All language subtitles for Animotica 13 8 14 19 13

(Přepsáno pomocí TurboScribe.ai. Upgradovat na Neomezený pro odstranění této zprávy.) Now, the can-do wagons from Chrysler Corporation.

The cars that can do, in 59, that

can do.

What they look like, they can do.

They're the cars of the forward look.

59, they can do more than other cars

can do, for you!

Look at America's largest and most beautiful selection

of station wagons.

The can-do wagons of Chrysler Corporation.

22 handsome wagons to choose from.

Handsome they are, with the new Lusterbond super

enamel that can go up to 3 years

without waxing.

And how handsomely they perform.

This new Dodge Custom Sierra, as in all

nine passenger wagons of the forward look, has

the third seat that faces the back.

It keeps the kids safe and happy, and

out of your hair while you drive.

Notice there's no awkward swing-out top window.

The entire rear window rolls down into the

tailgate.

And here's an extra safety feature.

The tailgate won't open unless the window is

open, and you can control it from up

front electrically.

Naturally, all the windows on all the cars

of the forward look are of distortion-free

safety glass.

In the low-price field, Plymouth gives you

the big difference.

See how the third seat folds flat in

a touch.

Here you have enough space to carry whatever

you want.

In its field, Plymouth is roomiest of all.

In this six-passenger Plymouth, you can get

this under-the-floor secret compartment with lock

for valuable equipment.

In most wagons, this is where you'd find

the spare.

But look, you can have the spare tire

in the fender, out of the way and

easy to get to.

The can-do wagons bring you a new

kind of comfort, a new kind of driving

ease.

Take your whole family for a drive-in

one.

See your Plymouth, Dodge, DeSoto, or Chrysler dealer.

You'll find these are the wagons that can

do just about everything you want them to.

Most of the boys and girls on this

show and I have worked together in a

number of pictures, and I just love to

watch them dance.

So tonight, it gives me great pleasure to

turn them loose for a while.

All right, you're on.

That's the sort of thing that goes on

at the Fred Astaire Dance Studios every day

of the week.

Now, I must tell you the names of

those boys who did the specialties.

The first one was Jimmy Huntley, the second

was Roy Fitzell, and the third was Bert

May.

I wish I had time to mention all

those kids.

I just love them.

They're just wonderful.

Now, here comes a man, here comes a

man whom I consider plays a most eloquent

trumpet.

Jonah Jones.

Thank you for that fine introduction, Mr. A.

But what's about the eloquent trumpet?

Well, everyone knows that you make that horn

speak a language all its own.

Oh, wait a minute.

Come on now.

You know, my horn don't really talk.

Oh, yes, it does.

Well, I mean, let me put it this

way.

I like to think sometimes that my feet

tell a story in dance.

So maybe I make them talk a little

bit.

Well, look, you'll understand what I mean.

Now listen.

Now, what did I say?

Would you repeat that question again?

That's wow.

In fact, that's real crazy.

But that's not the question we rehearsed, though.

Jonah, after what's happened to some of the

quiz shows, we haven't rehearsed anything.

I agree with you.

I agree with you on that.

All I said was that I think that

you and I, we ought to get together

and do a number.

Now you say something.

Jonah, you're absolutely right.

But on the other hand...

Oh, you got a point there.

But I think it should be...

No, no, Jonah.

No, I think...

I was afraid you would say that.

But in that case, I must insist.

If you don't...

I'll be forced to...

Then I'll be forced to...

Jonah, you're interrupting me.

I hate to horn him, but...

Friends.

Friends.

Yes.

Okay, we'll do it your way.

No, no, let's do it your way.

No, no, we'll do it your way.

No, I like your way better.

No, no.

Okay, then.

We've decided that Jonah is going to sing,

and we're going to dance his version of

St. James Infirmary.

bass, drums, &

clarinet play

Folks, I went down Down to St. James

Infirmary Down to St. James Infirmary Saw my

baby Layin' there She was stressed out

Stressed out on a long white table So

sweet So cool So fair So Let

her go, God bless her Wherever she may

be She can search She can search This

whole wide world over But she'll never find

Another sweet man like me When I die

Give me six crapshootin' pallbears Let a chorus

girl Sing me a song Put a red

Hot jazz band at the top of my

head So we can raise Hallelujah As we

march along bass, drums, &

clarinet play built for the one man in

four who wants a little bit more.

This DeSoto sportsman hardtop, for instance, proves it's

a man-size car.

You can sit up straight, even with a

hat on.

You get more leg room, more hip room,

more all-around riding comfort.

And here's good news for knees.

No knee-knocker windshield post, as in other

makes.

You get a full-size door opening.

And Chrysler Corporation does more to let you

get in and get out of a car

easily.

And finally, exclusive new swivel seats.

In one easy motion, you're in or you're

out in a graceful swing.

All this and exclusive Torsion Air ride acknowledged

by experts as the best ride on the

road, yours at no extra cost on all

our cars.

Torsion Air, total contact brakes, constant control power

steering make these the easiest handling and safest

cars on the road.

And here is the most elegant expression of

the forward look.

Imperial, excellence without equal.

A new tradition of custom craftsmanship in the

fine car field.

Your dealers have these cars now ready and

waiting for you to give them a ride

and a drive.

We're proud of these cars of ours and

we think you'll find one just right for

you.

They're the cars of the forward look.

59 they can do more than other cars

can do for you!

It's been my good fortune to have had

a lot of great songs dropped into my

lap.

I mean, I've had the privilege of introducing

those that were written especially for the various

shows and pictures that I've been in.

Songs by Irving Berlin, Cole Porter, George and

Ira Gershwin, Jerome Kern, Johnny Mercer, and others.

I'd like to run a medley of those

tonight, if I may.

I want to start off with the title

song of a musical comedy my sister Adele

and I did on Broadway.

Let me see, we did that show in

19...

I won't tell you.

Oh, sweet and lovely Lady, be good Oh,

Lady, be good To me I am so

often misunderstood So, Lady, be good To me

Oh, please have some pity I'm all alone

in this big city And I tell you,

I'm just lonesome Baby, so, Lady, be good

to me Heaven I'm in heaven

And my heart beats so that I can

hardly speak And I seem to find the

happiness I seek When we're out together Dancing

cheek to cheek Hi, Ginger A fine

romance Good night This is a fine romance

My friend, this is You never give the

orchids I send a glance No, you like

cactus plants This is a fine romance The

way you wear your hat The way you

sip your tea The memory of all that

No, no, they can't take that away from

me No, they can't take that away from

me Holding hands at midnight Meet the starry

sky Nice work if you can get it

And you can get it if you try

Loving one who loves you And then taking

that vow Nice work if you can get

it And if you get it Won't you

tell me how A foggy day In London

town Had me low and it had me

down I viewed the morning with alarm The

British Museum had lost its charm How long,

I wonder, would this thing last But the

age of miracles hadn't passed For suddenly I

saw you there And through foggy London town

The sun was shining everywhere I won't dance,

don't ask me I won't dance, don't ask

me I won't dance, mad am with you

I know that music leads the way to

romance And if I ask you, hold you

in my arms I won't dance I won't

dance When an irresistible force Meets

an old immovable object Like me You can't

bet as sure as you live Some's gotta

give, some's gotta give Some's gotta give Night

and day You are the one Only you

beneath the moon And under the sun Whether

near to me or far It's no matter

darling where you are I think of you

Night and day Night and day Under the

hide of me There's an oh such a

hungry yearning Burning inside of me And it's

torment won't be through Till you let me

spend my life Making love to you Day

and night Night and day I'm

putting on my top hat I'm putting on

my top hat Brushing off my fur I'm

doing up my shirt front Putting in shirt

and stud Polishing my nails I'm steppin' out

my window, breathin' out of a spindle, that's

a beautiful glass.

And I trust that you can see my

guts when I step off the gas.

Nobody there, puttin' down the pump, and tiein'

up the white tie.

There's just no one like you.

Thank you

very much.

A song and dance man has problems, you

know.

I mean, you know, it's always a song

and a dance, and a song and a

dance, and then the problem comes when you

have to sing after a dance.

Oh, brother.

I marvel at the way some of these

fellas do it.

Now, I saw Danny Kaye in his stage

show, and my goodness, well, he dances all

over the place in comedy routines, climbs all

over the orchestra, and then, you know, sings

song after song without the slightest bit of

effort.

Oh, it's amazing.

And then Sammy Davis, Jr., he rips the

floor to shreds with a terrific dance, and

then sings a slow ballad, you know.

So, well, how do they do it?

And, you know, Dad here got an idea,

so I got curious, and I started to

experiment.

I'm going to try the next, I'm going

to do one more song, and before I

do it, I want to see if I

can get tired.

I want to get out of breath.

Here, file that, please.

Thank you.

Don't take this routine seriously, please.

I'm just trying to get tired.

I'm not tired enough yet, wait a minute.

Oh, I know one show.

This'll fix it.

Oh, Danny.

So whenever you're ready, Danny.

What have I done, what have I...

Danny.

It's all right, I'll get out the way

I got in.

The weather is frightening.

The thunder and lightning Seem to be having

their way But as far as I'm concerned

It's a lovely day The turn in the

weather Will keep us together So I can

honestly say That as far as I'm concerned

It's a lovely day And everything's okay Oh,

my Isn't this a lovely day To be

caught in the rain You were going on

your way Now you've got to remain Just

as you were going Leaving me all at

sea The clouds broke They broke And oh,

what a break for me Yeah, give it

up.

So let the rain settle down Because it

really doesn't matter If the skies are gray

Take it away, Danny.

Take it away, Danny.

Thank you very much.

Time is gone.

Time has gone by.

It went by so fast, I don't know

how.

We have never had such a good time.

I want to say this has been a

great deal of fun and I want to

thank the Chrysler Corporation for making it all

possible.

I only hope the show It's as good

as the cars.

Thank you very much, and good night.

This program was brought to you in living

color.

This is Art Gilmore reminding you next week

at this time to see M-Squad starring

Lee Marvin and the New Adventures of the

Thin Man starring Peter Lawford and Phyllis Clark

over most of these NBC stations.

See the Lawrence Welk Show twice each week

over another network.

And be sure to see the new Plymouth

and Dodge at your dealers now.

And watch for the DeSoto, Chrysler, and Imperial

October 24th.

This program has been brought to you by

Chrysler Corporation, where you get the good things

first.

Makers of Plymouth, Dodge, DeSoto, Chrysler,

Imperial, and new Dodge Power Giant trucks.

The Forward Look 59.

Opera star Helen Traubel teaches Jerry Lewis rock

and roll on the Jerry Lewis Show in

color tomorrow on the NBC Television Network.