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[music]
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[music]
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[music]
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[music]
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Right. the 15th century, the English
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became involved with Burgundy on
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multiple occasions, both as opponents
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and allies. During the various conflicts
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between the two countries, the Beandians
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developed a high level of respect for
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the English archers. So today we will be
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looking at a Beandian archer. However,
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to be more accurate, we are actually
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looking at an English captain of a
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typical mercenary longbowman company.
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Average archers looked fairly similar
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across Europe and didn't necessarily
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have to be wellarmed to be hired in the
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service of various militaries. So by
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looking at a captain, we see all the
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related archery kit as well as some fine
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examples of high status armor which is
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of a typical beandian style.
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First the soldier wears his arming
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jacket. This is a padded coat which
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provides a base layer of protection
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while also serving as a tough fabric
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base to tie his armor to if he wants to
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be better armored.
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The arming jacker is emlazed with the
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heraldry of the county of Suffukk, a
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crown and two crossed arrows, showing
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that this military captain is paying
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homage to his home county in East
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Anglia, England.
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You will note that this archer is
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wearing 3/4length riding boots. This is
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because despite the English longbow men
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typically fighting on foot, the English
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mercenaries were expected to provide
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their own horse and were paid extra for
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doing so.
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Secondly, the archer wears a male collar
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or standard to provide neck protection.
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Male standards are constructed in a
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certain way that they provide a good
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level of overlap around the throat where
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the weave of the male links is much
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denser and usually larger lengths are
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arranged around the shoulders and chest
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known as the mantle. This is one of the
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first examples of this man's higher
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status armor as the male collar features
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a decorative trim of brass or gilded
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links.
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Next, a curass is worn.
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While at first glance this may look like
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a type of brigundy, this is actually a
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full breast plate [music] consisting of
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an upper breast plate, plaque art and
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folds.
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The black art and folds have been blued
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which is achieved by a process of
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polishing the steel then applying
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linseed oil. Then a lick of flame is
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carefully applied to the metal which
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turns the color of the steel a blue
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purple color.
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This is a historical process and
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requires great skill as too much heat
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will turn the steel a dull gray or
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black. Blueing the armor makes it more
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rust resistant and also greatly elevates
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the status of the wearer due to the
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extra talent required to make such a
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harness.
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The upper breast plate is covered in
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burgundy dyed velvet.
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The velvet sheet is tailored to the
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breastplate and then riveted in place.
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Again, it provides an additional layer
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of protection for the armor, but also
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helps soften the blows of incoming
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strikes just a little bit, aiding the
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soldiers chances to prevent a serious
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injury during combat.
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Above all, this makes the armor more
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fancy and high status. And the beandians
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were famed for their experimental
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artistic styles of armor, featuring
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multiple mediums of colored plate, silk,
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and velvet fabrics, gilding, plumage,
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and tassels. featuring on their armor
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during the 15th century and beyond.
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Now, the captain wears his belt with
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kidney pouch and dagger.
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This is a quillon dagger. It was quite
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popular throughout the entirety of the
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Middle Ages and served as a vital
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component of any archers ensemble.
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Archers weren't necessarily required to
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own a sidearm to be recruited as a
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mercenary, but hand-to-hand combat was
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expected amongst the English Bowman
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companies.
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The lower status archers would carry a
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wooden club or mallet as a minimum
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likely to hammer stakes into the ground
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as well as being utilized as a melee
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weapon. But knives and daggers were also
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commonly used by archers. The bollock
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dagger being a particularly popular
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choice amongst the lower classes.
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This quillon dagger is more of an upper
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class style of weapon. And either this
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or a Rond dagger would be more favored
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by a soldier with the rank of captain.
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Next, the arming belt with sword and
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scabbard is worn.
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The beandians began hiring English
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mercenary companies, paying top dollar
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for the well armored and highly
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experienced archers for the English
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provided.
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These longbowowmen had proved themselves
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throughout the hundred years war against
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France on the doorstep of Burgundy. and
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the beandians were keen to utilize these
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well-trained soldiers within their
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ranks.
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The archer now removes his hat and wears
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a padded arming cap.
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The final piece of plate armor that the
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archer will wear today is the bisus
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salot.
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Again, this helmet has been given a
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brass finish, making it exceedingly high
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status and more than adequate for a
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captain in charge of a company of long
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bowmen.
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The salot features a reinforced plate on
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the brow and a curved tail to protect
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the nape of the neck. A blue dyed
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feather plume is also present to give
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the armor an extra level of typical
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beandian flamboyancy and artistic flare.
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This salot is a reproduction of an
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excellently preserved original currently
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on display at the Metropolitan Museum in
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New York.
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in the ordinance voncal den kernan
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translated to ordinances of Charles the
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Bold who was a prominent Duke of
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Burgundy during the late 15th century.
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The text gives us a vital insight into
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what the beandian military were
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expecting from the English longbow
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mercenaries.
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An abridged version of the text reads,
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"The mounted archer must possess a horse
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and should wear a visorless salot, a
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gorette, a brigandine, or a sleeveless
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male shirt under a 10-layered jack. He
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should carry a long, sharp, two-handed
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sword, and a double-edged dagger." So
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here we see the long sword in all its
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glory, hinting that these English
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archers were expected and likely paid
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with the assumption to engage in melee
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combat when required.
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A quiver full of arrows is handed to the
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archer and is attached to the belt by
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the use of a forged metal S-shaped hook.
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Of course, no archer is complete without
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his bow. The squire hands the captain
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his long bow, which importantly does not
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have its bow string attached yet.
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Keeping long bows, or indeed any bow
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string, for long periods of time,
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weakens the bow and makes them more
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liable to breaking. So, the archers kept
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their bow strings separate, usually
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stowed away under their caps to keep
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them dry and out of rainy weather.
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Then just before a battle, they would
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knock the bow and do a few dry pulls on
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the string to warm up the bow ready for
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shooting.
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Finally, the archer wears his gloves.
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Leather gloves like these are an
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alternative to wearing a brace and
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finger guard. And archery gloves could
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also be made of deer skin.
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Now the longbowman is fully armed and
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ready for war.
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He is standing in front of a church,
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specifically All Saints Church at
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Crowfield, Suffukk.
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In England, it was a soft law that men
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were required to practice archery after
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church service on a Sunday, either in
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the churchyard or at the village green.
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And so, as a tip of the hat to this
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medieval law, this archer looses a few
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arrows to hone in on his skills, ready
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for the campaign ahead.
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At this point, I would like to thank the
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reenactors featured in today's video,
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both the archer and his squire.
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They are members of the Suffukk Swords
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reenactment group in East Anglia and are
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doing great work portraying alternative
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styles of armor during the 15th century.
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I have left a link to their social
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medias in the video description below,
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and I urge you all to support them by
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giving them a follow.
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Supporting these reenactors allows us to
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make more armoring videos just like this
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and get more people involved on the
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channel to show off highly authentic
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arms and armor throughout various
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periods of history.
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Showing our support also helps preserve
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the great hobby of reenactment and
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allows future generations to learn about
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hands-on history and perhaps be inspired
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[music] to get into the creative hobby
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themselves.
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