Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
[Gretchen] Please, let me stay. Like old times.
[Female Narrator] Previously on The Haves and the Have Nots.
Candace, you called me by her name.
I'm sorry.
Candace Young is special to the Malones.
[Mitchell] She's got the family behind her.
That young lady happens to owe me eight million dollars.
You need to let this one go.
No family would never go for that.
Is there any way you can find out if
Mama Rose or Vinny know anything about this?
Sure, I can ask around.
-Carefully? -Of course.
I think you should probably leave.
You're gonna need to pay me first.
-Tanner. -You ain't goin' anywhere.
[pained groaning]
I think you just miss her.
Yeah, I do.
Go see her. Just make sure she's okay.
I just want her to give us the paperwork back.
You'll see that I am the executor of the estate.
Now, what were you sayin' to me, Jim,
about what I have or have not?
What were you saying, Jim?
[ominous music]
Who the hell made you executor?
As I said, your wife.
There is no way.
Wanna look at it for yourself?
Yeah, let me see this.
Is she kidding, David?
[ominous music]
Jim, looks right.
[ominous music]
What lawyer drew up the damn paperwork?
-Marty. -[Jim] Has it been notarized?
Yes.
Has it been filed with the court?
Signed by Judge Walsh.
The hell is going on here?
So, this is a civil matter.
You'll need to work this out some other way.
No, no, no, you just, you just hang on a damn minute.
This woman assaulted this man.
I was defending myself.
-[Jim] Oh... -Do you wanna press charges?
No.
[Female Officer] Ma'am, do you?
Wait, hold, hold on. She hit me.
Well, she said that you touched her.
[tense music]
[Hanna] I think I'm just gon' let this go.
Okay. Well, you all have a good night.
Oh, yes, and thank you so much for your assistance, Officer.
And I am leaving here with all of this paperwork.
[serious music]
[door closing]
[ominous music]
[door opening]
[door closing]
My wife made the maid the executor of the estate.
Katheryn gave Hanna her power of attorney?
I know.
[Jim] Damn it!
[serious music]
Why the hell would she do that?
I have no idea, Jim.
Woman has lost her damn mind.
They have all lost their minds.
-I'm taking this lying down. -Wait, wait.
No, Jim, Jim, you know what? Go back upstairs and lay down.
I do not need to go back upstairs.
What I need to do is I need to go talk to my damn wife.
-Tomorrow, Jim. -[Jim] No.
I'm gonna talk to her right now.
[David] Alright, alright, alright.
-David... -Let me, let me take you.
-I'll drive. -I am fine.
All right?
No, you're, you're drinking.
[Jim] [indistinct] I need to talk to my wife.
[David] You don't need to be driving.
You go talk to the Malones, all right?
Just go figure out what the hell is going on in
that part of my damn life.
[dramatic music]
[door slamming]
[dramatic music]
[bombastic music]
[serious music]
Katheryn Cryer.
Let me guess. I have another visitor.
You got it.
[serious music]
-Look out. -Yep.
I should hire you as my assistant.
Pay's good.
Pretty decent benefits, too.
[Male Officer] You couldn't afford me.
Mm...
[ominous music]
Katheryn.
[serious music]
[door closing]
[tense music]
What is wrong with you?
Did you come here to tell me that I'm getting out of here?
No, I came here to ask you what in the hell is wrong with you.
What?
[tense music]
You gave Hanna power of attorney?
Yes, I did.
-Katheryn! -[Katheryn] What?
[tense music]
You gave her power over everything.
-[Katheryn] Yes. -All your money,
all your people.
And?
And that woman is going to screw you over.
That's "and".
No, she won't.
[ominous music]
Are you insane?
Yes, I married you.
Oh, damn it, Katheryn.
Why are you so upset, dear?
[tense music]
Why am I so upset?
Did you think,
did you think I would give you power of attorney?
I am your husband, Katheryn.
With an ironclad prenup.
[Jim] You listen to me for a moment.
This is by far the most reckless,
the stupidest thing you have ever done.
Jim, we are being sued.
I had to protect my assets.
By giving them to the maid?
Stop saying that.
Why? That's what she is.
-She is the maid! -She is my friend.
Your friend whose daughter still owes our son
the eight million dollars she stole from him.
I knew that.
[ominous music]
You are going to give me your power of attorney.
-That will never happen. -[Jim] Marty is on his way
-to draw up the... -I fired him.
[tense music]
What?
Yes. Because I'm still in here.
[tense music]
Katheryn...
Hanna is going to screw you over.
-[Katheryn] No. -You wait and see.
Yes. You wait and see.
No, you will see.
[serious music]
You need to give me the power of attorney, Kate.
What's bothering you, Jim?
Is it the fact that you have to go and ask her for money
because you don't have any?
-Kat, oh my God... -[Katheryn] That's it!
You have to ask Hanna for money.
So do you.
So what?
Marty is on his way.
I am going to get the power of attorney.
[ominous music]
[Jim] Do you understand that?
-Get the hell out of here. -No.
[ominous music]
Guard?
[serious music]
[Katheryn] Guard!
-Kate... -I need to go back
-to my cell now! -[Jim] No, you need to
keep your ass in this chair,
and you need to give me
-the power of attorney. -Guard!
[door opening]
You listen to me.
If you don't do it, I'm going to Hanna,
and I'm going to make her give it to me.
-You will. -Yes, I will.
You know me.
Well...
[ominous music]
Take your best shot, Jim.
I will take my best shot, Kate.
But be really careful.
You know what happened last time.
-She whooped your ass. -Oh, God!
[serious music]
This is not a game, Katheryn!
This is everything you have,
everything you're ever going to have.
Gone.
[serious music]
Because you trust a maid.
[tense music]
[serious music]
[Jim] Hi.
Jim.
[Jim] Come on inside.
[John] Sure.
[serious music]
How long have you known me, Don?
A long time.
How 'bout you, John? How long have you known me?
Almost as long. 23 years.
And all those years, have you ever seen me angry?
-Yes, we have. -[Jim] No.
-You have not. -[Don] This is...
Not angry like I am today.
This is about the power of attorney.
[tense music]
No, Don. It's about the tooth fairy.
Of course it's about the power of attorney.
We had nothing to do with that. That was your wife.
And you two sons of bitches couldn't call me, huh?
-Jim... -You couldn't warn me
in some fashion?
Jim, you were in the hospital.
[Jim] How did you let it happen?
We were as blindsided as you are.
Oh, you were as blindsided as I am.
You know that bitch is gonna screw me over with this, right?
There are precautions we can take.
[Jim] Precautions like what?
We can go to Marty.
Oh, Marty.
Marty signed the damn paperwork
that got me in this trouble in the first place.
Maybe we could ask him for a favor.
[Jim sighing]
Maybe we can get me a loan for half a million dollars.
That's what I need.
I don't know how we can do that.
Hanna would have to sign for it.
What?
[tense music]
How am I supposed to operate my life without any money?
Well, your wife's paying all the bills.
Did you really just say that to me?
I'm sorry.
I need my own money, gentlemen.
I don't know how we can help.
[Jim] You can help by getting me a loan.
On what?
What do you mean, on what?
Jim, everything is in your wife's name.
And then your maid would have to sign.
[serious music]
You mean to tell me that I'm in a position where
I can't get a signature loan
for half a million measly dollars?
Look, after your last business went bust,
you've ruined a lot of your relationships.
[ominous music]
How 'bout Lloyd?
Everything that Lloyd was doing was just because of Katheryn.
Get out of here. You're useless.
-You're useless, go on, leave. -[Don] I'm sorry.
Sir, just talk to Ms. Young.
Did you not hear what I said, Don?
-Get the -- out of my house. -I'm sorry.
You're sorry. That helps a lot.
[ominous music]
Bullshit.
[ominous music]
Go to Hanna Young for a co-sign?
I'm not gonna go to Hanna Young for any damn thing.
[sinister music]
[door closing]
[serious music]
[Madison] Colby...
What?
What are you doing?
My head hurts. I'm laying down.
Colby, get out of my bed.
Jeffrey's gonna be here soon. Come on.
[calm music]
Where'd he go?
[calm music]
He's visiting a friend.
Oh.
Are you sure it was just a friend?
Yes.
Okay.
What?
[calm music]
It's just when I said that, you never believed me.
It's 'cause you were a lying whore.
Ouch.
Truth hurts, baby.
[calm music]
Okay, catch a guy in a lie once, and you never let him forget it.
Mm...
It was about 12 or 13 lies, if I remember.
Touché.
But you know I love you.
I know, I know.
Ow, ow, ow, ow.
Stop, ow, ow, ow.
What?
Nothing.
What? What was that?
[serious music]
Colby?
[serious music]
Um, one of my Johns got rough with me.
[serious music]
Colby.
[serious music]
When are you gonna be done with this?
Stop, I'm having fun.
With all these different guys?
What, are you Judge Madison?
I'm not, come on. You know that's not me.
Then lay off.
[serious music]
I'm just worried about you.
[serious music]
Aw, thanks. Don't.
[serious music]
What happened to all those paintings you were doing?
Nobody wants to buy someone's paintings
unless they're dead.
Well, some of them do.
Oh, okay. Whatever you say.
[serious music]
Okay...
So, what happened?
Nothing, it's just one of these Johns
didn't realize I was a bad bitch.
God...
[serious music]
I hate that.
Can we stop?
Okay, fine.
[serious music]
-I hear you, I really do. -Okay.
-I just... -All right, good.
[serious music] [door opening]
So when are you two gonna talk about all the shit
that you've swept under the rug?
Because it's a lot of shit.
Hey.
[calm music]
Oh, hi. Come join us.
[calm music]
Uh, no.
We're not doing anything.
I'm good.
Oh. He's jealous.
Yeah. So, get out of my bed.
[serious music]
Really?
Well, go.
Okay.
[serious music]
[Colby] Sorry, Jeffrey.
[calm music]
[Colby] Should I make dinner? I make a mean steak.
Oh, that sounds...
Uh, no. No, we're good.
[calm music]
What'd that bitch say?
That you can't cook.
You know what?
Go. Go to the kitchen.
I already am in the kitchen in this tiny-ass shack.
[calm music]
So how was it?
[calm music]
Sad.
[calm music]
He's sad.
[Madison] Yeah, I'm sure.
Yeah.
I'm gonna be seein' him later.
You have to go in?
Yeah, in a little bit.
Oh, um...
Okay.
I guess I'll just go home then.
[calm music]
You can stay and hang out with Colby.
[calm music]
Yeah, I, I'll go home.
Okay, I know he's a lot.
I, I mean, I like him.
Then stay. Hang out with him.
I, I don't...
[Madison] What?
[calm music]
Nothing.
What is it?
[calm music]
My mom.
What about your mom?
You know, anyone I get close to, she's just...
Jeffrey, come on.
You're gonna spend your entire life
not getting close to people because of your mom?
[serious music]
Sounds terrible, right?
Yeah, it does.
[serious music]
[Madison] So, stay. Hang out with him.
Are you sure?
[Madison] Yeah.
All right.
Just don't have sex with him.
[calm music]
Oh, come on. What kinda guy I am?
You're new.
Look, I'm happy with who I'm sleeping with right now.
Oh, you are. Oh, you are.
Why don't you keep that up? Why don't you keep that up?
-No, you keep it up. -Huh, huh?
Huh? Huh?
Stop.
[calm music]
This is good.
[calm music]
Really good.
[calm music]
I'm not interested.
[customers murmuring]
[ominous music]
Hey.
Gretchen?
[Gretchen] What's going on?
Oh.
Uh, I finally got Landon out of the way.
Where is he?
[Oliver] He had to leave town.
For what?
I don't know. I'm just glad he's gone.
Well, good.
[Oliver] Yeah.
Uh, can you come over?
I'm having a drink.
[Oliver] Um, listen.
Uh, Charles is here. Alone.
[Gretchen] And?
And I need to get him into you.
Oliver, you gotta drop this.
Look, I knew we can do this.
I'm not your whore.
[tense music]
Do you know what we need to happen?
What I need is for you to stop this.
[Oliver] I need to get you and him together.
And then our families can set up all kinds of power plays.
We can do what we wanna do.
Why don't you sleep with him?
[tense music]
I'm not Landon.
[Gretchen] Oliver...
Do I need to have my dad call yours?
Really? You're gonna stoop that low?
Come on.
[ominous music]
What's this about for you?
[ominous music]
I want it proved.
You wanna prove to your father that you can run a company?
I want us to be in power.
Hmm...
I'm fine in this bar.
Look, Oliver, I don't wanna see him
because he doesn't wanna see me.
Gretchen, didn't you just sleep with him?
Yeah, and he spoke about Candace Young the entire time.
[ominous music]
Candace.
What the hell does that girl have that you don't have?
I don't know. Clearly, I don't have it.
[ominous music]
Just come over.
So I can get tossed out?
[ominous music]
Just come.
[ominous music]
Okay.
[Oliver] Thanks.
Fine.
[ominous music]
[indistinct] [ominous music]
[ominous music]
Can I help you?
I'm here to see Vinny.
Well, you ain't seein' nobody.
He'll know who I am.
And like I said, he ain't seein' nobody.
You should go.
It's okay, let him through.
[ominous music]
-[Vinny] You wanna talk to me? -Please.
[tense music]
Okay.
[ominous music]
Hello.
[tense music]
[David] I'm Judge Harrington.
I know who you are, Judge.
[tense music]
How did you know I was here?
Not a hard man to find.
Unless I don't want to be followed.
Of course.
[tense music]
So, what's goin' on?
Well, uh, I need to talk with you.
[Vinny] Okay.
May I sit?
[tense music]
What brings you here?
[tense music]
You okay?
Yes. I'm, I'm fine, thank you.
And you?
Getting better day by day.
Dealing with some issues since, uh, since the accident.
Ah, yes. It was unfortunate.
Yeah. A lot of people want me dead.
Well, I'm sure that's not the case.
Don't come in here pulling my chain, Judge.
Oh, no. Not my intention.
I apologize.
[serious music]
So, how's Jim doing?
I heard he got shot.
Ah, he's okay.
[serious music]
[Vinny] Good.
Yes.
So, what's goin' on?
Well, I'd like to discuss a matter with you.
[ominous music]
Obviously.
Yes. Um...
[serious music]
How's your nephew?
Which one? I have a few.
[David] Mitch.
He's good. What do you ask?
Well, I had met him before when he was workin' with Benny.
Okay. So, what's your point?
[David] Well, um...
[serious music]
He had helped Candace Young, as well.
[serious music]
She helped me, you know that.
So, you're protecting her?
I owe her a favor or two. Why?
Well, um...
[sinister music]
Just tryin' to understand...
[Vinny] Listen, listen, listen.
[serious music]
I don't like this, uh, beating around the bush thing.
[tense music]
Um...
[tense music]
Candace took something that belongs to Jim.
He wants it back.
But he was told that neither her nor her brother can be touched.
[serious music]
Who said that?
Well, apparently, he was told by your nephew.
[ominous music]
Okay.
[ominous music]
Well, is, is that true?
[ominous music]
Are you questioning the word of my family?
Oh, no. Not at all.
[ominous music]
Okay, then. Don't.
Just tryin' to advise Jim.
[tense music]
I'll talk to you later, Judge.
[serious music]
Okay. Thank you.
[ominous music]
Sandy. Get Mitch down here right now.
[ominous music]
[emotional music]
[door closing]
[emotional music]
I want my kids, please! Please!
[sobbing] Please!
[sobbing]
Please!
-[Woman] Shut up, bitch. -[Gina] Please!
[sobbing] No!
[sobbing]
I just want my kids.
[emotional music]
Don't let them scare you.
[emotional music] [door closing]
I just want my kids.
What happened to them?
[emotional music]
Their dad had them taken from me.
Why?
He's a developer.
And he has friends in the police department.
[serious music]
Well...
Are you unfit?
No. Not at all.
I took them and I left.
[serious music]
Then why are you here?
Because he has custody.
[serious music]
Why would a judge give him custody if you're fit?
You don't understand.
[Katheryn] Well, no, I don't.
I just need to...
[emotional music]
You can trust me.
I'm not like all the other...
[serious music]
People in here.
I'm Katheryn Cryer.
[emotional music]
I'm Gina Watts.
[emotional music]
You look like my daughter.
[emotional music]
-Do I? -[Katheryn] Mm-hmm.
[emotional music]
I hope she can protect her children better than I can.
[emotional music]
Well, she's dead.
[emotional music]
I'm sorry.
[emotional music]
Why can't you protect your children?
[emotional music]
[Katheryn] It's okay.
He's molesting my daughters.
What?
[Gina] Yes.
I saw him and I ran. He brought me back.
Then he went to court and paid off some judge.
They're all in bed together.
Who the hell is this developer?
[ominous music]
Patrick McWallace.
[clearing throat]
That developer?
Yes.
He built my hotel.
[Gina] You know him?
Yeah, I do.
[ominous music]
Great.
[ominous music]
We're not friends, honey.
[ominous music]
How can people with money do this?!
[ominous music]
[Gina gasping]
There's a lot of things we can do.
Except protect your child from a predator.
[ominous music]
I can help you.
[ominous music]
How?
[ominous music]
Well, I may be wearing orange,
but I still have a few favors in this town.
[serious music]
How can you?
Let me get to a phone and you'll see.
[serious music]
You can help me get my girls?
[serious music]
I think I can.
Oh...
[serious music]
That would be so amazing.
[serious music]
How long are you in here?
[serious music]
My mom's trying to post bail.
Okay.
Well, let me see what I can do, okay?
It's gonna be alright.
[ominous music]
[Katheryn] Guard!
[serious music]
Guard!
[serious music]
[ominous music]
I'm telling you the truth.
[ominous music]
[Tanner] He came to you?
-Yeah. -Yeah, okay.
[ominous music]
Tanner, I'm not lying to you.
[ominous music]
Why did you call that man?
[ominous music]
Because I need help.
Don't give me that shit, man.
You're a man.
You don't need help. You are the help.
[ominous music]
I know.
What the hell, Justin?
[ominous music]
I'm sorry.
[ominous music]
I'll get you straight. I will.
[knocking on door]
[ominous music]
-Who's that? -[indistinct]
[knocking on door]
Hello.
Justin, who the hell is this?
I don't know.
-Did you call him? -No.
Who are you?
Are you Tanner?
I said, who are you?
I have a business proposition for you.
Who are you?
I'm here for my client.
[tense music]
[Tanner] I'm gonna say it again. Who are you?
Her name is Veronica Harrington.
That's not tellin' me your name, man.
My name isn't important.
Then get the hell out of here.
She really wants to talk to you.
[tense music]
I don't give a damn what she wants.
Wait, what she tryin' to talk to you for?
Just shut up.
It will be worth your while to talk to her.
I don't think so.
Sir, it's a good thing.
[tense music]
Why would I wanna talk to her?
Because you should.
He said he doesn't wanna talk to the crazy lying bitch.
Will you shut the hell up?
No, she's crazy. She's gonna lie to you.
Or she's gonna tell me somethin' that you don't want me to hear.
I told you, he is the one who did this to me.
Shut up.
[tense music]
You wanna talk to her or not?
[serious music]
Yeah, I will.
[serious music]
Okay.
[serious music]
-May I have your number? -Yeah.
[serious music]
Tanner, this is a bad mistake.
[ominous music]
Okay.
[ominous music]
-Call you when I'm at her place. 0Okay, you do that.
[ominous music]
If I find out you're lyin' about what you've been doin',
I'm gonna kill you myself.
[ominous music]
[Tanner] I'm tired of this shit.
[ominous music]
[serious music]
[Oliver] Sir...
-Yeah? -Uh, Gretchen.
No. No.
Sir, you don't even know what I was going to say.
Look, I'm gonna have a massage,
and I don't wanna be disturbed, okay?
Yes, sir.
[door closing]
[tense music]
[Gretchen] Hey.
-Gretchen? - [Gretchen] Hey I'm almost there.
He doesn't wanna see you.
[Gretchen] I told you that.
I'm, I'm sorry.
[Gretchen] I'm coming anyway.
What?
[Gretchen] I've driven all this way, I'm coming anyway.
[tense music]
Okay.
[Gretchen] Well, I'm almost there.
All right. I'll, uh...
I'll let Secret Service know to have you wait out front.
[Gretchen] Like I'm some sort of doorstop?
Hey, hey. It's, it's not like that.
[Gretchen] I'll see you in a bit.
Okay.
[ominous music]
[doorbell ringing]
[serious music]
-Hi. -[Man] Hi.
[serious music]
[Veronica] Hm...
[serious music]
-Spoke to him. -Hmm.
[serious music]
Here.
[Veronica] Okay.
[ominous music] [liquid pouring]
[ominous music]
[phone ringing] [ominous music]
Hello?
[Veronica] Yes, this is Veronica Harrington.
What do you want?
I would like for you to come to my house.
Why?
[Veronica] I'd rather not stay on the phone.
[ominous music]
That's fine.
I have a few things I want to talk to you about, too.
Okay. Do you have the address?
-Gave it to him. -[Tanner] Yeah.
Okay. Thank you.
[serious music]
Is that it?
Yeah. Where was he?
At his brother's.
Hmm.
You're good. [chuckling]
-I know. -[Veronica] Hmm.
And arrogant.
[serious music]
I know that, too.
So is Jim's guy still after me?
He's not very smart.
Why do you say that?
From just looking, watching his moves.
So, I can go out? It's safe?
As long as I'm waiting for my money,
no one will hurt you.
Okay.
You want a drink?
[ominous music]
No.
You sure?
[ominous music]
Yeah.
[serious music]
So, what does your body look like underneath those clothes?
[serious music]
Hmm?
Human.
Okay.
[serious music]
[Man] See you later.
[serious music]
Right on, Mr. Assassin Man.
[serious music]
Human.
[door closing]
[serious music]
Hm.
[serious music]
[Veronica] Jim thinks Veronica's stupid.
[serious music]
Veronica ain't stupid, Jim.
Veronica's the smartest person in this town.
[serious music]
Ooh, I gotta stop talkin' to myself.
They gon' put me in one of my facilities.
[serious music]
I don't know why she wants to see you.
[ominous music]
No, you don't worry about it.
[sinister music]
Tanner, please.
[sinister music]
You better be here when I get back.
-Tanner, I'm... -[Tanner] You heard me?
I'm telling you the truth.
[serious music]
[ominous music]
[Voicemail Message] Hi, this is Jeffrey.
Please leave a message after the beep.
Jeffrey, please pick up. It's an emergency.
[ominous music]
[Voicemail Message] Hi, this is Jeffrey.
Please leave a message after the beep.
Jeffrey, come on, man. Please answer your phone.
[ominous music]
[Voicemail Message] Hi, this is Jeffrey.
Please leave a message after the beep.
Jeffrey, are you...? Are you hang...?
Are you sending me the voicemail?
What's goin' on? Please call me.
[dramatic music]
[somber music]
No, please. I'd love to hear about it.
Well, he's as boring as
Harry and Trevor were the other evening.
-Hmm. -And he is the most boring guy
I have ever met in my entire life.
-Hmm. -[Colby] And
what do you think that means?
Oh, yeah, so you think Harry and Trevor are boring.
I mean, the other night. Did you see that?
[phone ringing]
-Oh... -Who is calling you so much?
Uh, oh. No one.
Who is Justin?
No one.
Uh, it's just a...
Just let it ring.
Is he that crazy officer?
[ominous music]
-[Colby] Is he? -Yes.
Oh, I have to get this.
Wait, no, no, no, no, no! No, no.
-Hello? -[Justin] Jeffrey, Jeffrey,
listen.
He, he's going to talk to your mother.
Who's going to talk to my mother?
[Justin] And he beat me.
Are you a battered wife?
[Justin] Who the hell is this?
Who is this?
[Justin] Where's Jeffrey?
Hey, hey. Hang up, hang up.
-[Justin] Who is this?! -Hey, hang up!
[Justin] Jeffrey!
Sorry, we're too busy having sex right now.
We'll call you after we're done!
[Justin] Jeffrey!
[tense music]
Damn.
[ominous music]
You shouldn't have done that.
Is that all you say?
Well, I deal with some crazy people, Colby.
Well, it seems that you don't know that I am one of them.
Well, I'm startin' to see that more and more.
Do you want a steak?
No, I don't want a steak.
Why not?
You, you see, Madison said somethin' about
you and your, your, your steaks.
-That's a dirty, dirty bitch. -[Jeffrey] Yeah.
-Stop it. -Try it.
Nah, I...
I like my teeth.
[Colby] Fine.
More meat for me, the way I like it.
[phone ringing] [ominous music]
Is he calling you again?
[phone ringing]
That bitch is thirsty.
[ominous music]
-[Mitchell] Like those shoes. -[Candace] Thanks.
Got your toes done and everything.
Okay, please stop. You gotta stop.
This can't go on.
You can't take a compliment tonight?
No, truly. It can't.
You look nice. That's all.
What is wrong with you?
What, I can't tell a lady she looks nice?
[serious music]
You're just glowin' tonight. That's it.
[serious music]
Okay. Thank you.
[serious music]
All right. Come on.
Is, is, is that it?
[chuckling]
What?
I mean, you're dressed.
Go to Hell, man.
I mean, that's... That's what we waited for?
Is this dude really tryin' me?
Come on, man. I'm just messin' with you.
Oh, so you want to play around now, huh?
Oh, come on. Don't be like that, Benny.
I owe ya.
[serious music]
Fair enough. You do.
-Yeah. -Aw, look at the bromance.
Aw. You better go ahead with that.
-[Mitchell] Yeah, come on, now. -Can a girl eat?
[Mitchell] Yeah, I'm hungry. Let's go.
You're buyin'.
Why am I buyin'?
Well, one, 'cause you lied to me.
-Come on, man. -And...
Come on.
And 'cause my sister bought your truck.
Okay. All right.
In that case, I'm buyin'. Let's eat.
Come on.
[knocking on door]
Who's that?
Hi.
Where'd you come from?
I just came up from downstairs.
Great. What do you want?
I was looking for...
-Candace. -Hmm.
Well, she don't wanna talk to nobody right now,
so maybe you go back downstairs.
Let him in.
I thought you was hungry.
I am, but let him in.
[serious music]
All right.
Can you two wait for me downstairs?
It won't be long.
-You sure? -Yeah.
[serious music]
-You sure you're okay? -Benny.
[serious music]
All right, well, we ain't goin' downstairs.
We'll be at the elevator.
Fine.
I gotta get out of here.
[tense music]
Good to see you.
Yeah.
[serious music]
[door closing]
Every time I see that Malone man,
I want to take him.
Oh, my God. He's so hot.
Okay, what...? What do you want?
[serious music]
I just wanted to see how you were.
[serious music]
I'm okay.
[serious music]
Are you?
Yeah.
[serious music]
You're nice.
[serious music]
Well, I haven't been feelin' well lately.
So, you know.
Don't push your luck.
[serious music]
Anything to do with the pregnancy test?
[serious music]
How did you know about that?
[serious music]
Have you taken it?
[serious music]
Get out.
Candace, you just let me in.
And now I'm telling you to get out.
-Did you take the test, Candace? -I did not.
And...
I won't.
Candace...
[serious music]
Did he send you here?
Yes.
Mm.
To talk me out of not having the baby.
[serious music]
Are you pregnant?
[serious music]
I didn't take the test.
Are you?
[serious music]
No.
[Landon] Are you sure?
What the hell?
I just wanna be sure.
[Candace] Why?
So that we can talk about it.
There's nothing to talk about. He sent you here.
To check on you.
But he knows nothing about you buying a pregnancy test.
You're lying.
[Landon] I'm telling you the truth.
[serious music]
How did you...
How did you know?
Candace, I told you there were gonna be reporters...
Good. Good.
I'm glad that they're following me.
[serious music]
Did your mother call you?
[serious music]
Why?
They talked to her.
[Candace] For what?
They just want a story.
[serious music]
You know, the only reason I'm talking to you
is because you know what I have.
[serious music]
The money.
Yeah.
[Landon] I do?
Does he?
[serious music]
No.
And if anything happens to it like the last time,
I'm going to the press.
-Candace... -[Candace] Get out.
[serious music]
-I just need to... -Leave,
or I'm calling my brother back in here.
[serious music]
Screw your brother.
[serious music]
Really? Okay.
-Benny? -No, no, no, no, just...
I would, I mean, I, like, I would screw your brother.
And that Malone man? Mm, mm, mm.
[serious music]
Goodbye.
Go. No, bye.
-Okay. -Okay.
-Good to see you. -[Candace] Mm-hm.
[serious music]
[door closing]
[serious music]
Hm...
[ominous music]
[dramatic music]
What the hell?
[dramatic music]
Make me forget about her.
[Male Narrator] Next on The Haves and the Have-Nots.
You do realize that if you should die,
that that power of attorney you have is worthless.
I love your sister.
Oh, so you're crushin' on my sister?
Benny, come on, man.
Let me find out you have a crush on her for real.
Veronica Harrington.
She's in default on a very large loan.
What would you like me to do?
Are you just trying to get me back to your place?
Maybe.
I think you are one tall, sexy man.
-Would you like to get a drink? -What the...?
Now, we can work together. We have a police officer.
Two of them are your informants.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.