Original subtitles

(dramatic music)

- [Announcer] Previously on "Purgatory."

- Let me drive it.

(dramatic music)

- Hey, hey, look out, stop!

(tires screech) (dramatic music)

(engine revs)

- Come on!

- Hey! (tires screech)

Hey! We gotta go!

(dramatic music)

(gun bangs) (woman screams)

- He was sticking his nose in places he shouldn't have.

I guess that's not gonna be a problem anymore, huh?

He's got no nose.

(dramatic music)

- Where's Marie?

(dramatic music) - Marie. (sobs)

Marie! (gentle ominous music)

(dramatic music)

- Chris!

Chris!

Chris, I heard a gunshot!

(bag thuds) Chris.

(tense music)

(Chris breathing heavily)

(Chris laughing)

(gentle piano music)

(door clicks)

- Thought you could use some.

- What's this?

- Aspirin.

I know, not exciting or exotic but.

- Thanks.

- I have something a little stronger if you want.

- Thanks.

You always do.

I'll pass this time.

- Figured as much.

We should go home, Ophelia.

- What's the point?

- To sleep, shower, to get something to eat.

- We're no closer to finding the kids

than when we started, Ryan.

Give me the flask.

(Ophelia sighs)

(phones ringing)

What could I have done to deserve this?

- Blaming yourself for any of this isn't going to help us.

- I feel it in my gut, this is my fault.

Someone wants revenge against me,

and my daughter and Luke are being punished for that.

Who knows where they are, what they're doing now?

It's hard for me to say this, but I don't even know if-

- Then don't say it, Ophelia.

Don't say it.

And don't even think it.

(Ophelia sighs)

We're going to find them and that's it.

(phones ringing)

I'm going to go home to take a shower,

and to get some rest.

You should go home for a bit too.

I really hope your change your mind, Ophelia.

(dramatic music)

- I don't even know how I'm supposed to be

feeling right now.

Maybe that's point.

It wasn't supposed to end like this.

(Emma snickers)

- So that's it?

You think this is the end?

- You think this is funny?

- I don't think it's funny,

just surprised that you're giving up so easy.

- I'm not giving up.

What the hell am I supposed to do?

(gentle brooding music)

- You have to feel everything.

And feel nothing.

All at the same time.

It's the only way you'll get through this.

- Nora.

- [Nora] Yeah?

- How close do you think Bobby is?

- [Nora] If you speak so loud,

he will find us sooner than later.

- Fair enough, I'm sorry.

- Don't be.

Not like there is a handbook on how to approach

a psychopath when you need his help.

- Even that last gunshot?

Nora,

you don't think he's going to help us, do you?

- I don't have any hope.

Okay, let's see how this plays out.

What?

- You're shaking.

- I know. I'm sorry.

- I just- - Jessica,

I love my husband.

I really do.

And I have to get the medicine he needs, but.

- But you are scared.

- Yes, I'm scared, I'm sorry.

- Me too.

I'll be right here with you.

- I know.

Let's move on. (gentle piano music)

- Nora! - Jessica.

- Nora. - Jess!

- Where could they be?

Where could they be?

(both gasping)

Nora!

- I don't know, doc.

They should have heard us by now.

The gunshot.

- No, Nora!

- There are only two places we haven't checked yet.

And I don't want to think about them.

Both of them are bad news.

(dramatic music)

- Lisa.

- Okay, that's far enough.

Oh, you girls must have a deathwish, huh?

- No, no, Bobby, not at all.

We came in peace.

We came alone, Bobby.

- No one else knew we were even coming.

- Yeah, nobody's with us, Bobby.

(Bobby laughing)

- I once saw a man get shivved 47 times,

by three different guys.

After I told them I was by myself.

So, sorry if I have trust issues.

- Was the guy a friend?

(dramatic music)

- Why did you just ask something so stupid?

- Bobby.

Hey, hey, hey, hey.

- Not another step closer, okay?

You don't need to come any closer.

- We need your help.

- Why does everyone need my help? (laughs)

This is.

Of course you do.

You heard that I had food.

Yeah?

So you come here to beg for that food.

And you think I'm gonna share with you, is that right?

If you take one more steps closer I will shoot you, bitch.

(ominous music)

- Jessica, just stop, okay, guys?

He's not playing.

- She has a really big mouth.

Let's show them how big your mouth is.

And I would listen to her, if I was you.

- Just let Lisa go with us, please.

- That's never going to happen.

- Listen, you guys, I'm fine here.

Okay?

We we're fine here.

So why don't you,

why don't you just let us know what it is that you want,

and we can, we can see if we can get it for you here, yeah?

What, what do you want?

- We have to get out of here, Bobby,

and we thought maybe you knew a way.

- All these stupid questions.

You think if I knew a way out of here

that we'd still be stuck down here?

Huh?

You think that?

No.

We would be gone.

But we're still here.

- We just, we thought we looked everywhere,

and then you found this food after,

so I thought maybe you knew a place

that we haven't checked yet.

- Look, we found a stash.

We made some good company.

We never left since.

- Why don't you let her go back with us?

- Are we done it here now?

'Cause I'm starting to get bored.

Are you bored yet?

Shake your head yes.

- No, no, we're not done.

I, I need some medication for, for my husband.

For his blood pressure.

He's is not well, Bobby.

- Well then,

knowing that I could save your husband,

I could be a savior. - Yeah.

- And that I won't be a savior.

Well, that just gives me pure pleasure.

- Bobby, we don't need the medicine.

- No one is talking to you.

You only speak when I tell you to speak.

- Just take it easy, don't hurt her.

- I'm sorry, Lisa.

I'm sorry.

- It's a matter of life and death for my husband.

(Bobby laughs)

- So,

the doc need some meds?

Yeah? - Yeah.

- Should I give him some meds?

- Yes.

- Fine.

Fine, they just went up for sale.

- 'Kay, yeah, look, take this.

This is worth much more than a medication.

Take it.

- I don't want your jewelry.

I prefer more natural form of payment

if you know what I mean. (gentle foreboding music)

- Disgusting.

- That's my price.

One pack of meds for one night of fun.

- Bobby, please, he'll die.

- Don't act all innocent.

We all know that you weren't a virgin

before you got married.

Right?

That's my price.

Take it or leave it.

Or get the hell out of here.

- I'm begging you, Bobby, please.

- Let's go, Nora.

- This offer will still stay on the table

if you decide to come back.

(dramatic music)

Well that was fun. (laughs)

Why are you crying?

Oh Lisa, grow up.

- You're the devil.

(dramatic music)

- What did you just say?

What did you just say? (dramatic music)

- You're the devil.

- Yeah?

Ah, Lisa.

I will show you the devil, Lisa.

(dramatic music)

- Where are you guys?

- You sleep at all?

- Nodded off for a few minutes here and there.

You?

- No, cold shower was nice though.

- I bet.

- Want some food?

- Thank you.

- Anything new?

- No.

If there is something I'm not seeing it yet.

Food's good.

- I don't know about that.

I think you're just really hungry.

- Maybe.

Remember the last time we were all together

having Chinese food?

- Yeah.

- We never appreciate those moments until it's too late.

- One should make the most of his time.

We haven't lost them yet.

We're going to find them, Ophelia.

(dramatic music)

- [Jessica] You really think he'd come after us?

- I don't know, better be safe than sorry.

- I think he knows more about this place

than he's telling us.

- I don't want to think about him now.

I feel sick to my stomach.

- I don't blame you.

He's really disgusting.

(tense dramatic music)

- What happened?

Jess?

(groans)

What is that smell?

- That's a dead body.

- Dead body?

(foreboding music)

(dramatic music)

Oh my God.

Poor Kat. (moans)

Jess, let's go.

Jess.

(dramatic music) Jessica.

Hey, look at me.

Jess.

Jessica.

- Oh!

What happened?

Let's get you out of here.

- She didn't say anything since we've been here,

just staring at the bodies.

- Nora, Nora!

I was worried, Nora.

Nora.

- Jessica, talk to me.

Jessica, talk to me!

She won't say anything,

and it doesn't seem like she eve sees me.

- She's in shock.

Jessica, it's Dr. Serob.

Can you hear me?

- Shh, my dad is slipping. (dramatic music)

- What?

What the hell's she talking about?

- Her dad died when she was really young

and she was the one who found his body.

- [Nora] Jesus!

- Her mum was at work and I think it was hours

before anyone got there.

- Poor child.

- So what do we do now?

- We let her dictate how this goes,

and hopefully she'll snap out of it.

But I don't know if that will work.

- I'll do whatever it takes.

- Good.

Jessica.

Jessica, it's Dr. Serob again.

- Shh.

- Yes, yes, yes, I know, your father is sleeping.

But you look tired too.

- Are you, doctor?

- Let's go to bed too.

Looks who's here.

- [Luke] Hey, Jess.

- Shh, my dad is sleeping.

- Yeah, he is, but we should let him rest.

- What if he gets cold?

- Okay, hold on a second.

(ominous music) (Luke grunts)

(dramatic music)

Which one is her dad?

- Just give it to her.

- Hey, put this on him to keep him warm, okay?

(tense foreboding music)

There ya go, Jess.

Now, come on.

Let's get you out of here, okay?

(tense foreboding music)

Watch your step.

- One thing I keep telling myself that seems to help

is wherever the kids are, whatever they're going through,

I know they're taking care of one another.

- I know you're right.

(dramatic music)

- Okay.

- My mom will be home from work in a few hours.

- Of course she will, my love.

She will, Jess.

- Maybe if my dad is awake by then

we can all go and get some ice cream.

- Yes, yes, that sounds nice.

(dramatic music)

(Emma coughing)

- You okay?

(Emma coughs)

- Yeah.

Just hungry.

Cold. (dramatic music)

No, you need that.

- We're not going to argue about this.

- Now you're going to be cold.

- Don't worry about me.

- If you give up,

there's no chance you'll ever see Marie or your baby again.

Ever.

(gentle solemn music)

- After you've warmed up a bit, you can give it back.

- I know how much you love her.

- Don't.

I've made a lot of mistakes in my life.

So many that I've lost count, but.

- What?

(gentle solemn music)

- But Marie was,

she, she. (sobs) (gentle solemn music)

- I know exactly how you feel.

(dramatic music)

- I just don't understand why didn't you stay put.

- Because I'm not a dog, Ivan.

Why aren't you talking to me like this?

- Because you scared me.

And maybe if you didn't go then Jess could have stayed,

and we wouldn't be in this mess right now.

- What mess, Ivan?

Being stuck down here?

Because last I checked, you put us in this mess.

- Please, lower your voice, please.

- Just stop talking to me like this.

- Just tell me why.

- Why, what?

- Why did you go?

What were you doing?

- I just didn't want Jessica wandering around alone.

- Why did you go, Nora?

You are my wife.

You should be able to tell me anything, Nora.

(gentle melancholic music)

- We went to see Bobby.

- Bobby?

Bobby!

Are you okay?

- Did he hurt you?

- I'm a little freaked out, but I'm okay, I'm fine.

I just went to ask him,

to beg him for the medicine you need,

but he wouldn't give it to me.

- What is it?

- He would give it to me if I.

- If you what, Nora?

- I couldn't, I couldn't do that.

Sorry, but I wish I could.

- Don't say that.

- I'm so afraid of losing you.

- Nora, you are not to go here to lose me.

(speaking in foreign language)

You understand me? - Mm-hmm.

(gentle melancholic music)

- Hey.

She's safe now.

She's out, they're both out,

and that's the only thing that matters right now.

(gentle brooding music)

When you get out of here,

you'll have a chance to fix all the other stuff.

Be grateful that you still have the chance,

and run toward it.

Because if you stay passive,

someone might take away it from you.

And that.

(gentle brooding music)

That will be me.

And trust me,

you don't want to be me.

- I'm sorry.

(gentle brooding music)

- Yeah.

Me too.

(Emma coughing) (gentle brooding music)

(Emma sniffling)

(brooding music)

What?

- Just can't stop looking at you.

- I've always liked your days off,

when I have you all to myself.

Even if we're sitting together quietly.

- That's nice to hear.

Before I met you I didn't really take many days off,

because maybe I didn't have a reason to, you know?

I guess I'm still getting used to having them.

Okay.

Johnny, two beers, please.

- No, just some orange juice for me.

- What?

You're going to make me drink alone?

Okay, Johnny, one beer and one orange juice, please.

- Thank you.

I love you, you know?

And I appreciate how flexible you are.

Not afraid of changes.

- I think you bring out the best in me.

- Good. (dishes clattering)

- Thanks.

- Then there might be some more things

you're gonna have to get used to.

- Like you're not drinking?

I like getting loose with you.

- Yeah, well, I didn't necessarily plan it this way.

I'm pregnant, Al.

- What?

Really?

I don't know what to say.

- Say that it's okay.

That you are happy because it makes me feel happy.

- Yes, of course, Emma.

I'm beyond happy.

- Really? - Yeah.

(gentle morose music)

(Emma sniffles)

- Oh my God.

What happened to Jessica?

- She'll be fine, Emma.

- Where are doctor and Nora?

- They're coming just a bit behind us last time I checked.

- Fine.

- Oh, Emma, you okay?

- Yeah, I just needed some space.

- Okay, we'll leave you to it then.

- Thank you.

Thanks for asking if I was okay.

- We're all together in here, Emma.

And nothing else really matters

if we are ever going to get out of here.

- Yeah.

- Take care. - You too.

(dramatic music)

(ominous piano music)

- When I got back, the match is no longer in the hatch door.

- So who let her out?

- I don't know.

- It's obviously whoever locked us down in here.

- She can get help.

- No.

No, her letter said that if she tells anyone,

whoever locked us in here will kill us all.

- If she does nothing we might die anyway.

- Look, I don't have any answers.

Okay, believe me,

I have just as many questions as everyone else.

Like, Jessica, what the hell is wrong with her?

- My dad is sleeping right now.

But when he gets up and my mom gets home,

we can go get some ice cream.

Chris, wanna join us?

- (laughs) Oh, that's great.

- Why don't you get some sleep now?

Okay? - Okay.

- Right now everyone's exhausted.

A lot's happened, so,

we should all probably rest.

- She's right, we could all use it.

(gentle dramatic music)

- Hey.

Thanks.

Nice to have some good brew

that isn't out of a vending machine.

Tell me at least one of us got some sleep.

- Every time I closed my eyes, I imagined Jess and Luke.

- That actually sounds nice to me.

- Until I realized it wasn't real.

What kept you up?

- You did.

Sadly, not like you used to.

- Jesus, Ryan.

- Sorry.

You have gotten, like, three hours of sleep

over the last four days,

and I'm still human.

- Yeah, no, I'm I'm sorry.

- I tried to sleep,

but I kept replaying what you said about

those girl's parents.

So I called them.

- Did they give you anything?

- Just a whole lot of anxiety.

Once I called them, they're freaked.

I couldn't get a much in, word wise, after that.

- That's a lot to process on the spot.

- They had no idea why their kids would have been targeted.

- There's a lot of that going around.

(phone ringing)

- Maybe they remembered something and they're calling back.

Inspector Popa.

- Do you have any new news on my son, inspector?

- We are as frustrated as you are.

- No, because I know what's at stake.

- We are doing everything we can.

For now, try to focus on something else.

- You listen to me, I'll focus on something else

when I find my son, inspector,

- We'll find them. (gentle dramatic music)

- Where are you Chris?

- The car is ready, sir.

- I told him, I told him not to go to that place.

- If I may, sir.

- Dammit, just speak.

- Chris isn't weak, he can handle himself.

- That's easy for you to say.

We don't even know where this place is or even-

(glass shatters) What the hell?

Vivian! (dramatic music)

- Chris, Chris, Chris, wake up!

- What?

What is it?

- Ivan's gone.

- Okay, well maybe he's gone to the bathroom.

- No, I've been awake for awhile,

and he still hasn't come back.

I'm so worried.

- [Luke] Hey, what's up man?

- Same as usual someone's disappeared,

now we have to go looking for them.

- Okay, well, forget it.

I'll go myself.

- No, wait.

Look, I'm sorry.

The doc's been gone awhile

and Nora's really worried about him.

- Maybe you went to take a piss.

- He's been gone for too long.

- Okay.

We'll go take a look, but please,

can you look after her for me?

- Yeah, sure, of course.

(gentle suspenseful music)

(dramatic music)

- Vivian.

Vivian.

What happened?

You okay?

- I was trying to clean up for Chris,

but I felt dizzy and I broke a cup.

- I can see that, but,

it's no big deal.

I'll just pick up the- - Don't touch that!

- Okay.

What are you doing still standing there?

Go call the doctor.

Give us some damn privacy.

- Of course, sir.

- We're no use to Chris or Marie if,

if we continue to.

- If we continue what, Preston?

Go on, tell me, how should I act?

How should I talk?

What should I say?

What shouldn't I say?

You're so good at that.

And I can't even clean up for my son

without making a bigger mess.

I'm not well.

- I'll get the doctor to check you out, okay?

- This is not something you can fix with

a Valium or two, Preston.

This is bigger, this is different.

Don't you get it?

- I know.

(dramatic music)

- Dr. Serob! - Dr. Serob!

Doctor!

- Doc!

- Where the hell is this guy?

- [Chris] I'm getting tired of looking

for people here, man.

- Tell me about it.

Think the old man has lost his marbles?

Sorry.

- That's okay.

(both breathing heavily)

What are you doing?

- You asked me earlier about how Marie got out.

Bobby finding the gun, and then the food,

I think it was all on purpose.

Somebody wanted him to find it.

And I think that same person knows how Marie got out.

(dramatic music)

- Wait, wait, Chris.

Hey, what's your point, Chris?

- The point is there's no one else down here

that's one of us.

If we figure out who then we found our way out,

- Great, but then we've also found the killer.

So, what, do you think it's Dr. Serob?

- No!

It's not me.

- Where the hell have you been, doc?

- What?

What's the problem?

- The problem?

Nora's been worried sick.

You've been gone a long time.

- Didn't you hear us calling you?

- I needed the bathroom.

- Yes, but we check the bathroom too.

- Then maybe we missed each other.

- [Luke] Damn.

- At this point, we don't trust anyone,

not even each other, kid.

(dramatic music)

- [Announcer] Next time on "Purgatory."

- Does it ever worry you that if you keep back talking me

that eventually I'm just gonna slit your throat?

- We're running out of time.

(dramatic music)

- We need to get to Bobby.

- Then I say we go now.

(dramatic music)