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He's gonna come after you hard.
[Madison] Previously on
The Haves and the Have Nots...
-Do I look worried? -No, you don't.
And that's what worries me.
-Is this his baby? -Yeah.
What are y'all talking about?
-You have a son. -I don't even know you.
-Lady, I know you. -This whole town knows me.
Yeah, but does this whole town know you a-ass-whooping?
You go get the money, tell her you've taken care of me,
then I take care of her. We both get paid.
Win-win. What do you say?
Let's take your car out.
-Is it done? -Yes.
I want my money, and I want it now.
I let you guys beat my ass for punishment,
and now you're not gonna let me go down there and at least
try to smooth this out?
You know the rules of the family.
-He's a good kid, Vinny. -He's a dead kid.
Hey, hey, Wyatt. Where is the damn ambulance?
You didn't have HIV.
It must have scared you to death.
-No, it didn't. -I'll bring the package back.
There's no need for that.
-[Sandy] Come outside. -Look, I ain't going nowhere.
[Sandy] Then I gotta do what I gotta do.
He's at Mama's. He's going to Mama's.
-What? -Yeah.
[gunshots]
-Did you call the ambulance? -Yes, I did, sir.
Then where the hell is the damn ambulance?
-They're on their way! -Wait, I think I hear them.
All right, hey, how's he doing?
-Still no pulse. -Damn it.
-Anything, Jeffrey? -No, not yet.
Hey, son? Son?
-Do you want to switch? -Yeah, yeah. Take care.
Hey, check his pockets.
Just be careful for needles. What's that?
-What's that? -I don't know what that is.
What the hell? Yeah, what is that?
-Oh, no. -What do you mean, oh, no?
What is that?
If he mixed these, he's in cardiac arrest.
He was fine.
-No, it's--they're slow... -[Jim] He was fine.
I know they're slow acting, but once they hit his system...
No, he... Hey, hey, Wyatt.
Wyatt, hey, buddy. Hey, buddy.
[sirens wailing] Where is the damn ambulance?
[sirens wailing] Jeffrey, is there anybody here?
-[Jeffrey] They just drove up. -All right, I'll let him in.
No, no, no, I'll do it. You keep working on Wyatt.
-Damn it. -Come on.
[sirens wailing]
This way. Hurry.
He doesn't have a pulse.
[Jim] Hey, hey, buddy.
Tell me we have a goddamn pulse!
There is no pulse!
Where is the ambulance?
Back up, back up, back up, back up.
-Back up. Back up. -Okay, I'm good.
[soft tense music]
-Hey, sir. -I'm sorry.
He's in cardiac arrest.
He's taken four different kinds of narcotics.
We need Narcan.
I don't know what else is in his system,
but we need to intubate him, and we need a crash cart.
All right. Let's do this.
Do it, do it. [sobs]
[theatrical theme music]
Hey, buddy. This is gonna fix you right up.
Clear.
[soft tense music]
All right, here we go.
Clear.
I got this, I got this, I got this.
-Some doctor? -Yeah, I'm a nurse.
I got this.
Clear.
-How's he doing, huh? -Clear.
How's he doing?
Clear.
[soft tense music]
Why are you shaking your head? [sobs]
-10-89. -Please don't shake your head.
-Gurney. -What is a 10-89?
What is a goddamn 10-89?! [sobs]
He's gone, sir.
[crying]
[soft dramatic music]
No, no, no, no, no.
Jim? Jim.
No, leave me alone.
You need me to drive. You shouldn't drive.
No, I'm fine!
Get the...
Jim, I'm sorry.
[soft tense music]
Jeffrey, are you okay?
Is this really happening?
Yes. I'm sorry.
[melancholy music]
Sorry, I...
I know how much he meant to you.
I tried. I...very tried.
I'm sorry.
Thank you, Madison.
Let's go back inside, Son.
[melancholy music]
I have something that'll make you feel better.
I'll go get it.
-Where'd you park? -Near the garage.
It's quicker to go through the back door.
[soft dramatic music]
[tense music]
Thank you.
-It's all there. -Yeah?
-Don't you want to count it? -Yes.
You know, you should really be more careful.
And why would you say that?
You got all of these people after you.
Oh, like who?
Jim Cryer?
Well, Jim Cryer is certainly not all of these people.
Well, there are others.
Like who?
Well...
Like who?
I'm pretty connected.
And I overheard a few things.
Hmm. Like what?
You have a lot of enemies, so there are always others.
I wouldn't be Veronica, dear, if I didn't have enemies.
[Man] That's not a good thing.
Really?
Yeah. You should pray to Mary.
Ask for forgiveness.
And you tell me this after you just did what you did?
I always ask for forgiveness.
-After you kill people? -Yes.
Hmm. Isn't that special?
Well, you should consider it.
Well, you should consider leaving.
It's all there.
Yes, I know. I told you that.
Okay. Thank you.
Yes. Well, you know the way out.
Yeah.
- Au revoir. -[scoffs]
[soft tense music]
-Did you get it? -All of it.
All right.
I'll have to go get mine done now.
Yes. And we will.
-As soon as she comes out. -Yeah.
-[Benny] Mama! Mama! -Come on, Benny, come on.
-[Benny] Mama! -Hey, hey, hey. Hey.
-I'm all right. -Damn it.
-I'm all right. -What happened?
Oh, Lord have mercy.
-I'm all right. -[Benny] What happened?
But... We were in the kitchen. It's all right.
I'm going to kill that son of a bitch.
Wait a minute. Wait, wait, wait, wait, wait.
You know who did this?
-Oh, Lord, of course you do. -Mama.
Are y'all trying to get another baby killed?
-Mama. -Listen, you see this girl?
-Give that man his money. -This was not Jim Cryer.
-Then who the hell did this? -This one's on me.
-Okay? -Lord have mercy.
-What did you do, Benjamin? -Nothing.
He didn't do anything.
Someone's upset that he's dating their ex.
You see, y'all are full of shit!
And you can't keep your dick in your pants. Tanisha!
-Oh, Mom. -No, no!
You got this girl up in here,
and you could have had every one of us killed
-because of your foolishness. -I don't know her.
Well, you damn sure better talk to her, Benjamin.
Who is she? And who are you?
You tell me, Benjamin.
Mommy, I ain't never seen her before.
Okay, well, you damn sure seen her ass.
[knocking on door]
That's the police.
[soft tense music]
[soft dramatic music]
-[sighs] -[sighs]
-You okay, ma'am? -Yes, we are.
-My son knows who did this. -No, I don't.
-You just said... -I don't know who did this.
Sir, you want to tell us what happened?
-No, he says he doesn't know. -Was he here?
We were here, and somebody came by
and shot up the whole damn living room.
-Are you okay? -Yes.
Okay. I'll take a statement, talk to some neighbors.
-Are there cameras on the house? -No.
I think the neighbors have some.
-Okay. -Be right back.
Well, I won't be here.
-Ma'am? -I got somewhere to go.
-Talk to them. -Okay, but, ma'am, we might need
someone to speak to if any of this goes...
Talk to them. I gotta go.
Sure will.
Be right back.
[soft tense music]
-Are you okay? -Yeah.
Thank God we weren't in the way.
How do you know Benny?
I'm telling you, I don't know this girl.
Look at the baby, Benny. He looks just like you.
No, he's not mine.
That's okay. He's yours.
You don't remember, we were both pretty drunk.
-What? -At Club Arena on 6th.
[laughs] I haven't been there in, like...
About a year. Fifteen months, to be exact.
-How old is he? -Six months.
Benny.
[soft dramatic music]
I don't remember you, okay?
She has proof, and that's one
hell of a receipt if I've ever seen one.
I don't want anything from you.
I just thought that you should know.
[soft dramatic music]
You telling me that baby's mine?
-Yes. -[Benny] Mm-mm.
No, I don't think so.
-I'm gonna need a DNA test. -Of course.
[Benny] Yeah, from my own doctor.
Okay, again, I don't want anything from you.
-Well, then why are you here? -Well, you have a son.
You should know about him.
[Benny] Nah, you want some money.
-[scoffs] No. -[Benny] Yeah, you do.
And I just came up, so I ain't giving you nothing.
[scoffs] No.
[Benny] Yeah, that's what you want. Yeah, you do.
-You don't know who I am at all. -No.
Yeah, I know you don't. I'm an attorney, okay?
I was out with my girlfriend
celebrating a bachelorette party.
They dared me to kiss you.
I walked up, kissed you, and you didn't stop me.
I'm ashamed to say it, but we ended up in the...
In the bathroom stall.
Yeah.
In the ladies' bathroom.
[soft dramatic music]
-Now you remember? -I mean, I was drunk.
Yeah, and so was I.
-Look, I'm sorry. -It's okay.
I make six figures.
I just thought that you should know.
I don't want anything from you other than
you knowing that he exists.
Whether or not you want to be in his life,
that's up to you, but here he is.
Damn.
-Benny. -Mm?
-Handle this. -Where you going?
You guys stay here.
-They won't be back. -Where you going?
-I'm going to see Mitch. -Candace, don't do that.
That's where I'm going. They won't hurt me.
-Just wait. -I'll be back.
Candace!
Uh...
-Uh... -You want to hold him?
I don't know how the last time I held a baby was.
Hey.
Hi.
Uh, you, ah, you wanna sit down?
Yeah. He does look just like you.
Hey.
It's Daddy. [laughs]
Uh...
[soft music]
-[sighs] -Just won't learn, will you?
Yes, I have.
[sighs]
Why can't you get him his money back?
[sighs]
-What? -Can...
I can't. I-I-I... I can't do it.
Why not?
This is my last chance. My only chance.
So you're just gonna let him...
Just gonna let him kill all of us?
-Wasn't him. -It could have been.
[sighs] You don't understand.
-Yeah, I do, Daughter. -Mama, that's a lot of money.
That's not yours.
I'm sorry.
I don't get it. So running around...
buying cars for people, is it worth it?
Wow, Candace.
I thought we had made so much more progress than this.
-Wow. -The straight life isn't for me.
Why can't you understand that? Mm?
Why can't you understand?
I say it over and over again.
You choosing this life...
Something is gonna happen to you, Candace.
I'll be ready when it does.
So we're back to that.
-I don't need the insults. -No.
No insults.
You gotta live it like you gotta live it.
[soft dramatic music]
[sighs] I just...
-I just need... -What do you need?
I don't wanna live like this anymore.
I wanna be better.
[sighs] Sorry.
Go on. Do what you gotta do.
Sorry.
[soft dramatic music]
Lord, please.
Please help us all.
[soft dramatic music]
Ma'am, we have a few questions for you.
Officer, I told you I had to go somewhere.
This won't take long.
[sighs] What is it?
-Whose house is this? -My boss's.
Her name is Katheryn Cryer.
And how long have you lived here?
Oh, I don't know.
Just a few months.
-Marty. -[Marty] Hi.
-I have been trying to call you. -[Marty] I'm sorry.
- I've been in the ward. -Do you know that they
have somebody in the cell with me?
-[Marty] What? -Yes.
[Marty] That's not supposed to happen.
-Well, it sure as hell did. -[Marty] Okay.
- I'll look into it. -Yeah.
Look into it? Do you know that I have been
in jail all this time and nothing has happened?
[Marty] I'm working on it.
Working on it?
Are you working with Jim?
-[Marty] What? -To keep me in here.
-To get my money. -[Marty] Katheryn, no.
Yeah. Yeah.
You're up to something, aren't you?
[Marty] I promise I'm not.
Well, you need to get this bitch out of my cell.
[Marty] Okay. I'm on my way down there right now.
-Hurry. -[Marty] All right. Will do.
[phone ringing]
Hello?
[Operator] Collect call from an inmate.
Press 7 to accept.
-[sighs] -[Katheryn] Hi.
-Hey. -Your friendly voice.
[Hanna] Yeah.
-Did you find Wyatt? -[Hanna] No, I didn't see him.
Hanna, I don't know where he could be.
Yeah, I'm sorry.
[Katheryn] I'm still in this damn place.
Yeah, I know.
I can't believe that I have been sitting here this entire time.
-[Hanna] Katheryn. -Hanna?
Listen, I know you got a lot on you.
Um, but I gotta tell you.
There was a drive-by at the brownstone.
-What? -[Hanna] Yeah.
-Are you all right? -Yeah.
-But, uh, your living room is... -You don't worry about that.
No, the insurance company will pay for it.
I'm just glad you're all right.
Yeah.
-Uh! That damn Jim! -Yeah, it may not have been him.
-[Katheryn] Are you sure? -Yeah.
-Yeah. -Well, it sounds like him.
[Hanna] Yeah, I know, but supposedly
Benny's been messing around
- with somebody else's woman. -I am sorry.
Yeah, not as sorry as I am.
[Katheryn] I'm glad you're okay.
Yeah, thank you. Listen.
I gotta stop by your house
and get the documents for the meeting
with the accountants tomorrow.
-Oh, they're on my nightstand. -[Hanna] Okay.
I just hope I don't run into your husband.
Well, if you do, you just walk in and out.
I'm gonna try that.
Hannah, be careful.
-They didn't scare me. -[Katheryn] Well, good.
I just want him to leave me alone.
Okay, well, let me know when you have them, okay?
Okay.
And then I'll come down and see you.
[Katheryn] Okay, I could use that.
They put me in a cell with someone.
What? What? You be careful, too.
Yeah, I will.
[Hanna] Talk to you in a bit, okay? Bye.
Bye.
[soft dramatic music]
[door opens] Sandy!
-[sighs] -Call him.
Sandy, please.
Call him and tell him to come over here.
I'm not gonna call him.
Call him or you know what's gonna happen.
-Can we talk about this? -Call him now.
-I'm gonna call the police. -[scoffs]
You think they're gonna protect you?
-Call him. -I'm not going to call him.
I said call him.
Call him and tell him I whooped your ass.
He's not gonna come. He doesn't know me like that.
-Call him. -All I did was sell him a house.
That's it.
It's the last time I'm asking you.
[soft tense music]
[line trilling]
-[Benny] Hey. -Hi.
[Benny] What's up? You miss me already?
- Hello? -He found me.
[Benny] Where are you?
I'm at your new house.
[Benny] All right, I'm on my way.
Why the hell didn't you tell him to come here?
He would have known. You would have come here.
What's the address to the new house?
3534 Ranson Drive.
Come on. Wait a second.
-You're lying to me. -No, I'm not.
[tense music]
Benny Young. 803 Lindhurst.
-You're protecting him. -I was trying to protect you.
I don't want you to do this.
-Get your ass to the car. -Sandy.
Move!
[tense music]
I need a phone call, please!
-Hello? -That ain't happening.
Will you just not talk to me, please?
-You're a little princess, huh? -What?
Yeah, that's what you are.
You think of yourself as something in your big mansion
with the high walls.
Will you just not talk to me, please?
I'm not gonna talk to you. I'm gonna beat your ass.
-Are you threatening me? -Yeah, okay.
Well, you better bring all you got.
Hmm, okay. I got a lot, too.
-I'm Diamond, baby. -Yeah, I know.
-Hard as a rock. -Yeah.
Diamond Castile.
You don't even remember her, do you?
-Who? -Lizzie.
Lizzie Castile? That was my niece.
And y'all covered it up.
Yeah, now I know why they put me in here with you.
So I can kill your ass.
Diamond? I...
No, I didn't do anything.
[tense music]
Die!
[tense music]
[soft dramatic music]
[tense music]
[gunshots]
[soft dramatic music]
Hey. What happened to your face?
You shouldn't be here.
I need to talk to your family.
Candace, you should not be here right now.
They came after my brother.
Mm-hmm, mm-hmm, mm-hmm. Mm.
Look what the cat dragged in.
-Hi. -And you are?
Candace Young.
Oh, you're Candace.
How are you?
I'm not good.
Why's that?
Your family came after my brother.
[tense music]
Did we get him?
-I'm not talking to you. -I think you are.
Mitch, what's going on?
-You need to go. -They came after Benny.
-I can't. -You gotta go.
You need to leave, Candace.
[tense music]
Mitch, did you know about this?
Did you?
Yeah.
[soft tense music]
How could you?
There's nothing I can do.
-Mitch. -Look, I'm sorry.
-Look, my hands are tied. -Literally.
Mitch, please don't let them do this.
You see, Mitch has no power here.
You didn't tell her?
He didn't tell you?
You see, Mitch here, he doesn't want to be part of the family.
So he doesn't have a vote or say.
He's an outsider.
[soft tense music]
-What's your name? -It's Vinny.
Okay, Vinny.
-My brother... -Did a very bad thing.
He didn't mean to.
My nephew, Sandy, thinks he did.
He didn't know it was his girl.
-I mean, Mitch, tell him. -Stop talking to him.
-Mitch. -I said stop talking to him.
-Vinny... -Shut up.
And you, he can't talk to you.
[tense music]
Where's Mama Rose?
She said she would do me a favor.
-She's not here. -Where is she?
Look at you.
-I wanna talk to her. -Well, I'm the new Mama Rose.
[scoffs]
I did her a favor, and you come after my brother?
Uh! Your family doesn't usually roll like that.
Oh, we don't roll like that?
We don't roll like that. Hmm.
You got balls.
I just want you to leave my brother alone.
That's up to Sandy.
Where is he? I'll talk to him.
Sandy is not gonna stop until he finds your brother.
-He almost killed my mother. -Casualty.
Please.
No, no, no, no, no. Please, please.
No begging here. No begging.
Candace, I think you should go.
-She's not leaving. -Vinny?
I'm... You're right. She is leaving.
But not on her own.
[tense music]
We're delivering you to Jim Cryer.
Wait.
-You saved us a trip. -I'm out of here.
You owe a lot of Jim Cryer's money.
[tense music]
What does that have to do with you?
A lot. One hand washes the other.
[sighs] Listen to me.
You have his money, and we owe him.
I helped you.
It's a new day.
-I... I just need to... -No.
-Please? -No. You don't need anything.
Please, don't. No. No!
-Vinny! -You stand up,
you lose your legs.
Well, come on, then. Something, huh?
-Get off me! Get off! -Come on.
-Get off me! -Come on. Come on.
Get on the ground!
[tense music]
Candace, Candace!
Vinny, you son of a bitch!
-[Vinny] You stay down! -Ah! Candace!
Get off me! Ah!
[tense music]
-Hey. -I'm so sorry.
Girl, you ain't got nothing to be sorry about.
Sorry.
-You messing with my girl? -[Benny] Oh, it's like this.
Hey, look, man, I told you.
-[Sandy] No. -Hey, whoa.
You embarrassed me in front of my entire family.
Put the gun down,
and we can handle your problem like two men.
-Okay. -Benny, no.
-Let's do it. -All right.
All right, let's do this.
[tense music]
Whoa, whoa, man. Fellas...
[gunshots]
[sobs]
[soft dramatic music]
[soft music]
-Sir? -Yes?
I know it's a bad time, but Tanner's here.
-Should I send him away? -No, I'll talk to him.
[soft music]
-Hi, again. -I'm sorry. Is this a bad time?
-What is it? -I wanted to bring this to you.
-As I told you-- -No.
-You want this. -No. I really don't.
Here.
[soft music]
-It's a beautiful house. -Thank you.
I wish I lived like this.
Yeah, well, it's not all it's cracked up to be.
You could say that from your point of view.
Well...
You know, my brother was really crazy about you.
You told me all of this. Thank you.
I mean, don't get me wrong.
I respect it, but I don't get it.
Yeah, well, a lot of people don't.
Yeah, you did something to him.
-No. -Yeah, you put a spell on him.
-You really did. -This is really...
It's okay. It's okay.
[soft music]
I'm going to miss him. Will you?
-Yes. -He wasn't a bad guy.
He really wasn't. He was just confused.
Goodness.
So are you confused, too?
-No, I'm gay. -Oh, okay.
Well, will you make it to the memorial?
-Oh, that's right. -As I told you--
My mother. Anyway.
Thank you for bringing this. Um...
I'm sure it's something real personal.
Look, this is a really bad time.
I'll see you around.
Okay. Thank you.
Your last connection to my brother.
Yeah. Take care.
You, too.
[soft dramatic music]
-Here. Come on. -Thank you.
This should make you feel better.
-Son. -Yeah.
I'm going to go check on Jim. Be back later.
-Are you all right? -Yeah.
Madison, can you stay with him?
Thank you.
[soft dramatic music]
[tense music]
[soft dramatic music]
Delivery.
Hey! Candace!
How you doing?
[soft tense music]
Please. Please. I'll give you the money.
[laughs]
That was Wyatt's money, Candace.
Are you sorry?
Are you really, really sorry?
Please.
Oh.
It's too late for that.
No, no, no, no, no. Please.
Drag that worthless bitch upstairs.
Last room on the left. Come here.
[tense music]
How's this feel, Candy Cane?
Your ass is dead already. Your body just doesn't know it.
I drew a bath for you, Candace. Just like old times.
Nice. Thanks, gentlemen. Oh, thank you.
Thank you. Thank you.
You know, I missed you.
How's that feel, darling? Huh?
How's that feel, baby? Huh?
How's that feel, huh?
Huh?
[tense music]
Three,
two,
one.
[laughs]
[soft tense music]
[water splashing]
[tense music]
[clock ticking]
Who is that?
[Jim] Why don't you come on in?
Why don't you come take a look?
Held her down a little while for Wyatt.
A while longer for Amanda.
[screaming and crying]
Now you know how it feels, Hanna.
How does that feel?
[soft dramatic music]
Is your daughter dead, Hanna?
Like my son?
Like my daughter?
Now you know how it feels, Hanna.
My son is dead, my daughter is dead,
and now that bitch whore daughter of yours is dead.
You son of a bitch!
You son of a bitch!
You son of a bitch!
Come here, bitch. Come on! Come on!
Come on!
[tense music]
Get on the stairs, Hanna!
[tense music]
[Jim] You think you're gonna take everything?
Ah! Think again, Hanna!
Get over here! Ah!
Ah!
Ah!
[tense music]
Get out! Get out of my car!
Get out of it!
-Hang on, you crazy bitch! -[screams]
Son of a bitch!
Aaah!
[groans]
You wait! You wait! You wait! You wait!
I'm sick of all y'all! You can't! Son of a bitch!
No more Jim Cryer.
Die motherfucker!
-Die! -Come on, take your best...
[screams, groans]
[tense music]
No more. You ain't gonna hurt my kids.
No more.
You bastard. [sobs]
You bastard. [sobs]
No! [crying]
[tense music]
[crying]
[tense music]
[unnerving music]
[bright music]
[ding]
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