All language subtitles for Fantasy Island S02E11 Carnival The Vaudevillians

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:56,588 --> 00:00:58,555 THE PLANE! THE PLANE! 2 00:01:18,343 --> 00:01:19,387 GOOD MORNING, BOSS. 3 00:01:19,411 --> 00:01:21,423 GOOD MORNING TATTOO. 4 00:01:21,447 --> 00:01:23,024 WELL, YOU SEEM TO BE IN EXCEPTIONALLY GOOD 5 00:01:23,048 --> 00:01:25,626 SPIRITS THIS MORNING.. 6 00:01:25,650 --> 00:01:28,930 WHY NOT, I'M GOING TO BECOME A MILLIONARE VERY SOON. 7 00:01:28,954 --> 00:01:33,734 AGAIN? AND WHAT MARVELOUS MONEY MAKING IDEA HAVE YOU COME UP WITH THIS TIME? 8 00:01:33,758 --> 00:01:36,871 OH, THIS TIME IT'S A WINNER. 9 00:01:36,895 --> 00:01:39,640 I HAVE BECOME AN INVENTOR. SEE? 10 00:01:39,664 --> 00:01:41,876 INDEED. WHAT IS IT? 11 00:01:41,900 --> 00:01:46,147 OH, IT'S A SLEEPING BAG. 12 00:01:46,171 --> 00:01:49,451 LOOKS AWFULLY SMALL FOR A SLEEPING BAG. 13 00:01:49,475 --> 00:01:52,520 OH, IT'S BIG ENOUGH TO HOLD TWO PEOPLE OF YOUR SIZE. 14 00:01:52,544 --> 00:01:54,489 IN SUCH A SMALL OBJECT AS THIS? 15 00:01:54,513 --> 00:01:57,192 UH, HUH. 16 00:01:57,216 --> 00:01:59,394 WHAT'S THIS STRING? 17 00:01:59,418 --> 00:02:00,995 YOU JUST PULL THE STRING, 18 00:02:01,019 --> 00:02:03,565 AND THE BAG WILL UNFOLD. 19 00:02:03,589 --> 00:02:05,133 AND THEN YOU ARE READY FOR A NICE COZY EVENING. 20 00:02:05,157 --> 00:02:06,867 REALLY? 21 00:02:06,891 --> 00:02:08,603 WHY DONT YOU TRY IT? 22 00:02:08,627 --> 00:02:11,394 ALRIGHT. 23 00:02:22,641 --> 00:02:25,686 INVENTOR INDEED! 24 00:02:25,710 --> 00:02:28,245 WELL, BACK TO THE DRAWING BOARD. 25 00:03:03,148 --> 00:03:07,962 SMILES EVERYONE. SMILES. 26 00:03:18,263 --> 00:03:20,375 MR. CHARLIE PARKS FROM SPOKANE WASHINGTON. 27 00:03:20,399 --> 00:03:23,645 A REAL OLD TIMER. 28 00:03:23,669 --> 00:03:25,313 WHO IS HE? 29 00:03:25,337 --> 00:03:26,814 A RUNAWAY. 30 00:03:26,838 --> 00:03:28,383 RUNAWAY, AT HIS AGE? 31 00:03:28,407 --> 00:03:29,384 FROM WHAT? 32 00:03:29,408 --> 00:03:32,753 NOT FROM WHAT. WHOM. 33 00:03:32,777 --> 00:03:36,791 MR. PARKS IS RUNNING AWAY FROM HIS CHILDREN. 34 00:03:36,815 --> 00:03:39,561 YOU SEE, THEY WANT TO PLACE HIM IN A RETIREMENT HOME. 35 00:03:39,585 --> 00:03:41,962 AND HIS FANTASY IS NOT TO GET CAUGHT. 36 00:03:41,986 --> 00:03:45,132 HIS FANTASY MY FRIEND IS TO BECOME A SUCCESS IN VAUDEVILLE. 37 00:03:45,156 --> 00:03:48,836 VAUDEVILLE? IT'S BEEN DEAD FOR YEARS. 38 00:03:48,860 --> 00:03:51,673 THAT'S TRUE BUT, MR. PARKS IS CONVINCED THAT HE AND HIS 39 00:03:51,697 --> 00:03:55,410 FORMER PARTNER CAN BREATHE NEW LIFE INTO IT. 40 00:03:55,434 --> 00:03:58,580 YOU MEAN THERE IS TWO PEOPLE WHO STILL BELIEVE 41 00:03:58,604 --> 00:04:01,048 THAT VAUDEVILLE CAN BE BROUGHT BACK? 42 00:04:01,072 --> 00:04:04,319 HIS PARTNER IS WILL FIELDS. 43 00:04:04,343 --> 00:04:06,521 THE TWO OF THEM HAVE NOT SEEN EACH OTHER IN THIRTY FIVE YEARS, 44 00:04:06,545 --> 00:04:11,359 WHEN THEY LAST LAST APPEARED ON STAGE AS PARKS AND FIELDS. 45 00:04:11,383 --> 00:04:13,623 OH BOSS, YOU ARE BACKING A REAL LOSER THIS TIME. 46 00:04:21,159 --> 00:04:23,504 BOSS, THAT YOUNG LADY, 47 00:04:23,528 --> 00:04:27,141 SHE SEEMS ALMOST AFRAID TO LEAVE THE PLANE. 48 00:04:27,165 --> 00:04:29,277 PERHAPS SHE IS AFRAID OF FINDING THAT HER MOST 49 00:04:29,301 --> 00:04:33,948 CHERISHED MEMORY WAS NOTHING MORE THAN A FANTASY. 50 00:04:33,972 --> 00:04:35,983 THAT'S PRETTY CONFUSING. 51 00:04:36,007 --> 00:04:37,552 THE YOUNG LADY IS DOROTHY WELLER. 52 00:04:37,576 --> 00:04:41,155 SHE'S A SCRETARY. TWO YEARS AGO SHE VISITED GUADALUPE 53 00:04:41,179 --> 00:04:43,725 AND FELL IN LOVE WITH MAN OF HER DREAMS. 54 00:04:43,749 --> 00:04:47,161 THEY ENJOYED A GLORIOUS THREE DAY ROMANCE. 55 00:04:47,185 --> 00:04:50,231 ONLY THREE DAYS? WHY SO BRIEF? 56 00:04:50,255 --> 00:04:53,468 AFTER AN AUTO ACCIDENT, MS. WELLER WAS IN A COMA. 57 00:04:53,492 --> 00:04:55,270 WHEN SHE RECOVERED, HER LOVER HAD DISAPPERED 58 00:04:55,294 --> 00:04:59,540 AND EVERYONE DENIED THAT SUCH A MAN EVER EXISTED. 59 00:04:59,564 --> 00:05:03,278 NOW, SHE FEARS THAT PERHAPS IT WASN'T REAL. 60 00:05:03,302 --> 00:05:06,180 THAT SHE DREAMED THE ROMANTIC IDOL WHILE 61 00:05:06,204 --> 00:05:08,916 UNCONCSIOUS AFTER THE ACCIDENT. 62 00:05:08,940 --> 00:05:11,352 AND THAT'S WHY SHE COME ON FANTASY ISLAND? 63 00:05:11,376 --> 00:05:13,655 TO FIND OUT ONCE AND FOR ALL WHETHER THE MAN SHE FELL 64 00:05:13,679 --> 00:05:19,182 IN LOVE WITH REALLY EXISTED OR WAS MERELY A BEAUTIFUL DREAM. 65 00:05:24,189 --> 00:05:28,135 MY DEAR GUESTS, I AM MR. ROARKE, YOUR HOST. 66 00:05:28,159 --> 00:05:29,726 WELCOME TO FANTASY ISLAND. 67 00:05:57,255 --> 00:06:02,803 LIKE I SAID IN MY LETTER, I ADVERTISE IN THE HOLLYWOOD REPORTER, THE DAILY VARIETY. 68 00:06:02,827 --> 00:06:06,173 EVERY TRADE PAPER AROUND, BUT I COULD NOT FIND MY PARTNER. 69 00:06:06,197 --> 00:06:08,142 WHERE DID YOU LOCATE HIM, MR. ROARKE? 70 00:06:08,166 --> 00:06:10,344 JERSEY CITY, NEW JERSEY. 71 00:06:10,368 --> 00:06:11,979 HOW DO YOU LIKE THAT. 72 00:06:12,003 --> 00:06:14,782 HE'S ON ONE COAST, I'M ON THE OTHER COAST. 73 00:06:14,806 --> 00:06:16,550 HOW IS HE? 74 00:06:16,574 --> 00:06:20,520 FOR A YOUNG MAN OF SIXTY SEVEN, HE'S IN VERY FINE FINE CONDITION, MR. PARKS. 75 00:06:20,544 --> 00:06:23,257 GOD LOVE HIM. WILL IS SUCH A HAM. 76 00:06:23,281 --> 00:06:25,126 HE BELONGS BETWEEN TWO SLICES OF BREAD. 77 00:06:27,585 --> 00:06:31,265 WELL, WHEN CAN I SEE THE OLD GEEZER? 78 00:06:31,289 --> 00:06:33,400 RIGHT NOW. JUST STEP INSIDE. 79 00:06:33,424 --> 00:06:34,668 - YOU MEAN HE'S IN HERE? - YES. 80 00:06:34,692 --> 00:06:36,558 COME ON. 81 00:06:46,871 --> 00:06:51,218 OH, I SEE THE LOOK OF DISAPPONITMENT ON YOUR FACE, MR. FIELDS. 82 00:06:51,242 --> 00:06:53,254 WERE YOU EXPECTING SOMEONE ELSE? 83 00:06:53,278 --> 00:06:55,756 YOUR EX-PARTNER, PERHAPS? 84 00:06:55,780 --> 00:06:59,359 WELL, ACTUALLY YES. 85 00:06:59,383 --> 00:07:01,951 - TA, TA, TA, DAH! - CHARLIE. 86 00:07:05,756 --> 00:07:08,402 DO YOU THINK CRANBERRIES ARE HEALTHY? 87 00:07:08,426 --> 00:07:11,205 THEY MUST BE, I'VE NEVER HEARD ONE COMPLAIN. 88 00:07:14,332 --> 00:07:16,743 CHARLIE, CHARLIE, CHARLIE. HOW DO YOU FEEL? 89 00:07:16,767 --> 00:07:18,279 HOW DO I LOOK? 90 00:07:18,303 --> 00:07:19,303 HOW DID YOU GET HURT? 91 00:07:22,707 --> 00:07:26,687 TATTOO, DO YOU GET THE FEELING THAT WE ARE SOMEWHAT UNNECESSARY? 92 00:07:26,711 --> 00:07:28,122 WE ARE GOING TO BE TERRIFIC CHARLIE. 93 00:07:28,146 --> 00:07:31,091 I'M TALKING ABOUT TERRIFIC! 94 00:07:31,115 --> 00:07:32,193 CHARLIE, YOU'RE MAKING ME LIVE AGAIN. 95 00:07:32,217 --> 00:07:33,727 HOW ABOUT A DRINK? YOU WANT A LITTLE TOUCH. 96 00:07:33,751 --> 00:07:36,630 WELL, I DONT NEED A TOUCH I'M FLAOTING JUST BEING WITH YOU. 97 00:07:36,654 --> 00:07:37,731 SIT DOWN. 98 00:07:37,755 --> 00:07:40,301 MR. ROARKE SAID HE FOUND YOU IN JERSY CITY. 99 00:07:40,325 --> 00:07:42,036 WHAT HAPPENED? DID YOU GET LOST? 100 00:07:42,060 --> 00:07:45,339 NO, NO. COME ON, I LIKE JERSEY CITY. 101 00:07:45,363 --> 00:07:47,107 I'VE BEEN LIVING THERE TEN YEARS. HOW ABOUT YOU? 102 00:07:47,131 --> 00:07:50,677 3000 MILES AWAY. WALLA WALLA! 103 00:07:50,701 --> 00:07:51,946 WALLA WALLA WASHINGTON, HUH. 104 00:07:51,970 --> 00:07:54,348 WHAT YOU DO SNATCH A POCKET BOOK? 105 00:07:54,372 --> 00:07:56,583 COME ON, IT'S MY HOME. 106 00:07:56,607 --> 00:07:58,819 LET ME ASK YOU, DID YOU EVER GET MARRIED? 107 00:07:58,843 --> 00:08:00,721 NO, NO, NO. STILL GOT MY BACHELOR'S DEGREE. 108 00:08:00,745 --> 00:08:02,556 HOW ABOUT YOU? 109 00:08:02,580 --> 00:08:04,791 SHE PAST AWAY SOME THREE YEARS AGO. 110 00:08:04,815 --> 00:08:05,826 OH, I'M SORRY CHARLIE. 111 00:08:05,850 --> 00:08:07,761 - COME ON WILL. - WHAT CAN A GUY SAY? 112 00:08:07,785 --> 00:08:11,165 WILL, IT'S OK. I GOT TWO GREAT KIDS. A BOY AND A GIRL. 113 00:08:11,189 --> 00:08:13,500 ALL GROWN UP AND OUT ON THEIR OWN. 114 00:08:13,524 --> 00:08:14,902 GOOD BOY, THAT'S TERRIFIC. 115 00:08:14,926 --> 00:08:16,737 HEY, I SEE YOU'VE BEEN GOING OVER THE OLD ROUTINE? 116 00:08:16,761 --> 00:08:19,606 NOT GOING OVER THE OLD ROUTINES. THEY ARE BEAUTIFUL MAN. 117 00:08:19,630 --> 00:08:20,640 YOU'VE GOT SOME JEWELES IN THERE. 118 00:08:20,664 --> 00:08:22,743 YOU'VE GOT SOME BAFFS. 119 00:08:22,767 --> 00:08:24,511 NOT ONLY THAT, IT'S GOT CLASS, CHARLIE. CLASS! 120 00:08:24,535 --> 00:08:27,547 THAT'S WHAT THEY WANT TODAY, CLASS AND FUN. 121 00:08:27,571 --> 00:08:29,950 BOY HEARING THAT FROM YOU MAKES ME FEEL LIKE SOMEBODY. 122 00:08:29,974 --> 00:08:33,954 I'VE BEEN POLISHING UP THAT STUFF FOR THE LAST FOUR YEARS. 123 00:08:33,978 --> 00:08:36,623 THINK YOU CAN HANDLE SUCCESS LIKE YOU DID IN THE OLD DAYS, WILL? 124 00:08:36,647 --> 00:08:39,260 CAN'T WAIT TO GET ON THOSE BOARDS, CHARLIE! 125 00:08:39,284 --> 00:08:42,462 LET ME ASK YOU SOMETHING... 126 00:08:42,486 --> 00:08:43,526 YOU THINK WE GOT A CHANCE? 127 00:08:48,092 --> 00:08:51,138 SURE WE DO. 128 00:08:51,162 --> 00:08:53,207 I KNOW WE DO! 129 00:08:53,231 --> 00:08:55,042 LET'S GET ON WITH THE REHEARSAL. 130 00:08:55,066 --> 00:08:56,110 - LET'S MOVE IT. - NOW LOOK, I THINK... 131 00:08:56,134 --> 00:08:57,144 WHAT KIND OF CLOTHES DO I WEAR? 132 00:08:57,168 --> 00:08:59,302 - I WANT BETTER... - LOUD, LOUD! 133 00:09:07,378 --> 00:09:09,623 OH, WHERE ARE WE GOING, MR. ROARKE? 134 00:09:09,647 --> 00:09:12,993 YOU WILL SEE PRESENTLY. 135 00:09:13,017 --> 00:09:15,796 COULD YOU ANSWER ONE QUESTION? 136 00:09:15,820 --> 00:09:20,700 DOES TOM EXIST OR DID I JUST IMAGINE HIM? 137 00:09:20,724 --> 00:09:25,539 I'M AFRAID YOU WILL HAVE TO DISCOVER THAT FOR YOURSELF. 138 00:09:25,563 --> 00:09:28,108 BUT, MY FANTASY, YOU PROMISED ME... 139 00:09:28,132 --> 00:09:30,644 THAT YOU WILL KNOW THE TRUTH, 140 00:09:30,668 --> 00:09:33,447 AND YOU WILL MS. WELLER. 141 00:09:33,471 --> 00:09:36,116 BEFORE YOUR STAY ENDS. 142 00:09:36,140 --> 00:09:37,985 AT LEAST YOU CAN TELL ME WHERE WE ARE GOING. 143 00:09:38,009 --> 00:09:40,787 TO A CERTAIN SMALL VILLAGE. 144 00:09:40,811 --> 00:09:44,558 IN MANY RESPECTS, IT RESEMBLES A PLACE IN GUADALUPE. 145 00:09:44,582 --> 00:09:48,650 WHERE YOU BELIEVE YOU MET MR. PARNELL. 146 00:10:06,304 --> 00:10:09,616 WHY ALL THE BALLOONS AND BANNERS? 147 00:10:09,640 --> 00:10:13,480 THE VILLAGES ARE PREPARING FOR THE "FIESTA DE LA PRIMAVERA". 148 00:10:22,053 --> 00:10:25,165 THIS MORE THAN RESEMBLES THE PLACE, MR. ROARKE. 149 00:10:25,189 --> 00:10:26,933 IT'S ALMOST A CARBON COPY. 150 00:10:26,957 --> 00:10:28,002 REALLY? 151 00:10:28,026 --> 00:10:30,137 UH HUH. 152 00:10:30,161 --> 00:10:32,601 YOU WILL BE STAYING HERE. AS YOU CAN SEE YOU ARE EXPECTED. 153 00:10:36,134 --> 00:10:39,313 WELL, WHAT NOW? 154 00:10:39,337 --> 00:10:43,150 I'M AFRAID CIRCUMSTANCES MUST STEER THEIR OWN COURSE. 155 00:10:43,174 --> 00:10:45,519 OH, THAT'S NOT MINE. 156 00:10:45,543 --> 00:10:47,721 OH YES, YES IT IS. IT'S YOUR COSTUME. 157 00:10:47,745 --> 00:10:49,623 COSTUME? FOR WHAT? 158 00:10:52,016 --> 00:10:54,694 THAT TUNE. 159 00:10:54,718 --> 00:10:58,698 YOU HEAR IT TOO, DONT YOU? 160 00:10:58,722 --> 00:10:59,966 YES. 161 00:10:59,990 --> 00:11:02,836 WE USED TO SIT IN A LITTLE CAFE AND LISTEN TO IT. 162 00:11:02,860 --> 00:11:05,839 I THOUGHT I HAD IMAGINED IT. 163 00:11:05,863 --> 00:11:08,075 IF THE SONG IS REAL, THEN MAYBE... 164 00:11:08,099 --> 00:11:09,231 EXCUSE ME, MR. ROURKE. 165 00:11:45,035 --> 00:11:46,880 SI, SEÑORITA? 166 00:11:46,904 --> 00:11:50,117 THAT SONG, WHAT'S IT CALLED? 167 00:11:50,141 --> 00:11:52,919 OH IT IS NOTHING IMPORTANT, JUST A LITTLE CARNIVAL SONG. 168 00:11:52,943 --> 00:11:56,323 BUT, TONIGHT WE'RE HAVING OUR VILLAGE CARNIVAL. 169 00:11:56,347 --> 00:11:58,992 I SEE. 170 00:11:59,016 --> 00:12:01,728 I THINK I REMEMBER. 171 00:12:01,752 --> 00:12:06,366 DO YOU KNOW A WINE CALLED CUEVAS DE CAMPANET? 172 00:12:06,390 --> 00:12:09,236 OH VERY WELL. I WOULD OFFER YOU A GLASS, BUT UNFORTUNATELY, 173 00:12:09,260 --> 00:12:12,261 A GENTLEMAN BACK THERE JUST ORDERED THE VERY LAST BOTTLE. 174 00:12:15,733 --> 00:12:18,334 BUT, I HAVE A VERY FINE MADERO, I'M SURE YOU WOULD ENJOY. 175 00:12:33,817 --> 00:12:38,832 TURKISH CIGARETTES. SO, I DIDN'T IMAGINE THAT EITHER. 176 00:12:38,856 --> 00:12:40,367 DID YOU SEE WHICH WAY HE WENT? 177 00:12:40,391 --> 00:12:44,838 I DON'T NO SEÑORITA, BUT PERHAPS HE WENT THIS WAY. 178 00:12:44,862 --> 00:12:45,862 TOM. 179 00:12:50,268 --> 00:12:54,948 TOM! TOM, WAIT PLEASE! 180 00:12:54,972 --> 00:12:57,184 STOP, WAIT. TOM? 181 00:12:57,208 --> 00:12:59,119 YES, MISS? 182 00:12:59,143 --> 00:13:02,156 OH, I'M SORRY. 183 00:13:02,180 --> 00:13:06,026 I THOUGHT YOU WERE SOMEBODY... 184 00:13:06,050 --> 00:13:08,717 I'M SORRY. 185 00:13:26,170 --> 00:13:29,282 YES, COME IN. 186 00:13:29,306 --> 00:13:31,785 I DID IT, MR. ROARKE. I DID IT! 187 00:13:31,809 --> 00:13:35,422 I SHOT DOWN THE RED BARRON. 188 00:13:35,446 --> 00:13:40,761 THAT'S WONDERFUL, MR. SMITH. UH, ACE! OH, I'M SO HAPPY FOR YOU. 189 00:13:40,785 --> 00:13:43,831 I'LL BE THE ENVY OF THE SOPWITH COVEN SOCIETY WHEN I TELL THEM ABOUT IT. 190 00:13:43,855 --> 00:13:47,100 OH, WHAT A FIGHT HE PUT UP. 191 00:13:47,124 --> 00:13:50,137 I CAME AT HIM, OUT OF THE SUN, 192 00:13:50,161 --> 00:13:52,372 MY TWIN VICKER 303'S STICHING HIS WINGS. 193 00:13:52,396 --> 00:13:55,798 RA-TA TA-TA. RA-TA TA-TA.. 194 00:14:03,608 --> 00:14:06,820 HE WAS A GALLANT GENTLEMAN. 195 00:14:06,844 --> 00:14:10,323 WE SALUTED EACH OTHER AS HE WENT DOWN IN FLAMES. 196 00:14:10,347 --> 00:14:15,284 BEAU GESTE, MR... UH, ACE. BEAU GESTE. 197 00:14:20,091 --> 00:14:24,171 OH... MR. ROARKE IS THERE AN OPTOMETRIST ON THE ISLAND? 198 00:14:24,195 --> 00:14:27,407 OF COURSE, MR. SMITH. BUT, WHAT'S WORNG? 199 00:14:27,431 --> 00:14:29,309 WELL, I'M AFRAID I NEED NEW GLASSES. 200 00:14:29,333 --> 00:14:31,378 FROM SOME ANGLES, HIS FOLKER TRIPLANE 201 00:14:31,402 --> 00:14:32,947 ACTUALLY LOOKED LIKE A MINIATURE. 202 00:14:32,971 --> 00:14:36,216 THE WINGS SEEMED HARDLY 8 FEET LONG. 203 00:14:36,240 --> 00:14:40,788 OH, I'M SURE THAT WAS JUST THE EXCITEMENT OF THE MOMENT. 204 00:14:40,812 --> 00:14:44,925 OH YES... 205 00:14:44,949 --> 00:14:50,297 WELL, THANK YOU MR. ROURKE. THANK YOU FOR EVERYTHING. 206 00:14:50,321 --> 00:14:53,623 OFF WE GO, INTO THE WILD BLUE YONDER. OFF WE GO... 207 00:14:58,229 --> 00:15:01,141 BOSS... 208 00:15:01,165 --> 00:15:05,412 PROMISE ME. PROMISE ME THAT YOU ARE NOT GOING TO SEND ANYMORE 209 00:15:05,436 --> 00:15:07,648 RED BARRON FANTASIES. 210 00:15:07,672 --> 00:15:12,486 BUT TATTOO, YOU KNOW IT'S ONE OF OUR MOST POPULAR REQUESTS. 211 00:15:12,510 --> 00:15:16,490 YES, BUT THIS IS THE THIRD TIME I GET SHOT DOWN IN FLAMES THIS WEEK, YOU KNOW. 212 00:15:16,514 --> 00:15:21,095 I CAN'T TAKE IT ANYMORE. 213 00:15:21,119 --> 00:15:23,897 NOW, LADIES AND GENTLEMEN, AT THIS TIME WE PRESENT 214 00:15:23,921 --> 00:15:26,600 THE INQUIRING REPORTER PROGRAM. 215 00:15:26,624 --> 00:15:30,638 NOW, MY JOB IS TO INTERVIEW PEOPLE YOU KNOW, AS THEY PASS THROUGH. 216 00:15:30,662 --> 00:15:33,340 SO, IF I CAN SECURE THE SERVICES OF A YOUNG MAN. 217 00:15:33,364 --> 00:15:35,175 HOLD IT! 218 00:15:35,199 --> 00:15:37,310 MY FRIEND, YOU WERE ASKING FOR A YOUNG MAN? 219 00:15:37,334 --> 00:15:39,513 YOU'RE IN THE WRONG ROOM. 220 00:15:39,537 --> 00:15:41,882 YOU CAN'T LIVE LONG ENOUGH TO LOOK THAT BAD. 221 00:15:41,906 --> 00:15:43,784 YOU HEARD OF THE MARCH OF TIME... 222 00:15:43,808 --> 00:15:45,919 THIS IS HIS BROTHER, WASTE OF TIME. DID YOU GET IT? 223 00:15:45,943 --> 00:15:47,755 HA, HA. NOT BAD. LOOK AT THAT FACE. 224 00:15:47,779 --> 00:15:50,457 I WANT YOU TO GET A LOOK AT THAT KISSER, 225 00:15:50,481 --> 00:15:52,893 HE'S GOT MORE CHINS THAN A CHINESE PHONEBOOK. 226 00:15:52,917 --> 00:15:54,194 YOU CAN STAND HIM IN THE GARDEN AND THE CROWS WOULD BRING BACK 227 00:15:54,218 --> 00:15:55,796 STUFF THEY STOLE 8 MONTHS AGO. 228 00:15:55,820 --> 00:15:58,465 TELL ME SOMETHING. WHAT DO YOU DO FOR A LIVING? 229 00:15:58,489 --> 00:16:00,734 I WORK IN A VENTIAN BLIND FACTORY. 230 00:16:00,758 --> 00:16:01,835 PRETTY GOOD. TELL ME SOMETHING. 231 00:16:01,859 --> 00:16:03,671 HOW DO YOU MAKE A VENETIAN BLIND? 232 00:16:03,695 --> 00:16:07,307 WELL, THAT'S EASY. YOU POKE THEM IN THE EYES. HOW ABOUT THAT ONE! 233 00:16:09,067 --> 00:16:11,244 YOU KNOW YOU THINK YOU ARE PRETTY SMART, HUH. 234 00:16:11,268 --> 00:16:13,113 I SHOULD BE. I WAS BORN TWINS. 235 00:16:13,137 --> 00:16:15,549 BORN TWINS, HOW DOES THAT MAKE YOU SO SMART? 236 00:16:15,573 --> 00:16:16,973 WELL, TWO HEADS ARE BETTER THAN ONE. 237 00:16:18,009 --> 00:16:19,186 YOU GET IT, TWO HEADS ARE BETTER THAN ONE! 238 00:16:19,210 --> 00:16:20,721 YOU HAVE ANY DIFFICULTY WITH YOUR BROTHER? 239 00:16:20,745 --> 00:16:23,356 I'LL SAY... EVERYTHING HE DID I GOT THE BLAME FOR IT. 240 00:16:23,380 --> 00:16:24,758 WELL, THAT I DON'T UNDERSTAND. 241 00:16:24,782 --> 00:16:26,694 LET ME EXPLAIN. WHEN WE WERE KIDS AND PLAYED BASEBALL... 242 00:16:26,718 --> 00:16:27,961 YEAH? 243 00:16:27,985 --> 00:16:29,963 IF HE BROKE A WINDOW, I GOT THE BLAME FOR IT. 244 00:16:29,987 --> 00:16:31,565 WELL, THAT'S BECAUSE YOU LOOKED ALIKE. 245 00:16:31,589 --> 00:16:32,499 YES! 246 00:16:32,523 --> 00:16:33,600 WHAT ELSE? 247 00:16:33,624 --> 00:16:35,468 LATER ON IN LIFE, I MET A BEAUTIFUL GIRL. 248 00:16:35,492 --> 00:16:36,737 OH YEAH, YEAH. 249 00:16:36,761 --> 00:16:38,371 WHAT DO YOU THINK HAPPENED? 250 00:16:38,395 --> 00:16:41,041 THAT RAT MARRIED HER! 251 00:16:41,065 --> 00:16:43,376 WELL, THAT'S THE END BUDDY! YOU CAN'T... I MEAN THAT'S AWFUL. 252 00:16:43,400 --> 00:16:45,112 HO, HO... HOLD, HOLD IT! I GOT EVEN WITH HIM. 253 00:16:45,136 --> 00:16:48,248 HOW COULD YOU POSSIBLY GET EVEN WITH HIM? 254 00:16:48,272 --> 00:16:52,252 WELL LAST WEEK I DIED, AND THEY BURRIED HIM! 255 00:16:55,113 --> 00:16:58,692 BRAVO! BRAVO! YOU BOTH ARE GOING TO KILL THEM. I WAS RIGHT! 256 00:16:58,716 --> 00:17:00,194 THANK YOU, TATTOO. DID YOU LIKE THAT? 257 00:17:00,218 --> 00:17:02,395 YOU LIKED IT, HUH TATTOO? 258 00:17:02,419 --> 00:17:06,688 PARTNER, LIKE WE'VE NEVER BEEN AWAY! 259 00:17:34,385 --> 00:17:38,632 - YES? - PARA USTED, SEÑORITA. 260 00:17:38,656 --> 00:17:41,824 WAIT! COME BACK! 261 00:17:50,001 --> 00:17:54,536 THE BEACH BOAT HOUSE ALONE. 262 00:18:19,063 --> 00:18:21,530 TOM! 263 00:18:24,869 --> 00:18:27,881 OH! OH! IT'S REALLY YOU! 264 00:18:27,905 --> 00:18:29,283 YEAH. 265 00:18:29,307 --> 00:18:33,420 OH MY DARLING! YOU'RE REAL! 266 00:18:33,444 --> 00:18:35,923 YOU'RE REAL! 267 00:18:35,947 --> 00:18:39,159 DARLING, MAYBE YOU THINK I HAVEN'T ACTED LIKE IT, BUT I DO LOVE YOU. 268 00:18:39,183 --> 00:18:41,494 I LOVE YOU VER MUCH! 269 00:18:41,518 --> 00:18:45,665 I THOUGHT ABOUT YOU EVERY DAY FOR THE PAST THREE YEARS. 270 00:18:45,689 --> 00:18:50,437 SOMEHOW I FEEL THAT EVERYTHING IS GOING TO BE ALL RIGHT NOW. 271 00:18:50,461 --> 00:18:52,228 EVERYTHING. 272 00:19:01,105 --> 00:19:04,651 COME IN. 273 00:19:04,675 --> 00:19:08,788 AH, MRS. GREER, MR. PARKS. HOW NICE TO SEE YOU. 274 00:19:08,812 --> 00:19:11,491 COME IN. HAVE A SEAT, WONT YOU. 275 00:19:11,515 --> 00:19:15,295 I'LL STAND, THANK YOU. 276 00:19:15,319 --> 00:19:21,101 ON THE PHONE YOU SAID, YOU HAD A BONE TO PICK WITH ME. 277 00:19:21,125 --> 00:19:22,635 WE WANT TO KNOW HOW MUCH YOU ARE CHARGING OUR FATHER FOR THIS 278 00:19:22,659 --> 00:19:27,341 RIDICULOUS SCHEME OF HIS FOR BRINGING BACK VAUDEVILLE. 279 00:19:27,365 --> 00:19:32,012 I'M AFRAID THE PRICES MY GUESTS PAY ARE CONFIDENTIAL. 280 00:19:32,036 --> 00:19:37,251 BUT, LET ME UNDERSTAND, ARE YOU SUGGESTING THAT I AM SOMEHOW 281 00:19:37,275 --> 00:19:40,653 SWINDLING YOUR FATHER, MR. PARKS? 282 00:19:40,677 --> 00:19:44,124 YOU TELL ME. VAUDEVILLE IS DEAD AND BURIED. 283 00:19:44,148 --> 00:19:45,893 OH YOUR FATHER PREFERS TO THINK OF IT AS A SLEEPING GIANT. 284 00:19:45,917 --> 00:19:47,294 ONE HE HOPES TO AWAKEN. 285 00:19:47,318 --> 00:19:51,331 WITH ALL DO RESPECT, OUR FATHER IS 66 YEARS OLD. 286 00:19:51,355 --> 00:19:53,500 HE BELONGS IN A RETIREMENT HOME, NOT IN A TROPICAL ISLAND 287 00:19:53,524 --> 00:19:55,302 WITH SOME IDIOTIC FANTASY! 288 00:19:55,326 --> 00:19:57,804 INDEED. UNFORUNATELY, YOUR FATHER DOESN'T THINK SO. 289 00:19:57,828 --> 00:19:59,806 OH COME ON NOW, MR. ROARKE. 290 00:19:59,830 --> 00:20:03,944 YOU KNOW AND I KNOW THAT OLD PEOPLE DO NOT ALWAYS DO WHAT'S BEST FOR THEMSELVES. 291 00:20:03,968 --> 00:20:09,816 AND PEOPLE OF YOUR AGE DO? 292 00:20:09,840 --> 00:20:13,753 WHEN CAN WE SEE OUR FATHER, MR. ROARKE? 293 00:20:13,777 --> 00:20:15,722 I'LL ARRANGE A MEETING. 294 00:20:15,746 --> 00:20:20,127 IS THERE ANYTHING ELSE? TATTOO. 295 00:20:20,151 --> 00:20:22,985 HAVE A NICE DAY. 296 00:20:34,398 --> 00:20:37,544 UH HUH. 297 00:20:37,568 --> 00:20:40,869 OK, GRACIAS! BUENOS DIAS. 298 00:20:53,884 --> 00:20:55,128 DO YOU REMEMBER HOW TO DO THIS? 299 00:20:55,152 --> 00:20:58,698 WELL, I'M A LITTLE OUT OF PRACTICE. 300 00:21:00,791 --> 00:21:02,669 - TRY IT. REALLY GOOD! - OKAY. 301 00:21:02,693 --> 00:21:06,139 OH! 302 00:21:06,163 --> 00:21:09,042 IT'S DELICIOUS! 303 00:21:09,066 --> 00:21:13,513 YOU KNOW, WHEN I CAME TO AT THE HOSPITAL, 304 00:21:13,537 --> 00:21:18,285 AFTER THE CRASH, I LOOKED EVERYWHERE, BUT NOBODY COULD TELL ME ANYTHING. 305 00:21:18,309 --> 00:21:23,123 THEY DIDN'T EVEN REMEMBER YOU. 306 00:21:23,147 --> 00:21:26,093 I THOUGHT I WAS LOSING MY MIND. 307 00:21:26,117 --> 00:21:28,795 THAT'S THE WAY IT HAD TO BE. 308 00:21:28,819 --> 00:21:32,687 IT WASN'T AN ACCIDENT. WE WERE BOTH SUPPOSED TO BE KILLED. 309 00:21:37,794 --> 00:21:42,675 BUT, WHO? WHY? 310 00:21:42,699 --> 00:21:47,147 I NEVER LIED TO YOU BECAUSE YOU NEVER ASKED ME WHAT I DID. 311 00:21:47,171 --> 00:21:51,485 I'VE BEEN A SPY. A PROFESSIONAL SPY FOR TEN YEARS. 312 00:21:51,509 --> 00:21:54,421 A SPY? 313 00:21:54,445 --> 00:21:57,891 I WAS GOING TO QUIT WHEN WE FIRST MET EACH OTHER, 314 00:21:57,915 --> 00:22:02,595 BUT I MADE TOO MANY ENEMIES AND THEY FOLLOWED ME TO GUADALUPE. 315 00:22:02,619 --> 00:22:05,365 I KNEW YOU'D BE SAFE IF I LEFT. 316 00:22:05,389 --> 00:22:08,402 THAT'S THE REASON FOR THE LITLE BOY AND THE MESSAGE... 317 00:22:08,426 --> 00:22:11,571 AND WHY WE CAN'T MEET IN THE VILLAGE. 318 00:22:11,595 --> 00:22:15,108 I HAD TO BE ABSOLUTELY SURE WE WERE SAFE. 319 00:22:15,132 --> 00:22:17,477 AND IS IT NOW? 320 00:22:17,501 --> 00:22:20,735 UH, HUH. WE'LL NEVER LOSE EACH OTHER EVER AGAIN. 321 00:22:45,662 --> 00:22:50,710 BOSS, BOSS. 322 00:22:50,734 --> 00:22:52,345 BOSS... 323 00:22:52,369 --> 00:22:53,779 HMM? 324 00:22:53,803 --> 00:22:55,982 LOOK AT MY NEW INVENTION. 325 00:22:56,006 --> 00:22:58,518 I GOT THE PATENT RIGHTS FROM MY COUSIN HUGO. 326 00:22:58,542 --> 00:23:00,487 YOUR COUSIN HUGO? 327 00:23:00,511 --> 00:23:02,522 TATTOO WILL YOU NEVER LEARN. 328 00:23:02,546 --> 00:23:05,558 OH, NO BOSS, BUT THIS IS FANTASTIC. 329 00:23:05,582 --> 00:23:08,361 IT'S A NEW LIGHTER THAT WORKS ON WATER. 330 00:23:08,385 --> 00:23:14,134 WATER? NO BUTANE GAS? NO LIGHTER FLUID? 331 00:23:14,158 --> 00:23:18,138 ONLY WATER! 332 00:23:18,162 --> 00:23:21,029 IT'S A REAL ENERGY SAVER. LET ME SHOW YOU HOW IT WORKS. 333 00:23:30,207 --> 00:23:31,207 ONE MINUTE. 334 00:23:34,644 --> 00:23:37,557 OH SHOOT! 335 00:23:37,581 --> 00:23:42,628 TATTOO, I MUST ADMIT I WAS WRONG ABOUT YOUR COUSIN HUGO. 336 00:23:42,652 --> 00:23:46,999 YOU ARE GOING TO MAKE MILLIONS OF DOLLARS FROM A LIGHTER LIKE THAT. 337 00:23:47,023 --> 00:23:51,237 BUT BOSS, HOW CAN I? THIS THING DOESN'T EVEN WORK. 338 00:23:51,261 --> 00:23:54,421 SIMPLE, YOU MERELY SELL IT TO PEOPLE WHO WANT TO QUIT SMOKING.. 339 00:24:16,820 --> 00:24:18,931 CAN I MOVE IN WITH YOU? 340 00:24:18,955 --> 00:24:22,702 NO. I'VE GOT A BETTER IDEA. 341 00:24:22,726 --> 00:24:26,139 WHY DON'T I MOVE IN WITH YOU? 342 00:24:26,163 --> 00:24:29,675 OK, WHATEVER YOU WANT. 343 00:24:29,699 --> 00:24:32,845 MR. ROARKE HAS LEFT ME A BEAUTIFUL COSTUME FOR THE FESTIVAL, 344 00:24:32,869 --> 00:24:37,250 SO LET'S DRESS UP, HAVE FUN AND THEN COME HOME. 345 00:24:37,274 --> 00:24:39,986 I'LL GO BACK TO MY HOTEL AND GET MY STUFF. I'LL SEE YOU IN A LITTLE WHILE. 346 00:24:40,010 --> 00:24:40,987 OK. 347 00:24:41,011 --> 00:24:42,589 ALRIGHT. 348 00:24:42,613 --> 00:24:43,590 BYE-BYE. 349 00:24:43,614 --> 00:24:45,380 SO LONG. 350 00:25:26,256 --> 00:25:29,969 THE GUY SITTING ON THE LOWER PORCH IS FURIOUS. THE WATER KEEPS DRIPPING DOWN. 351 00:25:29,993 --> 00:25:35,408 HE YELLS UP, HEY! THAT WATER IS DRIPPING DOWN HERE! THAT'S MY WIFE SITTING HERE. 352 00:25:35,432 --> 00:25:38,611 THE OTHER GUY YELLS DOWN, WHAT DO YOU THINK I GOT UP HERE, A DUCK? 353 00:25:44,841 --> 00:25:46,519 HEY, WAIT A MINUTE. THAT'S MY KIDS. 354 00:25:46,543 --> 00:25:47,853 LET ME GET OUT OF HERE. 355 00:25:47,877 --> 00:25:50,956 WHY NOT STAY AND STRAIGHTEN MATTERS OUT, MR. PARKS. 356 00:25:50,980 --> 00:25:53,526 JUST A MINUTE, HOLD ON. YOU SET THIS WHOLE THING UP, DIDN'T YOU? 357 00:25:53,550 --> 00:25:54,760 DAD? 358 00:25:54,784 --> 00:25:56,596 AREN'T YOU GOING TO ASK US TO JOIN YOU, DAD? 359 00:25:56,620 --> 00:25:58,964 YOU PROMISED ME MY SHOT! 360 00:25:58,988 --> 00:26:02,402 SO I DID, MR. PARKS. 361 00:26:02,426 --> 00:26:05,805 NOW, IF YOU'LL EXCUSE ME. 362 00:26:05,829 --> 00:26:08,174 YOU MIGHT AS WELL SIT DOWN. 363 00:26:08,198 --> 00:26:11,844 DO ME A FAVOR THOUGH, SAVE THE LECTURES! 364 00:26:11,868 --> 00:26:14,447 DAD, WE WANT YOU TO CALL THIS WHOLE THING OFF 365 00:26:14,471 --> 00:26:15,815 AND COME HOME WITH US. 366 00:26:15,839 --> 00:26:19,252 I CAN'T. I'VE COMITTED TWENTY THOUSAND DOLLARS WORTH. 367 00:26:19,276 --> 00:26:20,320 DAD, THAT'S YOUR LIFE SAVINGS. 368 00:26:20,344 --> 00:26:22,255 HOW CAN ONE SILLY FANTASY BE SO EXPENSIVE? 369 00:26:22,279 --> 00:26:23,856 WELL, IT ALL ADDS UP FAST. 370 00:26:23,880 --> 00:26:26,326 MR. ROARKE HAD TO LOCATE WILL, FLY HIM IN. 371 00:26:26,350 --> 00:26:31,831 HE IS ALSO FLYING IN CRITICS, BOOKING AGENTS, COSTUMES, MUSIC, 372 00:26:31,855 --> 00:26:37,704 THEATER RENTALS. I FIGURE I GOT OFF CHEAP. 373 00:26:37,728 --> 00:26:41,641 HOW CAN I MAKE YOU TWO UNDERSTAND, I HAVE TO GO THROUGH WITH THIS! 374 00:26:41,665 --> 00:26:43,909 HAVE TO? WHAT DOES THAT MEAN, DAD? 375 00:26:43,933 --> 00:26:46,946 WHAT ARE YOU TWO DOING TO ME? I'M YOUR FATHER. 376 00:26:46,970 --> 00:26:47,980 I'M THE GUY THAT RAISED YOU, WIPED YOUR NOSE, 377 00:26:48,004 --> 00:26:50,049 CHANGED YOUR DIAPERS. 378 00:26:50,073 --> 00:26:51,951 DOESN'T THAT COUNT FOR ANYTHING? 379 00:26:51,975 --> 00:26:54,186 DAD! 380 00:26:54,210 --> 00:26:57,290 DON'T YOU SEE EVERYBODY HAS GOT A RIGHT TO THEIR DREAM. 381 00:26:57,314 --> 00:27:00,192 EVERYBODY HAS GOT A RIGHT TO TAKE A SHOT AT THE BIG TIME. 382 00:27:00,216 --> 00:27:04,597 I NEVER REALIZED THAT THIRTY FIVE YEARS AGO! 383 00:27:04,621 --> 00:27:07,267 DAD, YOU'RE SIXTY SIX YEARS OLD. 384 00:27:07,291 --> 00:27:10,169 OHHH. WHAT DOES THAT MEAN? 385 00:27:10,193 --> 00:27:12,705 I'M SUPPOSE TO ROLL OVER AND PLAY DEAD. 386 00:27:12,729 --> 00:27:16,976 SIXTY SIX IS A NUMBER, IT'S HOW YOU FEEL INSIDE THAT COUNTS. 387 00:27:17,000 --> 00:27:21,648 ADAM, DORIS PLEASE, DON'T DUMP ME IN THAT OLD FOLKS HOME. 388 00:27:21,672 --> 00:27:23,750 THAT'S NOTHING BUT A DYING ROOM! 389 00:27:23,774 --> 00:27:25,785 STOP TALKING LIKE THAT. 390 00:27:25,809 --> 00:27:27,654 THEN STOP GIVING ME A REASON TO TALK LIKE THAT! 391 00:27:27,678 --> 00:27:29,389 DAD, GIVE THIS UP. COME HOME WITH US. 392 00:27:29,413 --> 00:27:30,590 LISTEN TO HER, SHE'S RIGHT. 393 00:27:30,614 --> 00:27:33,393 SHE'S NOT RIGHT! NEITHER ONE OF YOU IS RIGHT! 394 00:27:33,417 --> 00:27:35,227 WHEN THAT CURTAIN GOES UP TONIGHT, PARKS AND FIELDS 395 00:27:35,251 --> 00:27:37,430 ARE GONNA BE THERE, CENTERSTAGE! 396 00:27:37,454 --> 00:27:38,931 DAD, I'LL MAKE ROOM FOR YOU. 397 00:27:38,955 --> 00:27:40,466 NO, NO. IT'S MY RESPONSABILITY. 398 00:27:40,490 --> 00:27:44,537 YOU CAN MOVE IN WITH JIM AND ME. I'LL FIX UP THE ULTILITY ROOM. 399 00:27:44,561 --> 00:27:48,574 THANKS A LOT. YOU MEAN THE ONE OFF THE GARAGE. NO THANKS! 400 00:27:48,598 --> 00:27:52,779 BUT THERE IS SOMETHING YOU CAN DO FOR ME, IF ISN'T ASKING TOO MUCH. 401 00:27:52,803 --> 00:27:56,115 SURE WOULD BE NICE TO HAVE ONES OWN FLESH AND BLOOD UP FRONT APPLAUDING FOR US. 402 00:27:56,139 --> 00:27:59,407 DAD, DON'T DO THIS TO YOURSELF. 403 00:28:02,813 --> 00:28:05,279 BOSS, BOSS! 404 00:28:10,754 --> 00:28:14,467 YOU ARE NOT GOING TO LET THEM TAKE THEIR FATHER'S FANTASY AWAY ARE YOU? 405 00:28:14,491 --> 00:28:16,703 IT'S NOT UP TO ME TATTOO. 406 00:28:16,727 --> 00:28:20,762 THAT DECISION BELONGS TO THEIR FATHER. 407 00:28:58,101 --> 00:29:00,346 YOU LOOK LIKE A TROUBLED MAN. 408 00:29:00,370 --> 00:29:03,883 I'VE BEEN DEBATING SOME THINGS MY KIDS SAID. 409 00:29:03,907 --> 00:29:06,051 MAYBE THEY ARE RIGHT. 410 00:29:06,075 --> 00:29:09,789 I'VE BEEN LIVING OUT A FANTASY OF DESPERATION. 411 00:29:09,813 --> 00:29:13,626 EITHER I BRING BACK VAUDEVILLE OR I PACK MYSELF OFF TO THE OLD FOLKS HOME. 412 00:29:13,650 --> 00:29:18,464 VAUDEVILLE ISN'T COMING BACK. IT'S DEAD AND BURIED. 413 00:29:18,488 --> 00:29:23,302 AND I'M NOT SO SURE I WOULDN'T BE BETTER OFF THE SAME WAY. 414 00:29:23,326 --> 00:29:25,070 YOU'RE JUST SCARED. 415 00:29:25,094 --> 00:29:27,039 SURE I'M SCARED. 416 00:29:27,063 --> 00:29:30,877 YOU EVER TRIED STANDING UP ON STAGE WITH THE WHOLE AUDIENCE LOOKING RIGHT AT YOU. 417 00:29:30,901 --> 00:29:33,813 I GOT A BETTER ONE FOR YOU. 418 00:29:33,837 --> 00:29:36,571 TRY BEING A MIDGET AND HAVE THE WHOLE WORLD LOOK DOWN ON YOU. 419 00:29:40,444 --> 00:29:44,312 SOMETIMES I WAKE UP IN THE MORNING, AND I DON'T EVEN WANT TO GET OUT OF BED. 420 00:29:47,951 --> 00:29:51,697 BUT, YOU CAN'T LIVE YOUR LIFE IN HIDING. 421 00:29:51,721 --> 00:29:56,569 MR. PARKS, YOU'VE BEEN WAITING 35 YEARS FOR THIS CHANCE. 422 00:29:56,593 --> 00:30:00,740 DON'T CHICKEN OUT NOW. COME ON. 423 00:30:00,764 --> 00:30:05,277 YOU ARE GOING TO KILL THEM TONIGHT. 424 00:30:05,301 --> 00:30:09,482 THANKS, TATTOO. 425 00:30:09,506 --> 00:30:11,451 YOU'RE WELCOME. 426 00:30:11,475 --> 00:30:14,509 YOU'RE A GOOD MAN. 427 00:30:55,318 --> 00:30:56,629 SI? 428 00:30:56,653 --> 00:30:58,230 MS. WELLER, PLEASE. 429 00:30:58,254 --> 00:31:00,700 OH, SHE'S NOT IN SEÑOR. BUT, THE LADY ASKED WHERE SHE CAN 430 00:31:00,724 --> 00:31:03,402 FIND A SEAMSTRESS TO FIT A COSTUME. 431 00:31:03,426 --> 00:31:05,137 I'D LIKE TO LEAVE A MESSAGE FOR HER 432 00:31:05,161 --> 00:31:09,041 AND BE DAMN SURE YOU GET IT RIGHT! 433 00:31:09,065 --> 00:31:13,278 WHAT IS THE MESSAGE? 434 00:31:13,302 --> 00:31:14,179 WHO IS THIS? 435 00:31:14,203 --> 00:31:17,238 I THINK YOU KNOW, TOM. 436 00:31:21,945 --> 00:31:25,658 YEAH. YEAH, I KNOW. 437 00:31:25,682 --> 00:31:28,193 NO RUNNING THIS TIME, UNDERSTAND. 438 00:31:28,217 --> 00:31:31,664 I'LL BE VERY CLOSE TO THE LADY. 439 00:31:31,688 --> 00:31:34,600 MAKE SURE YOU MEET HER AT THE CARNIVAL BY MIDNIGHT, 440 00:31:34,624 --> 00:31:36,301 OR I'LL KILL HER. 441 00:31:36,325 --> 00:31:40,061 THAT'S THE CHOICE, HER OR YOU! 442 00:31:46,937 --> 00:31:49,916 NOW, LADIES AND GENTLEMEN, PARKS AND FIELDS. 443 00:32:20,203 --> 00:32:22,114 I WROTE YOU A LETTER LAST MONTH. WHY DIDN'T YOU ANSWER IT? 444 00:32:22,138 --> 00:32:26,118 - I NEVER RECEIVED IT. - YOU NEVER REICEIVED IT? 445 00:32:26,142 --> 00:32:30,289 NO, BESIDES I DIDN'T LIKE SOME OF THE THINGS YOU SAID IN IT. 446 00:32:30,313 --> 00:32:31,557 THEY ARE STARING AT US. 447 00:32:31,581 --> 00:32:33,793 UH, UH. 448 00:32:33,817 --> 00:32:34,794 HEY, I THINK I'VE SEEN YOUR FACE BEFORE. 449 00:32:34,818 --> 00:32:36,028 HOW ODD. 450 00:32:36,052 --> 00:32:41,133 IT CERTAINLY IS. 451 00:32:41,157 --> 00:32:44,570 SAY, UH... YOU KNOW THAT IN INDIA THE MOHAMMEDANS 452 00:32:44,594 --> 00:32:47,206 THEY PRAY IN THE STREET. 453 00:32:47,230 --> 00:32:50,476 THAT'S NOTHING, IN LOS ANGELES PEDESTRIANS DO THE SAME THING. 454 00:32:56,205 --> 00:32:58,918 GIVE ME A QUOTE FROM THE BIBLE. 455 00:32:58,942 --> 00:33:02,488 FROM THE BIBLE, JUDAS WENT OUT AND HANGED HIMSELF. 456 00:33:04,580 --> 00:33:05,825 YEAH, GIVE ME ANTHER ONE. 457 00:33:05,849 --> 00:33:09,261 GO NOW AND DO LIKEWISE. 458 00:33:09,285 --> 00:33:12,754 WE BETTER KEEP MOVING. 459 00:33:20,363 --> 00:33:22,908 WE WERE SAILING ALONG, 460 00:33:22,932 --> 00:33:25,645 ON MOONLIGHT BAY. 461 00:33:25,669 --> 00:33:28,213 WE CAN HEAR THE VOICES RINGING. 462 00:33:28,237 --> 00:33:31,183 THEY SEEM TO SAY 463 00:33:31,207 --> 00:33:36,388 YOU STOLE MY HEART, NOW, DON'T GO AWAY. 464 00:33:36,412 --> 00:33:40,926 AS WE SANG LOVE'S OLD SWEET SONG ON MOONLIGHT BAY. 465 00:33:40,950 --> 00:33:42,895 WE WERE SAILING ALONG, 466 00:33:42,919 --> 00:33:45,464 ON MOONLIGHT BAY. 467 00:33:45,488 --> 00:33:47,767 WE CAN HEAR THE VOICES RINGING. 468 00:33:47,791 --> 00:33:50,502 THEY SEEM TO SAY 469 00:33:50,526 --> 00:33:55,641 YOU STOLE MY HEART, NOW, DON'T GO AWAY. 470 00:33:55,665 --> 00:34:02,136 AS WE SANG LOVE'S OLD SWEET SONG ON MOONLIGHT BAY. 471 00:34:06,342 --> 00:34:08,921 BRAVO! BRAVO! BRAVO! BRAVO! 472 00:34:08,945 --> 00:34:11,612 I LOVED IT! 473 00:34:35,504 --> 00:34:37,116 WHAT HAPPENED CHARLES? 474 00:34:37,140 --> 00:34:38,084 WHAT WENT WRONG? 475 00:34:38,108 --> 00:34:39,484 WE DID! 476 00:34:39,508 --> 00:34:41,821 WHAT? 477 00:34:41,845 --> 00:34:45,179 WILL, WE BLEW IT. 478 00:36:09,533 --> 00:36:12,833 I WAS BEGINNING TO THINK THAT I'D LOST YOU ALL OVER AGAIN. 479 00:36:21,578 --> 00:36:23,156 YOU HAVE TO GET AWAY AS FAST AS YOU CAN. 480 00:36:23,180 --> 00:36:25,158 BUT, I THOUGHT YOU SAID WE WOULD ALWAYS BE SAFE. 481 00:36:25,182 --> 00:36:28,082 I WAS WRONG! COME ON! 482 00:36:52,242 --> 00:36:54,387 THERE IS NO HOPE, WE HAVE TO SEPARATE. NOW GO THAT WAY! 483 00:36:54,411 --> 00:36:55,888 NO! 484 00:36:55,912 --> 00:36:59,024 PLEASE RUN! GO ON, I'LL MEET YOU AT THE BOAT HOUSE TOMORROW. 485 00:36:59,048 --> 00:36:59,825 NOW RUN! 486 00:36:59,849 --> 00:37:01,894 TOM! 487 00:37:36,586 --> 00:37:38,030 I'M SORRY MRS. WELLER, 488 00:37:38,054 --> 00:37:41,556 THERE IS NOTHING ANYONE CAN DO FOR HIM NOW. HE'S DEAD! 489 00:37:54,671 --> 00:38:01,354 I'M ALWAYS CHASING RAINBOWS. 490 00:38:01,378 --> 00:38:08,927 WATCHING CLOUDS DRIFTING BY. 491 00:38:08,951 --> 00:38:16,951 I SEE JUST LIKE ALL MY DREAMS 492 00:38:17,560 --> 00:38:24,510 ENDING WITH THE SKY. 493 00:38:24,534 --> 00:38:30,483 SOME FELLOWS LOOK AND FIND THE SUNSHINE. 494 00:38:30,507 --> 00:38:36,922 I ALWAYS LOOK AND FIND THE RAIN. 495 00:38:36,946 --> 00:38:42,127 SOME FELLOWS MAKE A WINNING SOMETIME 496 00:38:42,151 --> 00:38:47,266 I NEVER EVEN MAKE A GAME. 497 00:38:47,290 --> 00:38:50,235 BELIEVE ME, 498 00:38:50,259 --> 00:38:57,699 I'M ALWAYS CHASING RAINBOWS. 499 00:39:00,002 --> 00:39:07,608 WAITING TO FIND A LITTLE BLUEBIRD IN VAIN. 500 00:39:22,959 --> 00:39:26,205 WE WAITED FOR YOU AT THE RECEPTION. 501 00:39:26,229 --> 00:39:29,442 I'M SORRY, I NEVER LEARNED HOW TO SMILE THROUGH A FLOP. 502 00:39:29,466 --> 00:39:31,210 AT LEAST THEY DON'T THROW TOMATOES ANYMORE. 503 00:39:31,234 --> 00:39:33,111 DON'T BE TOO HASTY MR. PARKS. 504 00:39:33,135 --> 00:39:35,180 ALLOW ME TO INTRODUCE MR. JEFF LOGAN. 505 00:39:35,204 --> 00:39:38,939 HE HAS A BUSINESS PROPOSITION FOR PARKS AND FIELDS. 506 00:39:41,878 --> 00:39:44,390 HEY, HE SAID OUR NAMES. 507 00:39:44,414 --> 00:39:47,727 YOU MEAN US, AS A TEAM? 508 00:39:47,751 --> 00:39:51,697 OF COURSE. GENTLEMEN, I HEAD UP A PILOT PROGRAM 509 00:39:51,721 --> 00:39:56,301 FOR THE CITY OF BALTIMORE AND I BELIEVE WE CAN USE YOUR TALENT. 510 00:39:56,325 --> 00:39:59,271 HOLD ON JUST A MINUTE, WHAT'S WITH THE PILOT PROGRAM? 511 00:39:59,295 --> 00:40:02,007 WE'RE A LITTLE OLD FOR FLIGHT TRAINING, RIGHT WILL? 512 00:40:02,031 --> 00:40:03,909 THEY ARE SHORT ON ASTRONAUTS, AND LISTEN. 513 00:40:05,502 --> 00:40:08,814 GENTLEMEN, WE REALIZE THAT THE MORALE OF THE ELDERLY 514 00:40:08,838 --> 00:40:12,284 IS AS IMPORTANT AS GOOD HEALTH. 515 00:40:12,308 --> 00:40:14,687 THEY NEED ENTERTAINMENT AS MUCH AS ANYONE. 516 00:40:14,711 --> 00:40:18,023 MAYBE MORE BECAUSE WELL, THEY HAVE MORE TIME TO ENJOY IT. 517 00:40:18,047 --> 00:40:20,359 BUT NOT EVERYTHING WORKS FOR THEM. 518 00:40:20,383 --> 00:40:23,863 WE GAVE THEM ROCK MUSIC AND FAILED MISERABLY. 519 00:40:23,887 --> 00:40:26,899 THEY SEEM TO LIKE THE TRIED AND TRUE. YOU KNOW WHAT I MEAN? 520 00:40:26,923 --> 00:40:29,702 YOU MEAN, THE OLD STUFF. 521 00:40:29,726 --> 00:40:31,236 LIKE OUR MATERIAL. LISTEN TO THE MAN. 522 00:40:31,260 --> 00:40:33,272 WELL, LET'S CALL IT TIME TESTED. 523 00:40:33,296 --> 00:40:36,675 SOLID LIKE THE AUDIENCE. 524 00:40:36,699 --> 00:40:40,012 YOU'D BE ENTERTAINING AT OLD AGE HOMES, VETERANS HOSPITALS, 525 00:40:40,036 --> 00:40:44,149 SENIOR CITIZENS CENTERS, PARKS, YOU NAME IT. 526 00:40:44,173 --> 00:40:47,887 THE PAY IS NOT ASTRONOMICAL, BUT IT IS A LIVING. 527 00:40:47,911 --> 00:40:50,823 AND THE BENEFITS ARE GREAT. 528 00:40:50,847 --> 00:40:52,725 WAIT A MINUTE. LET ME GET THIS STRAIGHT. 529 00:40:52,749 --> 00:40:54,894 YOU ACTUALLY WANT FIELDS AND PARKS TO WORK 530 00:40:54,918 --> 00:40:56,328 FOR THE CITY GOVERNMENT? 531 00:40:56,352 --> 00:40:59,264 VERY MUCH SO. 532 00:40:59,288 --> 00:41:03,936 WELL, IF YOU THINK FOR ONE SOLITARY MINUTE THAT A CLASS ACT LIKE OURS 533 00:41:03,960 --> 00:41:09,007 IS GOING TO ACCEPT A DEAL LIKE THAT. 534 00:41:09,031 --> 00:41:11,410 YOUR ABSOLUTELY RIGHT! 535 00:41:11,434 --> 00:41:14,847 - OK, PARTNER? - OK, PARTNER! 536 00:41:14,871 --> 00:41:17,650 WE'LL MURDER THEM WHEREVER WE GO. 537 00:41:17,674 --> 00:41:18,484 YOU NEVER LOST IT PAL. 538 00:41:18,508 --> 00:41:20,074 MY BUDDY. 539 00:41:23,379 --> 00:41:29,194 THOMAS PARNELL PLAYED A PERILOUS ROLE IN LIFE. HE LIVED DANGEROUSLY. 540 00:41:29,218 --> 00:41:33,031 ALWAYS CONSCIOUS THAT THE PRICE OF FAILURE COULD MEAN HIS OWN DEATH. 541 00:41:33,055 --> 00:41:37,670 AS INDEED IT WAS. AND NOW WE RETURN HIS BODY TO THE EARTH 542 00:41:37,694 --> 00:41:43,542 FROM WHICH WE ALL SPRANG AND TO WHICH WE SHALL ALL SOMEDAY RETURN. 543 00:41:43,566 --> 00:41:45,466 AMEN. 544 00:41:56,345 --> 00:41:59,124 IT'S MY FAULT THAT HE DIED. 545 00:41:59,148 --> 00:42:02,628 OH NO, NO DON'T BLAME YOURSELF. DON'T. 546 00:42:02,652 --> 00:42:05,397 BUT WHY? 547 00:42:05,421 --> 00:42:09,390 THE ONLY WAY THEY FOUND HIM WAS BY FOLLOWING ME. 548 00:42:30,647 --> 00:42:33,748 IT'S TIME, MS. WELLER. 549 00:43:13,222 --> 00:43:16,201 WHY ARE WE STOPPING HERE? 550 00:43:16,225 --> 00:43:20,439 I'M TOLD THE PROPIETOR FOUND ANOTHER BOTTLE OF CUEVAS DE CAMPANET. 551 00:43:20,463 --> 00:43:26,344 I THOUGHT PERHAPS YOU MIGHT LIKE A GLASS FOR OLD TIME SAKE. 552 00:43:40,016 --> 00:43:41,426 SEÑOR. SEÑORITA. 553 00:43:41,450 --> 00:43:44,162 BUENOS DIAS. DO I UNDERSTAND YOU FOUND ANOTHER BOTTLE 554 00:43:44,186 --> 00:43:45,931 OF CUEVAS DE CAMPANET? 555 00:43:45,955 --> 00:43:48,901 OH SEÑOR, I'M SO SORRY. I JUST SOLD THE LAST BOTTLE 556 00:43:48,925 --> 00:43:52,559 TO THE GENTLEMAN BACK THERE. 557 00:44:31,400 --> 00:44:34,635 PERDON SEÑOR, UN MOMENTO, POR FAVOR. 558 00:44:38,274 --> 00:44:40,719 TOM! 559 00:44:40,743 --> 00:44:44,489 BUENOS DIAS, DARLING. 560 00:44:44,513 --> 00:44:46,892 BUT I JUST WATCHED THEM BURY YOU. 561 00:44:46,916 --> 00:44:49,795 YOU SAW AN EMPTY CASKET BURIED. 562 00:44:49,819 --> 00:44:53,431 BUT I SAW THEM SHOOT YOU. 563 00:44:53,455 --> 00:44:56,535 MR. ROARKE GAVE ME THIS BULLETPROOF VEST AND I WORE IT 564 00:44:56,559 --> 00:44:58,737 UNDERNEATH MY COSTUME. 565 00:44:58,761 --> 00:45:02,875 YOU DELIBERATELY LED ME TO THINK... 566 00:45:02,899 --> 00:45:06,178 WELL YOU WERE JUST USING ME. 567 00:45:06,202 --> 00:45:09,982 TRUE MS. WELLER. TO FULFILL MR. PARELL'S FANTASY 568 00:45:10,006 --> 00:45:11,550 IN THE ONLY WAY POSSIBLE. 569 00:45:11,574 --> 00:45:12,517 YOU'RE A FANTASY? 570 00:45:12,541 --> 00:45:13,986 SURE AM. 571 00:45:14,010 --> 00:45:18,691 HE CAME HERE TO DIE, SO YOU CAN BOTH HAVE A CHANCE TO LIVE. 572 00:45:18,715 --> 00:45:22,161 TO STAGE THE ASSASSINATION AND PERSUADE THE KILLER 573 00:45:22,185 --> 00:45:24,629 THAT HE HAD SUCCEEDED. 574 00:45:24,653 --> 00:45:29,401 WE NEEDED YOUR HONEST, SINCERE UNSUSPECTING GRIEF. 575 00:45:29,425 --> 00:45:32,237 THE WOULD BE KILLER LEFT THE ISLAND HALF AN HOUR AGO. 576 00:45:32,261 --> 00:45:36,141 IT'S A DIRTY TRICK TO PLAY ON SOMEONE YOU LOVE, BUT IT WORKED. 577 00:45:36,165 --> 00:45:37,409 I HOPE YOU FORGIVE ME. 578 00:45:37,433 --> 00:45:40,512 I DO. 579 00:45:40,536 --> 00:45:43,971 I THINK IT'S TIME FOR MS. WELLER'S PLAN. 580 00:45:49,311 --> 00:45:53,658 YOUR FANTASY IS OVER, MS. WELLER. 581 00:45:53,682 --> 00:45:56,294 ARE YOU LEAVING TOO? 582 00:45:56,318 --> 00:45:59,431 NOT FOR A LONG TIME. I'M GOING TO HAVE TO ESTABLISH A NEW IDENTITY 583 00:45:59,455 --> 00:46:01,867 AND FIND ANOTHER WAY TO MAKE A LIVING. 584 00:46:01,891 --> 00:46:06,605 IT MAY TAKE A LONG TIME. 585 00:46:06,629 --> 00:46:08,573 THEN I'M STAYING TOO. 586 00:46:08,597 --> 00:46:11,043 ARE YOU SURE YOU WANT TO? 587 00:46:11,067 --> 00:46:16,348 YES! MY FANTASY ISN'T OVER, MR. ROARKE. IT'S ONLY JUST BEGINNING. 588 00:46:16,372 --> 00:46:18,572 INDEED. 589 00:46:40,396 --> 00:46:41,607 WHERE'S OUR PLANE? 590 00:46:41,631 --> 00:46:44,543 IT'S INSIDE OVER THERE. I'T'S A TRIMOTOR. 591 00:46:44,567 --> 00:46:47,445 WHY DO THEY CALL IT A TRIMOTOR? 592 00:46:47,469 --> 00:46:50,516 IF ONE MOTOR DOESN'T WORK, THEY TRY ANOTHER ONE. 593 00:46:50,540 --> 00:46:54,152 - FUNNY? - IN WALLA WALLA. 594 00:46:54,176 --> 00:46:56,321 GOODBYE. GOODBYE MR. ROARKE. 595 00:46:56,345 --> 00:46:57,956 AND THANKS FOR THE FANTASY! 596 00:46:57,980 --> 00:47:01,226 OH, YOU ARE MOST WELCOME, MR. PARKS BUT, REMEMBER THAT 597 00:47:01,250 --> 00:47:04,530 YOUR FANTASY IS NOW REALITY. 598 00:47:04,554 --> 00:47:06,297 HEY TATTOO, WHY DON'T YOU PUT ON HIGH HEELS 599 00:47:06,321 --> 00:47:10,135 AND ASK FOR MORE MONEY? 600 00:47:10,159 --> 00:47:12,804 IS HE THE GREATEST? 601 00:47:12,828 --> 00:47:15,440 - BYE. - BYE. 602 00:47:15,464 --> 00:47:18,877 BOSS, YOU WANT TO SEE MY NEWEST INVENTION? 603 00:47:18,901 --> 00:47:20,067 DO I HAVE A CHOICE? 604 00:47:24,974 --> 00:47:29,220 THIS IS A FLY KILLER, MONEY BACK GUARANTEE. 605 00:47:29,244 --> 00:47:32,090 TWO BLOCKS OF WOOD? 606 00:47:32,114 --> 00:47:33,191 HOW DOES IT WORK? 607 00:47:33,215 --> 00:47:35,994 YOU WANT ME TO SHOW YOU HOW IT WORKS? 608 00:47:36,018 --> 00:47:41,433 LOOK, THIS IS CALLED BLOCK A, AND THIS IS CALLED BLOCK B. 609 00:47:41,457 --> 00:47:42,534 YOU UNDERSTAND? 610 00:47:42,558 --> 00:47:44,335 YES. 611 00:47:44,359 --> 00:47:46,905 FIRST, YOU HAVE TO CATCH A FLY. 612 00:47:46,929 --> 00:47:49,841 THEN YOU PUT THE FLY ON BLOCK A. 613 00:47:49,865 --> 00:47:52,700 THEN YOU TAKE BLOCK B AND YOU SMASH IT AGAINST BLOCK A. 614 00:47:57,372 --> 00:47:59,751 MAY I OFFER A SUGGESTION MY FRIEND? 615 00:47:59,775 --> 00:48:01,252 BACK TO THE OLD DRAWING BOARD. 616 00:48:01,276 --> 00:48:04,678 FIRST YOU CATCH A FLY. 46970

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