All language subtitles for butterfly.kiss.1995.1080p.web.h264-amort_track3_[eng]

♪ Funny, but it's true ♪

♪ What loneliness can do ♪

♪ Since I've been away ♪

♪ I have loved you more each day ♪

♪ Walking back to happiness,
woopah oh yeah, yeah ♪

♪ Said goodbye to loneliness,
woopah oh yeah, yeah ♪

♪ I never knew I'd miss you ♪

♪ Now I know what I must do ♪

♪ Walking back to happiness ♪

♪ I shared with you ♪

♪ Yay, yay, yay, yay ba dum be do ♪

♪ I'm making up for things we
said, woopah oh yeah, yeah ♪

♪ And mistakes to which they
led, woopah oh yeah, yeah ♪

♪ I shouldn't have gone away ♪

♪ So I'm coming back today ♪

♪ Walking back to happiness I threw away ♪

♪ Yay, yay, yay, yay ba dum be do ♪

♪ Walking back to happiness with you ♪

♪ Said farewell to loneliness I knew ♪

♪ Laid aside foolish pride ♪

♪ Learnt the truth from tears I cried ♪

(upbeat music)

♪ Spread the news I'm on my
way, woopah oh yeah, yeah ♪

♪ All my blues have blown
away, woopah oh yeah, yeah ♪

♪ I'm bringing you love so true ♪

♪ 'Cause that's what I owe to you ♪

♪ Walking back to happiness
I shared with you ♪

♪ Yay, yay, yay, yay ba dum ♪

- Look who it is, it's me.

Look who it is, it's me.

Here I am.

(vehicle engines revving)

Look at me, look.

Look at us, it's me.

(car horns honking)

(vehicle engines revving)

It's me.

Here I am.

(vehicle engines revving)

Here I am.

(vehicle engines revving)

(door thudding)

Look who it is.

- Can I help you at all?

- No, don't mind.

I was looking for a
record, you might know it.

- We carry tapes.

We don't have records as such.

- This one was about love, you know,

I just can't remember what it's called.

- All we've got are over there.

- Yes, definitely to do with love.

I can't remember who sang it.

- We've classic love songs
and we've songs of love.

You'll find them both there.

- Well, you must know her,
she's got a piano that goes.

♪ Da, da, da, da, da ♪

(Eunice laughing)

But it's well known, I weren't
the only one that liked it.

- I don't really know much about music.

We're mainly petrol, you see.

- Oh well, you can only
do your best, can't you?

- Yeah, that's right.

- You're Judith aren't you?

- [Wendy] Me?

No, I'm Wendy.

- Oh, come on you're, Judith.

- No, I'm not.

- If you don't want to, now just say so.

- I don't even know any Judiths.

Wendy, see.

(vehicle engines revving)

- Look who it is, it's me.

(vehicle engines revving)

(dramatic music)

♪ I just walked in to find
you here with that sad look ♪

- There's your cup of tea

♪ I should've changed that stupid lock ♪

- [Waitress] Sausage,
egg and beans, please.

♪ If I'd have known for just one second ♪

♪ You'd be back to bother me ♪

♪ Oh now go ♪

- [Waitress] Have you got
that sausage, meat and chips?

♪ Just turn around now ♪

♪ 'Cause you're not welcome anymore ♪

♪ Weren't you the one ♪

(vehicle engines revving)

(dramatic music)

(footsteps tapping)

(car engines revving)

(Eunice sighing)

(vehicle engines revving)

- Look who it is.

- Can I help you at all?

(dramatic music)

- No, no.

(vehicle engines revving)

I mean, I was looking for a record.

You might know it.

- We carry tapes, we don't
have records as such.

- Well, this one was about love.

I just can't remember what it's called.

- Well, all we've got are out over there.

(dramatic music)

- It's something to do with love.

I just can't remember who sang it.

- Well, we've classic love
songs and we've songs of love.

They're both out over there.

- It had a piano in it that went.

♪ Da, da, da, da, da, da, da, da ♪

♪ Da, da, da, da ♪

♪ Da, da, da, da ♪

♪ Da ♪

- Now, that does ring a bell.

- It's not really a love song as such.

It's a song about love.

It's about what love is about.

- Oh, that sounds good.

- It is good.

Yes.

- We haven't got it.

(vehicle engines revving)

- Oh.

(speaks in foreign language)

(vehicle engines revving)

- I say that, but I wouldn't know really.

I mean, you're welcome to browse.

If you think you found it,
I could play it for you,

see if it's the one.

- [Eric] All right.

- Could you?

- Yeah, I'd like to hear it anyway.

(dramatic music)

- Would you really?

- Yeah, I would.

If it's all right with you.

I'm not being forward, am I?

- Your name's Judith, isn't it?

- Me, no sorry.

Miriam, that's me, Miriam.

I get Mimi.

My mother calls me Mi.

What about you?

- Where's your name badge then?

- Oh, we don't wear them
for security reasons.

(dramatic music)

(door thudding)

(vehicle engines revving)

(door thudding)

(vehicle engines revving)

(footsteps tapping)

(dramatic music)

(birds chirping)

(vehicle engines revving)

- She just did things.

And like when she was happy,
you knew she was happy

so you knew we stood with her.

And like when she was cross,

oh, you really knew she was cross.

And she liked to sing and she
didn't mind me singing at all.

'Cause like at school, they'd
just like give me a book

and tell me to keep quiet.

But Eunice didn't mind me singing.

(vehicle engines revving)

- Eh, what's your name?

- Me.

- Yeah.

- Danielle.

You all right?

(vehicle engines revving)

(footsteps tapping)

- Da.

(vehicle engines revving)

- Quick, turn the pump off.

(Eunice groaning)

- Oh God, what is she doing?

- What the hell is she doing?

- [Miriam] Oh no.

(birds chirping)

(vehicle engines revving)

(footsteps tapping)

(birds chirping)

(vehicle engines revving)

(birds chirping)

(vehicle engines revving)

- Look, look at all of these.

I've read every flipping
one of them a dozen times.

Some of them I know of by heart.

(vehicle engines revving)

I knew all long, you didn't mean them.

- They'll be from Judith then, will they?

- I was gonna meet her here.

- Well, she's not here, I'm afraid.

- [Eunice] Shoulda known.

I don't deserve her.

- I'm sure you do.

- If I deserved her, she'd have come.

- Well, there's no sign of her.

I mean, maybe you'd be
best off going home.

- I was gonna stay with her, wasn't I?

If she doesn't come, where should I go?

She had to put you up, I was to have that.

- We've gotta put you up.

I go in it myself in mother's room

sometimes when she's having
water works trouble, you know.

We got it from here with talking.

(vehicle engines revving)

(birds chirping)

- Ta.

(vehicle engines revving)

- Not a lot to say about me.

I mean, lived with my
mother 'til I met Eunice.

And oh, it's funny.

You can live with somebody your whole life

and then don't even remember
what she looked like.

(door hinge creaking)

I don't get many visitors.

She might get confused.

Hello hammy.

She's not my mother as
such, she's my grandmother.

She forgets, and I
don't like to cross her.

If you go straight to the bedroom.

I don't want her all confused.

- [Eunice] That doesn't feel right.

No, stay where you are.

Stay where you are.

- [Granny] I never go anywhere.

This is my radius.

Has she come for my feet?

- [Miriam] She thinks
you've come for her feet.

- I better get away from here.

I'm a human bomb today.

Covered in petrol.

- [Miriam] She's a visitor, mother.

- [Granny] Nice to meet you.

I never go anywhere.

Mind you, if you don't go out,
you'll do no evil will you.

- Evil is in your heart.

If you don't go out, you'll
never get away from it.

- Oh, is she taking me out then.

- I don't want her all confused.

- Jesus died on the cross for you.

And he died on the cross for me.

Died so the whole wide world could see

that only his love is true.

Sticks and stones will break your bones.

You'll be bleeding and left to despair.

But he will sing in his honey tongues

and take away all your care.

- [Granny] Amen.

- This is my room.

This is where we are.

And that's mother's.

- We'll have the big bed.

- Well, it's mother's, you see.

I could have to put you up with thought,

and you'd be welcome to my bed.

- I'll take the big bed.

(granny groaning)

(Eunice screeching)

- Oh, what you doing?

Oh, don't drop me.

Oh, Mi.

She's.

Oh.

- Shut up.

(dog barking)

(gentle music)

(footsteps crunching)

- Here you are.

- Mm, this is really good of you.

(police sirens blaring)

I know I'm a bad person.

- Oh, don't be daft.

There's no such thing as a bad person.

(police sirens blaring)

- You're eyeing over a beer, aren't you?

Can we get onto the roof at all?

- Yeah, we can.

(vehicle engines revving)

That's the A5-88.

And this one over here,
that's the A6 on the motorway.

And they go all the way up to Scotland.

And over there, that's Southport.

And if you look that way, you
can make out Blackpool Tower.

You see?

And over there where it's
pitch black, that's the sea.

- The sea?

How do you know?

- Oh, I've looked up and
down all these roads.

- Looked for what?

- I dunno.

Someone to love me, I suppose.

You've got to find somebody
to love you, haven't you?

- I don't know.

- Course, people who nobody loves,

they always end up killing someone.

Even if it's only themselves.

- Oh, I see.

(gentle music)

It'll feel different at work tomorrow now.

It won't just be cars and customers.

There'll be people going somewhere

and coming from somewhere.

- That's nice.

(gentle music)

Can you hear me?

- Yeah.

- And if it's switched off?

- Sort of.

Not really.

- If I had an hearing aid,
I'd keep it switched off

so that when people talk to me,

I could imagine they were
saying something good.

- I never thought of that.

(gentle music)

(chains clanking)

- You can touch 'em if you like.

- No, it's okay.

(chains clanking)

So she had 17 tattoos

and they all had a meaning, like to her.

But I like, I like the shapes.

(chains clanking)

Oh.

(both laughing)

(gentle music)

(chains clanking)

(gentle music)

(vehicle engines revving)

(upbeat music)

♪ Twister, oh, does
anyone see through you ♪

♪ You're a twister, oh, an animal ♪

(upbeat music)

♪ But you're so happy, how ♪

♪ I didn't go along with ♪

- Mi.

♪ Na-na-na-na ♪

♪ But you're gonna have to hold on ♪

- Mi.

♪ You're gonna have to hold on ♪

♪ You're gonna have to hold on ♪

♪ Hold on, hold on ♪

- Eu.

- Eu.

(vehicle engines revving)

(Eunice speaking indistinctly)

(vehicle engines revving)

- Look who it is.

- Hey?

- Well you are Judith, aren't you?

- Me?

- Well, what about me?

- My name's not Judith.

- What is it then?

- None of your business.

- Where is she then?

- Look, I've never even heard of her.

Can I trouble you to step
aside for me now please?

- I'm on number four
and my magazine, love.

- No, I'm not done with you yet.

- This gentleman is a petrol customer.

Petrol customers have priority.

We don't want a congested
forecourt, do we?

- Where's your name badge then?

- Look, my name is not Judith, okay.

Judith doesn't work here, okay.

(car engine revving)

(birds chirping)

(vehicle engines revving)

- I know this is gonna sound a bit funny,

but are you clicking at all?

(Eunice laughing)

- Ah, that'll be me.

It'll be me chains.

Look, look.

- Don't they hurt?

- Like mad.

Course I don't mind, I deserve to be hurt.

I was having this affair.

(vehicle engines revving)

It's over now,

but my husband, he knows about it.

- Thanks love.

She was very unusual.

I thought she was going to thump me.

I nearly thumped her.

Anyway, she went off with that fella.

- What fella?

I don't know what would've happened

if I hadn't followed her,
but you can't think too much

about things like that, can you?

I suppose you could say

that it's the worst thing I ever did,

but I don't regret it, none of it.

(vehicle engines revving)

- [Eric] Hello Miriam.

- [Miriam] Oh, hello Mr. McDermott.

- I mean, we went all the
way, me and this bloke.

We were outta hammer and tongues.

Not just heavy petting.

I don't mean that.

I mean, hammer and tongues.

You know, panting and sweating
and all the rest of it.

What's it called?

Penetration.

(vehicle engines revving)

Not just once, loads of times,

in and out, you know what I mean?

We just kept doing it
and doing it, doing it.

Oh, I loved it.

I couldn't get enough of him.

And he couldn't get enough of me.

And we both knew it was
wrong, but we took no notice

'cause we were too busy
doing it, you know.

(Eunice moaning)

(vehicle engines revving)

(both moaning)

(gentle upbeat music)

(card tapping)

Is this the only music you've got.

Can you put another tape on?

Do you know the one that goes?

♪ Da, da, da, da, da ♪

♪ Da, da ♪

- No.

- It's called Love, something or other.

It's not a love song as such,

it's a song about love,
if you know what I mean.

- Yeah, well we've got quite a collection.

But I'll see what I can do for you.

Are you ready to order?

- Oh, I dunno where to start.

What's your own favorite?

- Knickerbocker Glory is nice.

Bit fattening though.

- Right, I didn't know that.

(vehicle engines revving)

- Thank you very much for
the lift, Mr. McDermott.

It was very kind of you.

- Not at all.

I enjoyed the company.

(vehicle engines revving)

Eu.

Oh, you got mother's dress on.

It looks nice.

I brought you clothes.

(vehicle engines revving)

- Come on kiddo.

(vehicle engines revving)

(birds chirping)

(vehicle engines revving)

- Oh, oh, oh, we're not going home then?

- To your mom, you mean?

- Well, she's not supposed
to be left too long.

- She'll be all right.

You worry too much.

- I know I do.

That's my puzzler.

(vehicle engines revving)

Who's that then?

- Judith.

- Your friend Judith?

- No, the other one, the one in the Bible.

She chopped this blokes head off.

She shagged him in her
tent, chopped his head.

For the sake of others.

- Oh, I see.

- Judith and Holofernes,

you don't know about them?

- I don't know anything.

- Stick with me, you'll learn plenty.

- I know, I will.

♪ We're off, we're off,
we're off in the motor car ♪

♪ We're off ♪

♪ We're off ♪

- [Eunice] Yeah.

♪ We're off, we're off,
we're off, we're off ♪

♪ We're off in the motor car ♪

♪ The 50 buggers are after us ♪

♪ They don't know where we are ♪

- And they dunno where we are.

(van engine revving)

(van doors thudding)

Oh boy.

Could have a picnic, couldn't we.

I got some.

(dramatic music)

- [Eunice] I couldn't face moving him.

You know how it is sometimes.

(dramatic music)

- I was surprised.

I wasn't thrilled about it,
if that's what you think.

Is he dead?

- [Eunice] Of course he's dead.

- Oh.

- What you crying for?

- So sad.

I've never seen anyone dead before.

We better tell police.

- What for?

- We don't know what to do.

- I killed him.

(birds chirping)

Don't like me so much now, do you?

You think I'm bad?

Gone right off, me.

Quite right, I am bad.

- You must have had your reasons.

We'll have to get rid of the body.

- There's no point.

I should be locked
away, best place for me.

Punishment's the only thing I understand.

- But we could drive
the van into the woods.

Come on.

I'll do it, I can drive.

You're just upset 'cause
of what's happened.

- And you know what's happened?

- Well, I'm sure he did
something terrible to you.

I'm sure he deserved to die.

- Everybody deserves to die.

Which is just as well because
everybody is going to die.

- Come on, we've got to get rid of him.

- I couldn't stand to touch him again.

- I'll do it by myself then.

I'll do it for you.

- [Eunice] Why?

- To save you.

(van engine revving)

(dramatic music)

(footsteps crunching)

(birds chirping)

(footsteps crunching)

(dramatic music)

(Miriam panting)

(singer vocalizing)

(dramatic music)

- Here.

(Miriam panting)

Here, dig it.

- Oh, it's not big enough.

There'll be something in the van.

I'll go.

- We have to.

- In all the time I was with Eunice,

and all these terrible things happened,

I never stopped looking
for the good in her.

We've got to look for the good in people.

I mean, there's like good and
bad in everyone, isn't there?

(birds chirping)

(van door thudding)

(van engine revving)

- Eu.

Eu.

(Miriam panting)

Eu.

(Miriam crying)

(plates clanking)

- Sorry.

- It's okay.

Come here.

Come here.

Come here, come on.

Come here, come here.

Angela.

Huh, it's a beautiful name.

- Thanks.

- Like your face.

Face of an angel.

(gentle upbeat music)

Can you sit down?

Do you have time?

Keep me company.

Do you have a spare fag?

- There we are.

- Ta.

Ooh.

(dramatic music)

(insects chirping)

(dramatic music)

(singer vocalizing)

(dramatic music)

(Miriam panting)

(dramatic music)

- I love watching other people work.

- Thank you.

Thank you, thank you.

- What for?

- Oh, for coming back.

Everything's going to be all right now.

Look, look, I've dug
a hole and everything.

- I never asked you to.

- No, I know, I just.
- I wanted it left out

where everyone could see.

Did I not say?

- No you didn't.

But I think.
- You ruined it now.

Now I'll have to do it again.

- I'm sorry, I'm really sorry, I am.

I just, you know, I just wanted to help.

I just wanted to show you,

you know that.
- Show me what?

- That I like you, that I
like to do things for you.

(insects chirping)

(Eunice laughing)

Mother,

Auntie Kathy,

and...

a girl at swimming,

and Eunice.

Those are all the people
that have kissed me.

- [Eunice] He was very nice, actually.

Very considerate,

understanding sort, like you.

- [Miriam] That's nice.

- Do you not say your
prayers at bedtime normally?

- I do, normally yeah.

- Well, don't let me stop you.

- God bless mother.

God bless the queen and
the leaders of our country

and Uncle Harold.

Keep us safe through the
darkness of the night.

Oh Lord.

Amen.

And Eunice.

(gentle upbeat music)

♪ Turn away, turn away ♪

♪ From me ♪

♪ From me ♪

♪ And I pray, yes I pray ♪

♪ For thee, for thee, for thee-hi-hi ♪

♪ Another world ♪

♪ Wrapped up inside another place ♪

- Eu.

Eu.

♪ And I hope, and I pray ♪

♪ That the pain goes away ♪

- Eu.

♪ Yes I pray, yes I
pray, yes I pra-ah-ay ♪

- Eu.

♪ Turn away, turn away ♪

- Eu.

♪ From me, from me ♪

♪ And I pray, yes I pray ♪

♪ For thee, for thee, for thee-hi-hi ♪

(upbeat music)

♪ Ba-pa-pa-da, ba-da ♪

(upbeat music)

- Oh my God.

♪ Ba-pa-pa-da, ba-da ♪

♪ Ba-pa-pa-da, ba-da ♪

(upbeat music)

(both laughing)

♪ Turn away, turn away ♪

- No.

(both laughing)

(upbeat music)

♪ And I pray, yes I pray ♪

(car engine revving)

- H.

H.

H.

(car engine revving)

Hands.

- No.

- H, H, H, H.

- Oh handbrake.

(car engine revving)

- No.

- Hearing aids.

- On a furnace.

Do you not listen.

Holocaust.

- [Miriam] I spy with my little eyes

something beginning with U.

- Ugly.

Untidy.

- [Miriam] No, no.

- Unfortunate.

- [Miriam] No.

- Umbrella.

- [Miriam] No.

- Upstairs.

- [Miriam] No.

- Ah, oh.

- [Miriam] Do you give up?

- No.

Unlucky .

- Do you give up?

- Okay, I give up.

- Do you really give up?

- I really give up.
- Or are you

just saying that?
- I really give up.

No, I give up.

- The answer is us.

(car engine revving)

Your go.

I know what her star sign was.

It was Aries.

And I'm a Pisces.

And the thing about an Aries
is that it's a fire sign

and a Pisces is a water sign.

And you've got to get the balance right.

And when you do it, then it's really good.

But see Aries is,

if you've got too much
fire, it dries up the water.

And if you've got too much
water, it puts out the fire.

So you have to like work quite hard.

But, if it works, it's really strong.

(birds chirping)

- What are we going to do?

How are we gonna cross the river?

- [Miriam] We can go around.

There's bound to be a bridge somewhere.

- We'd get lost.

- We could get a map.

You could sort of navigate.

- I always get lost and I
always end up in the woods.

Always in the woods, over and over again.

It's like deja vu.

Over and over and over again.

- [Miriam] I see.

(upbeat music)

♪ If you got leavin' on your mind ♪

♪ Tell me now, get it over ♪

(upbeat music)

♪ Hurt me now, get it over ♪

(upbeat music)

♪ If you got leavin' on your mind ♪

♪ If there's a new love in your heart ♪

♪ Tell me now, get it over ♪

♪ Hurt me now, get it over ♪

- Wait here.

♪ If there's a new love in your heart ♪

♪ Don't leave me here, in a world ♪

- [Eunice] You're not Judith then?

What about your middle name?

Well do you have something to eat then?

- What would you like?

- I'm not a blooming chef, food!

Something nice.

- Eu.

I love you.

I love you.

And I want to help you.

- Help me, what?

With her, you mean?

- You know, to be a better person.

- Killing people is nothing.

I've done much worse than kill people.

Now stay here, Mi.

Don't follow me.

- I want to come with you.
- You don't know

where I'm going.

- Wait for me.

- Go home.

- I mean she was always
doing wrong things.

And she used to make me cry,
she was so angry and horrible.

But she didn't mean to be horrible,

she was just being Eunice.

And I mean, if you want
all the good things,

you got to put up with all the bad things.

(car engines revving)

- Where you going?

- Morecambe.

But if you could take us up to
the A6, that'd be brilliant.

- Oh no, no.

We're going to Morecambe ourselves.

- Are you sure, it's the other way?

- Get in the back mate.

- I don't want to.

- No, no, we'll be fine in the back.

- Shift.

Come on, she's just being polite.

She prefers it in the back.

- Yeah.

(vehicle engines revving)

- We're going to see the dolphins.

They can talk you know.

Don't know if they'll talk to me though.

- Fish can't talk.

- They're not fish, they're mammals.

Oh, they're mammals.

Well obviously they can
talk then, like cows.

If I'd known they were mammals
I wouldn't have been so rude.

If I'd known they were
mammals, I'd have married one.

- Take no notice of her, no one else does.

- They are amazing.

They heal people, you know.

There's one in Kerry that
heals people all the time.

Yeah, I think dolphins
are the superior species.

- How can they be superior

if they're the ones getting killed?

Humans killed dolphins,
not the other way around.

- Exactly.

- What do you mean exactly?

I mean if we are doing the killing,

then we are the superior species.

I mean it is the superior
species that does the killing.

That's what the superior species is.

(vehicle engines revving)

- Mosquitoes.

- Oh, hello, who's been feeding you meat?

- Mosquitoes kill people.

They're not a superior species are they?

(vehicle engines revving)

We didn't go and see
the dolphins in the end.

We went to Camelot, which
is this big fun park place.

And Eunice saw it in the
car as we were driving past

and thought this would
be a really good idea.

And I think Gary was a bit put out.

And Katie was thrilled to bits.

(people screaming)

- So where are you two going?

- Oh, following our noses.

Might go to Spain.

I leaned a bit of Spanish.

- You look a bit Spanish.

- Do I?

- Well, not exactly,

but you know, Spanish
women have this modesty.

It makes 'em sort of
mysterious and sensual.

You're a bit like that.

- You sure?

- Sure.

You'd look great in a mantilla.

- Oh you two look nice and cozy.

- You all right?

- My stomach thinks my throat's cut.

Let's go and eat.

- I want to see the knights?

- You've loads of time to
see the knights, doesn't she?

- Oh, we got quite a lot of time.

We've gotta get to Morecambe today.

- Oh, that's all right then,
we can drive you after.

But you'll put your bags in the car.

- Well, I wouldn't wanna impose.

- Oh, it's not an imposition.

She'll take 'em won't you Mi?

- No, honestly, it's Ok.
- No, I said she can do it.

She's not a drooling idiot, are you chook?

- No Eu.

(gentle music)

(Miriam screaming)

(trunk thudding)

(gentle upbeat music)

(trunk thudding)

But I try not to think

about what Eunice did to other people,

I try to think about what she did to me.

♪ Uh-oh, we're in trouble ♪

♪ Something's come along
and it's burst our bubble ♪

- I want to talk to you.

- It's quick dissolving sugar.

Can't you even wait for
the sugar to dissolve?

- I want to talk to you.
- You can't even

wait that long.

- Can we go to see the knights now?

- Oh, there wasn't any
room in the boot, sorry.

And I don't think we'll
be giving you a lift now.

- See you later.

- What's the matter now?

- There's somebody dead in the boot.

- That's nowt to do with me.

- Don't be stupid.

- Well you shouldn't be
spying on other people anyway.

It's wrong.

- I wasn't spying on you.

- You were looking in the boot.

You're always spying on me.

You don't trust me.

- I trust you.

- Now you've got it into your head

that I'm going to see them off.

That's right, isn't it?

You are sick.

She's just a little kid.

I've never hurt a kid.

Now we know, don't we?

Now we know what you really think of me.

- I dunno what to think, do I?

This is all new to me, this.

I don't know where we're going.

- I'll tell you where we're going.

We're going to see the dolphins.

♪ Uh-oh, we're in trouble ♪

♪ Something's come along and it's ♪

(car engine revving)

(car tires screeching)

- Look at that.

He's abandoned her.

- We don't know that.

How can you know that?

He's probably just gone to the gents.

- That's a pleating disgrace.

She should be put in care.

Oi, anyone could just come and grab her.

She'd never be seen again.

What chance does she have
with a father like that?

(car door thudding)

Are you ready then, Katie?

- Eunice told me to go and look for Gary.

And when I came back, Katie had gone.

(people speaking indistinctly)

Where is she?

- Gone.

Well she went off to look for you.

I hope she's all right.

There's some very funny
people around here.

- Which way did she go?

- She was heading for the Crusaders Court.

Did you not see her?

Get in.

- What's happened?

- Stop spying on me.

- [Miriam] Sorry.

- Shit.

- Sorry.

(car door thudding)

(car engine revving)

(dramatic music)

Killing children is bad.

It's unforgivable.

I mean, must be one of the
worst things you can do.

I can't even stand watching children

being hurt on television, on the news.

(vehicle engines revving)

- [Eunice] You've gone
off me now, haven't you?

You think I've gone too far?

- [Miriam] It's not for me to say is it?

I mean, you've got to do
what you've got to do.

It's nowt to do with me.

- [Eunice] Of course
it has to do with you.

You're an accomplice.

- I did it for you.

- You did it for fun.

Anyway, what's done is done.

(Miriam screaming)

(car horns honking)

(car tires screeching)

(vehicle engines revving)

- Now look, you're gonna be all right.

You just stay here.

If you don't move, someone will stop

and they'll take you back, okay.

You'll be okay, I promise.

(car door thudding)

(car engines revving)

Eunice never set out to do wrong.

Just things went wrong for her.

I mean, that's what made
her angry a lot of the time.

And it was like there
was some missing for her

or someone missing.

Like, I mean, Judith.

And she'd go on and on about Judith.

I mean, that really annoyed me at times.

I mean, you know, anyone
can write few letters.

I was the one doing all the work.

But I see it now that it's not like

that there was someone missing.

It was like there was
something missing in herself.

(vehicle engines revving)

- If I disappeared from
the face of this earth

or go invisible, I was going to kill her,

and she still wouldn't look at me.

I could walk through walls,
even they don't pay me no mind.

If I took myself off
here, I'd bounce back up.

I've been forgotten.

God's forgotten me.

- That's a terrible thing to say.

- God has forgotten me.

God's forgotten me.

He's forgotten me.

I kill people and nothing happens.

You think he'd smite me
or take me into bondage.

But no, nowt.

(Eunice laughing)

I could do what I like.

He doesn't see me.

He doesn't see me.

(vehicle engines revving)

- What about Judith?

She hasn't forgotten ya, she sees you.

- What's the point of her
seeing me if I can't see her?

I look for her everywhere.

I still can't find her.

Makes me feel like I've disappeared.

- I see you, Eu.

- I know you do, Mi,

but you'll soon see enough of me.

- No I won't.

I'm gonna stick by you, whatever you do.

Just to show you.

(vehicle engines revving)

- Think you can make me good?

I'll make you evil
before you make me good.

(vehicle engines revving)

"All roads lead to Rome,

"so I've heard it said.

"But wouldn't our lives be sweeter

"if all roads led home instead?

"For if you were to wander,

"up mountains or over the sea,

"wherever your footsteps lead you,

"they'd bring it back to me."

(vehicle engines revving)

- Did you write that?

- Nah, Judith.

- Oh.

Judith.

(vehicle engines revving)

♪ In death's dread moments ♪

♪ Make me only thine ♪

Ah, come on.

You're just sulking.

Give us a kiss.

You pretty little thing.

(Miriam laughing)

Go on.

(upbeat music)

(both laughing)

(upbeat music)

Ah, come on.

(upbeat music)

(both laughing)

♪ Come on, girl ♪

♪ Let's sneak out of this party ♪

(upbeat music)

♪ It's getting boring ♪

♪ There's more to life than this ♪

♪ It's still early morning ♪

(upbeat music)

♪ We could go down to the harbor ♪

♪ And jump between the boats ♪

♪ And see the sun come up ♪

(upbeat music)

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ There's more ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ To life than this ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ There's more ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

♪ To life than this ♪

♪ You know that there's
more to life than this ♪

♪ You know that there's more to life ♪

(vehicle engines revving)

(car door thudding)

- Perfect.

No one will think of looking in there.

- What are we doing?

- We're leaving it here.

Happy now.

(vehicle engines revving)

- It's like the things she did,

everyone wants to do them, really.

Like the emergency thing on the train.

I mean everyone wants to pull that

or everyone wants to
break the fire alarm glass

or you know, everyone wants to

drive away from the garage without paying.

The difference is that she
did it, like, you know,

I mean she wasn't scared.

(people speaking indistinctly)

- Can we join you?

- Yeah, sure.

- Ah, ta.

Do you mind?

- No, help yourself, love.

I eat too much as it is.

- Ah, you got a lovely body.

And we got a lovely pot don't we?

- I don't know.

- Ah, well we can't rightly see

with this big table in the way.

And you with your big jumper on.

- Okay then.

(both laughing)

- Woo.

(both laughing)

Oh, you are a bold one.

Oh, he's bold isn't he, Mi?

- Stinging sea creature, nine letters.

- How many letters?

- Nine.

(people speaking indistinctly)

- Jellyfish.

- What's your name then?

- Robert

- Jellyfish, yeah, thank you very much.

- So are you going far?

- We're going all the way, aren't we, Mi?

- We're looking for someone.

- Aren't we all?

Who is it you're looking for?

- It's private if you don't mind.

- No, I don't mind.

- Have you got one of those radio things?

You know CB?

- Oh no way.

'Cause most people talk too much

but it's because they're
afraid of the silence.

- Ah, me, I'm not afraid
of silence, am I Mi?

I mean, I could go for months
like without saying one word.

- Okay.
- It's true.

Hey, watch this.

(Eunice gasping)

(people speaking indistinctly)

How about that?

- Brilliant.

Now do it again.

(both laughing)

- Oh, we got a cheeky one here, Mi.

He's cheeky isn't he?

- It's hot in here, isn't it?

Eunice wouldn't have liked that

she would have been really mad by now.

Little things like that
used to really annoy her.

- Hey, what do you think about

in these big silences of yours?

- All sorts of things,
whatever comes along.

But sometimes you can go for days

without thinking about anything

and then suddenly something just comes

as you might be just
driving around the bend.

It's as if the thought's there

and it's just waiting for
someone quiet enough to hear it.

- That's lovely.

- [Eunice] What's your best thought then?

- How do you mean?

- Oh, you got all these
great thoughts, right?

What's the best one?

- It's hard to say, isn't it?

But if you ask me straight
out, I'd say it would be,

I think about all the pain
and suffering in the world

and about all the hungry children.

- Oh, that's rubbish.

- Not.

- He thinks about women,
really, don't you Bobby?

- Yeah, yeah, of course I do.

Sometimes I do, yeah.

- And we all know what you
think about them, don't we?

- Hmm, yeah, I think they're very nice.

- Yeah, and you hope
they'll be nice to you.

He's been having a think about you, Mi.

Haven't you Robert?

- I've been driving for over 30 years.

And you know what?

I love the open road now
more than I ever did.

I love it.

But there she is.

There's my little beaut.

- Oh, it's a big one.

I love a man with a big one.

(Robert laughing)

Don't you, Mi?

Ay, we could take turns.

- Yeah.

- Yeah, she could go first.

Go on, you go first, Mi.

- How do you mean?

- You get in the cab with Robert.

Go on.

I want you to.

- [Robert] Not, if she doesn't want to.

- She'll do as I tell her to,

won't you Mi?

- You know, I will.

- Go on then.

Love birds.

(Eunice laughing)

(gentle music)

- All these are from other countries,

you know, all around there.

Got loads more of them in the house.

I just haven't had a chance
to put them up, you know.

(vehicle engines revving)

- Have you ever been to Spain?

- Oh yeah.

I've been all over the place.

- What's that like?

- Oh, it's really smashing, it's lovely.

(vehicle engines revving)

Look, I've gotta get some sleep, you know,

so if you want to rock and
roll, we better do it now.

Okay, just, just pull
that curtain, would you?

Yeah, I pull that curtain across.

That's yeah, that's right.

Oh.

- No, it's all right.

- Oh, sorry.

In Seville, you can drive
down the main street

right into the town and
these orange trees grow

and you can stop and
pick your fresh oranges.

Oh, it's absolutely beautiful.

Oh that's beautiful.

Oh.

Your tits oh.

Oh.

You know what?

Pull your skirt up.

Just pull your skirt up.

That's right.

(Robert moaning)

Take it down for me.

- [Miriam] Ow me leg.

- Just take it out.

Take it out.

Thank you.

- Ow, my hair.

(dramatic music)

Ow.

(people speaking indistinctly)

Ow, my hair.

(people speaking indistinctly)

(dramatic music)

Oh get him off me.

Get him off me.

Get him off me.

(Eunice groaning)

- Shut up.

- He's hurting me.

He's touching me.

I liked Robert.

He was unlucky.

He just happened to be in the
wrong place at the wrong time.

I'm sorry about what happened.

What if he's not dead.

What if he's alive?

Blood is all over the
cabin, it's everywhere.

Oh, what if someone finds out?

Oh, you flaming nick, you blinking idiot.

(dog barking)

- He wanted a bit of
silence so I gave it to him.

Unless it's true of course
about heavenly choirs.

What do you think?

- Well you're not gonna find out, are you?

Going around killing people
when they're with other people.

- I did it for you.

I did it for you.

I can't do anything right, can I?

I can't do anything right.

I saw him hurting you and I
thought now I've gone too far.

I just had to be sure about you.

I never wanted you, I just had to be sure.

And when I was sure I couldn't
stand to see him hurt you.

I can't do anything right.

I can't do anything right.

(vehicle engines revving)

(upbeat music)

(truck engine revving)

(upbeat music)

♪ The world is consuming me ♪

♪ And I don't feel so happy here today ♪

♪ I'm not, and I don't feel ♪

♪ And I used to be a baby in my head ♪

♪ So where is the one you love ♪

♪ Does she hold you happy next to her ♪

♪ And your head hangs lightly ♪

♪ And everyone's slightly drunk tonight ♪

♪ They're drunk tonight again ♪

♪ Na-na-na-na-na, na-na-na-na ♪

♪ Na-na-na-na-na, na-na-na-na ♪

♪ Na-na-na-na-na, na-na-na-na ♪

♪ Na-na-na-na-na, na-na-na-na ♪

(truck engine revving)

(upbeat music)

♪ I don't need to see you ♪

♪ No, no, no, no, no, no, no, no ♪

♪ I don't need to see you ♪

♪ No, no, no, no, no ♪

(upbeat music)

(truck engine revving)

- Well I am off to get something to eat.

Should get a lift here.

Go in hard.

(truck door thudding)

(vehicle engines revving)

- Look who it is.

- Can I help you at all?

- No.

I mean I was looking for a record.

You might know it.

- We carry tapes.

We don't have records as such.

- Well this one was a love song.

It had a piano that went,

♪ Da, da, da, da, da ♪

♪ Da, da, da ♪

♪ Da, da, da, da, da ♪

- Okay right, I'll come
round and we'll have a look.

See if any of them ring any bells.

- Your name's Judith, isn't it?

- Yeah.

How did you know?

- I just, knew.

(dramatic music)

- Get off of me.

- Don't run away, don't run away.

It's me, it's me Eu, don't be scared.

- [Judith] Who the hell
do you think you are?

- It's me.

You must remember.

- [Judith] Don't come near me.

I don't know you.

- You must remember, don't say you don't.

- [Judith] What, I don't
know you from Adam.

- I haven't done nowt but look for you.

- Will you just get out?

- What's the matter?

What have you said to her?

- Will you get her out of here please?

- She doesn't remember me.

This is Judith, she doesn't remember me.

- I don't even know her.

- Get off me.

- It's me, it's okay.

It's okay.

(gentle music)

It's okay.

(gentle music)

I've got us a lift.

So come along I've got us a lift, come on.

- Now, get out of here please.
- Shut up.

- [Miriam] Come on.

(speaks in foreign language)

- This is Mr. McDermott.

- Are you the lift?

- If you like.

- The windows are clean enough.

Go and pay.

- Mr. McDermott just happened to be there.

I mean he just was there at the garage.

And he was always very
friendly, you know, polite like.

But I always thought there
was something funny about him.

Never liked him.

And now I know why, he was a pervert.

He deserved to die.

- [Eunice] What's your dog called?

- [Eric] Oh, that's Kelly,
after Grace, you know.

- [Voiceover] That greeting,

can I ask, have you got a room?

(speaks in foreign language)

- [Voiceover] Now it's your turn.

- And what are these when they're at all.

- Oh they're Mr.
McDermott's petrol tokens.

He's selling them for
a timeshare in Spain.

That's why he is learning Spanish.

- I sell vacuum cleaners.

Well I say vacuum cleaners,
but they're really

a complete home balancing
system, you know.

(vehicle engines revving)

Hey, whatcha you doing?

Hey, stop that.

Hey, I'll kill you.

Miles and miles have been through

that bunch you know.
- Stop it.

You're embarrassing me in
front of Mr. McDermott.

I'm sorry about this Mr. McDermott.

I'll get you some extras
when I get back to work.

- Just make sure you do.

- What do you want to go and
do a thing like that for?

- I was punishing him.

There, that's the lot.

- I have said, you know, I'll
get some extras in the will.

- What would she wanna
do a thing like that for?

For someone who's only given her a lift?

- He's been saving them

for donkey's years.
- I'm giving you

a lift, you know.

- It wouldn't be a
punishment if it didn't hurt,

now would it?

Now don't tell me how to punish people.

Punishment's the only thing I'm good at.

- He doesn't deserve to be punished.

All he's done is give us a lift.

Saved our lives.
- He's getting

on my nerves.

- Now.

She's right, Miriam.

I do deserve to be punished.

(Eunice laughing)

- I thought so.

(car engines revving)

(Eunice laughing)

- I can hear a kind of
clinking noise, you know.

(chains clanking)

Must be the electrics.

I hope nothing's gone loose.

- No, it's me.

My punishment.

- Oh.

- Oh all right, that's enough now.

Come on.

Do 'em up.

- Oh shit.

I'm sorry about this.

(cellphone ringing)

I've got a client to see.

I'm gonna have to take a left next.

I'm sorry about this.

Listen, I'll run you up to
Grainger after that, like.

if you don't mind.

(vehicle engines revving)

(birds chirping)

- Are they really good
then, these cleaners?

- Oh they're magic.

- That's what I need.

Purification.

That's what I wish for.

Something that'll burn away all the crap.

- Now Maureen, and Tens,

I know you think I've come
to sell you this, don't you?

Well let me put your mind
at rest straight away.

I haven't.

I'm here to do the display.

This machine sells itself.

Let me show you a few of the attachments.

This for example, is a Heineken tooth.

Now why is it called the Heineken tooth?

Because it refreshes the parts
other brushes can't reach.

♪ He should not be here,
he's just too big ♪

♪ In a cloud ♪

♪ Please come down ♪

♪ I'd put stars ♪

♪ At your feet ♪

(gentle upbeat music)

♪ Put Mars ♪

♪ At your head ♪

- Come in, come in.

(gentle music)

(telephone ringing)

(gentle music)

- I've never been in an hotel before.

(Eunice laughing)

I wish I had the camera.

- It wouldn't take inside.

- Yes it would.

Wouldn't it, Mr. McDermott?

- Well, it all depends
on the speed of the film,

like you know.

- [Miriam] There you are.

- Oh, swimming pool.

- Well, now let's have
good behavior in here.

Let's show some manners.

- Good evening, Sabrina.

- Good evening Mr. McDermott.

- I'd like a a double
room tonight for a change.

Oh and a single.

- Oh we could share couldn't we?

- Oh no, right, of course.

No.

Make it a triple if you've got one.

- Right.

- Some guys have all the luck.

(footsteps tapping)

- Look, they've got a kettle,

little sachets of tea and coffee.

- Can you really use this
to sand your woodwork?

- You can do open-heart
surgery with that, love.

Hey, did I ever tell you

about my operation?
- It's like a little house,

you can make something to eat.

- Have you girls not eaten yet?

- Don't talk to her when
you should be talking to me.

- I had to go to this caravan
club meeting up in the Dale's.

I went on the Friday.

And I was supposed to
come back on the Saturday.

But when I got home it was Monday.

I felt a bit poorly too.

- Oh look, there's a bathroom.

Oh they got towels, shampoo.

- I went from bad to worse,

all kinds of aches and pains

and to finish off I had
to go to the hospital.

And I looked into it,
you know, burying me,

you name it.

In the end I had to have the X-ray.

And guess what?

- They nicked your kidney.

They took him to private
hospital and nicked his kidney.

- [Eric] So I have told you.

- Everyone knows that story Eric.

Jesus.

- No, no.

But it really happened to me.

- [Eunice] Everyone says that and all.

- [Eric] No it did.

- [Eunice] You're a liar Eric.

- Well it must have happened to someone.

- Ah, makes me sick.

Clean my boots.

♪ I promised not to tell ♪

- Clean 'em.

♪ My precious little jewel, jewel ♪

♪ Gonna keep it hidden well ♪

♪ Oh yeah ♪

♪ Gonna keep it hidden well ♪

♪ Oh yeah ♪

- Hey, does anybody mind if
I have the bed by the window?

(chains clanking)

(Eric groaning)

Oh, we've only got nuts,

well we can't just live on nuts can we?

- Don't you touch.

No touching allowed.

- I think I'll do a bit of shopping.

(gentle upbeat music)

(door thudding)

(gentle upbeat music)

- What's this?

- [Eric] It's where I had my kidney out,

like I told you.

- I love wounds.

We were only singing
before mate, weren't we?

"Deep in thy wounds, Lord,
hide and shelter me."

I love the bit where St. Thomas

puts his hand in Jesus's wound.

(footsteps thudding)

(gentle upbeat music)

♪ It's never gone ♪

♪ Love's got the world in motion ♪

♪ And I know what we can do ♪

- Oh.

♪ Love's got the world in motion ♪

- You haven't got Chinese chicken then?

- No, that's all we got.

- Okay.

(upbeat music)

(birds chirping)

(upbeat music)

(car engines revving)

(upbeat music)

Pot noodle, look.

(Eunice groaning)

Well you never need to go
hungry if you've got the kettle.

(Eunice groaning)

I saw someone on daytime TV once

who cooked his sausages in the kettle.

I mean why bother?

You've only got to add boiling
water to these, haven't you?

His tea must have tasted of
sausage after that, mustn't it?

(both moaning)

(dramatic music)

(Eric groaning)

(dramatic music)

(Eric choking)

(dramatic music)

- Now, we're both in hell.

(dramatic music)

- He was a pervert.

It was horrible what
he was doing to Eunice.

(dramatic music)

He got what was coming to him.

(dramatic music)

(footsteps thudding)

- You drive.

Take the keys.

(keys jingling)

(dog barking)

Shut up.

(car door thudding)

(car engine revving)

All that time you spent
trying to make me good.

All you had to do was turn bad yourself.

(car engines revving)

I knew it all along.

Now you know how it feels.

You can't go back there and
undo what you've done, can you?

No one will ever forgive
you for it, it's done.

And you're finished.

(car engines revving)

- I found out what that song was.

The one you were trying to remember.

- What?

- It's not a love song at all.

It's about football.

That's why no one knew
what you were on about.

Like.

♪ Love's got the world in motion ♪

♪ And I know what I can do ♪

♪ Love's got the world in motion ♪

♪ And I can't believe it's true ♪

♪ We're singing for England, England ♪

♪ We're playing the song ♪

♪ We're singing for England ♪

♪ Arrivederci, it's one on one ♪

(Eunice laughing)

♪ We're singing for England ♪

♪ England ♪

♪ We're playing the song ♪

♪ Arrivederci, it's one on one ♪

- Sorry about Judith, you know.

I know she's important to you.

But I can do anything
she could do for you.

- I know.

(car engines revving)

- Tell me, tell me some of the things

you were going to do with her.

- I was going to sacrifice her.

(car engine revving)

(car door thudding)

(dramatic music)

- You do believe I love you, don't you?

- I don't know.

- You've got to, after all I've done.

- So you think you've done enough then?

- When you know that's
when it'll be enough.

- Kill me.

(dramatic music)

That's what I really want,

someone to kill me.

(dramatic music)

- All right.

- Do you mean it?

- I wouldn't say if it didn't, would I?

(dramatic music)

- Take my chains off?

(birds chirping)

(chains clanking)

(dramatic music)

Defenseless.

Helpless.

Sinless.

- You're beautiful.

(birds chirping)

- [Eunice] And you said
I wouldn't get to heaven.

- [Miriam] Who says you will.

- I'll be a victim.

A sacrificial victim.

Sacrificial victims always go to heaven.

That's the point of them.

They're like presents to God.

What's that?

- That's how angels kiss.

- How do you know?

- Mother told me.

- Angels don't kiss at all.

- Of course they do.

How can it be heaven if nobody kisses?

- Butterflies.

That's who kisses like that.

Butterflies. They're
called butterfly kisses.

- Butterflies definitely don't kiss.

(birds chirping)

(sheep bleating)

(birds chirping)

(sheep bleating)

(birds chirping)

- [Miriam] I didn't know
whether to wake you or not.

- Oh, I wouldn't have missed this.

- No.

Do you want any breakfast then?

- Have we got any?

- I got biscuits from the hotel.

(sheep bleating)

(car door thudding)

- I'll have 'em, you can get some later.

I can't.

(birds chirping)

(gentle music)

(birds chirping)

(gentle music)

(sheep bleating)

(gentle music)

(birds chirping)

(gentle music)

- I got lost in a shop
once when I was little

and I started crying and
all these people came round

to ask me me name, I suppose,

being nice, but I couldn't
hear what they were saying

'cause of me hearing, it was
like being in a glass case.

That's one thing about Eunice,

you always heard what she was saying.

- Do you remember how Elijah
beat the prophets of Baal?

They were up on Mount
Carmel and Baal's prophets

put the sacrifice on the
altar and called for him

to come and take it.

And he never came.

And Elijah poured water
all over his sacrifice,

drowned it with water, water
swelling all around the altar.

And the fire of God came
and turned it all to steam

and consumed the sacrifice
and the altar with it.

So I guess, you never know.

Have you entered the springs of the sea

or walked into the dark
recesses of the deep?

- No.

- Have you entered the
store houses of the snore

or seen the store houses of the Ale?

- I've been nowhere.

- Do you know the way to the place

where the light is distributed

or where the winds are
scattered to the earth?

- I know nothing.

- Can you draw out
Leviathan with a fish hook,

or press down his tongue with a cord.

- I'm useless.

I am useless.

But he can do all things.

(birds chirping)

Eunice is trying to make it easy for me.

But it's still hard.

I mean, it's never easy
killing someone, is it?

Especially if you love 'em.

(waves crashing)

(birds chirping)

(both laughing)

(waves crashing)

(both laughing)

(water splashing)

(both laughing)

(waves crashing)

(both laughing)

(water splashing)

(both laughing)

(waves crashing)

(both laughing)

- Now.

(Eunice gasping)

(dramatic music)

(Eunice gasping)

(dramatic music)

(Eunice gasping)

(dramatic music)

♪ There's no need to argue anymore ♪

♪ I gave all I could,
but it left me so sore ♪

(Eunice gasping)

♪ And the thing that makes me mad ♪

♪ Is the one thing that I had ♪

♪ I knew, I knew ♪

♪ I'd lose you ♪

♪ You'll always be special to me ♪

♪ Special to me, to me ♪

(gentle music)

♪ And I remember all the
things we once shared ♪

♪ Watching TV, movies on
the living room armchair ♪

(Miriam panting)

♪ But they say it will work out fine ♪

♪ Was it all a waste of time ♪

♪ 'Cause I knew, I knew ♪

♪ I'd lose you ♪

♪ You'll always be special to me ♪

♪ Special to me, to me ♪

(Miriam crying)

♪ Will I forget in time, ah ♪

♪ You said I was on your mind ♪

♪ There's no need to argue ♪

♪ No need to argue anymore ♪

(Miriam crying)

♪ There's no need to argue anymore ♪

(gentle music)

♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪

♪ Ooh, ooh, ooh, ooh, ooh ♪

♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪

♪ Ooh, ooh, ooh, ooh, ooh ♪

(gentle music)

(waves crashing)

(gentle upbeat music)

(sings in foreign language)

(gentle upbeat music)

(sings in foreign language)

(gentle upbeat music)