I cannot honor.

I'm very sorry.

I understand.

The detachment clerk recorded the transcript,

so it'll be admissible in court.

How much do you think this is really going to help our case?

Innocent people don't say "they're on to us".

So trust me, that will get the jury's attention.

Yeah, I just- I wish that we had--

I know, but short of finding Christopher

and that blown transformer,

we just have to keep digging into every lead we've got.

[giggling]

Well, I'll be.

Florence Dorothy Yost.

How could you betray Ned with this...

- This... - Molly?

[Florence] What on earth?

Do I have something on my face?

No. There's something on your head, dear.

- Need I remind you? - Right, right, right.

What do you think, Molly? I could get used to this.

[laughs]

I thought Florence was messing about

with some floppy-haired nitwit!

I would never do such a thing.

Is it floppy?

Oh, and to think you thought I was traipsing around in secret

when it's you who've been holding out on me.

What are you implying?

Those letters.

I had to learn from Elizabeth

that you've been taking a nursing correspondence course.

Why didn't you tell me?

Your opinion means so much to me.

I just... couldn't bear to tell you and then fail.

Oh, Molly.

I'm so sorry.

For that, and for thinking you were being unfaithful.

How could you think you couldn't tell me?

I know you're not going to fail.

Well, it seems you're right.

I passed.

I'm officially a nurse.

Oh! You see?

It was all I could do not to peek at them.

Not that I ever have.

No, it's a federal crime.

I hated not telling you.

You know, you can always be yourself with me.

And that goes for you too, Ned.

I am begging you.

[stammers]

[sighs] Fine.

Fine.

Oh.

Thank you, dear.

Of course.

Evening, Governor.

Oh, Mike, I didn't order a drink.

You look like you could use one.

Thank you.

I recognize that watch.

It was a gift?

From Elizabeth, yes.

"Our time has come."

And yet it never came.

That's in the past.

Elizabeth changed her mind.

She followed her heart.

I don't resent her for that.

But it changed something in me.

You know, it wasn't so long ago I was standing at this bar,

hesitating to ask Mei on a date

because of some past heartbreak.

I was scared it was going to happen again.

But then someone told me not to miss my chance

when the right person came along.

That sounds like good advice.

Given by a good friend.

It was you. You were the one who said that.

Yeah, I got that, Mike. Thank you.

Don't let your past steal your future.

Have you seen Ms. Martell?

I have to give it to them.

The way Faith and Fernando stepped in was impressive.

And their chemistry? Quite convincing.

Sorry I missed it.

- You don't think-- - No, I don't.

- Do you? - Not at all.

We're talking about the same thing here, right?

Of course.

That we have chemistry.

Oh, tons. And the real kind too.

Mmhmm. Who cares if we can't fake it?

Yeah. What does that matter, anyhow?

There's something still nagging at you.

[sighs]

Well,

this story that you wrote,

about a Mountie who returns a hero.

No wonder I couldn't pull it off.

What do you mean?

I had him.

Christopher.

The evidence, everything- everything we needed, and...

I just let it...

slip through my fingers.

Maybe that's why I feel like such a fraud

in front of the camera.

I feel like I'm failing. I feel like I'm failing you.

I feel like I'm failing Benson Hills--

Nathan...

I've seen firsthand how relentless you've been.

You can't compare yourself to

a fairy tale story or a fictional character.

One who can't even talk.

[laughs]

The story isn't over.

Maybe it is for our acting careers.

[both chuckle]

but not for this investigation, and certainly not for us.

I, for one, can't wait to see what the next act has in store.

You know,

I might have frozen in front of all those people,

but out here, where it matters,

I think the Mountie gets the girl.

Definitely.

♪